Diagonal Quotes

Bishops move diagonally. That's why they often turn up where the kings don't expect them to be.

We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.

When we were in Diagon Alley,' Harry began, but Mr. Weasley forstalled him with a grimace. Am I about to discover where you, Ron, and Hermione disappeared to while you were supposed to be in the back room of Fred and George's shop?' How did you...?' Harry, please. You're talking to the man who raised Fred and George.

I am still on my zigzag way, pursuing the diagonal between reason and heart.

I lost my balance when the train pulled away, but a human crumple zone buffered my fall. We stayed like that, half fallen. Diagonal People.

My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia.” Victra spits, turning to the last Praetorian.

I hadn't, at the last moment, felt like washing off the two diagonal lines of dried blood that marked my cheeks. They seemed touching, and rather spectacular, and I thought I would carry them around with me, like the relic of a dead lover, till they wore off of their own accord.

It's hard to say goodbye for good at any time or any place. It's harder still to say it through a meshed wire. It crisscrossed his face into little diagonals, gave me only little broken-up molecules of it at a time. It stenciled a cold, rigid frame around every kiss.

It is a drawing of the letter S" said the deep, solemn voice from over her shoulder, and she realized she had stopped midstride. "The letter in question is constructed from six short marks stacked vertically three by three. There are two triangles on the top and bottom. which, along with some diagonal strokes, form a calligraphic S.

If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.

A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.

What were you thinking when we were holding hands diagonally?" I ask. Jeff says, "I was thinking, 'It's going to be so hard for her when she chooses not to get on that lifeboat and stay with me.'" I decide I can't start this marriage with a lie. "Really?" I say. "'Cause I was thinking that it was going to be so hard for you when I got on the lifeboat and you had to stay behind." He is appalled. I plead my case. "Remember when we saw Titanic how mad I was at Kate Winslet when she climbed out of the lifeboat and back into the ship? I think she encumbered Leonardo DiCaprio. If she had gone on the lifeboat, then he could have had that piece of wood she was floating on and they both would have survived. I would never do that to you." I wait for his response, hoping that in the twenty-first century romantic love can be defined as not lying about your plans to get on the lifeboat and remembering to get your partner some pills. He just laughs. With that settled, we begin our married life.

All art is relationships, all art. Design is relationships. Design in a relationship between form and content... Your glasses are round. Your collar is diagonal. These are relationships. Your mouth is an oval. Your nose is a triangle - this is what design is.

When you're there, I sleep lengthwise. And when you're gone, I sleep diagonal in my bed.

Dear Ron, and Harry if you're there, "I hope everything went all right and that Harry is okay and that you didn't do anything illegal to get him out, Ron, because that would get Harry into trouble, too. I've been really worried and if Harry is all right, will you please let me know at once, but perhaps it would be better if you used a different owl, because I think another delivery might finish your one off. I'm very busy with my schoolwork, of course' ---'and we're going to London next Wednesday to buy my new books. Why don't we meet in Diagon Alley? Let me know what's happening as soon as you can. Love from Hermione.

It was no use getting angry with Wullie; he lived in a Wullie-shaped world of his own. You had to think diagonally.

At the base of my right forefinger is an inch-and-a-half diagonal callus, yellowish-brown in color, where the heels of all the knives I've ever owned have rested, the skin softened by constant immersion in water. It distinguishes me immediately as a cook, as someone who's been on the job a long time. You can feel it when I shake my hand, just as I feel it on others of my profession. It's a secret sign, a sort of Masonic handshake without the silliness.

—My brother Toby, quoth she, is going to be married to Mrs. Wadman. —Then he will never, quoth my father, be able to lie diagonally in his bed again as long as he lives.

The moon is weird tonight. A yellow devil with a knowing face and hard triumphant eyes. The top of his head is cropped off diagonally, as though he is wearing an invisible hat at a jaunty angle. Usually when I see the moon I feel like I've been blessed, but not tonight. The moon is telling me to watch my feet." pg. 50

Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.

I married up several times. And then across once or twice. And then beneath me. I never quite found the right level somehow. Perhaps I should have married diagonally or in a slightly curved direction.

God is in the mountains. Impassive, immovable, jagged giants, separating the celestial from the terrestrial with eternal diagonal certainty. As if silently monitoring the beating heart of the creator from the universe's perfect birth. Stood in the thin air and the awe, one inhales God, involuntarily acknowledging that we are but fragments of a whole, a higher thing. The mountains remind me of my place, as a servant to truth and wonder. Yes, God is in the mountains. Perhaps the pulpit too and even in the piety of an atheist's sigh. I don't know; but I feel him in the mountains.

her spine was the crease on a piece of paper, her bones no more than diagonal folds on a bit of origami

And so when the scar wraith approached him, he took a diagonal step backward putting himself behind Squirrel like a king retreating behind a pawn.

Think, for a moment, of the countless happy childhood hours you spent with this amazing device: Drawing perfect horizontals, drawing perfect verticals, drawing really spastic diagonals, trying to scrape away the silver powder from the window so you could look inside.

Welcome,” said Hagrid, “to Diagon Alley.

I love being single. It's my choice, not a sentence. It's not a state that I'm in until someone better comes along. Don't feel sorry for me. I love my life." "Don't you want someone to snuggle up to at night?" "No. this way, I never have to fight for the duvet, I can sleep diagonally across the bed and I can read until four in the morning." "A book can't take the place of a man!" "I disagree. A book can give you most things a relationship can. It can make you laugh, it can make you cry, it can transport you to different worlds and teach you things. You can even take it out to dinner. And if it bores you, you can move on. Which is pretty much what happens in real life.

The Milky Way swooped diagonally across the heavens, reminding me of my utter insignificance, and at the same time my complete interconnection with everything. I was just a tiny speck of consciousness, and yet I was consciousness itself.

There was someone called Hippasus in Greek times who found out about the diagonal of a square and they drowned him because no one wanted to know about things like that. Like what? Numbers that make you uncomfortable and don’t relate to oranges.

I was ten when I heard the music that ended the first phase of my life and cast me hurtling towards a new horizon. Drenched to the skin, I stood on Dunoon’s pier peering seawards through diagonal rain, looking for the ferry that would take me home. There, on the everwet west coast of Scotland, I heard it: like sonic scalpels, the sounds of electric guitars sliced through the dreich weather. My body hairs pricked up like antennae. To my young ears these amplified guitars sounded angelic, for surely no man-made instrument could produce that tone. The singer couldn't be human. His voice was too clean, too pure, too resonant, as though a robot larynx were piping words through vocal chords of polished silver. The overall effect was intoxicating - a storm of drums, earthquake bass, razor-sharp guitar riffs, and soaring vocals of astonishing clarity. I knew that I was hearing the future.

You believe everything you read in the papers? They get all the facts screwed up, and I think most of them are so crooked, they have to screw their pants on in the morning. Hell, most of them have to go diagonal just to walk in a straight line.” – Sundown

He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil's Aeneid, which he had only ever read in a borrowed copy. It wasn't really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books--an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone. And this sense, this feeling of communion, would at moments overwhelm him. At such times he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work--an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end.

We got peanut butter and jelly, peanut butter and raisins, and a delicate peanut butter/peanut butter combination. These come crunchy or smooth, on Wonder Bread, hand-squished flat on the plate or not, as you prefer. The special today is our famous peanut butter and banana sandwich. It comes on Wonder Bread, cut diagonal on the plate, with crust or without. What can I start you with?

The wrought-iron gate squeaked as Lucas opened it. He lowered the rented bike down the stone steps and onto the sidewalk. To his right was the most famous Globe Hotel in Paris, disguised under another name. In front of the entrance five Curukians sat on mopeds. Lu-cas and his eighteen-month-old friend then shot out across the street and through the invisible beam of an-other security camera. He rode diagonally across the place de la Concorde and headed toward the river. It seemed only natural. The motorcycles trailed him. He pedaled fast across the Alex-andre III bridge and zipped past Les Invalides hospital. He tried to turn left at the Rodin Museum, but Goper rode next to him, blocking his escape.

I feel like I'm diagonally parked in a parallel universe.

A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair was black as a crow's wing and cut sharply and diagonally across her cheek. I looked at her and she disturbed me and made me very excited. I wished I could put her in the story, or anywhere, but she had placed herself so she could watch the street and the entry and I knew she was waiting for someone. So I went on writing.

All the seats were taken, and I had to squeeze into a three-inch slot. I lost my balance when the train pulled away, but a human crumple zone buffered my fall. We stayed like that, half fallen. The Diagonal People.

Though queens are a particular obsession of mine. I’m not speaking of European sovereigns, mind you, but that most glorious force of the chessboard. Did you know her square was originally occupied by a male “vizier,” able to advance only one meager diagonal step per move? But during the reign of the great female monarchs, this piece metamorphosed into a “queen,” and her power grew commensurate with her title. Only then did the game become something more— A mental odyssey that helped reshape the world.

In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?

I review all I know, but can synthesize no meaning. When I doze, the Fact, the certain accomplished calamity, wakes me roughly like a brutal nurse. I see it crouching inflexibly in a corner of the ceiling. It comes down in geometrical diagonal like lightning. It says, I remain, I AM, I shall never cease to be: your memory will grow a deathly glaze: you will forget, you will fade out, but I cannot be undone. Thus every quarter hour it puts the taste of death in my mouth, and shows me, but not gently, how I go whoring after oblivion.

-they were still practicing the fiendishly difficult pattern at the end of the act where the diagonal lines of swans cross over and dissolve to form three groups: unequal groups, since the number seventeen is notoriously difficult to divide by three.

People always spoke of healing as if it were predictable and progressive, a decisive diagonal line pointing from the lower left-hand corner of a graph to the upper right.

I feel like i am parked diagonally in a parallel universe

She liked the power of the pieces, exerted along files and diagonals. In the middle of the game, when pieces were everywhere, the forces crisscrossing the board thrilled her.

A bowling ball rolled through his head, diagonally from nape to temple; it paused and started back.

Self-Forgiveness is the most important wand in all of Diagon Alley™.

I stretched out diagonally in my bed, across the cool sheet. I was completely alone, but I had never felt safer. It wasn’t the bricks around me that I’d somehow managed to rent or the roof over my head that I was most grateful for. It was the home I now carried on my back like a snail. The sense that I was finally in responsible and loving hands. Love was there in my empty bed.

But 'luckily,' the train before mine was so late that it still hadn't departed, All the seats were taken, and I had to squeeze into a three-inch slot. I lost my balance when the train pulled away, but a human crumple zone buffered my fall. We stayed like that, half fallen. The Diagonal People.

The ride had begun. The theatre and club spectaculars seemed to stick up into the sky at all sorts of crazy angles, probably because most of them were planted diagonally on rooftops. Follow Thru, Whoopee, Show Boat, El Fay Club, Club Richman, Texas Guinan's. It gave the town the appearance of standing on its ear. ("The Number's Up")

The Short Stories of Nikolai Gogol. “For Gogol Ganguli,” it says on the front endpaper in his father’s tranquil hand, in red ballpoint ink, the letters rising gradually, optimistically, on the diagonal toward the upper right-hand corner of the page. “The man who gave you his name, from the man who gave you your name” is written within quotation marks.

The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The

That left two possibilities, really. Possibility one: Magic was so incredibly opaque, convoluted, and impenetrable, that even though wizards and witches had tried their best to understand, they'd made little or no progress and eventually given up; and Harry would do no better. Or... Harry cracked his knuckles in determination, but they only made a quiet sort of clicking sound, rather than echoing ominously off the walls of Diagon Alley. Possibility two: He'd be taking over the world. Eventually. Perhaps not right away.

Dimension—she missed that most. Darting up into sunlight and down to the cool deeps, playing tag with her sisters among coral reefs and palaces, twisting around and diagonal, breeching like a dolphin. The world she had chosen was flatter, its movements less expressive. But

A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair was black as a crow’s wing and cut sharply and diagonally across her cheek. I

But with regard to incomposites, what is being or not being, and truth or falsity? A thing of this sort is not composite, so as to 'be' when it is compounded, and not to 'be' if it is separated, like 'that the wood is white' or 'that the diagonal is incommensurable'; nor will truth and falsity be still present in the same way as in the previous cases. In fact, as truth is not the same in these cases, so also being is not the same; but (a) truth or falsity is as follows--contact and assertion are truth (assertion not being the same as affirmation), and ignorance is non-contact. For it is not possible to be in error regarding the question what a thing is, save in an accidental sense; and the same holds good regarding non-composite substances (for it is not possible to be in error about them). And they all exist actually, not potentially; for otherwise they would have come to be and ceased to be; but, as it is, being itself does not come to be (nor cease to be); for if it had done so it would have had to come out of something. About the things, then, which are essences and actualities, it is not possible to be in error, but only to know them or not to know them. But we do inquire what they are, viz. whether they are of such and such a nature or not.

Her eyes traced her man, the two tattoos on his back flexing as he moved. It had always fascinated her, those tattoos of his—a giant black dragon taking up the entire left side of his spine, its tail curled and head turned back, watching as a flock of ravens emerged from its wings and flew away diagonally to the right.

Rim are there horizons where there is no horizontal where mountains fold space, hold distance up? embedded in a canyon our heads tilt instinctively. here earth meets sky, we can reach it; the rim does not shimmer and recede. we lean into diagonal lives, relieved of right angles eyes, arms, hearts drawn upward, vectored to ridgelines keenly aware of the slant of time, its shape and substance; it is a wedge; it moves along ray-stroked slopes; we pass into it, are passed over.

It is a drawing of the letter S,” said the deep, solemn voice from over her shoulder, and she realized she had stopped midstride. “The letter in question is constructed from six short marks stacked vertically three by three. There are two triangles on the top and bottom, which, along with some diagonal strokes, form a calligraphic S.

I am diagonally parked among the vertically parallel people of this horizontal universe.

You, and you alone, have reported this mysterious sense of doom. You, and you alone, are a chaos magnet the likes of which I have never seen. After our little shopping trip to Diagon Alley, and then the Sorting Hat, and then today's little episode, I can well foresee that I am fated to sit in the Headmaster's office and hear some hilarious tale about Professor Quirrell in which you and you alone play a starring role, after which there will be no choice but to fire him. I am already resigned to it, Mr. Potter. And if this sad event takes place any earlier than the Ides of May, I will string you up by the gates of Hogwarts with your own intestines and pour fire beetles into your nose. Now do you understand me completely?

There is an allegory for historians in the diverse functions of saw, wedge, and axe. The saw works only across the years, which it must deal with one by one, in sequence. From each year the raker teeth pull little chips of fact, which accumulate in little piles, called sawdust by woodsmen and archives by historians; both judge the character of what lies within by the character of the samples thus made visible without. It is not until the transect is complete that the tree falls, and the stump yields a collective view of the century. By its fall the tree attests the unity of the hodge-podge called history. The wedge on the other hand, works only in radial splits; such a split yields a collective view of all the years at once, or no view at all, depending on the skill with which the plane of the split is chosen[...] The axe functions only at an angle diagonal to the years, and this is only for the peripheral rings of the recent past. Its special function is to lop limbs, for which both the saw and wedge are useless. The three tools are requisite to good oak, and to good history.

Each time a new flower blooms, you are that flower. You are living in an infinite quantum field, so it does not matter in which direction you can choose to view reality - as a hierarchical chain from lowest to highest or a hierarchy from highest to lowest - it does not matter. Because there is an endless blossoming of this flower in all directions. You cannot simply say that you are 'ascending upwards' for example, because there is no up or down, right, or left, or diagonal, in the infinite quantum field. Just as you cannot order soup in a restaurant and ask the waiter to please serve each ingredient separately, so too, humanity also lives in a quantum vibratory soup. That is why there is no dogma in Gnosticism. You just need to intensify your consciousness.

About 100 multiples of the GPG's Base Diagonal length (in RC units) squared over half of the square root value of KC's volume are formed by dividing the Speed of Light value over the Fine Structure Constant.

Let's see... "Advanced Flanking Theory", by U.R. Skrood. "Fighting on the Grid", by Minnie Churse. "Moving on Diagonals", by Wun and Ahaff. Ah ha! Here it is: "Attacks of Opportunity Explained", by Ben Dover and Taye Kitt.

The inadequacy of unidimensional plotting along a continuum (in this case the diagonal of a symmetric matrix) inevitably would make "buffer" elements appear non-conformist when in fact they may be part of an interconnected pattern.

All the way up the house the windows were open; light came diagonally from window to window through corner rooms. Two storeys up, she could have heard a curtain rustle, but the mansion piled itself up in silence over the Montmorencys' voices.

My favorite scent is your skin.” Lifting my arm, he trails his nose across my wrist. I love being pressed against his body. I want him soldered to me from lips to feet. “My favorite place is your arms.” His eyes flare as he rocks forward. I rock back on the diagonal. “My favorite song is your laughter.” He twirls me across the dance floor, his steps as steady as his eye contact. I slide up against his chest and aggressively grip the back of his neck. “My favorite emotion is your scowl.

It wasn’t the fact that I had been right all along. Nope. The satisfied and toothy smile that split my face had everything to do with the grumpy Aaron who was lying diagonally on the tiny twin bed with a scowl that went for miles. The best part was that he had humored me and proven it, just because I’d told him to. Just because we were equally stubborn. And that … only made me grin wider. Walking closer, I didn’t turn down the megawatt smile as I looked down at him. “Comfy?” “Very.” “I just bet you have never been this comfortable in your life.” He rolled his eyes. “Fine,” Aaron said as he sat up, the springs in the simple and—let’s face it—most likely cheap mattress creaking loudly under his weight. “So you were right,” he continued as he moved to the edge, trying to leave a bed that seemed to be turning into quicksand, swallowing each of his movements. “Now, if you would just—” Before I could even realize what was happening, the structure of the bed gave in with a big bang, engulfing part of the mattress and Aaron along with it. A gasp shot out of me as my hands flew to my mouth. “Jesus fucking Christ,” Aaron growled. “Oh my God, Aaron.” The cackle that left my mouth as I stared at the grumpier-than-ever man sitting in the middle of the box spring catastrophe was probably heard all the way in New York City.

How can we tell whether the rules which we "guess" at are really right if we cannot analyze the game very well? There are, roughly speaking, three ways. First, there may be situations where nature has arranged, or we arrange nature, to be simple and to have so few parts that we can predict exactly what will happen, and thus we can check how our rules work. (In one corner of the board there may be only a few chess pieces at work, and that we can figure out exactly.) A second good way to check rules is in terms of less specific rules derived from them. For example, the rule on the move of a bishop on a chessboard is that it moves only on the diagonal. One can deduce, no matter how many moves may be made, that a certain bishop will always be on a red square. So, without being able to follow the details, we can always check our idea about the bishop's motion by finding out whether it is always on a red square. Of course it will be, for a long time, until all of a sudden we find that it is on a black square (what happened of course, is that in the meantime it was captured, another pawn crossed for queening, and it turned into a bishop on a black square). That is the way it is in physics. For a long time we will have a rule that works excellently in an over-all way, even when we cannot follow the details, and then some time we may discover a new rule. From the point of view of basic physics, the most interesting phenomena are of course in the new places, the places where the rules do not work—not the places where they do work! That is the way in which we discover new rules. The third way to tell whether our ideas are right is relatively crude but prob-ably the most powerful of them all. That is, by rough approximation. While we may not be able to tell why Alekhine moves this particular piece, perhaps we can roughly understand that he is gathering his pieces around the king to protect it, more or less, since that is the sensible thing to do in the circumstances. In the same way, we can often understand nature, more or less, without being able to see what every little piece is doing, in terms of our understanding of the game.

You're mine now, Harry thought at the walls of Diagon Alley, and all the shops and items, and all the shopkeepers and customers; and all the lands and people of wizarding Britain, and all the wider wizarding world; and the entire greater universe of which Muggle scientists understood so much less than they believed. I, Harry James Potter-Evans-Verres, do now claim this territory in the name of Science. Lightning and thunder completely failed to flash and boom in the cloudless skies. "What are you smiling about?" inquired Professor McGonagall, warily and wearily. "I'm wondering if there's a spell to make lightning flash in the background whenever I make an ominous resolution," explained Harry. He was carefully memorising the exact words of his ominous resolution so that future history books would get it right.

I happened to catch a glimpse of my reflection in the window glass. The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.

An image begins taking shape. Soon, however, it becomes diagonally deformed, like italics, and disappears like a flame blown out. Then the whole process starts again. The image strains to right itself. Trembling, it tries to give concrete form to something. But the image will not come together.

Had his room been facing west he would have noted the sparkling twenty-five-mile vista to the sea which looks almost like the Mediterranean. He would have noted how the streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath. How laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight. Had he been facing seaward on a balcony overlooking the city the writer might have heard drifting out of a tiny apartment window the optimistic voice of a shower singer imbued with the conviction that this is a place where it is possible to be happy.

Suppose that physics, or rather nature, is considered analogous to a great chess game with millions of pieces in it, and we are trying to discover the laws by which the pieces move. The great gods who play this chess play it very rapidly, and it is hard to watch and difficult to see. However, we are catching on to some of the rules, and there are some rules which we can work out which do not require that we watch every move. For instance, suppose there is one bishop only, a red bishop, on the board, then since the bishop moves diagonally and therefore never changes the colour of its square, if we look away for a moment while the gods play and then look back again, we can expect that there will be still a red bishop on the board, maybe in a different place, but on the same colour square. This is in the nature of a conservation law. We do not need to watch the insides to know at least something about the game.

Highly sensitive children and adults often appear frightened, irritable, apprehensive, with digestive problems, or as loners. But you may also appear as aware, imaginative, and creative. As an adult you tend to overwhelm yourself by working too hard, too long, with too much interpersonal interaction, unaware of your sensitivity thresholds.

We pair off on the metal bridge in the hydra. Victra taking the right, me the left. My Praetorian is shorter than I. Her helmet off, hair in a tight bun, ready to proclaim the grand laurels of her family. “My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia,” Victra spits, turning to the last Praetorian.

But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.” “Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.” “Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.” “You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.” “She’s lovely and spirited, and you will admire her tremendously.” “In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered. Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between. In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth. The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.” In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?” “Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!

had them installed. My hand closes around the silver hilt of the letter opener. I approach the painting, my eyes narrowed. Like the fake painting of my mother that came, the one that was replaced, this could have been smuggled in. An art dealer. An antiques store. There are a hundred ways someone with excessive money and power could attempt to gain entry into this house. I pull my arm back and stab directly into a red tree, then slash diagonally across, revealing nothing

Everest attempt at sixty-two, three weeks after undergoing surgery for kidney cancer, marathon des Sables six months after it was amputated fingers and toes, be measured by the diagonal of Fools four weeks after ablation of a metastasis to the lung, is this possible? Cancer does not stop your life, giving up your dreams or your goals, it is simply a parameter to manage, no more, no less than all the other parameters of life. How to ensure that the disease becomes transparent to you and your entourage, almost insignificant in terms of trip you want to accomplish? This is precisely the question that Gerard Bourrat tries to answer in this book. To make a sports performance, to live with her cancer, to live well with amputations, the path is always the same: a goal, the joy of effort, perseverance and faith. This book does not commit you to climb Everest, to run under a blazing sun, walking thousands of miles, it invites you to conquer your own Everest.

I wore a purple dress--not my mother’s finery this time, but something cheap that I didn’t mind ruining--and I had painted my face to disguise it, with a thick diagonal stripe that covered all of one eye and most of the other. I had bound my hair back tightly, painting it blue to keep it in place. Without the currentshadows, I wouldn’t look like the Cyra Noavek that the city of Voa knew. Akos was dressed in black and green, but since he wasn’t recognizable, he hadn’t bothered with any disguise. When he saw me, he stared. For a long time. I knew how I looked. My face was not a relief to the eyes, the way the faces of uncomplicated people were; it was a challenge, like the blinding color of the currentstream. How I looked wasn’t important, particularly as my appearance was always obscured by the shifting veins of the current. But it was strange to see him notice at all. “Put your eyes back in your head, Kereseth,” I said. “You’re embarrassing yourself.

That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.

Niagara made a careful gesture, like some religious benediction: a diagonal slice across his chest and a stab to the heart. ‘A slash and a dot,’ he said. ‘I doubt it means anything to you, but this was once the mark of an alliance of progressive thinkers linked together by one of the very first computer networks. The Federation of Polities can trace its existence right back to that fragile collective, in the early decades of the Void Century. It’s less a stigma than a mark of community.

By day I taught Sahjara, who brought me unceasing small presents ranging from orange flower cakes to bouquets of jolly red berries; by night, I imagined my employer making the sort of inappropriate advances which would have made most governesses flee the estate forthwith, and in graphic detail, complete with bare thighs and calloused fingers and the diagonal notches which rest so sweetly above the hipbones when a gentleman is in training, as I had no doubt whatsoever Mr. Thornfield was.

Are all your family wizards?" asked Harry, who found Ron just as interesting as Ron found him. "Er- yes, I think so," said Ron. "I think Mom's got a second cousin who's an accountant, but we never talk about him." "So you must know loads of magic already." The Weasleys were clearly one of those old wizarding families the pale boy in Diagon Alley had talked about. "I heard you went to live with Muggles," said Ron. "What are they like?" "Horrible- well, not all of them. My aunt and uncle and cousin are, though. Wish I'd had three wizard brothers." "Five," said Ron. For some reason, he was looking gloomy. "I'm the sixth in our family to go to Hogwarts. You could say I've got a lot to live up to. Bill and Charlie have already left- Bill was head boy and Charlie was captain of Quidditch. Now Percy's a prefect. Fred and George mess around a lot, but they still get really good marks and everyone thinks they're really funny. Everyone expects me to do as well as the others, but if I do, it's no big deal, because they did it first. You never get anything new, either, with five brothers. I've got Bill's old robes, Charlie's old wand, and Percy's old rat." Ron reached inside his jacket and pulled out a fat gray rat, which was asleep. "His name's Scabbers and he's useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn't aff- I mean, I got Scabbers instead." Ron's ears went pink. He seemed to think he'd said too much, because he went back to staring out of the window.

The increase in deaths of despair was almost all among those without a bachelor’s degree. Those with a four-year degree are mostly exempt; it is those without the degree who are at risk. This was particularly surprising for suicide; for more than a century, suicides were generally more common among the educated,1 but that is not true in the current epidemic of deaths of despair. The four-year college degree is increasingly dividing America, and the extraordinarily beneficial effects of the degree are a constant theme running through the book. The widening gap between those with and without a bachelor’s degree is not only in death but also in quality of life; those without a degree are seeing increases in their levels of pain, ill health, and serious mental distress, and declines in their ability to work and to socialize. The gap is also widening in earnings, in family stability, and in community.2 A four-year degree has become the key marker of social status, as if there were a requirement for nongraduates to wear a circular scarlet badge bearing the letters BA crossed through by a diagonal red line.

I want to believe all of that, just as I want to believe that one morning in the ninth century a Scottish king looked up and saw St. Andrew’s diagonal cross in the sky above—white clouds against a blue sky—and took it as a sign to march outnumbered against the Angles. His vision and victory gave birth to the Scottish flag—white × against a blue backdrop—and is too good a story to not be true. And I want to believe that the patron saint of golfers did actually utter St. Andrews’ town motto as his final words, the Latin phrase now stitched into my putter cover and the only tattoo I might ever get: Dum Spiro Spero. While I breathe, I hope.

Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.

A Book of Glass On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to elisions. The last pages are simplest. They can be read backwards and thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials. And I see a book in glass—the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be incomplete, after all. But I will make the book of glass.

Helen was bewildered to find herself surrounded by air as warm as the breath of summer. Slowly she walked into a large gallery, constructed of thousands of flashing, glittering glass panes in a network of wrought-iron ribs. It was a glasshouse, she realized in bewilderment. On a rooftop. The ethereal construction, as pretty as a wedding cake, had been built on a sturdy brickwork base, with iron pillars and girders welded to vertical struts and diagonal tiers. "This is for my orchids," she said faintly. Rhys came up behind her, his hands settling at her waist. He nuzzled gently at her ear. "I told you I'd find a place for them." A glass palace in the sky. It was magical, an inspired stroke of romantic imagination, and he had built it for her. Dazzled, she took in the view of London at sunset, a red glow westering across the leaden sky. The clouds were torn in places, gold light spilling through the fire-colored fleece.

The method he adopted in building the bridge was as follows. He took a pair of piles a foot and a half thick, slightly pointed at the lower ends and of a length adapted to the varying depth of the river, and fastened them together two feet apart. These he lowered into the river with appropriate tackle, placed them in position at right angles to the bank, and drove them home with pile-drivers, not vertically, as piles are generally fixed, but obliquely, inclined in the direction of the current. Opposite these, forty feet lower down the river, another pair of piles was planted, similarly fixed together, and inclined in the opposite direction to the current. The two pairs were then joined by a beam two feet wide, whose ends fitted exactly into the spaces between the two piles forming each pair. The upper pair was kept at the right distance from the lower pair by means of iron braces, one of which was used to fasten each pile to the end of the beam. The pairs of piles being thus held apart, and each pair individually strengthened by a diagonal tie between the two piles, the whole structure was so rigid, that, in accordance with the laws of physics, the greater the force of the current, the more tightly were the piles held in position. A series of these piles and transverse beams was carried right across the stream and connected by lengths of timber running in the direction of the bridge; on these were laid poles and bundles of sticks. In spite of the strength of the structure, additional piles were fixed obliquely to each pair of the original piles along the whole length of the downstream side of the bridge, holding them up like a buttress and opposing the force of the current. Others were fixed also a little above the bridge, so that if the natives tried to demolish it by floating down tree-trunks or beams, these buffers would break the force of the impact and preserve the bridge from injury.

It probably would have shocked my fans to find out how self-conscious I was at the height of my idol-dom. On August 1, 1987, I forced myself to create a self-confidence project, hoping to increase my self-esteem, by listing my positive traits as I saw them. I am a healthy person. I am very sensitive to others’ problems. I am an honest person, I am a good actor, I am an affectionate person, and I like to be open to suggestions and ready for a change if needed. I was embarrassed by how I looked—you already know about my zits. My paranoia grew when I discovered “Cameron” literally means “crooked nose.” I went straight to the mirror, examined my nose from every angle and realized with horror that my nose didn’t go straight down between my eyes—it went diagonally. All I could think about was my stupid crooked nose. I fretted over how ugly I was and wondered why anyone would want to be around someone so gross. Trying to be helpful, Dad said, “You’re on the cover of 14 magazines this month. Obviously somebody doesn’t think you’re ugly.

She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

… and one day, after Mahlke had learned to swim, we were lying in the grass, in the Schlagball field. I ought to have gone to the dentist, but they wouldn't let me because I was hard to replace on the team. My tooth was howling. A cat sauntered diagonally across the field and no one threw anything at it. A few of the boys were chewing or plucking at blades of grass. The cat belonged to the caretaker and was black. Hotten Sonntag rubbed his bat with a woolen stocking. My tooth marked time. The tournament had been going on for two hours. We had lost hands down and were waiting for the return game. It was a young cat, but no kitten. In the stadium, handball goals were being made thick and fast on both sides. My tooth kept saying one word, over and over again. On the cinder track the sprinters were practicing starts or limbering up. The cat meandered about. A trimotored plane crept across the sky, slow and loud, but couldn't drown out my tooth. Through the stalks of grass the caretaker's black cat showed a white bib. Mahlke was asleep. The wind was from the east, and the crematorium between the United Cemeteries and the Engineering School was operating. Mr. Mallenbrandt, the gym teacher, blew his whistle: Change sides. The cat practiced. Mahlke was asleep or seemed to be. I was next to him with my toothache. Still practicing, the cat came closer. Mahlke's Adam's apple attracted attention because it was large, always in motion, and threw a shadow. Between me and Mahlke the caretaker's black cat tensed for a leap. We formed a triangle. My tooth was silent and stopped marking time: for Mahlke's Adam's apple had become the cat's mouse. It was so young a cat, and Mahlke's whatsis was so active – in any case the cat leaped at Mahlke's throat; or one of us caught the cat and held it up to Mahlke's neck; or I, with or without my toothache, seized the cat and showed it Mahlke's mouse: and Joachim Mahlke let out a yell, but suffered only slight scratches. And now it is up to me, who called your mouse to the attention of this cat and all cats, to write. Even if we were both invented, I should have to write. Over and over again the fellow who invented us because it's his business to invent people obliges me to take your Adam's apple in my hand and carry it to the spot that saw it win or lose.

working from the center of the dough out, gently roll it back and forth until it stretches to 15 inches long. Place the loaves, seam-side down, on the kitchen towel dusted with flour and cover with plastic wrap or a damp kitchen towel. Let the loaves rise at room temperature for the final time, until they have doubled in size, about 35—45 minutes. Meanwhile, preheat the oven to 475°F. Carefully place the loaves on a baking sheet. Brush them with water using a pastry brush. With a sharp razor blade and swift motions, make 4 or 5 diagonal slashes along the length of each baguette. To do this successfully, do not drag the entire edge of the blade through the dough—use just the tip. Just before you are ready to slide the baking sheet into the oven, spray the inside of the oven with water using a spray bottle or plant mister and close the door immediately. This will create steam, which promotes a good crust. Put the bread in the oven and spray the walls of the oven two more times within the first minute of baking. Bake for 15—20 minutes or until the bread makes a hollow sound when you knock on the bottom of it with your knuckles. Transfer the bread to a rack and allow it to cool before slicing (or tearing apiece off).

N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.

Accordingly tree trunks or very stout boughs were cut and their tops stripped of bark and sharpened; they were then fixed in long trenches dug five feet deep, with their lower ends made fast to one another to prevent their being pulled up and the branches projecting. There were five rows in each trench, touching one another and interlaced, and anyone who went among them was likely to impale himself on the sharp points. The soldiers called them boundary posts. In front of them, arranged in diagonal rows forming quincunxes, were pits three feet deep, tapering gradually towards the bottom, in which were embedded smooth logs as thick as a man’s thigh, with the ends sharpened and charred, and projecting only three inches above ground. To keep the logs firmly in position, earth was thrown into the pits and trodden down to a depth of one foot, the rest of the cavity being filled with twigs and brushwood to hide the trap. These were planted in groups, each containing eight rows three feet apart, and they were nicknamed lilies from their resemblance to that flower. In front of these again were blocks of wood a foot long with iron hooks fixed in them, called goads by the soldiers. These were sunk right into the ground and strewn thickly everywhere.

Another way to picture this is to use Galileo’s ship. Imagine a light beam being shot down from the top of the mast to the deck. To an observer on the ship, the light beam will travel the exact length of the mast. To an observer on land, however, the light beam will travel a diagonal formed by the length of the mast plus the distance (it’s a fast ship) that the ship has traveled forward during the time it took the light to get from the top to the bottom of the mast. To both observers, the speed of light is the same. To the observer on land, it traveled farther before it reached the deck. In other words, the exact same event (a light beam sent from the top of the mast hitting the deck) took longer when viewed by a person on land than by a person on the ship.59 This phenomenon, called time dilation, leads to what is known as the twin paradox. If a man stays on the platform while his twin sister takes off in a spaceship that travels long distances at nearly the speed of light, when she returns she would be younger than he is. But because motion is relative, this seems to present a paradox. The sister on the spaceship might think it’s her brother on earth who is doing the fast traveling, and when they are rejoined she would expect to observe that it was he who did not age much.

Aquel gentío, aquellos gritos, 《¡Franco! ¡Franco! ¡Franco!》, aquellas banderas españolas... Nadie trabajaba esa tarde. Las empresas habían dado permiso a sus empleados para ir a recibir al 《salvador》de la patria. Y la gente, como una alfombra extendida sobre las calles, lo llenaba todo, hasta el último rincón. ¿La misma gente que había luchado por la República? ¿La misma cuyos padres, maridos o hijos habían caído en el frente? ¿La misma que soportó los atroces bombardeos que buscaban crear el máximo miedo en la población civil? ¿La misma que pasó hambre y frío? Aquella mañana del 26 de enero de 1939, viendo a las tropas victoriosas entrando por la Diagonal, se preguntó de dónde sacaban los supervivientes las banderas, y si el entusiasmo y la alegría eran reales o un simple alivio por el fin de la guerra. Habían pasado poco más de diez años y todo seguía igual o... Banderas, saludos fascistas, gritos de adhesión al vencedor. ¿Tan rápido el olvido? ¿Tanta necesidad de paz a cualquier precio? ¿Tanto miedo que masticar y tragar con tal de seguir adelante? ¿Y los más de cien mil cadáveres enterrados en cunetas y montañas, fosas comunes y cementerios, a la espera de un tiempo mejor en el que volver a merecer un respeto y recuperar su dignidad, mientras el régimen seguía fusilando y aumentando la cuenta? El dictador volvía por tercera vez a Barcelona y allí estaba la ciudad rendida a sus pies. Tal vez los que permanecían en sus casas fueran más numerosos, mucho más, pero ellos callaban. También lo hacían algunos de los presentes, obligados a presenciar toda aquella parafernalia porque si no podían ser represaliados por sus empresas, que en caso de estar lejos habían puesto autocares para la movilidad de sus empleados. Era un día sin excusas. Hasta los enfermos debían curarse milagrosamente.

In order for A to apply to computations generally, we shall need a way of coding all the different computations C(n) so that A can use this coding for its action. All the possible different computations C can in fact be listed, say as C0, C1, C2, C3, C4, C5,..., and we can refer to Cq as the qth computation. When such a computation is applied to a particular number n, we shall write C0(n), C1(n), C2(n), C3(n), C4(n), C5(n),.... We can take this ordering as being given, say, as some kind of numerical ordering of computer programs. (To be explicit, we could, if desired, take this ordering as being provided by the Turing-machine numbering given in ENM, so that then the computation Cq(n) is the action of the qth Turing machine Tq acting on n.) One technical thing that is important here is that this listing is computable, i.e. there is a single computation Cx that gives us Cq when it is presented with q, or, more precisely, the computation Cx acts on the pair of numbers q, n (i.e. q followed by n) to give Cq(n). The procedure A can now be thought of as a particular computation that, when presented with the pair of numbers q,n, tries to ascertain that the computation Cq(n) will never ultimately halt. Thus, when the computation A terminates, we shall have a demonstration that Cq(n) does not halt. Although, as stated earlier, we are shortly going to try to imagine that A might be a formalization of all the procedures that are available to human mathematicians for validly deciding that computations never will halt, it is not at all necessary for us to think of A in this way just now. A is just any sound set of computational rules for ascertaining that some computations Cq(n) do not ever halt. Being dependent upon the two numbers q and n, the computation that A performs can be written A(q,n), and we have: (H) If A(q,n) stops, then Cq(n) does not stop. Now let us consider the particular statements (H) for which q is put equal to n. This may seem an odd thing to do, but it is perfectly legitimate. (This is the first step in the powerful 'diagonal slash', a procedure discovered by the highly original and influential nineteenth-century Danish/Russian/German mathematician Georg Cantor, central to the arguments of both Godel and Turing.) With q equal to n, we now have: (I) If A(n,n) stops, then Cn(n) does not stop. We now notice that A(n,n) depends upon just one number n, not two, so it must be one of the computations C0,C1,C2,C3,...(as applied to n), since this was supposed to be a listing of all the computations that can be performed on a single natural number n. Let us suppose that it is in fact Ck, so we have: (J) A(n,n) = Ck(n) Now examine the particular value n=k. (This is the second part of Cantor's diagonal slash!) We have, from (J), (K) A(k,k) = Ck(k) and, from (I), with n=k: (L) If A(k,k) stops, then Ck(k) does not stop. Substituting (K) in (L), we find: (M) If Ck(k) stops, then Ck(k) does not stop. From this, we must deduce that the computation Ck(k) does not in fact stop. (For if it did then it does not, according to (M)! But A(k,k) cannot stop either, since by (K), it is the same as Ck(k). Thus, our procedure A is incapable of ascertaining that this particular computation Ck(k) does not stop even though it does not. Moreover, if we know that A is sound, then we know that Ck(k) does not stop. Thus, we know something that A is unable to ascertain. It follows that A cannot encapsulate our understanding.