Eons Quotes

We've searched our database for all the quotes and captions related to Eons. Here they are! All 100 of them:

My dear young cousin, if there's one thing I've learned over the eons, it's that you can't give up on your family, no matter how tempting they make it.
Rick Riordan
Hermes gazed up at the stars. 'My dear young cousin, if there's one thing I've learned over the eons, it's that you can't give up on your family, no matter how tempting they make it. It doesn't matter if they hate you, or embarrass you, or simply don't appreciate your genius for inventing the Internet--
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I found power in accepting the truth of who I am. It may not be a truth that others can accept, but I cannot live any other way. How would it be to live a lie every minute of your life.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
Love stories are written in millimeters and milliseconds with a fast, dull pencil whose marks you can barely see, they are written in miles and eons with a chisel on the side of a mountiantop
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
There was a saying that a man's true character was revealed in defeat. I thought it was also revealed in victory.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
Human beings are so destructive. I sometimes think we're a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
Michael Crichton (The Lost World (Jurassic Park, #2))
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
Men were always quick to believe in the madness of women.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
How can a three-pound mass of jelly that you can hold in your palm imagine angels, contemplate the meaning of infinity, and even question its own place in the cosmos? Especially awe inspiring is the fact that any single brain, including yours, is made up of atoms that were forged in the hearts of countless, far-flung stars billions of years ago. These particles drifted for eons and light-years until gravity and change brought them together here, now. These atoms now form a conglomerate- your brain- that can not only ponder the very stars that gave it birth but can also think about its own ability to think and wonder about its own ability to wonder. With the arrival of humans, it has been said, the universe has suddenly become conscious of itself. This, truly, it the greatest mystery of all.
V.S. Ramachandran (The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human)
In spite of all the refinements of civilization that conspired to make art--the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases--beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
History does not care about the suffering of the individual. Only the outcome of their struggles.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
Hermes gazed up at the stars. "My dear young cousin, if there's one thing I've learned over the eons, it's that you can't give up on your family, no matter how tempting they make it. It doesn't matter if they hate you, or embarrass you, or simply don't appreciate your genius for inventing the Internet-" "You invented the Internet?" It was my idea, Martha said. Rats are delicious, George said. "It was my idea!" Hermes said. "I mean the Internet, not the rats.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
The universe may forget us, but our light will brighten the darkness for eons after we've departed this world. The universe may forget us, but it can't forget us until we're gone, and we're still here, our futures still unwritten. We can choose to sit on our (expletive) and wait for the end, or we can live right now. We can march to the edge of the void and scream in defiance. Yell out for all to hear that we do matter. That we are still here, living our absurd...lives, and nothing can take that away from us. Not rogue comets, not black holes, not the heat death of the universe. We may not get to choose how we die, but we can choose how we live. The universe may forget us, but it doesn't matter. Because we are the ants, and we'll keep marching on.
Shaun David Hutchinson (We Are the Ants)
She saw Valentine's eyes as the sword hurtled toward her; it seemed like eons, though it could only have been a split second. She saw that he could stop the blow if he wanted. Saw that he knew it might well strike her if he didn't. Saw that he was going to do it anyway.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You are wrong when you say there is no power in being a woman. When I think of my mother and the women in my tribe, and the hidden women in the harem, I know there are many types of power in this world...I found power in accepting the truth of who I am. It may not be a truth that others can accept, but I cannot live any other way. How would it be to live a lie every minute of your life? I don't think I could do it.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
It is not often that the real world conjures worse than what we can imagine.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
A man who lifts his chin in pride will fail to see the chasm at his feet.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
You have seen me at my worst and at my weakest. Let me show you my best.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
He grunted. 'You have the courage of a warrior.' I watched him turn away and gather the clothes from the ground. He thought me courageous? But I was terrified - always terrified. 'No,' I said flatly. 'I don't." He paused from stuffing the invaluable robe between two bales. 'Are you frightened now?' I nodded, shame flushing my skin. 'Is it going to stop you?' 'No.' 'That is the courage of a warrior.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
I have never heard a lady say 'arse,'" the emperor said mildly. "I haven't been a lady for long," I reminded him. A little demon–made of exhaustion and the emperors smile– pushed me into adding,"For five years I've been saying 'arse.' It's hard to stop saying 'arse' after that many years. I suppose I should stop saying 'arse,' since ladies don't say-" "'Arse'," he finished for me. I met his grin.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
I know that love is about power, too. Who gives, who takes. Who is willing to risk showing their true self.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
All that I am is a terribly brave small thing, with a terribly brave small life, and a terribly brave love that spans eons.
K. Ancrum (The Weight of the Stars)
Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I want to spend eons with you, Clarke Griffin.
Kass Morgan (Homecoming (The 100, #3))
Even a cornered rabbit will fight with teeth and claws.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
Eons of loneliness, and then one day your ellipsis peaks toward that of another planet and there is a gasp of nearness. Wouldn’t you try to make the most of it? Wouldn’t you, too, combust and flare and explode if you had to?
Guillermo del Toro (The Shape of Water)
They’ve kept the truth about Persephone a secret, burying it deep below Hercules’s murdered wife and all of Zeus’s affairs. It’s dangerous, you see, a spark threatening to ignite a long dead flame. Power. She loved her power, the Queen of the Dead, to forever reign in the fires of hell. She wore her crown like a beacon; a beautiful queen, plotting against her king. They never wanted you to know the hunger of Persephone, how she starved for something other than pomegranates. Control. The primal thirst that burns all women’s throats, denied by eons of men. Listen closely to the voice from hell, sweetheart. “You are a queen; don’t wait for a king.
E.P. .
What if I was wrong? What if there was no other side. What if, in all the eons of eternity, this was the one and only time that I would be alive. How would I live my life if that were the case?
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
I had a dream about you last night. Eons ago, we created a Universe, then sat back and watched miniature versions of ourselves try to make all the same mistakes we did.
Michael Summers (I Had a Dream About You)
If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?
Ken Kesey
Through eons of living in a land so poor there was little to eat but oats, they had as usual converted necessity into a virtue, and insisted that they liked the stuff.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Horseness is the whatness of allhorse. Streams of tendency and eons they worship. God: noise in the street: very peripatetic.
James Joyce (Ulysses)
This was where darkness went to live forever, growing deeper and more powerful as the eons passed it by.
Mira Grant (Into the Drowning Deep (Rolling in the Deep, #1))
I felt that our kissing could sustain the ritual of women loving women for eons to come.
Melissa Broder (Milk Fed)
there’s one thing I’ve learned over the eons, it’s that you can’t give up on your family, no matter how tempting they make it. It doesn’t matter if they hate you, or embarrass you, or simply don’t appreciate your genius
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Bellamy took Clarke’s hand, then leaned in and whispered, “Should we go check on your parents?” She turned to him and tilted her head to the side. “Don’t you think it’s a little early to be meeting my parents?” she teased. “After all, we’ve been dating less than a month.” “A month in Earth time is like, ten years in space time, don’t you think?” Clarke nodded. “You’re right. And I suppose that means that I can’t get mad at you if you decide to call it off after a few months, because that’s really a few decades.” Bellamy wrapped his arm around her waist and drew her close. “I want to spend eons with you, Clarke Griffin.” She rose onto her toes and kissed his cheek. “Glad to hear it, because there’s no going back now. We’re here for good.
Kass Morgan (Homecoming (The 100, #3))
Too many doubts grow in the cracks of silence and separation.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
There is language going on out there- the language of the wild. Roars, snorts, trumpets, squeals, whoops, and chirps all have meaning derived over eons of expression... We have yet to become fluent in the language -and music- of the wild.
Boyd Norton (Serengeti: The Eternal Beginning)
True loneliness is the comet traveling alone through the universe, surrounded by vacuous space and nothingness at absolute zero. It would never have the chance to be seen by someone or approached by another. This dismal silence would simply continue for eons.
Kafka Asagiri (文豪ストレイドッグス STORM BRINGER)
There was a saying that the strength of a man’s steel was only known under the hammer of circumstance. If anyone had asked me a few hours ago, I would have said that nearly five years of boyhood had hammered me into constant fear and excessive caution. But now I realised it had done the opposite. It had shaped me into someone who stepped forwards and reached for what she wanted. It was too late for me to tuck my hands behind my back and wait like a good woman.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
And you are the girl's bitch, forever.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
A cold realisation washed over me. From now on, my master would not always be there to protect and counsel me. 'This is big. Too big,' I said. 'What do I do?' 'You follow your destiny,' Ryoko said. 'As we all do. With honour and courage.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
I felt something stir within me. It took a moment to recognise it. Anger.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
How brief and hidden were the moments of destiny.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
And then I stand in front of God's Throne squinting up at His blazing glory and He says, 'You had your opportunities, boy. But did you listen? No. You went on heedlesly reading that garbagey magazine with pictures of naked girls in it. How juvenile! I gave geese more sense than that.' Please, God. I'm only fourteen years old. A teenager. Have mercy. Be loving. I was,' says God. 'For eons. And look at what it got me. You.' God turns in disgust, just the way Daddy does. 'Sorry, but I'm the Creator. I take it personally. There are slugs and bugs and night-crawlers I feel better about having created - I mean, there are sparrows - I've got my eye on one right now. Is that sparrow consumed with lust? No. He mates in the spring and that's the end of it. Consider the lilies. Do they think about lily tits all the time? No. They look not and they lust not, and yet I say unto you that you will never be half as attractive as they. Therefore, I say unto you, think not about peckers and boobs and all that nonsense and your Heavenly Father will see that you meet a good woman and marry her, just as I do for the sparrow and walleye - yea verily, even the night-crawler and the eelpout. But I've told you this over and over for nineteen centuries. And now, verily, it's too late. Time's up, buster. Lights out! Game's over!
Garrison Keillor
We are all more–and less–than what we seem.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
All health, beauty, intelligence, and social grace has been teased from a vast butcher’s yard of unbounded carnage, requiring incalculable eons of massacre to draw forth even the subtlest of advantages. This is not only a matter of the bloody grinding mills of selection, either, but also of the innumerable mutational abominations thrown up by the madness of chance, as it pursues its directionless path to some negligible preservable trait, and then — still further — of the unavowable horrors that ‘fitness’ (or sheer survival) itself predominantly entails. We are a minuscule sample of agonized matter, comprising genetic survival monsters, fished from a cosmic ocean of vile mutants, by a pitiless killing machine of infinite appetite. (This is still, perhaps, to put an irresponsibly positive spin on the story, but it should suffice for our purposes here.)
Nick Land
You lie even to yourself. Now that is the mark of a fool.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
We may be undermined by our survival instincts, honed over eons to help us deny, defy, or ignore catastrophic portents lest they paralyze us with fright.
Alan Weisman (The World Without Us)
That feeling in your heart: it’s called mono no aware. It is a sense of the transience of all things in life. The sun, the dandelion, the cicada, the Hammer, and all of us: we are all subject to the equations of James Clerk Maxwell, and we are all ephemeral patterns destined to eventually fade, whether in a second or an eon.
Ken Liu (The Paper Menagerie and Other Stories)
Even a leaf in the wind settles sometimes.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
Try asking for Nyx's help." "Nyx would not hear me." Kalona spoke so quietly that Shaunee almost didn't hear him. "she has not heard me for eons." "During those eons how many times did you ask for her help?" "Not once," he said "Then how do you know she's not listening to you?
P.C. Cast (Hidden (House of Night, #10))
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
We are more than just a collection of bones, cobbled together by God or by eons of evolution. We have souls. We have purpose. We're more.
Amy Harmon (The Smallest Part)
"The She of the dragon will return and ascend When the cycle of twelve draws to an end..." "The She of the Dragoneye will restore and defend When the Darkforce is mastered with Hua of All Men.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals – at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
James Joyce (A Portrait of the Artist as a Young Man)
Strange! that you should not have suspected years ago--centuries, ages, eons, ago!--for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane--like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell--mouths mercy and invented hell--mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!
Mark Twain
Consider a single piece glowing in your family’s stove. See it, children? That chunk of coal was once a green plant, a fern or reed that lived one million years ago, or maybe two million, or maybe one hundred million. Can you imagine one hundred million years? Every summer for the whole life of that plant, its leaves caught what light they could and transformed the sun’s energy into itself. Into bark, twigs, stems. Because plants eat light, in much the way we eat food. But then the plant died and fell, probably into water, and decayed into peat, and the peat was folded inside the earth for years upon years—eons in which something like a month or a decade or even your whole life was just a puff of air, a snap of two fingers. And eventually the peat dried and became like stone, and someone dug it up, and the coal man brought it to your house, and maybe you yourself carried it to the stove, and now that sunlight—sunlight one hundred million years old—is heating your home tonight . . .
Anthony Doerr (All the Light We Cannot See)
You have forced your way into my Hua, Eona. Change me. First, by your power- then, just by who you are.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
A few would quote him scripture to confound his ordering up of eons out of the ancient chaos and other apostate supposings. The judge smiled. Books lie, he said. God dont lie. No, said the judge. He does not. And these are his words. He held up a chunk of rock. He speaks in stones and trees, the bones of things.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
At least, the moment Lu Feng put his gun into An Zhe's backpack, within the eons, there was once such second—in that second, the Arbiter left his pistol to a xenogenic, forsaking his lifelong beliefs to love him.
Shisi (Little Mushroom: Revelations (Little Mushroom, #2))
In fact the Gods were as puzzled by all this as the wizards were, but they were powerless to do anything and in any case were engaged in an eons-old battle with the Ice Giants, who had refused to return the lawnmower.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
Dear Mr. Right People say you don't exist. Yes, I agree no one is perfect but people can be right with all the imperfections and flaws. Can't they? So, You must know that I do believe in you. I do believe somewhere out there you do exist. Yesterday my friend told me that you aren't riding a White horse but the tortoise that is why you are taking eons to reach me. But that's okay with me, I don't have any preference for your choice of a commute as long as you are using Google Maps with me as your destination. You must have detoured a lot. Hope you had fun but now it's time we start our own adventure. So, reach soon. Yours Forever
Ankita Singhal
Make it right.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
I found power in accepting the truth of who I am. It may not be a truth that others can accept, but I cannot live any other way. How would it be to live a lie every minute of your life?
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
You are my life.” Though his words were barely a whisper, they seemed to echo from somewhere deep within him, enveloping my body and infusing me with something unshakable. “There is nothing I would not do to make you happy. Before I met you, my world was a string of days that were gray and empty. I had nothing to look forward to, and I cannot tell you what it was like, facing down eternity alone. Every day I wished for you. Every day I held on in hopes that eventually we would meet. And when I finally found you...” He leaned in and kissed me again, astenderly as before. His hand slid underneath my shirt, splaying across my stomach, but the touch wasn’t sexual. It was as if he were trying to memorize me, just as I was trying to memorize him. “I have existed for more eons than I remember. I have seen the sun rise and fall so many times that the days lost all meaning. For so long, they passed me by in a blur. But that night we met by the river—the night you gave up yourself in order to save a virtual stranger—my heart began to beat again.” He took my hand and pressed it against his chest, and there it was—thump thump, thump thump, strong and beautiful. I would’ve given anything to keep his heart beating. The black abyss that had become my world in those hours I’d thought he was dead had faded, but it was a scar I would always bear. I couldn’t go back to that. Even if I had Milo, I would never have another Henry.
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Watching my father plan and strategize for the resistance has taught me about trust.” She leaned forward. “Personal trust is very different from political trust, my lady. The first thrives on faith. The second requires proof, whether it be upfront or covert.” Awkwardly, she patted my hand. “His Majesty has always been a powerful man. Perhaps he has never had to distinguish between the two.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.
Runa Heilung
It has been a week since Ami died and this morning I woke suddenly hours before dawn, indeed the same hour as when my mother died. It was not a dream that woke me, but a thought. And with that thought I could swear I heard Ami's voice. But I am not frightened. I am joyous. Joyous with realization. For I cannot help but think what a lucky person I am. Imagine that in all the eons of time, in all the possible universes of which Dara speaks, of all the stars in the heavens, Ami and I came together for one brief and shining sliver of time. I stop. I think. Supposing in the grand infinity of this universe two particles of life, Ami and me, swirl endlessly like grains of sand in the oceans of the world -- how much of a chance is there for these two particles, these two grains of sand, to collide, to rest briefly together... at the same moment in time? That is what happened with Ami and me... this miracle of chance.
Kathryn Lasky
We live in a world of unimaginable surprises - from the fusion energy that lights the sun to the genetic and evolutionary consequences of this light’s dancing for eons upon the earth - and yet paradise conforms to our most superficial concerns with all the fidelity of a Caribbean cruise. This is wondrously strange. If one didn't know better, one would think that man, in his fear of losing all that he loves, had created heaven, along with its gatekeeper God, in his own image.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
For the first time in what seems like eons, my body doesn't feel so clenched, so hot. And suddenly, I realize that the dot out there on my horizon line--the same dot everything in my world points to, like in the one-point perspective sketches Mom taught me how to draw--it's not any old spot, you know. It's not some charcoal smudge. It's peace.
Holly Schindler (A Blue So Dark)
The nature of hate is mysterious. It can gnaw at the heart for an eon, then depart when one expected it to remain as immobile as a mountain. But even mountains erode.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
Once in a lifetime, if one is lucky, one so merges with sunlight and air and running water that whole eons, the eons that mountains and deserts know, might pass in a single afternoon without discomfort. ... You have probably never experienced in yourself the meandering roots of a whole watershed or felt your outstretched fingers touching, by some clairvoyant extension, the brooks of snow-line glaciers at the same time you were flowing toward the Gulf over the eroded debris of worn-down mountains.
Loren Eiseley
You wish they understood, as you do, that there is no escape and never was, that from the moment two cells combined to become one they were doomed. You wish they understood that there is joy in this fact, greater joy and love in just this one last moment than they experienced in the entirety of their lives. Because even in this last moment there is still Everything, whole galaxies and eons, the sum total of every experience across time, shrunk to the head of a pin, theirs for the asking, right here, right now. And so anything, anything, anything is possible.
Ron Currie Jr. (Everything Matters!)
Two chemicals called actin and myosin evolved eons ago to allow the muscles in insect wings to contract and relax. Thus, insects learned to fly. When one of those paired molecules are absent, wings will grow but they cannot flap and are therefore useless. Today, the same two proteins are responsible for the beating of the human heart, and when one is absent, the person’s heartbeat is inefficient and weak, ultimately leading to heart failure. Again, science marvels at the way molecules adapt over millions of years, but isn’t there a deeper intent? In our hearts, we feel the impulse to fly, to break free of boundaries. Isn’t that the same impulse nature expressed when insects began to take flight? The prolactin that generates milk in a mother’s breast is unchanged from the prolactin that sends salmon upstream to breed, enabling them to cross from saltwater to fresh.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
The universe may forget us, but our light will brighten the darkness for eons after we’ve departed this world. The universe may forget us, but it can’t forget us until we’re gone, and we’re still here, our futures still unwritten. We can choose to sit on our asses and wait for the end, or we can live right now. We can march to the edge of the void and scream in defiance. Yell out for all to hear that we do matter. That we are still here, living our absurd, bullshit lives, and nothing can take that away from us. Not rogue comets, not black holes, not the heat death of the universe. We may not get to choose how we die, but we can choose how we live. The universe may forget us, but it doesn’t matter. Because we are the ants, and we’ll keep marching on.
Shaun David Hutchinson (We Are the Ants)
You’ll be fine, baby girl. I know you—how capable you are and how stubborn—and those are qualities that Ethan will come to appreciate.” “Given time,” Catcher muttered. “Lots and lots and lots of time.” “Eons,” Jeff agreed. “Immortal,” I reminded them, using a finger to point at myself. “We have the time. Besides, I wouldn’t want to make it too easy on him.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Even up until these final eons of time, we felt we could create anything. We could build ourselves a heaven. But why? We were Heaven already. Only in the very end did we try to build a S.O.U.L. That which would outlast V.E.M., outlast The Verse, outlast death. But it was impossible. Or we were too late. Though still the H.O.L.Y. tried. And built Hell instead.
Mark Z. Danielewski (Honeysuckle & Pain (The Familiar, #3))
[...]and yet wasn't there something about [vampires] that struck a deep chord of recognition, even of memory? The teeth, the blood, the hunger, the immortal union with darkness -- what if these things weren't fantasy but recollection or even instinct, a feeling etched over eons into human DNA, of some dark power that lay within the human animal?
Justin Cronin (The Passage (The Passage, #1))
A human being will rarely admit this to you, but they tend to be terrified of living forever. They were born and raised with the understanding that their lives would end. They've achieved everything they wanted to achieve, all the ills that plagued them. And now boredom is their only enemy. And they get up in the morning and fight it every day of their eternal lives. Recreation and play sustain them. Football sustains them. And if you find yourself in a football game that's such a gargantuan task, that seems undefeatable, that will claim eons of your time and your passion? I think that makes you one of the lucky ones.
Jon Bois (17776: What football will look like in the future)
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, octahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for.
Anthony Doerr (All the Light We Cannot See)
A shrieking rise of power rushed into my pathways, rocking me against the wall. Ido's body slammed into mine. He was not going to let go. Not now. The Rat Dragon howled, his heavy blue force driven back by the onslaught of sinuous gold. Raw,rejoicing energy flooded my seven centers of power; opening,pushing, seeking. And behind it all, a presence exulting in the joy of release and reunion. I looked up and finally my mind-sight was clear. I could see the Mirror Dragon. My Dragon.
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
So I will just tell you I love you. I love you, Bram. I want everyone to see it, and I want you to know . . . you’re a part of this place now. No matter where duty takes you, Spindle Cove will always be here for you. And so will I.” He put both arms around her, pulling her flush against his chest. “You beautiful, brazen thing.” Then he went silent, just holding her gaze for what seemed like eons. Nerves multiplied in her stomach with every passing second. She swallowed hard. “Don’t you have anything else to say?”“ ‘Hallelujah’ springs to mind. Beyond that . . .” He brushed a caress down her cheek. “Does this mean that if I proposed marriage to you right now, you might not make that twisty, unhappy face?” “Try me and see.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
In your life, right here and now, things like mermaids, fairies, witches and monsters are nothing but fairytales told to your grandchildren and stories you heard from your own grandparents as children. They exist only in your imagination. Did you ever think that there is a chance all this was once real, that it all existed? Perhaps yes, but you would then consider such thoughts irrational, that even if you were to believe it and try telling someone they would think you for mad. In my world those creatures are real – I’m real, and I am here to tell you of a story that happened in eons past in the majestic island of Aster." - Queen of Merfolk Asteria - Ninemia
Marilena Mexi
I have come to understand that I have offended you with my honest about your power,' he said. 'I am not accustomed-' He paused and rubbed his chin. 'I mean apart from my father, there has been no one whose opinion I was required to consider. And I've never had to'-his finger traced the edge of the pearl-'pursue a woman.' Was the emperor apologizing to me? He took a deep breath. 'I cannot take back those words-we both know they were the truth-but I regret that I caused you hurt.' He reached across and took my hand. 'And they did not take into account the importance I place upon your role as Niaso. Eona, you are the moon balance to my sun.
Alison Goodman (Eona: The Last Dragoneye (Eon, #2))
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By most astounding stroke of luck and infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist. For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life, nothing will remotely compare with the incredible accomplishment of having managed to get yourself born. Congratulations. Well done. You really are special.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
What did this mean for the ocean, the ecosystem, the future? All this plastic had appeared in barely more than 50 years. Would its chemical constituents or additives—for instance, colorants such as metallic copper— concentrate as they ascended the food chain, and alter evolution? Would it last long enough to enter the fossil record? Would geologists millions of years hence find Barbie doll parts embedded in conglomerates formed in seabed depositions? Would they be intact enough to be pieced together like dinosaur bones? Or would they decompose first, expelling hydrocarbons that would seep out of a vast plastic Neptune’s graveyard for eons to come, leaving fossilized imprints of Barbie and Ken hardened in stone for eons beyond?
Alan Weisman (The World Without Us)
I would like to do many things before we should ever call this anything. For when we touch the earth, we touch a foundation of interdependence and impermanence: for we build this castle in the sky, in space. We are what stars or trees or streams are, and stars or trees or streams are what we are. And if things come together if only for a moment or an eon it is the same: it is a warrior’s love song you and I can sing in the shower. I would like to remember that you and I, we…began things properly. Slowly, deliberately, in the old way: as if we meant it.
Waylon H. Lewis (Things I Would Like To Do With You)
Syldrathi believe that people once united can never truly part.” Saedii waves the knife toward the derm patch. “Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
If someone were to autopsy her heart, they'd find traces of life, evidence of eons gone by. Times when she'd been able to feel and the feelings left imprints. Maybe her heart was wearing a cast. Maybe it wasn't sclerosed at all but atrophied, shrunken, and the cast enclosing it was scribbled over with stories written in a dead language. Was there any softness left in there? Any spot that was still unfired, unformed, unglazed? Was there access? Entry? A place still open to impression? No. Her heart was finished. It bore, perhaps, records of life, but it wasn't alive. Too late for decoration. Too late for effects. Further handling could only result in cracks and fractures. People could cut themselves on the edges of her heart, she was sure of it.
Stephanie Kallos
Light. Space. Light and space without time, I think, for this is a country with only the slightest traces of human history. In the doctrine of the geologists with their scheme of ages, eons and epochs all is flux, as Heraclitus taught, but from the mortally human point of view the landscape of the Colorado is like a section of eternity- timeless. In all my years in the canyon country I have yet see a rock fall, of its own volition, so to speak, aside from floods. To convince myself of the reality of change and therefore time I will sometimes push a stone over the edge of a cliff and watch it descend and wait- lighting my pipe- for the report of its impact and disintegration to return. Doing my bit to help, of course, aiding natural processes and verifying the hypotheses of geological morphology. But am not entirely convinced.
Edward Abbey (Desert Solitaire)
What if there was no other side. What if, in all the eons of eternity, this was the one and only time that I would be alive. How would I live my life if that were the case? Know what I mean? What if this was all there is?” “Well, I guess there'd be a lot of disappointed dead priests,” I said. Carl chuckled. “Well, there's that,” he said. “But it also means that this is our heaven. We are surrounded every day by the wonders of life, wonders beyond comprehension that we simply take for granted. I decided that day that I would live my life—not simply exist. If I died and discovered heaven on the other side, well, that'd be just fine and dandy. But if I didn't live my life as if I was already in heaven, and I died and found only nothingness, well… I would have wasted my life. I would have wasted my one chance in all of history to be alive.
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
Goddess Rising This is for the women Who have walked with hidden shame Stirring like all is well Though weighted down in pain. This is for her Inner Child Who longs to forget Her innocence stolen Body, soul and spirit rent into pieces- fragments-broken-bent This is for the Maiden Longing to belong -To another - In hopes to make right the darkened wrongs Not realizing-blinded by oozing wounds Her own innate delicious power Thick within her womb This is for the Mother Breaking eons of fettered chains For the children she has birthed Through blood and breaths of change She calls them Redemption Regardless of their names This is for the Crone Who called her shattered pieces Home To herself- To all her luminous bodies Where she never dared to feel Making strong her bones Crushing~ oppressors With the swaying of her hips Her hands soaring like doves Honey dripping from her lips This is for the Wild Woman Who traversed the Underground Leaving her footprints While taming the Hellhounds. Like a seed breaking fallow ground Emerging fruitful garden No longer bound By the nightmare of the past Awakened from the Dream- Of Separation SHE. IS.- merging realms between. This is for the woman, for the Goddess For me For you Rising from our ashes Making ALL things new~
Mishi McCoy
The mathematician and physicist Freeman Dyson makes a related observation about human society: The destiny of our species is shaped by the imperatives of survival on six distinct time scales. To survive means to compete successfully on all six time scales. But the unit of survival is different at each of the six time scales. On a time scale of years, the unit is the individual. On a time scale of decades, the unit is the family. On a time scale of centuries, the unit is the tribe or nation. On a time scale of millennia, the unit is the culture. On a time scale of tens of millennia, the unit is the species. On a time scale of eons, the unit is the whole web of life on our planet. Every human being is the product of adaptation to the demands of all six time scales. That is why conflicting loyalties are deep in our nature. In order to survive, we have needed to be loyal to ourselves, to our families, to our tribes, to our cultures, to our species, to our planet. If our psychological impulses are complicated, it is because they were shaped by complicated and conflicting demands.
Stewart Brand (The Clock Of The Long Now: Time and Responsibility)
Murky Water, Dusty Mirror Murky water is turbid; let it settle and it clears. A dusty mirror is dim; clean it and it is bright. What I realize as I observe this is the Tao of clarifying the mind and perceiving its essence. The reason why people's minds are not clear and their natures are not stable is that they are full of craving and emotion. Add to this eons of mental habit, acquired influences deluding the mind, their outgrowths clogging up the opening of awareness - this is like water being murky, like a mirror being dusty. The original true mind and true essence are totally lost. The feelings and senses are unruly, subject to all kinds of influences, taking in all sorts of things, defiling the mind. If one can suddenly realize this and change directions, wash away pollution and contamination, gradually remove a lifetime of biased mental habits, wandering thoughts and perverse actions, increasing in strength with persistence, refining away the dross until there is nothing more to be refined away, when the slag is gone the gold is pure. The original mind and fundamental essence will spontaneously appear in full, the light of wisdom will suddenly arise, and one will clearly see the universe as though it were in the palm of the hand, with no obstruction. This is like murky water returning to clarity when settled, like a dusty mirror being restored to brightness when polished. That which is fundamental is as ever: without any lack.
Liu Yiming (Awakening to the Tao (Shambhala Classics))
My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
James Joyce (A Portrait of the Artist as a Young Man)