1 Er Quotes

We've searched our database for all the quotes and captions related to 1 Er. Here they are! All 100 of them:

How did you die?" "We er....drowned in a bathtub." "All three of you?" "It was a big bathtub.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians #1))
But I've never even been to Olympus! Zeus is crazy!" Chiron and Grover glanced nervously at the sky. The clouds didn't seem to be parting around us, as Grover had promised. They were rolling straight over our valley, sealing us in like a coffin lid. Er, Percy ...?" Grover said. "We don't use the c-word to describe the Lord of the Sky.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians #1))
Oh, are you doing magic? Let’s see it, then.” She sat down. Ron looked taken aback. “Er — all right.” He cleared his throat. “Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.” He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep. “Are you sure that’s a real spell?” said the girl. “Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. I’ve learned all our course books by heart, of course.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
And try to remember what we discussed, Susannah. A mediator is someone who helps others resolve conflicts. Not someone who, er, kicks them in the face.
Meg Cabot (Shadowland (The Mediator, #1))
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Lessee...he'd gone off after the funeral and gotten drunk. No, not drunk, another word, ended with "er." Drunker. that was it.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
You learned this,” Kabsal said, lifting up her drawing of Jasnah, “from a book.” “Er…yes?” He looked back at the picture. “I need to read more.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
You don't know about falling off cliffs, Prep­pie,' she said. 'You never fell off one in your god­damn life.' 'Yeah,' I said, re­cov­er­ing the power of speech. 'When I met you.
Erich Segal (Love Story (Love Story, #1))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I dont know any American girl who can resist an English accent.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Er — have the Bludgers ever killed anyone?” Harry asked, hoping he sounded offhand. “Never at Hogwarts. We’ve had a couple of broken jaws but nothing worse than that. You don’t have to worry about the Quaffle or the Bludgers —” “— unless they crack my head open.” “Don’t worry, the Weasleys are more than a match for the Bludgers — I mean, they’re like a pair of human Bludgers themselves.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Another thing that got forgotten was the fact that against all probability a sperm whale had suddenly been called into existence several miles above the surface of an alien planet. And since this is not a naturally tenable position for a whale, this poor innocent creature had very little time to come to terms with its identity as a whale before it then had to come to terms with not being a whale any more. This is a complete record of its thoughts from the moment it began its life till the moment it ended it. Ah … ! What’s happening? it thought. Er, excuse me, who am I? Hello? Why am I here? What’s my purpose in life? What do I mean by who am I? Calm down, get a grip now … oh! this is an interesting sensation, what is it? It’s a sort of … yawning, tingling sensation in my … my … well I suppose I’d better start finding names for things if I want to make any headway in what for the sake of what I shall call an argument I shall call the world, so let’s call it my stomach. Good. Ooooh, it’s getting quite strong. And hey, what’s about this whistling roaring sound going past what I’m suddenly going to call my head? Perhaps I can call that … wind! Is that a good name? It’ll do … perhaps I can find a better name for it later when I’ve found out what it’s for. It must be something very important because there certainly seems to be a hell of a lot of it. Hey! What’s this thing? This … let’s call it a tail – yeah, tail. Hey! I can can really thrash it about pretty good can’t I? Wow! Wow! That feels great! Doesn’t seem to achieve very much but I’ll probably find out what it’s for later on. Now – have I built up any coherent picture of things yet? No. Never mind, hey, this is really exciting, so much to find out about, so much to look forward to, I’m quite dizzy with anticipation … Or is it the wind? There really is a lot of that now isn’t it? And wow! Hey! What’s this thing suddenly coming towards me very fast? Very very fast. So big and flat and round, it needs a big wide sounding name like … ow … ound … round … ground! That’s it! That’s a good name – ground! I wonder if it will be friends with me? And the rest, after a sudden wet thud, was silence. Curiously enough, the only thing that went through the mind of the bowl of petunias as it fell was Oh no, not again. Many people have speculated that if we knew exactly why the bowl of petunias had thought that we would know a lot more about the nature of the universe than we do now.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I burst into the locker room and— Penises! Sweet Jesus. Penises everywhere. Horror slams into me as I register what I’m seeing. Oh God. I’ve stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn’t matter which direction I move my head because everywhere I look I see penises. My mortified gasp draws the attention of every penis—er, guy, in the room.
Elle Kennedy (The Deal (Off-Campus, #1))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Wonderful!" said the Duke. "We progress!" "We...? Progress? You said we? Progress?" "It seems I erred," Avon sighed. "We remain at the same place.
Georgette Heyer (These Old Shades (Alastair-Audley, #1))
Come on,” he droned, “I’ve been ordered to take you down to the bridge. Here I am, brain the size of a planet and they ask me to take you down to the bridge. Call that job satisfaction? ’Cos I don’t.” He turned and walked back to the hated door. “Er, excuse me,” said Ford following after him, “which government owns this ship?” Marvin ignored him. “You watch this door,” he muttered, “it’s about to open again. I can tell by the intolerable air of smugness it suddenly generates.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
»Eines Tages«, sagte sie, »fange ich Träume ein wie Schmetterlinge.« »Und dann?«, fragte er. »Lege ich sie zwischen die Seiten dicker Bücher und presse sie zu Worten.« »Was, wenn jemand immer nur von dir träumt?« »Dann sind wir beide vielleicht schon Worte in einem Buch. Zwei Namen zwischen all den anderen.«
Kai Meyer (Arcadia Awakens (Arcadia, #1))
A little still she strove, and much repented, And whispering “I will ne'er consent”—consented.
Lord Byron (Don Juan: Cantos 1 through 3)
How much do you know about natural sciences?” “Er,” said Robin. “Gravity? Sir Isaac Newton?” “The apple chap?” Edwin visibly shredded his planned explanation into shorter words.
Freya Marske (A Marvellous Light (The Last Binding, #1))
Hmph. Yes. Him. He had the nerve to turn down our offer of immortality and tell us to pay better attention to our children. Er, no offense.” “Oh, how could I take offense? Please, go on ignoring me.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Oh you two look delicious," Bast said, licking her lips. "No, no-er, I mean wonderful. Now, off you go!
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Firnis lächelte gütig. "Bücher sind lebendige Wesen", sagte er, "und wenn man ganz in sie eintaucht, dann erwachen sie zum Leben. Und wie die Gedanken, so bekommen auch die Buchstaben Flügel verliehen. Sie lösen sich vom Papier und flattern im Raum herum.
Christoph Marzi (Das Geheimnis der singenden Stadt (Malfuria, #1))
What the dev— er, deuce did you do that for? It hurt!” “Good,” said the angel. “I was afraid these new shoes would not be sturdy enough.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
I know you all, and will awhile uphold The unyoked humour of your idleness. Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wondered at By breaking through the foul and ugly mists Of vapours that did seem to strangle him. If all the year were playing holidays, To sport would be as tedious as to work; But when they seldom come, they wished-for come, And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promisèd, By how much better than my word I am, By so much shall I falsify men’s hopes; And like bright metal on a sullen ground, My reformation, glitt’ring o’er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off. I’ll so offend to make offence a skill, Redeeming time when men think least I will.
William Shakespeare (King Henry IV, Part 1)
Halt's heavy-shafted, long arrow was almost buried in its side, driven there by the full power of the Ranger's mighty longbow. He'd stuck the charging monster right behind the left shoulder, driving the head of the arrow into and through the pig's massive heart. A perfect shot. Halt reined in Abelard in a shower of snow and hurled himself to the ground, throwing his arms around the shaking boy. Will, overcome with relief, buried his face into the rough cloth of the Rang'ers cloak. He didn't want anyone to see the tears of relief that wer streaming down his face. Gently, Halt took the knife from WIll's hand. "What on earth where you hoping to do with this?" he asked.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
Once upon a midnight dreary, while I pondered weak and weary, O’er a plan to venge myself upon that cursed Thursday Next- This Eyre affair, so surprising, gives my soul such loath despising, Here I plot my temper rising, rising from my jail of text. “Get me out!” I said, advising, “Pluck me from this jail of text- or I swear I’ll wring your neck!
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
Vil du altid se sådan der ud, August? Jeg mener, kan du ikke få en eller anden plastikkirugi eller sådan noget?" Jeg smilede og pegede på mit ansigt. "Hallo? Det her er EFTER plastikkirugi!
R.J. Palacio (Wonder (Wonder, #1))
Thank you. Since we decided a few weeks ago to adopt the leaf as legal tender, we have, of course, all become immensely rich. [...] "But we have also," continued the management consultant, "run into a small inflation problem on account of the high level of leaf availability, which means that, I gather, the current going rate has something like three deciduous forests buying on ship's peanut." [...] "So in order to obviate this problem," he continued, "and effectively revalue the leaf, we are about to embark on a massive defoliation campaign, and...er, burn down all the forests. I think you'll all agree that's a sensible move under the circumstances.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
Fro and to in my dreams to you To the haunting tune of the harp For the price I paid when you died that day I paid that day with my heart Fro and to in my dreams to you With the breaking of my heart Ne'er more again will I sing this song Ne'er more will I hear the harp.
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
[Arthur] "Er... Just how much did you have to drink?" Merlin frowned at Arthur... Both of him.
FayJay (The Student Prince (The Student Prince, #1))
Uh.. you'er Sophie?" Mrianda ventured "That's me" "How old areyou?" Sophie rolled ker wide brown eyes, "Ahunderd and forty-eight" she relied. "I got to live back when women coulden't vote, isn't that awesome?
Dianne Sylvan (Queen of Shadows (Shadow World, #1))
A small piece of me still believed in hope. However minute or unattainable hope seemed, I wanted the childlike wonder. “I want you to love me. I need someone who needs me. But most of all, I know you understand me, and I crave that bond so much that when I’m with you, it’s all I feel. It consumes me. Fires me. Eats at my fine tuned control until there is nothing left of me, but the feel of you in my bones.
E.R. Pierce (Duality (Cordelia Kelly, #1))
Horror slams into me as I register what I’m seeing. Oh God. I’ve stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn’t matter which direction I move my head because everywhere I look I see penises. My mortified gasp draws the attention of every penis—er, guy, in the room. In a heartbeat, towels snap up and hands cover junk and bodies shuffle around, while I stand in the front of the room blushing like a tomato.
Elle Kennedy (The Deal (Off-Campus, #1))
Time doesn't heal all wounds, handy lie though it may be. Time forces acceptance of what cannot be changed.
E.R. Pierce (Fractured Moon (Aurelia Fridell #1))
»Wovor hast du am meisten Angst?« Ich überlegte eine Weile, während er mich nicht aus den Augen ließ. »Vor dem Leben«, entschied ich schließlich. »Davor, dass es vorbei ist, bevor ich überhaupt richtig gelebt habe. Davor, dass ich alles verpasse, weil ich mit meinen Gedanken woanders bin. Davor, dass das Beste im Leben an mir vorbeizieht, weil ich die Chance es zu bekommen nicht ergriffen habe.«
Amelie Murmann (Liebe kennt keinen Plan (Living the Dream, #1))
Verwechsle niemals Zufall mit Absicht“, sagte er. „Oder meine Moral mit Schwäche.
Simona Dobrescu (Verdammt. Verliebt. (Verdammt, #1))
Når man er ekstra stærk, har man en særlig forpligtelse til at være sød ved andre
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
Very good, Mr.—?” “Robinson,” the boy supplied. Ms. Terwilliger produced a clipboard and scanned a list. “Ah, there you are. Robinson. Stephanie.” “Stephan,” corrected the boy, flushing as some of his friends giggled. Ms. Terwilliger pushed her glasses up her nose and squinted. “So you are. Thank goodness. I was just thinking how difficult your life must be with such a name. My apologies. I broke my glasses in a freak croquet accident this weekend, forcing me to bring my old ones today. So, Stephan-not-Stephanie, you’re correct. It’s a temple. Can you be more specific?” ... “Indeed it is,” she said. “And your name is?” “Sydney.” “Sydney …” She checked the clipboard and looked up in astonishment. “Sydney Melbourne? My goodness. You don’t sound Australian.” “Er, it’s Sydney Melrose, ma’am,” I corrected. Ms. Terwilliger scowled and handed the clipboard to Trey, who seemed to think my name was the funniest thing ever. “You take over, Mr. Juarez. Your youthful eyes are better than mine. If I keep at this, I’ll keep turning boys into girls and perfectly nice young ladies into the descendants of criminals.
Richelle Mead (Bloodlines (Bloodlines, #1))
Do not mock my baby." He pulls away and strokes his palm over he seat. "She was my first love." "Well your current ... er ... girl, is getting jealous with all the attention you're paying your first love, and she has orifices you can stick things in without having your boy bits burnt off." He pulls me into him again and his mouth goes to work on my neck. “Fuck I love it when you talk dirty.
Carmen Jenner (Welcome to Sugartown (Sugartown, #1))
Er scheint jeden Ort, an den er geht, zu seinem Reich zu machen. Die Schule, das Lacrosse-Feld, dieses Geschäft. Ob das auch passiert, wenn er eine Eisdiele betritt? Vielleicht würde ich das bei Gelegenheit austesten müssen.
Mona Kasten (Save Me (Maxton Hall, #1))
Usu­al­ly, very ear­ly in the morn­ing. Ger­man la­bor­ers were go­ing to work. They would stop and look at us with­out sur­prise. One day when we had come to a stop, a work­er took a piece of bread out of his bag and threw it in­to a wag­on. There was a stam­pede. Dozens of starv­ing men fought des­per­ate­ly over a few crumbs. The work­er watched the spec­ta­cle with great interest. Years later, I witnessed a sim­ilar spec­ta­cle in Aden. Our ship’s pas­sen­gers amused them­selves by throw­ing coins to the “natives,” who dove to retrieve them. An el­egant Parisian la­dy took great plea­sure in this game. When I no­ticed two chil­dren des­perate­ly fighting in the wa­ter, one try­ing to stran­gle the oth­er, I implored the la­dy: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give char­ity…
Elie Wiesel (Night (The Night Trilogy, #1))
Do you know where Blue is? Can you get him for me? Please?" "Frederick," Bliss said. "Do you always bring a sword to a pool party? You are familiar with the concept of rust, I hope." "I - yes, of course," Freddie said, looking as if he wasn't sure whom to answer first, but deferring to the fairy out of respect for his magical elders. "I have it in case there's trouble, and I need to decapitate Fel - er, someone. Anyone, rather. Anyone in need of decapitation." "Frederick, that is very disturbing," Bliss said. "I do hope you're joking." "Where's Blue?" Mira shouted.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Curious had been the word most often ascribed to her when she was younger. She’d been the watchful sort of child. The one conscious of every mistake. When Mariko had erred, it had usually been intentional. An attempt to push barriers. Or a desire to learn. Usually it was that. A wish to know more. As she grew from a curious child into an even more curious young woman, the word she most often overheard at her back was odd. Much too odd. Far too prone to asking questions. Far too apt to linger in places she wasn’t meant to be.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The duke arched an eyebrow. “She is not one of your…er…” Gideon laughed again. “Oh, good Lord, no, she is not one of my ers.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
I’ve gotten my Phosphor to work at last.” Henry proudly brandished the object. “It functions on the principle of witchlight but is five times more powerful. Merely press a button, and you will see a blaze of light the like of which you have never imagined.” There was a silence. “So,” said Will finally, “it’s a very, very bright witchlight, then?” “Exactly,” Henry said. “Is that useful, precisely?” Jem inquired. “After all, witchlight is just for illumination. It’s not as if it’s dangerous… .” “Wait till you see it!” Henry replied. He held up the object. “Watch.” Will moved to object, but it was too late; Henry had already pressed the button. There was a blinding flare of light and a whooshing sound, and the room was plunged into blackness. Tessa gave a yelp of surprise, and Jem laughed softly. “Am I blind?” Will’s voice floated out of the darkness, tinged with annoyance. “I’m not going to be at all pleased if you’ve blinded me, Henry.” “No.” Henry sounded worried. “No, the Phosphor seems to— Well, it seems to have turned all the lights in the room off.” “It’s not supposed to do that?” Jem sounded mild, as always. “Er,” said Henry, “no.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Ich hatte das gefühl, er hat in der Vergangenheit gelebt, eingeschlossen in seinen Erinnerungen, ganz für sich, für seine Bücher und in ihnen drin, wie ein Luxusgefangener." Sie sagen das, als beneiden sie ihn." Es gibt schlimmere Gefängnisse als Worte, Daniel.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
When I’d seen it done in movies, the headbutt-ee was the only one who ever got hurt. So why, as the headbutt-er, was I the one seeing stars and struggling to stay conscious?
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Calla Tuoleimi, princess of Er. She could do nothing on a throne, but she can do everything with a sword in her hand.
Chloe Gong (Immortal Longings (Flesh and False Gods, #1))
Days are precious, dinna lose them. Flo`ers will fade and so will ye... Come to me, ye fair young maidens. While young and fair ye still may be.
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
Wenn Ihr den Mist in Eurem Leben schon nicht loslassen könnt, packt ihn wenigstens hinter Euch, dass er Euch nicht andauernd den Blick auf die Zukunft versperrt.
Bernhard Hennen (Drachenelfen (Drachenelfen, #1))
Master Richard!” Hunch’s voice was not loud, but it expressed volumes of scandalized disapproval. Mairelon paused and looked up. “What is it?” “You ain’t going to just—” Hunch stopped and looked at Kim. “Not with ‘er standing there!” “Oh, is that all that’s bothering you?” Mairelon looked at Kim and grinned. “Turn your back, child; you’re offending Hunch’s proprieties.” Kim flushed, as much from surprise as embarrassment, and turned away. “I ain’t no child,” she muttered under her breath. “Under the circumstances, that’s so much the worse,” Mairelon replied cheerfully.
Patricia C. Wrede (Mairelon the Magician (Mairelon, #1))
Now, then. What does ‘fucking’ mean?” My surprise must have shown plainly, for he said irritably, “If ye must call me names, that’s one thing. But I dinna care to be called things I can’t answer. I know it’s a damn filthy word, from the way ye said it, but what does it mean?” Taken off guard, I laughed, a little shakily. “It … it means … what you were about to do to me.” One brow lifted, and he looked sourly amused. “Oh, swiving? Then I was right; it is a damn filthy word. And what’s a sadist? Ye called me that the other day.” I suppressed the urge to laugh. “It’s, er, it’s a person who … who, er, gets sexual pleasure from hurting someone.” My face was crimsoning, but I couldn’t stop the corners of my mouth from turning up slightly. Jamie snorted briefly. “Well, ye dinna flatter me overmuch,” he said, “but I canna fault your observations.
Diana Gabaldon (Outlander (Outlander, #1))
Das Blau in seinem Blick multiplizierte und intensivierte sich, während er sich weiter zu mir vorlehnte. Irrtum, bemerkte ich: Ich zog ihn näher.
Simona Dobrescu (Verdammt. Verliebt. (Verdammt, #1))
The sun retreats,’” Wes says softly, reverently. “‘The day, outlived, is o’er. It hastens hence and lo, a new world is alive.
Victoria Schwab (The Archived (The Archived, #1))
I work for the Federal Bureau of Investigation,” he reminded me. “It’s my duty to investigate this, er…sighting…to the best of my ability.” He grinned.
Alison Bliss (Rules of Protection (Tangled in Texas, #1))
The light of God surrounds me. The love of God enfolds me. The power of God protects me. The presence of God watches o'er me. Wherever I am, God is. All is well.
Alexia Gordon (Murder in G Major (Gethsemane Brown Mysteries, #1))
Oh, and Zaphod?" "Er, yeah?" "If you ever find you need help again, you know, if you're in trouble, need a hand out of a tight corner..." "Yeah?" "Please don't hesitate to get lost.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
Verzweifelt hatte er sie gefragt, wie sie sich so sicher sein konnte, dass sie ihn nicht liebte. Ihre Worte darauf hatten ihm das Herz aus dem Leib geschnitten. »Weil ich dich nie vermisst habe, nachdem du gegangen warst.«
Bernhard Hennen (Der Verfluchte (Die Chroniken von Azuhr, #1))
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
Billy's Adam's apple bobbed. "Don't-" The knife at his throat cut him short. Black Tom cocked a thick brow. "Don't, wha? Hurt your littl' toffer?" Rotted teeth flashed. "She mean that much ta ye, then?" Bill licked his lips quickly. His skin took on a grayish hue as sweat seeded over his high brow. "Don't piss 'er off," he managed.
Kristen Callihan (Firelight (Darkest London, #1))
Are you not the one who told me that she had to petition the king to get her husband to sleep with her?" "Aye,that is the gossip at court, but no one knows what she looks like save the king,and he refuses to discuss it. 'Sides, her husband died on the way home to perform his....er duty." "'Twas probably suicide," Amaury muttered grimly.
Lynsay Sands (The Deed (Deed, #1))
Why should I? First she burns me, then she boils me eyes. If I take that knife to anything, it'll be 'er, and that's a fact.
Shelley Adina (Lady of Devices (Magnificent Devices, #1))
Ik gleed uit, mijn benen knikten om op de gladde kiezelweg en op het moment dat ik neerviel brak er iets in me wat nooit meer gelijmd zou kunnen worden.
Sebastian Fitzek (Der Augensammler (Der Augensammler, #1))
Who drugged you?” Sheriff McConnell roars. “I mean, I don’t know. I’d like to know, that was some good stuff—er, I mean, yeah, that was really uncool, drugging us like that,
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
Det er som en abstinens ikke å få se den man er forelska i. Du kjenner det, fysisk, i hele deg, hvordan du mangler noe essensielt, hvordan det som får deg til å puste, det som får føttene dine til å bevege seg, ikke fins lengre. Alt annet mister betydning. Folk sier det er vanskelig å slutte å røyke. Forsøk å slutte å være forelska når du er det. Det er umulig.
Tore Renberg (Mannen som elsket Yngve (Jarle Klepp, #1))
My heart aches for you… for them in you For angels shaking in fright… on a dreadful night For them on site… for flames leaping on every height For blood rolling like thunder… o'er a fragile kite For souls so bright… like remnants of light For a desperate plight… for hands held tight My love, in my world… where no hope is in sight And no right is right… what words can I write? Our song went lost… with main and might I'll tell you tonight… in the hush of midnight Stay here and fight… for a mournful rite
Widad Akreyi (Zoroastrians' Fight for Survival (The Viking's Kurdish Love, #1))
Where is the dog tag you found?” “What?” Shelton yipped. “We…lost it.” “Where?” “In the woods. After we ran.” “Where in the woods? Ran from what?” “Oh, uh…Tory dropped the tag when we ran from…whatever.” “From whatever?” Hi hammered. “Did you see men with guns or not?” “Um, no. I guess not.” “You guess?” “It was dark.” Shelton struggled. “I realize now that nobody was there.” “Then what did you hear?” “Uh, er…pops. Like sticks breaking?” Shelton’s responses were growing increasingly feeble. “How many? From which direction?” “Lots. Like, from everywhere.” Hi’s eyebrows shot up. “You heard ‘lots’ of ‘pops like sticks’ coming from everywhere? That’s your story?” “Wait, no, not everywhere. From the…left?
Kathy Reichs (Virals (Virals, #1))
„Wenn du ein Buch auf eine Reise mitnimmst“, hatte Mo gesagt, als er ihr das erste in die Kiste gelegt hatte, „dann geschieht etwas Seltsames: Das Buch wird anfangen, deine Erinnerungen zu sammeln. Du wirst es später nur aufschlagen müssen und schon wirst du wieder dort sein, wo du zuerst darin gelesen hast. Schon mit den ersten Wörtern wird alles zurückkommen: die Bilder, die Gerüche, das Eis, das du beim Lesen gegessen hast… Glaub mir, Bücher sind wie Fliegenpapier. An nichts haften Erinnerungen so gut wie an bedruckten Seiten.“ Vermutlich hatte er damit Recht. Doch Meggie nahm ihre Bücher noch aus einem anderen Grund auf jede Reise mit. Sie waren ihr Zuhause in der Fremde – vertraute Stimmen, Freunde, die sich nie mit ihr stritten, kluge, mächtige Freunde, verwegen und mit allen Wassern der Welt gewaschen, weit gereist, abenteuererprobt.
Cornelia Funke (Inkheart (Inkworld, #1))
Oh, er, well the hatchway in front of us will open in a few moments and we will shoot out into deep space I expect and asphyxiate. If you take a lungful of air with you you can last for up to thirty seconds, of course.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Jeg var bare trist. Jeg var bare skuffa. Vondt i kroppen, verk i hele meg. For Yngve var ikke der til å se meg. Hva kunne være viktigere, tenkte jeg, i min maniske, forelska logikk, enn å være her? Hva, Yngve? Jeg er jo her? Så syk kan du vel ikke være? Faen, hvor er du Yngve, det er jo helg, skal jeg ikke få se deg før mandag nå, da? Jeg er jo bare her for deg. Jeg har jo forandra meg for deg.
Tore Renberg (Mannen som elsket Yngve (Jarle Klepp, #1))
I looked at her quizzically. "No, why would you think so?" She gave me a knowing smile. "'Cause he's never brought a girl here before, child. Not one who didn't need my help, leastways." Oh! That pleased me, but I quashed it. "It's not like that. We, ah, we kind of work together. I'm not his, er, what I mean is, he's all yours if you want him!" I finished in an insane babble. There was a disgruntled grunt from upstairs that didn't come from the girl. I cringed, but it was too late to take it back.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Tonight," he announced, "is the night we take back that village. And we're not going to do it by marching in lines or committing acts of brave idiocy. We're going to do it by being men. Manly men. The kind of men a woman wants to take control." Brows wrinkled in confusion. "But . . ." The blacksmith looked around the group. "We are men. Last I checked, anyhow." "It's not just a matter of having the proper equipment. It's using the equipment properly." Leaping up on a crate, Colin spread his arms wide. "Look at me. Now look at yourselves. Now look back at me. I am the man you want to be like." Dawes crossed his arms. "Why is that, precisely?" "Do you know how many women I've bedded?" When Rufus and Finn perked, he waved at them. "Have a guess, boys." "Seventeen," offered Finn. "More." "Eighteen." "Still more." "Er . . . nineteen?" "Oh, for the love of God," he muttered. "We'll be here all day. Let's just call the number more than you can imagine. Because clearly, that is the case." Under his breath, he added, "Perhaps higher than you know how to count.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Now Juan could not understand a word, Being no Grecian; but he had an ear, And her voice was the warble of a bird, ... So soft, so sweet, so delicately clear, That finer, simpler music ne'er was heard; The sort of sound we echo with a tear, Without knowing why - an overpowering tone, Whence Melody descends as from a throne.
Lord Byron (Don Juan: Cantos 1 through 3)
So what’s the answer, Evie? What do we do?” I pulled a face and scratched my head. “Er…yeah…I’m not so sure. Maybe riot on the streets, raise a revolution and overthrow the entire system?” “Careful now,” Amber replied, spraying more neon pink icing crumbs onto the floor. “Talk like that gets people thrown into psychiatric institutions.
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
Wie es scheint, schmilzt die Frühlingssonne den harten Eispanzer des Barbarenhäuptlings, und, o Wunder, darunter kommt ein Philisoph zum Vorschein." "Ich weiß nicht was Vielosoof für eine Beleidigung ist, aber du kannst dir sicher sein, dass der Barbarenhäuptling dir gleich die Axt in den Rachen schiebt!" Ollowain schlang die Arme übereinander und tat, als zittere er. "So plötzlich kehrt der Winter zurück und lässt die schönsten Frühlingsblüten erfrieren." "Hast du mich gerade etwa mit Blüten verglichen?", grollte Mandred. "Nur eine Allegorie, mein Freund." Der Menschensohn runzelte die Stirn. Dann nickte er. "Ich nehme deine Entschuldigung an, Ollowain." Nuramon musste sich auf die Unterlippe beißen, um nicht laut loszulachen.
Bernhard Hennen (Die Elfen (Die Elfen, #1))
Wat zijn dat, Creb?’ gebaarde Ayla, zwijgend omhoog wijzend. ‘Vuren in de hemel. Elk ervan is de vuurplaats van iemands geest in de andere wereld.’ ‘Zijn er zóveel mensen?’ ‘Het zijn de vuren van alle mensen die naar de wereld der geesten zijn overgegaan en van alle mensen die nog niet geboren zijn.
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
Birini sevmek savunmasız hale gelmek demektir. Herhangi bir şeyi sevdiğinizde er ya da geç kalbiniz bükülecek ve muhtemelen kırılıp paramparça olacaktır. Kalbinizin kırılmasını engellemek istiyorsanız onu hiç kimseye vermeyin... Bencilliğinizin tabutunda ya da kefeninde saklayın onu. O güvenli, karanlık, tekdüze ve havasız tabutta... Kırılmayacaktır artık; çünkü kırılmaz, içine girilmez ve ıslah edilemez olacaktır.
Kim Liggett (Blood and Salt (Blood and Salt, #1))
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away. Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION. “I don’t really like parties either,” Alec said sympathetically. “No hablo italiano,” the boy mumbled without looking up. “Er,” said Alec. “This conversation is happening in English.” “No hablo ingles,” he said without missing a beat. “Oh, come on. Really?” “Worth a shot,” said the boy. Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY. The weird coincidence emboldened Alec to try again. “I get shy when there are strangers too,” Alec told the kid. “I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.” “Well.” Alec shrugged. “Those feel like similar things sometimes.” The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him. “Raphael?” he asked. “Raphael Santiago?” He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal. Of course, he was not exactly coming off as a party animal now. “Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.” Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it. He understood that they were immortal, but there was no need to show off about it. “We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.” “The thought of you at twelve haunts me,” Raphael said darkly. “Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?” “I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.” Alec rolled his eyes.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I walked out of the condos onto the flat lithesome beach this morning, and took a walk in my swimming trunks and no shirt on. And I thought that one natural effect of life is to cover you in a thin layer of . . . what? A film? A residue or skin of all the things you've done and been and said and erred at? I'm not sure. But you are under it, and for a long time, and only rarely do you know it, except that for some unexpected reason or opportunity you come out--for an hour or even a moment--and you suddenly feel pretty good. And in that magical instant you realize how long it's been since you felt just that way. Have you been ill, you ask. Is life itself an illness or a syndrome? Who knows? We've all felt that way, I'm confident, since there's no way that I could feel what hundreds of millions of other citizens haven't. Only suddenly, then, you are out of it--that film, that skin of life--as when you were a kid. And you think: this must've been the way it was once in my life, though you didn't know it then, and don't really even remember it--a feeling of wind on your cheeks and your arms, of being released, let loose, of being the light-floater. And since that is not how it has been for a long time, you want, this time, to make it last, this glistening one moment, this cool air, this new living, so that you can preserve a feeling of it, inasmuch as when it comes again it may just be too late. You may just be too old. And in truth, of course, this may be the last time that you will ever feel this way again.
Richard Ford (The Sportswriter (Frank Bascombe, #1))
A blast of music echoing down the corridors was his only reply. Alec and Raphael both winced. Raphael glanced up at him. “This is the worst party I’ve ever been to,” he said. “And I hate parties. People keep asking me whether I have extra superpowers, and I tell them they are thinking of Simon, whom I dislike.” “That’s a little harsh,” said Alec. “You have to be harsh with fledglings or they do not learn,” said Raphael sternly. “Besides, his jokes are stupid.” “They’re not all gold,” Alec admitted. “How do you know him?” Raphael snapped his fingers. “Wait, I remember. He’s friends with your annoying blond parabatai, right?” He was, though Simon would probably be surprised to hear it. Alec was very familiar with how Jace behaved when he wanted to be your friend. He didn’t act friendly, which would have been too easy. Instead he just spent a lot of time in your presence until you got used to him being there, which he was clearly now doing with regard to Simon. When Jace and Alec were little, Jace had done a lot of hostile hanging around him, hoping to be noticed and loved. Alec honestly preferred it to awkward getting-to-know-you conversations. “Right. Plus, Simon is sort of dating my sister, Isabelle,” said Alec. “That can’t be,” said Raphael. “Isabelle can do better.” “Er, do you know my sister?” Alec asked. “She threatened me with a candelabra once, but we don’t really chat,” said Raphael. “Which means we have my ideal relationship.” He gave Alec a cold glare. “It’s the relationship I wish I had with all Shadowhunters.” Alec was about to give up and walk away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Sah ein Knab' ein Röslein stehn, Röslein auf der Heiden, war so jung und morgenschön, lief er schnell, es nah zu sehn, sah's mit vielen Freuden. Röslein, Röslein, Röslein rot, Röslein auf der Heiden. Knabe sprach: „Ich breche dich, Röslein auf der Heiden!“ Röslein sprach: „Ich steche dich, dass du ewig denkst an mich, und ich will's nicht leiden.“ Röslein, Röslein, Röslein rot, Röslein auf der Heiden. Und der wilde Knabe brach's Röslein auf der Heiden; Röslein wehrte sich und stach, half ihm doch kein Weh und Ach, musst' es eben leiden. Röslein, Röslein, Röslein rot, Röslein auf der Heiden.
Johann Wolfgang von Goethe (Gedichte (Bd. 1).)
Ich möchte wissen", sagte er vor sich hin, "was eigentlich in einem Buch los ist, solang es zu ist. Natürlich sind nur Buchstaben drin, die auf Papier gedruckt sind, aber trotzdem - irgendwas muss doch los sein, denn wenn ich es aufschlage, dann ist da auf einmal eine ganze Geschichte. Da sind Personen, die ich noch nicht kenne und es gibt alle möglichen Abenteuer und Taten und Kämpfe - und manchmal ereignen sich Meeresstürme, oder man kommt in fremde Länder und Städte. Das ist doch alles irgendwie drin im Buch. Man muss es lesen, damit man's erlebt, das ist klar. Aber drin ist es schon vorher. Ich möcht wissen, wie?
Michael Ende
Duty o'er love was the choice you did make My love you did spurn, my heart you did break Your penance to pay, no pride you shall gain Three sons on three sons find nothing but pain I gift you my powers in memory of me The joy of love no son shall ever see When a Lifemate is chosen by the heart of a son No protection can be given, again I have won His pain will be deep, her death will be swift Inside his heart a terrible rift Only freely given will this curse be done To break the spell, three must work as one.
Cherry Adair (Edge of Danger (T-FLAC, #8; T-FLAC/Psi Edge Trilogy, #1))
Es ist überhaupt nicht so, wie sie gleich behauptet." Er sah zu mir, während Teddie seine Hand von ihrem Mund zerrte. [...] "Ich war nervös und hab mich mindestens tausendmal entschuldigt, okay?" Ich stutzte [...] "Im ersten Präpkurs hat er statt des Körperspenders mich seziert." "Er hat was?!" "Es war ein Ausrutscher! Mit dem Skalpell...Ich...Oh Mann, warum muss es das erste sein, was fremde Menschen von mir erfahren? Ich schäme mich immer noch, okay?
Sarah Sprinz (What if we Drown (What If, #1))
Jorden tilhører ikke mennesket. Det er menneskene, der tilhører Jorden. De duftende blomster er vore søstre, og hesten, den mægtige ørn, for ikke at tale om elgen, er vore brødre. Og hvordan kan man købe eller sælge noget som helst? For hvem ejer varmen i luften eller lyden af vinden i træerne? Og saften i grenene bærer erindringen om dem, der har levet før os. Og lyden af bækkens mumlen er er vores forfaders stemme. Og vi må lære vores børn, at jorden under deres fødder er forfædrenes akse, og at alt, hvad der overgår Jorden også overgår os, og hvis mennesket spytter på jorden, spytter det på sig selv.
Erlend Loe (Doppler (Doppler, #1))
Luca: Du musst eins wissen, Sage. Ich mag die meistne Menschen nicht. Sage: So was Ähnliches hast du schon einmal gesagt. Luca: Aber die Menschen, die ich mag, bedeuten mir alles. bis vor Kurzem gab es auf der ganzen Welt nur vier Leute, die mir wichtig waren. Mein Dad, meine Stiefmutter, April und Gavin. ich habe nicht geplant, dass noch jemand anderes dazukommt. Aber jetzt steht auc hdien Name auf dieser Liste, und das macht es unmöglich für mich, mir keine Sorgen zu machen. Du hast mich einmal gefragt, ob ich wegen Cameron etwas Dummes unternehmen würde, wenn er April zu nahe kommt. Ich habe Nein gesagt, weil Cam ein anständiger Kerl ist. Aber ich habe kein Problem damit, Alan etwas anzutun, wenn der dich zum Weinen bringt. Ein Wort von dir genügt.
Laura Kneidl (Berühre mich. Nicht. (Berühre mich. Nicht., #1))
The Dark Prophecy The words that memory wrought are set to fire, Ere new moon rises o'er the Devils Mount. The changeling lord shall face a dire, Till bodies fill the Tiber beyond count. Yet southward the sun now trace its course, Through mazes dark to lands of scorching death To find the master of the swift white horse And wrest from him the crossword speaker's breath. To westward palace must the Lester go; Demeter's daughter finds her ancient roots. The cloven guide alone the way does know, To walk the path in thine own enemy's boots. We three are known and Tiber reached alive, 'Tis only then Apollo starts to jive.
Rick Riordan (The Hidden Oracle / The Dark Prophecy (The Trials of Apollo, #1-2))
Tell you what, I’ll take the first watch, and if nothing happens, we’ll both sleep. Agreed?” I frowned at him. He started playing with my fingers and turned my hand over so he could trace the lines of my palm. Firelight flickered across his handsome features. My eyes drifted to his lips. “Kelsey?” He made eye contact, and I quickly looked away. I wasn’t used to dealing with him when camping like this. I usually got to make all my own decisions, and he just followed me around. Er, or I guess I followed him most places. But, at least when he was a tiger he didn’t argue back. Or distract me with thoughts of being wrapped in his arms kissing him. He smiled an amazingly white smile and stroked the inside of my arm. “Your skin here is so soft.” He leaned over to nuzzle my ear. My blood started pounding thickly and fogged my brain. “Kells, tell me you agree with my plan.” I shook myself free from the spellbinding fog and set my jaw stubbornly. “Fine, you win. I agree,” I mumbled. “Even though you are coercing me.” He laughed and moved to look at me. “And how exactly am I coercing you?” “Well, first of all, you can’t expect me to have coherent thoughts when you’re touching me. Second, you always know how to get your way with me.” “Is that right?” “Sure. All you have to do is bat your eyes, or in your case smile and ask nicely, throw in a distracting touch, and then, before I know it, you get whatever it is you want.” “Really?” he teased quietly. “I had no idea I had that effect on you.” Reaching out a hand, he turned my face toward him. He trailed his fingers lightly from my jaw, down to the pulse at my throat, and then across my neckline. My pulse hammered as he touched the cord tied around my neck and followed its path down to the amulet; then he skimmed his fingers lightly back up to my neck, studying my face as he touched me. I swallowed thickly. He leaned in close and threatened playfully, “I’ll have to use it more to my advantage in the future.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Die großartigste Fähigkeit des menschlichen Geistes ist vielleicht die, mit Schmerzen fertig zu werden. Die klassische Philosophie spricht hier von den vier Pforten des Geistes, die man durchschreiten kann. Die erste Pforte ist die des Schlafs. Der Schlaf beitet uns Zuflucht vor der Welt und all ihrem Leid. Im Schlaf vergeht die Zeit, und das verschafft uns Abstand zu den Dingen, die uns Schmerz zugefügt haben. Wenn Menschen Verletzungen erleiden, werden sie oft bewusstlos, und jemand, der eine furchtbare Nachricht erhält, fällt vielleicht in Ohnmacht. Der Geist schützt sich also vor dem Schmerz, indem er diese erste Pforte durchschreitet. Die zweite Pforte ist die des Vergessens. Manche Wunden sind zu tief, um wieder verheilen zu können, oder zumindest zu tief für eine schnelle Heilung. Hinzu kommt, dass manche Erinnerungen ausschließlich schmerzlich sind und sich da nicht heilen lässt. Das Sprichwort "Die Zeit heilt alle Wunden" entspricht nicht der Wahrheit. Die Zeit heilt die meisten Wunden. Die übrigen sind hinter dieser Pforte verborgen. Die dritte Pforte ist die des Wahnsinns. Manchmal erhält der Geist einen so verheerenden Schlag, dass er sich in den Wahnsinn flüchtet. Das ist nützlicher, als es zunächst scheint. Manchmal besteht die Wirklichkeit nur noch aus Schmerz, und um diesem Schmerz zu entrinnen, muss der Geist die Wirklichkeit hinter sich lassen. Die vierte und letzte Pforte ist die des Todes. Der letzte Ausweg. Wenn wir erst einmal tot wären, könne uns nichts mehr etwas anhaben - heißt es jedenfalls.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
In order to have a life worth living, you need to be you. Not the parental- or friend- or boy-dictated version. Not the Internet-updated version. But the true version. You are you. You actually can’t be anyone else. God made you you on purpose. You are the only one alive who ever was or ever will be you. “Today you are you! That is truer than true! There is no one alive who is you-er than you!” said the brilliant Dr. Seuss.1 You is not only who you get to be; it’s who you are supposed to be. Problems come when we would rather be someone else. Anyone else. Sometimes others don’t like us. Sometimes we don’t like ourselves. We know where we are struggling or failing or hurting or simply wanting out. We know we are not all that we are meant to be. So here’s the good news. You are meant to be you, but you are meant to become a better you. You are meant to change and grow in the ways you long to. That is, in fact, why you long to. The very fact that we long for the change we do is a sign that we are meant to have it. Our very dissatisfaction with our weaknesses and struggles points to the reality that continuing to live in them is not our destiny.
Stasi Eldredge (Free to Be Me: Becoming the Young Woman God Created You to Be)
Addy,” said Mrs. Kaur. “I’ll still have to log it, and account for it later.” “Blame me,” said Robin at once. One thick black eyebrow arched. Miss Morrissey leaned forward and smiled at her sister. “Would you say Sir Robert is a threatening figure?” “Er,” said Mrs. Kaur. It was the most diplomatic single syllable Robin had ever heard. “Are you afraid for your maidenly virtue?” “I’m married, Addy,” said Kitty Kaur dryly. “I have none.” She eyed Robin. “He does seem the kind of well-built, pugnacious fellow who would follow through on a threat of bodily harm.” “I beg your pardon,” Robin began to protest, and then the penny dropped. “Oh. Would it help if I raised my voice?” “Yes, that would do nicely. Sir Robert strong-armed my sister into bringing him here to seek my help, and threatened us with harm unless I abused my access to the lockroom in order to locate Mr. Courcey. Overcome by concern for his friend, of course, but still. Most brutish behavior.” “And we are but feeble women,” said Miss Morrissey. “Woe.” “Your sister is a magician,” Robin said, pointing out what seemed the largest hole in this story. “Woe,” said Mrs. Kaur firmly, and Robin recalled what Miss Morrissey had said about the assumptions made by men.
Freya Marske (A Marvellous Light (The Last Binding, #1))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Arthur said brightly, “Actually I quite liked it.” Ford turned and gaped. Here was an approach that had quite simply not occurred to him. The Vogon raised a surprised eyebrow that effectively obscured his nose and was therefore no bad thing. “Oh good …” he whirred, in considerable astonishment. “Oh yes,” said Arthur, “I thought that some of the metaphysical imagery was really particularly effective.” Ford continued to stare at him, slowly organizing his thoughts around this totally new concept. Were they really going to be able to bareface their way out of this? “Yes, do continue …” invited the Vogon. “Oh … and, er … interesting rhythmic devices too,” continued Arthur, “which seemed to counterpoint the … er … er …” he floundered. Ford leaped to his rescue, hazarding “… counterpoint the surrealism of the underlying metaphor of the … er …” He floundered too, but Arthur was ready again. “… humanity of the …” “Vogonity,” Ford hissed at him. “Ah yes, Vogonity—sorry—of the poet’s compassionate soul”—Arthur felt he was on the homestretch now—“which contrives through the medium of the verse structure to sublimate this, transcend that, and come to terms with the fundamental dichotomies of the other”—he was reaching a triumphant crescendo—“and one is left with a profound and vivid insight into … into … er …” (which suddenly gave out on him). Ford leaped in with the coup de grace: “Into whatever it was the poem was about!” he yelled. Out of the corner of his mouth: “Well done, Arthur, that was very good.” The Vogon perused them. For a moment his embittered racial soul had been touched, but he thought no—too little too late. His voice took on the quality of a cat snagging brushed nylon. “So what you’re saying is that I write poetry because underneath my mean callous heartless exterior I really just want to be loved,” he said. He paused, “Is that right?” Ford laughed a nervous laugh. “Well, I mean, yes,” he said, “don’t we all, deep down, you know … er …” The Vogon stood up. “No, well, you’re completely wrong,” he said, “I just write poetry to throw my mean callous heartless exterior into sharp relief. I’m going to throw you off the ship anyway. Guard! Take the prisoners to number three airlock and throw them out!” “What?” shouted Ford. A huge young Vogon guard stepped forward and yanked them out of their straps with his huge blubbery arms. “You can’t throw us into space,” yelled Ford, “we’re trying to write a book.” “Resistance is useless!” shouted the Vogon guard back at him. It was the first phrase he’d learned when he joined the Vogon Guard Corps.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
We have good news and bad news. The good news is that the dismal vision of human sexuality reflected in the standard narrative is mistaken. Men have not evolved to be deceitful cads, nor have millions of years shaped women into lying, two-timing gold-diggers. But the bad news is that the amoral agencies of evolution have created in us a species with a secret it just can’t keep. Homo sapiens evolved to be shamelessly, undeniably, inescapably sexual. Lusty libertines. Rakes, rogues, and roués. Tomcats and sex kittens. Horndogs. Bitches in heat.1 True, some of us manage to rise above this aspect of our nature (or to sink below it). But these preconscious impulses remain our biological baseline, our reference point, the zero in our own personal number system. Our evolved tendencies are considered “normal” by the body each of us occupies. Willpower fortified with plenty of guilt, fear, shame, and mutilation of body and soul may provide some control over these urges and impulses. Sometimes. Occasionally. Once in a blue moon. But even when controlled, they refuse to be ignored. As German philosopher Arthur Schopenhauer pointed out, Mensch kann tun was er will; er kann aber nicht wollen was er will. (One can choose what to do, but not what to want.) Acknowledged or not, these evolved yearnings persist and clamor for our attention. And there are costs involved in denying one’s evolved sexual nature, costs paid by individuals, couples, families, and societies every day and every night. They are paid in what E. O. Wilson called “the less tangible currency of human happiness that must be spent to circumvent our natural predispositions.”2 Whether or not our society’s investment in sexual repression is a net gain or loss is a question for another time. For now, we’ll just suggest that trying to rise above nature is always a risky, exhausting endeavor, often resulting in spectacular collapse. Any attempt to understand who we are, how we got to be this way, and what to do about it must begin by facing up to our evolved human sexual predispositions. Why do so many forces resist our sustained fulfillment? Why is conventional marriage so much damned work? How has the incessant, grinding campaign of socio-scientific insistence upon the naturalness of sexual monogamy combined with a couple thousand years of fire and brimstone failed to rid even the priests, preachers, politicians, and professors of their prohibited desires? To see ourselves as we are, we must begin by acknowledging that of all Earth’s creatures, none is as urgently, creatively, and constantly sexual as Homo sapiens.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Galen slides into his desk, unsettled by the way the sturdy blond boy talking to Emma casually rests his arm on the back of her seat. "Good morning," Galen says, leaning over to wrap his arms around her, nearly pulling her from the chair. He even rests his cheek against hers for good measure. "Good morning...er, Mark, isn't it?" he says, careful to keep his voice pleasant. Still, he glances meaningfully at the masculine arm still lining the back of Emma's seat, almost touching her. To his credit-and safety-Mark eases the offending limb back to his own desk, offering Emma a lazy smile full of strikingly white teeth. "You and Forza, huh? Did you clear that with his groupies?" She laughs and gently pries Galen's arms off her. Out of the corner of his eye, he sees the eruption of pink spreading like spilled paint over her face. She's not used to dating him yet. Until about ten minutes ago, he wasn't used to it either. Now though, with the way Mark eyes her like a tasty shellfish, playing the role of Emma's boyfriend feels all too natural. The bell rings, saving Emma from a reply and saving Mark thousands of dollars in hospital bills. Emma shoots Galen a withering look, which he deflects with that he hopes is an enchanting grin. He measures his success by the way her blush deepens but stops short when he notices the dark circles under her eyes. She didn't sleep last night. Not that he thought she would. She'd been quiet on the flight home from Destin two nights ago. He didn't pressure her to talk about it with him, mostly because he didn't know what to say once the conversation got started. So many times, he's started to assure her that he doesn't see her as an abomination, but it seems wrong to say it out loud. Like he's willfully disagreeing with the law. But how could those delicious-looking lips and those huge violet eyes be considered an abomination? What's even crazier is that not only does he not consider her an abomination, the fact that she could be a Half-Breed ignited a hope in him he's got no right to feel: Grom would never mate with a half human. At least, Galen doesn't think he would. He glances at Emma, whose silky eyelids don't even flutter in her state of light sleep. When he clears his throat, she startles. "Thank you," she mouths to him as she picks her pencil back up, using the eraser to trace the lines in her textbook as she reads. He acknowledges with a nod. He doesn't want to leave her like this, anxious and tense and out of place in her own beautiful skin.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)