Tube Top Quotes

If you are on social media, and you are not learning, not laughing, not being inspired or not networking, then you are using it wrong.

If you are a woman and you bought this book for practical tips on how to make it in a male-dominated workplace, here they are. No pigtails, no tube tops. Cry sparingly. (Some people say “Never let them see you cry.” I say, if you’re so mad you could just cry, then cry. It terrifies everyone.)

I was just turned last week. I'm a librarian." He stilled, as if I'd just told him I was the inventor of the tube top. "I watched a movie about a librarian once. Well, she was a librarian by day, a call girl by--" I stopped him with a quick lift of an eyebrow. "If you finish that sentence, we cannot be friends.

The comments on YouTube, Facebook, and Twitter instantly switched from a small, friendly, supportive community to a selection of the loudest, most over-the-top opinions one could imagine. I was a traitor to my species. I was ultra-fuckable. I was a space alien. I was an ultra-fuckable space alien. And so on.

She was a strange, unsettled planet that had had once sustained life. She was a language that I had thought I almost understood even though I couldn't speak it. She hadn't always been this way. She used to wear high knee socks and short shorts and tube tops, and travel everywhere on roller skates.

I do feel that tube tops are best suited to the under twenty-fives, if, indeed, they are suited to anyone.

For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people,are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.

Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.

Remember my experiments with the RTG and having a hot bath? Same principle, but I came up with an improvement: submerge the RTG. No heat will be wasted that way. I started with a large rigid sample container (or “plastic box” to people who don’t work at NASA). I ran a tube through the open top and down the inside wall. Then I coiled it in the bottom to make a spiral. I glued it in place like that and sealed the end. Using my smallest drill bit, I put dozens of little holes in the coil. The idea is for the freezing return air from the regulator to pass through the water as a bunch of little bubbles. The increased surface area will get the heat into the air better. Then I got a medium flexible sample container (“Ziploc bag”) and tried to seal the RTG in it. But the RTG has an irregular shape, and I couldn’t get all the air out of the bag. I can’t allow any air in there.

I always got cross with Elizabeth for leaving the top off the toothpaste. Now I throw it away as soon as I open a new tube. I find I dont´t want the lid.

Say what you will about ‘decency’ but I happen to be a fan of skimpy tube tops and really short skirts.

Her mother pinched the half of her breast that pushed up from her tube top. “What about these? You want your in-laws to see your mangoes? Save those for the man who’s going to eat them,” she hissed.

Mr. Bucket was the only person in the family with a job. He worked in a toothpaste factory, where he sat all day long at a bench and screwed the little caps onto the tops of the tubes of toothpaste after the tubes had been filled.

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay." "I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind. "Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways.

What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?

The founders of start-ups as varied as YouTube, Palantir Technologies, and Yelp all worked at PayPal. Another set of people—including Reid Hoffman, Thiel, and Botha—emerged as some of the technology industry’s top investors. PayPal staff pioneered techniques in fighting online fraud that have formed the basis of software used by the CIA and FBI to track terrorists and of software used by the world’s largest banks to combat crime. This collection of super-bright employees has become known as the PayPal Mafia—more or less the current ruling class of Silicon Valley—and Musk is its most famous and successful member.

Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.

as his fingers made contact. He went to the sink and turned around, but trying to see the back of your neck by looking over your shoulder was worse than useless. He opened the top drawer under the sink and found nothing but shaving stuff, combs, an unraveling Ace bandage, and the world’s oldest tube of Monistat: another little souvenir from the Age of Greta.

Ma'am is yet another horrible-sounding word in the lexicon of words that women are stuck with to describe various aspects of their body/life/mental state/hair. Vagina. Moist. Fallopian tubes. Yeast infection. Clitoris. Frizz. These are all terrible words, and yet they are our assigned descriptors. Who made up these words? Women certainly didn't. If, at the beginning of time, right after making vaginas, God had asked me, 'What would you like your most intimate and enjoyable part of yourself to be called?',' I most certainly wouldn't have said, 'Vagina.' No woman would, because vagina sounds like a First World War term that was invented to describe a trench that has been mostly blown apart but is still in use. Even off the very top of my head I feel like I could have come up with something better, like for instance the word papoose, which actually as I'm typing it feels like an incredibly brilliant word for vagina.

A gaggle of sophomore girls wavered by in their heels, en route from Bartleby's to some house party. No two of their tube tops or flouncy miniskirts were precisely alike, in cut or in color, and these slight variations made the outfits look all the more carefully orchestrated as they linked arms and passed by, pretending not to listen. Schwartz tried to comfort himself with a long look at their ten slender thighs turned pink by the cold, the good odds he'd been between four or six of those thighs on oblivious drunken nights, but it was useless, the girls looked absurd to him now, and it no longer seemed that the universe contained an endless supply of anonymous pink thighs to which he could escape from his troubles. Pella would never dress like that.

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

He rolled up the completed bundle of work and slid it into the pneumatic tube. Eight minutes had gone by. He readjusted his spectacles on his nose, sighed, and drew the next batch of work toward him, with the scrap of paper on top of it. He flattened it out. On it was written, in a large unformed handwriting: I love you. For several seconds he was too stunned even to throw the incriminating thing into the memory hole. When he did so, although he knew very well the danger of showing too much interest, he could not resist reading it once again, just to make sure that the words were really there.

The thing appeared jointed, osteological, a creature of bone and sinew, but it moved like drooping glue. It stretched out and fell from the ragged hole in the ceiling, a horrific whiteness of teeth and bladed limbs. Too many legs, three arms—one from the top of its spine, if it had a spine, the others from curdled-milk textured shoulders—and a vast jaw lined with rows and rows of jagged fangs. In the center of the serpentine tube of its torso, a red-black hole guttered to its innards.

Is that a trip wire?” Sophie asked as he unhooked a thin strand of silver from the underside of the panel. “Can’t be too careful with Lord Nosypants around,” he confirmed, pulling the panel free and revealing four notebooks—one brown, one gold, one silver, and one green—with a cloudy vial sitting on top of them, attached to the other end of the wire. “That tube is filled with one of my favorite airborne microbes,” Ro explained, flashing all of her pointed teeth when Sophie backed up a step. “Those little guys know how to have a party in your sinuses.

I remember walking up an inclining street in Hebron and reaching a large metal fence with a revolving gate. At the top of the gate was a device about the size of a shoebox with a tube protruding from it. It looked like a camera. In fact, it was a turret designed to lock on and immobilize a target using “nonlethal” rounds fired via remote control. The device’s name—“Smart Shooter”—was written on the side. This was oppression’s avant-garde—the first initial steps to automated imperial dominance—and I had little reason to feel that such trailblazing efforts would remain in Palestine. And at that I despaired.

It’s not proper, Julia. Why can’t you understand that? I’m not going to buy it.” “So you will only buy me a dress that you like even if I hate it?” I should’ve known shopping with Amá would be a mistake. “Yes, that’s right.” “I can’t believe this. Why do you always do this? Why can’t I wear what I want? It’s not like I’m wearing a pair of Daisy Dukes and a see-through tube top.” “Remember, you’re not the boss here. Why are you always making everything so difficult? Why aren’t you ever happy? I try to do something nice, and this is how you act? Dios mío, who would have guessed I would have such an ungrateful daughter?” Amá is highly skilled in the art of guilt trips. She could win a gold medal.

I say so many things that I don’t mean. It’s as if, even if I think something nice about Harold, by the time it’s got to my mouth it’s become not nice. He goes to tell me something and I’m saying ‘I think not’ before he’s finished the sentence.” “I always got cross with Elizabeth for leaving the top off the toothpaste. Now I take it off as soon as I open a new tube. I find I don’t want the lid.

PARODY OF "YOU'RE THE TOP" BY COLE PORTER You're the pop You're the baby's father You're the pop But you needn't bother I will make no claim to your ancient name at all When I let you make me You promised you'd take me to the city hall My mistake wasn't getting plastered, What a break for the little b***stard I was bad when I let you get on top But if baby I'm the momma, You're the pop! [Sung by Elaine Stritch when interviewed by Michael Parkinson on YouTube.

Of course, women are capable of all sorts of major unpleasantness, and there are violent crimes by women, but the so-called war of the sexes is extraordinarily lopsided when it comes to actual violence. Unlike the last (male) head of the International Monetary Fund, the current (female) head is not going to assault an employee at a luxury hotel; top-ranking female officers in the US military, unlike their male counterparts, are not accused of any sexual assaults; and young female athletes, unlike those male football players in Steubenville, aren’t likely to urinate on unconscious boys, let alone violate them and boast about it in YouTube videos and Twitter feeds.   No female bus riders in India have ganged up to sexually assault a man so badly he dies of his injuries, nor are marauding packs of women terrorizing men in Cairo’s Tahrir Square, and there’s just no maternal equivalent to the 11 percent of rapes that are by fathers or stepfathers.

Song using her poem as lyrics that inspired me to read her biography -YouTube Aaron Shay Recuerdo Recuerdo We were very tired, we were very merry— We had gone back and forth all night on the ferry. It was bare and bright, and smelled like a stable— But we looked into a fire, we leaned across a table, We lay on a hill-top underneath the moon; And the whistles kept blowing, and the dawn came soon. We were very tired, we were very merry— We had gone back and forth all night on the ferry; And you ate an apple, and I ate a pear, From a dozen of each we had bought somewhere; And the sky went wan, and the wind came cold, And the sun rose dripping, a bucketful of gold. We were very tired, we were very merry, We had gone back and forth all night on the ferry. We hailed, “Good morrow, mother!” to a shawl-covered head, And bought a morning paper, which neither of us read; And she wept, “God bless you!” for the apples and pears, And we gave her all our money but our subway fares.

All these feelings started when we were ten. I have this real clear memory of us wrestling in Malik’s front yard. I was The Rock and he was John Cena. We were obsessed with wrestling videos on YouTube. I pinned Malik down, and while sitting on top of him in his front yard, I suddenly wanted to kiss him. It. Freaked. Me. Out. So I punched him and said in my best The Rock voice, “I’m laying the smackdown on your candy ass!” Basically, I tried to ignore my sexual awakening by imitating The Rock.

Nut Cake 3½ cups plain flour, not self-rising ½ pound salted butter, room temperature 3 cups sugar 6 large eggs 1 cup heavy whipping cream 3 cups chopped pecans 1 teaspoon vanilla extract 1 teaspoon lemon extract Preheat oven to 325°F. Generously grease a tube pan with Crisco and lightly flour. Sift flour three times and set aside. Cream butter with sugar until light and fluffy. Add eggs, one at a time. Beat only until each disappears. Blend in 1 cup flour followed by ½ cup whipping cream. Repeat with 1 cup flour then ½ cup whipping cream. Add 1 cup flour. Coat pecans with remaining ½ cup flour. Carefully fold pecans into batter. Fold in vanilla and lemon extracts. Add batter to pan, level it, and knock bottom of pan on the edge of the counter, once, to get out the air bubbles. Place in the center of the oven and bake for 1 hour and 15 minutes, or until it’s medium brown on top and begins to pull away from the sides of the pan.* Remove from oven. Wait 10 minutes and invert on a cake plate. Do not cover until cool to touch.

Blaine: WOULD YOU LIKE A LITTLE MUSIC? I HAVE OVER SEVEN THOUSAND CONCERTI IN MY LIBRARY--A SAMPLING OF OVER THREE HUNDRED LEVELS. THE CONCERTI ARE MY FAVORITES, BUT I CAN ALSO OFFER SYMPHONIES, OPERAS, AND A NEARLY ENDLESS SELECTION OF POPULAR MUSIC. YOU MIGHT ENJOY SOME WAY-GOG MUSIC. THE WAY-GOG IS AN INSTRUMENT SOMETHING LIKE THE BAGPIPE. IT IS PLAYED ON ONE OF THE UPPER LEVELS OF THE TOWER. Eddie: Have you got any Z.Z. Top? Blaine: YES INDEED. HOW ABOUT A LITTLE 'TUBE-SNAKE BOOGIE,' EDDIE OF NEW YORK? Eddie: On second, thought, I'll pass.

What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness

she picked up a jug of distilled water and poured it into a flask, plugging the flask with a stopper outfitted with a tube wriggling from its top. Next, she clipped the flask onto one of two metal stands that stood between two Bunsen burners and struck a strange metal gadget that sparked like flint striking steel. A flame appeared; the water began to heat. Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off. Stuffing the cheesecloth into a larger beaker, she attached it to the second metal stand, clamping the tube coming out of the first flask into the large beaker’s bottom. As the water in the flask started to bubble, Mrs. Sloane, her jaw practically on the floor, watched as the water forced its way up the tube and into the beaker. Soon the smaller flask was almost empty and Elizabeth shut off the Bunsen burner. She stirred the contents of the beaker with a glass rod. Then the brown liquid did the strangest thing: it rose up like a poltergeist and returned to the original flask. “Cream and sugar?” Elizabeth

The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

Many of these fears were also stoked by Aldous Huxley’s prophetic 1931 novel Brave New World. In this dystopia, there are large test-tube-baby factories that produce clones. By selectively depriving oxygen from these fetuses, it is possible to produce children of different levels of brain damage. At the top are the alphas, who suffer no brain damage and are bred to rule society. At the bottom are the epsilons, who suffer significant brain damage and are used as disposable, obedient workers. In between are additional levels made up of other workers and the bureaucracy. The elite then control society by flooding it with mind-altering drugs, free love, and constant brainwashing. In this way, peace, tranquility, and harmony are maintained, but the novel asked a disturbing question that resonates even today: How much of our freedom and basic humanity do we want to sacrifice in the name of peace and social order?

What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness. Dieting is being careful, and checking into a hunger camp offers the ultimate in care.

The Book I am thinking about would not be religious in the usual sense, but it would have to discuss many things with which religions have been concerned—the universe and man’s place in it, the mysterious center of experience which we call “I myself,” the problems of life and love, pain and death, and the whole question of whether existence has meaning in any sense of the word. For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.

MONKEY BREAD   Preheat oven to 350 degrees F., rack in the middle position. 1 and ¼ cups white (granulated) sugar 1 and ½ teaspoons ground cinnamon 4 cans (7.5 ounce tube) unbaked refrigerated biscuits (I used Pillsbury) 1 cup chopped nuts of your choice (optional) 1 cup chocolate chips (optional) (that’s a 6-ounce size bag) ½ cup salted butter (1 stick, 4 ounces, ¼ pound) Hannah’s 1st Note: If you prefer, you can use 16.3 ounce tubes of Pillsbury Grands. If you do this, buy only 2 tubes. They are larger—you will use half a tube for each layer. Tony’s Note: If you use chocolate chips and/or nuts, place them between each biscuit layer. Spray the inside of a Bundt pan with Pam or another nonstick cooking spray. Set your prepared pan on a drip pan just in case the butter overflows. Then you won’t have to clean your oven. Mix the white sugar and cinnamon together in a mixing bowl. (I used a fork to mix it up so that the cinnamon was evenly distributed.) Open 1 can of biscuits at a time and break or cut them into quarters. You want bite-size pieces. Roll the pieces in the cinnamon and sugar mixture, and place them in the bottom of the Bundt pan. Sprinkle one-third of the chopped nuts and one-third of the chocolate chips on top of the layer, if you decided to use them. Open the second can of biscuits, quarter them, roll them in the cinnamon and sugar, and place them on top of the first layer. (If you used Pillsbury Grands, you’ll do this with the remainder of the first tube.) Sprinkle on half of the remaining nuts and chocolate chips, if you decided to use them. Repeat with the third can of biscuits (or the first half of the second tube of Grands). Sprinkle on the remainder of the nuts and chocolate chips, if you decided to use them. Repeat with the fourth can of biscuits (or the rest of the Grands) to make a top layer in your Bundt pan. Melt the butter and the remaining cinnamon and sugar mixture in a microwave safe bowl on HIGH for 45 seconds. Give it a final stir and pour it over the top of your Bundt pan. Bake your Monkey Bread at 350 degrees F. for 40 to 45 minutes, or until nice and golden on top. Take the Bundt pan out of the oven and let it cool on a cold burner or a wire rack for 10 minutes while you find a plate that will fit over the top of the Bundt pan. Using potholders or oven mitts invert the plate over the top of the Bundt pan and turn it upside down to unmold your delicious Monkey Bread. To serve, you can cut this into slices like Bundt cake, but it’s more fun to just let people pull off pieces with their fingers. Hannah’s 2nd Note: If you’d like to make Caramel Monkey Bread, use only ¾ cup of white sugar. Mix it with the cinnamon the way you’d do if it was the full amount of white sugar. At the very end when you melt the butter with the leftover cinnamon and sugar mixture, add ¾ cup of brown sugar to the bowl before you put it in the microwave. Pour that hot mixture over the top of your Bundt pan before baking and it will form a luscious caramel topping when you unmold your Monkey Bread. Hannah’s 3rd Note: I don’t know why this is called “Monkey Bread”. Norman thinks it has something to do with the old story about the monkey that couldn’t get his hand out of the hole in the tree because he wouldn’t let go of the nut he was holding in his fist. Mike thinks it’s because monkeys eat with their hands and you can pull this bread apart and eat it with your hands. Mother says it’s because monkeys are social animals and you can put this bread in the center of the table and everyone can sit around it and eat. Tracey says it’s because it’s a cute name. Bethie doesn’t care. She just wants to eat it.

The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.

And these two very old people are the father and mother of Mrs Bucket. Their names are Grandpa George and Grandma Georgina. This is Mr Bucket. This is Mrs Bucket. Mr and Mrs Bucket have a small boy whose name is Charlie Bucket. This is Charlie. How d’you do? And how d’you do? And how d’you do again? He is pleased to meet you. The whole of this family – the six grown-ups (count them) and little Charlie Bucket – live together in a small wooden house on the edge of a great town. The house wasn’t nearly large enough for so many people, and life was extremely uncomfortable for them all. There were only two rooms in the place altogether, and there was only one bed. The bed was given to the four old grandparents because they were so old and tired. They were so tired, they never got out of it. Grandpa Joe and Grandma Josephine on this side, Grandpa George and Grandma Georgina on this side. Mr and Mrs Bucket and little Charlie Bucket slept in the other room, upon mattresses on the floor. In the summertime, this wasn’t too bad, but in the winter, freezing cold draughts blew across the floor all night long, and it was awful. There wasn’t any question of them being able to buy a better house – or even one more bed to sleep in. They were far too poor for that. Mr Bucket was the only person in the family with a job. He worked in a toothpaste factory, where he sat all day long at a bench and screwed the little caps on to the tops of the tubes of toothpaste after the tubes had been filled. But a toothpaste cap-screwer is never paid very much money, and poor Mr Bucket, however hard he worked, and however fast he screwed on the caps, was never able to make enough to buy one half of the things that so large a family needed. There wasn’t even enough money to buy proper food for them all. The only meals they could afford were bread and margarine for breakfast, boiled potatoes and cabbage for lunch, and cabbage soup for supper. Sundays were a bit better. They all looked forward to Sundays because then, although they had exactly the same, everyone was allowed a second helping. The Buckets, of course, didn’t starve, but every one of them – the two old grandfathers, the two old grandmothers, Charlie’s father, Charlie’s mother, and especially little Charlie himself – went about from morning till night with a horrible empty feeling in their tummies. Charlie felt it worst of all. And although his father and mother often went without their own share of lunch or supper so that they could give it to him, it still wasn’t nearly enough for a growing boy. He desperately wanted something more filling and satisfying than cabbage and cabbage soup. The one thing he longed for

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.

Her most favored dish—the one the three families requested most for fifth-Sunday meals—was the cream-cheese crescent squares, known affectionately as Sugar Dump, for obvious reasons. The few times she bought expensive name brands were when she fixed this dish. A layer of Pillsbury crescent rolls popped from the tube and rolled out onto a casserole dish. Then a layer of Philadelphia cream cheese mixed with a cup of sugar, followed by another layer of crescent rolls. She baked it at 350 for thirty minutes, and while it cooled, she drizzled the top with a thin glaze of powdered sugar and milk. A simple recipe with store-bought ingredients, but people loved it. I suspect my mother took great pleasure in feeding her husband’s congregation. Perhaps a kind of communion: The more they ate her food, the less she felt like that old Debra Rose, the bona fide wild woman I wanted to meet, and more like the woman she had willed herself to be: Dr. Dillard’s wife.

That means all you do is see me as a girl going to hang out with a bunch of dudes. That’s not how I see myself. I’m not some chick that’s going to go running up there in, like, a tube top and short shorts, trying to fuck Tupac. That’s not what this is. If that’s what you think, you don’t respect me, you don’t respect what I’m trying to do, and you don’t understand my intention, my goal. The fact that you would even jump to that is offensive to me.

Fortunately, Google found product/ market fit by refining Overture’s advertising auction model. Google’s AdWords product was so much better at monetizing search through its self-service, relevance-driven, auction system that by the time those competitors managed to play catch-up, Google had amassed the financial resources that allowed it to invest whatever was necessary to maintain product superiority. Google doesn’t always get product/ market fit right (and if it had run out of money before hitting upon AdWords, the search business might have died before ever achieving that fit). This is a reflection of its very intentional product management philosophy, which relies on bottom-up innovation and a high tolerance for failure. When it works, as in Gmail, which was a bottom-up project launched by Paul Buchheit, it can produce killer products. But when it fails, it results in killed products, as demonstrated by projects like Buzz, Wave, and Glass. To overcome this risk of failure, Google relies on both its financial strength (which comes from its high gross margins, among other things) and a willingness to decisively cut its losses. For example, when Google bought YouTube (which had clearly achieved product/ market fit), it was willing to abandon its own Google Video service, even though it had invested heavily in that product. Other massively successful companies take a very different approach. In contrast to Google, where new ideas can come from anywhere in the company and there are always many parallel projects going on at the same time, Apple takes a top-down approach that puts more wood behind fewer arrows. Apple keeps its product lines small and tends to work on a single major product at a time. One philosophy isn’t necessarily better than the other; the important thing is simply to find that product/ market fit quickly, before your competition does.

In this regard, the delicate cell bodies, dendrites, and axons are like the many other fluid-filled tubes within the body. The quality of their function is susceptible to changes in pressure, distortion, viscosity. Their need for constant irrigation is acute: If fresh oxygen is held back from a neuron for merely three to five seconds, it is rendered completely unexcitable.4 And necessary substances must circulate inside the cell as well as around it. If a long dendrite or axon is pinched, closing its length off from the rest of the cell’s fluid, the excitability of the isolated branch quickly decays and eventually the pinched axon or dendrite will atrophy. You can park a truck on top of an electrical wire and it will continue to work nicely. It will work, in fact, until it is completely severed. In contrast there are many intermediate stages of malfunction in a nerve short of this final breakage—or lesion—most of them having to do with the relative effectiveness of the delivery and circulation of nutritional fluids and the adequate flushing of toxins and wastes. These intermediate malfunctions do not normally stop the system; they just make it less efficient. They confuse sensations, cloud thoughts, disturb the precision of our muscular efforts, make us numb in some spots, unaccountably sensitive in others, eliminate responses, force compensations. Insofar as effective bodywork can be of direct benefit to the circulation of bodily fluids, it can help to support the actual metabolic bases of nerve function, and this benefit is above and beyond the question of the value of any actual sensations it may produce.

I raced around getting ingredients on the recipe Victoria had given me. I started making the dough for the Iraqi pita, which Violet on YouTube said would need two hours to rise. I used whole-wheat flour, though I'd never seen my mother touch anything but all-purpose or cake; I wasn't taking any chances. I'd do it right. I went to three different bodegas before I finally found mangoes for pickling. They were small and hard as rocks, but I'd try leaving them in a paper bag with a dozen apples to hurry up the ripening. If that didn't work, I'd read something about microwaving them until they were soft, but I was a little worried about ending up with mango mousse. I bought Meyer lemons, thinking the sweetness could be nice, but as soon as I got home, I thought of my mother, her mouth shrinking into a knot: You used Meyer lemons? Like she'd never understand why I did the things I did. I went back out, got snowed on again, bought real lemons on the corner, and then went home and pickled them with ginger, paprika, garlic, and salt. I hoped they'd taste like they'd been marinating for months but I was starting to have a bad feeling. Things weren't exactly working out. I cut myself twice, accidentally, trying to use the mandoline to slice the onions "as thin as a breath." I made a bed of them that looked like a lattice. I sprinkled thyme on top. The whole thing looked like the side of a house in Scotland where roses grew like weeds. I hoped my mother liked Scotland, but I'd never asked her. I minced garlic until my hand was shaking.

If you had an Internet connection and lived in North America at the time, you may have seen it. Vasquez is the man behind the “Double Rainbow” video, which at last check had 38 million views. In the clip, Vasquez pans his camera back and forth to show twin rainbows he’d discovered outside his house, first whispering in awe, then escalating in volume and emotion as he’s swept away in the moment. He hoots with delight, monologues about the rainbows’ beauty, sobs, and eventually waxes existential. “What does it mean?” Vasquez crows into the camera toward the end of the clip, voice filled with tears of sheer joy, marveling at rainbows like no man ever has or probably ever will again. It’s hard to watch without cracking up. That same month, the viral blog BuzzFeed boosted a different YouTuber’s visibility. Michelle Phan, a 23-year-old Vietnamese American makeup artist, posted a home video tutorial about how to apply makeup to re-create music star Lady Gaga’s look from the recently popular music video “Bad Romance.” BuzzFeed gushed, its followers shared, and Lady Gaga’s massive fanbase caught wind of the young Asian girl who taught you how to transform into Gaga. Once again, the Internet took the video and ran with it. Phan’s clip eventually clocked in at roughly the same number of views as “Double Rainbow.” These two YouTube sensations shared a spotlight in the same summer. Tens of millions of people watched them, because of a couple of superconnectors. So where are Vasquez and Phan now? Bear Vasquez has posted more than 1,300 videos now, inspired by the runaway success of “Double Rainbow.” But most of them have been completely ignored. After Kimmel and the subsequent media flurry, Vasquez spent the next few years trying to recapture the magic—and inadvertent comedy—of that moment. But his monologues about wild turkeys or clips of himself swimming in lakes just don’t seem to find their way to the chuckling masses like “Double Rainbow” did. He sells “Double Rainbow” T-shirts. And wears them. Today, Michelle Phan is widely considered the cosmetic queen of the Internet, and is the second-most-watched female YouTuber in the world. Her videos have a collective 800 million views. She amassed 5 million YouTube subscribers, and became the official video makeup artist for Lancôme, one of the largest cosmetics brands in the world. Phan has since founded the beauty-sample delivery company Ipsy.com, which has more than 150,000 paying subscribers, and created her own line of Sephora cosmetics. She continues to run her video business—now a full-blown production company—which has brought in millions of dollars from advertising. She’s shot to the top of a hypercompetitive industry at an improbably young age. And she’s still climbing. Bear Vasquez is still cheerful. But he’s not been able to capitalize on his one-time success. Michelle Phan could be the next Estée Lauder. This chapter is about what she did differently.

For the billionaires, champagne baths every morning and new Lamborghinis every afternoon couldn’t deplete the fathomless amount of cash on hand. “Your entire philosophy of money changes,” writes author Richard Frank in his book, Richistan. “You realize that you can’t possibly spend all of your fortune, or even part of it, in your lifetime, and that your money will probably grow over the years even if you spend lavishly.” There are dotcom entrepreneurs who could live top 1 percent American lifestyles and not run out of cash for 4,000 years. People who Bill Simmons would call “pajama rich,” so rich they can go to a five-star restaurant or sit courtside at the NBA playoffs in their pajamas. They have so much money that they have nothing to prove to anyone. And many of them are totally depressed. You’ll remember the anecdote I shared in this book’s introduction about being too short to reach between the Olympic rings at the playground jungle gym. I had to jump to grab the first ring and then swing like a pendulum in order to reach the next ring. To get to the third ring, I had to use the momentum from the previous swing to keep going. If I held on to the previous ring too long, I’d stop and wouldn’t be able to get enough speed to reach the next ring. This is Isaac Newton’s first law of motion at work: objects in motion tend to stay in motion, unless acted on by external forces. Once you start swinging, it’s easier to keep swinging than to slow down. The problem with some rapid success, it turns out, is that lucky breaks like Bear Vasquez’s YouTube success or an entrepreneur cashing out on an Internet wave are like having someone lift you up so you can grab one of the Olympic rings. Even if you get dropped off somewhere far along the chain, you’re stuck in one spot. Financial planners say that this is why a surprisingly high percentage of the rapidly wealthy get depressed. As therapist Manfred Kets de Vries once put it in an interview with The Telegraph, “When money is available in near-limitless quantities, the victim sinks into a kind of inertia.

Whereas many of the particles inside you are in the constant complex motion that corresponds to your being alive, others move only in less-elaborate ways, such as many of the ones that make up your skin and help keep the other particles from flying apart. This means that your spacetime tube is a bit like those electrical cables where the inner strands are braided together and the shared insulation on the outside resembles a hollow tube. Moreover, most of your particles get regularly replaced. For example, about three-quarters of your body weight is water molecules, which get replaced every month or so, and your skin cells and red blood cells are replaced every few months. In spacetime, the trajectories of these particles joining and then leaving your body make a pattern reminscent of the familiar silk strands attached to a corncob. At both ends of your spacetime braid, corresponding to your birth and death, all the threads gradually separate, corresponding to all your particles joining, interacting and finally going their own separate ways (Figure 11.4 right). This makes the spacetime structure of your entire life resemble a tree: at the bottom, corresponding to early times, is an elaborate system of roots corresponding to the spacetime trajectory of many particles, which gradually merge into thicker strands and culminate in a single tubelike trunk corresponding to your current body (with a remarkable braidlike pattern inside as we described above). At the top, corresponding to late times, the trunk splits into ever-finer branches, corresponding to your particles going their own separate ways once your life is over. In other words, the pattern of life has only a finite extent along the time dimension, with the braid coming apart into frizz at both ends.

Zane, want to explain the challenge?” “Yup.” Zane jerked a thumb at the scarf. “When Beau is blindfolded, I’ll take his hand and use it to touch a part of my body. He’ll have to guess which body part it is. Then we’ll switch. Whoever wins gets to top.” I didn’t even look at him, just gave him the finger. He laughed. “Just kidding. Whoever wins gets bragging rights. And the title Queer Prince of YouTube.” I

So Avalos—who had unzipped his pants and was now attending to some important personal business by squatting on top of an empty box of .50-caliber machine-gun ammo while continuing to work his radio—turned to a weapons system that was quite a bit more complicated than a single 120-mm mortar tube, but potentially far more devastating.

The top 11 devices, by the number used, are: ✪ eye lens implants ✪ ear tubes ✪ coronary stents ✪ knee replacements ✪ screws to repair bone fractures ✪ intrauterine devices (IUD) ✪ spinal fusion hardware ✪ breast implants ✪ heart pacemakers ✪ artificial hips ✪ implantable defibrillators

The long tail is a myth, a fact evidenced by the current music business, in which 80 percent of the revenue is generated by 1 percent of the content. Even at the height of the early blockbuster era, spawned by Michael Jackson’s Thriller, 80 percent of the revenue was spread among the top 20 percent of the content. So even in a different winner-takes-all scenario, the revenue was spread out among more artists than it is today. Economists have noted that winners “take all” in many sectors (including hedge funds), and that this has clearly contributed to global income equality, but in the digital media business it seems especially Darwinian. In a world where four hundred hours of video are uploaded to YouTube every minute of every day, the commodification of what was once considered an art (or at least a craft) has become inevitable. For all the stories promoted by Google about YouTube millionaires, the traffic statistics tell another story. Most YouTube videos have fewer than 150 views.

The AR-57, also known as the AR Five Seven, is available as either an upper receiver for the AR-15/M16 rifle or a complete rifle, firing 5.7×28mm rounds from standard FN P90 magazines. It was designed by AR57 LLC and[3] was produced by AR57 of Kent, Washington, United States. The AR-57 PDW upper is a new design on AR-15/M16 rifles, blending the AR-15/M16 lower with a lightweight, monolithic upper receiver system chambered in FN 5.7×28mm. This model is also sold as a complete rifle, supplied with two 50-round P90 magazines.[1] The magazines mount horizontally on top of the front handguard, with brass ejecting through the magazine well. Hollow AR-15 magazines can be used to catch spent casings. Unlike the standard AR-15 configuration which uses a gas-tube system , the AR-57 cycles via straight blowback.[6] A fully automatic version exists and was marketed as a competitor to the P90 and other personal defense weapons.[7] Manufactured by the eponymous AR57 LLC, and chambered in 5.7x28mm, this upper is less powerful than the standard 5.56mm version, but it has certain tangible advantages, including reduced muzzle blast, a high practical rate of fire, nonexistent recoil, and the ability to use folding stocks. Since the buffer is located within the receiver, folding stocks may also be used for compact storage or carry. To load, place the base plate of a standard FN P90 magazine into the recess on the front of the upper, then press the feed lip side down on the catch located above and slightly back of the bolt. To charge, pull on the right-side nonreciprocating handle and release. The right-side charging hand placement makes it accessible for operation by the strong hand. Since it only has to be operated once every 50 shots, the time penalty for moving the hand off the pistol grip isn’t too great. Empties will eject downward through the nominal magazine well. Some people use a 20-round magazine body with the feed lips, spring and follower removed to act as a brass catcher. The magazine has no provision for activating the bolt lock when empty, but the bolt can be locked open using the catch on the lower. The upper runs very cleanly and reliably, requiring no maintenance after the first 500 shots. The AR57 comes with a medium fluted barrel, reasonable for a varmint rifle but excessive for a defensive carbine. Burning around six grains per shot, 5.7x28mm runs much cooler than 5.56mm, which burns four or more times as much. That yields much reduced muzzle blast and far greater heat endurance, of course at the cost of a roughly 40 percent slower bullet.

As he listened about the paint in the tube, Dr. Sheffield wondered if toothpaste could be put in such a tube. At that time, a family had a jar of toothpaste, and, when ready to brush their teeth, each person would moisten the brush bristles, dip the brush into the jar, and remove a small glob of toothpaste. Dr. Sheffield believed this was unsanitary. Dr. Sheffield had his own brand of toothpaste, Créme Dentifrice, so he decided to market it in tubes. People liked the idea, and soon Colgate, a leading national toothpaste brand, was using the packaging technique as well. The first tubes were metal, but, when there was a metal shortage in the 1940s because of World War II, the tubes began to be made with plastic as well, and, in recent days, they are made completely of plastic. Also, caps used to unscrew, but many are now flip-top so that the cap does not roll away. Dentists recommend you use this product three times a day, so you have likely seen this accidental discovery . . . the toothpaste tube.

He set up a simple program, which he called Algo Transparency, to find out. The program entered a term, like the name of a politician, in YouTube’s search bar. Then it opened the top results. Then each recommendation for what to watch next. He ran huge batches of anonymized searches, one after another, over late 2015 and much of 2016, looking for trends. What he found alarmed him. When he searched YouTube for Pope Francis, for instance, 10 percent of the videos it displayed were conspiracies. On global warming, it was 15 percent. But the real shock came when Chaslot followed algorithmic recommendations for what to watch next, which YouTube has said accounts for most of its watch time. A staggering 85 percent of recommended videos on Pope Francis were conspiracies, asserting Francis’s “true” identity or purporting to expose Satanic plots at the Vatican. On global warming, the figure was 70 percent, usually calling it a hoax. On topics with few established conspiracies, the system seemed to conjure them up. When Chaslot searched Who is Michelle Obama, for instance, just under half of the top results and almost two thirds of watch-next recommendations claimed the First Lady was secretly a man. Surely, he thought, whatever his disagreement with his former colleagues, they would want to know about this. But when he raised concerns privately with people he knew at YouTube, the response was always the same: “If people click on this harmful content, who are we to judge?

She leaned over the bondage bed, her pendulum breasts nearly slipping out of the keyhole top. She rested the key over his chastity device. It struck the metal tube with a high-pitched ring. She played with the necklace, allowing the key to drift noisily across the bars of his prison like a stick drawn along a picket fence.

that, instead of being fused to the skull, hangs loosely beneath the brain case. This enables the upper jaw to push forward and hyperextend open—wide enough to engulf, and crush, an adult bull elephant. As if the size and voraciousness of its feeding orifice were not enough, nature has endowed this monster with a predatory intelligence, honed by 400 million years of evolution. Six distinct senses expose every geological feature, every current, every temperature gradient … and every creature occupying its domain. The predator’s eyes contain a reflective layer of tissue situated behind the retina. When moving through the darkness of the depths, light is reflected off this layer, allowing the creature to see. In sunlight, the reflective plate is covered by a layer of pigment, which functions like a built-in pair of sunglasses. While black in normally pigmented members of the species, this particular male’s eyes are a cataract-blue—a trait found in albinos. As large as basketballs, the sight organs reflexively roll back into the skull as the creature launches its attack on its prey, protecting the eyeball from being damaged. Forward of the eyes, just beneath the snout, are a pair of directional nostrils so sensitive that they can detect one drop of blood or urine in a million gallons of water. The tongue and snout provide a sense of taste and touch, while two labyrinths within the skull function as ears. But it is two other receptor organs that make this predator the master of its liquid domain. The first of these mid-to-long-range detection systems is the lateral line, a hollow tube that runs along either flank just beneath the skin. Microscopic pores open these tubes to the sea. When another animal creates a vibration or turbulence in the water, the reverberations stimulate tiny hairs within these sensory cells that alert the predator to the source of the disturbance—miles away! Even more sensitive are the hunter’s long-range receptor cells, located along the top and underside

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

These are for you.  You have two choices.  You can use them when Rachel’s gone, or you can wait until she’s back, and I’m sure she’d be happy to help you.” He studied me for a moment then walked out of the kitchen, turning toward the bathroom.  I followed a few steps behind. A startled yelp escaped me when I rounded the corner and caught sight of a naked backside.  Without much thought, I tossed the soap and toothbrush in and slammed the door shut. “You could have waited until I put the stuff in there,” I said through the door as my heart thundered in my ears.  I took a steadying breath and heard the water turn on, the clink of his dog tag hitting the sink, then the shower curtain move. Who would have thought he would even know how to use a shower?  I hadn’t.  On the way home, I’d started to think of all the different things I would need to explain, like making sure to position the curtain inside the tub.  Standing outside the door, still reeling from the view I’d gotten, I realized I might see the same thing again if I didn’t get him a towel. I’d packed two bath towels.  Purchased from a discount store, they both sported gaudy floral designs.  I grabbed one and waited outside the door again until I heard him splashing in the shower.  Then, I knocked. “I have a towel for you,” I said through the door.  “If you’re still in the shower, I can open the door and toss it on the toilet seat.  Okay?”  I didn’t hear anything.  No surprise.  “Okay, I’m coming in.”  I waited a moment for any indication that I shouldn’t enter. When the water continued to run, I cautiously opened the door.  As soon as I saw a clear path to the toilet seat, I tossed the towel.  Standing just inside the bathroom with my hand wrapped around the door handle for a quick exit, I paused.  His new toothbrush rested on the sink. “My toothpaste is the one marked with the pink nail polish on the cap.  I’ll let you use it as long as you promise not to squeeze the tube from the middle.” His answer took the form of an accurately aimed splash of water over the top of the shower curtain.  I barely dodged it. “You’re cleaning that up.” I

Big Reg was twice divorced, separated from his third wife, and had two other women with him today. Both women wore navel-revealing tube tops, and neither had the figure for it. The tube tops appeared so tight they squeezed all flesh south, giving both women a gourdlike shape. “You.” Hester pointed at the tube top on the right. “Me?” Somehow, despite the word being one syllable, she had managed to crack gum mid-word. “Yes.

YouTube video

It was horrible and senseless, and I now felt the sudden need to drink scotch, brood, and read Edgar Allen Poe or the ending to Hamlet. Maybe I would top it all off with some YouTube videos of drowning kittens while listening to Radiohead.

now that was a lie, wasn't it? The tube journey back to South Kensington took another twenty minutes. He'd better get some milk. Some bread. Something to eat tonight. What would the flat be like now? What state had the police left it in?   It would be weird walking up the steps and in through the front door. He'd honestly thought that he would never be back. That his life in St Cecilia's Square was over. Perhaps it was. Maybe now he would sell it, and move somewhere else.   Letting himself in with his key at the main door, he checked for letters and bills in his mail box, and then walked slowly up the stairwell. Strangely, there was no mail at all. Not even junk-mail. Maybe the police or the Security Service had put a divert on it, so that they could read all his letters and pry into his life. He'd have to call them - who would he call? - to get it changed back? Ray Luck was still alive. He was free. He was home. At the top of the stairs, he stopped.

Four blue-blazered, gray-slacked guards stood at the entrance—real guards, Myron noted, with cop eyes and KGB facial tics, not the rent-a-uniforms you saw at department stores or airports. The four of them stood silently, eyeing Myron like he was wearing a tube top in the Vatican. One of the guards stepped forward. “May I see some ID please?” Myron took out his wallet and showed him a credit card and driver’s license. “There’s no photo on the driver’s license,” the guard said. “New Jersey doesn’t require them.” “I need a photo ID.” “I have my picture on my health club membership card.” Cop-patient sigh. “That won’t do, sir. Do you have a passport?” “In midtown Manhattan?” “Yes, sir. For the purposes of ID.” “No,” Myron said. “Besides, it’s a terrible picture. Doesn’t fully capture the radiant blue in my eyes.” Myron batted them for emphasis. “Wait here, sir.” He

There were crooked photos on the wall of Della Lee as a child, with dark hair and eyes. Josey wondered when she started dyeing her hair blond. In one photo she was standing on top of a jungle gym. In another she was diving into the public pool from the high dive. She looked like she was daring the world to hurt her. Della Lee's bedroom at the end of the hall looked like something out of Josey's teenage dreams. Back then Josey had politely asked her mother if she could hang a poster or two, if she could have some colorful curtains or a bedspread with hearts on it. Her mother had responded with disappointment. Why would Josey ask for something else, as if what she had wasn't good enough? The heavy oak bed, the antique desk and the sueded chaise in Josey's room were all Very Nice Things. Josey obviously did not appreciate Very Nice Things. The walls in Della Lee's room were painted purple and there were sheet lavender curtains on the single window. A poster of a white Himalayan cat was taped on one wall, along with some pages torn out of fashion magazines. There was a white mirrored dresser that had makeup tubes and bottles littered across the surface. Some tote bags with names of cosmetic companies, like department store gifts with purchase, were stashed in the corner near the dresser.

Things are very good at communicating their feelings. You know what I’m talking about, I’m sure, like when your keys go missing, or the top of your toothpaste tube slips from your fingers and makes a run for it, or a light bulb blows just when you flip the switch? That shit means something even if you can’t hear it, and if you can hear, it’s even more intense.

When most people decide they want to start a business, their first intuition is to learn more—read a book, take a course, seek out advice—and then take action after having carefully considered all the facts. After all, there are a ton of top-rated MBA programs, $10 Udemy courses, free YouTube videos, and entrepreneurship how-to books—so why wouldn’t you learn all you could? That’s got to be a whole lot safer, and it probably makes you a lot less likely to fail, right? Wrong. Overthinking seems like the “smart” way to launch, but it’s far less effective. Super-successful people do the opposite—they take action first, get real feedback, and learn from that, which is a million times more valuable than any book or course. And quicker!

Once you’ve narrowed down your list of potential approaches, you can use any prioritization framework to sort them. I’ve found the ICE framework helpful for this purpose. ICE stands for: Impact: If this works, how big will the potential impact be? Confidence: How likely is this to succeed? Ease of implementation: How easy is this to execute? ICE is often used to prioritize feature development, but it’s also a good tool for prioritizing marketing. To do this, list potential approaches in a spreadsheet and rate them on a scale of one through 10 for each of the above characteristics. I’ve seen people use several methods to get the score. Score = Impact x Confidence x Ease: This gives you a score with an exponential impact. In other words, the higher you rate any one area, the more confident you need to be. Score = (Impact + Confidence + Ease)/3: This gives you an average of these three scores. However you rank those facets, using the ICE framework is a way to get your approaches into a spreadsheet and figure out which are the best to start with. You can list things by high-level approaches (content marketing, PPC) or by individual tactics (ebook, blog post, guest posting, YouTube ads, Facebook ads). You can also start by ranking high-level approaches, then start a new tab in the spreadsheet to break down the top approaches by individual tactics. Then tackle the highest-rated approaches and tactics first.

Content Marketing. Although it is often coupled with SEO, content marketing relies solely on virality or on building an audience slowly over time, without the long-term benefit of organic search. This includes writing blog posts you hope will make it to the top of social news sites like Hacker News and Reddit and building a media brand alongside your product (something I recommend only for very well-funded companies). It also includes producing content to educate people at different steps in their funnel whom you already have permission to contact. Most people think of blog posts when you mention content marketing. However, content can include books, ebooks, audio (think podcasts), video (think YouTube), or even in-person courses that are given away to bring links, traffic, and leads and build credibility. Most founders start by producing the content themselves, then hire people to help with production later.

still up at Medium. Again, it’s your alignment that makes you right, not your credentials or the quality of your arguments. Take Knut Wittkowski, for example, one of the victims of YouTube censorship mentioned above. He’s the former head of Biostatistics, Epidemiology and Research Design at Rockefeller University’s Center for Clinical and Translational Science. He has a Ph.D. in computer science from the University of Stuttgart and a Doctor of Science degree in medical biometry from the University of Tübingen, both top German universities. He has as much expertise as anyone from WHO. But he was a staunch critic of the lockdowns and the logic behind them. That made him one of the wrong people.

pants, or “huggable” velvet hangers, rather than cheap wire ones, will keep clothing in top-notch shape and avoid tangles. It’s okay to use more than one kind of hanger to help clothing keep its shape. For example, padded hangers should be used for any hanging sweaters, but other kinds of shirts would be fine with tube or huggable hangers. Just keep them consistent in each section of the closet. And always hang clothes in the same direction. This will help reduce visual clutter and allow you to review your clothes at a glance. For shoes, there are a multitude of storage options. Inexpensive clear plastic shoe boxes keep shoes dust-free and easily viewed. Or use overdoor shoe bags, hanging canvas shoe bags, or a neat tiered shoe rack or shoe tree on the floor. Make sure to use ALL closet space. Underneath short- hanging garments, place a low trunk full of sweaters, a set of plastic drawers, or a simple wooden dresser filled with lingerie, swimsuits, and socks. 6. CLEAN UP & MAINTAIN Put the donation boxes in the car or near the exit so they leave the home immediately. Take out the trash. Grab the relocation box and redistribute all of its contents appropriately. Review the contents of the fix-it box and determine if the cost of the repairs is worth saving the items. If so, make a plan to get them to the

As I’ve said throughout this book, networked products tend to start from humble beginnings—rather than big splashy launches—and YouTube was no different. Jawed’s first video is a good example. Steve described the earliest days of content and how it grew: In the earliest days, there was very little content to organize. Getting to the first 1,000 videos was the hardest part of YouTube’s life, and we were just focused on that. Organizing the videos was an afterthought—we just had a list of recent videos that had been uploaded, and you could just browse through those. We had the idea that everyone who uploaded a video would share it with, say, 10 people, and then 5 of them would actually view it, and then at least one would upload another video. After we built some key features—video embedding and real-time transcoding—it started to work.75 In other words, the early days was just about solving the Cold Start Problem, not designing the fancy recommendations algorithms that YouTube is now known for. And even once there were more videos, the attempt at discoverability focused on relatively basic curation—just showing popular videos in different categories and countries. Steve described this to me: Once we got a lot more videos, we had to redesign YouTube to make it easier to discover the best videos. At first, we had a page on YouTube to see just the top 100 videos overall, sorted by day, week, or month. Eventually it was broken out by country. The homepage was the only place where YouTube as a company would have control of things, since we would choose the 10 videos. These were often documentaries, or semi-professionally produced content so that people—particularly advertisers—who came to the YouTube front page would think we had great content. Eventually it made sense to create a categorization system for videos, but in the early years everything was grouped in with each other. Even while the numbers of videos was rapidly growing, so too were all the other forms of content on the site. YouTube wasn’t just the videos, it was also the comments left by viewers: Early in we saw that there were 100x more viewers than creators. Every social product at that time had comments, so we added them to YouTube, which was a way for the viewers to participate, too. It seems naive now, but we were just thinking about raw growth at that time—the raw number of videos, the raw number of comments—so we didn’t think much about the quality. We weren’t thinking about fake news or anything like that. The thought was, just get as many comments as possible out there, and the more controversial the better! Keep in mind that the vast majority of videos had zero comments, so getting feedback for our creators usually made the experience better for them. Of course now we know that once you get to a certain level of engagement, you need a different solution over time.

David versus Goliath Asymmetry lies at the heart of network-based competition. The larger or smaller network will be at different stages of the Cold Start framework and, as such, will gravitate toward a different set of levers. The giant is often fighting gravitational pull as its network grows and saturates the market. To combat these negative forces, it must add new use cases, introduce the product to new audiences, all while making sure it’s generating a profit. The upstart, on the other hand, is trying to solve the Cold Start Problem, and often starts with a niche. A new startup has the luxury of placing less emphasis on profitability and might instead focus on top-line growth, subsidizing the market to grow its network. When they encounter each other in the market, it becomes natural that their competitive moves reflect their different goals and resources. Startups have fewer resources—capital, employees, distribution—but have important advantages in the context of building new networks: speed and a lack of sacred cows. A new startup looking to compete against Zoom might try a more specific use case, like events, and if that doesn’t work, they can quickly pivot and try something else, like corporate education classes. Startups like YouTube, Twitch, Twitter, and many other products have similar stories, and went through an incubation phase as the product was refined and an initial network was built. Trying and failing many times is part of the startup journey—it only takes the discovery of one atomic network to get into the market. With that, a startup is often able to start the next leg of the journey, often with more investment and resources to support them. Contrast that to a larger company, which has obvious advantages in resources, manpower, and existing product lines. But there are real disadvantages, too: it’s much harder to solve the Cold Start Problem with a slower pace of execution, risk aversion, and a “strategy tax” that requires new products to align to the existing business. Something seems to happen when companies grow to tens of thousands of employees—they inevitably create rigorous processes for everything, including planning cycles, performance reviews, and so on. This helps teams focus, but it also creates a harder environment for entrepreneurial risk-taking. I saw this firsthand at Uber, whose entrepreneurial culture shifted in its later years toward profitability and coordinating the efforts of tens of thousands. This made it much harder to start new initiatives—for better and worse. When David and Goliath meet in the market—and often it’s one Goliath and many investor-funded Davids at once—the resulting moves and countermoves are fascinating. Now that I have laid down some of the theoretical foundation for how competition fits into Cold Start Theory, let me describe and unpack some of the most powerful moves in the network-versus-network playbook.

I walked to the Tube station and got on the train. I was meeting a man for dinner, someone I barely knew. He had got my number from a mutual friend. When I arrived at the restaurant he was already there, waiting. He was reading a book, which he relaxed in his bag before I could see the title. He asked me how I was and I found myself saying that I was very tired, to the extent that I might not have all that much to say for myself. He looked a little disappointed at this news, and asked if I wanted to hang up my coat. I said I would keep it on: I felt cold. There were builders in my house, I added. The doors and windows were constantly open and the heating had been turned off. The house had become like a tomb, a place of dust and chill. It was impossible to eat or sleep or work – there wasn’t even anywhere to sit down. Everywhere I looked I saw skeletons, the skeletons of walls and floors, so that the house felt unshielded, permeable, as though all the things those walls and floors ought normally to keep out were free to enter. I had to go into debt to finance the work – a debt I had no immediate prospect of being able to repay – and so even when it was done I wasn’t sure I would feel entirely comfortable there. My children, I added, were away. I told him the story of the Saluki dogs following the hawk: my current awareness of my children, I said, was similarly acute and gruelling, except that I was trying to keep sight of them on my own. On top of that, I said, there was something in the basement, something that took the form of two people, though I would hesitate to give their names to it. It was more of a force, a power of elemental negativity that seemed somehow related to the power to create. Their hatred of me was so pure, I said, that it almost passed back into love again.

Let's imagine we're standing together on the launch pad at NASA's Cape Canaveral facility near Orlando, and staring up at the stars together. As I write this, the last constellation above the horizon is Centaurus. The centaur's front head is a bright star. In fact, it's three stars—a pair called Alpha Centauri A and B, and, dimmest of the trio, Proxima Centauri. Here, look through this telescope. See? You can tell them apart. But what we can't see is that there is, in fact, a planet circling the faint light of Proxima Centauri. Man, I wish we could see it. Because that planet, Proxima Centauri b, is the nearest known exoplanet to Earth. [...] If we were to board a spacecraft and ride it from the outer edge of our atmosphere all the way to Proxima Centauri b, you and I, who boarded the ship fit and trim, chosen as we were from billions of applicants, would die before the voyage reached even 1/100th of the intervening distance. [...] At a speed of 20,000 miles per hour—the speed of our top-performing modern rockets—4.2 light years translates to more than 130,000 years of space travel. [...] So how will we ever get there? A generation ship. [...] the general notion is this: get enough human beings onto a ship, with adequate genetic diversity among us, that we and our fellow passengers cohabitate as a village, reproducing and raising families who go on to mourn you and me and raise new of their own, until, thousands of years after our ship leaves Earth's gravity, the distant descendants of the crew that left Earth finally break through the atmosphere of our new home. [...] A generation ship is every sociological and psychological challenge of modern life squashed into a microcosmic tube of survival and amplified—generation after generation. [...] The idea of a generation ship felt like a pointless fantasy when I first encountered it. But as I've spent the last few years speaking with technologists, academics, and policy makers about the hidden dangers of building systems that could reprogram our behavior now and for generations to come, I realized that the generation ship is real. We're on board it right now. On this planet, our own generation ship, we were once passengers. But now, without any training, we're at the helm. We have built lives for ourselves on this planet that extend far beyond our natural place in this world. And now we are on the verge of reprogramming not only the planet, but one another, for efficiency and profit. We are turning systems loose on the decks of the ship that will fundamentally reshape the behavior of everyone on board, such that they will pass those behaviors on to their progeny, and they might not even realize what they've done. This pattern will repeat itself, and play out over generations in a behavioral and technological cycle.

Anti-Network Effects Hit the Google+ Launch A charismatic executive from one of the most powerful technology companies in the world introduces a new product at a conference. This time, it’s June 2011 at the Web 2.0 Summit, where Google vice president Vic Gundotra describes the future of social networking and launches Google+. This was Google’s ambitious strategy to counteract Facebook, which was nearing their IPO. To give their new networked product a leg up, as many companies do, it led with aggressive upsells from their core product. The Google.com homepage linked to Google+, and they also integrated it widely within YouTube, Photos, and the rest of the product ecosystem. This generated huge initial numbers—within months, the company announced it had signed up more than 90 million users. While this might superficially look like a large user base, it actually consisted of many weak networks that weren’t engaged, because most new users showed up and tried out the product as they read about it in the press, rather than hearing from their friends. The high churn in the product was covered up by the incredible fire hose of traffic that the rest of Google’s network generated. Even though it wasn’t working, the numbers kept going up. When unengaged users interact with a networked product that hasn’t yet gelled into a stable, atomic network, then they don’t end up pulling other users into the product. In a Wall Street Journal article by Amir Efrati, Google+ was described as a ghost town even while the executives touted large top-line numbers: To hear Google Inc. Chief Executive Larry Page tell it, Google+ has become a robust competitor in the social networking space, with 90 million users registering since its June launch. But those numbers mask what’s really going on at Google+. It turns out Google+ is a virtual ghost town compared with the site of rival Facebook Inc., which is preparing for a massive initial public offering. New data from research firm comScore Inc. shows that Google+ users are signing up—but then not doing much there. Visitors using personal computers spent an average of about three minutes a month on Google+ between September and January, versus six to seven hours on Facebook each month over the same period, according to comScore, which didn’t have data on mobile usage.86 The fate of Google+ was sealed in their go-to-market strategy. By launching big rather than focusing on small, atomic networks that could grow on their own, the teams fell victim to big vanity metrics. At its peak, Google+ claimed to have 300 million active users—by the top-line metrics, it was on its way to success. But network effects rely on the quality of the growth and not just its quantity

Normally, when they opened up the womb, they were presented with the top of the baby’s head, and then with its face, its eyes squinched tight. All they could see inside Chiasoka was a mess of tubes, like a bowlful of thick cannelloni, although some of the tubes appeared to have rows of small nobbles on them, which could have been rudimentary fingers.

Some people will tell you that slow is good – and it may be, on some days – but I am here to tell you that fast is better. I’ve always believed this, in spite of the trouble it’s caused me. Being shot out of a cannon will always be better than being squeezed out of a tube. That is why God made fast motorcycles, Bubba...’ ​Years before HST, years before Huxley even, another literary genius was getting into the joys of speed.

I was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process. And because of that, I failed at it. Repeatedly. Hell, I didn’t even try hard enough to fail at it. I hardly tried at all. The daily drudgery of practicing, the logistics of finding a group and rehearsing, the pain of finding gigs and actually getting people to show up and give a shit, the broken strings, the blown tube amp, hauling forty pounds of gear to and from rehearsals with no car. It’s a mountain of a dream and a mile-high climb to the top. And what it took me a long time to discover is that I didn’t like to climb much. I just liked to imagine the summit. The common cultural narratives would tell me that I somehow failed myself, that I’m a quitter or a loser, that I just didn’t “have it,” that I gave up on my dream and that maybe I let myself succumb to the pressures of society. But the truth is far less interesting than any of these explanations. The truth is, I thought I wanted something, but it turns out I didn’t. End of story. I wanted the reward and not the struggle. I wanted the result and not the process. I was in love with not the fight but only the victory. And life doesn’t work that way. Who you are is defined by what you’re willing to struggle for. People who enjoy the struggles of a gym are the ones who run triathlons and have chiseled abs and can bench-press a small house. People who enjoy long workweeks and the politics of the corporate ladder are the ones who fly to the top of it. People who enjoy the stresses and uncertainties of the starving artist lifestyle are ultimately the ones who live it and make it. This is not about willpower or grit. This is not another admonishment of “no pain, no gain.” This is the most simple and basic component of life: our struggles determine our successes. Our problems birth our happiness, along with slightly better, slightly upgraded problems. See: it’s a never-ending upward spiral. And if you think at any point you’re allowed to stop climbing, I’m afraid you’re missing the point. Because the joy is in the climb itself.

They are loud and boisterous, skylarking in the way that so many men in their twenties do – only just making the train, with the plumped-up platform guard blowing his whistle in furious disapproval. After messing about with the automatic door – open, shut, open, shut – which they inevitably find hilarious beyond the facts, they settle into the seats nearest the luggage racks. But then, apparently spotting the two girls from Cornwall, they glance knowingly at each other and head further down the carriage to the seats directly behind them. I smile to myself. See, I’m no killjoy. I was young once. I watch the girls go all quiet and shy, one widening her eyes at her friend – and yes, one of the men is especially striking, like a model or a member of a boy band. And it all reminds me of that very particular feeling in your tummy. You know. So I am not at all surprised or in the least bit disapproving when the men stand up and the good-looking one then leans over the top of the dividing seats, wondering if he might fetch the girls something from the buffet, ‘. . . seeing as I’m going?’ Next there are name swaps and quite a bit of giggling, and the dance begins. Two coffees and four lagers later, the young men have joined the girls – all seated near enough for me to follow the full conversation. I know, I know. I really shouldn’t be listening, but we’ve been over this. I’m bored, remember. They’re loud. So then. The girls repeat what I have already gleaned from their earlier gossiping. This trip to London is their first solo visit to the capital – a gift from their parents to celebrate the end of GCSEs. They are booked into a budget hotel, have tickets for Les Misérables and have never been this excited. ‘You kidding me? You really never been to London on your own before?’ Karl, the boy-band lookalike, is amazed. ‘Can be a tricky place, you know, girls. London. You need to watch yourselves. Taxi not tube when you get out of the theatre. You hear me?’ I am liking Karl now. He is recommending shops and market stalls – also a club where he says they will be safe if they fancy some decent music and dancing after the show. He is writing down the name on a piece of paper for them. Knows the bouncer. ‘Mention my name, OK?’ And then Anna, the taller of the two friends from Cornwall, is wondering about the black bags and I am secretly delighted that she has asked, for I am curious also, smiling in anticipation of the teasing. Boys. So disorganised. What are you like, eh?

go to YouTube and search “Dr Bruce Greyson consciousness independent of the brain.” A video of the lecture should come up at the top of the list.

Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.

I remembered the last time Emily and I had tried looking ourselves up as a joke. Her top result had been some sort of beauty blogger on YouTube and mine had been a porn star. We had laughed ourselves silly over it. Now, when I looked up my name, the first page of results was actually all me.

How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and

But a blog or your primary content channel (be it a YouTube channel or podcast) is a content medium you use at the top of your funnel or at the beginning of your buyer’s journey.

Is this what you want to have written on your gravestone? - "I watched all the top-trending YouTube videos." Well done. Gold Star. Sad.

but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile,

She looks up at me with misty eyes. ‘Talking of boys- are you eager about tonight?’ ‘About what?’ I say acting like I don't know what is going to go down, or don’t even know what she’s talking about. I play dumb! Her words are all running past me, faster than how she drives, everything is distorted together. Jenny always talks like that when she gets upset. Her words go into overdrive. I’m holding on to the bedpost, trying not to fall over, or on top of Jenny, I would love to sit down yet, Jenny is hogging up my single bed. She said- ‘I think you should back up with Ray or do him already.’ She throws me a condom from her purse. I said- ‘Who do you think would be my type then?’ ‘You, Marcel, some worm Bud Lite, and his Star Wars sheets. OMG that would be perfect and she giggles. ‘How romantic,’ she shouted. Though, I was thinking OMG Jenny you’re always right. Like it would be so romantic, yet little did she know I felt that way, already… I never realized how much of a weirdo I am. I have fallen to a complete nerd, on the outside, I have completely changed, but on the inside, I am one too! We all try to be something we're not in high school, even Jenny has everyone fooled. Nevertheless, the ones that seem the most put together are the ones that are falling apart the most. No one’s life is as good as it seems, and it’s even worse when you’re like Jull’s and Madilyn that have us throwing crap in their faces. I stand here feeling like such an ass hole, not even hearing what Jenny is rambling on about, because it’s nonsense, compared to what I have done in my thoughts. -White teeth teens are out- #- Hashtag: (unperfect girls, the charmed life, we want real love) I go pee one last time, and Jenny flows me in the bathroom and sits on the edge of the tube looking at me as I go. Then after I got up, she went, I was thinking like we didn’t need to do this together, yet how Jenny is we have to do everything together. That is when my sis walks into my room and says- ‘I have to Ba-bath Karly, would I get my stuff Re-ready and help me take a bath?’ I try to close the door saying get mom to bath you, but she wedges her hand in at the last minute and pushes into the bathroom.

Is this what you want to have written on your gravestone? - "I watched all the top-trending YouTube videos." Well done. Gold Star. Sad.

Dominika uncapped the lipstick tube and wrote Ti Moy on Nathaniel Nash’s naked chest as she lay on top of him in bed in a CIA’s safe house. Dominika hitched herself a little higher and kissed him on the lips. “I hope that wasn’t one of your lipstick guns,” said Nate.

Mel was over at my house, prepping me for date night because she felt the need to sluttify my outfit so I could stand a chance against Clotile’s “free-balling lady lumps.” The girl had shown up at the game last night in a tube top and skintight boy shorts. I told myself Brand would’ve missed those plays anyway. Hey, we’d still managed to eke out a win.

. He couldn’t keep the paddle ruddering, and the raft immediately turned sideways, sending sailors away from the wave and digging the front tube low into the water. The crashing whitewater lifted the other side and threw it over the top, capsizing them. Everyone on the lead raft saw the second raft go over. Winkleman cranked on the paddle, turning his raft sideways on the now-benign wave. He yelled, “Paddle forward!” The men were dazed, watching for bobbing heads, but snapped into action, digging their paddles in and pulling themselves from the wave that was giving them a free ride into the beach. The second raft was still upside down and was surfing in on the now-broken wave. Heads popped up behind the raft. Men who’d been thrown and were still in the impact zone of oncoming waves were thrashing their arms, struggling to stay on the surface. The next wave crashed over them, driving them deeper into the sharp reef. The capsized raft tumbled toward the first and Tarkington yelled, “Grab it!” Two men jumped onto the bottom and tried to turn it right-side up while it was surfing in. Winkleman steered, and the exhausted men paddled back toward the breakers. More heads were popping up, some bleeding from fresh wounds. They stood in the shallows and struggled forward, but the incessant breakers knocked them down and they’d come up spluttering, sporting more wounds. Some weren’t able to stand, their life-jackets floating them, and they tumbled with the broken waves, like so much driftwood. The men on the raft hauled them in and soon were too full, forcing the uninjured back into the water to help whomever they could find toward the beach. Finally, both boats, and everyone who’d been on them, sprawled on the beach. One sailor, who’d been unconscious from the initial air attack, was dead. They found him washed up on the beach, facedown and unresponsive. Everyone from the capsized raft was banged up to some degree. The cuts on their arms, legs, torsos and faces looked as though they’d been attacked by razor blades. The capsized raft had one sizable hole which had deflated one of the four compartmentalized chambers, leaving that segment flat and floppy. They found all the wooden paddles, but two were broken. The sun beat down upon them like an angry god. None of them wanted to move. Tarkington sat up after catching his breath. His tongue was thick with thirst and he was sure he wouldn’t

Ten Questions to Clarify Your Target Audience Are they female, male, or both? How old are they? We recommend picking a range within five years of your own age. What types of jobs or professions do they have? What are their passions? What are the top three websites they visit? What are the top three Twitter, Instagram, and/or Facebook pages they follow? Who are the top three influencers they might watch on YouTube? What is their social circumstance? Married, single, kids, no kids, family, etc.

This would include channels presenting interesting facts, breaking news, the latest gossip stories, and world events. It also includes Top Ten channels with videos like “Top Ten Things to do in Greece.

The second area is your YouTube cover art. This is a big banner at the top of your channel page, and it gives people their first impression of your content.