β
Procrastination is the thief of time, collar him.
β
β
Charles Dickens (David Copperfield)
β
My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest.
β
β
Charles Dickens (David Copperfield)
β
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.
β
β
Charles Dickens (David Copperfield)
β
My advice is, never do to-morrow what you can do today. Procrastination is the thief of time. Collar him!
β
β
Charles Dickens (David Copperfield)
β
Never," said my aunt, "be mean in anything; never be false; never be cruel. Avoid those three vices, Trot, and I can always be hopeful of you.
β
β
Charles Dickens (David Copperfield)
β
There can be no disparity in marriage like unsuitability of mind and purpose.
β
β
Charles Dickens (David Copperfield)
β
Annual income twenty pounds, annual expenditure nineteen nineteen and six , result happiness.
Annual income twenty pounds, annual expenditure twenty pounds ought and six, result misery
β
β
Charles Dickens (David Copperfield)
β
In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should be respected."
(Frauds on the Fairies, 1853)
β
β
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
β
Trifles make the sum of life.
β
β
Charles Dickens (David Copperfield)
β
I never could have done what I have done, without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one object at a time.
β
β
Charles Dickens (David Copperfield)
β
I had considered how the things that never happen, are often as much realities to us, in their effects, as those that are accomplished.
β
β
Charles Dickens (David Copperfield)
β
It's in vain to recall the past, unless it works some influence upon the present.
β
β
Charles Dickens (David Copperfield)
β
I know enough of the world now to have almost lost the capacity of being much surprised by anything
β
β
Charles Dickens (David Copperfield)
β
Be natural my children. For the writer that is natural has fulfilled all the rules of art."
(Last words, according to Dickens's obituary in The Times.)
β
β
Charles Dickens (Five Novels: Oliver Twist, A Christmas Carol, David Copperfield, A Tale of Two Cities, Great Expectations)
β
New thoughts and hopes were whirling through my mind, and all the colours of my life were changing.
β
β
Charles Dickens (David Copperfield)
β
The streets looked small, of course. The streets that we have only seen as children always do I believe when we go back to them
β
β
Charles Dickens (David Copperfield)
β
Try not to associate bodily defect with mental, my good friend, except for a solid reason
β
β
Charles Dickens (David Copperfield)
β
It was a long and gloomy night that gathered on me, haunted by the ghosts of many hopes, of many dear remembrances, many errors, many unavailing sorrows and regrets.
β
β
Charles Dickens (David Copperfield)
β
These books were a way of escaping from the unhappiness of my life.
β
β
Charles Dickens (David Copperfield)
β
Janet! Donkeys!
β
β
Charles Dickens (David Copperfield)
β
Yes. He is quite a good fellow - nobody's enemy but his own.
β
β
Charles Dickens (David Copperfield)
β
We must meet reverses boldly, and not suffer them to frighten us, my dear. We must learn to act the play out. We must live misfortune down, Trot!
β
β
Charles Dickens (David Copperfield)
β
There can't be a quarrel without two parties, and I won't be one. I will be a friend to you in spite of you. So now you know what you've got to expect
β
β
Charles Dickens (David Copperfield)
β
You are too young to know how the world changes everyday,' said Mrs Creakle, 'and how the people in it pass away. But we all have to learn it, David; some of us when we are young, some of us when we are old, some of us at all times in our lives.
β
β
Charles Dickens (David Copperfield)
β
It will be your duty, and it will be your pleasure too to estimate her (as you chose her) by the qualities that she has, and not by the qualities she may not have.
β
β
Charles Dickens (David Copperfield)
β
I only know that it was, and ceased to be; and that I have written, and there I leave it.
β
β
Charles Dickens (David Copperfield)
β
It is no worse, because I write of it. It would be no better, if I stopped my most unwilling hand. Nothing can undo it; nothing can make it otherwise than as it was.
β
β
Charles Dickens (David Copperfield)
β
Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve oβclock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.
β
β
Charles Dickens (David Copperfield)
β
This was my only and my constant comfort. When I think of it, the picture always rises in my mind, of a summer evening, the boys at play in the churchyard, and I sitting on my bed, reading as if for life.
β
β
Charles Dickens (David Copperfield)
β
the sight of me is good for sore eyes
β
β
Charles Dickens (David Copperfield)
β
Are tears the dewdrops of the heart?
β
β
Charles Dickens (David Copperfield)
β
My advice is, never do tomorrow what you can do today. Procrastination is the thief of time. Collar him!
β
β
Charles Dickens (David Copperfield)
β
things cannot be expected to turn up of themselves. We must in a measure assist to turn them up
β
β
Charles Dickens (David Copperfield)
β
Least said, soonest mended
β
β
Charles Dickens (David Copperfield)
β
Lovers had loved before, and lovers would love again; but no lover had ever loved, might, could, would, or should ever love, as I loved Dora.
β
β
Charles Dickens (David Copperfield)
β
...I hope that simple love and truth will be strong in the end. I hope that real love and truth are stronger in the end than any evil or misfortune in the world.
β
β
Charles Dickens (David Copperfield)
β
Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)
β
β
Nick Hornby (The Polysyllabic Spree)
β
what such people miscall their religion, is a vent for their bad humours and arrogance.
β
β
Charles Dickens (David Copperfield)
β
A display of indifference to all the actions and passions of mankind was not supposed to be such a distinguished quality at that time, I think, as I have observed it to be considered since. I have known it very fashionable indeed. I have seen it displayed with such success, that I have encountered some fine ladies and gentlemen who might as well have been born caterpillars.
β
β
Charles Dickens (David Copperfield)
β
I could settle down into a state of
equable low spirits, and resign myself to coffee.
β
β
Charles Dickens (David Copperfield)
β
Mature affection, homage, devotion, does not easily express itself. Its voice is low. It is modest and retiring, it lies in ambush, waits and waits. Such is the mature fruit. Sometimes a life glides away, and finds it still ripening in the shade.
β
β
Charles Dickens (David Copperfield)
β
Gentlemen," returned Mr. Micawber, "do with me as you will! I am a straw upon the surface of the deep, and am tossed in all directions by the elephants- I beg your pardon; I should have said the elements.
β
β
Charles Dickens (David Copperfield)
β
Mr. Dick, give me your hand, for your common sense is invaluable.
β
β
Charles Dickens (David Copperfield)
β
Good. Item seven. The had had and that that problem. Lady Cavendish, werenβt you working on this?β
Lady Cavendish stood up and gathered her thoughts. βIndeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.β
βGo on.β
βItβs mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrimβs Progress may also be a problem due to its had had/that that ratio.β
βSo whatβs the problem in Progress?β
βThat that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.β
βHmm,β said the Bellman, βI thought had had had had TGCβs approval for use in Dickens? Whatβs the problem?β
βTake the first had had and that that in the book by way of example,β said Lady Cavendish. βYou would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.β
βSo the problem with that other that that was thatβ¦?β
βThat that other-other that that had had approval.β
βOkayβ said the Bellman, whose head was in danger of falling apart like a chocolate orange, βlet me get this straight: David Copperfield, unlike Pilgrimβs Progress, had had had, had had had had. Had had had had TGCβs approval?β
There was a very long pause. βRight,β said the Bellman with a sigh, βthatβs it for the moment. Iβll be giving out assignments in ten minutes. Sessionβs over β and letβs be careful out there.
β
β
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
β
You are a young man," she said, nodding. "Take a word of advice, even from three foot nothing. Try not to associate bodily defects with mental, my good friend, except for a solid reason.
β
β
Charles Dickens (David Copperfield)
β
what I want you to be - I don't mean physically but morally: you are very well physically - is a firm fellow, a fine firm fellow, with a will of your own, with resolution. with determination. with strength of character that is not to be influenced except on good reason by anybody, or by anything. That's what I want you to be. That's what your father, & your mother might both have been
β
β
Charles Dickens (David Copperfield)
β
When a plunge is to be made into the water, it's of no use lingering on the bank.
β
β
Charles Dickens (David Copperfield)
β
why should I seek to change, what has been so precious to me for so long! you can never show better than as your own natural self
β
β
Charles Dickens (David Copperfield)
β
Itβs in vain to recall the past, unless it works some influence upon the present.β Charles Dickens, David Copperfield
β
β
Barbara Kingsolver (Demon Copperhead)
β
For our path in life...is stony and rugged now, and it rests with us to smooth it. We must fight our way onward. We must be brave. There are obstacles to be met, and we must meet, and crush them!
β
β
Charles Dickens (David Copperfield)
β
They'll not blame me. They'll not object to me. They'll not mind what I do, if it's wrong. I'm only Mr. Dick.
β
β
Charles Dickens (David Copperfield)
β
unless we learn to do our duty to those whom we employ, they will never learn to do their duty to us
β
β
Charles Dickens (David Copperfield)
β
Come! Let us make that bargain. Think of me at my best, if circumstances should ever part us!
β
β
Charles Dickens (David Copperfield)
β
Listlessness to everything, but brooding sorrow, was the night that fell on my undisciplined heart. Let me look up from it - as at last I did, thank Heaven! - and from its long, sad, wretched dream, to dawn.
β
β
Charles Dickens (David Copperfield)
β
I remember him as something left behind upon the road of lifeβas something I have passed, rather than have actually beenβand almost think of him as of someone else.
β
β
Charles Dickens (David Copperfield)
β
I have often remarked- I suppose everybody has- that one's going away from a familiar place, would seem to be the signal for a change in it.
β
β
Charles Dickens (David Copperfield)
β
When I have come to you, at last (as I have always done), I have come to
peace and happiness. I come home, now, like a tired traveller, and find
such a blessed sense of rest!
β
β
Charles Dickens
β
Never do tomorrow what you can do today. Procrastination is the thief of time.
β
β
Charles Dickens (David Copperfield)
β
I'm a straw upon the surface of the deep, and am tossed in all directions by the elephants
β
β
Charles Dickens (David Copperfield)
β
The society of girls is a very delightful thing, Copperfield. It's not professional, but it's very delightful.
β
β
Charles Dickens (David Copperfield)
β
As to any sense of inequality, or youthfulness, or other difficulty in our way, little Em'ly and I had no such trouble, because we had no future. We made no more provision for growing older, than we did for growing younger.
β
β
Charles Dickens (David Copperfield)
β
[W]e talk about the tyranny of words, but we like to tyrannise over them too; we are fond of having a large superfluous establishment of words to wait upon us on great occasions; we think it looks important, and sounds well. As we are not particular about the meaning of our liveries on state occassions, if they be but fine and numerous enough, so, the meaning or necessity of our words is a secondary consideration, if there be but a great parade of them. And as individuals get into trouble by making too great a show of liveries, or as slaves when they are too numerous rise against their masters, so I think I could mention a nation that has got into many great difficulties, and will get into many greater, from maintaining too large a retinue of words.
β
β
Charles Dickens (David Copperfield)
β
Every night,' said Mr. Peggotty, 'as reg'lar as the night comes, the candle must be stood in its old pane of glass, that if ever she should see it, it may seem to say, "Come back, my child, come back!
β
β
Charles Dickens (David Copperfield)
β
Indeed, there was a frankness in his face, an honesty, and an undisguised show of his pride in her, and his love for her, which were, to me, the best of good looks.
β
β
Charles Dickens (David Copperfield)
β
Approach me again, you β you β you Heep of infamy," gasped Mr. Micawber, " and if your head is human, I'll break it.
β
β
Charles Dickens (David Copperfield)
β
She was more than human to me. She was a Fairy, a Sylph, I donβt know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
β
β
Charles Dickens (David Copperfield)
β
Blind, blind, blind . . .
β
β
Charles Dickens
β
I dare say our is likely to be a rather long engagement, but our motto is "Wait and hope!" We always say that. "Wait and hope!" we always say.
β
β
Charles Dickens (David Copperfield)
β
there was a little too much of the best intentions going on
β
β
Charles Dickens (David Copperfield)
β
There never were greed and cunning in the world yet, that did not do too much, and overreach themselves. It is as certain as death.
β
β
Charles Dickens (David Copperfield)
β
I thought her looking as she always does: superior in all respects to everyone around her
β
β
Charles Dickens (David Copperfield)
β
My advice is, never do to-morrow what you can do to-day
β
β
Charles Dickens (David Copperfield)
β
And now, as I close my task, subduing my desire to linger yet, these faces fade away. But one face, shining on me like a Heavenly light by which I see all other objects, is above them and beyond them all. And that remains.
I turn my head, and see it, in its beautiful serenity, beside me.
My lamp burns low, and I have written far into the night; but the dear presence, without which I were nothing, bears me company.
O Agnes, O my soul, so may thy face be by me when I close my life indeed; so may I, when realities are melting from me, like the shadows which I now dismiss, still find thee near me, pointing upward!
β
β
Charles Dickens (David Copperfield)
β
If I may so express it, I was steeped in Dora. I was not merely over head and ears in love with her, but I was saturated through and through. Enough love might have been wrung out of me, metaphorically speaking, to drown anybody in; and yet there would have remained enough within me, and all over me, to pervade my entire existence.
β
β
Charles Dickens (David Copperfield)
β
Oh, but reasoning is so much worse than scolding!... I didn't marry to be reasoned with. If you meant to reason with such a poor little thing as I am, you ought to have told me so, you cruel boy!
β
β
Charles Dickens (David Copperfield)
β
It's a bad job," he said, when I had done; "but the sun sets every day, and people die every minute, and we mustn't be scared by the common lot. If we failed to hold our own, because that equal foot at all men's doors was heard knocking somewhere, every object in this world would slip from us. No! Ride on! Rough-shod if need be, smooth-shod if that will do, but ride on! Ride on over all obstacles, and win the race!
β
β
Charles Dickens (David Copperfield)
β
Cottage of content was better than the Palace of cold splendour, and that where love was, all was.
β
β
Charles Dickens (David Copperfield)
β
The mother who lay in the grave, was the mother of my infancy; the little creature in her arms, was myself, as I had once been, hushed for ever on her bosom.
β
β
Charles Dickens
β
What an unsubstantial, happy, foolish time! Of all the times of mine that Time has in his grip, there is none that in one retrospection I can smile at half so much, and think of half so tenderly.
β
β
Charles Dickens (David Copperfield)
β
All was over in a moment. I had fulfilled my destiny. I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I don't know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
β
β
Charles Dickens (David Copperfield)
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
But what I cannot settle in my mind is that the end will absolutely come. I hold her hand in mine, I hold her heart in mine, I see her love for me, alive in all its strength.
β
β
Charles Dickens (David Copperfield)
β
There was no noise, no effort, no consciences in anything he did, but in everything an indescribable lightness, a seeming impossibility of doing nothing else, or doing nothing better, which was so graceful, so natural & agreeable
β
β
Charles Dickens (David Copperfield)
β
My Uriah,' said Mrs. Heep, 'has looked forward to this, sir, a long while. He had his fears that our umbleness stood in the way, and I joined in them myself. Umble we are, umble we have been, umble we shall ever be,' said Mrs. Heep.
β
β
Charles Dickens (David Copperfield)
β
I don't know what she wasβanything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
β
β
Charles Dickens (David Copperfield)
β
She was more than human to me. She was a Fairy, a Sylph, I don't know what she wasβanything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her.
β
β
Charles Dickens (David Copperfield)
β
Almost none of them understood Great Expectations or David Copperfield, anyway. They were not only too young for the Dickensian language, they were also too young to comprehend the usual language of St. Cloudβs. What mattered to Dr. Larch was the idea of reading aloud β it was a successful soporific for the children who didnβt know what they were listening to, and for those few who understood the words and the story, then the evening reading provided them with a way to leave St. Cloudβs in their dreams, in their imaginations.
Dickens was a personal favorite of Dr. Larch; it was no accident, of course, that both Great Expectations and David Copperfield were concerned with orphans. (βWhat in the hell else would you read to an orphan?β Dr. Larch inquired in his journal.)
β
β
John Irving (The Cider House Rules)
β
As the elms bent to one another, like giants who were whispering secrets, and after a few seconds of such repose fell into a violent flurry, tossing their wild arms about, as if their late confidences were really too wicked for their peace of mind, some weather-beaten, ragged old rooksβ nests, burdening their higher branches, swung like wrecks upon a stormy sea.
β
β
Charles Dickens (David Copperfield)
β
I landed in London on a wintry autumn evening. It was dark and raining, and I saw more fog and mud in a minute than I had seen in a year. I walked from the Custom House to the Monument before I found a coach; and although the very house-fronts, looking on the swollen gutters, were like old friends to me, I could not but admit that they were very dingy friends.
β
β
Charles Dickens (David Copperfield)
β
My father had left a small collection of books in a little room upstairs, to which I had access (for it adjoined my own) and which nobody else in our house ever troubled. From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, the Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a glorious host, to keep me company. They kept alive my fancy, and my hope of something beyond that place and time . . .
β
β
Charles Dickens (David Copperfield)
β
Can I say of her faceβaltered as I have reason to remember it, perished as I know it isβthat it is gone, when here it comes before me at this instant, as distinct as any face that I may choose to look on in a crowded street? Can I say of her innocent and girlish beauty, that it faded, and was no more, when its breath falls on my cheek now, as it fell that night? Can I say she ever changed, when my remembrance brings her back to life, thus only; and, truer to its loving youth than I have been, or man ever is, still holds fast what it cherished then?
β
β
Charles Dickens (David Copperfield)
β
It will be your duty, and it will be your pleasure tooβof course I know that; I am not delivering a lectureβto estimate her (as you chose her) by the qualities she has, and not by the qualities she may not have. The latter you must develop in her, if you can. And if you cannot, child,' here my aunt rubbed her nose, 'you must just accustom yourself to do without 'em. But remember, my dear, your future is between you two. No one can assist you; you are to work it out for yourselves. This is marriage, Trot; and Heaven bless you both, in it, for a pair of babes in the wood as you are!
β
β
Charles Dickens (David Copperfield)
β
He went to India with his capital, and there, according to a wild legend in our family, he was once seen riding on an elephant, in company with a Baboon; but I think it must have been a Babooβor a Begum. Anyhow, from India tidings of his death reached home, within ten years. How they affected my aunt, nobody knew; for immediately upon the separation, she took her maiden name again, bought a cottage in a hamlet on the sea-coast a long way off, established herself there as a single woman with one servant, and was understood to live secluded,
β
β
Charles Dickens (David Copperfield)
β
It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.
β
β
Charles Dickens (David Copperfield)
β
I believed, from the solitary and thoughtful way in which my mother murmured her song, that she was alone. And I went softly into the room. She was sitting by the fire, suckling an infant, whose tiny hand she held against her neck. Her eyes were looking down upon its face, and she sat singing to it. I was so far right, that she had no other companion.
I spoke to her, and she started, and cried out. But seeing me, she called me her dear Davy, her own boy! and coming half across the room to meet me, kneeled down upon the ground and kissed me, and laid my head down on her bosom near the little creature that was nestling there, and put its hand up to my lips.
I wish I had died. I wish I had died then, with that feeling in my Heart! I should have been more fit for Heaven than I ever have been since.
β
β
Charles Dickens (David Copperfield)
β
Oh, and David Copperfield too.β βThatβs for me. I must have ten copies by now.β I smiled. βItβs my most favorite of all Dickens. Itβs so inspiring, thinking that David Copperfield was based on Dickensβs own life, that someone could overcome that kind of suffering and poverty to finally achieve happiness.β I had said too much. He was giving me the look. I hated the look. It was the βYouβve had it tough, huh, kid?β look. It made me feel pathetic. Hearne spoke softly. βI know what you mean. I had kind of a Copperfield childhood myself.β I stared at him, shocked that the sophisticated man in front of me could have ever known poverty or suffering. Had he really recast himself? My surprise registered with him.
β
β
Ruta Sepetys (Out of the Easy)
β
Betsy Trotwood donβt look a likely subject for the tender passion, but the time was, Trot, when she believed in that man most entirely. When she loved him, Trot, right well. When there was no proof of attachment and affection that she would not have given him. He was a fine-looking man when I married himβ, said my aunt, with an echo of her old pride and admiration in her tone. βI was a fool; and I am so far an incurable fool on that subject, that, for the sake of what I once believed him to be, I wouldnβt have even this shadow of my idle fancy hardly dealt with. For I was in earnest, Trot, if ever a woman was. There, my dear. Now, you know the beginning, middle, and end, and all about it. We wonβt mention the subject to one another any more; neither, of course, will you mention it to anybody else. This is my grumpy, frumpy story, and weβll keep it to ourselves, Trot!
β
β
Charles Dickens (David Copperfield)
β
I met death in Dickens. It made more of an impression on me than anything else in Dickens. There was the death of Little Nell, the death of Paul Dombey, the death of Barkis in David Copperfield, the death (above all) of Dora. I remember reading about that in the autumn of 1918. It was October; it was a rainy day; and it was late afternoon when I read that chapter. I read it by the light of the fire. I can still remember all that. I can still remember my grief, and I can still remember that it took me several months to overcome that grief about a fictive character in a bookβnot that I have ever really recovered. That experience at the age of eight prepared me to find value in the passing of loved ones. It helped me to endure and properly experience the real deaths that followed itΒ .Β .Β . We need to prepare our children for death. It is one of the things that they need and have a right to learn, and it is from literature that they can best learn it.
β
β
Arm the Children
β
I feel as if it were not for me to record, even though this manuscript is intended for no eyes but mine, how hard I worked at that tremendous short-hand, and all improvement appertaining to it, in my sense of responsibility to Dora and her aunts. I will only add, to what I have already written of my perseverance at this time of my life, and of a patient and continuous energy which then began to be matured within me, and which I know to be the strong part of my character, if it have any strength at all, that there, on looking back, I find the source of my success. I have been very fortunate in worldly matters; many men have worked much harder, and not succeeded half so well; but I never could have done what I have done, without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one object at a time, no matter how quickly its successor should come upon its heels, which I then formed. Heaven knows I write this, in no spirit of self-laudation. The man who reviews his own life, as I do mine, in going on here, from page to page, had need to have been a good man indeed, if he would be spared the sharp consciousness of many talents neglected, many opportunities wasted, many erratic and perverted feelings constantly at war within his breast, and defeating him. I do not hold one natural gift, I dare say, that I have not abused. My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest. I have never believed it possible that any natural or improved ability can claim immunity from the companionship of the steady, plain, hard-working qualities, and hope to gain its end. There is no such thing as such fulfilment on this earth. Some happy talent, and some fortunate opportunity, may form the two sides of the ladder on which some men mount, but the rounds of that ladder must be made of stuff to stand wear and tear; and there is no substitute for thorough-going, ardent, and sincere earnestness. Never to put one hand to anything, on which I could throw my whole self; and never to affect depreciation of my work, whatever it was; I find, now, to have been my golden rules.
β
β
Charles Dickens (David Copperfield)
β
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.)
The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning...
I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy.
I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more.
This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less.
These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
β
β
Charles Dickens