Determined Little Girl Quotes

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Courage, sacrifice, determination, commitment, toughness, heart, talent, guts. That's what little girls are made of; the heck with sugar and spice.
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board)
What we ask is to be human individuals, however peculiar and unexpected. It is no good saying: "You are a little girl and therefore you ought to like dolls"; if the answer is, "But I don't," there is no more to be said.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
Tell your daughters how you love your body. Tell them how they must love theirs. Tell them to be proud of every bit of themselves— from their tiger stripes to the soft flesh of their thighs, whether there is a little of them or a lot, whether freckles cover their face or not, whether their curves are plentiful or slim, whether their hair is thick, curly, straight, long or short. Tell them how they inherited their ancestors, souls in their smiles, that their eyes carry countries that breathed life into history, that the swing of their hips does not determine their destiny. Tell them never to listen when bodies are critiqued. Tell them every woman’s body is beautiful because every woman’s soul is unique.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
I hoped that Grace would be a little bit of the best of all of us: Scarlett's spirit, and my mother's strength, Marion's determination, and Michael's sly humor. I wasn't sure what I could give, not just yet. But I would know when I told her about the comet, years from now, I would know. And I would lean close to her ear, saying the words no one else could hear, explaining it all. The language of solace and comets, and the girls we all become, in the end.
Sarah Dessen (Someone Like You)
why were you so mean to little Chancellor Junior?” Clarke looked at him with a mixture of shock and indignation. For a moment, he thought she might actually hit him, but then she just shook her head. “That’s none of your business.” “Is he your boyfriend?” Bellamy pressed. “No,” Clarke said flatly. But then her mouth twitched into a questioning smile. “Why do you care?” “Just taking a census,” Bellamy replied. “Specifically, to determine the relationship status of all the pretty girls on Earth.
Kass Morgan (The Hundred (The Hundred, #1))
As I got older, I got craftier and less obvious, but I’ve always put a lot of energy and effort into people liking me. That’s why I’ve never understood the compliment “effortless.” People love to say: “She just walked into the party, charming people with her effortless beauty.” I don’t understand that at all. What’s so wrong with effort, anyway? It means you care. What about the girl who “walked into the party, her determination to please apparent on her eager face”? Sure, she might seem a little crazy, and, yes, maybe everything she says sounds like conversation starters she found on a website, but at least she’s trying. Let’s give her a shot!
Mindy Kaling (Why Not Me?)
Most importantly, a little girl should be taught that she should love herself first, flaws (thorns) and all. However, she’s been raised as a rose without knowing how to handle the pricks from the thorns. She’s left alone to learn how to heal.
Charlena E. Jackson (Unapologetic for My Flaws and All)
It’s time to stop allowing people to blame the woman for everything. As women, we try to figure out what they need, what they want; and the entire time we’re stressing ourselves out and they don’t give a shit as long as it’s done. Hell, no. Timeout for that too! We do not give a rat’s ass anymore—they are quick to blame us for their mess-ups and think we are supposed to make magic happen. It is time to let them deal with it and figure out how they are going to mend their shit. If they want to blame us, let them, who cares? Their shit isn’t our problem. Go ahead, blame the women. We are holding up the peace sign, smiling and laughing, feeling good as we press forward! ​We are free and feel refreshed. It feels good to be the last ones standing. We look at life totally differently, and we now see that it’s okay to be a little rough around the edges.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
He was supposed to be the first man to tell her that she was beautiful and help her determine who she was before anyone had the opportunity to label her. She was supposed to be his “little girl”.
Anais Torres (The Reaper's Daughter)
We have to take up the cross that was left by our Pioneers; they got us as far as they could. It is now our time to take advantage of the tools that were left for us and open the doors of our opportunities as women. We have to lead by example for our little girls and young ladies who will soon take up the torch. We have to show them by our actions that women’s opportunities are never-ending. Their assumptions must not take us off-course because our minds are too sharp and powerful to dwell on their insecurities, and we do not have time to stray off track.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I don't want you to go back to Tove tomorrow." "I have to." "I know," he said. "But I don't want you to." "You can have me for tonight, though." I gave him a small smile, and he lifted his head so his eyes met mine. "That's all I can give you." "I don't want only one night. I want all of you, forever." Tears swam in my eyes, and my heart yearned so badly it hurt. Sitting there with Loki, I didn't think I'd ever felt quite so heartbroken. "Don't cry, Wendy." He smiled sadly at me, and I saw the heartbreak in his eyes mirroring my own. He pulled me to him and kissed my forehead, then my cheeks, then my mouth. "So, if this is all you'll let me have, then I will take it all," Loki said. "No talking or even worrying about the kingdom or responsibility or anyone else. You're not the Princess. I'm not Vittra. We're only a boy and a girl crazy about each other, and we're naked in bed." I nodded. "I can do that." "Good, because I'm determined to make the most of it." He smiled and pushed me down on the bed. "I think we broke the bed a little bit last time. What do you say we see if we can destroy it?
Amanda Hocking (Ascend (Trylle, #3))
Altogether, I had derived little benefit from being in Balbec, for which reason I was all the more determined to come back one day. I felt I had spent too short a time there.
Marcel Proust (In the Shadow of Young Girls in Flower)
Are you really going to turn down gifted help? That's your plan? Do without what could make all the difference?" "My plan is to move swiftly, strike fast, and get out. You would slow me down." She arched an admonishing eyebrow. "And if you break a leg in a badger hole while moving swiftly, who is going to help you? I'm going with you, Lord Rahl, and that is all there is to it." Richard pressed his lips tight as he appraised the determination in her dark eyes. "You are one stubborn little girl." "Not a girl," she said with conviction. "Samantha, sorceress serving the Lord Rahl." ****** Richard sighed as he rose up from beside Kahlan. "I know. But there's no choice. It's something I have to do. This threat could kill people in numbers beyond your ability to imagine. I'm the Lord Rahl. I have to do what is necessary to protect all the people of the New World." Ester dipped her head. "I can't argue with the word of the Lord Rahl..." Ester gestured at Samantha. "But why is she going?" "Because she is stubborn," Richard said.
Terry Goodkind (The Third Kingdom (Sword of Truth, #13; Richard and Kahlan, #2))
Just as there are different types of stars—red and white and brown and blue and dwarf and giant and all that lot—there are different types of Quests, and if we determine what type you face, we shall have a much easier time managing the whole business. We’re doing very well. Already we know that Prince Myrrh is an Endgame Object Type W—that’s Wonderful, since we have yet to see if he will be any Use in governing. He sleeps suspended in a Theseus-type narrative matrix, however he does seem to have some gravitational pull on events, which is unusual for a T-Type. After all, we still remember him even after all these years. It’s far easier to forget something than to remember it. Remembering takes all kinds of magic. No one knows who he is or what he looks like or where to find him, and yet we all know of him. We all know he sleeps in an unopenable box on an unbreakable bower. That’s a frightfully strong E.K.T. Field for one little creature!
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Hannah expected this to make her sob even more, but instead she found her tears drying up and her tummy growing warm. How dare they? How dare they do this to little girls? She understood now why her parents go so angry when they saw the result of bombers in the white hot streets of the Middle East, why men and women wailed in anger as well as grief as they lifted the limp bodies of children from the rubble. How dare they? No, she wasn't going to die like this, wrapped up like some helpless baby.
Stephen M. Irwin (The Dead Path)
I wondered what kind of girl she'd be, and if she'd ever see the comet that was her name, and Grandma Halley's, and mine. I knew I'd try, one day, to take her and show her the sky, hold her against my lap as I told her how the comet went overhead, how it was clear and beautiful, and special, just like her. I hoped that Grace would be a little bit of the best of all of us; Scarlett's spirit, and my mother's strength, Marion's determination, and Michael's sly humor. I wasn't sure what I could give, not just yet. But I knew when I told her about the comet, years from now, I would know. And I would lean close to her ear, saying the words no one else could hear, explaining it all. The language of solace, and comets, and the girls we all become, in the end.
Sarah Dessen (Someone Like You)
I’m frustrated and sad to think of all the good people who have abandoned Christianity because they felt they had to choose between their faith and their intellectual integrity or between their religion and their compassion. I’m heartbroken to think of all the new ideas they could have contributed had someone not told them that new ideas were unwelcome. Of course, we all carry around false fundamentals. We all have unexamined assumptions and lists of rules, both spoken and unspoken, that weigh down our faith. We’ve all got little measuring sticks that help us determine who’s “in” and who’s “out,” and we’ve all got truths we don’t want to face because we’re afraid that our faith can’t withstand any change. It’s not just conservative Christians. Many of us who consider ourselves more progressive can be tolerant of everyone except the intolerant, judgmental toward those we deem judgmental, and unfairly critical of tradition or authority or doctrine or the establishment or whatever it is we’re in the process of deconstructing at the moment. In a way, we’re all fundamentalists. We all have pet theological systems, political positions, and standards of morality that are not essential to the gospel but that we cling to so tightly that we leave fingernail marks on the palms of our hands.
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
One of many beautiful young girls in traditional hijab came up to me to have her photo signed. Her green eyes glistened as she looked at me directly and asked, “Can you put ‘Women can be heroes, too’?” I met everyday heroines on this trip–ladies with a glow and a sparkle, a determination and a strength in the face of adversity. We did have tremendous fun in the making of Agent Carter, but the positive effect–particularly on young women–is what I hold closest to my heart. I met a girl named Nada at the convention. She said, “Most people think my name means ‘Nothing,’ but in fact it means ‘dewdrop’ and ‘honesty’ in my culture.” Whatever happens in the future for Peggy, and the show, Season One and its small impact on young girls are a drop of positivity in our world. Peggy is an honest girl following her own moral compass in the face of adversity. She makes us strive to be better than we want to be. Thank you, Marvel, for letting me step into her high heels, apply her lipstick, and fight the good fight. For all you little Peggys out there, you are not alone. Go forth and kick ass.
Hayley Atwell (Marvel Agent Carter: Season One Declassified)
It is all very well to say that all princesses are good and beautiful and charming; but this is usually a determined optimism on everybody's part rather than the truth. After all, if a girl is a princess, she is undeniably a princess, and the best must be made of it; and how much pleasanter it would be if she were good and beautiful. There's always hope that if enough people believe as though she is, a little of it will rub off.
Robin McKinley (The Door in the Hedge)
Every time I glanced at Ren, I saw that he was watching me. When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped. “Kelsey, I have one final request of you before we head up.” “And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?” “No. I want you to kiss me.” I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?” “Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.” I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?” He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!” “Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!” “No. Not good enough. On the lips, my prema.” I leaned over and pecked him on the lips. “There. Can we go now?” I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression. “A kiss. A real one. One that I’ll remember.” I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him. I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips. I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed. If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
[The skeet tournament] It's a competition that I've entered – and won – every year since I was thirteen. And here's the thing – it really pisses them off. All these hunting boys and their daddies show up decked out in camo gear, determined to beat the girl who has the audacity to challenge their masculinity. And, okay, I'll admit it … I like to needle 'em just a bit. I purposely wear the girliest outfit possible – little flowery sundresses with cowboy boots, most years. Drives 'em nuts. If they're going to be beaten by a girl, they'd rather it be some tomboy wearing overalls and a flannel shirt, you know? Stupid sexist pigs.---(Jenna Cafferty)
Kristi Cook (Magnolia (Magnolia Branch, #1))
There were two monsters sharing this planet with us when I was a boy, however, and I celebrate their extinction today. They were determined to kill us, or at least to make our lives meaningless. They came close to success. They were cruel adversaries, which my little friends the beavers were not. Lions? No. Tigers? No. Lions and tigers snoozed most of the time. The monsters I will name never snoozed. They inhabited our heads. They were the arbitrary lusts for gold, and, God help us, for a glimpse of a little girl’s underpants.
Kurt Vonnegut Jr. (Breakfast of Champions)
As she walked, she thought about the determined, inquisitive little girl she’d once been and the determined, optimistic woman she’d always imagined she would become.
Hazel Gaynor (The Cottingley Secret)
her mother had never done what was expected of her, had seemed determined to ignore proprieties. In so doing she had broken the glass ceiling. And it was not all that she had broken.
Brian McGilloway (Little Girl Lost (DS Lucy Black, #1))
No one survives beyond the fence. At least that's what my father always told me when I was a child. But I'm not a little girl anymore, and I no longer believe in the words of my father. He told me the Lattimers were cruel and deserved to die. He told me my only choice was to kill the boy I loved. He has been wrong about so many things. And I'm determined that he's going to be wrong about my survival as well.
Amy Engel (The Revolution of Ivy (The Book of Ivy, #2))
Look a little closer, Dante, I’m not a nice girl. And being a Callisto was never a walk in the park either. Your father may have forged you into the man you are, but I built myself up into the woman I am. Each cut and every scar only toughened my skin. Every break and fracture only steeled my determination. And everything I’ve lost has only strengthened my soul. I won’t flinch at the worst of you because there is no best of me anymore.
Caroline Peckham (Dark Fae (Ruthless Boys of the Zodiac, #1))
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
Marcel Proust (In the Shadow of Young Girls in Flower)
When I was a little girl, I was the girl laughing at things that are actually funny. I wasn't one of them girls sitting in a circle giggling silently at stupid stuff. I LAUGHED and I laughed loud and wonderfully! I laughed at things that are funny and offensive and stirring and hilarious! Girls are raised to not have wit, to have no sense of humour, to only be quiet and sweet, and to be offended by everything! Girls are raised to not be people. I was born into this world determined to be a person! And I did it.
C. JoyBell C.
If there were a God, why would he let my little girl have to have possibly life-threatening surgery?—understandable as that question is—creates a false hierarchy of the blessed and the damned. To use our individual good or bad luck as a litmus test to determine whether or not God exists constructs an illogical dichotomy that reduces our capacity for true compassion. It implies a pious quid pro quo that defies history, reality, ethics, and reason. It fails to acknowledge that the other half of rising—the very half that makes rising
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Okay; they’ve got to be kids—but why girls?” Fontaine asked. “People are even more protective about little girls.” Tenenbaum winced and turned back to the microscope, muttering, “For some reason girls take sea-slug implant better than boys.” Fontaine wondered what little boy they’d experimented on to determine that and what had become of him. But he didn’t really care. He didn’t. And in fact—there was one place that could supply children for all sorts of things. “So—just girls, eh? That’s okay; that’ll just be fewer bunks in the orphanage.
John Shirley (BioShock: Rapture)
When I learned my mom was going to die of cancer at the age of forty-five, I felt the same way. I didn’t even believe in God, but I still felt that he owed me something. I had the gall to think How dare he? I couldn’t help myself. I’m a selfish brute. I wanted what I wanted and I expected it to be given to me by a God in whom I had no faith. Because mercy had always more or less been granted me, I assumed it always would be. But it wasn’t. It wasn’t granted to my friend whose eighteen-year-old daughter was killed by a drunk driver either. Nor was it granted to my other friend who learned her baby is going to die of a genetic disorder in the not-distant future. Nor was it granted to my former student whose mother was murdered by her father before he killed himself. It was not granted to all those people who were in the wrong place at the wrong time when they came up against the wrong virus or military operation or famine or carcinogenic or genetic mutation or natural disaster or maniac. Countless people have been devastated for reasons that cannot be explained or justified in spiritual terms. To do as you are doing in asking If there were a God, why would he let my little girl have to have possibly life-threatening surgery?— understandable as that question is—creates a false hierarchy of the blessed and the damned. To use our individual good or bad luck as a litmus test to determine whether or not God exists constructs an illogical dichotomy that reduces our capacity for true compassion. It implies a pious quid pro quo that defies history, reality, ethics, and reason. It fails to acknowledge that the other half of rising—the very half that makes rising necessary— is having first been nailed to the cross. That
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
I was talking about you, my little dandelion." I faked shock. "A dandelion? Are you comparing me to a weed?" "Ah-ah," she chastised. "Don't you know the saying about how some see a weed, while others see a wildflower? Dandelions are wildflowers, and they're the picture of survival, resilience, determination. Just like my Emme.
Heather Webber (In the Middle of Hickory Lane)
This one had come to me, though, picked me out. I thought she was trouble from the start. I don't read minds and I can't see the future, but call it instinct or experience, something was prickling my spine. You could call it something else, if you wanted: adolescence, hormones, lust. Being seventeen. That doesn't go away, however long you practice. "Hullo," I said politely, warily. She was long and slim and very neatly put together, dark hair tumbling over denim, old worn black jacket and jeans that somehow hadn't faded into grey. They probably didn't dare. Right from the start I saw a focus in her, a determination that must go all the way through, like the writing in a stick of Brighton rock. In another world, another lifetime, I thought she'd have raven-feathers in her hair, a bear's tooth on a thong about her. She'd be the village shaman, talking to spirits, and even the headman would be afraid of her, a little... Seventeen, I told you. She was devastating to me, she was sitting at my table, and I couldn't afford her. Not for a minute. If I'd stood up, if I'd left, if I'd run away... Nah. She would just have come after me. Faster, fitter, and on longer legs. What chance did I ever have?
Ben Macallan (Desdaemona)
The adults looked transfixed by Andee. When Andee finally swam a little closer, Siobhan could see why: the determined set of her mouth, the ferocity in her eyes. How much she wanted to finish. She would finish, no matter what. It would be cruel to stop her. And more to the point, if they ever were stranded in the ocean, Andee—who had been in the water for what felt like an eternity—would be the last to go down.
Kim Fu (The Lost Girls of Camp Forevermore)
And now it’s really over. I finally realized that I must do my schoolwork to keep from being ignorant, to get on in life, to become a journalist, because that’s what I want! I know I can write. A few of my stories are good, my descriptions of the Secret Annex are humorous, much of my diary is vivid and alive, but … it remains to be seen whether I really have talent. “Eva’s Dream” is my best fairy tale, and the odd thing is that I don’t have the faintest idea where it came from. Parts of “Cady’s Life” are also good, but as a whole it’s nothing special. I’m my best and harshest critic. I know what’s good and what isn’t. Unless you write yourself, you can’t know how wonderful it is; I always used to bemoan the fact that I couldn’t draw, but now I’m overjoyed that at least I can write. And if I don’t have the talent to write books or newspaper articles, I can always write for myself. But I want to achieve more than that. I can’t imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don’t want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I’ve never met. I want to go on living even after my death! And that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express all that’s inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that’s a big question, will I ever be able to write something great, will I ever become a journalist or a writer? I hope so, oh, I hope so very much, because writing allows me to record everything, all my thoughts, ideals and fantasies. I haven’t worked on “Cady’s Life” for ages. In my mind I’ve worked out exactly what happens next, but the story doesn’t seem to be coming along very well. I might never finish it, and it’ll wind up in the wastepaper basket or the stove. That’s a horrible thought, but then I say to myself, “At the age of fourteen and with so little experience, you can’t write about philosophy.” So onward and upward, with renewed spirits. It’ll all work out, because I’m determined to write!
Anne Frank (The Diary of a Young Girl)
I wanted to scare her,” Cody repeated. “Make her leave it alone.” Victor let out a surprised laugh. It was one that had served him well in courtrooms, and it didn’t fail him this time. Cody flinched again. “Make her ‘leave it alone?’” Victor repeated in disbelief. “You just made her more determined, you little idiot.” Cody’s unkempt eyebrows drew together. “She’s just a girl.” “That makes her more dangerous, you fool! She’ll work twice as hard to get the accolades her male counterparts take as their due.” Victor
Stephanie A. Cain (Shades of Circle City (Circle City Magic, #1))
Krisztina played the song. It was a lament made of eight notes, repeated. It was an empty melody. It sounded elemental too; it made Krisztina think of the snow falling beyond the window and across Budapest. She wondered if it was snowing in England. Alice’s mother would be here again later, all the way from London. There was so much grief. They were mourning her little girl before she had gone. Without realising she heard these words making themselves part of the song. She played what she could, her head down, her face solemn and determined. She went back to the start, and felt the world falling away, the tears drying on her face. She heard the words coming, falling like the luminous snow. After a few minutes she looked across what seemed like a huge divide to Alice on the bed and faltered. In the house of the body, the lights were being extinguished, one by one. The floors were now bare, the walls unadorned, all sound hollow and lost; all that remained was the ghost of what was, the glimmer of the melody, the tune, the song of a life lived and lost in three minutes.
Simon Avery (The Teardrop Method)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
You know those particular stand out beauties you see once in a blue moon walking by themselves down the high street on a Saturday afternoon or sitting on a park bench all alone during their lunch break in the middle of summer, who immediately catch your eye, looking utterly bored out of their minds and just begging for some single handsome stranger to come and distract them away for twenty minutes or so from their mundane and repetitive daily worlds. That special girl who right away tugged so hard on your heart strings that your blood turned to ice and your soul melted to its very core because you knew she was completely your type without even having spoken to her. All you had to go on was a gut feeling and that special crazy something about her that spoke to every inch of your fibre and being and said this girl is the one for you, my friend, if you would only step up to the damn plate, put all your fears of public rejection, humiliation and inhibitions behind you and gather the courage, will power and determination to go and get her. That rare, radiant and beautiful Angel who caught a glimpse of you, too, and smiled back at you in turn while you were within their proximity but, alas, you had absolutely nothing to say to them in that moment. Nothing. No simple magic words, no charming chat up line, just a blank frozen mind and a stuttering tongue. But in reality, just to say one word, utter one stupid, tiny, silly little insignificant syllable would surely have been a million times better than saying nothing at all and living a life full of regret of not acting in the moment. And then poof, just like that, she's gone forever, out of sight, but never out of your mind.
Sean-Paul Thomas (The Universe Doesn't Do Second Chances)
From my cell block, I could see the children walking to the gas chambers. I remember one little girl clinging to her doll. She looked lost, staring into space. Behind her were probably months of terror and being hunted. They’d just separated her from her parents, soon they’d tear off her clothes. She already looked like her limp, lifeless doll. I watched her. I knew what chaos and anguish runs through a little girl’s mind, knew how determined she was, clutching her doll in her hand. Not long before, a few years earlier, I too had left with a suitcase that had a baby doll inside it, and a little box to keep fishing flies in.
Marceline Loridan-Ivens (But You Did Not Come Back: A Memoir)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
In fact, after his accident, Moki went on to be an accomplished painter. He fathered a beautiful young girl. He founded and continues to oversee the Super Frog Triathlon that is held every year in Coronado. It is easy to blame your lot in life on some outside force, to stop trying because you believe fate is against you. It is easy to think that where you were raised, how your parents treated you, or what school you went to is all that determines your future. Nothing could be further from the truth. The common people and the great men and women are all defined by how they deal with life’s unfairness: Helen Keller, Nelson Mandela, Stephen Hawking, Malala Yousafzai, and—Moki Martin. Sometimes no matter how hard you try, no matter how good you are, you still end up as a sugar cookie. Don’t complain. Don’t blame it on your misfortune. Stand tall, look to the future, and drive on!
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
How it must break His heart when we walk around so desperate for a love He waits to give us each and every day. Imagine a little girl running with a cup in her hand sloshing out all it contains. She thinks what will refill her is just ahead. Just a little farther. She presses on with sheer determination and clenched teeth and an empty cup clutched tight. She keeps running toward an agenda He never set and one that will never satisfy. She sees Him and holds out her cup. But she catches only a few drops as she runs by Him, because she didn’t stop long enough to be filled up. Empty can’t be tempered with mere drops. The tragic truth is what will fill her—what will fill us—isn’t the accomplishment or the next relationship just ahead. That shiny thing is actually a vacuum that sucks us in and sucks us dry … but never has the ability to refill. I should know, because that’s where I was. There’s no kind of empty quite like this empty: where your hands are full but inside you’re nothing but an exhausted shell.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
Immediately my mind had conceived this new idea of "the purest and most exalted manifestation of dramatic art," it, the idea, sped to join the imperfect pleasure which I had felt in the theatre, added to it a little of what was lacking, and their combination formed something so exalting that I cried out within myself: ‘What a great artist!’ It may doubtless be argued that I was not absolutely sincere. But let us bear in mind, rather, the numberless writers who, dissatisfied with the page which they have just written, if they read some eulogy of the genius of Chateaubriand, or evoke the spirit of some great artist whose equal they aspire to be, by humming to themselves, for instance, a phrase of Beethoven, the melancholy of which they compare with what they have been trying to express in prose, are so filled with that idea of genius that they add it to their own productions, when they think of them once again, see them no longer in the light in which at first they appeared, and, hazarding an act of faith in the value of their work, say to themselves: "After all!" without taking into account that, into the total which determines their ultimate satisfaction, they have introduced the memory of marvellous pages of Chateaubriand which they assimilate to their own, but of which, in cold fact, they are not the authors; let us bear in mind the numberless men who believe in the love of a mistress on the evidence only of her betrayals; all those, too, who are sustained by the alternative hopes, either of an incomprehensible survival of death, when they think, inconsolable husbands, of the wives whom they have lost but have not ceased to love, or, artists, of the posthumous glory which they may thus enjoy; or else the hope of complete extinction which comforts them when their thoughts turn to the misdeeds that otherwise they must expiate after death; let us bear in mind also the travellers who come home enraptured by the general beauty of a tour of which, from day to day, they have felt nothing but the tedious incidents; and let us then declare whether, in the communal life that is led by our ideas in the enclosure of our minds, there is a single one of those that make us most happy which has not first sought, a very parasite, and won from an alien but neighbouring idea the greater part of the strength that it originally lacked
Marcel Proust (In the Shadow of Young Girls in Flower)
[J.Ivy:] We are all here for a reason on a particular path You don't need a curriculum to know that you are part of the math Cats think I'm delirious, but I'm so damn serious That's why I expose my soul to the globe, the world I'm trying to make it better for these little boys and girls I'm not just another individual, my spirit is a part of this That's why I get spiritual, but I get my hymns from Him So it's not me, it's He that's lyrical I'm not a miracle, I'm a heaven-sent instrument My rhythmatic regimen navigates melodic notes for your soul and your mental That's why I'm instrumental Vibrations is what I'm into Yeah, I need my loot by rent day But that is not what gives me the heart of Kunte Kinte I'm tryina give us "us free" like Cinque I can't stop, that's why I'm hot Determination, dedication, motivation I'm talking to you, my many inspirations When I say I can't, let you or self down If I were of the highest cliff, on the highest riff And you slipped off the side and clinched on to your life in my grip I would never, ever let you down And when these words are found Let it been known that God's penmanship has been signed with a language called love That's why my breath is felt by the deaf And why my words are heard and confined to the ears of the blind I, too, dream in color and in rhyme So I guess I'm one of a kind in a full house Cuz whenever I open my heart, my soul, or my mouth A touch of God reigns out [Chorus] [Jay-Z (Kanye West)] Who else you know been hot this long, (Oh Ya, you know we ain't finished) Started from nothing but he got this strong, (The ROC is in the building) Built the ROC from a pebble, pedalled rock before I met you, Pedalled bikes, got my nephews pedal bikes because they special, Let you tell that man I'm falling, Well somebody must've caught him, Cause every fourth quarter, I like to Mike Jordan 'em, Number one albums, what I got like four of dem, More of dem on the way, The Eight Wonder on the way, Clear the way, I'm here to stay, Y'all can save the chitter chat, this and that, this and Jay, Dissin' Jay 'ill get you mased, When I start spitting them lyrics, niggas get very religious, Six Hail Maries, please Father forgive us, Young, the Archbishop, the Pope John Paul of y'all niggas, The way y'all all follow Jigga, Hov's a living legend and I tell you why, Everybody wanna be Hov and Hov still alive.
Kanye West
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head. Turquoise eyes met deep brown. Willow's mouth dropped open in shock. "Lieutenant Numbskull?" Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!" Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed. Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?" "You two know each other?" Miriam interjected, astonished. "You might say that." Rider chuckled. Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman. Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced." Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?" His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug. Miriam blinked, agog at Willow s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair." Willow inclined her head with forced politeness. Rider tossed her a sly wink. Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?" "But of course." Rider held the door open, indicating they should proceed him. "Ladies..." Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
Charlotte McPherren (Song of the Willow)
I will always be grateful to have been the Democratic Party’s nominee and to have earned 65,844,610 votes from my fellow Americans. That number—more votes than any candidate for President has ever received, other than Barack Obama—is proof that the ugliness we faced in 2016 does not define our country. I want to thank everyone who welcomed me into their homes, businesses, schools, and churches over those two long, crazy years; every little girl and boy who ran into my arms at full speed or high-fived me with all their might; and the long chain of brave, adventurous people, stretching back generations, whose love and strength made it possible for me to lead such a rewarding life in the country I love. Thanks to them, despite everything else, my heart is full. I started this book with some words attributed to one of those pathbreakers, Harriet Tubman. Twenty years ago, I watched a group of children perform a play about her life at her former homestead in Auburn, New York. They were so excited about this courageous, determined woman who led slaves to freedom against all odds. Despite everything she faced, she never lost her faith in a simple but powerful motto: Keep going. That’s what we have to do now, too. In 2016, the U.S. government announced that Harriet Tubman will become the face of the $20 bill. If you need proof that America can still get it right, there it is.
Hillary Rodham Clinton (What Happened)
Before Chris passed away, I’d volunteered to coach Angel’s soccer team in our local recreational league. It was a commitment I vowed to keep. I was determined to show those little girls how to succeed on the soccer “pitch,” as the field is sometimes called. I may have gone a little overboard. I mean, how many six-year-old girls have the misfortune of being coached by the wife of a SEAL? Day One: “We start by running!” I shouted enthusiastically. “Everyone run around the park. Let’s go.” “The soccer field, Mrs. Kyle?” asked a player. “No! The entire complex. Come on!” I’m guessing it was maybe five or six times as far as they’d ever run before--or maybe ten or twenty--and a good deal farther than many teams with considerably older players ran. But the girls were good sports about it. We built endurance and worked on drills, and we had fun--you never knew when the coach might grab one the of the players and twirl her around enthusiastically for doing a good job. “I’m taking goal,” I’d say when shooting practice wasn’t going well. “Anyone who can hurt me gets an extra piece of candy!” I gave out a lot of candy that afternoon. We were a young team and a little rough at first, but we got better as we went. It was fun to watch the transition many of the girls made over the length of the season--they not only got in better shape and learned to play soccer better, but they seemed more confident as well. I will guarantee one thing: they slept pretty well the nights after practice.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
No one ever changed the world by being beautiful," she said. "If you want to make a difference, you can't let something as trivial as appearance get in your way. A daisy doesn't need the roses' permission to bloom - and neither do you." "I may not need permission, but I do need support," the woman argued. "I can't fight an army on my own - I'll need others to join me. But I'm afraid they'll only see my looks and won't listen to my words. I'm afraid they'll only laugh at my hopes of rescuing my loved ones." The little girl placed her hands on her hips and stared at the woman with the confidence of someone twice her age. "Only idiots listen with their eyes," she said. "If people don't hear your words, then shout them. If people silence you, then write your message with fire. Demanding respect is never easy, but if something you love is at stake, then I'd say it's worth the price. Besides, if you can't get villagers to take you seriously, you'll never defeat an army! Sometimes we're meant to face the demons at home so we know how to fight the demons abroad." The little girl had waited years to give someone that advice, and it appeared to do the trick. As if a sudden electric charge had run through the woman's body, she stood taller and straighter, and her eyes beamed with determination. "You're right, child," she said. "With all the energy I've wasted moping in front of the mirror, I could have accomplished great things by now. Well, I'm going to stop moping at once and get to work.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
Judith McNaught (Almost Heaven (Sequels, #3))
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
You’re called to come out of the crowd. You’re called to be counter-culture. You’re not called to live in this world, be of this world-you’re called to come out. News flash-the crowd is stupid. The crowd has no identity at all. We just do what everyone else is doing. “ “When you decide, you divide the enemy and his tactics, and his distractions towards your life. The moment you actually conqueror the urge, you get stronger and the urges get weaker. But it will never happen, until you determine “I am not like the crowd, I’m coming out of the crowd. I’m apart of the minority. Ruth is determined to choose right over easy. You want to know what the right thing is? The right thing is God’s word, and it’s not just about knowing it, it’s about applying it to your life!” “Choose right over easy.” “See, when you come out of the crowd, and when you say, and when you say with the crowd, it’s all crowded here, and when you say I’m going to be apart of the minority, but let my commitments stand. Hey Naomi, you don’t know me, I made a commitment, and my commitment matters. You can tell me I’m relieved of my responsibility, but my vow is my vow. And I’m not going to be swayed, just because the circumstances have changed.” “Stay on the path, because you don’t know what lies ahead of you. Because you’re not God. All He asks you and I is to put one foot in front of another. To keep on moving. Keep on going. Commit to God’s way, and watch God make a way, when there seems to be no way. “ “Being single is awesome! When you’re single, everything in your house, you own all of it. All the money in your bank account, belongs to you.” :) “I think one of the hardest things, that people don’t talk about is that you get to decorate your house exactly how you want to do it.” “The older I get, the more I realize that people are borderline obsessed with what’s next…but if you’re not careful you’ll get so obsessed with what’s next, you won’t care about what is now. It doesn’t take a lot of use to realize, that if you’re graduating from high school, everyone’s going-“where you going to college?” If you’re in college, everyone’s like “where are you going to work?” You work for a little while as a single person, and it’s like “when are you going to get married.” You get married, and everyone’s like, “when are you going to have kids?” You have a kid, and everyone’s like, “when are you going to have more kids.” “Singleness is not a stop sign. It’s not a period, it’s not a comma. Your life doesn’t begin when you get married. A boy-friend or a girl-friend doesn’t make your life start happening. Life is happening. The question is, “are you happening?” You don’t have to live boring or be bored to be single. A life filled with Jesus is full of adventure. It’s filled with spontaneity, it’s full of ups and downs. And it’s time for you to get on mission. Let me just be loud and clear and frank with it-Jesus is a better partner than any spouse could ever dream of being.” “The truth is, sometimes sitting on the path can be just as detrimental as getting off the path. You’re called to move forward, you’re called to grow, you’re called to become.” “Be the minority, because the majority is overrated.” -Rich Wilkerson Jr., Single and Secure
Rich Wilkerson Jr.
As we were getting Mia’s things ready for her discharge, her nurse started to excuse herself to get a wheelchair to transport Mia to the car. Instantly, Mia said, “I’m not riding in a wheelchair.” “Yes, you are, Mia. It’s a hospital regulation,” I said, believing that was true. “Mom,” she protested, “they said I’m supposed to walk as much as possible. I’m walking to the car.” I saw a certain look in Mia’s eyes as she made this announcement, the look that says “I am going to push hard for this.” I knew she was determined, and I would fight a losing battle to try to talk her out of it. “I’m walking out of here,” she said again. I guess the medical staff noticed that look too because they allowed her to try to walk, with a nurse close beside her. Seeing that little girl limp her way down the hall, holding Reed’s hand, was one of the proudest moments of my life. I was absolutely amazed by her spunk and determination. I grabbed my cell phone from my purse and snapped a picture. She is such a fighter, I thought as Jase and I followed her. Visually, she looked roughed up, as though she had been through about fifteen rounds in a boxing match. But in that moment, she showed a level of toughness and resilience I have never seen in a child. Remembering the information we were told on that first visit to ICI when Mia was seventeen days old, that she would need physical therapy to help her walk again after this surgery, I thanked God as I watched our daughter walk right out of the hospital twenty-four hours postoperation! When we got into the car, Jase asked Mia, “Well, what do you think about that?” “I’m a little tired, but I made it,” she replied. Indeed she did.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
There was an infinity of firmest fortitude, a determinate unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance. Not a word he spoke; nor did his officers say aught to him; though by all their minutest gestures and expressions, they plainly showed the uneasy, if not painful, consciousness of being under a troubled master-eye. And not only that, but moody stricken Ahab stood before them with a crucifixion in his face; in all the nameless regal overbearing dignity of some mighty woe. Ere long, from his first visit in the air, he withdrew into his cabin. But after that morning, he was every day visible to the crew; either standing in his pivot-hole, or seated upon an ivory stool he had; or heavily walking the deck. As the sky grew less gloomy; indeed, began to grow a little genial, he became still less and less a recluse; as if, when the ship had sailed from home, nothing but the dead wintry bleakness of the sea had then kept him so secluded. And, by and by, it came to pass, that he was almost continually in the air; but, as yet, for all that he said, or perceptibly did, on the at last sunny deck, he seemed as unnecessary there as another mast. But the Pequod was only making a passage now; not regularly cruising; nearly all whaling preparatives needing supervision the mates were fully competent to, so that there was little or nothing, out of himself, to employ or excite Ahab, now; and thus chase away, for that one interval, the clouds that layer upon layer were piled upon his brow, as ever all clouds choose the loftiest peaks to pile themselves upon. Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such glad-hearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.
Herman Melville (Moby-Dick or, The Whale)
The Israeli border police guarding the central region near the Jordanian border had been told to take all measures necessary to keep order that evening. The local colonel, Issachar Shadmi, decided that this meant setting a curfew for Palestinian Arab villages, from five p.m. to six a.m. The news of the curfew was broadcast over the radio the same day it went into force. The border police unit commanders in the region were informed of the order by their commanding officer, Major Shmuel Malinki. Malinki implied that, in the event of anyone breaking the curfew, the police could shoot to kill. Several platoons were charged with informing villagers in person. At the village of Kfar Kassem (or Kafr Qasim), close to the border with the Jordanian-controlled West Bank, a platoon arrived to announce the news—but too late in the day. They were told that many of the village’s agricultural workers were already out at work, mostly picking olives. After five p.m., the villagers returned as expected: a mixed crowd of men and women, boys and girls, riding on bicycles, wagons, and trucks. Even though he knew these civilians would not have heard about the curfew through no fault of their own, the unit commander Lieutenant Gabriel Dahan determined that they were in violation of it and therefore should be shot. Out of all the unit commanders given this order, Dahan was the only one to enforce it.16 As each small group of villagers arrived, the border police opened fire. Forty-three civilians were killed and thirteen injured. The dead were mostly children aged between eight and seventeen: twenty-three of them, plus fourteen men and six women. It was said that one nine-year-old girl was shot twenty-eight times. Another little girl watched as her eleven-year-old cousin was shot. He was dragged indoors and died in his grandfather’s arms, blood pouring from the bullet wound in his chest. Laborers were ordered off their trucks in small groups, lined up, and executed. There were clashes between Arabs and border police that evening in which six more Arabs were killed. The order to kill had not come from the top. It was traced back conclusively only as far as Major Malinki. When Ben-Gurion heard about the massacre, he was furious, telling his cabinet that the officers who had shot civilians should be hanged in Kfar Kassem’s town square.17 Yet the Israeli government covered the incident up with a press blackout lasting two months.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
was wonderful. She imagined it must mean nice food to eat, lots of books to read, plenty of turfs for your fire, and trips to the Saturday Rush at the local cinema. Yet there was something even more precious behind that door, something which Maeve thought she could never have for herself but wanted for Kitty. ‘I’ve got a lame foot and an ugly face, as well as a miserable, scraggy little body,’ she had said to Kitty once. ‘But you are straight and strong and beautiful. Darling Kitty, you should have everything. But it’s really important to get an education.’ Naturally, Kitty had protested that Maeve was not ugly, and that her body was not scraggy, but Maeve had just laughed. ‘Never mind that,’ she had said. ‘I know what I know. Now run along wit’ you, I’ve got work to do.’ By the time she sat down, however, Kitty found she was far more cheerful. She had two friends, and the possibility of more, and she was determined to win the teacher’s approval, much though she hated her. For the rest of the morning she did her best to do as Sister Enda said, but she noticed that the woman’s eyes were always upon her and knew, with a little shiver of dread, that her teacher was actually hoping that she would overstep the mark in some undefined way. ‘You’re too perishin’ clean, so you are,’ Bridget informed her, when they were eating their carry-out. ‘You don’t blend in wit’ the other kids, you stand out.
Katie Flynn (Little Girl Lost: A Liverpool Family Saga)
The prison restaurant, just outside the barbed wire, is a big local draw, both for the built-in gimmick of being staffed by prisoners, as part of their culinary training, and for the quality of the food. Today there’s a popular local TV show filming here, interviewing officers stationed by the ladies’ room and hungry patrons devouring noodles. At the table, doily place mats, quilted pink menus, and matching pink chopstick holders mark each seat. Waitresses in pink dresses, sporting those same affectless looks I’d faced all day, take our order and place spicy papaya salad and pad thai before us. Next door the gift shop sells prisoner-made goods and also doubles as a massage parlor. Rifling through pillows, place mats, and purses embroidered with little Thai girls at the playground, trying to determine if making purchases would constitute supporting the prison system or, instead, the efforts to reform it, I spy one more framed royal photo. There’s the king’s nephew, pants rolled up, enjoying a foot massage from an incarcerated trainee.
Baz Dreisinger (Incarceration Nations: A Journey to Justice in Prisons Around the World)
Your heart holds great love for her.” “Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.” He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.” With that, he left the lodge. A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson. Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail. “What does the paint say?” she asked. “That this Comanche rides for war.” “War?” she whispered. “Santos will know by the paint that I come in anger.” “Will there be a fight? Amy might get hurt.” “Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
Catherine Anderson (Comanche Moon (Comanche, #1))
Get off of me," I growled but he didn't, leaving Max and Caleb to go get rid of the assholes closing in on my girl. ... I shook my head and glanced away, catching a glimpse of Roxy and Caleb through the crowd but it was so brief that I couldn't get a read on how it was going. On the one hand I wanted him to convince her to join us again, but on the other I didn’t want her coming over here for his benefit. "What do you think he's saying to convince them to come over here?" Seth asked. "He's probably just saying 'come on, I'll buy you a drink then you can be my drink.'" "Roxy isn't into him biting her," I grunted. "Yet," Seth said, rolling his eyes at me. "Think about it, he's grabbing her all the time, his mouth on her neck, pinning her up against things. It's only a matter of time before he's slipping more than his teeth into her-" A growl escaped me and I shoved to my feet, done with waiting around for Caleb and Max to bring the girls to us. There was a good chance that there could be a Nymph hanging around here which meant I was supposed to be sticking close to the twins and that was exactly what I intended to do. In fact, I'd probably have to shove Caleb out of my way so that I could get closer and make sure he didn't accidentally put them in danger of having their magic stolen by a dark creature determined to destroy us all. He might even fall against a table and break his pretty nose. Doing so was basically me saving the whole of Solaria from the wrath of the creature in question though, so it was my duty to do it. But as I looked across the top of the crowd to where they'd all been standing just a few moments ago, I only found Max and Caleb there, no sign of the twins at all. I mouthed 'where are they?' to Max and he rolled his eyes before pointing to the dance floor. Roxy and her sister were in the centre of the floor, arms in the air and bodies moving to the beat of the music as countless Fae closed in on them from all sides, some of them seeming to have realised who they were while a few guys just seemed interested in them for reasons of their own. Or reasons of their dicks. No. No fucking way. I shoved away from the table and strode across the room, sensing Seth on my heels as he joined me in my Vega hunt. I made it to the dance floor and people backed away, giving us space as we strode through the crowd towards them. I fell still as we found them there, my intentions to drag them back over to our table whether they liked it or not falling away as my gaze found the movements of Roxy's body and fixed on them instead. Her eyes were closed, head tipped back and body moving to the seductive beat in a way that had me drawing closer automatically. I should have just been grabbing her and towing her away, but instead of doing that, my fingers brushed over her waist instead, the rough skin of my hands meeting the softness of her flesh beneath the hem of her shirt. She turned her head to look around at me, her eyes fluttering open and surprise filled her gaze for a moment, but I just held her eye and tugged her closer. Her blood red lips parted and I fully expected her to tell me to fuck off, but instead the barest hint of a smile tugged at the corner of her mouth and she inclined her head just a little as if to say okay. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
I remember a little girl,” I say, my voice ragged and worn. I don’t even recognize it. I watch as Sydney pauses her steps, turning to face me, her eyes a vibrant sea of awe and wonder. “That was you?” She nods, a gesture that is slow and timid as she tucks a gilded strand of hair behind one ear. I’m unable to determine if her expression is pained or joyful. Her voice shakes when a query floats over to me from across the room. “You remember me?” “I thought I created you.” Sydney’s unease seems to wash away at my words and her body relaxes, a smile blooming to life. “I’ve always been here.
Jennifer Hartmann (Lotus)
I’ll do everything in my power to keep the scrutiny away from River. I’ll become fucking mud for this girl. And fuck, I won’t regret a goddamn second of it. Not when this girl has me trapped in her dark little spell. After this is all said and done, I’m still determined to show her what a real relationship looks like. I’m not even worried if she wants me back. I know she does.
H.D. Carlton (Shallow River)
One morning the Pomo lookouts saw a long boat coming up the lake with: ... [a] pole on the bow with [a] red cloth. And several of them came. Every one of the boats had ten to fifteen men ... The next morning the white warriors went across in their long dugouts. The Indians said they would meet them in peace. So when the whites landed, the Indians went to welcome them but the white man was determined to kill them ... One old lady, a Indian told about what she saw while hiding under a bank in under a cover of hanging tuleys [bulrushes]. She said she saw two white men coming with their guns up in the air and on their guns hung a little girl. They brought it to the creek and threw it in the water. And a little later two more men came in the same manner. This time they had a little boy on the end of their guns and also threw it in the water. A little ways from her she said lay a woman shot through the shoulder. She held her little baby in her arms. Two white men came running torge [toward] the woman and baby. They stabbed the woman and the baby and threw both of them over the bank in to the water. She said she heard the woman say, ‘O my baby;’ she said when they gathered the dead, they found all the little ones were killed by being stabbed, and many of the women were also killed [by] stabbing. She said it took them four or five days to gather up the dead: And the dead were all burnt on the east side of the creek... The next morning the soldiers started for Mendocino County ... The Indians wanted to surrender. But the soldiers did not give them time. The soldiers went in the camp and shot them down as if they were dogs. Some of them escaped by going down a little creek leading to the river. And some of them hid in the brush. And those who hid in the brush most of them were killed ... They killed mostly women and children ...
James Wilson (The Earth Shall Weep: A History of Native America)
A little girl, perhaps five years of age and bursting with enthusiasm, broke away from her mother and ran toward me, stopping a couple of feet short, suddenly aware that she was in the midst of strangers. She was holding a purple flower, her dark hair held back by a woven headband, her large blue eyes round with alarm. “It’s all right,” I said to her, believing she intended to give the flower to me. “Don’t be afraid.” She looked at me curiously, then took a tentative step--not toward me, but toward Narian. He watched her draw closer, his expression uncertain, as though he were trying to determine the girl’s motivations. When she stood before him, he knelt down to accept the flower, while the crowd held its collective breath, and I wondered if they thought he would harm her. “You’re brave like my papa,” she said, and the people chuckled. The girl blushed, not used to such attention. A smile flicked across Narian’s face. “And you’re beautiful like the woman I love.” He touched her cheek, and the girl giggled, then ran back to her mother. A sprinkling of applause broke out, which Narian acknowledged with a nod. When I caught his eye, I beamed at him, suddenly envisioning our future. He would be the father of my children someday, and a wonderful father he would be.
Cayla Kluver (Sacrifice (Legacy, #3))
It’s all right, Alera. I don’t need a family.” “Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.” I thought for a moment I had hit a nerve, but instead he made a joke out of it. “Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.” I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was. He reclined upon the pillows, considering me. “You know, in Cokyri, fathers don’t raise their children. I think maybe it’s better that way.” “How can you think that?” I asked, troubled by the decided tenor of his voice, and he sat up again, not having expected this reaction from me. “Your father controlled you and forced you to marry Steldor. How can you disagree with me after living through that?” “Because…” I faltered. “Because I love my father for all the good things he’s done. Because he made me laugh when I was a child. That’s what I think about when I see him. Not his mistakes.” “I couldn’t forgive him like you do.” “Could you forgive me? I mean, if I did something awful.” Narian did not immediately respond, unsettling me, but it was in his nature to weigh all things. “I don’t know,” he slowly answered. “But I would still love you.” He looked at me, an epiphany in his eyes, finally understanding my connection to my family. Then his expression changed, and I knew he was going to raise a difficult issue. “Explain this then. If that is how families are supposed to function, and you would forgive your father anything, and clearly my mother would forgive me anything, then Koranis fails because he won’t accept me. The women, you and my mother, are loving, but the man fails.” “Yes, but not all men fail.” “Prove it. Your father sold you into marriage, and the only father figures I’ve known have respectively made my life hell and rejected me.” He lay back once more, watching me, and though he had caught me off guard, I was determined to make my point. “Cannan is a just and fair man.” “Whose son is Steldor.” “Who has faults, yes--” “As all men do.” Frustrated, I threw my hands in the air. “Are you going to keep interrupting me?” “No, he said apologetically. “Go on.” “What about you? Am I, the woman who is in love with you, supposed to believe you’re a terrible person when I know better?” “I would be a terrible father,” he said, shifting onto his side. “What?” “Come, Alera, you have to admit it.” “I don’t have to admit anything, especially when I think you’re wrong.” “On what grounds?” I was so exasperated I wanted to tear my hair out. And his bemused visage only made it worse. “Because I saw you with that little girl this afternoon! You were perfect with her. And if you can be perfect with a stranger’s child, how could you be any different with our own?” “It’s different raising a child than talking with one,” he contended. “I never had a father, Alera. No one taught me how to be one.” “And did anyone teach you how to love me?” This stopped him short. “No.” “Well, you’re pretty good at it. So be quiet, and accept that our children are going to love you.” Narian’s eyebrows rose, and I started laughing. Taking my hand, he pulled me toward him and I lay down beside him, mirroring his position. “I’m sorry for yelling at you,” I murmured, giving him a light kiss. “You never know where a conversation is going to take you,” he said, gazing into my dark eyes. “I’m rather glad you did.
Cayla Kluver (Sacrifice (Legacy, #3))
cause of death as “emetine cardiotoxicity due to or as a consequence of anorexia nervosa.” The anatomical summary listed pulmonary edema and congestion (usually caused by heart failure) first and anorexia second. Third was cachexia, which usually indicates extreme weight loss and an apparent lack of nutrition. The finding of emetine cardiotoxicity (ipecac poisoning) revealed that Karen had poisoned herself with ipecac syrup, a well-known emetic commonly recommended to induce vomiting in cases of overdose or poisoning. A letter detailing National Medical Services’s lab findings was composed March 23, 1983. After testing both blood and liver, it was determined that 0.48 micrograms/g emetine, “the major alkaloidal constituent of ipecac,” was present in the liver. “In the present case,” they explained, “the finding of 0.5 micrograms emetine/g, with none detected in the blood, is consistent with residua of the drug after relatively remote cessation of its chronic use.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
What milk deserves the preference? To answer this question, we shall not examine the different kinds of milk: it would extend our work too much; at present, only that of the woman, the ass, the goat, and the cow, are employed. Each has its different qualities, and the choice of one of them must be determined by the comparison of those qualities, and the indications presented by the disease. There are but few cases where that of the cow is not preferable to all others. That of the woman is generally considered the most strengthening by the most celebrated physicians, but this opinion rests on a wrong foundation, viz. the use of meat; they not considering at the same time, that of a robust peasant girl is preferred who eats but very little of it, and lives on bread and vegetables.
Samuel-Auguste Tissot (Diseases Caused by Masturbation)
We’re countries that have constitutions that put humans and human rights above everything else, countries that have signed the Universal Declaration of Human Rights. But we don’t realize that the holocaust of today is determined by our laws, that this is the effect of the policies we’ve put in place to defend our fortresses.” She lit another cigarette. “What do I tell my little niece when she asks me, ‘Why did they die?’” she said. “I tell her it’s because they came from far away. They were on a boat that wasn’t safe. And then she asks me, ‘Why didn’t they take a plane?’ It’s hard to explain to a little girl why we didn’t let them take a plane.
Stephan Faris (Homelands: The Case for Open Immigration)
And perhaps some other later girl, leafing through her father's library, would come across a footnote in an academic journal and read the name 'Faith Sunderly.' Faith? she would think. That is a female name. A woman did this. If that is so...then so can I. And the little fire of hope, self-belief and determination would pass to another heart.
Frances Hardinge
So, this being the content of your happy hour, you decide to break your iron-clad rule, that rule of rules, and have eleven drinks instead of the modest nine with which you had been wont to stave off the song of twilight, when the lights are low, and the flickering shadows, etc., etc. But, opening the refrigerator, you discover that the slovely bitch has failed to fill up the ice trays so there is no more ice for your tenth and eleventh sloshes. On discovering this you are just about ready to throw in the entire enterprise, happy home, and go to the bordel for the evening, where at least you can be sure that everyone will be kind to you, and not ask you for a horse, and the floor will not be a muck of sauce diable and pork chops. But when you put your hand in your pocket you discover that there are only three dollars there - not enough to cover a sortie to the bordel, where Master Charge is not accepted, so that the entire scheme, going to the bordel, is blasted. Upon making these determinations, which are not such as to bring the hot flush of excitement to the old cheek, you measure out your iceless over-the-limit drinks, using a little cold water as a make-do, and return to what is called the "living" room, and prepare to live, for a little while longer in a truce with your circumstances - aware that there are wretches worse off than you, people whose trepanations have not been successful, girls who have not been invited to the sexual revolution, priests still frocked. It is seven-thirty.
Donald Barthelme (Sixty Stories)
Steve and I watched the dingo family play out its drama for a long time. Then we edged our way down to the dam and hopped in. The water was cold, but it felt good. “This is great,” I said, as we swam together. “I’ve been coming here since I was just a little tacker,” Steve said. Bob had brought his young son with him on his research trips, studying the snakes of the region. As I walked in and out of the water, washing up, shampooing my hair, and relishing the chance to clean off some of the desert dust, I noticed something hard underfoot. “Steve, I stepped on something here,” I said. He immediately started clearing the bottom of the pond, tugging on what I had felt beneath the murky water. “Tree limb,” I guessed. “Look around,” Steve said, yanking at the mired object. “No trees here at all.” He couldn’t budge whatever it was, but he didn’t give up. He went back to camp, drove to the dam in his Ute, and tied a chain to the obstacle. As he backed up the truck, the chain tightened. Slowly a cow’s pelvis emerged from the muck. I watched with horror as Steve dislodged an entire cow carcass that had been decomposing right where I had been enjoying my refreshing dip. I must have been poking among its rib cage while I brushed my teeth and washed my hair. Steve dragged the carcass a good distance off. “Do you think we should tell the crew?” he asked me when he came back. “Maybe what they don’t know won’t hurt them,” I said. Steve nodded. “They probably won’t brush their teeth in there, anyway.” “Probably not,” I said, pondering the possibility of future romantic dips with Steve, and what might lurk under the water at the next dam. When we returned to camp, Steve insisted I sit down and not lift a finger while he cooked me a real Aussie breakfast: bacon and sausage with eggs, and toast with Vegemite. This last treat was a paste-like spread that’s an Australian tradition. For an Oregon girl, it was a hard sell. I always thought Vegemite tasted like a salty B vitamin. I chowed down, though, determined to learn to love it. As the sun rose in full, Steve began to get bored. He was antsy. He wanted to go wrangle something, discover something, film anything. Finally, at midmorning, the crew showed up. “Let’s go,” Steve said. “There’s an eagle’s nest my dad showed me when I was just a billy lid. I want to see if it might still be there.” Right, I thought, a nest you saw with Bob years ago. What are the chances we’re going to find that? John looked longingly at the dam. “Thought we might have a tub first,” he said. The grime of the desert covered all of them. “Oh, I think we should go,” I said hastily, the cow carcass fresh in my mind. “You don’t need a bath, do you, guys?” “Come on,” Steve urged. “Wedge-tailed eagles!” No rest for the weary.
Terri Irwin (Steve & Me)
When we returned to camp, Steve insisted I sit down and not lift a finger while he cooked me a real Aussie breakfast: bacon and sausage with eggs, and toast with Vegemite. This last treat was a paste-like spread that’s an Australian tradition. For an Oregon girl, it was a hard sell. I always thought Vegemite tasted like a salty B vitamin. I chowed down, though, determined to learn to love it. As the sun rose in full, Steve began to get bored. He was antsy. He wanted to go wrangle something, discover something, film anything. Finally, at midmorning, the crew showed up. “Let’s go,” Steve said. “There’s an eagle’s nest my dad showed me when I was just a billy lid. I want to see if it might still be there.” Right, I thought, a nest you saw with Bob years ago. What are the chances we’re going to find that? John looked longingly at the dam. “Thought we might have a tub first,” he said. The grime of the desert covered all of them. “Oh, I think we should go,” I said hastily, the cow carcass fresh in my mind. “You don’t need a bath, do you, guys?” “Come on,” Steve urged. “Wedge-tailed eagles!” No rest for the weary. “So, Steve,” I said as gently as I could, not wanting to dissuade him as we headed out. “How old were you when Bob took you to see this nest?” “Must’ve been six,” he said. More than two decades ago. I stared around at the limitless horizon. I had my doubts. I watched Steve’s eyes dart across the landscape. He struck out in a particular direction and led us over a series of jump-ups. Then he’d get his bearings and head off again. One hour. Two hours. If someone had put a gun to my head I could not have led them back to the dam. “I think I know where it is,” Steve said abruptly. We continued on a little farther. Sure enough, in the distance I saw an unusually large eucalypt. In its main fork was what appeared to be a thick pile of debris and sticks, carefully laid together, that must have been eight feet thick. There it was, an eagle’s nest, twenty feet off the ground.
Terri Irwin (Steve & Me)
He was sure right about Marcie, though. She was a little pistol. A beautiful little pistol who brought sunlight and laughter with her everywhere she went. One determined little girl. She didn’t quit early; she’d have made a good marine. Bobby was lucky he found her in the ninth grade. It wasn’t easy to find a woman that strong, that powerful, that sure of herself and what she wanted. After all she’d been through, after everything they’d shared, what kind of a guy doesn’t at least say “I love you, too”? *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
When Juliet — at your bidding, I might add — came to us last April, I saw a woman who was the complete opposite of Gareth.  I saw a woman who was steadfast where he was impulsive, who was practical where he was reckless, who was grieving where he was full of fun and laughter.  I also saw that she was greatly in need of a father for her little baby." Charles slowly turned his head, his expression going cold as he met Lucien's black stare.  "No.  Don't tell me that you're behind this, Lucien.  Don't tell me that you, with your infernal machinations and manipulations, engineered this damnable union." "I'm afraid that is precisely what I did.  You were dead, or so we thought.  Your charming fiancée needed not only a husband who could give your daughter her proper name, but someone to pull her out of her grief.  In Gareth, I saw a man who was capable of doing both.  She needed to laugh again, and he needed someone to teach him the meaning of responsibility.  The two of them, as I was quick to discern, brought out the best in each other.  Of course I —" he tapped a finger, once, against his pursed lips — "arranged things so that the two of them ended up together.  How could I not?" Very slowly, Charles put down his brandy.  "And just what was it you did?" "It is not important." "It is to me." "Very well, then."  Lucien affected a weary sigh.  "I told the girl that I could not make baby Charlotte my ward.  Her pride was most grievously injured, and so she left, just as I suspected she might do.  Meanwhile I allowed Gareth, who had pushed me beyond the limits of my patience with a certain act of public vandalism the night before, to think that I had banished her.  He was already half in love with her, and determined to do right by both the young lady and the child of the older brother that he had so loved.  He went after her, and had what he thought was his revenge on me and my apparent cruelty by marrying her — just as I suspected he might do.  It was all very neat and simple, really, and I am most pleased with the consequences of my . . . manipulations.  There is nothing that will make a fellow grow up faster than a little responsibility, and with a wife and baby to look after, I daresay Gareth had more than enough." Charles,
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
there to ground her. Eventually Maggie returned to Bonninghams, placing Pearl in Tim’s work creche the week after she turned five months old. She’d felt awful at first, as she shrugged on her slightly tight, slightly scratchy pre-baby suit and headed out the door. It felt good later though, at work, knowing that she had the next seven hours to do what she loved. But Maggie had felt terribly guilty admitting that even to herself. That had been almost four years ago, and Pearl had grown into a determined, spirited little girl. Maggie felt her heart twist with love and guilt every time she thought about her. She wanted to work and she wanted to spend more time with her daughter. So why couldn’t she have both? There was just no easy solution. Sometimes it seemed to Maggie that the balance between work and home was as delicate and finely wrought – and as prone to snapping under pressure – as the gold chain hanging around her neck. Maggie’s fingers brushed over Tim’s and
Kelly Doust (Precious Things)
The last night of his sojourn in Paris is given up to "the fucking business." He has had a full program all day---conferences, cablegrams, interviews, photographs for the newspapers, affectionate farewells, advice to the faithful, etc., etc. At dinner time, he decides to lay aside his troubles. He orders champagne with the meal, he snaps his fingers at the garcon and behaves in general like the boorish little peasant that he is. And since he has had a bellyful of all the good places he suggests now that I show him something more primitive. He would like to go to a very cheap place, order two or three girls at once. I steer him along the Boulevard de la Chapelle, warning him all the while to be careful of his pocketbook. Around Aubervilliers we duck into a cheap dive and immediately we've got a flock of them on our hands. In a few minutes, he's dancing with a naked wench, a huge blonde with creases in her jowls. I can see her ass reflected a dozen times in the mirrors that line the room---and those dark, bony fingers of his clutching her tenaciously. The table is full of beer glasses, the mechanical piano is wheezing and gasping. The girls who are unoccupied are sitting placidly on leather benches, scratching themselves peacefully just like a family of chimpanzees. There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambiance which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.
Henry Miller (Tropic of Cancer (Tropic, #1))
One thing was certain, even standing still on this path led the little family of three in the opposite direction of the girls’ deadbeat father.
Elizabeth Garden (TREE OF LIVES: My rocky path out of the Wildwoods)
I kept my mouth shut but I knew what he meant. You girls. The obsessive ones. The focused ones. The ones who have enough grit and determination to break things and crush people and rip worlds apart. The ones who call bullshit when things aren’t fair. The ones who speak up and demand better. The ones who don’t fit into neat little boxes.
Jessica Goodman (They'll Never Catch Us)
I kept my mouth shut but I knew what he meant. You girls. The obsessive ones. The focused ones. The ones who have enough grit and determination to break things and crush people and rip worlds apart. The ones who call bullshit when things aren’t fair. The ones who speak up and demand better. The ones who don’t fit into neat little boxes.
Jessica Goodman
whether or not women are born more empathetic is hard to tell. But experts doubt it. In 2017 gender sociologist Lisa Huebner told Harper’s Bazaar that we should reject the notion that women are “always, naturally and biologically able to feel, express, and manage our emotions better than men”—and thus should be responsible for doing so. Of course, some people are able to handle emotions better than others because of their individual personalities. But as Huebner says, “I would argue that we still have no firm evidence that this ability is biologically determined.” Some compelling proof that women are indeed not born any more capable of empathy or connection than men comes from psychologist Niobe Way. In 2013 Way published a book called Deep Secrets: Boys’ Friendships and the Crisis of Connection, which explores the friendships of young straight men. Way followed a group of boys from childhood through adolescence and found that when they were little, boys’ friendships with other boys were just as intimate and emotional as friendships between girls; it wasn’t until the norms of masculinity sank in that the boys ceased to confide in or express vulnerable feelings for one another. By the age of eighteen, society’s “no homo” creed had become so entrenched that they felt like the only people they could look to for emotional support were women, further perpetuating the notion that women are obligated by design to carry humanity’s emotional cargo.
Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
Trainwrecks, as public figures, are necessarily also myths. But they’re the villains of the story; they’re our monsters and demons, images of what we fear, and who we fear becoming. I hated Britney early on, because I hated being forced into the role she seemingly enjoyed playing; I wanted to reject the feminine ideal she supposedly embodied, and I wound up rejecting her. But every wreck is a potential role that women need or want to reject; the magnitude of our hatred for them is determined by how powerfully we fear what they represent. In Britney’s case, she represented the end of youth, and the corruption of purity: She was the pretty, good little girl who became ugly and bad when she grew up, the “Queen of Teen” who was used- up and over-the-hill by age twenty-five. She was the Wages of Feminism, the working mother who tried to have it all and wound up nearly dropping her baby onto the sidewalk. She was the cost of public life, for women.
Sady Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
Teresa Driscoll (I Am Watching You)
The future? Like the past, like the present. Little girls who lose their fathers cry all their lives. Hard to blame Edgar for her tears: no doubt she makes Edgar the cause of them. He says so often enough. Mona and Minne shall not lose their father, she is determined on it. She will cry now and for ever, so that Minnie and Mona can grow up to laugh — though no doubt their laughter, as they look back, will be tinged with pity, at best, and derision, at worst, for a mother who lives as theirs did. Minnie and Mona, saved from understanding. ("The Man With No Eyes")
Fay Weldon (Mischief: Fay Weldon Selects Her Best Short Stories)
We could see the colonel approaching, a short, balding man with flinty eyes and a brief black mustache. He was trussed up tightly in his flak jacket, and as he came toward us small groups of Marines broke and ran to get their flak jackets on too, before the colonel could have the chance to tell them about it. The colonel leaned over and looked hard at the unconscious Marine, who was lying now in the shade of a poncho being held over him by two corpsmen, while a third brushed his chest and face with water from a canteen. Well hell, the colonel was saying, there’s nothing the matter with that man, feed some salt into him, get him up, get him walking, this is the Marines, not the goddamned Girl Scouts, there won’t be any damned chopper coming in here today. (The four of us must have looked a little stricken at this, and Dana took our picture. We were really pulling for the kid; if he stayed, we stayed, and that meant all night.) The corpsmen were trying to tell the colonel that this was no ordinary case of heat exhaustion, excusing themselves but staying firm about it, refusing to let the colonel return to the CP. (The four of us smiled and Dana took a picture. “Go away, Stone,” Flynn said. “Hold it just like that,” Stone said, running in for a closeup so that his lens was an inch away from Flynn’s nose. “One more.”) The Marine looked awful lying there, trying to work his lips a little, and the colonel glared down at the fragile, still form as though it was blackmailing him. When the Marine refused to move anything except his lips for fifteen minutes, the colonel began to relent. He asked the corpsmen if they’d ever heard of a man dying from something like this. “Oh, yes Sir. Oh, wow, I mean he really needs more attention than what we can give him here.” “Mmmmmm …” the colonel said. Then he authorized the chopper request and strode with what I’m sure he considered great determination back to his CP. “I think it would have made him feel better if he could have shot the kid,” Flynn said. “Or one of us,” I said.
Michael Herr (Dispatches)
It wasn't, [Nancy] grasped, so much that he was a dirty little man as that he probably felt she was inaccessible to him and was therefore determined to find fault with her. Being a singularly lovely girl, she was in fact used the the type, having suffered considerably at their hands at university. And Jake, more than anything, reminded her of those insufferably bright boys on campus, self-declared intellectuals, usually Jewish, charged with bombast and abominable poetry in lower-case letters, who were aroused by her presence, and yet were too gauche (and terrified) to speak out and actually ask for a date. Instead they sat at the table next to her in the student union, aggressively calling attention to themselves. Speculating loudly on what they took to be her icy manner. Or they slid belligerently into the seat next to her at lectures, trying to bedazzle with their questions. They also ridiculed her to girls less happily endowed, wreaking vengeance for a rejection they anticipated, but were too cowardly to risk, and bandied suggestions about her secret sexual life sufficiently coarse to make her dry. No matter that she took immense pains not to be provocative, swimming in sloppy joe sweaters, sensible skirts, and flat shoes. Going out of her way to discourage boys the other girls coveted. For this only proved that Nancy Croft was remote; splendidly made, yest, but glacier-like.
Mordecai Richler (St. Urbain's Horseman)
What is your opinion of Lady Helen?” he asked as Quincy arranged the meal on the table in front of him. “She is the jewel of the Ravenels,” Quincy said. “A more kind-hearted girl you’ll never meet. Sadly, she’s always been overlooked. Her older brother received the lion’s share of her parents’ interest, and what little was left went to the twins.” Rhys had met the twins a few days earlier, both of them bright-eyed and amusing, asking a score of questions about his department store. He had liked the girls well enough, but neither of them had captured his interest. They were nothing close to Helen, whose reserve was mysterious and alluring. She was like a mother-of-pearl shell that appeared to be one color, but from different angles revealed delicate shimmers of lavender, pink, blue, green. A beautiful exterior that revealed little of its true nature. “Is she aloof with all strangers?” he asked, arranging a napkin on his lap. “Or is it only with me?” “Aloof?” The valet sounded genuinely surprised. Before he could continue, a pair of small black spaniels entered the parlor, panting happily as they bounded up to Rhys. “Good heavens,” he muttered with a frown. Rhys, who happened to like dogs, didn’t mind the interruption. What he found disconcerting, however, was the third animal that trotted into the room after them and sat assertively by his chair. “Quincy,” Rhys asked blankly, “why is there a pig in the parlor?” The valet, who was busy shooing the dogs from the room, said distractedly, “A family pet, sir. They try to keep him in the barn, but he will insist on coming into the house.” “But why--” Rhys broke off, realizing that regardless of the explanation, it would make no sense to him. “Why is it,” he asked instead, “that if I kept livestock in my home, people would say I was ignorant or daft, but if a pig wanders freely in the mansion of an earl, it’s called eccentric?” “There are three things that everyone expects of an aristocrat,” the valet replied, tugging firmly at the pig’s collar. “A country house, and a weak chin, and eccentricity.” He pushed and pulled at the pig with increasing determination, but the creature only sat more heavily. “I vow,” the valet wheezed, budging him only an inch at a time, “I’ll have you turned into sausage and collops by tomorrow’s breakfast!” Ignoring the determined valet, the pig stared up at Rhys with patient, hopeful eyes. “Quincy,” Rhys said, “look sharp.” He picked up a bread roll from his plate and tossed it casually in the air. The valet caught it deftly in a white-gloved hand. “Thank you, sir.” As he walked to the door with the bread in hand, the pig trotted after him. Rhys watched with a faint smile. “Desire,” he said, “is always better motivation than fear. Remember that, Quincy.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Your delivery is perhaps a little . . . glib. I feel that you’re not quite connecting yet with the character’s emotions. Romeo has fallen instantly in love with Juliet and they’ve met and shared a kiss, but he doesn’t really know how she feels about him. He’s so intent on finding out that he’s come to this dangerous place, he’s standing right under her balcony! So Romeo is bold, daring! But at the same time”—Dan’s voice softened, paused, stuttered. “He’s hesitant. Look at the text: ‘I will answer it.’ He’s determined to get her attention. Then the next line: ‘I am too bold.’ Backing off. You see? He’s like any young man who is approaching the girl of his dreams and wondering whether he’ll be greeted with a smile or told to shove off.
Suzanne Harper (The Juliet Club)
once the fear and surprise of the first few instants had vanished, all that was left was the fear of death and boredom, and to stave off boredom he began to masturbate, first timidly, as if he were seducing a peasant girl or a little shepherdess, then with increasing determination, until he managed to bring himself off to his full satisfaction, and he went on like that for fifteen days, in his little cave of corpses and snow, rationing his food and indulging his urges, which didn’t make him weaker but rather seemed to retronourish him, as if he had drunk his own semen or as if after going mad he had found a forgotten way back to a new sanity, until the German troops counterattacked and discovered him, and here was a curious bit of information, thought Archimboldi, one of the soldiers who freed him from the pile of reeking corpses and the heaps of snow said the man smelled strange somehow, in other words not dirty or like shit or urine, nor like rot or worm meat, in fact, the survivor smelled good, the smell was strong, perhaps, but good, like cheap perfume, Hungarian perfume or Gypsy perfume, maybe with a faint hint of yogurt, maybe a faint scent of roots, but the predominant smell wasn’t of yogurt or roots but of something else, something that surprised all of those present, all the men shoveling out the corpses to send them behind the lines or give them a Christian burial, a smell that parted the waters, as Moses parted the waters of the Red Sea, to let the soldier pass, though he could scarcely stand, and where was he going? who could say, surely away from the fighting, surely to a madhouse back home.
Roberto Bolaño (2666)
Cleaning out my closets and came across a dusty old book, buried and forgotten in there. I sat down and opened it up. It’s about a little girl in Finland with blonde ringlets who got mad at her grandmother and decided to walk to America. Buck naked except for the bright yellow Nokia rain boots. That’s how the journey started. Forward 53 years and I’m still that girl with a lifetime of adventure and walkabouts in between. I did end up in America, a country I embrace as my own, but the path here came with many detours and dead ends,but I’m here. Finally.
Riitta Klint
When we first started dating, he introduced me to all his friends and colleagues as his little firecracker. That's what he started calling me after our third date, when he brought me to a Redskins party at his friend Eric's place. Eric had decided to make buffalo chili, but, in what became clear to both me and everyone else at the party, he had no idea what he was doing. Two hours into the party, after all of us had blown through the bags of tortilla chips and pretzels, Eric was still chopping red peppers. Determined not to let a room of fifteen people go hungry, I rolled up my sleeves, marched into the kitchen, and grabbed my knife. "Okay, Bobby Flay," I said as I wielded my knife. "Time to get this show on the road." I chopped and minced and crushed at rapid-fire speed, and in no time, dinner was served. "Get a load of this firecracker," Eric said as he watched me work my magic. After that, the name sort of stuck. For a while, the nickname seemed like a good thing. Every time I would rail against fad diets or champion the importance of sustainable agriculture or lament the lack of food options in inner cities, Adam would laugh and say, "That's my little firecracker." He made me feel special, as if I were a vital part of his life. His parents were the only people from whom he seemed to hide me, and though it bothered me a little, I understood. I was the anti-Sandy. That's what made me attractive. But he hasn't called me his little firecracker in what feels like months now, and lately I feel as if he's hiding me from everyone. When did this little firecracker become a grenade?
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Is life only a recurring dream or nightmare dredged up from the strata and layers of your subconscious? A fable or fairy tale you absorbed sitting on the lap of your monkey uncle or your ancestral ant? All the lies we had to tell just to survive, and all those who died, Who has any humanity left? What reason do we have to go on like this, depending on the little holidays and celebrations, birthdays, weddings and graduations, anniversaries, communions, baptisms, deaths, assassinations, all these events to mark our passage through space, crawling over the face of this earth with such determination and purpose? Is it only our fear of death that's kept us going so long? You cease, and then what? Will things change so much? You disintergrate into that churning flurry, our siblings of the earth, beetles and larvae, microbes and bacteria, tilling the soil with their mandibles and pincers, their claws, jaws and specialized proboscises, infusing and secreting acids and enzymes and detergents, they'll have us tilled up in no time, turned into compost, humus, ready for the spring planting. And that age-old problem of the thing called I? No more. Subsumed by we, they, the writhing mass of existence. For lack of a better word call it God, call it eternity. Better still, call down to the deli, order us all a pizza. We'll need our strength for the struggle ahead. To the ramparts, boys and girls. Carpe diem.
REYoung (Unbabbling (American Literature))
The iconoclastic playwright George Bernard Shaw judged the whole business to be gratuitous, if not downright reprehensible. Making a plea on behalf of lower-middle-class parents who found themselves obliged to kit out their offspring with new outfits they could ill afford, he demanded to know ‘why our schools should be deliberately made hideous with black because an honourable public career has come to its natural close’. He suggested that little boys and girls should sport violet ribbons as a gesture ‘correct, inexpensive and pretty’.19 For the most part, his words fell upon deaf ears. Even the poorest were determined to do what they could to project an appropriate sense of loss. On her way to pay her condolences to Edward’s sister, Princess Louise, Mrs Arthur Thesiger passed an elderly tramp on the pavement outside Kensington Palace. His coat and trousers were in rags, but he wore a clean new mourning tie around his neck. When she heard about it, the princess burst into tears. ‘It was so touching,’ she told Queen Alexandra.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)
You better understand this, Cindy,” Wanda said. “The sooner you do the better your life will be. In your eyes, no man will ever measure up to Daddy. If I picked Jesus Christ to marry, He wouldn’t measure up to Daddy.
Shafter Bailey (Cindy Divine: The Little Girl Who Frightened Kings)
It’s not all about hitting. There’s an art to it. A talent. You need power but also smarts. When to hit and where. You have to outthink your opponent. It’s not all about size. Determination and experience play a part.” “Like in business,” she said. “The skill set translates.” She wrinkled her nose. “Doesn’t it hurt when you get hit?” “Some. But boxing is what I knew. Without it, I would have just been some kid on the streets.” “You’re saying hitting people kept you from being bad?” “Something like that. Put down your glass.” She set it on the desk. He did the same, then stepped in front of her. “Hit me,” he said. She tucked both hands behind her back. “I couldn’t.” The amusement was back. “Do you actually think you can hurt me?” She eyed his broad chest. “Probably not. And I might hurt myself.” He shrugged out of his suit jacket, then unfastened his tie. In one of those easy, sexy gestures, he pulled it free of his collar and tossed it over a chair. “Raise your hands and make a fist,” he said. “Thumbs out.” Feeling a little foolish, she did as he requested. He stood in front of her again, this time angled, his left side toward her. “Hit me,” he said. “Put your weight behind it. You can’t hurt me.” “Are you challenging me?” He grinned. “Think you can take me?” Not on her best day, but she was willing to make the effort. She punched him in the arm. Not hard, but not lightly. He frowned. “Anytime now.” “Funny.” “Try again. This time hit me like you mean it or I’ll call you a girl.” “I am a girl.” She punched harder this time and felt the impact back to her shoulder. Duncan didn’t even blink. “Maybe I’d do better at tennis,” she murmured. “It’s all about knowing what to do.” He moved behind her and put his hands on her shoulders. “You want to bend your knees and keep your chin down. As you start the punch, think about a corkscrew.” He demonstrated in slow motion. “That will give you power,” he said. “It’s a jab. A good jab can make a boxer’s career. Lean into the punch.” She was sure his words were making sense, but it was difficult to think with him standing so close. She was aware of his body just inches from hers, of the strength and heat he radiated. The need to simply relax into his arms was powerful. Still, she did her best to pay attention, and when he stepped in front of her again so she could demonstrate, she did her best to remember what he’d said. This time, she felt the impact all the way up her arm. There was a jarring sensation, but also the knowledge that she’d hit a lot harder. “Did I bruise you?” she asked, almost hoping he would say yes, or at least rub his arm. “No, but that was better. Did you feel the difference?” “Yes, but I still wouldn’t want to be a boxer.” “Probably for the best. You’d get your nose broken.” She dropped her arms to her sides. “I wouldn’t want that.” She leaned closer. “Have you had your nose broken?” “A couple of times.” She peered at his handsome face. “I can’t tell.” “I was lucky.” She put her hand on his chin to turn his head. He looked away, giving her a view of his profile. There was a small bump on his nose. Nothing she would have noticed. “You couldn’t just play tennis?” she asked. He laughed, then captured her hand in his and faced her. They were standing close together, his fingers rubbing hers. She shivered slightly, but not from cold. His eyes darkened as he seemed to loom over her. His gaze dropped to her mouth. He swallowed. “Annie.” The word was more breath than sound. She heard the wanting in his voice and felt an answering hunger burning inside her. There were a thousand reasons she should run and not a single reason to stay. She knew that she was the one at risk, knew that he wasn’t looking for anything permanent. But the temptation was too great. Being around Duncan was the best part of her day.
Susan Mallery (High-Powered, Hot-Blooded)
What did it look like?” “My watch? It was silver. Not expensive or anything. Just a regular watch.” “Shiny?” “I guess.” “Raccoons.” Determined not to say anything stupid for at least the next ten minutes, she considered his single-word statement. Raccoons? Okay. He probably hadn’t started a word-association game, so what did he mean? Going with the safest response, she cautiously repeated, “Raccoons?” “They like shiny things. Take off with them whenever they can.” “You’re saying a raccoon stole my watch?” “Probably.” She really wanted to point out that they couldn’t possibly tell time, but knew instinctively that was a bad idea. “Can I get it back?” “Sure. If you can find it.” Could she? She glanced around at the underbrush, the trees, the stream. “Is it safe for me to go exploring?” she asked. “You’re not likely to be attacked by raccoons, but you’ll probably get lost, fall down a ravine, break your leg and starve to death. But if the watch is that important to you, have at it.” She felt herself deflating. “You don’t like me much, do you?” she asked sadly. She half expected Zane to stalk away, but instead he exhaled and shook his head. “Sorry.” She blinked. “What?” “I said I’m sorry.” Had the earth stopped turning, or had the taciturn hunky cowboy standing in front of her just apologized? “I--you--” She paused for breath. “That’s okay. I guess it was a stupid question.” “No. It was a reasonable question under the circumstances.” He shoved his hands into his pockets. “I get a little sarcastic sometimes.” “Let’s call it a dry sense of humor.” He half nodded in acknowledgement. “You’ll never find them, and even if you did, your watch would probably be all broken up and rusty from them dunking it in the water. Don’t leave out anything they’ll take. Shiny jewelry, another watch.” “I don’t have another watch. Not with me.” “You need to know the time?” “Just when the meals are.” “Cookie rings a bell.” “Really? Just like in the movies?” “Yeah.” One corner of his mouth turned up as he spoke. It wasn’t exactly a smile, but it was close enough to get her breathing up to Mach 3. “Come on,” he said. “It’s nearly time for lunch.” He started back toward the camp. Phoebe followed him happily. “You think the raccoons could ever learn to tell time?” she asked. He glanced at her. “You’re kidding, right?” “Maybe I have a dry sense of humor, too.” “City girl.” He was probably insulting her, but the way he said the word made her feel almost tall and, if not blonde, then certainly highlighted. “I think Rocky likes me,” she confided. “I’m sure he does.
Susan Mallery (Kiss Me (Fool's Gold, #17))