Dialogue Quotes And Flow Quotes

Listen to what you have written. A dud rhythm in a passage of dialogue may show that you don't yet understand the characters well enough to write in their voices." [Ten rules for writing fiction (The Guardian, 20 February 2010)]

Human life is inherently dualistic. It consists of or is explicable as two fundamental entities, including rivalries between subject and object, mind and matter, and conflict between the benevolent and the malevolent forces. Opposition in the universe creates a dynamic living universe composed of good and evil, body and soul. Human thoughts and feelings are the communal products of the conscious and unconscious mind’s interpretation of a constant flow of coded and symbolic dialogue.

That was enough dialogue for a few pages - he had to get into some fast, red-hot action. There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages sprang up almost like blobs of batter from a pancake skillet. The beer kept rising in the glass and, contradictorily, steadily falling lower. The cigarettes gave up their ghosts, long thin gray ghosts, in a good cause; the mortality rate was terrible. His train of thought, the story's lifeline, beer-lubricated but no whit impeded, flashed and sputtered and coursed ahead like lightning in a topaz mist, and the loose fingers and hiccuping keys followed as fast as they could. ("The Penny-A-Worder")

GOD IS WITHIN AND WITHOUT, because only God is. In fact to say "God is" is a repetition because God is never "is not." God is the very isness of existence. We can say "the house is" because once the house was not and once again the house will not be. To call the house "is" is okay because the "is not" is possible. We can say "the man is" but we cannot say "God is," because only he is, always has been, always will be. God is the very isness, God is existence itself. Then why say the word "God" at all? Why use it? We use it very symbolically, to indicate something. When we say "God is" we mean existence is not without a soul. We mean that existence is not dead. We mean that existence is alive, throbbing with love, compassion, consciousness, conscience; that existence is intimate; that there is a possibility of addressing existence and there is a possibility of getting the response. When we say "God is" we mean that existence allows the possibility of a dialogue. You can have a dialogue with it; you can call it "thou" and it will not be meaningless; and you can be in such a state that prayer becomes possible, that communion becomes possible. That's all the word "God" carries. Existence is not like a dead rock; it is an alive flower. It will respond to you. If you love it, love will flow towards you. If you move towards it, it will move towards you. If you seek it, it will seek you. Existence is not care-less. If you are in love with existence, existence is in love with you. That's all that we mean when we call existence divine or when we say God is. Remember it. It is a poetic way of saying a truth. It is not a fact. It is poetry, it is romance. And religion is romance with existence. Yes, it is more like falling in love rather than arguing towards a conclusion. That's why Kabir says God is within and without, but the journey has to start from the within. Unless you have known God withinwards, you will not be able to comprehend him in the outside. Unless you have seen him within yourself, you will not be able to see him in the trees, in the birds, in the stars. How can you see him in the tree, in the rock, if you have not been able to feel him within yourself? Your center of being is the closest door to God. If you have not been able to enter from there, you cannot enter from anywhere else. God is within and without, both, because only he is; still, the journey starts from your innermost core. This point has to be understood very deeply. The whole approach of Kabir - the whole approach of all the mystics of the world - depends on this. If you see God outside and you have not seen him within, it is going to be just a dream, a projection, a wish fulfillment; so don't start the journey that way. The journey starts by closing the eyes; the journey ends by opening the eyes. First, one closes the eyes in meditation, goes deep into oneself. When one has realized, touched the very core, has known who is there; one opens the eyes - and finds him all over, spread everywhere.

Push versus Pull Marketing. Who wants to be pushed around? I certainly don’t. Statements push and questions pull. Don’t you prefer the latter? Questions pique interest and can keep the dialogue flowing when your other alternatives aren’t as attractive or magnetic.

Free Flowing Dialogue “Have you ever been engaged in a conversation which was so dynamic that you were both firing on all cylinders, in perfect harmony and at warp speed?

While women have come far in their ability to speak on their own behalf, there are many women who compromise what they want to say and what they actually say. Almost all women experience a dissonance between inner and outer. As a matter of emotional and sometimes physical survival, women have found it necessary to split their speech into two parts. One kind of speech is suppressed, occurring only in safe settings with intimates or within the ultimate safety of a woman's own mind. The second kind of speech is the publicly acceptable type that conforms to social expectations. The injunction to suppress certain feelings or thoughts can be so powerful that a woman may not be aware of it and may honestly believe that publicly acceptable speech is all she has in her. Carol Gilligan's work describes the destructive effects of this splitting of voice, especially in young girls who, as they embark on adolescence, have trouble speaking with clarity and strength. An emphasis on listening cultivates a stronger expression of voice. Listening is a crucial component in Imago Theory, where couples are taught to mirror, or repeat back, each other's thoughts, feelings, and needs as a way of building not only their partner's sense of self, but their own. Our core self becomes stronger when it is mirrored back. Voice that is not mirrored dies. When the process of mirroring is followed by validating and empathizing, a deep listening is done with feeling. All of us need validation -- that who we are, what we think, and how we feel does make sense. And the deepest form of listening is empathy, by which we are able to resonate on a soul level with the feelings and needs of one another. A wise proverb states that "Speech is silver, Silence is gold," reminding us of the forgotten value of silence. Feminist theorist Patrocinio Schweickart chose those words as the title of her article on talking and listening that parallels the inward and outward rhythm of Imago dialogue. She points our attention to the value of quiet as a tool that helps us notice the complex interplay of inner and outer that characterizes any creative process. For something new to happen, we need silence and receptivity as well as action and productivity. While some theorists see speaking as active and listening as passive, Schweickart and Imago Theory both point to the reality that both speaking and listening are active. Listening is a way of meaning-making. Theologian Nelle Morten refers to this dynamic as "hearing each other into speech." Ultimately, the development of authentic voice is a process that involves that involves a flow between speaking and listening. In listening, one becomes attuned to the surroundings so that speech becomes relevant and meaningful. This undulating rhythm of speaking and listening is the bedrock for dialogue in Imago Theory and for all of us who care about relationship.

The essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things--the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal. Dan Simmons

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