Details Funny Quotes

Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.

All those moments throughout the days, weeks, months that don't get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house. The things that matter. The things I can't stop longing for.

Everyone underestimates their own life. Funny thing is, in the end, all our stories...they're the same. In fact, no matter where you go in the world, there is only one important story: of youth, loss and yearning for redemption. So we tell the same story, over and over. Only the details are different.

You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.

Just three words? Nothing about his physical health? His equipment? His supplies?' 'You got me,' she said. 'He left a detailed status report. I just decided to lie for no reason.' 'Funny,' Venkat said. 'Be a smart-ass to a guy seven levels above you at your company. See how that works out.' 'Oh no,' Mindy said. 'I might lose my job as an interplanetary voyeur? I guess I'd have to use my master's degree for something else.' 'I remember when you were shy.' 'I'm space paparazzi now. The attitude comes with the job.

Log Entry: SOL 118 My conversation with NASA about the Water Reclaimer was boring and riddled with technical details. So I'll paraphrase for you: Me: "This is obviously a clog. How about I take it apart and check the internal tubing?" NASA: (After about 5 hours of deliberation) "No. You'll fuck it up and die." So I took it apart.

Sorry. My friends didn't mention certain....details about you and you just wouldn't believe how nutty some people are. Just last week, I had a woman convinced her trailer was haunted by Tupac, as if he'd want to spend eternity in a double wide that smelled like cat piss.

You’ve acquired a pet, archangel. When did this happen?” There’s puzzlement in his voice, as if it’s normal for Beliel to know of Raffe’s companions. “I’m not anyone’s pet.” “I met her tonight at the aerie,” says Raffe. “She’s been following me around. She means nothing.” Beliel snorts. “Funny, I didn’t ask if she meant anything to you.” He looks me up and down, taking in every detail. “Scrawny. But serviceable.” He saunters toward me.

Most of the people you see going to work today are LARPing (live-action role playing) an incredibly boring RPG (role-playing game) called "professionalism" that requires them to alter their vocabulary, posture, eating habits, facial expressions--every detail all the way down to what they allow themselves to find funny.

Master Kell,” said Alucard, cheerfully. “What an unexpected pleasure, running into you here.” His voice had a natural undercurrent of laughter in it, and Kell could never tell if he was being mocked. “I don’t see how it’s unexpected,” said Kell, “as I live here. What is unexpected is running into you, since I thought I made myself quite clear the last time we met.” “Quite,” echoed Alucard. “Then what were you doing in my brother ’s chambers?” Alucard raised a single studded brow. “Do you want a detailed account? Or will a summary suffice?

Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house.

Go out with me tomorow night," Perry went on. "Let me prove to you that I'm the guy you want." "I...I guess I coul go out tomorrow night," Miranda sounded shocked and a little swept off her feet. Then, from the corner of her eyes. Kylie saw something move at the office window. When she looked back, she spotted Burnett and Holiday standing there high-fiving each other. No doubt Burnett was listening to the coversation and sharing the details with Holiday. Perry nodded, stepped closer, and then pressed a quick kiss on Miranda's cheek. It had to be the most romantic thing Kylie had ever seen. ..."What?" Miranda asked. "You're happy my date [with Todd] wasn't exciting?" "No," Kylie said. "Let's just say we're more excited about tomorrow night's date." A bright smile lit up Miranda's face. "Me too. Can you believ Perry did that? I mean, he was so..." "Romantic," Kylie said. "Hot," Della added. "Sweet," Miranda whispered. "I couldn't stop thinkibng about him all night." And that was the best news Kylie had gotten all day.

This is precisely why I loathed being a teacher! Young people are so infernally convinced that they are absolutely right about everything. Has it not occurred to you, my poor puffed-up poppinjay, that there might be an excellent reason why the Headmaster of Hogwarts is not confiding every tiny detail of his plans to you? Have you never paused, while feeling hard-done-by, to note that following Dumbledore's orders has never yet led you into harm? No. No, like all young people, you are quite sure that you alone feel and think, you alone recognise danger, you alone are the only one clever enough to realise what the Dark Lord may be planning.

It's not what we eat or don't eat that makes us good people; it's how we treat one another. As you grow older, you'll find that people of every religion think they're the best, but that's not true. There are good and bad people in every religion. Just because someone is Muslim, Jewish, or Christian doesn't mean a thing. You have to look and see what's in their hearts. That's the only thing that matters, and that's the only detail God cares about.

Are we going to be stupid?” she whispered. “Define stupid.” “Anything that involves either one of us exposing our favorite body parts.” Or their hearts… “I want to hear about your favorite body part,” he said. “In great detail.

It's funny how strangers can pass in front of you every day and all you see is a flat shadow, a vague outline, not noticing any of the details. They move in a gray crowd, always looking the same and acting the same, simple caricatures of who they really are, but once you get to know them, you notice the specific, tiniest things, you pay attention to the intricacies of their personalities, their habits and particular ways of walking and talking, the subtle changes in their appearance and dress.

The Rangers were founded over one hundred and fifty years ago, in King Herbert's reign. Do you know anything about him?" Halt looked sideways at the boy sitting beside him, tossing the question out quickly to see his response. Will hesitated. He vaugely remembered the name from history lessons in the Ward, but he couldn't remember any details. Still, he decided he'd try to bluff his way through it... "Oh ... yes," he said, "King Herbert. We learned about him." "Really?" said the Ranger expansively. "Perhaps you could tell me a little about him?" He leaned back and crossed his legs, getting himself comfortable... "He was ..." he hesitated, pretending to gather his thoughts. "The king." That much he was sure of. Halt merely smiled and made a rolling gesture with his hand that meant go on. "He was the king ... a hundred and fifty years ago," Will said, trying to sound certain of his facts. The Ranger smiled at him, gesturing for him to continue yet again. "Ummm ... well, I seem to recall that he was the one who founded the Ranger Corps," he said hopefully, and Halt raised his eyebrows in mock surprise. "Really? You recall that, do you?

Everyone underestimates their own life. Funny thing is, in the end, all our stories - your life, my life, old Husain's life, they're the same. In fact, no matter where you go in the world, there is only one important story: of youth, and loss, and yearning for redemption. So we tell the same story, over and over. Just the details are different.

It's almost funny: you think you matter to someone. They're the center of your universe, the sun you revolve around. You'd give anything for their details. You inch closer, closer, with tentative steps. You can walk as far as you want, but it won't matter. You are not even on their map.

Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail.

Everyone underestimates their own life. Funny thing is, in the end, all our stories – your life, my life, old Husain’s life, they’re the same. In fact, no matter where you go in the world, there is only one important story: of youth, and loss, and yearning for redemption. So we tell the same story, over and over. Just the details are different.

So I'm delighted to open up a bit about these particular details, in honor of Valentine's Day (when every balding, chubby, and short actuary wants people - especially the babes out there - to know about his studly past" From: "My Best Valentine's Day.Ever: a Short Story

Advice to explorers everywhere: if you would like to recieve due credit for your discoveries, keep a detailed account of your journeys as Columbus did. On Septemeber 28, 1492, after four weeks at sea, he writes: Dear diary...I means journal. Yes, dear journal. That's what I meant to say. Whew. Anyway, we have yet to discover America, and the crew has become increasingly rebellious. I have decided to turn back if we have not spotted it by Columbus Day. Will write again later if not killed by crew. P.S. Last night's buffet was fabulous, the ice sculptures magnificent.

I've always believed that to some extent you get to decide for yourself what your life will be like. You can either look at the world and say "Oh, isn't it all so tragic, so grim, so awful." Or you can look at the world and decide that it's mostly funny. If you step back far enough from the details, everything gets funny. You say war is tragic. I say, isn't it crazy the way people will fight over nothing? People fight wars to control crappy little patches of empty desert, for crying out loud. It's like fighting over an empty soda can. It's not so much tragic as it is ridiculous. Asinine! Stupid! You say, isn't it terrible about global warming? And I say, no, it's funny. We're going to bring on global warming because we ran too many leaky air conditioners? We used too much spray deodorant, so now we'll be doomed to sweat forever? That's not sad. That's irony.

Robbie thought it was funny how his mind was able to remember the smallest details in a fraction of an instant. Like people covering their faces and saying, “OOOWWW!” in reaction to seeing blows delivered to his face, or some writing on the wall above the lockers that said, “SCHOOL SUCKS!” or the name Joey on a ring just before it crashed into his eye and everything went black.

Now keep in mind, memories aren’t historical archives. They’re—improvisations, really. A lot of the stuff you associate with a particular event might be factually wrong, no matter how clearly you remember it. The brain has a funny habit of building composites. Inserting details after the fact. But that’s not to say your memories aren’t true, okay? They’re an honest reflection of how you saw the world, and every one of them went into shaping how you see it. But they’re not photographs. More like impressionist paintings. Okay?

We’re all supposed to be mildly horrified and then start constructing the funny details about that-one-time-we-all-got-married-in-Vegas that we’ll share for the next thirty years. There’s no sweetness or kissing, Mia. Only hangovers and regret.

There is little more I can add short of dissecting the man, or going into intimate details such as the modest proportions and slight southeasterly curvature of his manhood.

Cartoonist found dead in the home. Details are sketchy.

That’s what I wanted. An honest conversation. Not one where my mouth turned into a geyser of random confessions—my bra fits funny, and I once boned that bartender—but a conversation in which those superficial details faded away and we dared to tell the truth about our own suffering. This was the closeness I had always been drinking toward. I drank for other reasons, so many other reasons, but closeness was the richest reward. The part where we locked in on each other, and one person sifted out the contradictions of who they were and how they got there, and the other person just… listened. I’m not sure when I stopped listening. Somehow it became my duty to entertain the masses. To be always on. I stopped being someone who talked with their friends and I started talking at them. Amusing anecdotes, rants deployed on cue. I wasn’t the only one. We were all out there on our social media stages with clever quips and jazz hands. This was not a cultural moment that rewarded quiet contemplation.

I don’t know. We have everything we need to be happy, but we’re not happy. Something’s missing. I looked around. The only thing I positively knew was gone was the books I’d burned in ten or twelve years. So I thought books might help.” “You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the "parlour families” today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget.

This is not about public speaking. Public speaking is a middle-aged white guy standing in front of a podium, telling you details you don’t need to know about a topic you’re not all that interested in. He thinks he’s funny. His mustache is funny. This is about finding your voice and using it fearlessly.

At the Theatre: To the Lady Behind Me Dear Madam, you have seen this play; I never saw it till today. You know the details of the plot, But, let me tell you, I do not. The author seeks to keep from me The murderer's identity, And you are not a friend of his If you keep shouting who it is. The actors in their funny way Have several funny things to say, But they do not amuse me more If you have said them just before; The merit of the drama lies, I understand, in some surprise; But the surprise must now be small Since you have just foretold it all. The lady you have brought with you Is, I infer, a half-wit too, But I can understand the piece Without assistance from your niece. In short, foul woman, it would suit Me just as well if you were mute; In fact, to make my meaning plain, I trust you will not speak again. And—may I add one human touch?— Don't breathe upon my neck so much.

You nearly killed him-" "You do dwell on details

I’d normally spare you the details, but that would kind of defeat the purpose of writing a story.

In a moving—and often funny—memoir about working in a crematorium and other parts of the ‘death industry,’ Caitlin Doughty argues for radical change in how we face the details of death.

I hate to break this to you, but if you spend all your time on protection detail for a high ranking family and you help to make a lot of their problems go away by eliminating the person responsible, you’re an assassin.

[Firoozeh's dad speaking] He continued, "It's not what we eat or don't eat that makes us good people; it's how we treat on another. As you grow older, you'll find that people of every religion think they're the best, but that's not true. There are good and bad people in every religion. Just because someone is Muslim, Jewish, or Christian doesn't mean a thing. You have to look and see what's in their hearts. That's the only thing that matters, and that's the only detail God cares about.

All those moments throughout the days, weeks, months that don’t get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house.

He was, he realized, comforted by her presence. They didn’t need to talk. They didn’t even need to touch (although he wasn’t about to let go just then). Simply put, he was a happier man— and quite possibly a better man— when she was near. He buried his face in her hair, inhaling her scent, smelling . . . Smelling . . . He drew back. “Would you care for a bath?” Her face turned an instant scarlet. “Oh, no,” she moaned, the words muffled into the hand she’d clapped over her mouth. “It was so filthy in jail, and I was forced to sleep on the ground, and—” “Don’t tell me any more,” he said. “But—” “Please.” If he heard more he might have to kill someone. As long as there had been no permanent damage, he didn’t want to know the details. “I think,” he said, the first hint of a smile tugging at the left corner of his mouth, “that you should take a bath.” “Right.” She nodded as she rose to her feet. “I’ll go straight to your mother’s—” “Here.” “Here?” The smile spread to the right corner of his mouth. “Here.” “But we told your mother—” “That you’d be home by nine.” “I think she said seven.” “Did she? Funny, I heard nine.” “Benedict . . .” He took her hand and pulled her toward the door. “Seven sounds an awful lot like nine.” “Benedict . . .” “Actually, it sounds even more like eleven.” “Benedict!” He deposited her right by the door. “Stay here.” “I beg your pardon?” “Don’t move a muscle,” he said, touching his fingertip to her nose. Sophie watched helplessly as he slipped out into the hall, only to return two minutes later. “Where did you go?” she asked. “To order a bath.” “But—” His eyes grew very, very wicked. “For two.” She gulped. He leaned forward. “They happened to have water heating already.” “They did?” He nodded. “It’ll only take a few minutes to fill the tub.” She glanced toward the front door. “It’s nearly seven.” “But I’m allowed to keep you until twelve.” “Benedict!” He pulled her close. “You want to stay.” “I never said that.” “You don’t have to. If you really disagreed with me, you’d have something more to say than, ‘Benedict’!” She had to smile; he did that good an imitation of her voice. His mouth curved into a devilish grin. “Am I wrong?” She looked away, but she knew her lips were twitching. “I thought not,” he murmured.

My parents do not limit themselves to worrying about things that have actually happened. Dreams are also fair game. I often get phone calls with detailed descriptions of a dream, followed by "So naturally, I had to call to make sure you were okay and there wasn't a reason why I dreamed of you trapped in a canoe with a blue turtle.

Everything in this book is mostly true but some details have been changed to protect the guilty. I know it’s usually about “protecting the innocent” but why would they need protection? They’re innocent. And they’re also not nearly as fun to write about as the guilty, who always have more fascinating stories and who make you feel better about yourself by comparison.

You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for!

When someone dies, we tend to tell the same stories over and over: the happy ones, or the funny ones, or, at the very least, the poignant ones. We turn those stories this way and that, studying them like diamonds or ancient scrolls, taking note of every detail. We don’t tell the sad stories, or the ugly, warted ones. After a while, they fade like old newsprint, and we start to forget.

He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.

Together they would sift through the details of their children’s lives, rejoicing over the positives and reflecting on the areas that needed more prayer. They would laugh at the funny things the grandchildren said and comment about how fast they were growing up. Elizabeth would remind him that all of life went far too fast, and John would agree. The evening would fade, the sun would set, and they’d have the night to share each other’s company.

Funny how such innocuous details—the red blip of a voicemail, the single-page letter from a bank requesting a meeting to discuss the foreclosure, the subtle appearance of moving boxes in the garage—can upend your world. Unlike monsters or faeries or kidnappers, you never see these details coming. They don't draw blood or leave visible scars or bruises. You can't fight against them or use magick to fix them. You can only wait to see if you survive them.

Excuse me,’ said Ransom. ‘But it is funny, you know. The idea of a man thinking he could become a saint as a minor detail in his scientific training. You might as well imagine you could use the stairs of heaven as a short cut to the nearest tobacconist’s. Don’t you see that long before you had reached the level of timeless experience you would have had to become so interested in something else—or, frankly, Someone Else—that you wouldn’t be bothering about time-travel?

Laughter may not be nearly as expressive as language, but it has two properties that make it ideal for navigating sensitive topics. First, it’s relatively honest. With words, it’s too easy to pay lip service to rules we don’t really care about, or values that we don’t genuinely feel in our gut. But laughter, because it’s involuntary, doesn’t lie—at least not as much. “In risu veritas,” said James Joyce; “In laughter, there is truth.”51 Second, laughter is deniable. In this way, it gives us safe harbor, an easy out. When someone accuses us of laughing inappropriately, it’s easy to brush off. “Oh, I didn’t really understand what she meant,” we might demur. Or, “Come on, lighten up! It was only a joke!” And we can deliver these denials with great conviction because we really don’t have a clear understanding of what our laughter means or why we find funny things funny. Our brains just figure it out, without burdening “us” with too many damning details.

Our conversation starts out pretty normal. Matthew does most of the talking, as usual. He tells me about Wesley. He tells me everything. Well, almost everything. I was lucky enough to stop him before he got into the explicit details. Wesley also helped by nudging him with his shoulder. He even covered Matthew's mouth when the conversation took a sudden turn because the word package was used. Yeah, the conversation went from sweet and romantic to soft-core porn in about two seconds.

The guys are cool with me being an out and proud player but get all weirded out when I go into details. Granted, I probably overshare way more than I should, but when I pointed out I had to listen to them talk about their hookups with puck bunnies, suddenly the entire team became stand-up dudes who speak respectfully about women in locker rooms. Funny how that works. Apparently, the cure to toxic masculinity is to show them how it feels to be talked about like a piece of meat. You’re welcome, ladies.

A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.

He is chained to the book, or it is chained to him. It is a book of many pages. It cannot be stolen; he cannot give it away. It contains your life. Every detail of your life. Everything that has happened to you. Everything that will happen one day. The things you've forgotten. The things you don't believe. It contains everything that has happened, or will happen, to anyone you've ever met. Anyone you've ever heard of. Anyone you've never heard of. The histories and the dreams and triumphs of the dead are there. The meaning of the patterns of the spots of each leopard is written there, along with the truth of the shapes of clouds, and the strange, funny song-lives of the bacteria-folk and the secrets the wind whispers when there is no one there to listen. Everything is in there, from the beginning of time to the end. He did not create the path you walk. But the movements of atoms and galaxies are in his book, and he sees little difference between them. It is all in his book. One day he will lay it down, when the book is done, and what comes after that is still unwritten. A page turns. Destiny continues to walk... He is holding a book. Inside the book is the Universe.

You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the ‘parlor families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them, at all. The magic is only in what books say,

Bob Cavallo remembers early on in the process, ‘We were at odds with each other. Our contract was up; five years had gone by since Purple Rain. We met at the Four Seasons with his lawyer and his accountant, me and Steve Fargnoli to discuss some kind of rapprochement because he had fired us. Basically he said, “I’ll work with you again but you’ve got to help me make this movie.” I read the treatment and said, “This could be an interesting thing,” and I said, “I’ll try to put you together with some young hip writers and maybe we can come up with a script quickly, ’cause this is pretty detailed.” And he went, “What are you talking about? That is the script.” It was thirty pages. And he said, “I’m going to shoot it, I know exactly how to do it.” So I said, “Maybe we could get this on Broadway for you. Would you be interested in that?” And he said, “No.” Now he was pissed that I didn’t think this was a good enough script, so we shook hands and that was the end of it. Then, about a year later, we were suing each other. But even when we sued each other, it was kinda funny. I said, “How could you not pay me?” He said, “How could you sue me?” He said, “You can’t have my children, those songs. You’re gonna give your involvement in those songs to your grandchildren?” And I said, “Yeah, I put ten years of my life into you, and you sucked all the air out of the room. I couldn’t really manage anybody else except for your friends.

The boarding school memoir or novel is an enduring literary subgenre, from 1950s classics such as The Catcher in the Rye to Curtis Sittenfeld’s Prep. Doust’s recognisably Australian contribution to the genre draws on his own experiences in a West Australian boarding school in this clever, polished, detail-rich debut novel. From the opening pages, the reader is wholly transported into the head of Jack Muir, a sensitive, sharp-eyed boy from small-town WA who is constantly measured (unfavourably) against his goldenboy brother. The distinctive, masterfully inhabited adolescent narrator recalls the narrator in darkly funny coming-of-age memoir Hoi Polloi (Craig Sherborne)—as does the juxtaposition of stark naivety and carefully mined knowingness.’ — Bookseller+Publisher

MINDY READ the Morse code aloud. “ROLLED. FIXING NOW.” “What? That’s it?” Venkat said over the phone. “That’s all he said,” she reported, cradling the phone as she typed out an e-mail to the list of interested parties. “Just three words? Nothing about his physical health? His equipment? His supplies?” “You got me,” she said. “He left a detailed status report. I just decided to lie for no reason.” “Funny,” Venkat said. “Be a smart-ass to a guy seven levels above you at your company. See how that works out.” “Oh no,” Mindy said. “I might lose my job as an interplanetary voyeur? I guess I’d have to use my master’s degree for something else.” “I remember when you were shy.” “I’m space paparazzi now. The attitude comes with the job.” “Yeah, yeah,” Venkat said. “Just send the e-mail.” “Already sent.

Well, I've seen porn!" Evan defends and Dan just looks at him. "Okay, captain Pornie, walk me through it," Dan challenges. "I'll be the pizza guy, and Jeff can be the plumber. You can be... hey, why don't you be the high-powered young executive?" Evan grins at him with a glint in his eye. "Okay, fine." He laces his fingers together and flexes them in front of him as if he's warming up. He sits back in chair and his eyes focus on the eaves of Jeff's roof then begins. "The young executive come home after a hard day... [five pages of detailed porn] "...and all fall asleep together on the executives huge bed. The End." Evan is pretty clearly proud of himself, and Dan really blame him. After an appreciative silence, Dan says, "Okay, yeah, so maybe there's some merit to the whole threesome thing.

Mindy read the Morse code aloud. "ROLLED. FIXING NOW." "What? That's it?" Venkat said over the phone. "That's all he said," she reported, cradling the phone as she typed out an e-mail list of interest parties. "Just three words? Nothing about his physical health? His equipment? His supplies?" "You got me," she said. "He left a detailed status report. I just decided to lie for no reason." "Funny," Venkat said. "Be a smart-ass to a guy seven levels above you at your company. See how that works out." "Oh no," Mindy said. "I might lose my job as an interplanetary voyeur? I guess I'd have to use my master's degree for something else." "I remember when you were shy." "I'm the space paparazzi now. The attitude comes with the job." "Yeah, yeah," Venkat said. "Just send the e-mail." "Already sent.

He also knows that when he comes back home empty-handed, as he will do regularly, he will have no satisfactory explanation. He is well aware, for he has met dozens of them, of the numbers of people that will approach him on street corners and in bars and at parties, who will open each conversation with, “Well, did you get him yet?” When he answers no, they will be off and running. They will tell him in delighted tones and in the clearest detail the story of a friend of theirs who has a feeble-minded nephew. Of how this nephew is occasionally allowed home on leave from the state funny farm. How that the last time this poor defective creature was home, week before last, he went out in the woods just behind the house, sat on a log, and with a turkey yelper that was given away as a souvenir by a typewriter company in 1937, yelped twice, and killed a turkey that weighed twenty-three pounds—picked.

The late nights binge-watching The X-Files on the couch they picked out together, the early mornings making toast while they're still too tired to speak, the kids who will earn their first scars in the backyard and badly practice instruments at inconvenient times, and the way their favorite candle's scent will gradually infuse the walls so that every time they come back from a trip, exhausted, and dump their bags inside the door, they'll smell that they're where they belong. All those moments throughout the days, weeks, months that don't get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house. The things that matter. The things I can't stop longing for. There's only one place that feeling exists for me, only one person with whom I belong.

Unlike other features on OkCupid, there is no visual component to match percentage. The number between two people only reflects what you might call their inner selves—everything about what they believe, need, and want, even what they think is funny, but nothing about what they look like. Judging by just this compatibility measure, the four largest racial groups on OkCupid—Asian, black, Latino, and white—all get along about the same.1 In fact, race has less effect on match percentage than religion, politics, or education. Among the details that users believe are important, the closest comparison to race is Zodiac sign, which has no effect at all. To a computer not acculturated to the categories, “Asian” and “black” and “white” could just as easily be “Aries” and “Virgo” and “Capricorn.” But this racial neutrality is only in theory; things change once the users’ own opinions, and not just the color-blind workings of an algorithm, come into play.

Another common argument is about nutrition from non-veg food. People say that non-veg food has more nutritious and keeps people healthy and strong. But if we go into more details with science and statistics, everybody can understand a simple theory that nobody can grow more than the protein/nutrition it takes in its diet.   So if I consider this, then even a chicken, goat or a bull grows this big only by taking the same nutrition from nature; mostly from grass, beans, leaves pulses and grain. With the demand of non-veg if human can grow this much of food for feeding these animals, it can directly grow the same amount of food for himself. And deficiencies are the reason of imbalance diet, which are found in both vegetarians as well as non-vegetarians, and a balance diet can keep anyone healthy without non-veg too.   One last thing you must have seen around is, human started dyeing of diseases like Bird Flu. Will you still say you keep balance in nature by eating non-veg? And if your answer is yes, then I must say: YOU ARE FUNNY!!!

I like to say the idea of Phantasma came to me all at once, hitting me like a ton of bricks one cloudy afternoon in November 2021, but truly, my experience with obsessive-compulsive disorder has been building to this story for a very long time. During the process of brainstorming the sort of adult romance I wanted to debut with, I was going through a period where my obsessive-compulsive tendencies were flaring up more than usual and the voices in my head were getting a little too bold. To my friends, these compulsions were alarming little anecdotes over lunch—‘that sounds like a horror movie’ one of them said (affectionately)—which is funny because, to me, someone who has lived with OCD my entire life, it was just another day of being unfazed by the increasingly creative scenarios my mind likes to conjure. OCD has such a wide range of symptoms that it makes every person’s experience with it different. Unfortunately, it has also become a commonly misused term conflated with the idea of being overly neat and clean, when in reality a lot of people with OCD have much darker symptoms. In my experience this has made explaining the real effects of OCD very hard as well as making it more difficult for people to regard the condition seriously. It’s so important to me to convey, with the utmost sincerity, that I know people are not doing this to be malicious! Because of the misuse of the term, however, some of the ways this disorder is shown in this book may come off as exaggerated or dramatic—but the details of Ophelia’s OCD are drawn directly from experiences that I, or someone I know who shares my condition, have had first-hand. And it’s still only a fraction of the symptoms we live with daily. Ophelia’s story is a love letter to my journey of getting comfortable being in my own head (as well as my adoration for Gothic aesthetics and hot ghosts). And while her experience with OCD, my experience with OCD, might look a lot different to someone else’s, I hope that the same message rings clear: struggling with your mental health does not make you unworthy of love. And I hope the people you surround yourself with are the sort of people who know that, too.

When my mother died I was a baby,' Cyrus finally said. 'And so I didn’t really know what I’d lost until I was much older. I mean, maybe I still don’t. But there was this one day when I was fifteen or sixteen when I decided I was really going to feel it. Like, I didn’t get to have a day to grieve my mother properly when it happened. So I made one up. I skipped school and just wandered around downtown Fort Wayne listening to my Walkman, weeping wherever I went, trying to picture her in my head. I kept ducking into these alleys and side streets bawling my eyes out, imagining all the days she’d never seen me. All the days I’d never see her. I got dehydrated from all the crying, I remember feeling super thirsty. I remember stopping into a gas station to buy a Gatorade, and the clerk there asking if I was okay, if I needed any help. That’s such a funny detail, I’d forgotten about that till just now. It tasted like trash, so sweet it burned. But I chugged it! I was so thirsty from crying. I felt it I think maybe for the first time then. All that grief consolidated, concentrated into a single hard point. Like a diamond. That one day.

Secretary of State for International Trade Liam Fox said in 2016, in the run-up to the EU referendum, that ‘the United Kingdom is one of the few countries in the European Union that does not need to bury its twentieth-century history.’ Funny, because Britain is in fact one of the few countries in the world that literally did bury a good portion of its twentieth-century history. During the period of decolonisation, the British state embarked upon a systematic process of destroying the evidence of its crimes. Codenamed ‘Operation Legacy’, the state intelligence agencies and the Foreign Office conspired to literally burn, bury at sea or hide vast amounts of documents containing potentially sensitive details of things done in the colonies under British rule.25 Anything that might embarrass the government, that would show religious or racial intolerance or be used ‘unethically’ by a post-independence government was ordered destroyed or hidden. The Foreign Office were forced to admit in court about having hidden documents, then were unforthcoming about the scale of what was hidden, to the point that you’d be a fool to trust anything that is now said. But from what we know, hundreds of thousands of pages of documents were destroyed and over a million hidden, not just starting in the colonial period but dating all the way back to 1662. This operation was only exposed to the public in 2011 as part of a court case between the survivors of British concentration camps in Kenya and the government.

As soon as my father’s car turned into our driveway, I ran out and told him of the unpleasant future that awaited him, forever. He let out a hearty laugh. I started to cry. Once my father saw my tears, he sat down with me and said, “Firoozeh, when the Prophet Muhammad forbade ham, it was because people did not know how to cook it properly and many people became sick as a result of eating it. The Prophet, who was a kind and gentle man, wanted to protect people from harm, so he did what made sense at the time. But now, people know how to prepare ham safely, so if the Prophet were alive today, he would change that rule.” He continued, “It’s not what we eat or don’t eat that makes us good people; it’s how we treat one another. As you grow older, you’ll find that people of every religion think they’re the best, but that’s not true. There are good and bad people in every religion. Just because someone is Muslim, Jewish, or Christian doesn’t mean a thing. You have to look and see what’s in their hearts. That’s the only thing that matters, and that’s the only detail God cares about.” I was six years old and I knew that I had just been made privy to something very big and important, something far larger than the jewels in the Shah’s crown, something larger than my little life in Abadan. My father’s words felt scandalous, yet utterly and completely true. In the midst of my thoughtfulness, I heard my father continue, “And when you’re older, Firoozeh, I’ll have you try something really delicious: grilled lobster.

The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.

It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.

Letty wanted to know every detail of Laura's going. As she asked and listened, her heart beat uncomfortably fast and she felt that, if she did not take care, she would burst into tears. Laura had gone; she had broken away. 'It's not fair! It's not fair!' Letty cried to herself. Laura had got what she wanted; whatever happened to her afterwards she had got, once, what she wanted. She had had the courage to take it. 'Not that I ever wanted to go off with a man,' Letty had thought on the way to Greenbanks with Ambrose. No, she had never seen anyone she wanted to go off with. When she thought of going, it was never with a man. Once she had indulged in wild dreams. For years after she was married she felt that someone would one day come, someone she could love with all her heart, with that high, free elation and that deep satisfaction she could imagine. She would be able to share everything with him; her fears in the night about loneliness, death, the end of things. He would understand, she felt, but he would not explain, for after all there is no explanation. He would laugh, too, at what she laughed at; he would enjoy shop incidents, tram incidents, street incidents - all the queer, funny things that go to make up every day. Letty felt, for years, that someone like this would come before it was too late. 'It's not really me, having the children and living with Ambrose,' she would think in bewilderment. 'This isn't my life really; it will all be different soon. I shall begin to live as I want to - soon.' But the years went on and now she was over forty and looked for nobody to rescue her as if she were a damsel in distress. She no longer expected to be loved by any man. Men wanted youth and beauty; no matter how old and ugly they were themselves, they felt entitled to youth and beauty in women. She had missed the great love she had dreamed of as a girl, but she thought about it no more. Her wishes had changed as she grew older; she now only wanted to get away by herself, to enjoy life in her own way. [...] She knew what she wanted, but could not have; it was freedom.

Obviously, I didn’t pursue that girl any longer, and I didn’t think about Missy much after our so-called date, mainly because I didn’t think she was interested in me. But then a few days later, one of our mutual friends from church called me. She told me Missy couldn’t stop thinking about me. I didn’t find out until several months later that the friend also called Missy that night and told her I really liked her! Neither one of us thought much about our fake date, but our friend decided to play matchmaker. The next time I saw Missy was at a youth meeting at the Kelletts’ house. Oddly enough, Missy’s family had lived in the same house for years until Mike and his family bought it. After the meeting I decided to check the credibility of our mutual friend who told me Missy was interested in me. We were outside and Missy was telling me stories of when she used to live there. I led her to the backyard and after she finished a story, I made my move. I turned and planted a juicy lip lock on her, to which she responded enthusiastically. I just wanted to see if she was interested in me and I got the answer. I have to admit I felt a spark or two during the encounter. It was nice! Missy remembers a few more details of our early dating. Missy: During our mock date, I also felt like we had a great time together. However, because we had mutually agreed to go out on this public-relations date, I would have never assumed anything more. I am not an aggressive person, and even though I felt something between us, I would have never made the first move! That’s why, when Jason dropped me off, I just got out of the truck and went inside. He obviously hadn’t asked me out because he thought I was pretty, funny, or interesting. In my mind, this was just business, whether I liked it or not. And I didn’t like it. I was definitely attracted to him, but where I came from and the way I was raised, it was the boy’s responsibility to make the first move. And he didn’t, at least not that night. When my friend called me a few days later and told me that he liked me, I was surprised and thrilled! Little did I know that she’d done the same thing to Jason. The night after our first kiss at our youth minister’s house, I remember trying not to get my hopes up. I knew about his reputation of dating as many girls as possible, and I thought there was a great chance that I would never hear from him again. However, I decided to go outside my comfort zone and give him a call. One of his mom’s friends answered the phone and when I asked to speak to Jason, she told me he was on his way to his girlfriend’s house. I hung up, feeling dejected. About fifteen minutes later, he showed up at my house. I was the girlfriend!

The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.

Funny how sometimes time and memory fed off each other, how some years flashed by in a hazy fast-forward blur, while others passed with such clarity, in slow motion and excruciatingly detailed.

followed by high jump and then finally, the relay race. All of you have to participate, there is no escaping. Let us begin.” Mr. Ruperts said. I swear to you, if the phrase “chain of disasters” didn’t exist until now, it would definitely exist after today. I failed so miserably in every single activity that I don’t think I will ever be able to show my face in a sports field ever again. Let me tell you in detail. Long jump: So basically in long jump, there is a sand pit and a line is drawn outside the pit where you have to jump from. You have to come running towards the line and jump when you reach it. Wherever your feet land on the sand is the distance you have jumped. The farther you jump, there better. Sounds pretty simple, right? Well, my body certainly didn’t seem to think so. My turn to jump was almost toward the last. After seeing everyone jump so well

Time froze, every detail searing itself into memory. Loren’s tie tack was a little crooked, and the gel that kept his blonde hair immaculate was losing its hold. He didn’t look as though he’d just held a long, suspicious meeting so much as just awakened from a nap. In any other context, Buster might have found it funny, but here, in an empty conference room, with the sudden fluorescent lights stabbing at his eyes, the effect was terrifying. Any words he could have knitted together fled for the dark corners of the room, hiding under his spilled papers, in the spaces between the furniture and the floorboards, behind the heavy maroon drapes at the windows. He opened his mouth anyway, and even the start of a stammer died in his throat as his breath stalled out.

Funny that he’d never noticed those details before, but then again, he couldn’t have cared less about the women who’d thrown themselves at him. And then he’d met the one girl who didn’t stroke his ego and didn’t give a rat’s ass about impressing him, and he’d never been the same again.

Sean told her about the question Rosie had posed while they were in the parking lot of the grocery. Franci had to lean against the counter, laughing so hard she was doubled over, yet trying to keep quiet lest Rosie come running soaking wet to the kitchen to see who would dare have fun without her. “Yeah, funny,” Sean said. “What would you have said?” She wiped her eyes. “Well, I have a special book about all that. It’s right about time to look at it together, but I didn’t know how to explain you to Rosie, so I’ve been putting it off. I guess I can go ahead with it now.” “A book? Come on!” “No, really. It talks about all the differences in the mommy’s and daddy’s bodies—it’s very cute. Sweet. Non-threatening.” She smiled at him. “If you’re very good, I’ll read it to you later.” “If you’re very good, I’ll show you how it’s done.” He leered at her. “By the way,” he said. “How was it done in this case? We were always very careful. Do you remember?” “Every detail,” she said, turning away from him to put away dishes. He turned her back. “Could I have a couple of details, please?” She took a breath. “Remember I used to go off the pill for a couple of months a year and your job was to be very good about the condoms? Well, there were a couple of times you got real worked up and just let it slide.” She shrugged. “It was as much my doing as yours. I was also a little worked up.” Silence enveloped them for a moment. He leaned forward and kissed her brow. “We were like that,” he whispered. “I’m not sorry about that. Big accident. Huge reward. She’s awesome.” Franci

Just take me home,” Furi mumbled and moved to the passenger side of the truck. The drive home was deathly quiet. Syn wasn’t sure if Furi was going to forgive him or not, he was certainly hoping he would. Syn really did like Furi. He was the type of man he’d want to spend hours talking to because the deep sexiness of his voice did funny things to Syn’s groin, listening to him laugh was like the sweetest music to his ears. He wanted to see Furi's gorgeous face when he came home from working a shitty case, knowing he would make it better. He wanted to get into bed with him after a hot shower and bury his face in Furi’s soft hair and just lose himself in the erotic scent that lingered in those gorgeous locks. Syn fought the urge to apologize again; he’d done it at least five times now. He looked over at Furi, wishing he would turn and look at him. “Are you going to say anything?” Furi did look at him then, but what he said wasn’t exactly what Syn wanted to hear, “Your truck needs a tune-up.” Then he turned his head back toward the window. Syn pulled up to the curb opposite Furi’s apartment and shut off the engine. Furi didn’t say anything; he just opened the door, got out of the truck and walked across the street. Syn jumped out calling to him, “Furi, please wait.” Furi stopped in the middle of the street and turned to face him, looking completely exasperated. “What?” Syn was just making his way around the truck when he heard tires screeching and bright headlights headed directly at Furi. “Furious!” Syn yelled, but he saw there was no time. He ran at full speed, leaping and slamming his body into Furi's, the car’s front end just missing them. Syn rolled with Furi, a messy tangle of long limbs, hitting the curb hard. Syn kept one arm around Furi while craning his neck to try to see where the car was. All he could see was the make of the dark vehicle and two letters of the license plate. Syn pulled his S&W from behind his back just in case they circled back around. Syn jumped up and pulled Furi up with him. “Inside, now.” Furi moved quickly, Syn right behind him. As soon as they got inside the apartment, Syn turned Furi to face him. He looked him over and determined that he was okay for the most part. Furi looked like he was in shock, and rightfully so, someone had just tried to kill him. Syn put both his hands on Furi’s flushed cheeks. “Furious look at me.” Syn waited for those now haunted eyes to look at his. When Furi finally focused on his face, he had to slip into cop mode and ask his questions while the details were fresh in his mind.

I have the reports from Gemson and Boyd,” Syn replied. His boots were up on the corner of his desk as he reclined back in his chair, skimming the contents of the file. “How are they?” God asked. He removed his leather coat and draped it over the back of his chair. “Detailed. Good,” Syn answered. He brought his feet down and gave God a pointed look. The big man shook his head, already knowing what Syn wanted. He wanted everything they knew about this case. Now. “Alright Syn. Chill out. We’re not used to you yet. But we know what it means to have a Sergeant on our team. You’re the team's go to, and have just as much command and input regarding decision making as we do,” Day responded as God stared. Day chuckled. “Tito was just as important as the other Jacksons.” Syn threw a pen at Day, which he dodged easily. Syn couldn’t help but laugh at Day’s fucked up comparison. “I’m no fucking Tito, shithead.

It is funny that some of must not only get our bearings but must also know all the details of the world before we venture out into it.

Then, with great relish, Lyndon Johnson spun a Texas tale. It was his pièce de résistance, the crescendo of an expansive, four-hour performance. “When I got [Kennedy] in the Oval Office,” Johnson began, “and told him it would be ‘inadvisable’ for him to be on the ticket as the Vice President-nominee, his face changed, and he started to swallow. He looked sick. His adam’s apple bounded up and down like a yo-yo.” For effect, the president gulped, audibly, at the reporters. He mimicked Bobby’s “funny voice” and proceeded to tell, in lavish detail and with evident delight, his version of the meeting. Finally, LBJ ran down a list of possible running mates and explained the ways each would hurt his chances. “In other words,” recalled Folliard, “he would do better in the November election if he had no running mate. This left Wicker, Kiker and me baffled—and that is just what the man evidently wanted us to be.” Within days Johnson’s story was the talk of Washington. His portrait of RFK as a “stunned semi-idiot” left columnist Joseph Alsop and other Washington insiders feeling rather stunned themselves. It was not long before the gossip found its way to Bobby Kennedy, who stormed back to the White House and accused the president of mistruths and a violation of trust. I knew the meeting was taped, he said, but I never expected this. Wasn’t our talk a matter of confidence? Aren’t we honorable men? LBJ was unrepentant: I’ve revealed nothing, he assured Kennedy, gesturing wanly at an empty page in his appointment book. He promised to check his notes for any conversations that might have slipped his mind. Bobby stalked out, seething, and caught a plane to Hyannis Port. “He tells so many lies,” Kennedy said of Johnson the next week, echoing the words of George Reedy, “that he convinces himself after a while he’s telling the truth. He just doesn’t recognize truth or falsehood.

I came across Kyla years ago, when she made short videos about the economy that were as funny as they were informative. It was instantly apparent that she had not only mastered the technical details of how the economic machine works; she could also explain it in a way that had so much empathy for the human side of this field. Her work exploded in 2022 when she coined the term “vibecession” to describe a situation in which the economy was technically okay but people still felt glum about it, and their vibes could become a self-fulfilling prophecy. It’s a perfect example of understanding the gap between the chalkboard and the real world. Let me tell you: Roughly 0 percent of economic PhDs understand that gap, and exactly 0 percent can explain it like Kyla can.

Some people are natural storytellers. They know how to set the scene, find the right angle,when to pause for dramatic effect or breeze past inconvenient details.

All those moments throughout the days, weeks, months that don’t get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house. The things that matter. The things I can’t stop longing for.

All those moments throughout the days, weeks, months that don't get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house.

Somehow the conversation drifted to G-string bathing suits (or as I call them, “anal floss”). We talked about their popularity and who would—or who should not—be jumping on that fashion bandwagon. Mom was completely in the dark. “What’s a G-string?” she asked. The girls described them in detail. “G-string,” Mom replied. “I’d need two Gs.

All those moments throughout the days, weeks, months that don’t get marked on calendars with hand-drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house. The things that matter. The things I can’t stop longing for. There’s only one place that feeling exists for me, only one person with whom I belong.

The most important decision you’ll ever make is who you marry,” Dad said. “You can take every other decision you’ll ever make, add them together, and it still won’t be as important as that one. Suppose you choose the wrong job, for example. With the right wife, that’s not a problem. She’ll encourage you to make a change, cheer you on no matter what. You understand?” “Yes.” “Remember that, okay?” “Okay.” “You have to love her more than anything in the world. But she has to love you just as much. Your priority should be her happiness, and her priority should be yours. That’s a funny thing—caring about someone more than yourself. It’s not easy. So don’t look at her as just a sexual object or as just a friend to talk to. Picture every day with the person. Picture paying bills with that person, raising children with that person, being stuck in a hot room with no air-conditioning and a screaming baby with that person. Am I making sense?

two or ALL the puppies if I could’ve. But whatever, it was just cool to have puppies in the mall. My sister’s gonna FREAK when I tell her about it. Anyways, Fergus and Annie returned to our tournament table with the biggest plate of nachos I’d ever seen in my whole entire life, so me and Emma went and joined them. The four of us dug into the towering mountain of chips and cheese and chicken and onions and queso and tomatoes and salsa and sour cream and guac and jalapenos and O.M.CHEESE, it was SO good! I filled my belly with warm food and then sat back, watching all the people around the tournament having fun. What a great start to a weekend full of friends, puppies, and video games. I mean, seriously, everything was PERFECT, and there wasn’t a single thing that could change that… And immediately, Annie goes, “It was stolen,” but she didn’t know that! Isn’t it funny how some people go to the worst-case scenario first? That’s called “catastrophic thinking” and helps ABSOLUTELY NOBODY in times of stress. So, until we had more details, I thought it best to simply call the camera “missing.” I ran up to Callie, HOPING that maybe she had taken the camera to a Lost & Found box somewhere inside Hacktronics, but nope. Apparently, they didn’t have one. Not good. That meant somebody MIGHT have stolen it. I went to the other players in the tournament and asked if THEY saw anything suspicious, but nobody did! I just couldn’t believe it! How was it possible that NOBODY saw some fool GANK an $800 camera?? That doesn’t even make any sense! Fergus had completely shut down. Annie was angry at me. And Emma was just caught in the middle of it, sitting there, like, “Awkwaaaaaard.” Then, outta nowhere, Annie let me have it. She shouted a bunch of stuff at me that weren’t the kindest things ever, but I fixed all that through the MAGIC of editing…

I could just imagine Cindy Ann telling Cherry the tale of Champ and the Twenty-Eight Walks of Shame, embellishing every already embarrassing detail.

The job of comedy writer is essentially to sit and have funny conversations about hypothetical situations, and you are rewarded for originality of detail.

Before we get started, I need to warn you that this book is going to talk about suicide, including detailing suicidal methods. It’s going to detail experience of sexual assault. It’s also going to talk about addiction, including references to cocaine and alcohol abuse. It’s going to examine self-harm and depression. It’s going to be honest about some of the darkest things it’s possible to feel. It’s also going to (try to) be funny. I

Comedic characters are much simpler. You don’t want to write a long, detailed bio for a comedic character. You just want to list 1–3 traits. Comedic characters aren’t meant to seem real. They’re merely meant to represent a fundamental flaw that all human beings share. We can all relate to a comedic character who symbolizes one of our core weaknesses. Laughing at them allows us to laugh at ourselves and the inherent foibles that make us all alike. Readers don’t see comedic characters as real, and they don’t want to. They expect them to be little more than symbols.

Kyan scowled from the depths of the cushions he was collecting. "I need the purchasing details for this. I want ten!" I didn't doubt that he would put a couch in every place he ever dwelled for longer than five minutes.

While Birdie was a guest in their home, the Crosses would find her irresistibly charming, impeccably well mannered, and delightfully funny. But when they were out of earshot once again, Birdie would tell Kate in unsparing detail what she really thought. Birdie Burke took merciless measure.

You have to love her more than anything in the world. But she has to love you just as much. Your priority should be her happiness, and her priority should be yours. That’s a funny thing—caring about someone more than yourself. It’s not easy. So don’t look at her as just a sexual object or as just a friend to talk to. Picture every day with the person. Picture paying bills with that person, raising children with that person, being stuck in a hot room with no air-conditioning and a screaming baby with that person. Am I making sense?

What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.

It’s not what we eat or don’t eat that makes us good people; it’s how we treat one another. As you grow older, you’ll find that people of every religion think they’re the best, but that’s not true. There are good and bad people in every religion. Just because someone is Muslim, Jewish, or Christian doesn’t mean a thing. You have to look and see what’s in their hearts. That’s the only thing that matters, and that’s the only detail God cares about.

Remember to not just rely on one source. Combine all sides of the equation so you can go to sleep with this info and wake up saying, “Yeah, this stuff right here, that’s good stuff.” Why I am thinking of a New England accent typing this I have no clue, but I thought I’d add in this useless detail.

I studied him the way I studied all the people in my life, noticing the changes of his mood, the times when the edge of his patience came into view, even small physical details like the sickle-shaped scar on the top of his right forearm and the small flourish he made with his hand whenever he set down a tool, as if he was brushing bad air away from it.