Bygone Days Quotes

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment.

Where shadows dim with shadows mate, in caverns deep and dark. Where old books dream of bygone days, when they were wood and bark...

Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.

No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment.

A poem by Margot Bickel A little peace within the last hours of the almost bygone day a little silence between the days so that the nascent yesterday does not get in the past and tomorrow is lived for today

He saw himself and his fathers crowding round their ancestral shrine waiting in vain for worship and sacrifice and finding nothing but ashes of bygone days..

I was lingering out on the pavement. There was a missing person inside of myself and I needed to find him . . . I felt done for, an empty burned-out wreck . . . Wherever I am, I'm a '60s troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

Evey: Who are you? V. : Who? Who is but the form following the function of what and what I am is a man in a mask. Evey: Well I can see that. V. : Of course you can, I’m not questioning your powers of observation, I’m merely remarking upon the paradox of asking a masked man who he is. Evey: Oh, right. V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the “vox populi” now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honour to meet you and you may call me V. Evey: Are you like a crazy person? V. : I’m quite sure they will say so.

If slavery persists as an issue in the political life of black America, it is not because of an antiquarian obsession with bygone days or the burden of a too-long memory, but because black lives are still imperiled and devalued by a racial calculus and a political arithmetic that were entrenched centuries ago. This is the afterlife of slavery--skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.

Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the “vox populi” now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honour to meet you and you may call me V.

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I let go of the river’s song

Winter rain on moss soundlessly recalls those happy bygone days

No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step,

Nostalgia is a bittersweet emotion; it entails the act of recalling complicated memories of bygone days.

He would not mind hearing Petrus's story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa. Stretches of English code whole sentences long have thickened, lost their articulations, their articulateness, their articulatedness. Like a dinosaur expiring and settling in the mud, the language has stiffened. Pressed into the mold of English, Petrus's story would come out arthritic, bygone"(117).

Smoke and Cigar Aficionado. It was a personal touch, a nod to bygone days, and Keith felt right at home here. A creature of habit, he’d been coming into Rudy’s every weekday

Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...

To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!

People despair of love stupidly – I have despaired of it myself — they live in servitude to this idea that love is always behind them, never before them: bygone years, lies about forgetting after twenty years. They can bear to admit – and force themselves to – that love is not for them, with its procession of clarities, with this look it casts upon the world from all the eyes of diviners. They are limping with fallacious memories, for which they even invent the origin of an immemorial fall, so as not to find themselves too guilty. And yet for each, the promise of each coming hour contains life's whole life secret, perhaps about to be revealed one day, possibly in another being.

much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I let go of the river’s song and found the music of that big house. I found room for a new life, a new mother who cared for me, and a new father who patiently taught me not only how to play music, but how to trust. He was as good a man as ever I’ve known.

Family stories intermingle in such ways that what happened generations ago can have an impact on seemingly irrelevant developments of the present day. The past is anything but bygone.

They kept on together by force of a steadfast mixture of resignation and forbearance, seemingly without the balm of hope or any prospect for a better future. As for the past, they rarely spoke of it. Indeed at times they appeared to shun even the mere mention of bygone days, as if by by tacit agreement.

[On writing more Sherlock Holmes stories.] ‘I don’t care whether you do or not,’ said Bram. ‘But you will, eventually. He’s yours, till death do you part. Did you really think he was dead and gone when you wrote “The Final Problem”? I don’t think you did. I think you always knew he’d be back. But whenever you take up your pen and continue, heed my advice. Don’t bring him here. Don’t bring Sherlock Holmes into the electric light. Leave him in the mysterious and romantic flicker of the gas lamp. He won’t stand next to this, do you see? The glare would melt him away. He was more the man of our time than Oscar was. Or than we were. Leave him where he belongs, in the last days of our bygone century. Because in a hundred years, no one will care about me. Or you. Or Oscar. We stopped caring about Oscar years ago, and we were his bloody *friends.* No, what they’ll remember are the stories. They’ll remember Holmes. And Watson. And Dorian Gray.

This is most authentic of dying old U.S. culture, a rare retained artifact carrying flavor of bygone halcyon day.

I asked myself whether, in bygone days, men had longed for bygone days as I, this summer morning, longed for certain ways of life that man had lost forever.

There is a proverbial ecstasy in the way we yearn for memories of bygone days!

It is a part of the river in which to dream of bygone days, and vanished forms and faces, and things that might have been, but are not, confound them.

The elderly remember bygone days and dates, they have a wonderful way of hoarding in their heads all manner of trifles as if they were valuable, as if they might one day stand them in good stead.

Those words went unheeded at the time, but when Europe was rebuilt after the Second World War, the Western powers embraced the principle that market economies needed to guarantee enough basic dignity that disillusioned citizens would not go looking once again for a more appealing ideology, whether fascism or Communism. It was this pragmatic imperative that led to the creation of almost everything that we associate today with the bygone days of “decent” capitalism—social security in the U.S., public health care in Canada, welfare in Britain, workers’ protections in France and Germany. A

The past is like the night: dark but sacred. It's the time when most of us sleep, so we think of the day as the time we really live, the only time that matters, because the stuff we do by day somehow makes us who we are. We feel the same way about the present. We say, let bygones be bygones... Water under the bridge. But there is no day without night, no wakefulness without sleep, no present without past. They are constantly somersaulting over each other.

When memory of bygone days My spirit would detain, Down long and often trodden ways I travel the past again. Above your house are lit as then The same bright stars of old. That shone those summer evenings when My passion's tale I told....

No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. "Before we were yours

this first hour of arrival before one was again pierced by knives and arrows—this strange animal feeling, this breath reaching far and coming from afar, this breeze, without emotion yet, along the streets of the heart, past the dull fires of facts, past the nail-studded cross of bygone days and past the barbed hooks of the future, this caesura, the silence within oscillation, the moment of pause, most open and most secret form of being, the unemphatic beat of eternity in the very transitoriness of the world

Near by is an interesting ruin—the meagre remains of an ancient heathen temple—a place where human sacrifices were offered up in those old bygone days when the simple child of Nature, yielding momentarily to sin when sorely tempted, acknowledged his error when calm reflection had shown it him, and came forward with noble frankness and offered up his grandmother as an atoning sacrifice—in those old days when the luckless sinner could keep on cleansing his conscience and achieving periodical happiness as long as his relations held out;

The subjects of them did not look tragic. They looked, actually, rather ridiculous, since nearly all of them were dressed in the style of a bygone day, and nothing is more ridiculous than the fashions of yesterday—though in another thirty years or so their charm may have reappeared, or at any rate be once more apparent.

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something

Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment

Jesus Fart-Gargling Christ, what the fuck is wrong with you? Somehow you’ve made me miss those bygone, halcyon days when you merely endorsed pedophiles.

You see, there is one thing I learned from following in Papa Sevier’s footsteps as I grew up. Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today,

When you are young, you cannot imagine what it is like to be old. When you are old, you often reflect on bygone youthful days when you felt invincible and the world was yours to explore - Huja

Men deluded themselves when they believed in better days, some bygone era when the sun shone brighter. Better days had never existed. Joy had always been stolen, and sweeter because of that fact.

If only in bygone days I had understood that it is not the wittiest man, the best educated, the man with the best social relationships who becomes a Bergotte but he who knows how to become a mirror and is thereby enabled to reflect his own life, however commonplace, (though his contemporaries might consider him less gifted than Swann and less erudite than Bréauté) and one can say the same, with still more reason, of an artist’s models.

By day, it was merely the Lane That Time Forgot; perfect for a bygone age when a pony and trap might have trotted merrily down to the village and back, but less suited to modern requirements and any car without a ‘thin’ button.

One night in long bygone times, man awoke and saw himself. He saw that he was naked under cosmos, homeless in his own body. All things dissolved before his testing thought, wonder above wonder, horror above horror unfolded in his mind. Then woman too awoke and said it was time to go and slay. And he fetched his bow and arrow, a fruit of the marriage of spirit and hand, and went outside beneath the stars. But as the beasts arrived at their waterholes where he expected them of habit, he felt no more the tiger’s bound in his blood, but a great psalm about the brotherhood of suffering between everything alive. That day he did not return with prey, and when they found him by the next new moon, he was sitting dead by the waterhole.

You have come from the Citadel—I know, you see, something of your journeyings and history—that great fortress of bygone days, so you must possess some feeling for the past. Has it never struck you that mankind was richer by far, and happier too, a chiliad gone than it is now?” “Everyone knows,” I said, “that we have fallen far from the brave days of the past.” “As it was then, so shall it be again. Men of Urth, sailing between the stars, leaping from galaxy to galaxy, the masters of the daughters of the sun.

When Einstein calls you the most significant and creative woman in the history of mathematics, you can probably call it a day and go home. Unless you're Emmy Noether, whose pursuit of game-changing innovation in the field of numbers was, in a word, tenacious.

Sometimes bygone springs, full of warmth and scents, blossom yet again inside us. And we carry them through the winter, protecting them with our chests. Then, one day, those bygone springs begin protecting our chests from the frost when we find ourselves on the other side of the window, where winter is not just a picture. It is now the ninth winter that I have had such a spring inside me, and it is still keeping me warm. Imagine, in this winter, two such springs touching like the scents of two meadows. That is what we need instead of overcoats. . .

Grandfather died a few days after his hundredth birthday. Both Father and I were there at the end, in the room where I'd been born, forty-four years ago. It was not unlike that day, with sunlight streaming through the windows, and hummingbirds hovering outside, iridescent sun-glittering flashes of jewels. A dove was calling, back in the cool shade. Grandfather's hand was cool, as cool as the river. He tried to sit up to look out at the sunlight. "Sycamores grow by running water," he sang, "cottonwoods by still water," and then he died, and I felt a century slip away.

Everywhere that we looked, were objects & artifacts reminiscent of a bygone age. of war & destruction, of mankind's determination to rule his neighbour, to prove how mighty he and his people are, yet a romance of days past that I am drawn to like a soul lost and hearing his lovers cries to him

[...] I'd wake up in the middle of the night to the Star-Spangled Banner and some old film of a flag blowing in the wind, telling you the day was over and it was long past time to go to bed. That was back when days used to end, before CNN and infomercials, before all our days bled right into each other.

who had supplied them and who had paid for them? It was a new power that sought to come into power, one and the same power which was at work here, there and everywhere, a power that loved violence and stood in need of violence and to which all those concepts to which we held and for which we lived – peace, humanity, conciliation – seemed infirmities of a bygone day. It was mysterious groups, screened by offices and businesses which cynically diverted the naïve idealism of youth to their lust for power and their concerns. It was the will to violence which sought with a new and subtler technique to engulf our unfortunate Europe in the old barbarism of war.

Those who rage against and work against expanding the electorate know what's at stake. The goal is to block access to the ballot and to policy making because letting the agitators inside might yield new laws to remedy inequality or injustice. The fear of these elected officials is a loss of power, grounded in an assortment of causes like racism, sexism, homophobia, religious intolerance, or an inchoate desire to keep the world as it was when they sat at the peak of influence. They forget that the bygone days of political tranquility never truly existed—the agitators simply hadn't amassed sufficient power to be heard. But they are getting closer to it every day.

But when vague rumours got abroad, that in this Protestant association a secret power was mustering against the government for undefined and mighty purposes; when the air was filled with whispers of a confederacy among the Popish powers to degrade and enslave England, establish an inquisition in London, and turn the pens of Smithfield market* into stakes and cauldrons; when terrors and alarms which no man understood were perpetually broached, both in and out of Parliament, by one enthusiast who did not understand himself, and by-gone bugbears which had lain quietly in their graves for centuries, were raised again to haunt the ignorant and credulous; when all this was done, as it were, in the dark, and secret invitations to join the Great Protestant Association in defence of religion, life, and liberty, were dropped in the public ways, thrust under the house-doors, tossed in at windows, and pressed into the hands of those who trod the streets by night; when they glared from every wall, and shone on every post and pillar, so that stocks and stones appeared infected with the common fear, urging all men to join together blindfold in resistance of they knew not what, they knew not why;—then the mania spread indeed, and the body, still increasing every day, grew forty thousand strong.

The unique platform at Baalbek has been there from bygone days, and it is still there intact in its enigmatic immensity; Mount St. Katherine is still there, rising as the highest peak of the Sinai peninsula, hallowed since ancient days, enveloped (together with its twin-peaked neighbor, Mount Mussa) in legends of gods and angels; Fig. 124 The Great Pyramid of Giza, with its two companions and the unique Sphinx, is situated precisely on the extended Ararat-Baalbek line; and The distance from Baalbek to Mount St. Katherine and to the Great Pyramid of Giza is exactly the same. This, let us add at once, is only part of the amazing grid which—as we shall show—was laid out by the Anunnaki in connection with their post-Diluvial Spaceport. Therefore, whether or not the conversation had taken place aboard a shuttlecraft, we are pretty certain that that is how the pyramids came to be in Egypt.

Arise and do on gladness, lest the clouds roll on and lower O'er the heavy hearts of the people in the Niblungs' parting hour. So he spake, and his love rejoiced her, and they rose in the face of the day, And no seeming shadow of evil on those bright-eyed King-folk lay. Lo now, a stir by the doorway, and men see how great and grand Come the Kings of Giuki begotten, all-armed, and hand in hand: Where then shall the world behold them, such champions clad in steel, Such hearts so free and bounteous, so wise for the people's weal? Where then shall the world see such-like, if these must die as the mean, And fall as lowly people, and their days be no more seen? They go forth fair and softly as they wend to the seat of the Kings, And they smile in their loving-kindness as they talk of bygone things. Are they not as the children of Giuki, that fared afield erewhile In hope without contention, mid the youth that knew no guile?

The Mysterious Visitor Spirit, lovely guest, who are you? Whence have you flown down to us? Taciturn and without a sound Why have you abandoned us? Where are you? Where is your dwelling? What are you, where did you go? Why did you appear, Heavenly, upon the Earth? Mayhap you are youthful Hope, Who arrives from time to time Cloaked in magic From a land unknown? Merciless as Hope, Sweetest joy you show us For a moment, then Take it back and fly away. Was it Love that you enacted For us all in mystery? . . . Days of love, when one beloved Rendered this world beautiful Ah! then, sighted through the veil Earth did seem unearthly... Now the veil has lifted; Love is gone; Life is empty, joy - a dream. Was it Thought, enchanting You embodied for us here? Far removed from every worry, With a dreamy finger pointing To her lips, she sallies forth Just like you, from time to time, Ushers us without a sound Back to bygone days. Or within you dwells the sacred spirit Of Dame Poetry? . . . Just like you, she came from Heaven Veiling us twofold: Using azure for the skies, And clear white for earth; What lies near is lovely through her; All that's distant - known. Or perhaps 'twas premonition That descended in your guise And to us with clarity described All that's sacred and divine? Thus it often happens in this life: Something brilliant flies to meet us, Raises up the veil And then beckons us beyond.

By taking sides against appearance and speaking about “perspective” in a newly arrogant tone, by granting their own bodies about as little credibility as they grant the visual evidence that says “the earth stands still,” and so, with seemingly good spirits, relinquishing their most secure possession (since what do people believe in more securely these days than their bodies?), who knows whether they are not basically trying to re-appropriate something that was once possessed even more securely, something from the old estate of a bygone faith, perhaps “the immortal soul” or perhaps “the old God,” in short, ideas that helped make life a bit better, which is to say stronger and more cheerful than “modern ideas” can do?

memoir A Ride in the Neon Sun. Here’s what she says about traveling: Some people travel with firm ideas for a journey, following in the footsteps of an intrepid ancestor whose exotic exploits were happened upon in a dusty, cobweb-laced attic containing immovable trunks full of sepia-curled daguerreotypes and age-discoloured letters redolent of bygone days. Others travel for anthropological, botanical, archaeological, geological, and other logical reasons. Some are smitten by a specific country brewed from childhood dreams. For others, travel is a challenge, a release, an escape, a shaking off of the shackles, and even if they don’t know where they will end up they usually know where they will begin. The very hardest part of writing this book was that I was unable to stop working on it. I kept reading even after the initial manuscript was turned in, discovering new titles and authors whose works I just couldn’t bear to leave out. I even envisioned myself watching the book being printed and shouting periodically, “Stop the presses!” so that I could add yet another section or title. But of course the day actually came when I knew I had to stop or there would never be an end to the project.And here is the result, in your hands right now. So, before your next trip—either virtual or actual—grab a pen and begin making notes about the titles that sound good to you. And enjoy the journeys. I’d love to hear from you. My email address is nancy@nancypearl .com.

For too long we have been the playthings of massive corporations, whose sole aim is to convert our world into a gargantuan shopping 'mall'. Pleasantry and civility are being discarded as the worthless ephemera of a bygone age; an age where men doffed their hats at ladies, and children could be counted on to mind your Jack Russell while you took a mild and bitter in the pub. The twinkly-eyed tobacconist, the ruddy-cheeked landlord and the bewhiskered teashop lady are being trampled under the mighty blandness of 'drive-thru' hamburger chains. Customers are herded in and out of such places with an alarming similarity to the way the cattle used to produce the burgers are herded to the slaughterhouse. The principal victim of this blandification is Youth, whose natural propensity to shun work, peacock around the town and aggravate the constabulary has been drummed out of them. Youth is left with a sad deficiency of joie de vivre, imagination and elegance. Instead, their lives are ruled by territorial one-upmanship based on brands of plimsoll, and Youth has become little more than a walking, barely talking advertising hoarding for global conglomerates. ... But now, a spectre is beginning to haunt the reigning vulgarioisie: the spectre of Chappism. A new breed of insurgent has begun to appear on the streets, in the taverns and in the offices of Britain: The Anarcho-Dandyist. Recognisable by his immaculate clothes, the rakish angle of his hat and his subtle rallying cry of "Good day to you sir/ madam!

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.

Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would. --Garden of the Dragons c h. 23

Darwin and Nietzsche were the common spiritual and intellectual source for the mean-spirited and bellicose ideological assault on progress, liberalism, and democracy that fired the late-nineteenth-century campaign to preserve or rejuvenate the traditional order. Presensitized for this retreat from modernity, prominent fin-de-siècle aesthetes, engages literati, polemical publicists, academic sociologists, and last but not least, conservative and reactionary politicians became both consumers and disseminators of the untried action-ideas. Oscar Wilde and Stefan George were perhaps most representative of the aristocratizing aesthetes whose rush into dandyism or retreat into cultural monasticism was part of the outburst against bourgeois philistinism and social levelling. Their yearning for a return to an aristocratic past and their aversion to the invasive democracy of their day were shared by Thomas Mann and Hugo von Hofmannsthal, whose nostalgia for the presumably superior sensibilities of a bygone cultivated society was part of their claim to privileged social space and position in the present. Although they were all of burgher or bourgeois descent, they extolled ultra-patrician values and poses, thereby reflecting and advancing the rediscovery and reaffirmation of the merits and necessities of elitism. Theirs was not simply an aesthetic and unpolitical posture precisely because they knowingly contributed to the exaltation of societal hierarchy at a time when this exaltation was being used to do battle against both liberty and equality. At any rate, they may be said to have condoned this partisan attack by not explicitly distancing themselves from it. Maurice Barrès, Paul Bourget, and Gabriele D'Annunzio were not nearly so self-effacing. They were not only conspicuous and active militants of antidemocratic elitism, but they meant their literary works to convert the reader to their strident persuasion. Their polemical statements and their novels promoted the cult of the superior self and nation, in which the Church performed the holy sacraments. Barrès, Bourget, and D'Annunzio were purposeful practitioners of the irruptive politics of nostalgia that called for the restoration of enlightened absolutism, hierarchical society. and elite culture in the energizing fires of war.

the book of 944 design guidelines for text-based user interfaces of bygone days that Smith and Mosier of Mitre Corporation developed for the U.S. Air Force (Mosier & Smith, 1986; Smith & Mosier, 1986).

The empty trams, in a way, define Calcutta. That they mostly run empty means the city has long moved on; but that they continue to run despite poor patronage shows that the city, even as changing times push it into the future, finds great comfort in its past. Calcutta's eagerness to hold on to the days bygone— perhaps born out of the Bengali's inherent love for nostalgia—is what sets it apart. It's a once-upon-a-time-city.

Instead, we have to remember to treat every day and every moment as if it was a clean slate. Bygones—let them go. Those other spazzes were in the past. We’re creating this new moment and it can go any way we want.

Many of us, I most certainly, hunger for something fresh and new and challenging and not convenient, not accommodated to the culture of this or any other bygone day.

Envy said, “Girl, I remember well, ye, who I flung from Hell, and not a day has passed, I haven’t missed the loss of your soul that I mourned, I’ve been bereft and forlorn, for the sweet taste of your flesh I’ve yet to kiss. But no worries—bygones, that’s the past—long gone, I don’t hold a grudge, no, in no way. And though your family they did swindle my joy of flaying ye on a spindle, I begrudge ye not a little, so let’s play. So, merely toss your token in my well, and all your dreams I will unveil, for ye alone, them I’ll grant. Come closer, little Penny, your hands I know are not empty, ye have something I dreadfully want.

TODAY Yesterday was a TODAY; bygone Everyday is a TODAY; in action...! Tomorrow is a TODAY; imminent We cant repossess yesterday We cant do anything in Tomorrow; We acquire TODAY as the day of action; Be somebody, Do something special ; make every TODAY, a special day...!!!

We are always awaiting the Messiah that never arrives. I long for bygone days where every dawn brought a new eschatology and an interminable queue of prophets preached humanity’s impending salvation as if it were syndicated. It must have been joyous to receive a fresh messiah weekly, and to be regaled with inspiring tales of the glory that lay ahead. When those false idols were smashed others took their place, from progress to the realization of History. None of this means anything to the cockroaches or rats anyway.

If only the wanderer could have seen the real city. He imagined it beautiful and untainted, a forgotten relic of bygone days

We are always awaiting the Messiah that never arrives. I long for bygone days where every dawn brought a new eschatology and an interminable queue of prophets preached humanity’s impending salvation as if it were syndicated. It must have been joyous to receive a fresh messiah weekly, and to be regaled with inspiring tales of the glory that lay ahead.

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I let

we can live in none but the present the past is past the bygone days cannot be filled with life we are no time travellers

Exhaustion Salima sat in the fancy hotel room In the evening time. Here she is again in another foreign city, Attending a conference discussing “human rights”. Her eyes roamed the room. She suddenly felt a severe chill in her body. She suddenly realized that she is exhausted, But her exhaustion is not that of one day, It was one of a lifetime! It fell upon her abruptly. The thoughts of the bygone years Nested in her head, Were suddenly awoken. One thought after another. She realized at that moment That she is tired of responding to The same absurd questions About her origins Her ethnicity, Her religion, Her hobbies, Her favorite foods, Her education background, Her age, And her occupation. Questions asked frequently by people who don’t care. She suddenly realized That throughout her life, She never found a friend who could really understand. The evening was about to draw its dark curtains. She remembered that ever since she was a child, She had been hiding her favorite words and writings In notebooks that nobody will read. She has been murmuring her favorite tunes, In places where nobody could hear her. The evening was about to draw its dark curtains. She realized that her true thoughts and feelings Lived nowhere expect inside of her head, And there they will most likely die. Her head had become like a prison for her thoughts. The evening was about to draw its dark curtains. She suddenly realized That she had wasted so many years of her life Looking for someone who might understand. And each time she thought she had found one, She found herself in yet another prison. She looked through the window of the fancy hotel room And saw that the darkness had covered the entire city. September 9, 2017

No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or

Frankly, out in America, you get the feeling that America is dying. And along its highways and byways, the country seems less ready to leap into the future than it is already clinging to a sepia-toned past when America stood as the unencumbered Big Boy in a Manichean world of good and evil, capitalists and Commies. Even the neon oasis-pods of the interstate—the perpetual clusters of Wendy’s, McDonald’s, Denny’s, and Burger King—are crowded with people strangely reclaiming bygone days, connecting themselves to some prior eating experience, reveling in the familiar. We gas

bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I let go of the river’s song and found

Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment.

You're old enough to hear this, Randy. You're old enough to learn from it. Someday you'll be married, and at first it'll be a bed of roses, and then the humdrum starts in and you forget to do the small things that made that person fall in love with you in the first place. You stop saying good morning, and picking up his shoes when he forgets to take them to his closet, and bringing home the special kind of Dairy Queen he likes. After all, it's out of your way and you're in a hurry. When he says, Do you want to take a bike ride after supper? you say no because you've had a rough day, so he goes alone and you don;t stop to realize that you'd gone with him it would have made your day a little better, And when he takes a shower before bed, you roll over and pretend to be asleep already because, believe it or not, you become to consider sex work. You stop doing these things, and then the other one stops doing them, and pretty soon you're substituting criticism for praise, and giving orders instead of making requests, and letting sex fall by the wayside, and in no time at all the whole marriage falls apart.

The world to-day is full of controversy about wealth, capital, and money, and because humanity, through its peculiar time-binding power, binds this element “time” in an ever larger and larger degree, the controversy becomes more and more acute. Civilization as a process is the process of binding time; progress is made by the fact that each generation adds to the material and spiritual wealth which it inherits. Past achievements—the fruit of bygone time—thus live in the present, are augmented in the present, and transmitted to the future; the process goes on; time, the essential element, is so involved that, though it increases arithmetically, its fruit, civilization, advances geometrically.

Set thee sail to faintest ballad sung; as cascading waves echo risen yester-’s dawn. Forging forth in fog’s tomorrows hung; through bygone shadow bearing sorrow’s spawn. Yet seen, flowing hither, 'til sprung; as far-flung passages unto its current drawn. Cast adrift amidst the whisp’ring sea; ere oar’s wake greets break of day’s incline. Neither isle to see nor fabulous tree; or sparrow’s flight, o’er sabulous shoreline. Hast not shelter or promis'd joy alee; ne'er yore star lights meet last ray’s shine. Lofty elysian orbs hearken eons spent; dead-reckon thy course ‒ by each glint amend. Faded blooms first wither to reorient; fated plumes doom verse whither 'twas penned. Oft gone awry 'fore new insights lent; through pallid night 'tis writ journey’s end. A mist veiled rose rouses vivid prose; all rhymes return astern to treasure therein. Crows alit in rows, hidden suns arose; ‘tis sublimely writ once upon a tale's begin. Whist muse's woes fill night's repose; wherein the voyager’s destiny abides in time.

Bombay, a city where Gujaratis and Maharashtrians and Tamilians and Parsis become Bombaykars, allegiances shifted to contemporary urban existence rather than to the regions that created them. The Joshis considered themselves modern, but in one respect they rang a bit of the bygone days: the parents—an excise tax officer and a housewife

The philosophy of atheism had temporarily failed in previous ages, since the knowledge of those ages did not furnish facts enough upon which to build. At the present, although our knowledge is far from complete and the surface has only been scratched, yet sufficient facts have been unearthed, to reveal that there is no supernatural and the greatest hope of advancement lies in the philosophy of atheism. A philosophy that builds upon a foundation of purely secular thought, that leaves the idea of God completely discarded as a useless and false relic of bygone days, is the essence of atheism.

Expression of the bygone All relationships are going to end naturally or not. It is all up to you and what you want, I choose to stay in this relationship forever, and doing it is too difficult sometimes. Just remember you have choices in life. So, what are you going to listen to? Your inner voice or the ones that are all around you and me? It is just like we all needed to get off the cyber walls and take our life’s back. The webbed walls were doing nothing but showing names with faces that label others with either good or bad stigmas, it could not be deleted, and it would follow you everywhere you went… even if you had a past that was made up by someone else it remained with you. It needed to end; it was ripping the world apart. I still believe that we all need to find real friends in person if you can in this day and age, we should not spend all of our free time looking at faces on a screen, that are deceiving what true thoughts of friendship should stand for. Please remember they are not your so-called friends… they are not your friends on there at all, if you do not or cannot talk to them in real life. Then what in the hell makes, you think you can chat with them on the webbed walls of the internet, and not real life? They are just there to look into your business, so stop being stupid. They do not care about you at all. They are stopping you from achieving your desires in your life, by talking or chatting behind your back, and how do you truly know what they are saying if you are blocked out, or who it is that is saying it. They do not care about you! So, I ask why should you care about them by having them on a profile or friends list; it is useless and completely immature?

Like the criminal boogeymen of bygone times—the poisoner, the juvenile delinquent, the wild-eyed hippie madman—the serial killer no longer personifies the deepest anxieties of the day. That role is now played by the mass murderer. In our post-9/11, post-Columbine era, the monster we fear is not the night-stalking psycho, preying on one victim after another, but the “human time bomb,” primed to commit a single act of wholesale, apocalyptic violence: the terrorist planting a weapon of mass destruction in a public space, the suicide bomber detonating himself in a crowd, the school shooter on a rampage with high-powered assault weapons.

unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I let go of the river’s song and found the music of that big house. I found room for a new

I learned from following in Papa Sevier’s footsteps as I grew up. Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around

A sense of nostalgia for bygone days underlaid the cheerful vitality of their working-class neighbourhood.

There was no point dwelling on what happened yesterday when all that ever mattered was what to eat tomorrow. Everything else was bygones—remnants of the past in wispy strands of memory, getting hazier by the day until one day it would snap, and that was that.

Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I

The roof-tile couple on the palace roof must be longing for lovely, bygone days. Caressing each other’s wrinkled faces, they stare up at the sky without a word. -The Roof-Tile Couple

not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment.

Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I

music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment.

With her! Today and at the moment right now, But soon, nowhere and no more now, That is how she loves me, Always now, but in a moment nowhere to be, Today dreaming about yesterday, Where tomorrow is never meant to be today, An un-ending streak of yesterdays and todays, Where she is nothing more than the memory of the bygone days, And how the memories flashback in every passing moment, Reminding me of her and her seductive scent, As she flashes before my eyes, I curse my helplessness because I cannot hold her despite my million tries, Then something within me cries and slowly dies, And in this permanent visual fixation now my heart lies!

It ended there. All that could have been, but was not. Everything that was supposed to happen, but did not. When I think of who I was before that day, it seems like two different lives. There's a rupture, a discontinuity in the story. It's as if the girl I was had another ending, and the person I am now is the result of a completely different childhood. I have learned that in life, we have no right to make mistakes. One mistake can cost us everything. Yet, before reaching that point, it’s not a crime to fall apart. I allowed myself to lose my way because I had so much to say to all the perpetrators of my torment, but I would never get the chance. I had to bury those words so deeply, until they no longer mattered. This process left me on the verge of collapse. I admit, I only overcame the anguish of my failures when, some time later, I stopped deceiving myself. As I heard the music playing in the halls of Munlaat, I realized: bygones are bygones. What matters is now. It’s true that sometimes we need life to shine a light on us, or rather, put us in the spotlight. That meeting in the movement's camp did just that for me. I decided it was time to start making better decisions. My future was not in Thita.

Cease the sage Grecian, and the Man of Troy to vaunt long Voyage made in bygone day: Cease Alexander, Trajan cease to 'joy the fame of vict'ories that have pass'd away: The noble Lusian's stouter breast sing I, whom Mars and Neptune dared not disobey: Cease all that antique Muse hath sung, for now a better Brav'ry rears its bolder brow.