Die Hard Christmas Quotes

We've searched our database for all the quotes and captions related to Die Hard Christmas. Here they are! All 33 of them:

He was a baby once. He must have been sweet and clean and his mother kissed his little pink toes. Maybe when it thundered at night she came to his crib and fixed his blanket better and whispered that he mustn't be afraid, that mother was here. Then she picked him up and put her cheek on his head and said that he was her own sweet baby. He might have been a boy like my brother, running in and out of the house and slamming the door. And while his mother scolded him she was thinking that maybe he'll be president some day. Then he was a young man, strong and happy. When he walked down the street, the girls smiled and turned to watch him. He smiled back and maybe he winked at the prettiest one. I guess he must have married and had children and they thought he was the most wonderful papa in the world the way he worked hard and bought them toys for Christmas. Now his children are getting old too, like him, and they have children and nobody wants the old man any more and they are waiting for him to die. But he don't want to die. He wants to keep living even though he's so old and there's nothing to be happy about anymore.
Betty Smith (A Tree Grows in Brooklyn)
Die Hard…Christmas movie? Yay or nay.
Trilina Pucci (Tangled in Tinsel (The More the Merrier, #1))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near. What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
Paul Auster (Timbuktu)
Dear Bill, I came to this black wall again, to see and touch your name. William R. Stocks. And as I do, I wonder if anyone ever stops to realize that next to your name, on this black wall, is your mother's heart. A heart broken fifteen years ago today, when you lost your life in Vietnam. And as I look at your name, I think of how many, many times I used to wonder how scared and homesick you must have been, in that strange country called Vietnam. And if and how it might have changed you, for you were the most happy-go-lucky kid in the world, hardly ever sad or unhappy. And until the day I die, I will see you as you laughed at me, even when I was very mad at you. And the next thing I knew, we were laughing together. But on this past New Year's Day, I talked by phone to a friend of yours from Michigan, who spent your last Christmas and the last four months of your life with you. Jim told me how you died, for he was there and saw the helicopter crash. He told me how your jobs were like sitting ducks; they would send you men out to draw the enemy into the open, and then, they would send in the big guns and planes to take over. He told me how after a while over there, instead of a yellow streak, the men got a mean streak down their backs. Each day the streak got bigger, and the men became meaner. Everyone but you, Bill. He said how you stayed the same happy-go-lucky guy that you were when you arrived in Vietnam. And he said how you, of all people, should never have been the one to die. How lucky you were to have him for a friend. And how lucky he was to have had you. They tell me the letters I write to you and leave here at this memorial are waking others up to the fact that there is still much pain left from the Vietnam War. But this I know; I would rather to have had you for twenty-one years and all the pain that goes with losing you, than never to have had you at all. -Mom
Eleanor Wimbish
I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t.  Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3).  And Paul himself kept the law.  Otherwise, James would have been telling Paul to lie about what he was doing.   So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years.  When we keep that feast, we are making a declaration that we believe He was, is, and is coming.  We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.”  We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri.  We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts,  just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.”  We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father.  In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt.    We learned from I John 3:4 that sin is defined as transgression of the law.  I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul.  I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted.  And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings.  I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context.  I decided that Yeshua, and not Paul, died for me, so I had to
Tyler Dawn Rosenquist (The Bridge: Crossing Over Into the Fullness of Covenant Life)
It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Grandpa had been a farmer and lived contentedly on the old place until he died, but his four sons wanted to be something better, so they went away one after the other to make their way in the world. All worked hard, earned a good living, and forgot, as far as possible, the dull lives they had led in the old place from which they had come. They were all good sons in their own way and had each offered his mother a home with him if she cared to come. But Grandma clung to the old home, the simple ways, and the quiet life. She thanked them gratefully, but chose to remain in the big farmhouse, empty, lonely, and plain though it was compared to the fine homes in which her sons lived.
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
I would like nothing better than to see you die, Mr. McKinney. However, this is the time to begin the healing process. To show mercy to someone who refused to show any mercy. Mr. McKinney, I am going to grant you life, as hard as it is for me to do so, because of Matthew. Every time you celebrate Christmas, a birthday, the fourth of July, remember that Matt isn't. Every time you wake up in your prison cell, remember that you had the opportunity and the ability to stop your actions that night. You robbed me of something very precious. and I will never forgive you for that. Mr. McKinney, I give you life in the memory of the one who no longer lives. May you have a long life, and may you thank Matthew every day for it.
Moisés Kaufman (The Laramie Project)
To escape the throngs, we decided to see the new Neil Degrasse Tyson planetarium show, Dark Universe. It costs more than two movie tickets and is less than thirty minutes long, but still I want to go back and see it again, preferably as soon as possible. It was more visually stunning than any Hollywood special effect I’d ever seen, making our smallness as individuals both staggering and - strangely - rather comforting. Only five percent of the universe consists of ordinary matter, Neil tells us. That includes all matter - you, and me, and the body of Michael Brown, and Mork’s rainbow suspenders, and the letters I wrote all summer, and the air conditioner I put out on the curb on Christmas Day because I was tired of looking at it and being reminded of the person who had installed it, and my sad dying computer that sounds like a swarm of bees when it gets too hot, and the fields of Point Reyes, and this year’s blossoms which are dust now, and the drafts of my book, and Israeli tanks, and the untaxed cigarettes that Eric Garner sold, and my father’s ill-fitting leg brace that did not accomplish what he’d hoped for in terms of restoring mobility, and the Denver airport, and haunting sperm whales that sleep vertically, and the water they sleep in, and Mars and Jupiter and all of the stars we see and all of the ones we don’t. That’s all regular matter, just five percent. A quarter is “dark matter,” which is invisible and detectable only by gravitational pull, and a whopping 70 percent of the universe is made up of “dark energy,” described as a cosmic antigravity, as yet totally unknowable. It’s basically all mystery out there - all of it, with just this one sliver of knowable, livable, finite light and life. And did I mention the effects were really cool? After seeing something like that it’s hard to stay mad at anyone, even yourself.
Summer Brennan
Back when I was in the emergency room, the attending had said, “I don’t know what exactly will happen next, but you know that metastases put you at stage four. This is clearly an aggressive cancer. It recurred before we even finished treating it. It’s probably time to put your affairs in order and make a bucket list, as hard as that is to hear.” I had been stumped by the bucket list. It depressed me: “Oh my God I am so lame I can’t even come up with an interesting bucket list,” I whined in the hospital. “How about a ‘fuck-it’ list?” John suggested at some point. “Sort of the opposite. What can we just say ‘fuck it’ to and send splashing off into some sewer and not bother ourselves with anymore?” The catch is: it turns out not many things. I want all of it—all the things to do with living—and I want them to keep feeling messy and confusing and even sometimes boring. The carpool line and the backpacks and light that fills the room in the building where I wait while the kids take piano lessons. Dr. Cavanaugh sitting on my bedside looking me in the eyes and admitting she’s scared. The sound of my extended family laughing downstairs. My chemo hair growing in suddenly in thick, wild chunks. Light sabers cracking Christmas ornaments. A science fair project taking shape in some distant room. The drenched backyard full of runoff, and tiny, slimy, uncertain yard critters who had expected to remain buried in months of hard mud, peeking their heads out into the balmy New Year’s air, asking, Wait, what?
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
The flag story is important, Berntson thought. Before the assault was over, Christmas had sent Frank Thomas, his gunnery sergeant, to find an American flag. He knew it was against the rules. This was a war on behalf of the Republic of Vietnam, and the correct flag to run up the pole at its province headquarters would have been Saigon’s yellow and red ensign. But Christmas’s men had bled and died all the way across southern Hue, not ARVN troops. They had looked up at that enemy flag the whole way. They had taken it down, and they wanted to show who had done it. The Stars and Stripes had earned its place. Berntson continued jotting down Christmas’s words: “‘Proudest moment of my life—to be given opp to do it’ . . . ‘main thought was getting the flag up—so it would fly and everyone could see that flag flying’ . . . Capt. Ron Christmas, 27, 2001 S.W. 36th Ave, Fort Lauderdale, FLA CO for 2/5 Hotel . . . ‘street fighting is dirtiest close in. Biggest problem is control—keeping all platoons in line—communication also problem . . . platoons have done extremely well . . . flag. ‘inspiration thing I have ever seen in my lifetime—because it was a hard thing. That feeling of patriotism . . . all you could hear are cheers . . . really brings out America Spirit.’” Hours later, Christmas was paid a visit by two officers, both majors, one army and the other marine. They had been sent by Colonel Hughes from the compound. They said the American flag would have to come down. The South Vietnamese flag was the appropriate one. The men around Christmas were still loading up the wounded and dead. “I don’t think my men are going to like that,” he said. “That doesn’t make any difference,” said one. “You are violating protocol.” “Well, I’ll tell you what,” said Christmas. “If you want to take the flag down, you guys go take it down. But I cannot be responsible for all of my men.” Kaczmarek, who was sitting close enough to overhear the exchange, chose that moment to reposition his rifle. The majors left. The flag remained. Christmas had a gunny sergeant haul it down at sunset, and the next morning a bright yellow South Vietnamese flag flew in its place. But watching Old Glory run up that afternoon was a sight none of the marines who witnessed it would ever regret, or forget.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
cursing the physical therapist they’d sent him. Hans. Rooker thought he was just as evil as that other Hans. Hans Gruber. The villain in the greatest Christmas classic ever made—Die Hard.
Pete Zacharias (The Man Burned by Winter (Rooker Lindström, #1))
Hans. Rooker thought he was just as evil as that other Hans. Hans Gruber. The villain in the greatest Christmas classic ever made—Die Hard.
Pete Zacharias (The Man Burned by Winter (Rooker Lindström, #1))
Katherine sits at a table of four. She's a defensive diner, with her back to the wall like Al Capone. James asks for her order. Tea. Spicy tofu. Does she want it with, or without pork? She wants the pork. Would she like brown rice? No, she says, brown rice is an affectation of Dagou's, not authentic. White rice is fine. Whatever her complications, James thinks, they're played out in the real world, not in her palate. But Katherine's appetite for Chinese food is hard-won. She's learned to love it, after an initial aversion, followed by disinclination, and finally, exploration. Everyone knows she grew up in Sioux City eating peanut-butter-and-jelly sandwiches, carrot sticks, and "ants on a log" (celery sticks smeared with peanut butter, then dotted with raisins). Guzzling orange juice for breakfast, learning to make omelets, pancakes, waffles, and French toast. On holidays, family dinners of an enormous standing rib roast served with cheesy potatoes, mashed potatoes, and sweet potatoes with marshmallows, Brussels sprouts with pecans, creamed spinach, corn casserole, and homemade cranberry sauce. Baking, with her mother, Margaret Corcoran, Christmas cookies in the shapes of music notes, jingle bells, and double basses. Learning to roll piecrust. Yet her immersion in these skills, taught by her devoted mother, have over time created a hunger for another culture. James can see it in the focused way she examines the shabby restaurant. He can see it in the way she looks at him. It's a clinical look, a look of data collection, but also of loss. Why doesn't she do her research in China, where her biological mother lived and died? Because she works so hard at her demanding job in Chicago. In the meantime, the Fine Chao will have to do.
Lan Samantha Chang (The Family Chao)
I can’t believe you’re still complaining about that. We watched Die Hard last night. Die Hard. You can’t tell me you didn’t want to watch the most epic Christmas movie of all time.” “Ehh.” “Ehh?” His mouth drops. “Fucking ehh?” “It’s overrated.” Robbie attempts to say something but can’t seem to make noise happen. “Shit, look at that. I made the big man quiet.” “I
Saxon James (Master of Mayhem (Frat Wars, #2))
Yes, sir.” I fumbled, breathless, my cock aching as I shifted uncomfortably in my seat. My pants were way too tight for this shit. Could someone die from having a prolonged boner? I hoped not. I’d been hard for what felt like a century.
Fae Quin (You Can Count On Me (Christmas Daddies #2))
A week later, as he stood on the terrace of Zach’s house with a beer in his hand, Ryan wondered if there was a more fucked up man in the world. The door behind him opened. “You’ll catch a cold,” Hannah said. For a few seconds before she closed the door, he could hear the sounds of laughter and the voices of his family. It wasn’t any special occasion. Old habits just died hard. When Christmas was approaching, they all tended to gravitate toward Zach’s house. December was an unofficial family month in the Hardaway clan. “I never do,” Ryan said before taking another sip. “But you should go inside. It is cold.” Looping her arms around his neck, Hannah pulled him down and kissed him on the lips. “Don’t stay out here long, all right? You’ll freeze your balls off. That would be a shame. I’m rather fond of them.” He chuckled and smacked her on the bottom lightly. “Go inside.” Laughing, she left. Ryan returned to sipping his beer and wondering what the hell was wrong with him. The terrace door opened and closed again. “You’ll catch a cold,” Jamie said. Setting the bottle down, Ryan turned his head. He smiled. “I won’t if you come here and warm me up, Jamie bear.” Jamie rolled his eyes, his nose scrunching up adorably, but walked over and let Ryan pull him into his arms. He was warm, so warm, and smelled amazing, like all of Ryan’s favorite things in the world. Ryan buried his nose in Jamie’s hair and said, “You should probably go inside. It really is cold out here.” He didn’t want Jamie to go. “I’m good,” Jamie said, leaning back into Ryan’s chest for warmth. Ryan rubbed his hands up and down Jamie’s arms, covered only by a soft cashmere pullover. “You sure you don’t want me to go grab your jacket?” “I’m not cold, really,” Jamie said. “Why are you hiding from everyone?” “I’m not hiding.” Jamie didn’t say anything for a while. When he spoke, his voice was quiet, “Are you freaking out because of what happened?” Ryan sighed. “I told you: I’m not freaking out.” At least not about what Jamie thought. “Right,” Jamie said, his tone skeptical. “Then what’s the problem? You’ve been a little weird since…” “Since I helped you out?” Jamie let out a laugh. “Yeah. Since you helped me out. If you aren’t freaking out, why have you been looking at me oddly?” “I have?” Ryan said, stroking Jamie’s arms after a freezing blast of wind made Jamie shiver. “You have.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
You gonna wake up?” She lazily opened her eyes and jolted awake, scooting up on her elbows. “What? What?” “Easy. It’s okay. Sort of.” She blinked a few times and then her eyes were wide. “Where am I?” “I brought you inside. I had to. You were on your way to freezing to death. You must not have a brain in your head.” She squinted at him, pursing her lips. “Oh—I have a brain. I’m just not real experienced in mountain life.” She struggled to sit up. “Gee, if I’d known you got your eyebrow back and grew your beard in red, I might’ve found you sooner. I’ll get out of your hair, which I notice, you have plenty of.” “You’re not going anywhere,” he said, putting a big hand against her sternum, holding her down. “You’re stuck—and so am I.” “No problem,” she said. “I sleep in the car every night. I have a good sleeping bag…” “Did you hear me? You were passed out on your way back from the john, covered with snow and damn near frozen to death. You wanted to see me, you’re going to get your wish.” Her eyes widened suddenly. “I’m…ah…naked under here?” “You’re not naked. You have underwear. I had to get your wet clothes off you. That or just let you die. It wasn’t an easy decision,” he lied. “You undressed me and wrapped me in this quilt?” she asked. “Pretty much,” he said. And felt your small, soft body against mine for an hour, the first female body that’s been against mine in five years. Until tonight, he hadn’t thought he missed that feeling. “What happened out there? How’d you end up in the doorway of the john like that?” “I don’t have the first idea. I was so glad there was an outhouse for once and I wouldn’t have to squat behind a bush. I was going to make it quick, but I was so tired I could hardly move, and that’s the last thing I remember till I woke up.” She coughed. “I didn’t think I was so tired I’d fall asleep on the way.” “You didn’t fall asleep,” he said. “You lost consciousness. Hypothermia. Like I said—half frozen.” “Hmm.
Robyn Carr (A Virgin River Christmas (Virgin River #4))
People always call Die Hard a Christmas movie... But it's arguably a Hanukkah movie. About persistence in the face of oppression.
Rachel Khong (Real Americans)
Ah, that was the hardest thing to relinquish! Vigor of mind. The material things were not hard to give up, but memory, intellect, even perhaps at last the power to pray, those most precious treasures that had been symbolized by the books upon his shelves, from these it would be hard to part. Being human, he was feeling slightly sorry for himself at the moment and he found himself praying that he might never part from them, that he might die before that final stripping. Then, as he turned north at the corner of the lane and the cold wind struck him, he remembered the season. Christmas Eve. The Child in the manger had not only stripped Himself of the glory of heaven but of His wisdom too. The doing of the will of God had caused Him to lie there possessing neither memory, intellect nor the power to pray.
Elizabeth Goudge (The White Witch)
When you’re a kid,” he said, “time lasts forever. You’re immortal. When your grandparents die, it’s not real. Not yet. Then your parents go, and … well, it’s like there’s no more insurance. You’re next in line. You’re that guy!” He laughed. “The last one standing. The one everyone wants to make sure to see at Christmas, because you never know. You never know. I can see them grieving me even while I’m still here. And there’s a comfort in that. A love. So maybe that’s what you’re giving your father by being here. Even if he doesn’t know it in his brain, he knows it in his cells.” Her throat was dry, and her eyes burned. She folded her hands, staring down at the ridgeline of her knuckles. The man said, “What?” She cleared her throat. “The mourning, it sucks, yeah, but no one tells you…” He kept his gaze steady on her. She forced out the words. “No one tells you how hard it is not to get resentful.” “Accept it,” he said. “If you accept life, you accept all its rich, awful complexities. Because if you think about it, what’s the alternative?” She thought of pork-belly sliders and dude-bros thumbing their phones over dinner and the sweet bullshit promise of demo-targeted advertising. She took the man’s hand, skin draped over bone. “Thank you.
Gregg Andrew Hurwitz (Out of the Dark (Orphan X, #4))
When one gets down in these weeds it’s hard to avoid veering into the “Is Die Hard a Christmas movie?” level of perhaps unresolvable debate.
Billy Mernit (Writing the Romantic Comedy: The Art of Crafting Funny Love Stories for the Screen)
I would really like to keep living.” “Yeah?” Randy pounced. “How would you like to live… forever?” Unfortunately, his offer had the opposite of its intended effect, as I immediately and permanently died. The undeterred Randy proceeded to explain to my corpse that Christmas isn’t real and the Bible predicted that the earth was round, which was proof that the Bible was scientific fact. This went on for the next twenty minutes, during which Randy got lost twice as he was apparently proselytizing too hard to look at the GPS. It was less a ride share and more a low-grade kidnapping for which I was being charged. To his credit, though, it did feel like eternity.
Lindy West (The Witches are Coming)
Dedication For Cory, Because Die Hard is a fucking Christmas movie!
Layla Reyne (Tequila Sunrise (Agents Irish and Whiskey, #4))
The paper looked a lot like the “lists” he would give us for birthday or Christmas presents he wanted, I thought. And I was almost right. “What’s this?” I asked, with the sort of sing-song voice a father gives to a child when he’s been handed an art project. Samuel said, “Those are all the toys at the store that I also want to take to heaven with me when I die.” I could hardly think of the words to say. Later that night, I lay awake in the bed, and said to my wife, “Do you realize what a failure I am as both a father and as a theologian? I basically lied to my son about the eschaton, and simultaneously taught him to store up on earth the treasures he wants to take to heaven. That’s the exact opposite of what Jesus taught. That means that, in terms of parenting, I am literally anti-Christ.” Maria laughed, and said that I should wash the imaginary “666” from my forehead. But I still slept uneasily, knowing that for all my self-image as a man of gospel courage, my Christian conviction couldn’t stand up to a toy owlet.
Russell D. Moore (The Storm-Tossed Family: How the Cross Reshapes the Home)
She very nearly died just before Christmas,” yelled Mrs. Taylor, looking skywards again in some impatience. “She got pneumonia. Mary came over every day, and so did I. There was hard frost. We were both dead tired and mingled our tears. We knew that little Greatbatch couldn’t really do anything for her, and what was worse, she knew it too. She told him when I was there one evening that she had so much hoped to see the Victory procession from the stand at her son’s club, and that it would be a great disappointment to her if she had to leave this war unfinished.
Carola Oman (Somewhere in England)
We got a bad case of head lice that winter and Aunt Cooter went berserk. Remember that? She was running from room to room, crying out about seeing Jesus up on high and trying to takeher clothes off — she was yelling, 'I want to put on the new raiment! Put away this old raiment, put on the new raiment!' Boy, that got tiresome real fast. We kept wrapping her up in sheets and she kept ripping them off. She'd been weak and puny for years but suddenly she had strength in her arms. It happens when people go berserk. I read that somewhere. We just ran out of patience. We threatened to put her in the loony bin but she was seeing Jesus so it didn't matter to her. Finally we had to give her a tranquilizer and I guess we overtranquilized her because she died. But she went quietly in her sleep, which was how she always wanted to go. And she saw Jesus, so that must have been a comfort. It was too cold to bury her right away, the ground was frozen so hard. They were going to use dynamite but the families of other dead people objected to that, so we just put her in the tool shed until spring. Stood her up and leaned her against the lumber pile.
Garrison Keillor (A Christmas Blizzard)
‬Scarecrow's‬‭ face‬‭ lit‬‭ up‬‭ as‬‭ he‬‭ took‬‭ the‬‭ diploma,‬ his‬‭ eyes‬‭ shining‬‭ with‬‭ newfound‬‭ confidence.‬‭ "E‬‭= mc‬‭ squared.‬‭ Pi‬‭ is‬‭ an‬‭ irrational‬‭ number‬‭ representing‬‭ any‬‭ circle's‬‭ ratio‬‭ between‬‭ its‬‭ circumference‬‭ and‬‭ diameter.‬ There‬‭ is‬‭ something‬‭ profoundly‬‭ immoral‬‭ and‬ ‭unsustainable‬‭ when‬‭ one‬‭ family‬‭ owns‬‭ more‬‭ wealth‬‭ than‬ the‬‭ bottom‬‭ 130‬‭ million‬‭ Americans."‬‭ He‬‭ paused,‬‭ a‬ contemplative beat. "Die Hard is a Christmas movie."‬
GLEN NESBITT (We're Off)