Desktop Backgrounds Quotes

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Under the pretense of wanting to record the history of my brother’s year at college, I’d asked to take a picture of Sam with his roommate. Unfortunately, the zoom on my digital camera had somehow been pressed—by a renegade finger, I assumed—and I’d only been able to get a really good close-up shot of Brad. No evidence of Sam in sight. Gosh, darn. What a shame! The photo was now the background wallpaper on my computer desktop.
Rachel Hawthorne (Love on the Lifts)
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GameYan Studio
In Ads, we had completely failed to realize the importance of the logout page on FB. A bit of background: In most developing countries, people do not own desktop computers, and their phones are non-smartphone pieces of shit (this is, of course, gradually changing). So people do what you do as a Western backpacker in Brazil or India or whatever: they use an Internet café or other public computer. They log in, use Facebook at some rate per hour, and then log out. What they leave behind is the logout screen, which just so happens to be the most common webpage up on browsers in the world. Really. You walk into a library or café anywhere in the world, and most of the screens will be glowing Facebook blue. And that is also how most new Facebook users in these countries came into being, not to mention nudging existing users into using Facebook. A fact that we in Ads did not even begin to appreciate.
Antonio García Martínez (Chaos Monkeys: Inside the Silicon Valley Money Machine)
Tolya had two desks arranged in the classic Soviet official's T-shape which I have found throughout the world [...]. The official sat behind the crossbar of the T, his desktop a background of calendars and memoranda pinned down under a heavy sheet of glass. Visitors sat ranged on either side of the stem of the T, turning their heads to face him. In the centre of the wall behind Tolya's chair hung a large oil painting of Lenin in sober shades of brown with small highlights of Communist scarlet [...]. As visitors craned their necks towards Tolya, the painting surrounded his head like a halo and suggested an identification between the two men.
Piers Vitebsky (The Reindeer People: Living with Animals and Spirits in Siberia)
IBM launched its Chess machine, renamed simply the Personal Computer, in August 1981, a scant four months after the Star. Judged against the technology PARC had brought forth, it was a homely and feeble creature. Rather than bitmapped graphics and variable typefaces, its screen displayed only ASCII characters, glowing a hideous monochromatic green against a black background. Instead of a mouse, the PC had four arrow keys on the keyboard that laboriously moved the cursor, character by character and line by line. No icons, no desktop metaphor, no multitasking windows, no e-mail, no Ethernet. Forswearing the Star’s intuitive point-and-click operability, IBM forced its customers to master an abstruse lexicon of typed commands and cryptic responses developed by Microsoft, its software partner. Where the Star was a masterpiece of integrated reliability, the PC had a perverse tendency to crash at random (a character flaw it bequeathed to many subsequent generations of Microsoft Windows-driven machines). But where the Star sold for $16,595-plus, the IBM PC sold for less than $5,000, all-inclusive. Where the Star’s operating system was closed, accessible for enhancement only to those to whom Xerox granted a coded key, the PC’s circuitry and microcode were wide open to anyone willing to hack a program for it—just like the Alto’s. And it sold in the millions.
Michael A. Hiltzik (Dealers of Lightning: Xerox PARC and the Dawn of the Computer Age)