Dial It Back Quotes

We've searched our database for all the quotes and captions related to Dial It Back. Here they are! All 100 of them:

Listeners, that brings us to the end of another Potterwatch. We don’t know when it will be possible to broadcast again, but you can be sure we shall be back. Keep twiddling those dials: the next password will be ‘Mad-Eye.’ Keep each other safe. Keep faith. Good night.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He dropped the phone back onto its cradle, began to turn around and felt a sudden ice-cold furrow open up in his side. Strength drained from his legs, and a moment later he sank to his knees. There was warmth now that ran over the initial and persistent cold. Mohammed was confused, and barely noticed the briefcase being removed from his grip. He heard the click of a cell phone opening, and a soft beeping as a number was dialed. 'The package is in my possession,' a female voice said, and the phone clicked shut.
R.D. Ronald (The Zombie Room)
Back in Georgie's attic, he yanks the phone out of the socket and begins scrolling down the names under dialed calls, praying to anyone who will listen. God. Baby Jesus. Saint Thomas the doubter. Saint Whoever, patron saint of losers. Praying, Please, please, don't let it be true. The first name shatters him. The second makes his head spin.
Melina Marchetta (The Piper's Son)
What do I need to get you into my bed?" Logan asked boldly. Tate couldn't help the laugh escaping his mouth at Logan's directness. "A vagina?" He raised a brow at the man. Releasing his arm, Logan took a step back and removed his cell phone from his pocket. He dialed a number and placed the phone to his ear. "Hi hon." He then met Tate's eyes and smirked as he mouthed, A vagina I can get.
Ella Frank (Try (Temptation, #1))
Can I borrow your phone?" she asked. I frowned, unsure what she would do. "Sure." I pulled my phone from my pocket, handing it to her. She fingered the buttons for a moment, and then dialed, closing her eyes as she waited. "I'm sorry for calling you so early," she stammered, "but this couldn't wait. I . . . can't go to dinner with you on Wednesday." She had called Parker. My hands trembled with apprehension, wondering if she was going to ask him to pick her up - to save her - or something else. She continue, "I can't see you at all, actually. I'm . . . pretty sure I'm in love with Travis." My whole world stopped. I tried to replay her words over. Had I heard them correctly? Did she really just say what I thought she had, or was it just wishful thinking? Abby handed the phone back to me, and then reluctantly peered up into my eyes. "He hung up," she said with a frown. "You love me?" "It's the tattoos," she said, flippant and shrugging, as if she hadn't just said the one thing I'd ever wanted to hear. Pigeon loved me.
Jamie McGuire (Walking Disaster (Beautiful, #2))
So, like, the master needed a hand, if you know what I mean, so I was like, "Oh chill, it's a stress thing, everyone does it. I'm flicking the bean under the table right now just to dial the tension back a little. Yes. Yes. Yes! Oh-zombie-jeebus-fuck-me-Simba-lion-king-hakuna-matata! Yes!" --The Chronicles of Abby Normal
Christopher Moore (Bite Me (A Love Story, #3))
People don’t warn you that heartbreak is a chronic condition. Maybe it quiets down a little over time, or you can muffle it with distance, but the ache never quite dials down to zero. It’s there lurking in the background, ready to flare back up the minute you let your guard down.
Adam Silvera (Here's to Us (What If It's Us, #2))
The DJ opens his eyes and sees what he's done. By all rights, he should switch the song. But it's a long-distance dedication to the boy he loves down in Texas. He dials up the boy right now and holds his phone into the air. Not all songs need to be for dancing. There will always be the next song, to draw the dancers back.
David Levithan (Two Boys Kissing)
After a second, he reaches over and rubs my head playfully, and then pulls me into him. 'Come here,' he says gently. I unbuckle and scoot in close to him. I don't care if this truck full of dials has no airbags and I get killed in a wreck. I'll die happy. He drives slow and careful and we kiss at every stop sign and red light the whole way back to my house.
Colleen J Clayton (What Happens Next)
When you hang with your tribe, you feel invigorated, recognized, and understood—you can’t underestimate the powerful effects of being fortified in that way. When you have your tribe on speed dial, you’ve got all the resources you need to fuel up, fly straight, and head back out to face the world at large.
Danielle LaPorte (The Fire Starter Sessions: A Soulful + Practical Guide to Creating Success on Your Own Terms)
It was a sunny day, and Einstein merrily played with the telescope’s dials and instruments. Elsa came along as well, and it was explained to her that the equipment was used to determine the scope and shape of the universe. She reportedly replied, “Well, my husband does that on the back of an old envelope.
Walter Isaacson (Einstein: His Life and Universe)
Hey, Trouble,” he said, leaning his head back against the dial.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
It’s called the Rule of Thirds. When you’re chasing a big goal, you’re supposed to feel good a third of the time, okay a third of the time, and crappy a third of the time. If the ratio is off and you feel good all the time, then you’re not pushing yourself enough. Likewise, if you feel bad all the time, then you might be fatigued and need to dial things back.
Alexi Pappas (Bravey: Chasing Dreams, Befriending Pain, and Other Big Ideas)
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
William Boyd (Any Human Heart)
I squirt toothpaste with a vengeance and attack my teeth, but that hurts, so I dial back on the fury
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
It felt like my interest in her was getting out of hand, but I had no plans to dial it back. I just liked her too much.
Lynn Painter (Happily Never After)
Remember those reserves I mentioned? Time to call them up. I pick up the phone and dial. A soothing greets me after the second ring. The perfect combination of strength and comfort, and I answer back. “Hi, Mom.” You thought I was calling someone else, didn’t you? Deep down—I’m a momma’s boy. I’m man enough to admit it. 'And trust me, I’m not the only one. Explains a lot, doesn’t it? That’s the reason your boyfriend can’t manage to get his socks or underwear actually in the hamper-because he grew up with mommy doing it for him.
Emma Chase
[I hear phone sex can work], I sent, [but I kind of doubt text-sex would.] He sent me a picture shot down his pants. I snickered and sent him a picture of my mouth. [autehigixuhi&^%$], he sent back. Then, [yeah, phone sex not satisfying. Also I think I dick-dialed Kentucky.]
K.D. Sarge (Louder Than Sirens, Louder Than Bells)
Dear Jack: I have no idea who he was. But he saved me. From you. I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him. And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay. 'Yes. I mean, I think so,' I told him. But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose. The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911. He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner. 'I'm so sorry,' he just kept saying. And suddenly I felt sorry too. Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave. 'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever. A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked. The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.' When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak. That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure. So far, it hasn't done the trick. Never your Jill, Rachael
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
Hannah leaned forward and reached for the dial. The radio hissed, shrieked and blasted a few bars of Mozart before finally settling on Radiohead’s Exit Music (for a Film). Hannah, delighted with her discovery, smiled and slumped back in her seat. She listened to Thom Yorke’s nasally vocals in silence for a couple of verses before joining in. Singing heartily and drumming away on her knees, she was like a ball of energy, and already I felt this energy permeating my own body. I felt as fresh and as happy as I’d been in months. Radiohead ended and became The Stone Roses, who in turn became The Killers. Finally, when they became the hourly news, Hannah rolled her eyes and turned off the radio.
Andy Marr (Hunger for Life)
Start playing from power. We can always dial it back later. If we don’t swing for the seats from the start, we’ll never be able to drive a fastball into the upper deck.
Steven Pressfield (Do the Work)
The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
People don’t warn you that heartbreak is a chronic condition. Maybe it quiets down a little over time, or you can muffle it with distance, but the ache never quite dials down to zero. It’s there lurking in the background, ready to flare back up the minute you let your guard down.
Becky Albertalli (Here's to Us (What If It's Us #2))
That was the thing about restorative justice. It allowed you to hold two things in your head at the same time--that butt-slapping was funny, and also that it wasn't. That asking permission to touch somebody was funny, but that you really didn't want to be touched by somebody who didn't ask. That the girls wanted Jeff to dial back the ass-smacking thing, but that they still liked joking around with him. That the whole thing wasn't a big deal, and that it kind of was (239).
Dashka Slater (The 57 Bus: A True Story of Two Teenagers and the Crime That Changed Their Lives)
You just seem so sad,” I said, dialing voice mail. “Like someone stole your favorite nine millimeter.” “I’m not sad.” He started down the hall, then turned back. “Least not when I look at you.” .
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
But the experience of Asians in America isn’t just a scaled-back or dialed-down version of the Black experience. Instead of co-opting someone else’s experience or consciousness, he must define his own.
Charles Yu (Interior Chinatown)
There's a moon ring on her index finger, and with her other hand she pinches the moon and twists the ring all the way around and back. I want to be that moon. The I immediately tell myself to dial it back.
Taleen Voskuni (Sorry, Bro)
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other. I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone. He sat alone because he was beautifully dressed for the occasion and because he was not a civilian. We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us. Maybe he doesn’t mean a thing to me any more but I think he was like me. You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so? I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood. And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers. You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean? And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code. And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful? And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists. He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it. He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there? It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
Leonard Cohen (Parasites of Heaven)
Against all the odds, Marguerite Carlough found a lawyer to take her case. And on February 5, 1925, she filed suit against the United States Radium Corporation for $75,000 ($1 million). The dial-painters’ fight back had begun.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Bundle frowned. This business of the clocks was curious. She must get hold of Bill Eversleigh. He had been there, she knew. To think was to act with Bundle. She got up and went over to the writing desk. It was an inlaid affair with a lid that rolled back. Bundle sat down at it, pulled a sheet of notepaper towards her and wrote. Dear Bill,—
Agatha Christie (The Seven Dials Mystery)
Oh, wait a minute, I was supposed to be cutting back on the self-delusion, wasn't I? Whoops.
Jason Krumbine (Just Dial 911 for Assistance)
The dial-painters’ fight back had begun.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
somewhere deep inside you realize that the dream has taken a hit. It hasn’t died, of course. But it has been dialed back—calibrated to the reality of deadlines, budgets, and limited resources. A similar process can happen for individuals who set out to create something, whether a book, a record album, or even a comedy routine. It’s easy to “settle.” At this very moment, you face a decision.
Michael Hyatt (Platform: Get Noticed in a Noisy World)
But I'll tell you a terrible secret- Are you listening to me? There isn't anyone out there who isn't Seymour's Fat Lady. That includes your Professor Tupper, buddy. And all his goddam cousins by the dozens. There isn't anyone anywhere that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know who the Fat Lady really is?...Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy." For joy apparently, it was all Franny could do to hold the phone, even with both hands. For a fullish minute or so, there were no other words, no further speech. Then: "I can't talk any more, buddy." The sound of a phone being replaced in its catch followed. Franny took in her breath slightly but continued to hold the phone to her ear. A dial tone, of course, followed the formal break in the connection. She appeared to find it extraordinarily beautiful to listen to, rather as if it were the best possible substitute for the primordial silence itself. But she seemed to know, too, when to stop listening to it, as if all of what little or much wisdom there is in the world were suddenly hers. When she replaced the phone, she seemed to know just what to do next, too. She cleared away the smoking things, then drew back the cotton bedspread from the bed she had been sitting on, took off her slippers, and got into the bed. For some minutes, before she fell into a deep, dreamless sleep, she just lay quiet, smiling at the ceiling.
J.D. Salinger (Franny and Zooey)
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The constant, nagging exhaustion had dialed back, but craziness began to creep in—an anxiety that wrapped itself around my head and clung heavily like a wet towel. A feeling that I had done something wrong, was doing something wrong, was about to do the worst thing wrong ever, as I tried to figure out what I was actually supposed to be doing.
Jen Larsen (Stranger Here: How Weight-Loss Surgery Transformed My Body and Messed with My Head)
Fight me on this,” Nash dared me. “I can’t just move in with you, Nash. That’s insane. We barely made it through the day without fighting, and you want to share a bathroom with me? Do not smile at me like I’m the crazy one!” I could hear the hysterical tinge to my words but there was no dialing it back. He was still smiling, but now he was heading toward me.
Lucy Score (Things We Hide from the Light (Knockemout, #2))
This is what always happens when one of my generation dares to talk back to our parents. They band together and reduce us to kids having a tantrum, dismissing our words so we can’t pierce their armor. Part of me wants to kick crazily at the ground and scream until they listen, but of course that’ll only confirm their belief that I’m nothing more than a silly child.
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
and kick up my feet.” “I feel ya, partner.” I clicked my seat belt and stared out the window. It had been a long week, and I looked forward to going home too. The engines revved, the jet thrusted forward, and we took to the sky. “I still have time to call Amber, don’t I?” “Yeah, another few minutes.” I dialed my sister and told her we were heading back. I promised I’d be home for dinner.
C.M. Sutter (Snapped (Agent Jade Monroe FBI Thriller, #1))
We should go,” Bennett slurred, pushing himself up with obvious effort. “We only have thirty hours before we need to reestablish a plausible executive presence.” “I’m going to be hungover,” Chloe moaned. “Who can I pay to dial back time and undo three of those tequila shots? Maybe four.” Sara, who had been asleep in our bed, walked out, stretching. “I just called a couple cabs. Let’s go, drunkies.
Christina Lauren (Beautiful Boss (Beautiful Bastard, #4.5))
They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.
Douglas Woolf (Wall to Wall (American Literature))
There is a wealth of historical data that suggests we prefer a balance of leisure and toil. But we have been convinced through more than two hundred years of propaganda that inactivity is the same as laziness, and that leisure is a shameful waste of time. If you think I’m using the word propaganda metaphorically, you’re wrong. Let’s dial it back to the 1920s for a moment. The battle over work hours was still being fiercely fought throughout the industrialized world, but the workers were winning. The punishing days of the nineteenth century were far behind us, and workdays were getting shorter and shorter in most industries. There seems to have been a realization among employers that they couldn’t win a direct fight, so they used more subtle tactics learned during World War I. Employers realized they could borrow strategies from the War Department in order to motivate the production line.
Celeste Headlee (Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving)
Kane would know. He’s smart.” I tapped the side of my head with my finger. Magnus wagged his tail. “Smart and sexy. Smexy. Kane is Smexy.” I giggled again. I could see why trolls loved this stuff. It was awesome. Grabbing the box, I slammed the safe shut. Oh, damn. I hadn’t put the Yliaster crystal back in the safe. I began to twiddle the safe’s dial. I had no idea what the code was. “It’s on the tongue of my tip,” I grumbled, glancing at Magnus.
Alex Rivers (Hunter's Soul (Yliaster Crystal, #2))
Gazing into the heavens on a starry night a person sees the reflection of their own soul staring back at them. Perceiving our microscopic place in the revolving cosmos, we search to ascertain a meaning for our existence; we stretch our minds to comprehend a reason that justifies our fleeting journey in a universe composed of dark energy. Comprehension of a full-bodied meaning for living seems to lie just beyond my grasp. Perhaps I struggle dialing into a meaning for life because living entails adapting to a constant state of chaos. Can I harmonize the noisy commotion and distracting clutter in my life? I need to overcome personal inertia by learning to become comfortable with these changing times. In actuality, I have no choice but to capitulate to the evolution of facets in the world. Everything in the universe is undergoing constant change. Alike all humankind, I am also in the process of evolving. Who I was will undoubtedly affect who I will become. Who I am now is not who I will always be. The demands imposed upon us by the exterior world prevent stagnation of our interior world. We must all respond to change by either growing or dying. Even a blockhead such as me proves alterable, because inherent mutability ensures the survival of all persons. The entire world is interconnected; we are part of the cosmic consciousness. Many factors beyond our direct control influence us.
Kilroy J. Oldster (Dead Toad Scrolls)
It had been a nice night, but not one they’d repeat. Like, ever. Why was he dialing his phone? A few rings later, a familiar voice picked up on the other end. “Whitman.” Dammit, my subconscious really is out to get me. “Matt? Brennan. I was wondering if…” make it something good, “…you…wanted to…” his gaze flew around the room, settling on his DVD shelf, “…watch Star Wars with me?”Star Wars? A hundred DVDs on the shelf and he settled on fucking Star Wars? He was never going to get in Matt’s pants ever again. There was a pause on the other end. Great, I’ve scared him off with my closet geekery. Go me. “Which one?” His heart skipped a beat. Or not.“I have all six.” “My favorite is Strikes Back. I can be at my place in about twenty. I’ll bring food?” Brennan’s eyes squeezed closed and he grinned, kicking his feet in delight. I am such a girl. “You know we can’t watch Strikes Back without immediately going to Return, right?” “We should pace ourselves. Star Wars is serious business. Usually I don’t watch them without consuming about five pounds of Skittles and three bottles of Coke.” “I’ll grab the junk food. We can pull an all -nighter.” “It’s a weeknight.” Matt sounded ridiculously disappointed about the fact, which was so happy-dance-worthy that Brennan almost literally jumped out of his chair. “But maybe we could turn it into a three-part date? Start tonight? End Friday?
Christine Price
They’ll hear about your husband’s fortune. The suitors will begin to gather, and I want you to promise me this. Whenever one of them proposes, as they will, Doris must say rapturously, ‘Oh, David! All my life I’ve wanted to live in Israel.’ When he hears that she intends to live there instead of bringing him to the United States, you’ll see his interest evaporate. I said evaporate. It vanishes.” He waved his hands violently back and forth across his face to indicate total abolishment.
Dial Press Trade Paperback (The Drifters)
The call dragged on for more than three hours until 10:30 p.m. They went over the site line by line, as Elizabeth slowly dictated every alteration that needed to be made. Patrick nodded off at one point. But Kate and Mike stayed alert enough to notice that the language was being systematically dialed back. “Welcome to a revolution in lab testing” was changed to “Welcome to Theranos.” “Faster results. Faster answers” became “Fast results. Fast answers.” “A tiny drop is all it takes” was now “A few drops is all it takes.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
In Paley's famous illustration, the adaptation of all the parts of the watch to the function, or purpose, of showing the time, is held to be evidence that the watch was specially contrived to that end; on the ground, that the only cause we know of, competent to produce such an effect as a watch which shall keep time, is a contriving intelligence adapting the means directly to that end. Suppose, however, that any one had been able to show that the watch had not been made directly by any person, but that it was the result of the modification of another watch which kept time but poorly; and that this again had proceeded from a structure which could hardly be called a watch at all—seeing that it had no figures on the dial and the hands were rudimentary; and that going back and back in time we came at last to a revolving barrel as the earliest traceable rudiment of the whole fabric. And imagine that it had been possible to show that all these changes had resulted, first, from a tendency of the structure to vary indefinitely; and secondly, from something in the surrounding world which helped all variations in the direction of an accurate time-keeper, and checked all those in other directions; then it is obvious that the force of Paley's argument would be gone. For it would be demonstrated that an apparatus thoroughly well adapted to a particular purpose might be the result of a method of trial and error worked by unintelligent agents, as well as of the direct application of the means appropriate to that end, by an intelligent agent. Now it appears to us that what we have here, for illustration's sake, supposed to be done with the watch, is exactly what the establishment of Darwin's Theory will do for the organic world. For the notion that every organism has been created as it is and launched straight at a purpose, Mr. Darwin substitutes the conception of something which may fairly be termed a method of trial and error. Organisms vary incessantly; of these variations the few meet with surrounding conditions which suit them and thrive; the many are unsuited and become extinguished.
Thomas Henry Huxley (Criticism on "The Origin of Species")
From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
Lorelai pulls me in closer and I feel her hair brush the side of my face. Huh, she smells like bubblegum and oranges. Wait. What the hell? Oh great! I’m actually sniffing her hair now. Yeah, that’s not super creepy at all! Time to dial back the crazy. It would be wrong to make a move, remember? The song ends and suddenly The Ronettes’ ‘Be My Baby’ starts to play. “Ah! I loooove thissss!” Lorelai declares as she grabs me and starts gyrating up and down. It’s wrong to make a move. It’s wrong to make a move. It’s wrong to make a move. Oh God …
Joanne McClean (Red Hair and a lot of Flair)
turned the antenna selection dial, cycling through all eight positions, forward and aft. The tone went away when he limited reception to the aft antenna positions. Came back when he selected the forward positions. UL FWD—upper left forward—strongest of all. Line of sight away from Earth. Receiving from the outer solar system. Jack drew breath to call to the others, get up here, you have to hear this, and then he grew abashed. His cheeks heated. It’s just cosmic noise. Or some clever-clogs hacker pranking the space shuttle. Yet he kept listening,
Felix R. Savage (Freefall (Earth's Last Gambit, #1))
Each of us needs to decide for ourselves whether we should have a greater faith in Determinism or in Free Will. We should ask how much of the suffering in our lives can be traced back to a defeatist attitude and how much might be traced back to reckless aspiration. Some of us need to dial up a faith in Free Will, others need more of a mellow acceptance of Determinism. The oldest debate in philosophy isn’t beyond answering. We just have to answer it more personally, with more of a sense of what we need to believe in to be calmer and more fulfilled.
The School of Life
That’s when Musk started pushing the idea of using Neuralink to enable paralyzed people to actually use their limbs again. A chip in the brain could send signals to the relevant muscles, bypassing any spinal-cord blockage or neurological malfunction. As soon as he got back to Hatchet Alley from the pig barn, he gathered his top Austin team, with their colleagues in Fremont dialing in, to announce this new additional mission. “Getting someone in a wheelchair to walk again, people will get it right away,” he said. “It’s a gut-punch idea, a fucking bold thing. And a good thing.
Walter Isaacson (Elon Musk)
And I just couldn't stop circling our small house. Round and round I went, dozens of times. Maybe even hundreds. I didn't understand the compulsion until many years later, when I realized that I was moving in a counterclockwise circle. Now I think maybe I was literally trying to turn back time somehow, pushing an imaginary minute hand around the imaginary dial over and over in an attempt to buy another shot to get whatever it was I was supposed to have received during my formative years--exactly what I would spend the bulk of my adult years trying to give to the children of strangers.
Matthew Quick (We Are the Light)
Avoidants and the Anxious-Preoccupied are in a sense complementary: the Preoccupied values relationships too highly and thinks about them too much, while the Avoidant (especially the Dismissive) devalues relationships and tends not to be too concerned about them. If the Preoccupied were a bit more secure they’d be able to dial back the attention to their relationships to a healthier level that would make them happier and more successful, while if the Dismissive could only surface those attachment feelings lurking in his subconscious and value his relationships more consciously, he would also be happier and more successful.
Jeb Kinnison (Avoidant: How to Love (or Leave) a Dismissive Partner)
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
Nora Sakavic (The King's Men (All for the Game, #3))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I imagined the stairs to the lobby, the pay phones in the dark, the coins against my thumb, his voice. The scramble to think of things to say, with only little reprieves, during which I would have to listen to whatever things he had thought up to say. Then the dial tone again, higher-pitched than in America - it was always there, like the sea inside a shell - and the empty dull feeling in my chest, like now, only worse. At the same time, it seemed certain to me that someday I would really want to hear his voice and wouldn't be able to, and I would think back to the time that he had invited me to call him, and it would seem as incomprehensible as an invitation to speak to the dead.
Elif Batuman (The Idiot)
Brrrriiiinnggggg! I came out of the trance suddenly, and it took me a moment to pinpoint the sound that had brought me back—the ringing of a phone. I spent one second wondering who could possibly be calling a number I didn’t even know myself, but the answer became readily apparent the second I answered the phone. “I have an address,” Skylar said. “According to Reid, it’s an old military base that hasn’t belonged to the government since the fifties. It’s supposed to be abandoned—something about radiation—but satellite scans suggest there’s geothermal activity.” She paused. “This is Kali, right?” I made a face at the phone. “Did you just dial a number at random?” I could practically hear her smiling. “Maybe?
Jennifer Lynn Barnes (Every Other Day)
We sat at long tables side by side in a big dusty room where we laughed and carried on until they told us to pipe down and paint. The running joke was how we glowed, the handkerchiefs we sneezed into lighting up our purses when we opened them at night, our lips and nails, painted for our boyfriends as a lark, simmering white as ash in a dark room. "Would you die for science?" the reporter asked us, Edna and me, the main ones in the papers. Science? We mixed up glue, water and radium powder into a glowing greenish white paint and painted watch dials with a little brush, one number after another, taking one dial after another, all day long, from the racks sitting next to our chairs. After a few strokes, the brush lost its shape, and our bosses told us to point it with our lips. Was that science? I quit the watch factory to work in a bank and thought I'd gotten class, more money, a better life, until I lost a tooth in back and two in front and my jaw filled up with sores. We sued: Edna, Katherine, Quinta, Larice and me, but when we got to court, not one of us could raise our arms to take the oath. My teeth were gone by then. "Pretty Grace Fryer," they called me in the papers. All of us were dying. We heard the scientist in France, Marie Curie, could not believe "the manner in which we worked" and how we tasted that pretty paint a hundred times a day. Now, even our crumbling bones will glow forever in the black earth.
Eleanor Swanson
I want a love like me thinking of you thinking of me thinking of you type love or me telling my friends more than I've ever admitted to myself about how I feel about you type love or hating how jealous you are but loving how much you want me all to yourself type love or seeing how your first name just sounds so good next to my last name. and shit- I wanted to see how far I could get without calling you and I barely made it out of my garage. See, I want a love that makes me wait until she falls asleep then wonder if she's dreaming about us being in love type love or who loves the other more or what she's doing at this exact moment or slow dancing in the middle of our apartment to the music of our hearts. Closing my eyes and imagining how a love so good could just hurt so much when she's not there and shit I love not knowing where this love is headed type love. And check this- I wanna place those little post-it notes all around the house so she never forgets how much I love her type love then not have enough ink in my pen to write all the love type love and hope I make her feel as good as she makes me feel and I wanna deal with my friends making fun of me the way I made fun of them when they went through the same kind of love type love. The only difference is this is one of those real type loves and just like in high school I wanna spend hours on the phone not saying shit and then fall asleep and then wake up with her right next to me and smell her all up in my covers type love and I wanna try counting the ways I love her then lose count in the middle just so I could start all over again and I wanna celebrate one of those one-month anniversaries even though they ain't really anniversaries but doing it just 'cause it makes her happy type love and check this- I wanna fall in love with the melody the phone plays when our numbers dial in type love and talk to you until I lose my breath, she leaves me breathless, but with the expanding of my lungs I inhale all of her back into me. I want a love that makes me need to change my cell phone calling plan to something that allows me to talk to her longer 'cause in all honesty, I want to avoid one of them high cell phone bill type loves and I don't want a love that makes me regret how small my hands are I mean the lines on my palms don't give me enough time to love you as long as I'd like to type love and I want a love that makes me st-st-st-stutter just thinking about how strong this love is type love and I want a love that makes me want to cut off all my hair. Well maybe not all of the hair, maybe like I'd cut the split ends and trim the mustache but it would still be a symbol of how strong my love is for her. I kind of feel comfortable now so I even be fantasize about walking out on a green light just dying to get hit by a car just so I could lose my memory, get transported to some third world country just to get treated and somehow meet up again with you so I could fall in love with you in a different language and see if it still feels the same type love. I want a love that's as unexplainable as she is, but I'm married so she is gonna be the one I share this love with.
Saul Williams
The science shows us that fears of a climate apocalypse are unfounded. Global warming is real, but it is not the end of the world. It is a manageable problem. Yet, we now live in a world where almost half the population believes climate change will extinguish humanity. This has profoundly altered the political reality. It makes us double down on poor climate policies. It makes us increasingly ignore all other challenges, from pandemics and food shortages to political strife and conflicts, or subsume them under the banner of climate change… If we don’t say stop, the current, false climate alarm, despite its good intentions, is likely to leave the world much worse off than it could be… We need to dial back on the panic, look at the science, face the economics, and address the issue rationally.
Bjørn Lomborg
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
Every topic gets to unfurl completely, never forced or rushed. Sometimes I like to sit back in the group and observe the magic of The Group Hiking Conversation. No matter what the mix of ages, sex or backgrounds, everyone in a walking conversation eventually arrives together in the one lovely pool of mutualism. Or perhaps a field, the one beyond right and wrong, is a better metaphor. It generally only takes about an hour or so. But after that initial hour you do adjust to the primitive rhythm, like you’re dialed into our ancestral way of keeping company and bearing mindful witness to each other. It feels like home. A day of walking will dislodge all kinds of deep truths. They will surface through the fatigue as you sink into the couch; after a day of walking off our barky layers, we reveal the trauma rings in our trunks
Sarah Wilson (This One Wild and Precious Life: A Hopeful Path Forward in a Fractured World)
Wait," he said. "Before we leave, can I, um, can I see what you really look like now?" "Doofus. I look like your sister." "I know. But there's more now. Right?" It was a fair question. She said, "Okay. But you have to promise not to freak out. Just remember I'm still me, regardless of what it might look like." "I promise." And so it was there, in the reimagined and reconstructed memory of the kitchen she once shared with Ria, that Molly set aside her human form and showed her brother what she had become. The transition went more smoothly than it had in Bayliss's hotel room. She dialed it back when Martin flinched and shielded his eyes. "Are you okay?" she asked, momentarily consumed with a vision of bloody tears streaking Bayliss's face. "Oh, Moll," said Martin. He was crying. Not blood, though. "They turned you into starlight.
Ian Tregillis (Something More Than Night)
Gloria-in-human-resources wants an answer by tonight,” I heard Brad say. “Should I pick the smart one or the hot one?” I froze, appalled. “Always pick the smart one,” the other agent replied, and I wondered which one Brad considered me to be. An hour later, I got the job. And despite finding the question outrageously inappropriate, I felt perversely hurt. Still, I wasn’t sure why Brad had pegged me as smart. All I’d done that day was dial a string of phone numbers (repeatedly disconnecting calls by pressing the wrong buttons on the confusing phone system), make coffee (which was sent back twice), Xerox a script (I pushed 10 instead of 1 for number of copies, then hid the nine extra screenplays under a couch in the break room), and trip over a lamp cord in Brad’s office and fall on my ass. The hot one, I concluded, must have been particularly stupid.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
This love is like a dive under the ocean. When I first saw you I was fascinated by the extensiveness and you were so beautiful. I did not believe you were so deep that I went downstairs. I wanted to know and see what you have - in the depths, all the way down to darkness. Until I was slowly breathed but I wanted to continue. I visit your paradise peacefully and peacefully. The place where the problem is not heavy and I'm free. But as a dive in the sea, my air gradually decreased. I had to go up and assemble a new hope. That's when I'm dialing again I'm stronger, and I can see the depth of your mystery. The ocean will be ashamed of the depth of my love. With every sinking and flight in your abyss, I feel the light of the world even though my breathing is getting dramatic. As I have this love for you, every time I feel, I'm trying to stop myself coming back and coming back to the sea you built in my heart.
Sphencer D. Perales
Around that time, Musk was asked by a user on Twitter if he was bipolar. “Yeah,” he answered. But he added that he had not been medically diagnosed. “Bad feelings correlate to bad events, so maybe the real problem is getting carried away for what I sign up for.” One day, when they were sitting in the Tesla conference room after one of Musk’s spells, McNeill asked him directly whether he was bipolar. When Musk said probably yes, McNeill pushed his chair back from the table and turned to talk to Musk eye to eye. “Look, I have a relative who is bipolar,” McNeill said. “I’ve had close experience with this. If you get good treatment and your meds dialed right, you can get back to who you are. The world needs you.” It was a healthy conversation, McNeill says, and Musk seemed to have a clear desire to get out of his messed-up headspace. But it didn’t happen. His way of dealing with his mental problems, he says when I ask, “is just take the pain and make sure you really care about what you’re doing.
Walter Isaacson (Elon Musk)
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
Crazy ex stories are hard because they started out as love stories. And the key moment in a love story is the moment when you realize that—of all the improbable things!—there’s a person inside someone else! He or she is not just a character in the plotline of your life. You thought you were the only real one. You thought you were alone in the universe, twisting the dials on a radio in a postapocalyptic hut somewhere. Then one day you get a signal back. That’s a love story for you. I’m real. You’re real. Now what? But this isn’t a love story. This is a story about unreliable narrators, about the stories you tell yourself about the people you can’t have. In stories like that only one person is ever real. So you don’t get to tell this story. I’m the real one; you’re a character in my story. I’m the one who gets to tell this. Turning people into characters does a kind of violence to them. You lose a dimension or two pinning them down to the page. No, you say. Stop. Don’t move. This won’t work if you move. You are the story I tell about you. The instant you tell a story it stops being quite true.
Alexandra Petri (A Field Guide to Awkward Silences)
she was. Loose and free, her shiny brown hair cascaded past her shoulders. Her face, open and disarming, held not a trace of the passage of time. Could today be any more depressing? Brandy turned to Cole who was eyeing a platter of hamburgers a waiter carried by. She put a hand on his arm to get his attention. While she signed my request, I turned to Jean-Charles. Before I spoke, he held up a hand. "A platter of hamburgers for your friends. I will prepare them myself, if you will excuse me." He gave a stiff little bow and a rueful half grin dialed back from its previous warmth. I watched him work his way through the tables, his practiced façade of charm falling into place, and wondered how to have a relationship with a man who bristled at the first barrier in his path.  Brandy and Cole were deep into a silent conversation, so I sipped my wine and pouted. Just being able to express a simple, albeit juvenile, emotion was so much better than my normal routine of bottling them inside. My job required eating too much crow as it was. I'd be damned if I'd conduct my personal life the same way.  Brandy snapped her fingers in front of my eyes. "Do
Deborah Coonts (Lucky Bastard (Lucky O'Toole, #4))
The one-eyed guy waited thirty seconds, and then dialed his desk phone, and when it was answered he said, “She met a guy off the train. It was late. She waited five hours for it. She brought the guy here and he took a room.” There was the plastic crackle of a question, and the one-eyed clerk said, “Another big guy. A mean son of a bitch. He busted my balls on the room rate. I gave him 106, in the back corner.” Another crackling question, and another answer: “Not from here. I’m in the office.” Another crackle, but this time a different tone and a different cadence. An instruction, not a question. The one-eyed guy said, “OK.” And he put the phone down and struggled to his feet, and stepped out of the office, and took the lawn chair from outside 102, which was empty, and dragged it to a spot on the blacktop where he could see his own door and 106’s equally. Can you see his room from there? had been the question, and Move your ass somewhere you can watch him all night had been the instruction, and the one-eyed guy always obeyed instructions, if sometimes a little reluctantly, as at that point, as he adjusted his angle and dumped his bulk down on the uncomfortable plastic. Outside, in the nighttime air. Not his preferred way of doing things.
Lee Child (Make Me (Jack Reacher, #20))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
The best entrepreneurs don’t just follow Moore’s Law; they anticipate it. Consider Reed Hastings, the cofounder and CEO of Netflix. When he started Netflix, his long-term vision was to provide television on demand, delivered via the Internet. But back in 1997, the technology simply wasn’t ready for his vision—remember, this was during the era of dial-up Internet access. One hour of high-definition video requires transmitting 40 GB of compressed data (over 400 GB without compression). A standard 28.8K modem from that era would have taken over four months to transmit a single episode of Stranger Things. However, there was a technological innovation that would allow Netflix to get partway to Hastings’s ultimate vision—the DVD. Hastings realized that movie DVDs, then selling for around $ 20, were both compact and durable. This made them perfect for running a movie-rental-by-mail business. Hastings has said that he got the idea from a computer science class in which one of the assignments was to calculate the bandwidth of a station wagon full of backup tapes driving across the country! This was truly a case of technological innovation enabling business model innovation. Blockbuster Video had built a successful business around buying VHS tapes for around $ 100 and renting them out from physical stores, but the bulky, expensive, fragile tapes would never have supported a rental-by-mail business.
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
back. She knew she was lucky to have a job but she didn’t feel lucky. She felt depressed. Sad. Tired. And most of all, confused. She knew this was the week of Ruth Ann’s trial. There hadn’t been any press coverage yet, but she remembered the date. She had wanted to call Rick and wish him luck. In fact, she had picked up the phone several times and started to dial the number, but she just couldn’t go through with it. Not after all the things they had said to each other. She opened the back door to the office and stepped out into the night. The parking lot was barren except for her white Mustang, and the only sounds she heard were the passing of cars on Greensboro a few blocks up. She shut the door behind her, putting the key in the dead bolt and twisting it. “Kinda late for a pretty girl like you to be out.” Dawn turned to the sound of the voice, her stomach tightening into a knot. The lot was sparsely lit, and for a moment she didn’t see him. Then, standing by her Mustang, she saw a tall man dressed in khaki pants and a golf shirt. As he stepped toward her, she noticed that his hair was sandy blond and he had a patch of stubble on his face. “Can I help you?” Dawn asked, her voice shaky. She reached into her pocket for her cell phone but then remembered that the battery was dead. Damn, damn, damn. The man was in front of her now. He had continued to approach as if his appearance were completely natural.
Robert Bailey (The Professor (McMurtrie and Drake, #1))
Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!
George A. Romero (Dawn of the Dead)
In an internal panic, I picked up the phone and hurriedly pushed redial. I had to catch Rhonda the Realtor, had to tell her wait, hold off, don’t let it go, I’m not sure, hang on, give me another day…or two…or three. But when the numbers finished dialing, I heard no ringing; instead, in a perfect moment of irony, coincidence, and serendipity, I heard Marlboro Man’s voice on the other end. “Hello?” he asked. “Oh,” I replied. “Hello?” “Hey, you,” he replied. So much for calling Rhonda the Realtor. Three seconds into the phone call, Marlboro Man’s voice had already taken hold. His voice. It weakened my knees, destroyed my focus, ruined my resolve. When I heard his voice, I could think of nothing but wanting to see him again, to be in his presence, to drink him in, to melt like butter in his impossibly strong arms. When I heard his voice, Chicago became nothing but a distant memory. “What’re you up to?” he continued. I could hear cattle in the background. “Oh, just getting a few things done,” I said. “Just tying up a few loose ends.” “You’re not moving to Chicago today, are you?” he said with a chuckle. He was only halfway joking. I laughed, rolling over in my bed and fiddling with the eyelet ruffle on my comforter. “Nope, not today,” I answered. “What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
His phone dinged again. “This crazy-ass voicemail. It’s all jacked—Wait, when did you call me?” “Please don’t listen to that,” I blurted. He grinned. “Okay, now I have to hear it. Was this last night? Were you drunk? Did you drunk-dial me?” he teased. But it was too late, he’d already lifted the phone. Bile rose in my throat and the room became a thousand degrees hotter. “Please. Don’t.” “Why? What’s wrong?” He grew quiet and listened. “I don’t hear anything. Wait. You didn’t mean to call, did you? Is that another guy?” I put my face in my hands. Cade was quiet as he listened. And I prayed for a giant black hole to open and swallow me. His phone made a soft thump as he tossed it onto the coffee table. The couch moved with him as he settled back. “You can uncover your face now.” His tone didn’t sound angry but I still couldn’t face him. His hands slid around my wrists and gently tugged, forcing me to lower them. I swallowed the lump in my throat, annoyed that I didn’t even have my own car to leave. “Was that your roommate?” he asked. I nodded, my face still tucked down. “And…her boyfriend?” “No, her best friend.” “So you told your roommate about me?” I could hear the smile in his voice and looked up. “I mean, I assume you don’t know a bunch of ‘therapy dog’ guys named Cade, but I could be wrong.” “You aren’t pissed about what you heard?” “All I heard were some friends teasing you…about me. They think you want me. Bad.” He grinned. “And what I said?” “Were you serious? Because to me you sounded annoyed, maybe even defensive. And considering you stayed home last night and are with me tonight, I don’t think you really planned a, how did you put it? ‘Weekend fuckfest.’ ” He bit back a smile. “You were never supposed to hear that.” I crossed my arms. “And I expected you to be upset, not tease me about it.” He grabbed my hand. “C’mon, I’m sorry. Did you want to have a weekend fuckfest? I don’t want to interfere with your plans.” He tugged my hand, urging me to look up. “Look, we can have one. I’m game. Don’t stop on account of me.” “Shut up.” His hand made its way to my arm and he slid me along the leather couch, and tucked me into him. “Quit being all grumpy. I’m RSVPing to your fuckfest. I mean, I’ve never had one, but it seems pretty self-explanatory.” “You’re an asshole.” And by that I really meant the most perfect fucking guy ever. Who hears something like that and plays it totally cool? “So, am I also supposed to bend you over a table or something? Because I think your roommate might have mentioned that as well.” I shoved him back while trying hard not to smile. “I hate you.” He laughed and scooped me into his lap. “If it makes you feel any better, my roommate knows I have the hots for you too.” I rolled my eyes
Renita Pizzitola (Just a Little Flirt (Crush, #2))
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
His eyes were rolled up into the back of his head as he dreamed he was still in high school, unable to dial the correct combination for his gym locker.
Tom Hanks (Uncommon Type: Some Stories)
We now know that when bacteria break down fibre, they produce chemicals called short chain fatty acids (SCFAs); these trigger an influx of anti-inflammatory cells that bring a boiling immune system back down to a calm simmer. Without fibre, we dial our immunostats to higher settings, predisposing us to inflammatory disease. To make matters worse, when fibre is absent, our starving bacteria react by devouring whatever else they can find-including the mucus layer that covers the gut. As the layer disappears, bacteria get closer to the gut lining itself, where they can trigger responses from the immune cells underneath. And without the restraining influence of the SCFAs, those responses can easily build to extreme proportions.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Addicts are compelled to do things by inner thoughts and feelings that are mostly invisible to them. The subconscious can steer the ship for a long time without your conscious mind ever noticing. It was a revelation when I started to be able to see that there were choices to make, and that it was a hell of a lot easier to do the right thing when you’re aware that you have a right thing and a wrong thing to choose between. I’m oversimplifying to some degree, but it really works to look at it this way when you have a history of finding yourself dialing the phone to a connection before you even thought about getting high.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
As I enter the bar, he makes a point of glaring at his watch, which is the size of a snow globe and covered in multiple dials, with at least four knobs on the side. It could probably launch a nuclear strike on Pyongyang, but can it tell time? Grant stands up, flexing his shoulders as if to square up for a fight. He wears a black polo that strains to contain what's inside it, and excessively ironed black jeans. He is hulking and totally hairless, like a Buddha who has traded contemplation for capitalism and never looked back... The eyes, little beads of black, may well have been on loan from a shark.
Allison Pearson (How Hard Can It Be? (Kate Reddy, #2))
It was time to update Jerry, even though I had made no progress on the story. I dialed his number and it didn’t even ring. “This is Jerry.” “I have a problem.” “Well, hello to you, too.” “I’m serious.” “Congratulations. You haven’t been serious about anything in a very long time.” I often had these ridiculous back-and-forths with Jerry in which he would intentionally mock me or try to ruffle my feathers because he thought it inspired my writing. I was also ninety-nine percent sure that Jerry had undiagnosed ADD. Many days we ate lunch in the park together, sometimes Lincoln, sometimes Stanton. We’d eat our deli sandwiches and talk about life stuff. We would be having the most profound conversation about mortality or world hunger and Jerry would suddenly jerk his head around and say, “Oh man, look at that kite, it’s shaped like a giant squid!” I would never even attempt to take him to Millennium Park—forget about it. I know he’d just sit there and stare, mesmerized at those giant sculptures. His brain would go into overload and he would probably chant, “Big metal object, big metal object,” over and over. He did everything fast—he thought, ate, wrote, talked, even walked faster than the average person. His attention span didn’t last longer than a few seconds. His deadlines were sometimes unreasonable, and his brain rarely allowed for small talk in conversations, which made him a straight shooter. “Jerry, stop.
Renee Carlino (Nowhere but Here)
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
I turned the dial back to sixteen, lifted the handle, and jerked the locker door open. Wendy let out an “Oh” and reached for the roses. Then she spun around and planted a kiss on me—right there in front of Jerry Bridges and Mr. Crowell and everybody. “Crimeny,” Jerry said, and walked off. Mr. Crowell grinned and looked away. I just stood there with a stupid smile on my face, too far gone even to say, “Happy Valentine’s Day.
P.J. Petersen (The Freshman Detective Blues)
Full of confidence, I jab at the ON button and wait for the machine to spring into action. When nothing happens, I flip the switch back and forth impatiently. Come on! What is wrong with the damn thing? As I try desperately to get the blender to work, Pearl carries on with her class regardless. Starting to panic that she has now moved on to caramelising the berries, I give the blender a hard whack on the side. For a split second, it begins to whirr before fizzling out into silence. Grabbing the rolling pin in frustration, I repeatedly hit the blender until my arm starts to throb. Suddenly it kicks into action, only my heavy bashing has knocked the lid clean off, resulting in sticky, butter soaked crumbs flying all over the kitchen. Letting out an alarmed squeal, I duck under the table to shield myself from the debris. Pieces of biscuit whiz past my eyes like a scene out of a cartoon. And to think this started so well. Tearing off my hairnet, I dig my mobile out of the pocket of my apron and hit speed dial before letting out an exasperated sigh. ‘Hi,
Lacey London (Clara at Christmas (Clara Andrews, #4))
I found myself sitting in the middle of a bedroom floor surrounded by atavistic morons, with a redhead on opiates who was convinced she could read my thoughts and tell me my future. That would have been simple: the future had me trying to escape this fucking awful “party.” The redhead, who we will call Janice, was equal parts pretentious, innocuous, and full of shit. Janice was an actress (an actress in LA . . . what were the odds?) and was trying out for a role in a health food commercial. Judging by the shape she was in, I could have told her that she had an ice cube’s chance in Cuba of making that dream a reality. She looked more like Wynonna Judd than Julianne Moore, complete with the face of a long-haired Clint Eastwood squinting into the desert sun. But being a respectful prick, I kept it to myself, kindly wished her luck in her endeavors, and made to take my leave of it all, grabbing for the front doorknob with one hand and dialing for a cab on my cell phone with the other. Unfortunately Janice wasn’t done with me, much to my chagrin. I explained to her I was leaving; she asked whether she could catch a ride back to her apartment. Knowing full well that nothing was going to happen with this person, I said sure.
Corey Taylor (You're Making Me Hate You: A Cantankerous Look at the Common Misconception That Humans Have Any Common Sense Left)
Veramente particolare! You know what this word means?” She looks straight at me, and I feel very large and under-made-up by comparison with her Italian chic. “‘Particolare’? It means strange, or odd. You say this word when you don’t like something but you don’t want to be rude.” “Well, that’s not something you ever have a problem with,” Kendra snaps back, and even through my upset at Elisa’s meanness, I admire Kendra’s quick wits. Catia clicks her tongue crossly. “It means ‘special,’ or ‘particular,’” she says to me reassuringly, but we all know that Elisa’s hit the nail on the head. “And Elisa, if you don’t like flowers, you can leave us, please.” “Oh, stai zitta, Mamma,” Elisa says, shrugging exactly the same way her mother does. She walks across the room and out the french windows, where she collapses as if boneless onto the wicker chair, lifts her phone, and sips her espresso while dialing a number. “It’s like ‘darling,’” Paige says suddenly. She looks at our bemused faces. “My grandmother’s from Georgia,” she explains, “and there, if you want to be mean to someone, you say her bag of her hair or something’s ‘darling.’ It’s the worst thing you can say. Like you’re paying a compliment, but it’s really the opposite. Or,” she adds, warming to this theme, “if you’re talking about someone and you say ‘Bless her heart!’ that means you think she’s a total moron.” Catia decides, visibly, to ignore Paige’s comments and her daughter’s horrid behavior.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
I'm not sure what I imagined, but I thought the lapis sash of a mallard's wing meant joy was everyone's destiny. that it was tucked in if only you knew how to look, how to route salt to the side of your tongue, bitter to the back. I preened in the gloss of black ice. Our vows lassoed the night sky--tried to-- each word a flint-dipped sparkler, a nest of lightning or a thrashing fuse. Wasn't that love? Not the way violins are made, maple soaked, warped, planted till sound bloats wood's ancient fissures. Not like the bow slow-combed, pale horsehair secured, capped in wax. when you begin to hate a man, his stunt fingers swell with fat. His red face sweats strawberry rot. Like a stuck pig, the door, if locked, brays and grunts at his boot-strike, shoulder-strike. The town is small, but it's his. You dial, wanting someone to marvel with you, to witness that cheap bolt as it holds. To fix the cornered nuthatch three-quarters dead, still resisting in the cat's mouth, still dreaming of flight.
Allison Adair
Consider contemporary Christian radio for a moment. No doubt you’ve preset a few of your dials to your local contemporary Christian stations. A sad and tattered promotion for churches shows up on the radio in every city in America. We’ve all heard it. It goes something like this. Are you tired of traditional church? Do you feel out of place when you attend? Do the messages make you feel guilty? Are you looking for something positive? Are you looking for messages that are relevant? Are you looking for a place where you can belong? You’re not alone in your frustration. Church does not have to be boring. Church does not have to be complicated. Come and join us at the Suburban Church, where you can come as you are. It’s a church designed with you in mind. We have six service times, including two on Saturday night. Or you can stay home and watch in your pajamas. This stuff is like catnip for suburban evangelical Christians. It drives me crazy. It makes me shout at my steering wheel. Seriously, it’s absurd. Unrelenting offers like this make up the bizarre Christian subculture I’m describing. This ad is opposed to a biblical view of the church in every possible way. You should not find it appealing. You should find it offensive. Just think through it. Consider the logic of removing a sense of conviction from church. It’s convoluted. The only way a church can avoid causing feelings of conviction is to avoid the gospel all together.
Byron Forrest Yawn (Suburbianity: What Have We Done to the Gospel? Can We Find Our Way Back to Biblical Christianity?)
What is it with men and women and the constant battle over the central heating? Growing up, I can remember how every winter my dad turned into Chief Inspector Stevens of the Heating Police, constantly policing the thermostat and turning down the dial a click. Only for him to go to work and Mum to turn it back up two notches. Back and forth it went for my entire childhood.
Alexandra Potter (Confessions of a Forty-Something F**k Up)
Can you please give me back the hammer?’ I ask again, voice sweet but glare dialed up to murderous. ‘Your loss.’ He shrugs and drops the rubber mallet on my pile of soggy tent fabric. I valiantly resist the urge to pick it up and fling it at his head.
Natalie D. Richards (One Was Lost)
How does my mom do it, every time? She’ll find me in pieces, and somehow, some way, she manages to put me back together.
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
Had he eaten lunch? He couldn’t remember. He saved the code he was working on, ran through a series of several more stretches, then headed into the kitchen to find something for dinner. He opened the refrigerator and considered. He was in the mood for something hot, but not in the mood to cook. Frozen pizza would be perfect. He pulled one out and flipped the dial on the oven, then went back to the study and brought up World of Warcraft on his desktop while he waited for it to preheat. He turned Daft Punk up on his laptop
M.M. Chouinard (The Dancing Girls (Detective Jo Fournier, #1))