β
It takes great deal of courage to see the world in all its tainted glory, and still to love it.
β
β
Oscar Wilde (An Ideal Husband)
β
A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.
β
β
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
β
She is all the great heroines of the world in one. She is more than an individual. I love her, and I must make her love me. I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir dust into consciousness, to wake their ashes into pain.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
It takes great courage to see the world in all its tainted glory, and still to love it. And even more courage to see it in the one you love
β
β
Oscar Wilde (An Ideal Husband)
β
Imitation is the sincerest form of flattery that mediocrity can pay to greatness.
β
β
Oscar Wilde
β
You have killed my love. You used to stir my imagination. Now you don't even stir my curiosity. You simply produce no effect. I loved you because you were marvelous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
β
β
Oscar Wilde
β
Beauty is a form of Genius--is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or springtime, or the reflection in the dark waters of that silver shell we call the moon. It cannot be questioned. It has divine right of sovereignty. It makes princes of those who have it.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Anybody can make history; only a great man can write it.
β
β
Oscar Wilde
β
The great events of the world take place in the brain...
β
β
Oscar Wilde
β
I didn't say I liked it Harry. I said it fascinated me. There is a great difference.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I must say... that I ruined myself: and that nobody, great or small, can be ruined except by his own hand.
β
β
Oscar Wilde
β
Cheap editions of great books may be delightful, but cheap editions of great men are absolutely detestable
β
β
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
β
Dear little Swallow,β said the Prince, βyou tell me of marvelous things, but more marvelous than anything is the suffering of men and of women. There is no Mystery so great as Misery.
β
β
Oscar Wilde (The Happy Prince and Other Tales)
β
Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.
β
β
Oscar Wilde (De Profundis)
β
Never mind what I say. I am always saying what I shouldn't say. In fact, I usually say what I really think. A great mistake nowadays. It makes one so liable to be misunderstood.
β
β
Oscar Wilde (An Ideal Husband)
β
Every great man nowadays has his disciples, and it is usually Judas who writes the biography.
β
β
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
β
It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
It is a great mistake for men to give up paying compliments, for when they give up saying what is charming, they give up thinking what is charming.
β
β
Oscar Wilde
β
When I like people immensely I never tell their names to anyone. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvelous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I daresay, but somehow it seems to bring a great deal of romance into one's life.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
One of the great secrets of life. Most people die of a sort of creeping common sense and discover too late that the only things one never regrets are one's mistakes.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.
β
β
Oscar Wilde (The Happy Prince)
β
All great ideas are dangerous.
β
β
Oscar Wilde
β
MRS ALLONBY I adore them. The clever people never listen, and the stupid people never talk.
HESTER I think the stupid people talk a great deal.
MRS ALLONBY Ah, I never listen!
β
β
Oscar Wilde (A Woman of No Importance)
β
My great mistake, the fault for which I canβt forgive myself, is that one day I ceased my obstinate pursuit of my own individuality.
β
β
Oscar Wilde
β
The burden of this world is too great for one man to bear, and the worldβs sorrow too heavy for one heart to suffer.
β
β
Oscar Wilde (A House of Pomegranates)
β
There is no Mystery so great as Misery.
β
β
Oscar Wilde (The Happy Prince)
β
It seems to me that we all look at Nature too much, and live with her too little. I discern great sanity in the Greek attitude. They never chattered about sunsets, or discussed whether the shadows on the grass were really mauve or not. But they saw that the sea was for the swimmer, and the sand for the feet of the runner. They loved the trees for the shadow that they cast, and the forest for its silence at noon.
β
β
Oscar Wilde (De Profundis)
β
When I am in trouble, eating is the only thing that consoles me. Indeed, when I am in really great trouble, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins.
β
β
Oscar Wilde (The Importance of Being Earnest)
β
Nature....she will hang the night stars so that I may walk abroad in the darkness without stumbling, and send word the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.
β
β
Oscar Wilde (De Profundis)
β
Would you like to know the great drama of my life? It is that I have put my genius into my life...I have put only my talent into my works.
β
β
Oscar Wilde
β
It is in the brain, and the brain only, that the great sins of the world take place
β
β
Oscar Wilde
β
Do you know that I am afraid that good people do a great deal of harm in this world? Certainly the greatest harm they do is that they make badness of such extraordinary importance.
β
β
Oscar Wilde (Lady Windermere's Fan)
β
I didnβt say I liked it. I said it fascinated me. There is a great difference.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have but one great experience at best, and the secret of life is to reproduce that experience as often as possible.
β
β
Oscar Wilde
β
My dear young lady, there was a great deal of truth; I dare say, in what you said, and you looked very pretty while you said it, which is much more important.
β
β
Oscar Wilde (A Woman of No Importance)
β
The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Far away beyond the pine-woods,' he answered, in a low dreamy voice, 'there is a little garden. There the grass grows long and deep, there are the great white stars of the hemlock flower, there the nightingale sings all night long. All night long he sings, and the cold, crystal moon looks down, and the yew-tree spreads out its giant arms over the sleepers.
β
β
Oscar Wilde (The Canterville Ghost)
β
I usually say what I really think. A great mistake nowadays. It makes one so liable to be misunderstood.
β
β
Oscar Wilde (Witticisms of Oscar Wilde;)
β
With subtle and finely-wrought temperaments it is always so. Their strong passions must either bruise or bend. They either slay the man, or themselves die. Shallow sorrows and shallow loves live on. The loves and the sorrows that are great are destroyed by their own plenitude.
β
β
Oscar Wilde
β
shallow sorrows and shallow loves live on. the loves and sorrows that are great are destroyed by their own plenitude
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
That is one of the great secrets of life Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The great things of life are what they seem to be, and for that reason, strange as it may sound to you, are often difficult to interpret. But the little things of life are symbols. We receive our bitter lessons most easily through them.
β
β
Oscar Wilde (De Profundis)
β
Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one's life.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Be warned in time, James, and remain, as I do, incomprehensible: to be great is to be misunderstood
β
β
Oscar Wilde
β
The play was a great success, but the audience was a disaster.
β
β
Oscar Wilde
β
Death is a great price to pay for a red rose,β cried the Nightingale, βand Life is very dear to all.Β It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl.Β Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill.Β Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
β
β
Oscar Wilde (The Happy Prince and Other Tales)
β
The moment you think you understand a great work of art, it's dead for you.
β
β
Oscar Wilde
β
Bad art is a great deal worse than no art at all.
β
β
Oscar Wilde (Only Dull People Are Brilliant at Breakfast (Penguin Little Black Classics, #119))
β
What a silly thing love is!' said the student as he walked away. 'It is not half as useful as logic, for it does not prove anything, and it is always telling one of things that are not going to happen, and making one believe things that are not true. In fact, it is quite unpractical, and, as in this age to be practical is everything, I shall go back to philosophy and study metaphysics.'
So he returned to his room and pulled out a great dusty book, and began to read.
β
β
Oscar Wilde (The Happy Prince and Other Tales)
β
Once in New York, you are sure to be a great success. I know lots of people there who would give a hundred thousand dollars to have a grandfather, and much more than that to have a family ghost.
β
β
Oscar Wilde (The Canterville Ghost)
β
Everybody one meets is a paradox nowadays. It is a great bore. It makes society so obvious.
β
β
Oscar Wilde (An Ideal Husband)
β
Good writers borrow, great writers steal. βT. S. Eliot (but possibly stolen from Oscar Wilde)
β
β
Jean Hanff Korelitz (The Plot (The Book Series, #1))
β
We are punished for our refusals. Every impulse that we strive to strangle broods in the mind and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The great events of life often leave one unmoved; they pass out of consciousness, and, when thinks of them, become unreal. Even the scarlet flowers of passion seem to grow in the same meadow as the poppies of oblivion. We reject the burden of their memory, and have anodynes against them. But the little things, the things of no moment, remain with us. In some tiny ivory cell the brain stores the most delicate, and the most fleeting impressions.
β
β
Oscar Wilde
β
It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with yourrose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shameβ¦
β
β
Oscar Wilde (Le Portrait de Dorian Gray)
β
I did not think I should be ever loved: do you indeed
Love me so much as now you say you do?
Ask of the sea-bird if it loves the sea,
Ask of the roses if they love the rain,
Ask of the little lark, that will not sing
Till day break, if it loves to see the day:
And yet, these are but empty images,
Mere shadows of my love, which is a fire
So great that all the waters of the main
Can not avail to quench it.
β
β
Oscar Wilde (The Duchess of Padua)
β
I am athirst for thy beauty; I am hungry for thy body; and neither wine nor apples can appease my desire. What shall I do now, Iokanaan? Neither the floods nor the great waters can quench my passion. I was a princess, and thou didst scorn me. I was a virgin, and thou didst take my virginity from me. I was chaste, and thou didst fill my veins with fire . . .
β
β
Oscar Wilde (SalomΓ©)
β
Death is a great price to pay for a red roseβ, cried the Nightingale, "and Life is very dear to all. β It is pleasant to sit in the green wood, and watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent oft he hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?
β
β
Oscar Wilde
β
I borrowed a quote from Oscar Wilde and put it at the top of the menu: βTo get into the best society nowadays one has either to feed people, amuse people, or shock peopleβthat is all.
β
β
Marco Pierre White (The Devil in the Kitchen: Sex, Pain, Madness, and the Making of a Great Chef)
β
Oh, I can't explain. When I like people immensely, I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one's life. I suppose you think me awfully foolish about it?
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
A great poet, a really great poet, is the most unpoetical of creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets make a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
β
β
Oscar Wilde
β
The honest ratepayer and his healthy family have no doubt often mocked at the dome-like forehead of the philosopher, and laughed over the strange perspective of the landscape that lies beneath him. If they really knew who he was, they would tremble. For Chuang TsΗ spent his life in preaching the great creed of Inaction, and in pointing out the uselessness of all things.
β
β
Oscar Wilde (An Ideal Husband)
β
The loves and sorrows that are great are destroyed by their own plentitude.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The doctors found out that Bunbury could not live, that is what I mean - so Bunbury died.
He seems to have had great confidence in the opinion of his physicians. I am glad, however, that he made up his mind at the last to some definite course of action, and acted under proper medical advice.
β
β
Oscar Wilde (The Importance of Being Earnest)
β
The Love that dare not speak its name" in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as the "Love that dare not speak its name," and on account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an elder and a younger man, when the elder man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it and sometimes puts one in the pillory for it.
β
β
Oscar Wilde
β
LADY BRACKNELL. May I ask if it is in this house that your invalid friend Mr. Bunbury resides?
ALGERNON. [Stammering.] Oh! No! Bunbury doesn't live here. Bunbury is somewhere else at present. In fact, Bunbury is dead,
LADY BRACKNELL. Dead! When did Mr. Bunbury die? His death must have been extremely sudden.
ALGERNON. [Airily.] Oh! I killed Bunbury this afternoon. I mean poor Bunbury died this afternoon.
LADY BRACKNELL. What did he die of?
ALGERNON. Bunbury? Oh, he was quite exploded.
LADY BRACKNELL. Exploded! Was he the victim of a revolutionary outrage? I was not aware that Mr. Bunbury was interested in social legislation. If so, he is well punished for his morbidity.
ALGERNON. My dear Aunt Augusta, I mean he was found out! The doctors found out that Bunbury could not live, that is what I mean - so Bunbury died.
LADY BRACKNELL. He seems to have had great confidence in the opinion of his physicians. I am glad, however, that he made up his mind at the last to some definite course of action, and acted under proper medical advice. And now that we have finally got rid of this Mr. Bunbury, may I ask, Mr. Worthing, who is that young person whose hand my nephew Algernon is now holding in what seems to me a peculiarly unnecessary manner?
β
β
Oscar Wilde (The Importance of Being Earnest)
β
For these treasures, and everything that he collected in his lovely house, were to be to him means of forgetfulness, modes by which he could escape, for a season, from the fear that seemed to him at times to be almost too great to be borne.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Yes,β he cried, βyou have killed my love! You used to stir my imagination. Now you donβt even stir my curiosity. You simply produce no effect. I loved you because you were marvelous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You canβt know what you were to me, once. Why, onceβ¦ Oh, I canβt bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love if you say it mars your art! Without your art you are nothing. I would have made you famous, splendid, magnificent. The world would have worshiped you, and you would have borne my name. What are you now? A third-rate actress with a pretty face.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
In life there is really no great or small thing. All things are of equal value and of equal size.
β
β
Oscar Wilde (De Profundis)
β
had set himself to the serious study of the great aristocratic art of doing absolutely nothing.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I make a great difference between people. I choose my friends for their good looks, my acquaintances for their good characters, and my enemies for their good intellects. A man cannot be too careful in the choice of his enemies. I have not got one who is a fool. They are all men of some intellectual power, and consequently they all appreciate me. Is that very vain of me? I think it is rather vain.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realising what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal. It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else - the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver - would all be tainted for me, and lose their healing power, and their power of communicating joy. To regret one's own experiences is to arrest one's own development. To deny one's own experiences is to put a lie into the lips of one's own life. It is no less than a denial of the soul.
β
β
Oscar Wilde (De Profundis)
β
We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible.'
'Even when one has been wounded by it, Harry?' asked the duchess after a pause.
'Especially when one has been wounded by it,' answered Lord Henry.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Yet ruled he not long, so great had been his suffering, and so bitter the fire of his testing, for after the space of three years he died. And he who came after him ruled evilly.
β
β
Oscar Wilde (The Complete Fairy Tales of Oscar Wilde)
β
He was a man of most subtle and refined intellect. A man of culture, charm, and distinction. One of the most intellectual men I ever met."
"I prefer a gentlemanly fool any day. There is more to be said for stupidity than people imagine. Personally I have a great admiration for stupidity. It is a sort of fellow-feeling, I suppose.
β
β
Oscar Wilde (An Ideal Husband)
β
When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. it is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one's life.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Basil my dear boy puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices his principles and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make and consequently are perfectly uninteresting in what they are. A great poet a really great poet is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
In every sphere of life, form is the beginning of things. [β¦] Forms are the food of faith, cried Newman in one of those great moments of sincerity that made us admire the know the man. [β¦] The Creeds are believed, not because they are rational, but because they are repeated.
β
β
Oscar Wilde (Complete Works of Oscar Wilde)
β
Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Do you know I am afraid that good people do a great deal of harm in this world. Certainly the greatest harm they do is that they make badness of such extraordinary importance. It is absurd to divide people into good and bad. People are either charming or tedious.
β
β
Oscar Wilde (Lady Windermere's Fan)
β
We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart, the stealthy creeping years
Have lost their terror now, we shall not die,
The Universe itself shall be our Immortality!
β
β
Oscar Wilde (The Collected Poems of Oscar Wilde)
β
But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
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Oscar Wilde (The Picture of Dorian Gray)
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No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
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Oscar Wilde (The Picture of Dorian Gray)
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The purple butterflies fluttered about with gold dust on their wings, visiting each flower in turn; the little lizards crept out of the crevices of the wall, and lay basking in the white glare; and the pomegranates split and cracked with the heat, and showed their bleeding red hearts. Even the pale yellow lemons, that hung in such profusion from the mouldering trellis and along the dim arcades, seemed to have caught a richer colour from the wonderful sunlight, and the magnolia trees opened their great globe-like blossoms of folded ivory, and filled the air with a sweet heavy perfume.
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Oscar Wilde (The Birthday of the Infanta)
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There is a great deal to be said in favour of reading a novel backwards. The last page is as a rule the most interesting, and when one begins with the catastrophe or the dΓ©nouement one feels on pleasant terms of equality with the author. It is like going behind the scenes of a theatre. One is no longer taken in, and the hair-breadth escapes of the hero and the wild agonies of the heroine leave one absolutely unmoved. One knows the jealously guarded secret, and one can afford to smile at the quite unnecessary anxiety that the puppets of fiction always consider it their duty to display.
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Oscar Wilde (Only Dull People Are Brilliant at Breakfast (Penguin Little Black Classics, #119))
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To get back one's youth, one has merely to repeat one's follies." "A delightful theory!" she exclaimed. "I must put it into practice." "A dangerous theory!" came from Sir Thomas's tight lips. Lady Agatha shook her head, but could not help being amused. Mr. Erskine listened. "Yes," he continued, "that is one of the great secrets of life. Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.
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Oscar Wilde (The Picture of Dorian Gray)
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...Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man must do constant penance, must repudiate every natural and healthy impulse, and turn his back on joy and beauty.
Puritanism celebrated its reign of terror in England during the sixteenth and seventeenth centuries, destroying and crushing every manifestation of art and culture. It was the spirit of Puritanism which robbed Shelley of his children, because he would not bow to the dicta of religion. It was the same narrow spirit which alienated Byron from his native land, because that great genius rebelled against the monotony, dullness, and pettiness of his country. It was Puritanism, too, that forced some of England's freest women into the conventional lie of marriage: Mary Wollstonecraft and, later, George Eliot. And recently Puritanism has demanded another toll--the life of Oscar Wilde. In fact, Puritanism has never ceased to be the most pernicious factor in the domain of John Bull, acting as censor of the artistic expression of his people, and stamping its approval only on the dullness of middle-class respectability.
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Emma Goldman (Anarchism and Other Essays)
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I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dreamβI believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic idealβto something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get ride of temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it is forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
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Oscar Wilde (The Picture of Dorian Gray)
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Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry.
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Oscar Wilde (The Picture of Dorian Gray)
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Do you want to kill his love for you? What sort of existence will he have if you rob him of the fruits of his ambition, if you take him from the splendour of a great political career, if you close the doors of public life against him, if you condemn him to sterile failure, he who was made for triumph and success? Women are not meant to judge us but to forgive us when we need forgiveness. Pardon, not punishment, is their mission. Why should you scourge him with rods for a sin done in his youth, before he knew you, before he knew himself? A man's life is of more value than a woman's. It has larger issues, wider scope, greater ambitions. A women's life revolves around curves of emotions. It is upon lines of intellect that man's life progresses. Don't make any terrible mistake, Lady Chiltern. A woman who can keep a man's love, and love him in return, has done all the world wants of women, or should want of them.
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Oscar Wilde (An Ideal Husband)
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The silver trumpets rang across the Dome;
The people knelt upon the ground with awe;
And borne upon the necks of men I saw,
Like some great God, the Holy Lord of Rome.
Priest-like, he wore a robe more white than foam,
And, king-like, swathed himself in royal red,
Three crowns of gold rose high upon his head;
In splendour and in light the Pope passed home.
My heart stole back across wide wastes of years
To One who wandered by a lonely sea;
And sought in vain for any place of rest:
βFoxes have holes, and every bird its nest,
I, only I, must wander wearily,
And bruise my feet, and drink wine salt with tears.
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Oscar Wilde
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I know of nothing in all drama more incomparable from the point of view of art, nothing more suggestive in its subtlety of observation, than Shakespeare's drawing of Rosencrantz and Guildenstern. They are Hamlet's college friends. They have been his companions. They bring with them memories of pleasant days together. At the moment when they come across him in the play he is staggering under the weight of a burden intolerable to one of his temperament. The dead have come armed out of the grave to impose on him a mission at once too great and too mean for him. He is a dreamer, and he is called upon to act. He has the nature of the poet, and he is asked to grapple with the common complexity of cause and effect, with life in its practical realisation, of which he knows nothing, not with life in its ideal essence, of which he knows so much. He has no conception of what to do, and his folly is to feign folly. Brutus used madness as a cloak to conceal the sword of his purpose, the dagger of his will, but the Hamlet madness is a mere mask for the hiding of weakness. In the making of fancies and jests he sees a chance of delay. He keeps playing with action as an artist plays with a theory. He makes himself the spy of his proper actions, and listening to his own words knows them to be but 'words, words, words.' Instead of trying to be the hero of his own history, he seeks to be the spectator of his own tragedy. He disbelieves in everything, including himself, and yet his doubt helps him not, as it comes not from scepticism but from a divided will.
Of all this Guildenstern and Rosencrantz realise nothing. They bow and smirk and smile, and what the one says the other echoes with sickliest intonation. When, at last, by means of the play within the play, and the puppets in their dalliance, Hamlet 'catches the conscience' of the King, and drives the wretched man in terror from his throne, Guildenstern and Rosencrantz see no more in his conduct than a rather painful breach of Court etiquette. That is as far as they can attain to in 'the contemplation of the spectacle of life with appropriate emotions.' They are close to his very secret and know nothing of it. Nor would there be any use in telling them. They are the little cups that can hold so much and no more.
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Oscar Wilde (De Profundis and Other Writings)
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De Profundis by Oscar Wilde (this excerpt inspired my book, The Persecution of Mildred Dunlap. Wilde wrote it to his lover while in prison.)
When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realizing what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal. It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else β the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver β would all be tainted for me, and lose their healing power, and their power of communicating joy. To regret one's own experiences is to arrest one's own development. To deny one's own experiences is to put a lie into the lips of one's own life. It is no less than a denial of the soul.
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Paulette Mahurin
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Our textbooks were ridiculous propaganda. The first English sentence we learned was "Long live Chairman Mao!" But no one dared to explain the sentence grammatically. In Chinese the term for the optative mood, expressing a wish or desire, means 'something unreal." In 1966 a lecturer at Sichuan University had been beaten up for 'having the audacity to suggest that "Long live Chairman Mao!" was unreal!" One chapter was about a model youth hero who had drowned after jumping into a flood to save an electricity pole because the pole would be used to carry the word of Mao.
With great difficulty, I managed to borrow some English language textbooks published before the Cultural Revolution from lecturers in my department and from Jin-ming, who sent me books from his university by post. These contained extracts from writers like Jane Austen, Charles Dickens, and Oscar Wilde, and stories from European and American history. They were a joy to read, but much of my energy went toward finding them and then trying to keep them.
Whenever someone approached, I would quickly cover the books with a newspaper. This was only partly because of their 'bourgeois' content. It was also important not to appear to be studying too conscientiously, and not to arouse my fellow students' jealousy by reading something far beyond them. Although we were studying English, and were paid par fly for our propaganda value by the government to do this, we must not be seen to be too devoted to our subject: that was considered being 'white and expert." In the mad logic of the day, being good at one's profession ('expert') was automatically equated with being politically unreliable ('white').
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Jung Chang (Wild Swans: Three Daughters of China)
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Dear Producers,
Something is radiating deep within me and it must be transmitted or I will implode and the world will suffer a great loss, unawares. Epic are the proportions of my soul, yet without a scope who cares am I? This is why I must but must be one of the inhabitants of MTV's "Real World." Only there, burning brightly into a million dazzled eyes, will my as yet uncontoured self assume the beauteous forms that are not just its own, but an entire market niche's, due.
I am a Kirk Cameron-Kurt Cobain figure, roguishly quirky, dandified but down to earth, kooky but comprehensible; denizen of the growing penumbra between alternative and mainstream culture; angsty prophet of the already bygone apocalypse, yet upbeat, stylish and sexy!
Oscar Wilde wrote, "Good artists exist in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating... [they] live the poetry [they] cannot write." As with Dorian Gray, life is my art! Oh MTV, take me, make me, wake me from my formless slumbers and place me in the dreamy Real World of target marketing.
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Dave Eggers (A Heartbreaking Work of Staggering Genius)