Readers Live A Thousand Lives Quotes

A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.

A reader lives a thousand lives before he dies. The man who never reads lives only one.

The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.

A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one

What reading does, ultimately, is keep alive the dangerous and exhilarating idea that a life is not a sequence of lived moments, but a destiny...the time of reading, the time defined by the author's language resonating in the self, is not the world's time, but the soul's. The energies that otherwise tend to stream outward through a thousand channels of distraction are marshaled by the cadences of the prose; they are brought into focus by the fact that it is an ulterior, and entirely new, world that the reader has entered. The free-floating self--the self we diffusely commune with while driving or walking or puttering in the kitchen--is enlisted in the work of bringing the narrative to life. In the process, we are able to shake off the habitual burden of insufficient meaning and flex our deeper natures.

The books we read help to shape who we are. Reading offers us, as children, our first independence- allowing us to travel far beyond the confines of our immediate world. Books introduce us to great figures in history, narratives that stir our spirit, fictions that tug us out of ourselves and into the lives of a thousand others, and visions of every era through which human beings have lived. And in the process of stretching who we are, books also connect us to all others- of our own or previous times- who have read what we've read. In the community of readers, we instantly become linked to those who share our love for specific characters or passages. A well-composed book,' says Caroline Gordon, 'is a magic carpet on which we are wafted to a world that we cannot enter in any other way.

A reader lives a thousand lives.

Yeah, that’s exactly how much I read. It was a form of escapism. It was George R.R. Martin who said, ‘a reader lives a thousand lives before he dies. The man who never reads lives only one.

It is the case that, albeit to a lesser extent, all fictions make their readers live "the impossible", taking them out of themselves, breaking down barriers, and making them share, by identifying with the characters of the illusion, a life that is richer, more intense, or more abject and violent, or simply different from the one that they are confined to by the high-security prison that is real life. Fictions exist because of this fact. Because we have only one life, and our desires and fantasies demand a thousand lives. Because the abyss between what we are and what we would like to be has to be bridged somehow. That was why fictions were born: so that, through living this vicarious, transient, precarious, but also passionate and fascinating life that fiction transports us to, we can incorporate the impossible into the possible and our existence can be both reality and unreality, history and fable, concrete life and marvellous adventure.

I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. They made no honey, those things, they can provide no one with any nourishment. At the most, if my books are still read, the reader will think: There wasn’t much she didn’t see! But that unique sum of things, the experience that I lived, with all its order and its randomness — the Opera of Peking, the arena of Huelva, the candomblé in Bahía, the dunes of El-Oued, Wabansia Avenue, the dawns in Provence, Tiryns, Castro talking to five hundred thousand Cubans, a sulphur sky over a sea of clouds, the purple holly, the white nights of Leningrad, the bells of the Liberation, an orange moon over the Piraeus, a red sun rising over the desert, Torcello, Rome, all the things I’ve talked about, others I have left unspoken — there is no place where it will all live again

I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. They made no honey, those things, they can provide no one with any nourishment. At the most, if my books are still read, the reader will think: There wasn’t much she didn’t see! But that unique sum of things, the experience that I lived, with all its order and its randomness — the Opera of Peking, the arena of Huelva, the candomblé in Bahía, the dunes of El-Oued, Wabansia Avenue, the dawns in Provence, Tiryns, Castro talking to five hundred thousand Cubans, a sulphur sky over a sea of clouds, the purple holly, the white nights of Leningrad, the bells of the Liberation, an orange moon over the Piraeus, a red sun rising over the desert, Torcello, Rome, all the things I’ve talked about, others I have left unspoken — there is no place where it will all live again. At

I am a writer. I live a thousand different lives in a thousand different places, in a galaxy of black and white words. Lend me your imagination, reader, and let me show you new places, new people, and fantastic worlds, in all the myriad colors of your mind.

The reader lives a thousand lives, while the non-reader only lives one.

Every reader can live One Thousand and One Lives; every fiction author can have One Thousand and One Masks, and their talent can have One Thousand and One Facets.

A reader lives a thousand lives before he dies" -

A reader lives a thousand lives before he dies . . . The man who never reads lives only one... tanveersalt.com

A reader lives a thousand lives before he dies,” said Jojen. “The man who never reads lives only one.

A lot can be changed in a span of a year. A thousand lives can be moulded, a lot many lessons can be learnt and life can show its unpredictability. Even so, one year is enough to prove to yourself that you are worth the struggle that you undertake just to reap a momentary fruit of that labour. If fighting a new fight keeps us motivated each year, so be it. Here is wishing every fighter, struggling to make a break and succeed in life a memorable New Year. Do what you do best and don't trade your passion for fame but rather earn the fame through your passion. May your fight be fruitful this year and your name engraved in hearts of horde in the form of your work. A Happy New Year to all my well wishers, peers, friends, colleagues, acquaintances and readers. May your year be blessed with good fortune and health with added wealth. My message this New Year is that in a world full of possibilities never limit yourself to the sky for what is sky when there is endless darkness beyond to lighten up. Take care.

and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.

You will encounter resentful, sneering non-readers who will look at you from their beery, leery eyes, as they might some form of sub-hominid anomaly, bookimus maximus. You will encounter redditters, youtubers, blogspotters, wordpressers, twitterers, and facebookers with wired-open eyes who will shout at from you from their crazy hectoring mouths about the liberal poison of literature. You will encounter the gamers with their twitching fingers who will look upon you as a character to lock crosshairs on and blow to smithereens. You will encounter the stoners and pill-poppers who will ignore you, and ask you if you have read Jack Keroauc’s On the Road, and if you haven’t, will lecture you for two hours on that novel and refuse to acknowledge any other books written by anyone ever. You will encounter the provincial retirees, who have spent a year reading War & Peace, who strike the attitude that completing that novel is a greater achievement than the thousands of books you have read, even though they lost themselves constantly throughout the book and hated the whole experience. You will encounter the self-obsessed students whose radical interpretations of Agnes Grey and The Idiot are the most important utterance anyone anywhere has ever made with their mouths, while ignoring the thousands of novels you have read. You will encounter the parents and siblings who take every literary reference you make back to the several books they enjoyed reading as a child, and then redirect the conversation to what TV shows they have been watching. You will encounter the teachers and lecturers, for whom any text not on their syllabus is a waste of time, and look upon you as a wayward student in need of their salvation. You will encounter the travellers and backpackers who will take pity on you for wasting your life, then tell you about the Paulo Coelho they read while hostelling across Europe en route to their spiritual pilgrimage to New Delhi. You will encounter the hard-working moaners who will tell you they are too busy working for a living to sit and read all day, and when they come home from a hard day’s toil, they don’t want to sit and read pretentious rubbish. You will encounter the voracious readers who loathe competition, and who will challenge you to a literary duel, rather than engage you in friendly conversation about your latest reading. You will encounter the slack intellectuals who will immediately ask you if you have read Finnegans Wake, and when you say you have, will ask if you if you understood every line, and when you say of course not, will make some point that generally alludes to you being a halfwit. Fuck those fuckers.

A reader lives a thousand lives before they die. The ones who never read live only once.

A reader lives a thousand lives before he dies.

A reader lives a thousand lives before he dies, the man who never reads lives only one.

A reader lives a thousand lives before he dies,” said Jojen. “The man who never reads lives only one.” —GEORGE R. R. MARTIN,

A reader lives a thousand lives. You’re always off somewhere, Bellamy, exploring other worlds. You have many lives.

A reader lives a thousand lives before he dies. The man who never reads lives only one

Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and

If he were alive today, Plato—to take him as an example, because along with a dozen others he is regarded as the greatest thinker who ever lived—would certainly be ecstatic about a news industry capable of creating, exchanging, refining a new idea every day; where information keeps pouring in from the ends of the earth with a speediness he never knew in his own lifetime, while a staff of demiurges is on hand to check it all out instantaneously for its content of reason and reality. He would have supposed a newspaper office to be that topos uranios, that heavenly realm of ideas, which he has described so impressively that to this day all the better class of people are still idealists when talking to their children or employees. And of course if Plato were to walk suddenly into a news editor’s office today and prove himself to be indeed that great author who died over two thousand years ago he would be a tremendous sensation and would instantly be showered with the most lucrative offers. If he were then capable of writing a volume of philosophical travel pieces in three weeks, and a few thousand of his well-known short stories, perhaps even turn one or the other of his older works into film, he could undoubtedly do very well for himself for a considerable period of time. The moment his return had ceased to be news, however, and Mr. Plato tried to put into practice one of his well-known ideas, which had never quite come into their own, the editor in chief would ask him to submit only a nice little column on the subject now and then for the Life and Leisure section (but in the easiest and most lively style possible, not heavy: remember the readers), and the features editor would add that he was sorry, but he could use such a contribution only once a month or so, because there were so many other good writers to be considered. And both of these gentlemen would end up feeling that they had done quite a lot for a man who might indeed be the Nestor of European publicists but still was a bit outdated, and certainly not in a class for current newsworthiness with a man like, for instance, Paul Arnheim.

I have often been asked why I maintained such a non-compromising antagonism to government and in what way I have found myself oppressed by it. In my opinion every individual is hampered by it. It exacts taxes from production. It creates tariffs, which prevent free exchange. It stands ever for the status quo and traditional conduct and belief. It comes into private lives and into most intimate personal relations, enabling the superstitious, puritanical, and distorted ones to impose their ignorant prejudice and moral servitudes upon the sensitive, the imaginative, and the free spirits. Government does this by its divorce laws, its moral censorships, and by a thousand petty persecutions of those who are too honest to wear the moral mask of respectability. In addition, government protects the strong at the expense of the weak, provides courts and laws which the rich may scorn and the poor must obey. It enables the predatory rich to make wars to provide foreign markets for the favored ones, with prosperity for the rulers and wholesale death for the ruled. However, it is not only government in the sense of the state which is destructive of every individual value and quality. It is the whole complex of authority and institutional domination which strangles life. It is the superstition, myth, pretense, evasions, and subservience which support authority and institutional domination. It is the reverence for these institutions instilled in the school, the church and the home in order that man may believe and obey without protest. Such a process of devitalizing and distorting personalities of the individual and of whole communities may have been a part of historical evolution; but it should be strenuously combated by every honest and independent mind in an age which has any pretense to enlightenment.

What you do with your time alive defines you, Reader, but hear me, I beg you, when I say that you are not done being defined. Go out; break things. Go further; repair them. Break hundreds of hearts. Have thousands of children. Discover awe in a tangle of weeds; find delight in the pattern of a roll of mass-produced paper towels; live, Reader, live; live as hard as I died, and only then I will be happy.

Asia is rising against me. I haven't got a chinaman's chance. I'd better consider my national resources. My national resources cousist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twentyfive-thousand mental institutions. I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns. I have abolished the whorehouses of France, Tangiers is the next to go. My ambition is to be President despite the fact that I'm a Catholic. America how can I write a holy litany in your silly mood? I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes. America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney America save the Spanish Loyalists America Sacco & V anzetti must not die America I am the Scottsboro boys. America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain. Everybody must have been a spy. America you don't really want to go to war. America it's them bad Russians. Them Russians them Russians and them Chinamen. And them Russians. The Russia wants to eat us alive. The Russia's power mad. She wants to take our cars from out our garages. Her wants to grab Chicago. Her needs a Red Readers' Digest. Her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations. That no good. Ugh. Him make Indians learn read. Him need big black niggers. Hah. Her make us all work sixteen hours a day. Help. America this is quite serious. America this is the impression I get from looking in the television set. America is this correct? I'd better get right down to the job. It's true I don't want to join the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway. America I'm putting my queer shoulder to the wheel.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.

For some reason newspapers are not the laboratories and experimental stations of the mind that they could be, to the public's great benefit, but usually only its warehouses and stock exchanges. If he were alive today, Plato—to take him as an example, because along with a dozen others he is regarded as the greatest thinker who ever lived—would certainly be ecstatic about a news industry capable of creating, exchanging, refining a new idea every day; where information keeps pouring in from the ends of the earth with a speediness he never knew in his own lifetime, while a staff of demiurges is on hand to check it all out instantaneously for its content of reason and reality. He would have supposed a newspaper office to be that topos uranios, that heavenly realm of ideas, which he has described so impressively that to this day all the better class of people are still idealists when talking to their children or employees. And of course if Plato were to walk suddenly into a news editor’s office today and prove himself to be indeed that great author who died over two thousand years ago he would be a tremendous sensation and would instantly be showered with the most lucrative offers. If he were then capable of writing a volume of philosophical travel pieces in three weeks, and a few thousand of his well-known short stories, perhaps even turn one or the other of his older works into film, he could undoubtedly do very well for himself for a considerable period of time. The moment his return had ceased to be news, however, and Mr. Plato tried to put into practice one of his well-known ideas, which had never quite come into their own, the editor in chief would ask him to submit only a nice little column on the subject now and then for the Life and Leisure section (but in the easiest and most lively style possible, not heavy: remember the readers), and the features editor would add that he was sorry, but he could use such a contribution only once a month or so, because there were so many other good writers to be considered. And both of these gentlemen would end up feeling that they had done quite a lot for a man who might indeed be the Nestor of European publicists but still was a bit outdated, and certainly not in a class for current newsworthiness with a man like, for instance, Paul Arnheim.

Over the many years since The Giver was published in 1993, I have received countless, probably thousands, letters and emails from readers. So many of them asked what had happened to the boy, Jonas, and the baby, Gabriel. I had left the ending ambiguous on purpose; I liked the mystery of it, the opportunity for the reader to ponder and decide. But I, too, was pondering. In 2000, seven years later, the companion volume Gathering Blue appeared, revealing that Jonas (he wasn’t named, but young readers identified the teenaged boy with blue eyes easily) was thriving in another community. Four years after that, in Messenger, they were able to meet him as a young man now leading the small village where he lived. “But where’s Gabriel?” kids asked me, almost wailing, and I told them to go back and read chapter two more carefully. There they would find an eight-year-old named Gabe staying after school because he had been inattentive. Finally, in the fourth and final book of the quartet, Son, published in 2012, the now teenaged Gabe moved to center stage, finding his own place in the world—helping, in fact, to change that world. So the question of “What happened to . . .” was put to rest.

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his “transporter” by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman’s whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life

1. Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you. 2. The man who passes the sentence should swing the sword. 3. A wise man does not make demands of kings. 4. A mind needs a book as a sword needs a whetstone, if it is to keep it's edge. 5. People often claim to hunger for truth, but seldom like the taste when it's served up. 6. A reader lives a thousand lives before he dies. The man who never reads lives only one. 7. I swear to you, sitting a throne is a thousand times harder than winning one. 8. In the world as I have seen it, no man grows rich by kindness. 9. If a man paints a target on his chest, he should expect that sooner or later someone will loose an arrow on him. 10. Crowns do queer things to the heads beneath them. 11. In battle a Captain's lungs are as important as his sword arm. I does not matter how brave or brilliant the man is if his commands can't be heard. 12. A man is never so vulnerable in battle as when he flees. 13. Gold has it's uses, but wars are won with iron. 14. The man who fears losing has already lost. 15. Words are wind. 16. The unseen enemy is always the most fearsome. 17. Sharp steel and strong arms rule this world, don't ever believe any different. 18. Give gold to a foe and he will just come back for more. 19. In this world only winter is certain. 20. The gods have no mercy. That's why they're gods. 21. I have learned that the contents of a man's letters are more valuable than the contents of his wallet

From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens—there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.

On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.

Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54 ‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55 Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing. A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.

Religion and revolution reverberated through northern Mexico like the thunder and lightning of its wild and fierce storms. This book reveals the motivation behind the madness and the role religion played in the very struggle for the soul of Mexico. During the revolution, many lived and died; lost in a thousand fields and unnamed pueblos, meaningless except to the few who knew and loved them, and who would never see them again. Whatever their cause, in the words of Philippians 2:8, they were faithful . . . even unto death. This book is for those who love Mexico and who want a research-based, yet highly readable account of the role religion played in the conflict. Often lost among the myths were the millions driven by forces they couldn’t comprehend. They were knights, bishops, castles, and yes, pawns – in the revolutionary chess matches that nearly resulted in the checkmate of Mexican civilization. It took Phil Stover three years to write this book, but La Llorona has been crying for her children for centuries. She sobs for all those who have been lost in Mexico’s turbulent past and present. Listen carefully, dear reader. Perhaps in the pages of this book you too will hear her cries!

A reader lives a thousand lives

Chapter 3 What to Do with Money as You Save It Chapters 1 and 2 should have helped you understand the theory behind frugality and develop a practical plan to live on less than half your take-home pay; all in the context of building up your first $25,000. After reading those two chapters, you should understand what you need to do to put yourself in position to save thousands of dollars per month on a middle class income. Now, it’s time to deploy those savings in such a way as to develop your first year of financial runway. Your goal is stockpile a reserve capable of funding your frugal lifestyle for around a full year. Unlike many Americans who struggle to make ends meet, you now face a new problem. A good problem. You now have to decide how to deploy your rapidly expanding savings so that they extend your financial runway as much as possible. There are three initial steps that should be completed, in order, for the seeker of early financial freedom to build up that one-year stockpile. These three steps are (1) to build up an emergency fund of $1000 to $2000; (2) to pay off all “bad debts” (we define this term below) and build strong credit; and then (3) to build up one year of financial runway in the form of cash or equivalents By completing these three steps, readers will set themselves up for the next phase of wealth generation, discussed in part II. They will have the cash and credit they need to buy a home with ease, and will have the financial runway they need to pursue career opportunities with little risk of financial ruin. Central to the discussion in this chapter will be the concepts of debt—both good and bad debt—and credit. We must pay off our bad debts immediately, and treat them as a financial crisis. Good debts can still delay financial freedom, but may not need to be paid off early if money can be put to higher and better use in the meantime. While paying off bad debts and managing other debts, readers will want to focus on improving their credit scores as much as possible, and increase their access to credit.

Over the thousands of years, it seems things have not really changed much when you take out the things and think only of the people.... I deeply regret wasted time--for it was never mine alone to waste. I would rather be nothing in the eyes of the world, if something, anything of value in the eyes of God. Too often, myself guilty in the past, when I read poetry the "I" is prominent. I have come to a point in life where I would rather less to stand-out, be a dominant personality, and more to be part of the blended solutions. Too often we let the world measure our worth by what we have become referencing their values, excluding the far greater--all of them we have avoided becoming. On old age: if you keep your sense of humor, you have kept your best sense. The expression of love gives the soul wings, and a never-ending span of light.... Nothing is truly alive, if living outside of love. May that truth be fact, fiction or falsehood: what is memorable, the thing we can't reach and fully touch, but recognize as art, is always truth. Having lived with a cat for the past six years--I am thoroughly convinced that both Pavlov and his dog were conditioned by Pavlov's Cat.... We see and feel far less with our senses...and more with our predilections. Truth be told, no one sees truth clearly as God sees it. After speaking with a much younger man than myself today, I discovered, that reaching 70 years old has some unintended consequences--Intelligence. Though he or she may think so, no writer knows entirely what is being said (as for truth--a figment of intellectual imagination); but, to create a tingle in the reader (a living word...ah!) That is nearer Divine! Love needs no affirmation but its presence. If I could only keep from getting in my own way! When forgetting we are co-creators with God, our behavior is that of independent destroyers. Art! It is like human love--controlling and all consuming when living with it…death without it! If I have learned anything from life, it is that I know nothing; and the mystery of my journey is to douse the lesser-ego with incendiary making ready for Divine spark.... The all-seeing eye of the heart if allowed to open will always see love first.... Love is patient...quietly awaiting to show despite our rejection—abiding in silence as ordered until our cloaking lifted for release and full expression. What joy that moment of uncovering—the heart purely exposed, our greatest lamp. While looking at a picture of a magnificent wasps' nest I thought: 'Amazing how creatures so small seem to have capacity for thought so large....' Children do have a way of bringing us back into focus, usually throwing a slow curve that ends up being a strike to the heart of the matter. Some large lessons of love have come to me from much smaller sizes than myself.

A reader lives a thousand lives before he dies.

A Reader lives a thousand lives before he dies

In a last-ditch effort, some readers may pathetically attack the scientific method, claiming that all subjective perspective is flawed and cannot be trusted, no matter the empirical evidence or broad consensus. By this tremendously stupid standard, none of the thousands of Jews who witnessed the events of Matan Torah at Har Sinai could, in good conscience, accept their subjective experience as fact. Kal vachomer, no Jew living today should at all trust the game of broken telephone that has carried the mesorah of this experience. Take this to its logical result, and any consistent thinker will soon end up with a mind totally emptied of all axioms and convictions. Then again, not all thinkers are consistent, and too many seem oddly comfortable with such cognitive dissonance, no matter how glaring. This worldview gives rise to severe chilulei HaShem, and anyone brazen enough to offer this doublethink as legitimate belief should be ashamed of themselves. Refusal to follow the evidence is an insult to the God who put it there.

A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.

A reader lives a thousand lives before he dies, said Jojen. The man who reads lives only one.

Rituals and festivals, like those of a great national or international wedding-day, contain a thousand things to remind us that our countrymen inherit an experience much more lively and complex than any such local and temporary solution; and warn us against allowing the present to become more narrow than the past.

Honest conversations about shame can change the way we live, love, parent, work, and build relationships. We have thousands of letters and emails from readers that all say the same thing: “I can’t believe how much just naming and talking about shame changed my life!

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his "transporter" by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman's whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life.

I consider reading the greatest bargain in the world. A shelf of books is a shelf of many lives and ideas and imaginations which the reader can enjoy whenever he wishes and as often as he wishes. Instead of experiencing just one life, the book-lover can experience hundreds or even thousands of lives. He can live any kind of adventure in the world. Books are his time machine into the past and also into the future. Books are his "transporter" by which he can beam instantly to any part of the universe and explore what he finds there. Books are an instrument by which he can become any person for a while—a man, a woman, a child, a general, a farmer, a detective, a king, a doctor, anyone. Great books are especially valuable because a great book often contains within its covers the wisdom of a man or woman's whole lifetime. But the true lover of books enjoys all kinds of books, even some nonsense now and then, because enjoying nonsense from others can teach us to also laugh at ourselves. A person who does not learn to laugh at his own problems and weaknesses and foolishness can never be a truly educated or a truly happy person. Also, probably the same thing could be said of a person who does not enjoy learning and growing all his life.

A book is a gift you can open again and again." – Garrison Kellor "Some books leave us free and some books make us free." – Ralph Waldo Emerson "Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers." – Charles W. Eliot "A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors." – Charles Baudelaire "There are some books that reached through the noise of life to grab you by the collar and speak only of the truest things." – Jeffrey Eugenides, The Marriage Plot "Books are mirrors: You only see in them what you already have inside you." – Carlos Ruiz Zafón, The Shadow of the Wind "Reading was my escape and my comfort, my consolation, my stimulant of choice: reading for the pure pleasure of it, for the beautiful stillness that surrounds you when you hear an author's words reverberating in your head." – Paul Auster, The Brooklyn Follies "A reader lives a thousand lives before he dies... The man who never reads lives only one." – George R.R. Martin, A Dance with Dragons "Reading is an active, imaginative act; it takes work." – Khaled Hosseini "Reading is an exercise in empathy; an exercise in walking in someone else’s shoes for a while." – Malorie Blackman "That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from anyone. You belong." – F. Scott Fitzgerald "Once you learn to read, you will be forever free." – Frederick Douglass "Reading makes immigrants of us all. It takes us away from home, but more important, it finds homes for us everywhere." – Jean Rhys "We tell ourselves stories in order to live." – Joan Didion, The White Album

A reader lives a thousand lives before he dies ... The man who never reads only lives one

A reader lives a thousand lives before he dies... The man who never reads lives only one.

A reader lives a thousand lives before he dies. The man who never reads lives only one

A reader lives a thousand lives before he dies... The man who never reads lives only one.” George R.R. Martin

It would be unnecessary to mention who, but those that have expressed their loathing for every act of their years, and with their own lips have given testimony against themselves; but by these complaints have changed neither themselves nor others. For when they have vented their feelings in words, they fall back into their usual round. Heaven knows! Such lives as these, though they shall continue to exist for thousands of years, will shrink into the merest span; vices will swallow up any amount of time.

A reader lives a thousand lives before they die. The person who never reads lives only once

Jesus saith unto him, Rise, take up thy bed, and walk." John 5:8 Like many others, the impotent man had been waiting for a wonder to be wrought, and a sign to be given. Wearily did he watch the pool, but no angel came, or came not for him; yet, thinking it to be his only chance, he waited still, and knew not that there was One near him whose word could heal him in a moment. Many are in the same plight: they are waiting for some singular emotion, remarkable impression, or celestial vision; they wait in vain and watch for nought. Even supposing that, in a few cases, remarkable signs are seen, yet these are rare, and no man has a right to look for them in his own case; no man especially who feels his impotency to avail himself of the moving of the water even if it came. It is a very sad reflection that tens of thousands are now waiting in the use of means, and ordinances, and vows, and resolutions, and have so waited time out of mind, in vain, utterly in vain. Meanwhile these poor souls forget the present Saviour, who bids them look unto him and be saved. He could heal them at once, but they prefer to wait for an angel and a wonder. To trust him is the sure way to every blessing, and he is worthy of the most implicit confidence; but unbelief makes them prefer the cold porches of Bethesda to the warm bosom of his love. O that the Lord may turn his eye upon the multitudes who are in this case tonight; may he forgive the slights which they put upon his divine power, and call them by that sweet constraining voice, to rise from the bed of despair, and in the energy of faith take up their bed and walk. O Lord, hear our prayer for all such at this calm hour of sunset, and ere the day breaketh may they look and live. Courteous reader, is there anything in this portion for you?

But now, after the news of Barthelme’s death, this simple fact of presence or absence, which I had begun to recognize in a small way already, now became the single most important supplemental piece of information I felt I could know about a writer: more important than his age when he wrote a particular work, or his nationality, his sex (forgive the pronoun), political leanings, even whether he did or did not have, in someone’s opinion, any talent. Is he alive or dead? — just tell me that. The intellectual surface we offer to the dead has undergone a subtle change of texture and chemistry; a thousand particulars of delight and fellow-feeling and forbearance begin reformulating themselves the moment they cross the bar. The living are always potentially thinking about and doing just what we are doing: being pulled through a touchless car wash, watching a pony chew a carrot, noticing that orange scaffolding has gone up around some prominent church. The conclusions they draw we know to be conclusions drawn from how things are now. Indeed, for me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo. The dead can be helpful, needless to say, but we can only guess sloppily about how they would react to this emergent particle of time, which is all the time we have. And when we do guess, we are unfair to them. Even when, as with Barthelme, the dead have died unexpectedly and relatively young, we give them their moment of solemnity and then quickly begin patronizing them biographically, talking about how they “delighted in” x or “poked fun at” y — phrases that by their very singsong cuteness betray how alien and childlike the shades now are to us. Posthumously their motives become ludicrously simple, their delights primitive and unvarying: all their emotions wear stage makeup, and we almost never flip their books across the room out of impatience with something they’ve said. We can’t really understand them anymore. Readers of the living are always, whether they know it or not, to some degree seeing the work through the living writer’s own eyes; feeling for him when he flubs, folding into their reactions to his early work constant subauditional speculations as to whether the writer himself would at this moment wince or nod with approval at some passage in it. But the dead can’t suffer embarrassment by some admission or mistake they have made. We sense this imperviousness and adjust our sympathies accordingly. Yet in other ways the dead gain by death. The level of autobiographical fidelity in their work is somehow less important, or, rather, extreme fidelity does not seem to harm, as it does with the living, our appreciation for the work. The living are “just” writing about their own lives; the dead are writing about their irretrievable lives, wow wow wow. Egotism, monomania, the delusional traits of Blake or Smart or that guy who painted the electrically schizophrenic cats are all engaging qualities in the dead.

About MC Steve Even when I was a kid, I knew I wanted to be a writer. Stories always fascinated me. And I did not just see them in books and movies… I saw them everywhere - especially in video games. When I looked at the characters in the video games I loved, I always wondered: What is their story? What do they spend their time thinking about? What great adventures will they have? Now, as an adult, and living in the greatest city in the world, I still wonder the same things. Living in New York means that ten thousand times a day I pass by strangers, each with rich and complicated lives I know nothing about. But I want to know! And when I want to know, I write. There is a medium for stories that I think many people – especially adults – ignore: and that is video games. So long and complicated are the plots of video games that sometimes they are richer than movies, or even books! In fact, it was Minecraft that actually got me going in my writing career. I saw it as a channel where the audience could not only engage in the stories, but actively participate in them. Hence, my desire to write my first book - Diary of a Minecraft Wimpy Zombie. When I first published my story, I was terrified. What will people think of me? Will they like my stories? However, given some time, kids have come up to me and told me how much they loved my book. They were not only reading, but enjoying my book! It was this feeling - reaching and connecting with kids – that inspired me to write some more. And, as I continued to write, the more positive feedback I got! Before I knew it, Readers’ Favorite rated my book 5 Stars and I became a #1 Amazon best-selling author, all from following my passion and responding to the passion I saw in others. Wimpy Zombie says, “Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale.” Let me say this: in a writer’s sense, I used to be a zombie. I was afraid to display my work to the light of day, for fear of the scorching rays of ridicule, embarrassment, or failure. But, like Wimpy Zombie eventually learns, and I learned myself, everyone needs to, at some point in their lives, be brave enough to venture into the sun. If you’d like to post a review, click on the button below and it will take you to the reviews page straightaway:  

this book I will focus on the rich potential of a telescopic view of life. There will be plenty of surprises, because a long enough view can turn conventional views of causation upside down. For instance, studied prospectively, physical health turns out to be just as important a cause of warm social supports and vigorous exercise as exercise and social supports are causes of physical health. Some readers will surely be outraged at such heresy, but as Galileo discovered, telescopes can get people into a lot of trouble. Long-term studies are as unsettling as they are enlightening. To add to the uncertainty, we don’t know how far to trust even our latest findings. Time changes everything, and it makes no exceptions for longitudinal studies. It transforms the world we live in while we’re living in it, and pulls scientific thinking forward even while making it obsolete. None of this can be helped; it’s an intrinsic hazard of long endeavors. The more powerful the telescope, the more likely it is that the light we are seeing through it is many thousands of years old. The Grant Study is only seventy-five, but that’s more than threescore years and ten, and in the context of a man’s life, a very long time. Many of the early findings of the Study are ill-conceived, out-of-date, and parochial; some of our later findings will likely prove to be so too. But some, I hope, will endure. And in the meantime, they give those of us who are curious about our own lives, and the lives of those we cherish, plenty to think about. It reminds me of my first day of medical school. “Boys,” the Dean told us (this was in 1955), “the bad news is that half of what we teach you will in time be proven wrong; and worse yet, we don’t know which half.” Still, half a century later, our class has done pretty well by its patients. So I maintain hope that

A reader lives a thousand lives before he dies. The man who never reads lives only one.

A reader lives a thousand lives before they die... One who never reads... only lives ONE

I believe you write the book you want to read. As a reader what I craved was some recognition, however refracted, of the tumult of lived experience, of the pain and absurdity of trying to reach other human beings with some modicum of honesty and openness. And so without quite realizing what I was doing, over the course of the next few years, I wrote a series of stories that eventually became my first book, each of which dramatized in one way or another this struggle: how to find intimacy in a culture that has hollowed out the very language we use to describe it. How to capture the experience of grief when our terms for it have been overrun by the commercialization of confession. The enemy wasn’t New Criticism. It was cliché. I was trying to write prose whose rhythm created an atmosphere, a music, that allowed the nuances of human isolation, the desire to overcome it, and what it felt like to fail or sometimes briefly succeed in defying that isolation rise into the consciousness of a reader. What I believed then, and still do, is that in a violent, distracted, media-saturated world the most needed artistic resource is no longer a critique of the possibility of meaning—mass culture itself has become that critique. What is needed, rather, is the production of meaning that resists distraction. Consumer capitalism thrives by simultaneously creating human loneliness and commodifying a thousand cures for it. One form of resistance to it is the experience in art and life of a human intimacy achieved through sustained attention to what lies beyond and outside the sphere of the market.

Reading the authors that write well, you get used to speak well. © François Voltaire People who read the book will always be manage by those who are watching television. © Felicia Genlis A reader lives a thousand lives before you die. The man who never reads, going through only one.

A reader lives a thousand lives before he dies. A man who never reads lives only one.

Consider a conversation I had with a white friend. She was telling me about a "white) couple she knew who had just moved to New Orleans and bought a house for a mere twenty-five thousand dollars. "Of course," she immediately added, "they also had to buy a gun, and Joan is afraid to leave the house." I immediately knew they had bought a home in a black neighborhood. This was a moment of white racial bonding between this couple who shared the story of racial danger and my friend, and then between my friend and me, as she repeated the story. Through this tale, the four of us fortified familiar images of the horror of black space and drew boundaries between "us" and "them" without ever having to directly name race or openly express our disdain for black space. Notice that the need for a gun is a key part of this story--it would not have the degree of social capital it holds if the emphasis were on the price of the house alone. Rather, the story’s emotional power rests on why a house would be that cheap--because it is in a black neighborhood where white people literally might not get out alive. Yet while very negative and stereotypical representations of blacks were reinforced in that exchange, not naming race provided plausible deniability. In fact, in preparing to share this incident, I texted my friend and asked her the name of the city her friends had moved to. I also wanted to confirm my assumption that she was talking about a black neighborhood. I share the text exchange here: "Hey, what city did you say your friends had bought a house in for $25,000?" "New Orleans. They said they live in a very bad neighborhood and they each have to have a gun to protect themselves. I wouldn’t pay 5 cents for that neighborhood." "I assume it’s a black neighborhood?" "Yes. You get what you pay for. I’d rather pay $500,00 and live somewhere where I wasn’t afraid." "I wasn’t asking because I want to live there. I’m writing about this in my book, the way that white people talk about race without ever coming out and talking about race." "I wouldn’t want you to live there it’s too far away from me!" Notice that when I simply ask what city the house is in, she repeats the story about the neighborhood being so bad that her friends need guns. When I ask if the neighborhood is black, she is comfortable confirming that it is. But when I tell her that I am interested in how whites talks about race without talking about race, she switches the narrative. Now her concern is about not wanting me to live so far away. This is a classic example of aversive racism: holding deep racial disdain that surfaces in daily discourse but not being able to admit it because the disdain conflicts with our self-image and professed beliefs. Readers may be asking themselves, "But if the neighborhood is really dangerous, why is acknowledging this danger a sign of racism?" Research in implicit bias has shown that perceptions of criminal activity are influenced by race. White people will perceive danger simply by the presence of black people; we cannot trust our perceptions when it comes to race and crimes. But regardless of whether the neighborhood is actually more or less dangerous than other neighborhoods, what is salient about this exchange is how it functions racially and what that means for the white people engaged in it. For my friend and me, this conversation did not increase our awareness of the danger of some specific neighborhood. Rather, the exchange reinforced our fundamental beliefs about black people. (p. 44-45)

A reader lives a thousand lives before he dies. The man who never reads lives only once. - George R.R. Martin

A reader lives a thousand lives before he dies, the man who never reads lives only one

A reader lives a thousand lives before she dies. The woman who never reads only lives one

A reader lives a thousand lives before he dies.. the man who never reads only lives one.

A reader lives a thousand lives before he dies... The man who never reads lives only one.

Falling Upward resonated with hundreds of thousands of readers because it told a secret that few dare to tell: somewhere in the journey of our lives, the faith we inherited often stops working.

Edna never took decisions lightly. She was a woman of few words, a listener, a reader of silences, of the pauses that came between thoughts and ideas. Living in the South, she had learned to decipher absence, fill in the gaps, read smiles and smirks and hand gestures, and then wait for clarity. She would do that now. Take her time, weigh the pros and cons of staying in Savannah and enduring its codes or following the thousands of other migrants and becoming a nurse in a TB hospital. (pg. 26)

there was left a balance of several thousand pounds, which is being used for keeping the houses in repair. See, esteemed Reader, how abundantly God answered our prayers, and how plain it is, that we were not mistaken, after we had patiently and prayerfully sought to ascertain His will. Be encouraged, therefore, yet further and further to confide in the Living God.

A reader lives a thousand lives before he dies . . . The man who never reads lives only one.

A reader lives a thousand lives before he dies…The man who never reads lives only one.

Kirkus Review: Carroll Engelhardt, By the Sweat of His Brow: The R. M. Probstfield Family at Oakport Farm (FriesenPress January 5, 2023) “Engelhardt recounts a German family’s experience living in Minnesota’s Red River Valley in the late 19th century. In 1832, Randolph Michael Probstfield was born near Koblenz in the Prussian-controlled Rhineland in western Germany, the son of devoutly Catholic parents who encouraged him to enter the priesthood and were bitterly disappointed when he did not (Probstfield observed, “If I had promised to be a priest and kept my word, today I would be . . . a feted-up, high-living hypocrite in the so-called vineyard of the Lord, and not a farmer . . . earning his bread by the sweat of his brow”). Like many other Germans before him in search of a better life, he emigrated to the United States in 1852, traveled extensively, and worked a dizzying array of jobs before he finally settled in Minnesota in 1860, a time when Germans were the state’s dominant immigrant group. In an effort to assimilate, he altered the spelling of his last name, which was originally Probstfeld. For the rest of his life he would maintain a delicate balance between his enthusiastic loyalty to the United States and pride in his German ancestry. Eventually, Probstfield’s indefatigable work ethic paid off, and he bought Oakport Farm in the Red River Valley in the 1868. He would eventually purchase thousands of acres of land and enjoy the prosperity that came with a great agricultural boom at the end of the 19th century, a period depicted with a scrupulous exactitude by the author. Engelhardt delivers much more than a family history—his book is a granular account of frontier life in America, a life of punishing toil that also held the promise of wealth and freedom. Probstfield emerges as a fascinating patriarch of his family (he married Catherine Goodman, with whom he had 13 children); a rugged, secular individualist, he held progressive political and cultural views, including a great attraction to socialism. He was exceedingly active in local political life, a contentious milieu diligently reconstructed by the author. His extraordinary rigor can be a bit overwhelming—there are minutely detailed discussions of Oakport’s small-grain production, Probstfield’s horticultural experiments, and various meat-preservation methods. However, for the reader looking for a finely detailed treatment of this period in American history, this is an edifying study. A magisterially researched work in American History.

The twenty-first-century shift into real-time analytics has only made the danger of metrics more intense. Avinash Kaushik, digital marketing evangelist at Google, warns that trying to get website users to see as many ads as possible naturally devolves into trying to cram sites with ads: “When you are paid on a [cost per thousand impressions] basis the incentive is to figure out how to show the most possible ads on every page [and] ensure the visitor sees the most possible pages on the site.… That incentive removes a focus from the important entity, your customer, and places it on the secondary entity, your advertiser.” The website might gain a little more money in the short term, but ad-crammed articles, slow-loading multi-page slide shows, and sensationalist clickbait headlines will drive away readers in the long run. Kaushik’s conclusion: “Friends don’t let friends measure Page Views. Ever.

A reader lives a thousand lives before they die. Someone who has never read, only lives one.

A reader lives a thousand lives before he dies. The man who never reads lives only once.

A reader lives a thousand lives before they die,

A reader lives a thousand lives before she dies

He would momentarily relive all the joyous and sad moments of his life and understand their deeper significance. He would recognize an overall pattern that is the essential structure informing his mode of existence in the hereafter and his eventual rebirth. Self-transcending spiritual practitioners will undoubtedly have many of the above experiences in common with worldly individuals. But they will presumably look back upon fewer missed opportunities for self-improvement and inner growth. In their depth-mind there will be powerful impressions that are incompatible with re-embodiment in the material realm. If the practitioners are advanced, these subliminal activators (samskāra) will outweigh all others. Individuals who have always lived typical human lives invite rebirth (punar-janman) as typical human beings. But those Yoga practitioners who model their whole existence not on mere human standards but on the ultimate Reality will, if they have succeeded in setting up incisive enough impressions in their depth-memory, merge with that Reality. And if these practitioners are sufficiently advanced on the spiritual path, they will be able to monitor the process of dying and so ensure that no vestiges remain in their depth-mind, which would force them to assume another physical body. In fact, the conscious departure from this world is one of the sure marks by which one can recognize a genuine yogin or yoginī. The Self-realized adept regards the body like a vessel that is engulfed by space, both within and without, the space being the omnipresent Reality itself. Death does not shake an adept in the least. Many moving stories are told by disciples who have witnessed their guru’s exit from the world—“with a single breath” and a smile. A dying yogin in agony or a state of stupor is almost a contradiction in terms. The maxim holds: Show me how you die, and I show you who you are. But, the reader may ask, what if the Yoga adept drowns unexpectedly or is killed by a stray bullet? Will the element of surprise not outwit him or her? The traditional answer is a most emphatic No. There can be no surprise for the enlightened being—hence the smile. Otherwise we would have to assume that the universe is ruled by chance, which is an assumption that is explicitly rejected by the Yoga masters. In whichever way the masters of Yoga take leave from this world—and, as the poet knew, death has ten thousand doors—they will have foreknowledge of their death. There are too many well-attested examples for this to be purely fictional icing on the cake of hagiolatry. How such knowledge is obtained remains a mystery that need not concern us here. The process of conscious exit from the body, however, is not a secret—at least not in principle. The archaic Chāndogya-Upanishad (8.6.5–6) discloses the following: Now, when he thus departs from this body, then he ascends upward with these rays [of the Sun]. Uttering [the sacred syllable] om, he dies. As soon as the mind is cast off, he goes to the Sun.

A reader lives a thousand lives before dying. He who does not read lives only one life.

A reader lives a thousand lives before he dies...The man who never reads lives only one.

George R.R. Martin once said “A reader lives a thousand lives before he dies.

A reader lives a thousand lives before he dies,” said

A reader lives a thousand lives before he dies. The man who never reads lives only one." - George R.R. Martin, A Dance with Dragons

ACKNOWLEDGEMENTS My husband, for all the backrubs he gives me, the double-chocolate muffins he bakes, for the kisses, the gentle teasing, the pep talks, and the patience he displays whenever I am stressed, irritated, angry, or grumpy about uncooperative characters and plots. Thank you for listening to my theories about true crime shows and for being a magnificent DM for our D&D group. My brave, funny, fierce daughter, whose persistence and strength in the face of multiple challenges, including spina bifida and clubfoot, inspires me every day, and my sweet, sensitive, story-loving son, who has worked so hard to learn coping strategies for his sensory processing disorder. “Allo” you both with all my heart, babies. Thank you for inspiring me, for keeping me laughing, for asking for so many kisses and hugs every single day, and for having absolutely zero interest in my stories because they don’t feature any trains. D, for helping with my children during a pandemic when no one else is available, and for reading a thousand books to them and “playing Star Wars” with them so enthusiastically. My family, for helping so much with my children and supporting my career’s success however you can. Love you guys. Dani Crabtree, for being the most understanding and flexible editor in existence. If this book has errors, they’re mine. (I like to add extra things after she’s seen the book.) My dear, lovely, generous readers—thank you from the bottom of my heart for reading and loving my books. I couldn’t do it without you. The stories only come alive with your imaginations, so with you all to imagine them, our beloved characters would only live in my head. I’m thrilled to share them with you. Thank you for all the notes you write me and the emails you send. Your words make a difference, especially when I’m struggling to remember what I love about this job (usually during a particularly stubborn first draft.) I love you all!

A reader lives a thousand lives before he dies,” said Jojen.

A reader lives a thousand lives before he dies.

I think that an objective reader may see how in the society which I was exposed as a black youth here in America, for me to wind up in a prison was really just about inevitable. It happens to so many thousands of black youth. I think that an objective reader may see how when I heard "The white man is the devil," when I played back what had been my own experiences, it was inevitable that I would respond positively; then the next twelve years of my life were devoted and dedicated to propagating that phrase among the black people. I think, I hope, that the objective reader, in following my life, the life of only one ghetto-created Negro-may gain a better picture and understanding than he has previously had of the black ghettoes which are shaping the lives and thinking of almost all of the 22 million Negroes who live in America. Thicker each year in these ghettoes is the kind of teenager that I was-with the wrong kinds of heroes, and the wrong kinds of influences. I am not saying that all of them become the kind of parasite I was. Fortunately, by far most do not.

Men who grumbled right piteously at the advance of bread from five to six cents a loaf eagerly paid three thousand dollars a year for the privilege of living in the garish-fronted abodes, and they sneered at humbler friends who, for the same sum, rented thirty-room mansions in the suburbs.

So, this is a book for writers but also, I hope, for readers. Over the last ten years I’ve had a chance to give readings and talks all over the world and meet thousands of dedicated readers. Their passion for literature (evident in their questions from the floor, our talks at the signing table, the conversations I’ve had with book clubs) has convinced me that there’s a vast underground network for goodness at work in the world—a web of people who’ve put reading at the center of their lives because they know from experience that reading makes them more expansive, generous people and makes their lives more interesting.

【咨询Q微:202 661 44 33】办毕业证（科廷大大学毕业证一模一样）证书购买CUT毕业证澳洲假学历，办理澳洲学位毕业证科廷大学毕业证成绩单文凭证书，在线在澳办澳洲文凭科廷大学毕业证2021年本科学位证书。 LSKJSKSSJSSSBSVSBNVSBSCSVCSBSVSHJSSKJLSSHJKSBeginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks--those that are honest about the past and those that are not--that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

Do you like to read books, Bran? Jojen asked him. Some books. I like the fighting stories. My sister Sansa likes the kissing stories, but those are stupid. A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.