Madam Quotes

We've searched our database for all the quotes and captions related to Madam. Here they are! All 40 of them:

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According to Madam Pomfrey, thoughts could leave deeper scars than almost anything else.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
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Gustave Flaubert (Madame Bovary)
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A lady came up to me one day and said 'Sir! You are drunk', to which I replied 'I am drunk today madam, and tomorrow I shall be sober but you will still be ugly.
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Winston S. Churchill
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The human heart will never wrinkle.
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Madame de SΓ©vignΓ© (Letters of Madame de SΓ©vignΓ© to her Daughter and her Friends, Volume 2 (Selected))
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Reinette: One may tolerate a world of demons for the sake of an angel.
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Steven Moffat
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The most terrible things men do, they do in the name of love."β€” Madame Dorothea
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.
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Ernest Hemingway
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Never touch your idols: the gilding will stick to your fingers." (Il ne faut pas toucher aux idoles: la dorure en reste aux mains.)
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Gustave Flaubert (Madame Bovary)
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Madame Guillotine gets mad at me. Not because I told them to shove it, but because I didn’t say it in French. What is wrong with this school?
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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An infinity of passion can be contained in one minute, like a crowd in a small space.
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Gustave Flaubert (Madame Bovary)
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She wanted to die, but she also wanted to live in Paris.
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Gustave Flaubert (Madame Bovary)
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It's lucky it's dark. I haven't blushed so much since Madam Pomfrey told me she liked my new earmuffs.
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J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
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Then tell Wind and Fire where to stop," returned madame; "but don't tell me.
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Charles Dickens (A Tale of Two Cities)
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Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door β€” Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; β€” vainly I had sought to borrow From my books surcease of sorrow β€” sorrow for the lost Lenore β€” For the rare and radiant maiden whom the angels name Lenore β€” Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me β€” filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door β€” Some late visitor entreating entrance at my chamber door; β€” This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"β€” here I opened wide the door; β€” Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" β€” Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore β€” Let my heart be still a moment and this mystery explore; β€” 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door β€” Perched upon a bust of Pallas just above my chamber door β€” Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore β€” Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaningβ€” little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door β€” Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
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Edgar Allan Poe (The Raven)
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Love, she thought, must come suddenly, with great outbursts and lightnings,--a hurricane of the skies, which falls upon life, revolutionises it, roots up the will like a leaf, and sweeps the whole heart into the abyss.
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Gustave Flaubert (Madame Bovary)
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...we are all sorry when loss comes for us. The test of our character comes not in how many tears we shed but in how we act after those tears have dried.
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Michelle Moran (Madame Tussaud: A Novel of the French Revolution)
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Madame Michel has the elegance of the hedgehog: on the outside she is covered in quills, a real fortress, but my gut feeling is that on the inside, she has the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary--and terrible elegant.
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Muriel Barbery (The Elegance of the Hedgehog)
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Madame Kovarian: The anger of a good man is not a problem. Good men have too many rules. The Doctor: Good men don't need rules. Today is not the day to find out why I have so many.
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Steven Moffat
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One's duty is to feel what is great, cherish the beautiful, and to not accept the conventions of society with the ignominy that it imposes upon us.
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Gustave Flaubert (Madame Bovary)
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What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?
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Gustave Flaubert (Madame Bovary)
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...madaming teacher sa labas ng eskwelahan. desisyon mo kung kanino ka magpapaturo.
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Bob Ong (ABNKKBSNPLAKo?! (Mga Kwentong Chalk ni Bob Ong))
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[W]hen you find yourself face to face with one [Bondsmage], you bow and scrape and mind your 'sirs' and 'madams.'" ... 'Nice bird, asshole,' said Locke.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.
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Gustave Flaubert (Madame Bovary)
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Everything, even herself, was now unbearable to her. She wished that, taking wing like a bird, she could fly somewhere, far away to regions of purity, and there grow young again.
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Gustave Flaubert (Madame Bovary)
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You forget everything. The hours slip by. You travel in your chair through centuries you seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.
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Gustave Flaubert (Madame Bovary)
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I was taught to strive not because there were any guarantees of success but because the act of striving is in itself the only way to keep faith with life.
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Madeleine K. Albright (Madam Secretary)
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She would have liked not to be alive, or to be always asleep.
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Gustave Flaubert (Madame Bovary)
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But, in her life, nothing was going to happen. Such was the will of God! The future was a dark corridor, and at the far end the door was bolted.
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Gustave Flaubert (Madame Bovary)
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She was the amoureuse of all the novels, the heroine of all the plays, the vague β€œshe” of all the poetry books.
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Gustave Flaubert (Madame Bovary)
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The denigration of those we love always detaches us from them in some degree. Never touch your idols: the gilding will stick to your fingers.
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Gustave Flaubert (Madame Bovary)
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Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?
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Gustave Flaubert (Madame Bovary)
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Of all the icy blasts that blow on love, a request for money is the most chilling.
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Gustave Flaubert (Madame Bovary)
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Maybe from as early as when you're five or six, there's been a whisper going at the back of your head, saying: β€œOne day, maybe not so long from now, you'll get to know how it feels.” So you're waiting, even if you don't quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you – of how you were brought into this world and why – and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
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Kazuo Ishiguro (Never Let Me Go)
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I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?" Floote raised a tentative hand. "Ah, yes, thank you, Floote." "There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize. "I notice you don't mention my fair-weather husband." "I suspect, at this moment, madam, he probably wants to kill you." Alexia couldn't help smiling. "Good point.
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Gail Carriger (Blameless (Parasol Protectorate, #3))
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It's a blessing Madame Gamache and I had at our wedding. It was read at the end of the ceremony. Now you will feel no rain For each of you will be shelter for the other Now you will feel no cold For each of you will be warmth for the other Now there is no loneliness for you Now there is no more loneliness. Now you are two persons, but there is one life before you. Go now to your dwelling place To enter into the days of your togetherness. And may your days be good and long upon this earth. (Apache Blessing)
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Louise Penny (Bury Your Dead (Chief Inspector Armand Gamache, #6))
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I'm absolutely removed from the world at such times...The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of - I'm playing a role in the story I'm reading. I actually feel I'm the characters - I live and breath with them.
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Gustave Flaubert (Madame Bovary)
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Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be – tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.
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Gustave Flaubert (Madame Bovary)
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She was not happy--she never had been. Whence came this insufficiency in life--this instantaneous turning to decay of everything on which she leaned? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet's heart in an angel's form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! How impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight.
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Gustave Flaubert (Madame Bovary)
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Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow." My journal!" Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." Indeed I shall say no such thing." Shall I tell you what you ought to say?" If you please." I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say." But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
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Jane Austen (Northanger Abbey)
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76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – TraitΓ© Γ‰lΓ©mentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. HonorΓ© de Balzac – PΓ¨re Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri PoincarΓ© – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)