Sub Quotes

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We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of the power of evil.
J.R.R. Tolkien
Orice carte citită, orice lecţie invăţată, se vor aşeza sub voi şi vă vor ridica deasupra celorlalţi.
Tudor Chirilă
That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.
Ray Bradbury
I was wandering around as usual, in my unpleasantly populated sub-conscious...
Dodie Smith (I Capture the Castle)
It's my duty as a human being to be pissed off
Eric Bogosian (subUrbia)
And then the Necromancers pulled out their sub-atomic machine guns.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Uneori, citind romane cu iubiri mari, totale, zambesc sceptic pe sub mustata, neconvins. Unde or fi vazut autorii astia asemenea iubiri?
Mihail Drumeş (Scrisoare de dragoste)
Joining a sub-culture, any sub-culture, for whatever reason, is as I see it never a legitimate self-expression. It is always a result of sheep mentality; a wish to belong somewhere.
Varg Vikernes
Farsi Couplet: Agar firdaus bar roo-e zameen ast, Hameen ast-o hameen ast-o hameen ast. English Translation: If there is a paradise on earth, It is this, it is this, it is this
Amir Khusrau (The Writings Of Amir Khusrau :700 years after the prophet : a 13th-14th century legend of Indian-sub-continent)
Throwing a sub at the Apollyon probably wasn't something that should be done in public. But I couldn't help it; I laughed.
Jennifer L. Armentrout (Deity (Covenant, #3))
She crawled,” Ben said. There were tears in his voice. That was wrong. Ben barely even tolerated me on the best of days. “She crawled to the bathroom to clean herself again. If it weren’t for the two subs in the pack, I’d be on the bottom. And she wouldn’t stand up in my presence for guilt.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
Using supernatural beings to build the perfect weapon? Intriguing idea." "Not really," I said. "They did it on Buffy the Vampire Slayer. A sub-par season. I slept through half the episodes.
Kelley Armstrong (Stolen (Women of the Otherworld, #2))
Semper ubi sub ubi (Latin for "Always wear underwear")
Bryanna Lee
But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.
David Foster Wallace (Consider the Lobster and Other Essays)
The darkest secret of this country, I am afraid, is that too many of its citizens imagine that they belong to a much higher civilization somewhere else. That higher civilization doesn’t have to be another country. It can be the past instead—the United States as it was before it was spoiled by immigrants and the enfranchisement of the blacks. This state of mind allows too many of us to lie and cheat and steal from the rest of us, to sell us junk and addictive poisons and corrupting entertainments. What are the rest of us, after all, but sub-human aborigines?
Kurt Vonnegut Jr. (Bluebeard)
Indeed, religion allows people to imagine that their concerns are moral when they are highly immoral - that is, when pressing these concerns inflicts unnecessary and appalling suffering on innocent human beings. This explains why Christians like yourself expend more "moral" energy opposing abortion than fighting genocide. It explains why you are more concerned about human embryos than about the lifesaving promise of stem-cell research. And it explains why you can preach against condom use in sub-Saharan Africa while millions die from AIDS there each year.
Sam Harris (Letter to a Christian Nation)
People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.
Charles de Lint (The Onion Girl (Newford, #8))
He smiled. A sub shouldn’t be terrified, but a little anxiety was good.
Cherise Sinclair (Breaking Free (Masters of the Shadowlands, #3))
And its object is Art not power, sub-creation not domination and tyrannous re-forming of Creation.
J.R.R. Tolkien (The Silmarillion)
We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.
Carl Bernstein
If Disneyland was indeed the Happiest Place on Earth, you'd either keep it a secret or the price of admission would be free and not equivalent to the yearly per capita income of a small sub-Saharan African nation like Detroit.
Paul Beatty (The Sellout)
The 90’s map the decades to come – full of invisible technologies that will ‘sub-contract’ many of the functions of the central nervous system.
J.G. Ballard
Farsi Couplet: Mun tu shudam tu mun shudi,mun tun shudam tu jaan shudi Taakas na guyad baad azeen, mun deegaram tu deegari English Translation: I have become you, and you me, I am the body, you soul; So that no one can say hereafter, That you are someone, and me someone else.
Amir Khusrau (The Writings Of Amir Khusrau :700 years after the prophet : a 13th-14th century legend of Indian-sub-continent)
The more New Yorkers like something, the more disgusted they are. "The kitchen was all Sub-Zero: I want to kill myself. The building has a playroom that makes you want to break your own jaw with a golf club. I can't take it.
Tina Fey (Bossypants)
De atunci femeia-ascunde sub pleoape-o taina si-si misca geana parc-ar zice ca ea stie ceva, ce noi nu stim, ce nimenea nu stie , nici Dumnezeu chiar.
Lucian Blaga
To my son, If you are reading this letter, then I am dead. I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt. I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate. There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid. At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame. I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you. The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you. For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right. I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy. Stephen
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You little subs make me nervous. Being around you is too much like walking into a room filled with tiny kittens and trying not to step on one.
Cherise Sinclair (Lean on Me (Masters of the Shadowlands, #4))
I'll travel the sub-zero tundra I'll brave glaciers and frozen lakes And that's just the tip of the iceberg I'll do whatever it takes To change
Owl City
Although now long estranged, Man is not wholly lost nor wholly changed. Dis-graced he may be, yet is not de-throned, and keeps the rags of lordship once he owned: Man, Sub-creator, the refracted Light through whom is splintered from a single White to many hues, and endlessly combined in living shapes that move from mind to mind. Though all the crannies of the world we filled with Elves and Goblins, though we dared to build Gods and their houses out of dark and light, and sowed the seed of dragons- 'twas our right (used or misused). That right has not decayed: we make still by the law in which we're made. Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker.
J.R.R. Tolkien (Tolkien On Fairy-stories)
The word is now a virus. The flu virus may have once been a healthy lung cell. It is now a parasitic organism that invades and damages the central nervous system. Modern man has lost the option of silence. Try halting sub-vocal speech. Try to achieve even ten seconds of inner silence. You will encounter a resisting organism that forces you to talk. That organism is the word.
William S. Burroughs (The Ticket That Exploded (The Nova Trilogy #3))
Khusrau darya prem ka, ulti wa ki dhaar, Jo utra so doob gaya, jo dooba so paar. English Translation. Oh Khusrau, the river of love Runs in strange directions. One who jumps into it drowns, And one who drowns, gets across.
Amir Khusrau (The Writings Of Amir Khusrau :700 years after the prophet : a 13th-14th century legend of Indian-sub-continent)
Well to understand me, you need to understand the BDSM lifestyle. Not many people do. Most people have preconceived notions about the role of the Master and the role of the sub. I think if more people understood the reality, they’d be less inclined to classify the lifestyle as abusive, or demeaning. Those kind of comments come from ignorance.
Jason Luke (Interview with a Master (Interview with a Master, #1))
The only currency that we really have to spend during our lives is time. Everything else is just a sub-category.
Stephen R. Bown
How many twenty-second-century bureaucrats did it take to change a light panel? We'll have a sub-committee meeting and get back to you with an estimate.
Peter F. Hamilton (Great North Road)
Don't bother to argue anything on the Internet. And I mean, ANYTHING.... The most innocuous, innocent, harmless, basic topics will be misconstrued by people trying to deconstruct things down to the sub-atomic level and entirely miss the point.... Seriously. Keep peeling the onion and you get no onion.
Vera Nazarian
He’s a sub dog. How did she find a sub dog?
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
It is within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars - compassion, love, the sub-surface unity of all things. Not that that mystical stuff's necessarily true: the only thing that's capital-T True is that you get to decide how you're going to try to see it. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.
David Foster Wallace
Nopţile înstelate erau inegalabil, înspăimântător de frumoase. Ai fi vrut să mori sub cerul acela pieziş pe care stelele se risipeau ca o pulbere de heroină pură...
Mircea Cărtărescu (De ce iubim femeile)
It is a peculiarity of man that he can only live by looking to the future - sub specie aeternitatis. And this is his salvation in the most difficult moments of his existence, although he sometimes has to force his mind to the task.
Viktor E. Frankl (Man's Search for Meaning)
Man, Sub-creator, the refracted light through whom is splintered from a single White to many hues, and endlessly combined in living shapes that move from mind to mind. Though all the crannies of the world we filled with Elves and Goblins, though we dared to build Gods and their houses out of dark and light, and sowed the seed of dragons, 'twas our right (used or misused). The right has not decayed. We make still by the law in which we're made.
J.R.R. Tolkien (Tree and Leaf; Smith of Wootton Major; The Homecoming of Beorhtnoth)
By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains malleable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules.
Iain M. Banks (The Player of Games (Culture, #2))
We paid for this instead of a generation of health insurance, or an alternative energy grid, or a brand-new system of roads and highways. With the $13-plus trillion we are estimated to ultimately spend on the bailouts, we could not only have bought and paid off every single sub-prime mortgage in the country (that would only have cost $1.4 trillion), we could have paid off every remaining mortgage of any kind in this country - and still have had enough money left over to buy a new house for every American who does not already have one.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
He nodded toward the sub. "This is going to be a blow-off day." I dragged my mind away from magical intrigue. After being homeschooled for most of my life, some parts of the "normal" school world was a mystery. "What does that mean, exactly." "Usually teacher leave subs a lesson plan, telling them what to do. I saw Ms. Terwilliger left. It said, 'Distract them.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Before we left town, Antonio pulled into a strip mall and went in to get subs and salads, leaving Clay and me half naked and bleeding in the car, and Cain unconscious in the trunk. No wonder I was anxious to get back to Toronto. Spend too much time around these guys and you become a little too nonchalent about blood-soaked clothes and bodies in the trunk
Kelley Armstrong (Bitten (Otherworld, #1))
i am awake only in what i love & desire to the point of terror -- everything else is just shrouded furniture, quotidian anaesthesia, shit-for-brains, sub-reptilian ennui of totalitarian regimes, banal censorship & useless pain ...
Hakim Bey
He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death.
Daphne du Maurier (Rebecca)
Quis hic locus, quae regio, quae mundi plaga? ubi sum? sub ortu solis, an sub cardine glacialis ursae?" "What place is this, what region, what quarter of the world? Where am I? Under the rising of the sun or beneath the wheeling course of the frozen bear?” Hercules Furens (The Mad Hercules), Act 5, line 1138
A Master is not someone who merely revels in the benefits that he reaps from the power and control that he wields over his sub. A Master is not just an automaton who emotionally doles out orders and watches with amusement as his minions perform his bidding. A Master is not a person who only relishes the benefits that his superior status entitles him. Certainly all of these characteristics could and often do exist within a Master. He may be demanding and at times selfish. He may genuinely enjoy and even be aroused by the power that he has over a sub. He may be able to expertly control his emotions, issuing his commands and enforcing his discipline with stone-faced determination. But a true Master, a Master such as Matt, was so invested in his sub that he was actually in a way a slave himself. He was a slave to his love for me. He was a slave to his responsibility. He was a slave to the passion and the commitment. He was a slave to his overwhelming desire to protect his property at all costs. He was a slave to his slave. I knew without questions that he loved me so much he'd literally lay down his life for me. He owned me, and his ownership owned him
Jeff Erno (Building a Family (Puppy Love #2))
Well, why do you want a political career? Have you ever been in the House of Commons and taken a good square look at the inmates? As weird a gaggle of freaks and sub-humans as was ever collected in one spot.
P.G. Wodehouse
Îi umpluse viaţa cu amintiri zgomotoase, şi acum trăia sub teroarea lor.
Radu Tudoran (Fiul risipitor)
acasă poate fi oriunde… o plapumă sub care să te piteşti cu un om pe care să-l iubeşti.
Matei Florian
DEAR DI­ARY You are greater than the Bible And the Con­fer­ence of the Birds And the Up­an­ishads All put to­geth­er You are more se­vere Than the Scrip­tures And Ham­mura­bi’s Code More dan­ger­ous than Luther’s pa­per Nailed to the Cathe­dral door You are sweet­er Than the Song of Songs Might­ier by far Than the Epic of Gil­gamesh And braver Than the Sagas of Ice­land I bow my head in grat­itude To the ones who give their lives To keep the se­cret The dai­ly se­cret Un­der lock and key Dear Di­ary I mean no dis­re­spect But you are more sub­lime Than any Sa­cred Text Some­times just a list Of my events Is holi­er than the Bill of Rights And more in­tense
Leonard Cohen (Book of Longing)
You ARE Zaphod Beeblebrox?' 'Yeah,' said Zaphod, 'but don't shout it out or they'll all want one.' 'THE Zaphod Beeblebrox?' 'No, just A Zaphod Beeblebrox, didn't you hear I come in six packs?' 'But sir,' it squealed, 'I just heard on the sub-ether radio report. It said you were dead...' 'Yeah, that's right, I just haven't stopped moving yet.
Douglas Adams
A man who lacks honor at the start will become a Master without honor once his sub is collared.
Red Phoenix (Socrates Inspires Cherry to Blossom)
Let me put this as plainly as I can. Me, Dom. You, sub.
Lexi Blake (The Dom Who Loved Me (Masters and Mercenaries, #1))
Man, Sub-creator, the refracted Light through whom is splintered from a single White to many hues, and endlessly combined in living shapes that move from mind to mind.
J.R.R. Tolkien (Tolkien On Fairy-stories)
Et tacitum vivit sub pectore vulnus...
Sway’s an idiot who didn’t order them when we used up the last bunch. (Vik) Isn’t that your job? (Devyn) No. I’m the sub-idiot. Sway’s head idiot because the company refuses to deal with mechas. Since I’m not organic, they think I can’t pay. (Vik) Thanks, Vik. (Devyn) Ever my pleasure to irritate you, sir. (Vik)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising #3, The League: Nemesis Legacy #2))
Maybe I'll just stand here for the half hour and pretend to be a statue. “You were given an order, sub,” he said softly. Or not.
Cherise Sinclair (Lean on Me (Masters of the Shadowlands, #4))
She smiled at him. It was her special smile. Her please go away you piece of sub-proletarian turd smile.
Helen Zahavi (Dirty Weekend)
Nanny Ogg gave this the same consideration as would a nuclear physicist who'd just been told that someone was banging two bits of sub-critical uranium together to keep warm.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches #4))
Yet, when these facts are seen side by side with other facts in the case, it is difficult not to become lost in superstitious awe. Their very absurdity seems to prohibit the use of the words 'chance' and 'coincidence.' For the sceptic there remains only one consolation: if there should be such a thing as superhuman Law, it is administered with sub-human inefficiency.
Eric Ambler (The Mask of Dimitrios (Charles Latimer, #1))
She began to understand why lovers talk baby talk to one another. There was no other socially acceptable circumstance in which the children inside her were permitted to come out. If the one-year-old, the five-year- old, the twelve-year-old, and the twenty-year-old all find compatible personalities in the beloved, there is a real chance to keep all of these sub-personas happy. Love ends their long loneliness. Perhaps the depth of love can be calibrated by the number of different selves that are actively involved in a given relationship.
Carl Sagan (Contact)
I…God, I don’t even know where to start. I’m here. I’m here for you, okay? No matter what. You can scream and you can yell and be as mean and self-destructive as you want. Because I know you’re going to be here for me when it’s my turn to fall apart. Let them all come, Clint. Let every last one of those tracksuit-wearing sub-verbal bullying murderous scumbags come at us. Because you and me? Together? Together, Clint, I think you and me are the person we both wish we could be. And I know that person…I know that person is worth something. I know that person can…can pretty much do anything.
Matt Fraction (Hawkeye #13)
But I realized something. About art. And psychiatry. They're both self-perpetuating systems. Like religion. All three of them promise you a sense of inner worth and meaning, and spend a lot of time telling you about the suffering you have to go through to achieve it. As soon as you get a problem in any one of them, the solution it gives is always to go deeper into the same system. They're all in rather uneasy truce with one another in what's actually a mortal battle. Like all self-reinforcing systems. At best, each is trying to encompass the other two and define them as sub-groups. You know: religion and art are both forms of madness and madness is the realm of psychiatry. Or, art is the study and praise of man and man's ideals, so therefore a religious experience just becomes a brutalized aesthetic response and psychiatry is just another tool for the artist to observe man and render his portraits more accurately. And the religious attitude I guess is that the other two are only useful as long as they promote the good life. At worst, they all try to destroy one another. Which is what my psychiatrist, whether he knew it or not, was trying, quite effectively, to do to my painting. I gave up psychiatry too, pretty soon. I just didn't want to get all wound up in any systems at all.
Samuel R. Delany (Dhalgren)
But almost always, during the initial stage of the struggle, the oppressed, instead of striving for liberation, tend themselves to become oppressors, or “sub-oppressors.” The very structure of their thought has been conditioned by the contradictions of the concrete, existential situation by which they were shaped. Their ideal is to be men; but for them, to be men is to be oppressors. This is their model of humanity.
Paulo Freire (Pedagogy of the Oppressed)
But the truth is it’s hard for me to know what I really think about any of the stuff I’ve written. It’s always tempting to sit back and make finger-steeples and invent impressive sounding theoretical justifications for what one does, but in my case most of it’d be horseshit. As time passes I get less and less nuts about anything I’ve published, and it gets harder to know for sure when its antagonistic elements are in there because they serve a useful purpose and when their just covert manifestations of this "look-at-me-please-love-me-I-hate you" syndrome I still sometimes catch myself falling into. Anyway, but what I think I meant by "antagonize" or "aggravate" has to do with the stuff in the TV essay about the younger writer trying to struggle against the cultural hegemony of TV. One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of "form." The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me. I’m not sure I could give you a steeple-fingered theoretical justification, but I strongly suspect a big part of real art fiction’s job is to aggravate this sense of entrapment and loneliness and death in people, to move people to countenance it, since any possible human redemption requires us first to face what’s dreadful, what we want to deny.
David Foster Wallace
Mă culcasem lângă glasul tău. Era tare bine acolo şi sânii tăi calzi îmi păstrau tâmplele. Nici nu-mi mai amintesc ce cântai. Poate ceva despre crengile şi apele care ţi-au cutreierat nopţile. Sau poate copilăria ta care a murit undeva, sub cuvinte. Nici nu-mi mai amintesc ce cântai. Mă jucam cu palmile în zulufii tăi. Erau tare îndărătnici şi tu nu mă mai băgai de seamă. Nici nu-mi mai amintesc de ce plângeai. Poate doar aşa, de tristeţea amurgurilor. Ori poate de drag şi de blândeţe. Nu-mi mai amintesc de ce plângeai. Mă culcasem lângă glasul tău şi te iubeam.
Nichita Stănescu
But, said Lewis, myths are lies, even though lies breathed through silver. No, said Tolkien, they are not. ...just as speech is invention about objects and ideas, so myth is invention about truth. We have come from God (continued Tolkien), and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming a 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of the power of evil. You mean, asked Lewis, that the story of Christ is simply a true myth, a myth that works on us in the same way as the others, but a myth that really happened? In that case, he said, I begin to understand.
Humphrey Carpenter (J.R.R. Tolkien: A Biography)
Along the way we have even lost the right to call ourselves Americans, although the Haitians and the Cubans appeared in history as new people a century befire the Mayflower pilgrims settled on the Plymouth coast. For the world today, America is just the United States; the region we inhabit is a sub-America, a second-class America of nebulous identity.
Eduardo Galeano (Open Veins of Latin America: Five Centuries of the Pillage of a Continent)
Women clearly felt things more deeply: they read sub-text where men saw only white space.
Elin Hilderbrand (The Castaways)
Everyone who writes in the sub-genre of Victorian mystery stands in [Sir Arthur Conan] Doyle's shadow.
Will Thomas
Ce-i vom raspunde oarbei care se plange in poezia lui Rilke: «nu mai pot trai asa cu cerul pe mine»? Oare am mangaia-o de i-am spune ca nu mai putem trai cu pamantul sub noi?
Emil M. Cioran (Tears and Saints)
You were the one they used against us, Bruce. The one who played it rough. When the noise started from the parents' groups and the sub-committee called us for questioning... you were the one who laughed... that scary laugh of yours. "Sure, we're criminals", you said. "We've always been criminals". "We have to be criminals".--Kal-El aka Clark Kent aka Superman
Frank Miller (Batman: The Dark Knight Returns)
Farsi Couplet: Ba khak darat rau ast maara, Gar surmah bechashm dar neaayad. English Translation: The dust of your doorstep is just the right thing to apply, If Surmah (kohl powder) does not show its beauty in the eye!
Amir Khusrau (The Writings Of Amir Khusrau :700 years after the prophet : a 13th-14th century legend of Indian-sub-continent)
All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.
Iain Banks (The Player of Games (Culture #2))
Nor is it the spirit of those Christians - alas, they are many - whose ambition in life seems limited to building a nice middle-class Christian home, and making nice middle-class Christian friends, and bringing up their children in nice middle-class Christian ways, and who leave the sub-middle-class sections of the community, Christian and non-Christian, to get on by themselves. The Christmas spirit does not shine out in the Christian snob. For the Christmas spirit is the spirit of those who, like their Master, live their whole lives on the principle of making themselves poor - spending and being spent - to enrich their fellowmen, giving time, trouble, care and concern to do good to others - and not just their own friends - in whatever way there seems need.
J.I. Packer (Knowing God)
His lips were smooth and strong, and his tongue stroked mine with a passion and yearning that curled my toes. And we weren’t dom and sub; we weren’t master and servant; we weren’t even man and woman. We were lovers...
Tara Sue Me (The Submissive (Submissive, #1))
They say that when we sleep our sub-conscious selves are revealed, our hidden thoughts and desires are written plain upon our features and our bodies like the tracings of rivers on a map; and no one reads them but the darkness.
Daphne du Maurier (The Parasites)
Există momente când eşti „mai puţin decât tine însuţi" şi mai puţin decât orice. Mai puţin decât un obiect pe care îl priveşti, mai puţin decât un scaun, decât o masă şi decât o bucată de lemn. Eşti dedesubtul lucrurilor, în subsolul realităţii, sub viaţa ta proprie şi sub ceea ce se întâmplă în jur... Eşti o formă mai efemeră şi mai destrămată decât a elementarei materii imobile. Ţi-ar trebui atunci un efort imens ca să înţelegi inerţia simplă a pietrelor şi zaci abolit, redus la „mai puţin decât tine însuţi" în imposibilitatea de a face acel efort.
Max Blecher (Inimi cicatrizate; Întâmplări în irealitatea imediată)
You and I are stymied in our own creativity. We can only create as sub-creators, and even then our best work is only sub-creation.
Matt Chandler (The Explicit Gospel)
The voice in my head is is fond of upper-case. It's like having a sub-cranial golden retriever.
Tabitha McGowan
Nihil sub sole novum, I thought as I walked back down the hall to my room. Any action, in the fullness of time, sinks to nothingness.
Donna Tartt (The Secret History)
The 'Other Half' is the word. The 'Other Half' is an organism. Word is an organism. The presence of the 'Other Half' is a separate organism attached to your nervous system on an air line of words can now be demonstrated experimentally. One of the most common 'hallucinations' of subject during sense withdrawal is the feeling of another body sprawled through the subject's body at an angle...yes quite an angle it is the 'Other Half' worked quite some years on a symbiotic basis. From symbiosis to parasitism is a short step. The word is now a virus. The flu virus may have once been a healthy lung cell. It is now a parasitic organism that invades and damages the central nervous system. Modern man has lost the option of silence. Try halting sub-vocal speech. Try to achieve even ten seconds of inner silence. You will encounter a resisting organism that forces you to talk. That organism is the word.
William S. Burroughs (The Ticket That Exploded (The Nova Trilogy #3))
Either greed belongs in a war zone, or it doesn't. You can't unleash it in the name of sparking an economic boom and then be shocked when Halliburton overcharges for everything from towels to gas, when Parsons' sub, sub, sub-contractor builds a police academy where the pipes drip raw sewage on the heads of army cadets and where Blackwater investigates itself and finds it acted honorably. That's just corporations doing what they do and Iraq is a privatized war zone so that's what you get. Build a frontier, you get cowboys and robber barons.
Naomi Klein
Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.
Marion Zimmer Bradley (The Forest House (Avalon, #2))
I couldn't begin to tell you what terrible trigger for such insanity lies deep in my sub-conscious. Though no doubt some would say that, indeed, it may be some demon of conscience. A deeply buried guilt for some unforgivable depravity. Then again, perhaps not.
Angel Rosa
Morning came in through the blinds cutting everything into ribbons.
Amber Dawn (Sub Rosa)
The gravitational waves of the first detection were generated by a collision of black holes in a galaxy 1.3 billion light-years away, and at a time when Earth was teeming with simple, single-celled organisms. While the ripple moved through space in all directions, Earth would, after another 800 million years, evolve complex life, including flowers and dinosaurs and flying creatures, as well as a branch of vertebrates called mammals. Among the mammals, a sub-branch would evolve frontal lobes and complex thought to accompany them. We call them primates. A single branch of these primates would develop a genetic mutation that allowed speech, and that branch—Homo Sapiens—would invent agriculture and civilization and philosophy and art and science. All in the last ten thousand years. Ultimately, one of its twentieth-century scientists would invent relativity out of his head, and predict the existence of gravitational waves. A century later, technology capable of seeing these waves would finally catch up with the prediction, just days before that gravity wave, which had been traveling for 1.3 billion years, washed over Earth and was detected. Yes, Einstein was a badass.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
The day was ill-omened from the beginning; one of those unlucky days when every little detail seems to go wrong and one finds oneself engaged in a perpetual and infuriating strife with inanimate objects. How truly fiendish the sub-human world can be on these occasions! How every atom, every cell, every molecule, seems to be leagued in a maddening conspiracy against the unfortunate being who has incurred its obscure displeasure!
Anna Kavan (Asylum Piece)
Thank you sweetie, I didn't know how much I needed you.. Perhaps now you might provide me with something else." "Oh? What if I'm not in the mood to provide anything else but food?" "Since I'm the master and you're the sub, seems like you get to provide it anyway.
Cherise Sinclair
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
Guy Kawasaki
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Philosophers get attention only when they appear to be doing something sinister--corrupting the youth, undermining the foundations of civilization, sneering at all we hold dear. The rest of the time everybody assumes that they are hard at work somewhere down in the sub-basement, keeping those foundations in good repair. Nobody much cares what brand of intellectual duct tape is being used.
Richard M. Rorty
The special knowledge you are about to learn will reveal a “letter theory” that was set into motion from the very first verse in your Bible. It is as though the divine author is telling the reader to expect Hebrew letters and numbers to weave messages, in the sub-text, through the rest of the Bible—starting with verse one.
Michael Ben Zehabe (The Meaning of Hebrew Letters: A Hebrew Language Program for Christians)
You do not want to piss off the subs. Seriously. They’ve unionized. We should never have let them start that book club.
Lexi Blake (Dungeon Games (Masters and Mercenaries #6.5))
„Dragostea este atunci când accepți necondiționat ca cel de alături de sub plapumă să pună tălpile lui mereu reci pe picioarele tale întotdeauna calde”.
Igor Guzun (BINE)
E curios cum sub regimurile de libertate oamenii cad sub o tiranie: cea a locului comun. Şi mă întreb daca nu e mai tristă decît oricare alta.
Constantin Noica (Jurnal filozofic)
I am not ranting. I possess a perspective here that you people, who are locked in the ivory basements of your own sub-cultures, simply do not possess.
Bruce Sterling (Distraction)
Pleasure, pleasure, pleasure! Always your goal is pleasure. Pain, yes of course! Yet pain must only be used as a means to add to your sub's sensation of pleasure. To do otherwise is un péché noir - a black sin. Such will tarnish the soul. André Chevalier
Nikki Sex (Bound and Freed Boxed Set (André Chevalier BDSM Stories, #1-5))
A gândi puţin nu înseamnă totdeauna o deficienţă. Alte forţe ale sufletului, ţinute până atunci sub obroc de trufia gândirii, ies la iveală şi îţi orientează fiinţa spre descoperirea adevărului, chiar dacă nu-l doreşti.
Marin Preda (Cel mai iubit dintre pământeni)
Acuma îşi dă seama că iubirea adevărată, adâncă, mântuitoare n-a cunoscut-o, ci numai ura, sub diverse forme... I s-a părut că-i sunt dragi toţi cei de un neam cu dânsul şi, îndată ce n-a găsit în inimile lor ura lui, dragostea s-a împrăştiat ca pulberea în adierea vântului... Iubirea adevărată nu moare niciodată în sufletul omului, ba îl însoţeşte şi dincolo, până în sânul nemărginirii... Dar iubirea nu poate prinde rădăcină în inima mânjită de ură, şi în el ura trăia mereu, ca un cui ruginit, uitat în carne vie...
Liviu Rebreanu (Pădurea spânzuraţilor)
- Nu vreau să fac ceva ce o să regreți. Spatele lui Grace se arcui sub degetele mele de parcă atingerea mea o adusese la viață. - Atunci, nu te opri. Îmi imaginasem că o să îmi spună asta într-atâtea moduri diferite, dar niciuna dintre fanteziile mele nu ajunsese atât de aproape de realitate.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Nu ştiu din ce sunt plămădite sufletele noastre, dar ştiu că al lui şi al meu sunt la fel. (...) Iubirea mea pentru Linton seamănă cu frunzele pădurii, timpul o va schimba, îmi dau bine seama, aşa cum iarna schimbă pomii. Iubirea mea pentru Heathcliff însă e asemeni stâncilor eterne de sub pământ: nu prilej de încântare, ci necesitate.
Emily Brontë (Wuthering Heights)
You yearn to stay in this in-between place, where the beauty of the times you have freshly bade farewell to is still alive and vivid in your mind – almost real – and the reality of your new circumstances has yet to fully sink in. You listen to the familiar melodies that had accompanied you on your journey, and allow the music to evoke landscapes and scenes in your mind. The songs caress your sub-consciousness and fill your being with an airy joy. You are both here and elsewhere. Or perhaps you are everywhere and nowhere.
Agnes Chew (The Desire for Elsewhere)
The moths were fluttering all over the sign at the desk that read DASHIELL QWERTY, SUB-LIBRARIAN. He was younger than I think of librarians as being, younger than the father of anyone I knew, and he had the hairstyle one gets if one is attacked by a scissors-carrying maniac and lives to tell the tale.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
cum ar fi fost viaţa noastră? Nu mă gândesc deloc la trupul ei; e destul de uşor să cunoşti şi să uiţi un trup. Dar mă gândesc mai ales la prezenţa ei, la magia ei ascunsă. O zi, o sută de zile, zece ani cu fiinţa aceasta frumoasă sau mai puţin frumoasă, blondă, înaltă, cum o fi, sub acelaşi acoperământ, alături de tine, zi după zi, zi şi noapte! Cum ar fi lucrat magia ei asupră-mi? Cum m-ar fi turmentat prezenţa ei?... Orice femeie pe care o iubesc mă apasă, mă sugrumă şi, fără voia ei, mă destramă şi mă topeşte, până la descompunerea finală.
Mircea Eliade (Nuntă în cer)
The human mind is a strange and wonderful thing,” he said reflectively, “but I’m not sure it will ever figure itself out. Everything else, maybe—from sub-atomic particles to the universe—except itself.
Jack Finney (Invasion of the Body Snatchers)
Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.
David Foster Wallace (Consider the Lobster and Other Essays)
Rumor holds that Sabine trapped him to use as a sex slave, tormenting him until he agreed to wed her. Then he made a slave of her.” She blinked at him. “Like those are bad things?” At his look of astonishment, she said, “They enjoyed tons of bondage, some master/sub stuff, a real-live dungeon with shackles, role and cosplay. Spankings and repeated orgasm denial. You know, typical BDSM. But don’t worry, they were doing it before it became cool.
Kresley Cole (Dark Skye (Immortals After Dark, #14))
I would venture to say that approaching the Christian Story from this direction, it has long been my feeling (a joyous feeling) that God redeemed the corrupt makingcreatures, men, in a way fitting to this aspect, as to others, of their strange nature. The Gospels contain a fairy-story, or a story of a larger kind which embraces all the essence of fairy-stories. They contain many marvels—peculiarly artistic, beautiful, and moving: ‘mythical’ in their perfect, self-contained significance; and among the marvels is the greatest and most complete conceivable eucatastrophe. But this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation. The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy. It has pre-eminently the ‘inner consistency of reality’. There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath.
J.R.R. Tolkien (Tolkien On Fairy-stories)
Nimeni nu este perfect, Izabela. Uneori devenim judecătorii oamenilor nu pentru că am fi perfecți, ci pentru a le arăta lor cum sunt în realitate, fețele hidoase pe care unii le ascund sub măștile pe care le poartă. Mă tem că uneori după măștile acelea se furișează propria noastră umbră, orgoliile infatuarea, lipsa de moralitate...
Sorina Popescu (Descântecul ploii)
This is ridiculous. I wouldn't ask that of you. I would be distraught if you even suggested it. You aren't just my sub, Bianca. This is much more than just a physical relationship. I feel utterly possessive of you. If someone touched you the way I touch you, male or female, I would lose my mind.
R.K. Lilley (Mile High (Up in the Air, #2))
A study of figure skaters found that sub-elite skaters spent lots of time working on the jumps they could already do, while skaters at the highest levels spent more time on the jumps they couldn’t do, the kind that ultimately win Olympic medals and that involve lots of falling down before they’re mastered.
Geoff Colvin (Talent is Overrated: What Really Separates World-Class Performers from Everybody Else)
My sub doesn't pay for me,” he says, pulling me to my feet. “That just doesn't happen.” “But we ordered so much,” I say helplessly. “It made you happy,” he says simply. “Now I get to play with you. And that makes me happy.” “I don't think it's that simple an equation.” “Maybe not,” he concedes. “But then, if if sex were the same thing as math, a lot more people would be lining up to take calculus.
Nenia Campbell (Bound to Accept (Bound, #1))
The strands (the gods) weave out of our mortal lives are like a pattern visible only from the heavens; we here on earth can only guess at their designs
Steven Saylor (Last Seen in Massilia (Roma Sub Rosa, #8))
— De ce să nu avem dreptul să criticăm, să-i considerăm pe unii tîmpiţi şi săraci cu duhul, sub pretext că am părea acri şi geloşi? T oată lumea se comportă ca şi cum am fi cu toţii egali, ca şi cum am fi cu toţii bogaţi, educaţi, puternici, albi, tineri, masculi, fericiţi, sănătoşi, cu o maşină mare... Dar asta nu e adevărat. Aşadar, am dreptul să fac scandal, să fiu prost dispusă, să nu zîmbesc fericită tot timpul, să-mi dau părerea cînd văd lucruri anormale şi nedrepte, şi chiar să insult oamenii. E dreptul meu să protestez.
Martin Page (M-am hotărât să devin prost)
Science is a system of statements based on direct experience, and controlled by experimental verification. Verification in science is not, however, of single statements but of the entire system or a sub-system of such statements.
Rudolf Carnap (The Unity of Science)
Farsi Couplet: Naala-e zanjeer-e Majnun arghanoon-e aashiqanast Zauq-e aan andaza-e gosh-e ulul-albaab neest English Translation: The creaking of the chain of Majnun is the orchestra of the lovers, To appreciate its music is quite beyond the ears of the wise.
Amir Khusrau (The Writings Of Amir Khusrau :700 years after the prophet : a 13th-14th century legend of Indian-sub-continent)
The Line makes itself felt,-- thro' some Energy unknown, ever are we haunted by that Edge so precise, so near. In the Dark, one never knows. Of course I am seeking the Warrior Path, imagining myself as heroick Scout. We all feel it Looming, even when we're awake, out there ahead someplace, the way you come to feel a River or Creek ahead, before anything else,-- sound, sky, vegetation,-- may have announced it. Perhaps 'tis the very deep sub-audible Hum of its Traffic that we feel with an equally undiscover'd part of the Sensorium,-- does it lie but over the next Ridge? the one after that? We have mileage Estimates from Rangers and Runners, yet for as long as its Distance from the Post Mark'd West remains unmeasur'd, nor is yet recorded as Fact, may it remain, a-shimmer, among the few final Pages of its Life as Fiction.
Thomas Pynchon (Mason & Dixon)
Dear Aspiring Writer, you are not ready. Stop. Put that finished story away and start another one. In a month, go back and look at the first story. RE-EDIT it. Then send it to a person you respect in the field who will be hard on you. Pray for many many many red marks. Fix them. Then put it away for two weeks. Work on something else. Finally, edit one last time. Now you are ready to sub your first work. Criticism is hard to take at first. Trust me, I've been there. But learn to think of crit marks as a knife. Each one is designed to cut away the bad and leave a scar. Scars prove you've lived, learned and walked away a winner. Any writer who tells you they don't need edits is lying. I don't care if they have 100 books out. Edits make you grow and if you aren't growing as a writer, you are dead.
Inez Kelley
You call a tree a tree, he said, and you think nothing more of the word. But it was not a 'tree' until someone gave it that name. You call a star a star, and say it is just a ball of matter moving on a mathematical course. But that is merely how you see it. By so naming things and describing them you are only inventing your own terms about them. And just as speech is invention about objects and ideas, so myth is invention about truth. We have come from God (continued Tolkien), and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming a 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Out myths may be misguided, but they steer however shakily towards the true harbor, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of evil.
J.R.R. Tolkien (J.R.R. Tolkien: A Biography)
The work of art is the object seen sub specie aeternitatis; and the good life is the world seen sub specie aeternitatis. This is the connection between art and ethics. The usual way of looking at things sees objects as it were from the midst of them, the view sub specie aeternitatis from outside. In such a way that they have the whole world as background.
Ludwig Wittgenstein
When he did appear his eyes were as brown as I remembered, pupils flecked with gold like beach pebbles.
Amber Dawn (Sub Rosa)
A Dom never takes away. He only builds.
Delaine Moore (The Secret Sex Life of a Single Mom)
In a paradoxical sense, once I accepted my position as different from the larger society as well as from any single-sub-society--black or gay--I felt I didn't have to try so hard. To be accepted. To look femme. To be straight. To look straight. To be proper. To look "nice". To be liked. To be loved. To be approved. What I didn't realize was how much harder I had to try merely to stay alive, or rather, to stay human. How much stronger a person I became in that trying.
Audre Lorde (Zami: A New Spelling of My Name)
Aș fi vrut să fiu un copac sau să am puterea să las viața să-mi crească singură de undeva din burtă sau de sub coaste și să se răspândească apoi prin mâini și prin picioare,prin gât și prin fiecare fir de păr,în orice direcție ar fi vrut ea,ca un trandafir care se cațără pe o casă.Așa aș vrea să mă cațăr pe lume.
Maria Ellis (Carte de colorat pentru orbi)
It is our expression that the flux between that which isn't and that which won't be, or the state that is commonly and absurdly called "existence," is a rhythm of heavens and hells: that the damned won't stay damned; that salvation only precedes perdition. The inference is that some day our accursed tatterdemalions will be sleek angels. Then the sub-inference is that some later day, back they'll go whence they came.
Charles Fort (The Book of the Damned)
Limbajul e zborul gindului creator asupra oglindirii sale create: duh plutind peste ape sau coborind, sub chipul columbei, asupra celui dispus sa-l primeasca. Cuvintele stau asupra lumii ca un popor de pasari care isi misca ritmic, fara odihna, aripile." (p. 48)
Andrei Pleșu (Limba păsărilor)
Men became scientific because they expected Law in Nature, and they expected Law in Nature because they believed in a Legislator. In most modern scientists this belief has died: it will be interesting to see how long their confidence in uniformity survives it. Two significant developments have already appeared—the hypothesis of a lawless sub-nature, and the surrender of the claim that science is true. We may be living nearer than we suppose to the end of the Scientific Age.
C.S. Lewis (Miracles)
He acts like an animal, has an animal's habits! Eats like one, moves like one, talks like one! There's even something -sub-human -something not quite to the stage of humanity yet! Yes, something - ape-like about him, like one of those pictures I've seen in - anthropological studies! Thousands and thousands of years have passed him right by, and there he is - Stanley Kowalski - survivor of the Stone Age! Bearing the raw meat home from the kill in the jungle! And you - you here - waiting for him! Maybe he'll strike you or maybe grunt and kiss you! That is, if kisses have been discovered yet! Night falls and the other apes gather! There in the front of the cave, all grunting like him, and swilling and gnawing and hulking! His poker night! - you call it - this party of apes! Somebody growls - some creature snatches at something - the fight is on! God! Maybe we are a long way from beng made in God's image, but Stella - my sister - there has been some progress since then! Such things as art - as poetry and music - such kinds of new light have come into the world since then! In some kinds of people some tendered feelings have had some little beginning! That we have got to make grow! And cling to, and hold as our flag! In this dark march towards what-ever it is we're approaching . . . Don't - don't hang back with the brutes!
Tennessee Williams (A Streetcar Named Desire)
The homeless people’s suffering belongs to amusement of our political order under a game over the right of marginalised group being transformed into citizens for merely punishment and humiliation. The Public Space Protection Orders is a penalty over one’s condition suffering – it is a fine over the disempowered for being disempowered. This act allows power to fragment the homeless into sub-humans punishable for the state of utter misery.
Bruno De Oliveira
Love? The Doctor Sneered. What do you know about love? I read it in the mind of this creature. He has such love for you. They all do. And you for them. Yeah, well, that's what happens when people play Twister in sub-zero temperatures. They stick together. Sometimes literally.
Mark Morris
Wow,' said Zaphod Beeblebrox to the Heart of Gold. There wasn't much else he could say. He said it again because he knew it would annoy the press. 'Wow.' The crowd turned their faces back toward him expectantly. He winked at Trillian, who raised her eyebrows and widened her eyes at him. She knew what he was about to say and thought him a terrible show-off. 'That is really amazing.' he said. 'That really is truly amazing. That is so amazingly amazing I think I'd like to steal it.' A marvelous presidential quote, absolutely true to form. The crowd laughed appreciativley, the newsman gleefully punched buttons on their Sub-Etha News-Matics and the President grinned. As he grinned his heart screamed unbearably and he fingered the small Paralyso-Matic bomb that nestled quietly in his pocket. Finally he could bear it no more. He lifted his heads up to the sky, let out a wild whoop in major thirds, threw the bomb to the ground and ran forward through the sea of suddenly frozen beaming smiles.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
There was nothing more powerful. Not one thing better to boost a Dom’s ego than being a sub’s everything. He’d asked her for everything, but this wasn’t the same thing at all. In this case he was the need in a literal sense and damn, it was empowering. Scintillating. Dangerous because now that he’d got his first taste of it, he wanted more.
Riley Murphy (Requested Surrender (Trust in Me, #4))
Frunzele lor uscate și căzute, fiind ude, nu mi se mai sfărâmau sub picioare. Acestea erau precum visele compromise, sacrificate pentru scopuri mai înalte: deși erau moarte, ele existau în tine și le purtai scheletul hidratat, ce nu putea fi sfărâmat. De-ar fi apărut o nouă primăvară și pentru suflet, ca el să poată fii regenerat, iar pe scheletul viselor să poți insera speranță, ar fi fost minunat! (...)
Carmen Stoian (Din octombrie până în martie)
Stock and flow” is an economic concept that writer Robin Sloan has adapted into a metaphor for media: “Flow is the feed. It’s the posts and the tweets. It’s the stream of daily and sub-daily updates that remind people you exist. Stock is the durable stuff. It’s the content you produce that’s as interesting in two months (or two years) as it is today.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered)
It was the general opinion of ancient nations, that the divinity alone was adequate to the important office of giving laws to men... and modern nations, in the consecrations of kings, and in several superstitious chimeras of divine rights in princes and nobles, are nearly unanimous in preserving remnants of it... Is the jealousy of power, and the envy of superiority, so strong in all men, that no considerations of public or private utility are sufficient to engage their submission to rules for their own happiness? Or is the disposition to imposture so prevalent in men of experience, that their private views of ambition and avarice can be accomplished only by artifice? — … There is nothing in which mankind have been more unanimous; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history. Although the detail of the formation of the American governments is at present little known or regarded either in Europe or America, it may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven, any more than those at work upon ships or houses, or labouring in merchandize or agriculture: it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses. As Copley painted Chatham, West, Wolf, and Trumbull, Warren and Montgomery; as Dwight, Barlow, Trumbull, and Humphries composed their verse, and Belknap and Ramzay history; as Godfrey invented his quadrant, and Rittenhouse his planetarium; as Boylston practised inoculation, and Franklin electricity; as Paine exposed the mistakes of Raynal, and Jefferson those of Buffon, so unphilosophically borrowed from the Recherches Philosophiques sur les Américains those despicable dreams of de Pauw — neither the people, nor their conventions, committees, or sub-committees, considered legislation in any other light than ordinary arts and sciences, only as of more importance. Called without expectation, and compelled without previous inclination, though undoubtedly at the best period of time both for England and America, to erect suddenly new systems of laws for their future government, they adopted the method of a wise architect, in erecting a new palace for the residence of his sovereign. They determined to consult Vitruvius, Palladio, and all other writers of reputation in the art; to examine the most celebrated buildings, whether they remain entire or in ruins; compare these with the principles of writers; and enquire how far both the theories and models were founded in nature, or created by fancy: and, when this should be done, as far as their circumstances would allow, to adopt the advantages, and reject the inconveniences, of all. Unembarrassed by attachments to noble families, hereditary lines and successions, or any considerations of royal blood, even the pious mystery of holy oil had no more influence than that other of holy water: the people universally were too enlightened to be imposed on by artifice; and their leaders, or more properly followers, were men of too much honour to attempt it. Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind. [Preface to 'A Defence of the Constitutions of the United States of America', 1787]
John Adams (A Defense of the Constitutions of Government of the United States of America: Akashic U.S. Presidents Series)
He was the journey she wanted to take. The landscape she wanted to walk. There wasn’t a part of him she didn’t want to roam.
Riley Murphy (Provoked (Make Me, #1))
Mergeam incet, pe cerul compact si sticlos alergau niste nori destul de urati. Orasul zacea in covorul lui de praf. Ma simteam in afara oricarei legaturi favorabile cu norii aceia adunati sub ochii mei intr-o harababura menita parca sa-mi demonstreze cat de iluzorii ne pot fi uneori disponibilitatile..
Gellu Naum (Zenobia)
Câţi oameni sunt într-un singur om? Tot atâţia câte stele sunt cuprinse într-o picătură de rouă sub cerul cel limpede al nopţii. Şi, dac-ai mări acea picătură, să te poţi uita în adâncul ei, ai revedea toate miile de stele ale cerului, fiecare — o lume, fiecare cu ţări şi popoare, fiecare cu istoria evilor ei scrisă pe ea — un univers într-o picătură trecătoare.
Mihai Eminescu (Sărmanul Dionis)
And this? Aldhelm of Malmesbury. Listen to this page: 'Primitus pantorum procerum poematorum pio potissimum paternoque presertim privilegio panegiricum poemataque passim prosatori sub polo promulgatas.' ... The words all begin with the same letter!" "The men of my islands are all a bit mad," William said proudly.
Umberto Eco (The Name of the Rose)
Sports contained the truth, I decided, the unspoken truth (how quickly we damn ourselves when we start to talk, how small and inglorious we always sound), and it seemed hard to believe that I had never understood this before. They rewarded effortlessness and unself-consciousness; they confirmed that yes, there are rankings of skill and value and that everyone knows what they are (seeing those guys who were subbed with two seconds left before the end of a quarter, I’d think how girls’ coaches were never that heartless); they showed that the best things in the world to be were young and strong and fast. To play a great game of high school basketball-it was something I myself had never done, but I could tell-made you know what it was to be alive. How much in an adult life can compare to that? Granted, there are margaritas, or there’s no homework, but there are also puffy white bagels under neon lights in the conference room, there’s waiting for the plumber, making small talk with your boring neighbor.
Curtis Sittenfeld (Prep)
Taalim-o-tadrees ki barhi bad naseebi yeh hai ky aam ustaad amuman oast darjay ka shakhs hota hai aur woh zehni, jismani aur jazbaati tor per lakiir key fakiir qisam ki batin sochta hai. Isy zabt-o-nazam sy middle calss logo sy aur parhaku talbah ko parhany sy muhabbat hoti hai. Lykin sara din woh barhi qadar awar shakhsieto aur in ky karnaamo ki misalen dyta hai. Aysy log jinhuny kabhi mawshray ky saath mutabqat na ki. aam tareen hoty hoy woh aysy logo ki taalim-e-aam kerta hai jin ki satah per woh soch bhi nahi sakta , jin ki satah per woh soch bhi nahi sakta. Is ka apna kirdaar in bechu ko aam banany per masar rehta hai aur iski taalim bechu ko khaas banany per uksati hai. School sy bhaag jany waly bechu ki jagah school mai nahi hoti lykin inhi baaghi bechu ko bench per kharha ker ky in azeem shakhsieto ki rosahn misalen di jati hain jo khud school sy bhagy hoty hyn. Woh bechu ko geniouses ki kitaaben padha ker aam bnany ki koshish kerta hai aur yehi taalim ka sub sy barha almiyah hy." Bano Qudsia
Bano Qudsia (Raja Gidh / راجه گدھ)
Primul semn al unei stări înapoiate, sub punctul de vedere al culturii, este intoleranţa. Când cineva crede că numai el are dreptate, când cineva crede că în afară de concepţia creierilor săi nu mai este nimic lat în viaţa socială, acela este un om inclut, care n-a avut încă putinţa de a-şi da seama cât de variate, cât de multiple sunt manifestările gândirii omeneşti. (P. P. Carp)
Nicolae Steinhardt (Jurnalul fericirii)
Fascism wants to establish the advent of the Nietzschean superman. It immediately discovers that God, if He exists, may well be this or that, but He is primarily the master of death. If man wants to become God, he arrogates to himself the power of life or death over others. Manufacturer of corpses and of sub-men, he is a sub-man himself and not God, but the ignoble servant of death
Albert Camus (The Rebel)
I am trying to stress a point which they do not sufficiently emphasize, or tend to overlook altogether-namely, that the organism is not a mosaic aggregate of elementary physico-chemical processes, but a hierarchy in which each member, from the sub-cellular level upward, is a closely integrated structure, equipped with self-regulatory devices, and enjoys an advanced form of self-government.
Arthur Koestler (The Ghost in the Machine)
If I could, I'd deliver you from old age and death, from aches and pains, from the blandishments of ghosts, from the torment of your familiar, Goblin. I'd deliver you from heat and cold and from the arid dullness of the noonday sub. I'd deliver you into the placid light of the moon and into the domain of the Milky Way forever.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
The Nightside CSI is only one man, pleasant enough, calm and easy going, and very professional. It probably helps that he has multiple personality disorder with a sub-personality for every speciality and discipline in his profession. One to handle fingerprints, another to examine blood splatter or look for magical residues...He's really quite good at his job though he does tend to argue with himself. Between himself he knows everything he needs to know. Each sub-personality has a different voice. Some of them are women. I've never asked.
Simon R. Green (A Hard Day's Knight (Nightside, #11))
Cea mai mare ciudăţenie a lui Victor era că ţinea ascuns sub pernă un dicţionar vechi din care tăia zilnic un cuvânt. Cuvintele tăiate nu le mai folosea. Când vorbea, frazele lui erau eliptice. Nu supăra pe nimeni, stătea lipit de tăcerea lui ca lichenii de stânci şi de abia azi înţeleg că, neavând curaj să se sinucidă, Victor alesese o formă mai suportabilă de a se obişnui cu moartea, treptat, învăţând să devină mut.
Octavian Paler (Un om norocos)
There is a shadow wherever there is light, but the mind can see what the eyes can't.
Atul Randev (The Degenerate Tales of Decadent Minds)
Since this often seems to come up in discussions of the radical style, I'll mention one other gleaning from my voyages. Beware of Identity politics. I'll rephrase that: have nothing to do with identity politics. I remember very well the first time I heard the saying "The Personal Is Political." It began as a sort of reaction to defeats and downturns that followed 1968: a consolation prize, as you might say, for people who had missed that year. I knew in my bones that a truly Bad Idea had entered the discourse. Nor was I wrong. People began to stand up at meetings and orate about how they 'felt', not about what or how they thought, and about who they were rather than what (if anything) they had done or stood for. It became the replication in even less interesting form of the narcissism of the small difference, because each identity group begat its sub-groups and "specificities." This tendency has often been satirised—the overweight caucus of the Cherokee transgender disabled lesbian faction demands a hearing on its needs—but never satirised enough. You have to have seen it really happen. From a way of being radical it very swiftly became a way of being reactionary; the Clarence Thomas hearings demonstrated this to all but the most dense and boring and selfish, but then, it was the dense and boring and selfish who had always seen identity politics as their big chance. Anyway, what you swiftly realise if you peek over the wall of your own immediate neighbourhood or environment, and travel beyond it, is, first, that we have a huge surplus of people who wouldn't change anything about the way they were born, or the group they were born into, but second that "humanity" (and the idea of change) is best represented by those who have the wit not to think, or should I say feel, in this way.
Christopher Hitchens (Letters to a Young Contrarian)
Who we are is who we ACTUALLY are. It's never who we create in order for people to see. You might really hate who you actually are, so then you create a sub-genus type of yourself for other people to see. But that never changes who you are. The sub-genus type won't change your genus. The only way we change who we are is by looking at ourselves in the mirror long enough to make us vomit over our disgusting waywardness and long enough to fall in love with our strengths. But you can't just fall in love with your strengths. You also need to vomit over your hypocrisies and all of your other bullshit. And you can't just vomit, either. You also have to clean it up and embrace yourself afterwards. This is how you change your genus.
C. JoyBell C.
We should affirm the great value of reading just for the fun of it. . . . In my experience, Christians are strangely reluctant to take this advice. We tend to be earnest people, always striving for self-improvement, and can be suspicious of mere recreation. But God doesn’t just create, he takes delight in his creation, and expects us to delight in it too; and since he has given us the desire to make things ourselves—has allowed us to be “sub-creators,” as J. R. R. Tolkien says--we may rightly take delight in the things that we (and others) make. Reading for the sheer delight of it—reading at whim—is therefore one of the most important kinds of reading there is.
Alan Jacobs (The Pleasures of Reading in an Age of Distraction)
Men like Caesar and Pompey--they're not heroes, Meto. They're monsters. They call their greed and ambition "honour," and to satisfy their so-called honour they'll tear the world apart. But who am I to judge them? Every man does what he must, to protect his share of the world. What's the difference between killing whole villages and armies, and killing a single man? Caesar's reasons and mine are different only in degree. The consequences and the suffering still spread to the innocent (Gordianus the Finder to his son Meto)
Steven Saylor (Rubicon (Roma Sub Rosa, #7))
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust) occurred to me, not for the first time, what a remarkably small world Britain is. That is its glory, you see--that it manages at once to be intimate and small scale, and at the same time packed to bursting with incident and interest. I am constantly filled with admiration at this--at the way you can wander through a town like Oxford and in the space of a few hundred yards pass the home of Christopher Wren, the buildings where Halley found his comet and Boyle his first law, the track where Roger Bannister ran the first sub-four-minute mile, the meadow where Lewis Carroll strolled; or how you can stand on Snow's Hill at Windsor and see, in a single sweep, Windsor Castle, the playing fields of Eton, the churchyard where Gray wrote his "Elegy," the site where The Merry Wives of Windsor was performed. Can there anywhere on earth be, in such a modest span, a landscape more packed with centuries of busy, productive attainment?
Bill Bryson (Notes from a Small Island)
Cum aş vrea ca, într-o zi, toţi oamenii cu ocupaţii sau cu misiuni, căsătoriţi sau nu, tineri şi bătrîni, femei şi bărbaţi, serioşi sau superficiali, trişti sau veseli, să părăsească locuinţa şi birourile lor şi, renunţînd la orice fel de datorii şi obligaţii, să iasă în stradă şi să nu mai voiască să facă nimic. Toată această lume îndobitocită, care munceşte fără nici un sens sau se iluzionează cu aportul personal la binele umanităţii, care lucrează pentru generaţii viitoare sub impulsul celei mai sinistre amăgeli, ar trăi în astfel de momente capitale o răzbunare pentru toată mediocritatea unei vieţi nule şi sterile, pentru toată irosirea care n-a avut nimic din excelenţa marilor transfigurări.
Emil M. Cioran
Equipped as he is by his very nature for worship, man cannot not worship ; and if his outlook is cut off from the spiritual plane, he will find a “god” to worship at some lower level, thus endowing something relative with what belongs only to the Absolute. Hence the existence today of so many “words to conjure with” like “freedom”, “equality”, “literacy”, “science”, “civilization”, words at the utterance of which a multitude of souls fall prostrate in sub-mental adoration.
Martin Lings (Ancient Beliefs and Modern Superstitions)
Since we're into witches, let's swing by and check out this Isis at Spirit Quest." She slid her eyes right. Well, maybe she'd rag just a little. "You can probably buy a talisman or some herbs," she said solemnly. "You know, to ward off evil." Peabody shifted in her seat. Feeling foolish wasn't nearly as bad as worrying about being cursed. "Don't think I won't." "After we deal with Isis, we can grab a pizza sub -- with plenty of garlic." "Garlic's for vampires." "Oh. We can have Roarke get us a couple of his antique guns. With silver bullets." "Werewolves, Dallas." Amused at both of them now, Peabody rolled her eyes. "A lot of good you're going to do if we have to defend ourselves against witchcraft." "What does it to witches, then?" "I don't know," Peabody admitted. "But I'm damn sure going to find out.
J.D. Robb (Ceremony in Death (In Death, #5))
It is not wholly surprising, however, that, when India began to reassert herself, two nations should have replaced the single British Raj; but all impartial students must regret that the unity of the Indian sub-continent has been once more lost, and trust that the two great nations of India and Pakistan may soon forget the bitterness born of centuries of strife, in cooperation for the common welfare of their peoples.
A.L. Basham (The Wonder That Was India: A Survey of the Culture of the Indian Sub-Continent Before the Coming of the Muslims)
Ille mi par esse deo videtur ille, si fas est, superare divos, qui sedens adversus identitem te spectat et audit dulce ridentem, misero quod omnis eripit sensus mihi: nam simul te, Lesbia, aspexi, nihil est super mi lingua sed torpet, tenuis sub artus flamma demanat, sonitu suopte tintinant aures gemina, teguntur lumina nocte. otium, Catulle, tibi molestum est; otio exsultas nimiumque gestis; otium et reges prius et beatas perdidit urbes.
The little blue book was rattling around in my purse. I took it out and turned to the last thing he had said ("You stupid broad et cetera). Underneath was written Girl backs down--cries--manhood vindicated. Under "Real Fight With Girl" was written Don't hurt (except whores). I took out my own pink book, for we all carry them, and turning to the instructions under "Brutality" found: Man's bad temper is the woman's fault. It is also the woman's responsibility to patch things up afterwards. There were sub-rubrics, one (reinforcing) under "Management" and one (exceptional) under "Martyrdom." Everything in my book begins with an M.
Joanna Russ (The Female Man)
The old man might have been drunk, but he was right. Outsiders have robbed and exploited the people of the Congo ever since the days of the first European and Arab slavers. The territory that Stanley staked in the name of Leopold witnessed what many regard as the first genocide of the modern era, when millions of Congolese were effectively worked to death trying to meet the colonialists’ almost insatiable demand for resources, most notably rubber. And since independence, foreign powers have toyed with the Congo, stripping its mineral assets and exploiting its strategic position, never mindful of the suffering inflicted on its people. And that really was the point. At every stage of its bloody history, outsiders have tended to treat Congolese as somehow sub-human, not worthy of the consideration they would expect for themselves. For progress to be made, outsiders must treat Congolese as equals and they could do worse than follow the example of an amazing white woman I discovered after we got back to Kalemie.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
Liking and Loves for the Sub-Human “Need-love cries to God from our poverty; Gift-love longs to serve, or even to suffer for, God; Appreciative love says: “We give thanks to thee for thy great glory.” Need-love says of a woman “I cannot live without her”; Gift-love longs to give her happiness, comfort, protection – if possible, wealth; Appreciative love gazes and holds its breath and is silent, rejoices that such a wonder should exist even if not for him, will not be wholly dejected by losing her, would rather have it so than never to have seen her at all.” p.17 Friendship “Friendship is unnecessary, like philosophy, like art, like the universe itself (for God did not need to create). It has no survival value; rather it is one of those things which give value to survival.” p.71
C.S. Lewis (The Four Loves)
For my present purpose I require a word which shall embrace both the Sub-Creative Art in itself, and a quality of strangeness and wonder in the Expression, derived from the Image: a quality essential to fairy-story. I propose, therefore, to arrogate to myself the powers of Humpty-Dumpty, and to use Fantasy for this purpose: in a sense, that is, which combines with its older and higher use as an equivalent of Imagination the derived notions of 'unreality' (that is, of unlikeness to the Primary World), of freedom from the dominion of 'observed fact,' in short of the fantastic. I am thus not only aware but glad of the etymological and semantic connexions of fantasy with fantastic: with images of things that are not only 'not actually present,' but which are indeed not to be found in our primary world at all, or are generally believed not to be found there. But while admitting that, I do not assent to the depreciative tone. That the images are of things not in the primary world (if that indeed is possible) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most Potent. Fantasy, of course, starts out with an advantage: arresting strangeness. But that advantage has been turned against it, and has contributed to its disrepute. Many people dislike being 'arrested.' They dislike any meddling with the Primary World, or such small glimpses of it as are familiar to them. They, therefore, stupidly and even maliciously confound Fantasy with Dreaming, in which there is no Art; and with mental disorders, in which there is not even control; with delusion and hallucination. But the error or malice, engendered by disquiet and consequent dislike, is not the only cause of this confusion. Fantasy has also an essential drawback: it is difficult to achieve. . . . Anyone inheriting the fantastic device of human language can say the green sun. Many can then imagine or picture it. But that is not enough -- though it may already be a more potent thing than many a 'thumbnail sketch' or 'transcript of life' that receives literary praise. To make a Secondary World inside which the green sun will be credible, commanding Secondary Belief, will probably require labour and thought, and will certainly demand a special skill, a kind of elvish craft. Few attempt such difficult tasks. But when they are attempted and in any degree accomplished then we have a rare achievement of Art: indeed narrative art, story-making in its primary and most potent mode.
J.R.R. Tolkien
[...]he also had a device which looked rather like a largish electronic calculator. This had about a hundred tiny flat press buttons and a screen about four inches square on which any one of a million "pages" could be summoned at a moment's notice. It looked insanely complicated, and this was one of the reasons why the snug plastic cover it fitted into had the words Don't Panic printed on it in large friendly letters. The other reason was that this device was in fact that most remarkable of all books ever to come out of the great publishing corporations of Ursa Minor - The Hitch Hiker's Guide to the Galaxy. The reason why it was published in the form of a micro sub meson electronic component is that if it were printed in normal book form, an interstellar hitch hiker would require several inconveniently large buildings to carry it around in.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
A loud clatter of gunk music flooded through the Heart of Gold cabin as Zaphod searched the sub-etha radio wave bands for news of himself. The machine was rather difficult to operate. For years radios had been operated by means of pressing buttons and turning dials; then as the technology became more sophisticated the controls were made touch-sensitive—you merely had to brush the panels with your fingers; now all you had to do was wave your hand in the general direction of the components and hope. It saved a lot of muscular expenditure, of course, but meant that you had to sit infuriatingly still if you wanted to keep listening to the same program.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-lady who just screamed at her little child in the checkout line — maybe she’s not usually like this; maybe she’s been up three straight nights holding the hand of her husband who’s dying of bone cancer, or maybe this very lady is the low-wage clerk at the Motor Vehicles Dept. who just yesterday helped your spouse resolve a nightmarish red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible — it just depends on what you want to consider. If you’re automatically sure that you know what reality is and who and what is really important — if you want to operate on your default-setting — then you, like me, will not consider possibilities that aren’t pointless and annoying. But if you’ve really learned how to think, how to pay attention, then you will know you have other options. It will actually be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars — compassion, love, the sub-surface unity of all things. Not that that mystical stuff’s necessarily true: The only thing that’s capital-T True is that you get to decide how you’re going to try to see it. You get to consciously decide what has meaning and what doesn’t. You get to decide what to worship…
David Foster Wallace
Adevărul e că m-au atras ca un destin cimitirele. De cîte ori am avut timp şi exista un cimitir prin apropiere, încă înainte de a deveni cioplitor de cruci, am umblat ceasuri întregi printre morminte. E plăcut să întîlneşti atîtea nume de oameni faţă de care tu ai o superioritate indiscutabilă: trăieşti. Orice ar fi făcut ei, oricît de mari ar fi fost calităţile lor, mediocritatea ta valorează mai mult: e vie, respiră. În plus, nimeni nu-ţi strigă că nu eşti bun de nimic, deşi într-un cimitir sînt mai numeroşi oameni decît pe stradă. Cu morţii nu rişti niciodată nimic. Ei sînt foarte politicoşi şi discreţi; singurul pericol e să te plictiseşti de atîta discreţie. Cutreierînd printre scaieţi, uitîndu-mă la Stîncile care străluceau în lumină, eram hotărît să-mi dau toată silinţa la cimitirul cel nou, să acopăr prin rîvnă lipsa mea de talent. Mă obişnuisem şi cu ideea că profesia de cioplitor de cruci nu era atît de jenantă cum mi se păruse altădată; la urma urmei, totul se termină sub o piatră funerară, mi-am zis.
Octavian Paler (Un om norocos)
Lewis had said that there is no creativity de novo in us—that we are all sub-creators pirating and rearranging portions of reality. I agreed. But it was only an idea. And then it took on flesh. I began to see the world more like a cook than a writer. There were boundless ingredients out there, combinations waiting to be discovered and simmered and served. There were truths and stories and characters and quirks that could clash badly, and some that could marry and birth sequels. I began to feel a lot more comfortable. It wasn't all on me to create. It was on me to find. To catch. To arrange.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
Nu te ataşa de o persoană: fie ea cea mai dragă dintre toate, - fiecare persoană este o temniţă şi, totodată, un ungher. Nu te lăsa ataşat de un sentiment de compătimire: nici măcar pentru oamenii superiori al căror martiriu deosebit şi a căror neajutorare o descoperi întâmplător. Nu te ataşa de o ştiinţă: chiar dacă vreuna te-ar ademeni cu inestimabile descoperiri ce par să-ti fie hărăzite de-a dreptul ţie. Nu te ataşa de propria-ţi detaşare, de nicio depărtare voluptuoasă, ţinut îmbătător al păsării ce zboară din ce în ce mai sus, pentru a zări sub ea o întindere mereu crescândă: - primejdia celui ce zboară. Nu te ataşa de propriile-ti virtuţi, nu te jertfi în întregime pentru un oarecare şi unic detaliu, de exemplu pentru „ospitalitatea“ ta: aceasta e primejdia primejdiilor pentru sufletele alese şi bogate care, risipitoare şi aproape nepăsătoare faţă de ele însele, împing virtutea generozităţii până la viciu. Trebuie să ştii să te păstrezi: iată cea mai bună dovadă a independenţei.
Friedrich Nietzsche (Beyond Good and Evil)
You make someone into a object of – not so much of pity as of weakness, sickness, stupidity, inefectiveness, do you see what I mean? You hit them for their stupidity and their inability to respond, and when you’ve hurt them, marked them, they’re even more sick and ugly, aren’t they? And they’re afraid and cringing too. Oh, I know this isn’t very pleasant, but you did ask.” “Go on” he said. “So you’ve got a frightened, stupid, even disabled person, silenced, made ugly, and what can you do with someone like that, someone who’s unworthy of being treated well? You treat them badly because that’s what they deserve. One thinks of poor little kids that no one love because they’re dirty, sovered in snot and shit, and always screaming. So you beat them because they’re hateful, they’re low, they’re sub-human. That’s all they’re good for, being hit, being reduced even further.
Ruth Rendell (Simisola (Inspector Wexford, #16))
Patrunsera prin labirintul plin de flori, pe sub boltile incarcate princiar.Trandafirii se scuturau delicat intr-o ninsoare de petale cu iz afrodisiac. Cateva albine dadeau tarcoale cupelor florale. Mergeau agale, aproape amandoi in acelasi ritm. Se oprira cufundati intr-o stare de reverie, la umbra trandafirilor in floare. Simtira cum patrund prin trup, iradiant, unde telurice, vegetale. Isi puse degetele ca o bratara la incheietura mainii ei. Ii mangaie suav, cu dosul palmei, arcuirea discreta a gatului spre umeri. O saruta prelung pe buze. Primira binecuvantarea petalelor din matase fina ce le cadeau pe crestet. Atinse fructul impietrit al sanilor ei. Se retrase. Statu pe o banca cu privirile pierdute printre flori. Ea se aseza langa el tacuta.
Sorina Popescu (Mireasma trandafirilor salbatici)
To make matters worse, some of the books had actually become migratory. In the nineteenth century Brakebills had appointed a librarian with a highly Romantic imagination who had envisioned a mobile library in which books fluttered from shelf to shelf like birds, reorganizing themselves spontaneously under their own pwer in response to searches. For the first few months the effect was sadi to have been quite dramatic. A painteding the scned survived as a mural behind the circulation desk, with enormaous atlases soaring around the place like condors. But the system turned out to be totally impractical. The wear and tear o the spines alone was too costly, and the books were horribly disobedient. The librarian had imagined he could summon a given book to perch on his hand just by shouting out its call number, but in actuality they were just too willful, and some were actively predatory. The librarian was swiftly dposed, and his successor set about domesticating the books again, but even now there were stragglers, notably in Swiss History and Architecture 300-1399, that stubbornly flapped around near the ceiling. Once in a while an entire sub—sub-category that had long been thought safely dormant would take wing with an indescribably papery susurrus.
Lev Grossman
Genetic atomism is dead. Hereditary stability and hereditary change are both based, not on a mosaic of genes, but on the action of the gene-complex 'as a whole'. But this face-saving expression-which is now coming into increased use-is empty, like so many other holistic formulations, unless we interpolate between the gene-complex as a whole, and the individual gene, a hierarchy of genetic sub-assemblies-self-regulating holons of heredity, which control the development of organs, and also control their possible evolutionary modifications, by canalising the effects of random mutations. A hierarchy with its built-in, self-regulatory safeguards is a stable affair. It cannot be pulled in here, pulled out there, like Patou belabouring his model. It is capable of variation and change, but only in co-ordinated ways and only in limited directions.
Arthur Koestler (The Ghost in the Machine)
Our lives are encumbered with the dead wood of this past; all that is dead and has served its purpose has to go. But that does not mean a break with, or a forgetting of, the vital and life-giving in that past. We can never forget the ideals that have moved our race, the dreams of the Indian people through the ages, the wisdom of the ancients, the buoyant energy and love of life and nature of our forefathers, their spirit of curiosity and mental adventure, the daring of their thought, their splendid achievements in literature, art and culture, their love of truth and beauty and freedom, the basic values that they set up, their understanding of life's mysterious ways, their toleration of other ways than theirs, their capacity to absorb other peoples and their cultural accomplishments, to synthesize them and develop a varied and mixed culture; nor can we forget the myriad experiences which have built up our ancient race and lie embedded in our sub-conscious minds. We will never forget them or cease to take pride in that noble heritage of ours. If India forgets them she will no longer remain India and much that has made her our joy and pride will cease to be.
Jawaharlal Nehru (The Discovery of India)
You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.
Jamaal May
All of this highlights several important ideas. First, growth under authoritarian, extractive political institutions in China, though likely to continue for a while yet, will not translate into sustained growth, supported by truly inclusive economic institutions and creative destruction. Second, contrary to the claims of modernization theory, we should not count on authoritarian growth leading to democracy or inclusive political institutions. China, Russia, and several other authoritarian regimes currently experiencing some growth are likely to reach the limits of extractive growth before they transform their political institutions in a more inclusive direction—and in fact, probably before there is any desire among the elite for such changes or any strong opposition forcing them to do so. Third, authoritarian growth is neither desirable nor viable in the long run, and thus should not receive the endorsement of the international community as a template for nations in Latin America, Asia, and sub-Saharan Africa, even if it is a path that many nations will choose precisely because it is sometimes consistent with the interests of the economic and political elites dominating them. Y
Daron Acemoğlu (Why Nations Fail: The Origins of Power, Prosperity and Poverty)
On Editors: "... The chief qualification of ninety-nine per cent of all editors is failure. They have failed as writers. Don't think they prefer the drudgery of the desk and the slavery to their circulation and to the business manager to the joy of writing. They have tried to write, and they have failed. And right there is the cursed paradox of it. Every portal to success in literature is guarded by those watch-dogs, the failures of literature. The editors, the sub-editors, associate editors, most of them, and the manuscript readers for the magazines and book-publishers, most of them, nearly all of them, are men who wanted to write and failed. And yet they, of all creatures under the sun the most unfit, are the very creatures who decide what shall and what shall not find its way into print–they, who have proved themselves not original, who have demonstrated that they lack the divine fire, sit in judgment upon originality and genius. And after them comes the reviewers, just so many more failures. Don't tell me that they have not dreamed the dream and attempted to write poetry and fiction; for they have, and they have failed. Why, the average review is more nauseating than cod-liver oil....
Jack London (Martin Eden)
Remembering Mom's Clothesline -- There is one thing that's left out. We had a long wooden pole (clothes pole) that was used to push the clotheslines up so that longer items (sheets/pants/etc.) didn't brush the ground and get dirty. I can hear my mother now... THE BASIC RULES FOR CLOTHESLINES: (If you don't even know what clotheslines are, better skip this.) 1. You had to hang the socks by the toes... NOT the top. 2. You hung pants by the BOTTOM/cuffs... NOT the waistbands. 3. You had to WASH the clothesline(s) before hanging any clothes - Walk the entire length of each line with a damp cloth around the lines. 4. You had to hang the clothes in a certain order, and always hang "whites" with "whites," And hang them first. 5. You NEVER hung a shirt by the shoulders - always by the tail! What would the neighbors think? 6. Wash day on a Monday! NEVER hang clothes on the weekend, Or on Sunday, for Heaven's sake! 7. Hang the sheets and towels on the OUTSIDE lines so you could Hide your "unmentionables" in the middle perverts & busybodies, y'know!) 8. It didn't matter if it was sub-zero weather... Clothes would "freeze-dry." 9. ALWAYS gather the clothes pins when taking down dry clothes! Pins left on the lines were "tacky"! 10. If you were efficient, you would line the clothes up so that each item. Did not need two clothes pins, but shared one of the clothes pins with the next washed item. 11. Clothes off of the line before dinner time, neatly folded in the clothes basket, and ready to be ironed. 12. IRONED??!! Well, that's a whole OTHER subject!
It is not the dead rather the ones who lives through war have seen the dreadful end of the war, you might have been victorious, unwounded but deep within you, you carry the mark of the war, you carry the memories of war, the time you have spend with your comrades, the times when you had to dug in to foxholes to avoid shelling, the times when you hate to see your comrade down on the ground, feeling of despair, atrocities of the war, missing families, home. They live through hell and often the most wounded, they live with the guilt, despair, of being in the war, they may be happy but deep down they are a different person. Not everyone is a hero. You live with the moments, time when you were unsuccessful, when your actions would have helped your comrades, when your actions get your comrades killed, you live with regret, joyous in the victory can never help you forget the time you have spent. You are victorious for the people you have lost, the decisions you have made, the courage you have shown but being victorious in the war has a price to pay, irrevocable. You can't take a memory back from a person, even if you lose your memory your imagination haunts you as deep down your sub conscious mind you know who you are, who you were. Close you eyes and you can very well see your past, you cant change your past, time you have spent, you live through all and hence you are a hero not for the glorious war for the times you have faced. Decoration with medals is not going to give your life back. the more you know, more experiences doesn't make it easy rather make its worse. Arms and ammunition kills you once and free you from the misery but the experiences of war kills you everyday, makes you cherish the times everyday through the life. You may forgot that you cant walk anymore, you may forget you cant use your right hand, you may forgot the scars on your face but you can never forgot war. Life without war is never easy and only the ones how survived through it can understand. Soldiers are taught to fight but the actual combat starts after war which you are not even trained for. You rely on your weapon, leaders, comrades, god, luck in the war but here you rely on your self to beat the horrors,they have seen hell, heaven, they have felt the mixed emotions of hope, despair, courage, victory, defeat, scared.
Pushpa Rana (Just the Way I Feel)
O cuprinse in brate; parca nu auzise. - Eva, o sa-ti simt lipsa! - Atunci de ce pleci? Îl simti ca se duce departe, de unde poate venise adineauri. - Nu stiu; mi-e teama sa nu ma transform in copac. (Nu glumea, nici nu parea nebun.) Mi-e teama de limitarile spatiului. Trebuie sa plec repede, si mereu, sa ma apar! Nu-l intelegea si nici nu credea ca trebuie sa-l inteleaga. Isi pregatise si ultima miza: - Ia-ma cu tine! Nu-i raspunse; din departarile intunecate unde se chinuise ajungea iar la lumina, in mijlocul camerei. O privea si o adulmeca, mirat de ceea ce gasea iarasi nou in pielea curata, aurita de soare, care tremura sub degetele lui, arzându-l, cum ar fi fost incarcata de electricitate. Tacerea o facu sa spere; in inima incepeau sa i se lipeasca la loc firele rupte si nu indraznea sa spuna nimic, inainte de a simti ca sudura e trainica. Trebuie sa umble incet cu speranta ei, sa n-o destrame.
Radu Tudoran (Fiul risipitor)
Take the following potent and less-is-more-style argument by the rogue economist Ha-Joon Chang. In 1960 Taiwan had a much lower literacy rate than the Philippines and half the income per person; today Taiwan has ten times the income. At the same time, Korea had a much lower literacy rate than Argentina (which had one of the highest in the world) and about one-fifth the income per person; today it has three times as much. Further, over the same period, sub-Saharan Africa saw markedly increasing literacy rates, accompanied with a decrease in their standard of living. We can multiply the examples (Pritchet’s study is quite thorough), but I wonder why people don’t realize the simple truism, that is, the fooled by randomness effect: mistaking the merely associative for the causal, that is, if rich countries are educated, immediately inferring that education makes a country rich, without even checking. Epiphenomenon here again.
Nassim Nicholas Taleb (Antifragile: Things that Gain from Disorder)
O, frumosul și tristul Liban! Cînd mă gîndesc la anul petrecut acolo, mi se-mbată inima de bucurie, dar și sîngerează în același timp!... Ghazir... Ghazir!... Și tu, Dlepta!... Și tu Harmon!... Și tu, Malmetein!... Și voi, cedrilor cu brațe lungi, brațe de frate, ce parc-ați vrea să-mbrățișați pămîntu-ntreg!... Și voi, rodii, care vă mulțumiți cu trei pumni de mușchi grămădiți într-o crăpătură de stîncă, să îmbiați de-acolo călătorul rătăcitor cu roadele voastre zemoase!... Și tu, Mediterană, care te dai voluptoasă, dezmierdărilor zeului tău înfocat și care-ți așterni nesfîrșirea neprihănită sub ferestrele sărmanelor căsuțe libaneze, așezate una peste alta, cu fața la infinit!... Vă spun rămas bun tuturora!... N-am să vă mai văd, dar ochii mei vor păstra în veci lumina voastră blândă, fără pereche!... În amintirea mea, lumina asta-i terfelită... Viața n-a îngăduit ca bucuria să-mi fie deplină... Dar, Doamne, cînd oare ne dăruie viața o bucurie deplină?
Panaït Istrati (Chira Chiralina (Opere alese / Œuvres choises, #1))
Decât cu ruşinea, mai bine cu durerea, Lastocika, să trăieşti. Să ţii minte asta de la mine. Durerea când vine, când îţi bate la uşă, îi deschizi şi gata. Se aşază cu tine la masă, beţi dintr-o cană, îţi înfoaie perna pentru noapte. Ca de o mie de ani începe a trăi cu tine durerea. Ca o fată bătrână te vrea doar pentru ea. Crezi că eu nu m-am zbătut, crezi că n-am plâns? Scoate-ţi un dinte, aruncă-l, şi o să mă înţelegi. Mai straşnic te doare golul decât plinul. Picior mi-a cerut şi i-am dat. Mână mi-a cerut şi i-am dat. Şi, iată, trăiesc. Împreună ieşim din iarnă, împreună coborâm în iad. Fără durere, îmi pare, m-aş risipi ca varul acela de pe perete. Dar cu ruşinea, Lastocika, treaba e groasă. Ruşinea nu-ţi ia nimic, ea îţi adaugă. Intră în tine ca o aşchie şi te umple de puroaie. Pe-o secundă să o primeşti şi nu te mai uită în vecii vecilor. Îţi sare la gât, te încarcă, iar de sub talpa ei drăcească nici moartea nu te scoate. Nici chiar moartea. Să ţii minte asta de la mine.
Tatiana Țîbuleac (Grădina de sticlă)
YA stories feature a young adult protagonist or protagonists and usually focus on that character’s journey toward maturity (the tradition of the Bildungsroman.). Learning about love / relationships is an important part of that stage in our lives, so it’s not surprising so many writers are building strong romantic elements into their YA stories. I don’t remember quite such an emphasis on romance in the books my children read as young adults, so I do think the approach has changed. Within my genre of fantasy, there’s been an upsurge of paranormal romance, partly generated by the Twilight books, but also reflecting the popularity of this sub-genre with adult readers. There are far more female fantasy writers (and female fantasy readers) than there were, say, twenty years ago, and perhaps female writers are more confident about including a good love story in a fantasy novel. (2012 Interview by Helen Lowe: The Supernatural Underground: An Interview with Juliet Marillier Discussing "Shadowfell".)
Juliet Marillier
I have detected," he said, "disturbances in the wash." ... Arthur asked him to repeat what he had just said because he hadn't quite understood his meaning. Ford repeated it. "The wash?" said Arthur. "The space time wash," said Ford. Arthur nodded, and then cleared his throat. "Are we talking about," he asked cautiously, "some sort of Vogon laundromat, or what are we talking about?" "Eddies," said Ford, "in the space-time continuum." "Ah," nodded Arthur, "is he. Is he." ... "What?" said Ford. "Er, who," said Arthur, "is Eddy, then, exactly, then?" Ford looked angrily at him. "Will you listen?" he snapped. "I have been listening," said Arthur, "but I'm not sure it's helped." Ford grasped him by the lapels of his dressing gown and spoke to him as slowly and distinctly and patiently as if he were somebody from the telephone company accounts department. "There seems..." he said, "to be some pools..." he said, "of instability," he said, "in the fabric..." he said. Arthur looked foolishly at the cloth of his dressing gown where Ford was holding it. Ford swept on before Arthur could turn the foolish look into a foolish remark. " the fabric of space-time," he said. "Ah, that," said Arthur. "Yes, that," confirmed Ford. They stood there alone on a hill on prehistoric Earth and stared each other resolutely in the face. "And it's done what?" said Arthur. "It," said Ford, "has developed pools of instability." "Has it," said Arthur, his eyes not wavering for a moment "It has," said Ford, with the similar degree of ocular immobility. "Good," said Arthur. "See?" said Ford. "No," said Arthur. There was a quiet pause. ... "Arthur," said Ford. "Hello? Yes?" said Arthur. "Just believe everything I tell you, and it will all be very, very simple." "Ah, well, I'm not sure I believe that." They sat down and composed their thoughts. Ford got out his Sub-Etha Sens-O-Matic. It was making vague humming noises and a tiny light on it was flickering faintly. "Flat battery?" said Arthur. "No," said Ford, "there is a moving disturbance in the fabric of space-time, an eddy, a pool of instability, and it's somewhere in our vicinity." ... "There!" said Ford, shooting out his arm; "there, behind that sofa!" Arthur looked. Much to his surprise, there was a velvet paisley-covered Chesterfield sofa in the field in front of them. He boggled intelligently at it. Shrewd questions sprang into his mind. "Why," he said, "is there a sofa in that field?" "I told you!" shouted Ford, leaping to his feet. "Eddies in the space-time continuum!" "And this is his sofa, is it?" ... 12 chapters pass ... "All will become clear," said Slartibartfast. "When?" "In a minute. Listen. The time streams are now very polluted. There's a lot of muck floating about in them, flotsam and jetsam, and more and more of it is now being regurgitated into the physical world. Eddies in the space-time continuum, you see." "So I hear," said Arthur.
Douglas Adams (Life, the Universe and Everything (Hitchhiker's Guide to the Galaxy, #3))
You will encounter resentful, sneering non-readers who will look at you from their beery, leery eyes, as they might some form of sub-hominid anomaly, bookimus maximus. You will encounter redditters, youtubers, blogspotters, wordpressers, twitterers, and facebookers with wired-open eyes who will shout at from you from their crazy hectoring mouths about the liberal poison of literature. You will encounter the gamers with their twitching fingers who will look upon you as a character to lock crosshairs on and blow to smithereens. You will encounter the stoners and pill-poppers who will ignore you, and ask you if you have read Jack Keroauc’s On the Road, and if you haven’t, will lecture you for two hours on that novel and refuse to acknowledge any other books written by anyone ever. You will encounter the provincial retirees, who have spent a year reading War & Peace, who strike the attitude that completing that novel is a greater achievement than the thousands of books you have read, even though they lost themselves constantly throughout the book and hated the whole experience. You will encounter the self-obsessed students whose radical interpretations of Agnes Grey and The Idiot are the most important utterance anyone anywhere has ever made with their mouths, while ignoring the thousands of novels you have read. You will encounter the parents and siblings who take every literary reference you make back to the several books they enjoyed reading as a child, and then redirect the conversation to what TV shows they have been watching. You will encounter the teachers and lecturers, for whom any text not on their syllabus is a waste of time, and look upon you as a wayward student in need of their salvation. You will encounter the travellers and backpackers who will take pity on you for wasting your life, then tell you about the Paulo Coelho they read while hostelling across Europe en route to their spiritual pilgrimage to New Delhi. You will encounter the hard-working moaners who will tell you they are too busy working for a living to sit and read all day, and when they come home from a hard day’s toil, they don’t want to sit and read pretentious rubbish. You will encounter the voracious readers who loathe competition, and who will challenge you to a literary duel, rather than engage you in friendly conversation about your latest reading. You will encounter the slack intellectuals who will immediately ask you if you have read Finnegans Wake, and when you say you have, will ask if you if you understood every line, and when you say of course not, will make some point that generally alludes to you being a halfwit. Fuck those fuckers.
M.J. Nicholls (The 1002nd Book to Read Before You Die)
The neo-cons, or some of them, decided that they would back Clinton when he belatedly decided for Bosnia and Kosovo against Milosevic, and this even though they loathed Clinton, because the battle against religious and ethnic dictatorship in the Balkans took precedence. This, by the way, was partly a battle to save Muslims from Catholic and Christian Orthodox killers. That impressed me. The neo-cons also took the view, quite early on, that coexistence with Saddam Hussein was impossible as well as undesirable. They were dead right about that. They had furthermore been thinking about the menace of jihadism when most people were half-asleep. And then I have to say that I was rather struck by the way that the Weekly Standard and its associated voices took the decision to get rid of Trent Lott earlier this year, thus removing an embarrassment as well as a disgrace from the political scene. And their arguments were on points of principle, not 'perception.' I liked their ruthlessness here, and their seriousness, at a time when much of the liberal Left is not even seriously wrong, but frivolously wrong, and babbles without any sense of responsibility. (I mean, have you read their sub-Brechtian stuff on Halliburton....?) And revolution from above, in some states and cases, is—as I wrote in my book A Long Short War—often preferable to the status quo, or to no revolution at all.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
Era vanjos si viu, trupul, in toata goliciunea lui de femeie de douazeci de ani, tare, dar fara niciun os aparent, ca al felinelor. Pielea neteda si alba avea luciri de sidef. Toate liniile incepeau, fara sa se vada cum, asa ca ale lebedei, din ocoluri. Sanii robusti, din cauza mainii mele petrecute pe sub talie, prelungeau gratios, ca niste fructe oferite, cosul pieptului, ca sub ei, spre pantec, caderea sa fie brusca. Picioarele aveau coapsele tari, abia lipite inauntru cand erau alaturi, lung arcuite in afara, din sold la genunchi, ca si cand feminitatea ei ar fi fost intre doua paranteze fine, prelungi. Cu toata inversunarea impotrivirii, mi-am apropiat gura de a ei, dar cand am simtit-o moale si buna ca un miez bun de fruct, i-am dat dintr-o data drumul si-am sarit in mijlocul dormitorului, ca de frica unui sarpe. S-a ridicat infuriata, apriga, in genunchi si in aceeasi clipa mi-a zburat in cap cartea... si de abia am avut timp sa ma feresc, caci flaconul cu apa de colonia de pe masa a zburat si el, prabusind in spatele meu o etajera cu vasul de flori cu tot, facandu-se cioburi. Daca ma lovea, nu stiu ce s-ar fi putut intampla. M-ar fi desfigurat, poate m-ar fi ucis chiar. Era fara indoiala un paroxism, o unda de nebunie in furia ei, caci avea in joc aceeasi frenezie ca animalele din jungla. Niciodata n-o iubeam atat de mult ca in asemenea clipe si ar fi putut sa ma omoare, dar la ispita asta n-as fi renuntat. E ceea ce n-am intalnit niciodata la o femeie, aceasta impresie de a te juca pasionat cu o pantera intaratata.
Camil Petrescu (Ultima noapte de dragoste, întâia noapte de război)
The Hindu caste system and its attendant laws of purity became deeply embedded in Indian culture. Long after the Indo-Aryan invasion was forgotten, Indians continued to believe in the caste system and to abhor the pollution caused by caste mixing. Castes were not immune to change. In fact, as time went by, large castes were divided into sub-castes. Eventually the original four castes turned into 3,000 different groupings called jati (literally ‘birth’). But this proliferation of castes did not change the basic principle of the system, according to which every person is born into a particular rank, and any infringement of its rules pollutes the person and society as a whole. A person’s jati determines her profession, the food she can eat, her place of residence and her eligible marriage partners. Usually a person can marry only within his or her caste, and the resulting children inherit that status. Whenever a new profession developed or a new group of people appeared on the scene, they had to be recognised as a caste in order to receive a legitimate place within Hindu society. Groups that failed to win recognition as a caste were, literally, outcasts – in this stratified society, they did not even occupy the lowest rung. They became known as Untouchables. They had to live apart from all other people and scrape together a living in humiliating and disgusting ways, such as sifting through garbage dumps for scrap material. Even members of the lowest caste avoided mingling with them, eating with them, touching them and certainly marrying them. In modern India, matters of marriage and work are still heavily influenced by the caste system, despite all attempts by the democratic government of India to break down such distinctions and convince Hindus that there is nothing polluting in caste mixing.3 Purity
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
When we compare the individuals of the same variety or sub-variety of our older cultivated plants and animals, one of the first points which strikes us is, that they generally differ more from each other than do the individuals of any one species or variety in a state of nature. And if we reflect on the vast diversity of the plants and animals which have been cultivated, and which have varied during all ages under the most different climates and treatment, we are driven to conclude that this great variability is due to our domestic productions having been raised under conditions of life not so uniform as, and somewhat different from, those to which the parent species had been exposed under nature. There is, also, some probability in the view propounded by Andrew Knight, that this variability may be partly connected with excess of food. It seems clear that organic beings must be exposed during several generations to new conditions to cause any great amount of variation; and that, when the organisation has once begun to vary, it generally continues varying for many generations. No case is on record of a variable organism ceasing to vary under cultivation. Our oldest cultivated plants, such as wheat, still yield new varieties: our oldest domesticated animals are still capable of rapid improvement or modification.
Charles Darwin (On the Origin of Species)
Uneori, câte o musculiţă nimerea în calea şuvoiului de apă, uneori reuşea să fugă şi îşi lua zborul, un zbor puțin derutat, amețit, greu și cleios, alteori se îneca. Îmi părea rău de cele care se înecau, dar nu aveam cum să le ajut, eram de partea cealaltă a geamului. De multe ori aveam să mai fiu de partea cealaltă a geamului, izolat, inutil, prins în capcană de un monstru urât care se bucură că nu pot fi decât un banal spectator. Mă uitam la oamenii care mergeau grăbiţi, impasibili, cu multe sacoşe, unii cu copii de mână de-abia luaţi de la şcoală, inevitabil precipitaţi, cu aerul că ştiu foarte bine încotro se îndreaptă, oameni cu responsabilităţi, griji şi vieţi cu un sens solid, bine stabilit. M-a fulgerat, pentru prima dată sub forma asta atât de explicită, venit de nicăieri, poate din picături de ploaie, muște și macazul ce trebuia schimbat la câteva stații, gândul că eu într-o zi nu voi mai fi absolut deloc. Că nu voi mai putea privi ca acum ce se întâmplă în jurul meu, că nu voi mai gândi, voi fi nimic, va fi ca într-un somn definitiv, dar atât de diferit de un somn obişnuit, pentru că nu voi visa nimic, nu voi mai avea amintiri. Şi nu mă voi mai trezi. EU nu am să mai exist, şi nici nu am să mă transform în altceva, nici nu voi pleca într-un loc mai frumos sau mai urât, ci am să dispar pentru totdeauna fără să las în urmă niciun semn, nicio bucată din mine. Nu-mi voi mai putea privi ghetele, corpul, mâinile, unghiile. Se va termina totul, complet, definitiv şi, faţă de oroarea de a şti acest fapt, nu mai conta amănuntul că asta se va întâmpla mâine, peste trei săptămâni sau peste 65 de ani. Într-o zi, ea, asta, va fi realitatea, asta va fi tot, totul. Voi fi nimic, în locul meu va fi un gol și va rămâne așa pentru totdeauna.
Cristina Nemerovschi (Sânge Satanic (Sânge Satanic, #1))
The thing that weighed on him most, however, was the irrationality of the world in which he now found himself. To some extent he was a prisoner of his own training. As a historian, he had come to view the world as the product of historical forces and the decisions of more or less rational people, and he expected the men around him to behave in a civil and coherent manner. But Hitler’s government was neither civil nor coherent, and the nation lurched from one inexplicable moment to another. Even the language used by Hitler and party officials was weirdly inverted. The term “fanatical” became a positive trait. Suddenly it connoted what philologist Victor Klemperer, a Jewish resident of Dresden, described as a “happy mix of courage and fervent devotion.” Nazi-controlled newspapers reported an endless succession of “fanatical vows” and “fanatical declarations” and “fanatical beliefs,” all good things. Göring was described as a “fanatical animal lover.” Fanatischer Tierfreund. Certain very old words were coming into darkly robust modern use, Klemperer found. Übermensch: superman. Untermensch: sub-human, meaning “Jew.” Wholly new words were emerging as well, among them Strafexpedition—“punitive expedition”—the term Storm Troopers applied to their forays into Jewish and communist neighborhoods. Klemperer detected a certain “hysteria of language” in the new flood of decrees, alarms, and intimidation—“This perpetual threatening with the death penalty!”—and in strange, inexplicable episodes of paranoid excess, like the recent nationwide search. In all this Klemperer saw a deliberate effort to generate a kind of daily suspense, “copied from American cinema and thrillers,” that helped keep people in line. He also gauged it to be a manifestation of insecurity among those in power. In late July 1933 Klemperer saw a newsreel in which Hitler, with fists clenched and face contorted, shrieked, “On 30 January they”—and here Klemperer presumed he meant the Jews—“laughed at me—that smile will be wiped off their faces!” Klemperer was struck by the fact that although Hitler was trying to convey omnipotence, he appeared to be in a wild, uncontrolled rage, which paradoxically had the effect of undermining his boasts that the new Reich would last a thousand years and that all his enemies would be annihilated. Klemperer wondered, Do you talk with such blind rage “if you are so sure of this endurance and this annihilation”?
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
In all conflicts between groups, there are three elements. One: the certitude that our group is morally superior, possibly even chosen by God. All others should follow our example or be at our service. In order to bring peace to the world, we have to impose our set of beliefs upon others, through manipulation, force, and fear, if necessary. Two: a refusal or incapacity to see or admit to any possible errors or faults in our group. The undeniable nature of our own goodness makes us think we are infallible; there can be no wrong in us. Three: a refusal to believe that any other group possesses truth or can contribute anything of value. At best, others may be regarded as ignorant, unenlightened, and possessing only half—truths; at worst, they are seen as destructive, dangerous, and possessed by evil spirits: they need to be overpowered for the good of humanity. Society and cultures are, then, divided into the “good” and the “bad”; the good attributing to themselves the mission to save, to heal, to bring peace to a wicked world, according to their own terms and under their controlling power. Such is the story of all civilizations through the ages as they spread over the earth by invading and colonizing. Differences must be suppressed; “savages” must be civilized. We must prove by all possible means that our culture, our power, our knowledge, and our technology are the best, that our gods are the only gods! This is not just the story of civilizations but also of all wars of religion, inquisitions, censorships, dictatorships; all things, in short, that are ideologies. An ideology is a set of ideas translated into a set of values. Because they are held to be absolutely true, these ideas and values need to be imposed on others if they are not readily accepted. A political system, a school of psychology, and a philosophy of economics can all be ideologies. Even a place of work can be an ideology. Religious sub—groups, sects, are based upon ideological principles. Religions themselves can become ideologies. And ideologues, by their nature, are not open to new ideas or even to debate; they refuse to accept or listen to anyone else’s reality. They refuse to admit any possibility of error or even criticism of their system; they are closed up in their set of ideas, theories, and values. We human beings have a great facility for living illusions, for protecting our self—image with power, for justifying it all by thinking we are the favoured ones of God.
Jean Vanier (Becoming Human)
Daca ma gandesc bine, reprosul esential pe care il am de facut tarii si vremurilor este ca ma impiedica sa ma bucur de frumusetea vietii. Din cand in cand, imi dau seama ca traiesc intr-o lume fara cer, fara copaci si gradini, fara extaze bucolice, fara ape, pajisti si nori. Am uitat misterul adanc al noptii, radicalitatea amiezii, racorile cosmice ale amurgului. Nu mai vad pasarile, nu mai adulmec mirosul prafos si umed al furtunii, nu mai percep, asfixiat de emotie, miracolul ploii si al stelelor. Nu mai privesc in sus, nu mai am organ pentru parfumuri si adieri. Fosnetul frunzelor uscate, transluciditatea nocturna a lacurilor, sunetul indescifrabil al serii, iarba, padurea, vitele, orizontul tulbure al campiei, colina cordiala si muntele ascetic nu mai fac de mult parte din peisajul meu cotidian, din echilibrul igienic al vietii mele launtrice. Nu mai am timp pentru prietenie, pentru taclaua voioasa, pentru cheful asezat. Sunt ocupat. Sunt grabit. Sunt iritat, hartuit, coplesit de lehamite. Am o existenta de ghiseu: mi se cer servicii, mi se fac comenzi, mi se solicita interventii, sfaturi si complicitati. Am devenit mizantrop. Doua treimi din metabolismul meu mental se epuizeaza in nervi de conjunctura, agenda mea zilnica e un inventar de urgente minore. Gandesc pe sponci, stimulat de provocari meschine. Imi incep ziua apoplectic, injurand "situatiunea": gropile din drum, moravurile soferilor autohtoni, caldura (sau frigul), praful (sau noroiul), morala politicienilor, gramatica gazetarilor, modele ideologice, cacofoniile noii arhitecturi, demagogia, coruptia, bezmeticia tranzitiei. Abia daca mai inregistrez desenul ametitor al cate unei siluete feminine, inocenta vreunui suras, farmecul tacut al cate unui colt de strada. Colectionez antipatii si prilejuri de insatisfactie. Scriu despre mizerii si maruntisuri. Bomban toata ziua, mi-am pierdut increderea in virtutile natiei, in soarta tarii, in rostul lumii. Am un portret tot mai greu digerabil. Patriotii de parada m-au trecut la tradatori, neoliberalii la conservatori, postmodernistii la elitisti. Batranilor le apar frivol, tinerilor reactionar. Una peste alta, mi-am pierdut buna dispozitie, elanul, jubilatia. Nu mai am ragazuri fertile, reverii, autenticitati. Ma misc, de dimineata pana seara, intr-un univers artificial, agitat, infectat de trivialitate. Apetitul vital a devenit anemic, placerea de a fi si-a pierdut amplitudinea si suculenta. Respir crispat si pripit, ca intr-o etuva. Cand cineva trece printr-o asemenea criza de vina e, in primul rand, umoarea proprie. Te poti acuza ca ai consimtit in prea mare masura imediatului, ca nu stii sa-ti dozezi timpul si afectele, ca nu mai deosebesti intre esential si accesoriu, ca, in sfarsit, ai scos din calculul zilnic valorile zenitale. Dar nu se poate trece cu vederea nici ambianta toxica a momentului si a veacului. Suntem napaditi de probleme secunde. Avem preocupari de mana a doua, avem conducatori de mana a doua, traim sub presiunea multipla a necesitatii. Ni se ofera texte mediocre, show-uri de prost-gust, conditii de viata umilitoare. Am ajuns sa nu mai avem simturi, idei, imaginatie. Ne-am uratit, ne-am instrainat cu totul de simplitatea polifonica a lumii, de pasiunea vietii depline. Nu! mai avem puterea de a admira si de a lauda, cu o genuina evlavie, splendoarea Creatiei, vazduhul, marile, pamantul si oamenii. Suntem turmentati si sumbri. Abia daca ne mai putem suporta. Exista, pentru acest derapaj primejdios, o terapie plauzibila? Da, cu conditia sa ne dam seama de gravitatea primejdiei. Cu conditia sa impunem atentiei noastre zilnice alte prioritati si alte orizonturi.
Andrei Pleșu (Despre frumusețea uitată a vieții)
Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.
George Leonard
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over." "I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair." "I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter." "Oh," he said. "Of course. It is often done. And after that?" "Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——" "Malted milk tablets!" he said, looking bewildered. "Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them." "Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?" "Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind." "Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go." "Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine." "I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]." "But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me." "That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]." "Of course," I said bitterly, "you would be on HIS side. Every one is." "But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out." "I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture." "Well, that's not unusual, you know." "It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS." He got up and paced the floor. "It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?" "Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME." "A NOM DE PLUME? Oh I see! What is it?" "Grosvenor," I said. "The same as yours.
Mary Roberts Rinehart (Bab: A Sub-Deb)