Desk Top Quotes

We've searched our database for all the quotes and captions related to Desk Top. Here they are! All 100 of them:

Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
Alice Sebold (The Lovely Bones)
We're out of time, Payton. You said it yourself: the only way we'll make it is for us to go into this together. I know we can do this. But I need you to believe it. You need to believe... in us." Peyton didn't say anything for a long moment, and J.D. could literally hear his heart beating. Then she finally answered. "It would have to be called Kendall and Jameson." It took J.D a moment to catch on. Then he grinned. "No way. Jameson and Kendall. It's alphabetical." "You told our boss that you banged me on top of your desk." "Kendall and Jameson sounds great
Julie James (Practice Makes Perfect)
Try to look casual.” I pulled the top book out and put it on the desk. “Why?” “Because what I’m doing is illegal without a warrant, and we have about twenty witnesses observing our every move.” Curran crossed his arms, making his biceps bulge, leaned against the desk, and fixed our audience with his stare. Everyone spontaneously decided to look anywhere else but at us. Right. Casual, my foot. “See,” he said. “No witnesses.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
Spending the next nine hours with a crying woman wal real close to the top of his "Avoid at All Costs" list right under untimely death and a desk job.
Tara Janzen (Crazy Kisses (Steele Street, #4))
On the top of my desk there are initials, carved into the wood, and dates...This carving, done with a pencil dug many times into the warn varnish of the desk, has the pathos of all vanished civilizations. It's like a handprint on stone. Whoever made this was once alive.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
You’ll never make sense of his notes. You just have to listen to his lecture,” Graham whispered confidentially. “It’s a challenge, but the good news is that he’s been giving the same tests for forty years. The answers are carved right into the tops of the desks. See?
G. Norman Lippert (James Potter and the Curse of the Gatekeeper (James Potter, #2))
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
Steven Millhauser (Dangerous Laughter)
People know how to deal with a desktop intuitively. If you walk into an office, there are papers on the desk. The one on the top is the most important. People know how to switch priority. Part of the reason we model our computers on metaphors like the desktop is that we can leverage this experience people already have.
Walter Isaacson (Steve Jobs)
So, Harold. Friend, pal, chum.” Roux folded her hands on top of the desk. “Are you going to buzz us in or not?” “Go on up, miss,” Harold said, waving us through the lobby and toward the elevators. “Harold, you’re a gem. A pristine gem honed over years of trial and fire.” “That’s how I would describe my job, too,” Harold replied.
Robin Benway (Also Known As (Also Known As, #1))
The dentist swiveled on his heels and disappeared, leaving me there to massage my jaw back into feeling after its brief, masochistic marriage to the top of my wooden desk.
Jonathan Lethem (Gun, With Occasional Music)
Violet tried the door latch. Locked, of course. Wordlessly, she pulled a hairpin from her wind-mussed chignon and handed it to him. He stared at it. “What makes you think I know how to pick locks?” he whispered. “Just because I’m a spy?” “No. Because you were forever stealing pocket money from your father’s top desk drawer.” Bloody hell. She truly had been paying attention.
Tessa Dare (Once Upon a Winter's Eve (Spindle Cove, #1.5))
Raining. Oh, brother, a scratch on the fender. Damn rabbi on his unicycle. Wait a minute, where are my car keys? Could have sworn I left them in this pocket. No, just some loose change and ticket stubs from the all-black version of Elaine Stritch’ s one-woman show. Did I check my desk? Better go back inside. What’s in the top drawer here? Hmm. Envelopes, my paper clips, a loaded revolver in case the tenant in 2A begins yodelling again.
Woody Allen
Griffin leaned across the desk, his arms braced on the now-clear top, and stared into Wakefield’s outraged eyes. “We seem to be under a confusion of communication. I did not come here to ask for your sister’s hand. I came to tell you I will marry Hero, with or without your permission, Your Grace. She has lain with me more than once. She may well be carrying my child. And if you think that I’ll give up either her or our babe, you have not done nearly enough research into my character or history.
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
. . . a stiff breeze had claimed Athens, filling bedrooms, rearranging the tops of desks, touching everything and nothing, as if searching for something it no longer recognized.
Simon Van Booy (Everything Beautiful Began After)
Griffin took one step toward the big desk and swiped his arms across the entire top. Pens, papers, books, a small marbel bust, and an ink well all crashed to the floor. Griffin leaned across the desk, his arms braced on the now-clear top, and stared into Wakefield's outraged eyes. "We seem to be under a confusion of communication. I did not come here to ask for your sisters hand. I came to tell you I will marry Hero, with or without your permission Your Grace. She has lain with me more than once. She may very well be carrying my child. And if you think I'll give up her or our babe, you have not done nearly enough research into my character or history." Griffin pushed himself off the desk before the other man could utter a word and storde out the door.
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
A slender man who looked like a carbon copy of his students, save for maybe a ten-year age difference, strode into the room and took his station behind the short metal desk up front. He was cool and sharp-looking with a stunningly well-tailored white button down, hipster glasses and a faux-military haircut that was shaved close on the sides but left long and slicked back on top. He looked like he was more prepared to model men's watches than to teach Interpersonal Psychology II.
Joel Abernathy (Pendulum (Kingdom of Night, #1))
I saw the folded note peeking up from behind the cover of the book in which I'd hidden it. I brushed my fingertips across the lineny surface, my skin sparking with electricity, my fingers itching to pull it free. I shoudn't, I told myself, even as I held my breath and watched myself withdrawing it from the book. I tried to tamp down the feeling of anticipation coursing through me at the same time I argued that it was a mistake to look at it again. It didn't deserve anymore of my time. He didn't deserve the space he already occupied in my mind. I glanced around to see if anyone had noticed me there, tucked beneath my desk, reading a note that I'd already memorized. No one paid me any attention. I held the letter, vividly picturing the six words written inside the folds. Six words that I already knew by heart. Six words that meant more to me than they should. I unfolded the top third of the paper, then the bottom, purposely keeping my eyes unfocused for just a moment. My heart stopped. And then my eyesight cleared. I pledge to keep you safe.
Kimberly Derting (The Pledge (The Pledge, #1))
The teacher asks a question. You know the answer, you suspect you are the only one in the classroom who knows the answer, because the person in question is yourself, and on that you are the greatest living authority, but you don’t raise your hand. You raise the top of your desk and take out an apple. You look out the window. You don’t raise your hand and there is some essential beauty in your fingers, which aren’t even drumming, but lie flat and peaceful. The teacher repeats the question. Outside the window, on an overhanging branch, a robin is ruffling its feathers and spring is in the air.
Mary Ruefle
I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was drown-draughted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Irma looked around her bedroom desperately. Her eyes fell on the stack of schoolbooks lying on top of her vanity table. Homework! Homework trumped everything! Irma dived toward the desk and scooped up a couple of textbooks. "I want to do my homework!" she wailed. "I have to study. Send Leafy instead of me!" Irma pointed to her pet turtle. "Your turtle is not going on a date with Martin Tubbs!
Elizabeth Lenhard (The Last Tear (W.I.T.C.H. Chapter Books, #5))
Well?” said Professor McGonagall, rounding on him. “Is this true?” “Is what true?” Harry asked, rather more aggressively than he had intended. “Professor?” he added in an attempt to sound more polite. “Is it true that you shouted at Professor Umbridge?” “Yes,” said Harry. “You called her a liar?” “Yes.” “You told her He-Who-Must-Not-Be-Named is back?” “Yes.” Professor McGonagall sat down behind her desk, frowning at Harry. Then she said, “Have a biscuit, Potter.” “Have — what?” “Have a biscuit,” she repeated impatiently, indicating a tartan tin of cookies lying on top of one of the piles of papers on her desk.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Taking your clothes off and spreading yourself on top of Roman Bradford’s desk is a bad idea.” “I was thinking more along the lines of dropping to my knees and going all Hoover on his cock,” Derrick announced with a tremulous smile. “I do give great head. I figure I’ll have him eating out of my hand in no time.” Derrick Swain, Hearsay
Taylor V. Donovan (Hearsay (Bylaws #1))
Tapping a little bell, I leaned on the desk and turned to look at a small, traditionally decorated Christmas tree on a table near the entranceway. It was complete with shiny, egg-fragile bulbs; miniature candy canes; flat, laughing Santas with arms wide; a star on top nodding awkwardly against the delicate shoulder of an upper branch; and colored lights that bloomed out of flower-shaped sockets. For some reason this seemed to me a sorry little piece.
Thomas Ligotti (The Nightmare Factory)
An overdose of insulin would be the easiest, cleanest route—especially since he keeps his meter and pens in the top right drawer of his desk, unprotected.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Coming up from the basement, Kyle saw Andrew Peckleman in the middle of the Rotunda Reading Room, opening a long metal box sitting on top of the center desk. The holographic image of Mrs. Tobin was there, smiling patiently, as Peckleman pulled some kind of magazine out of the box. Miguel was also near
Chris Grabenstein (Escape from Mr. Lemoncello's Library (Mr. Lemoncello's Library, #1))
No returning smile from Ullman. He slipped Jack’s application back into a file. The file went into a drawer. The desk top was now completely bare except for a blotter, a telephone, a Tensor lamp, and an in/out basket. Both sides of the in/out were empty, too.
Stephen King (The Shining (The Shining, #1))
I shrugged. “Actually, I didn’t tell her much of anything. She must’ve put two and two together all on her own and come up with you being a jerk face.” His gaze slid back to me and he grinned. “Ouch, shortie.” “Yeah, like that really bothered you.” I glanced back through the small window in the door that led to bio. Mr. Tucker was already at his desk—was Mrs. Cleo ever coming back?—and we only had a minute, tops, before the tardy bell rang. “What did you want?” Reaching into his pocket, he pulled out a thin slip of yellow paper, waving it in my face. “Guess what I found?” “Obviously not a better personality,” I remarked. “Ha. Funny.” He brushed the edge of the paper across my nose and smiled when I smacked it away.
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
There was also a great absence of people, including behind the mahogany-topped reception desk. Now, there’s a time when an unlocked premises is a positive boon to a police officer as in – I was just looking to ascertain the whereabouts of the proprietor when I stumbled across the Class A controlled substances which were in plain sight in the bottom drawer of a locked desk in an upstairs office, M’lord.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In the end? Nothing ends, Adrian. Nothing ever ends.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
He sits down at his desk and hands me a pile of letters. They’re all addressed to me, but are opened and have notes on them. Each one is from a different college and placed in order of preference according to Sterling. Auburn sits on top, followed by Ole Miss and Arkansas. They’re all interested in me.
Heidi McLaughlin (Finding My Way (Beaumont #4))
He saw an evening when he sat slumped across his desk in that office. It was late and his staff had left; so he could lie there alone, unwitnessed. He was tired. It was as if he had run a race against his own body, and all the exhaustion of years, which he refused to acknowledge, had caught him at once and flattened him against the desk top. He felt nothing, except the desire not to move. He did not have the strength to feel--not even to suffer. He had burned everything there was to burn within him; he had scattered so many sparks to start so many things--and he wondered whether someone could give him now the spark he needed, now when he felt unable ever to rise again. He asked himself who had started him and kept him going. Then he raised his head. Slowly, with the greatest effort of his life, he made his body rise until he was able to sit upright with only one hand pressed to the desk and a trembling arm to support him. He never asked that question again.
Ayn Rand (Atlas Shrugged)
(In Austria after VE Day) Sergeant Mercier...dressed in a full German officer's uniform, topped off with a monocle for his right eye. Someone got the bright idea to march him over to the company orderly room and turn him in at rifle point to Captain Speirs. Someone got word to Speirs before Mercier showed up. When troopers brought Mercier up to Speirs's desk, prodding him with bayonets, Speirs did not look up. One of the troopers snapped a salute and declared, "Sir, we have captured this German officer. What should we do with him?" "Take him out and shoot him," Speirs replied, not looking up. "Sir," Mercier called out, "sir, please, sir, it's me, Sergeant Mercier." "Mercier, get out of that silly uniform," Speirs ordered.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Jaenelle peered into the space between the chair arms. “Saetan?” she said in a small, quivery voice. “Saetan, are you all right?” Using Craft, Saetan sent the top chair back to the blackwood desk. “I’m fine, witch-child.” He stuffed his feet into his shoes and gingerly stood up. “That’s the most excitement I’ve had in centuries.” “Really?” He straightened his black tunic-jacket and smoothed back his hair. “Yes, really.” And Guardian or not, a man his age shouldn’t have his heart gallop around his rib cage like this. Saetan looked around the study and stifled a groan.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
But they would have been amazed if he had the words to describe it - how delicate it had been, how it reached almost three quarters of the way from the top of the desk to the ceiling, a lacy construct of jacks and deuces and kings and tens and Big Akers, a red and black configuration of paper diamonds standing in defiance of a world spinning through a universe of incoherent motions and forces; a tower that seemed to 'Cimi's amazed eyes to be a ringing denial of all the unfair paradoxes of life.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
Chet took a sip of lime cordial from his martini glass and asked, 'What does it take to be a librarian?' I started listing off the requirements on my fingers. 'A corkscrew for the wine, a closet full of cardigans, the optimism to assume that all brown mystery stains found in books are chocolate, a desk calendar featuring cats in hilarious costumes, and, um, did I mention the cardigans ? Sometimes you need to wear a cardigan over top of your other cardigan if the library is really cold or you spilled wine on yourself.
Angela Pepper (Wisteria Witches (Wisteria Witches, #1))
Ianto Jones was at his station behind the run-down Tourist Information Centre that served at a front to the clandestine goings on in Torchwood. His bare feet were on his desk, his tie slumped like a crestfallen snake next to an open pizza box, the top two buttons of his shirt undone. "Taking it easy, I see?" said Jack, stepping out through the security door that led into the Hub itself. "Well at least someone has the right idea. Whatcha doing there, Sport?" "Sport?" said Ianto. "Not sure I like 'Sport' as a term of endearment. 'Sexy is good, if unimaginative. 'Pumpkin' is a bit much, but 'Sport'? No. You'll have to think of another one. "Okay, Tiger Pants. Whatcha doing?" Ianto laughed. "I..." he said, pausing to swallow a mouthful of pizza, "am having a James Bondathon." "A what?" "A James Bondathon. I'm watching my favourite James Bond films in chronological order." "You're a Bond fan?" "Oh yes. He's the archetypal male fantasy, isn't he? The man all women want to have, and all men want to be." "Are you sure it's not the other way around?
David Llewellyn (Trace Memory (Torchwood, #5))
One corner was filled by an elderly flat-top desk; the papers on it were neatly in order. Near it, on its own stand, was a small electric calculator.
Robert A. Heinlein (The Year of the Jackpot)
Jahrling sat down at his desk and sighed. There was a landfill of papers on his desk, mostly about smallpox, and it was discouraging. On top of the heap sat a large red book with silver
Richard Preston (The Demon in the Freezer)
Adolescence is an earthquake, one that feels like it will never end while you're living it, and eventually there comes a choice. You can crawl under your desk and hide, or you can stand up on top of that shaking desk and dance.
Daniel Barnett (Poor Things)
I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” - "The Burning Room" by Michael Connelly
Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
Devorah tended to fill empty spaces with books: end tables, the tops of dressers, the edges of desks, on occasion even a chair. She would arrange and rearrange the books with exacting care, lining up the spines so none jutted out: sentinel rows of books.
Chaim Potok (The Gift of Asher Lev: A Novel)
The Mountain My students look at me expectantly. I explain to them that the life of art is a life of endless labor. Their expressions hardly change; they need to know a little more about endless labor. So I tell them the story of Sisyphus, how he was doomed to push a rock up a mountain, knowing nothing would come of this effort but that he would repeat it indefinitely. I tell them there is joy in this, in the artist’s life, that one eludes judgment, and as I speak I am secretly pushing a rock myself, slyly pushing it up the steep face of a mountain. Why do I lie to these children? They aren’t listening, they aren’t deceived, their fingers tapping at the wooden desks— So I retract the myth; I tell them it occurs in hell, and that the artist lies because he is obsessed with attainment, that he perceives the summit as that place where he will live forever, a place about to be transformed by his burden: with every breath, I am standing at the top of the mountain. Both my hands are free. And the rock has added height to the mountain.
Louise Glück (The Triumph of Achilles)
My recommendation is to keep up the good work. I’m changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations.” Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me. Thank you,” I said. “That’s very generous.” You’re quite welcome.” Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail. I turned to leave. Didn’t want to outstay my welcome. Damn it!” she exclaimed, and I turned back around. She winced and nodded at the letter opener that she’d dropped to her desktop. “Damn thing slipped. I’m probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?” She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk. I felt woozy. And suddenly dizzy. I blinked. When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders’s imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip. I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me. She held her injured finger far away from her and stared at me, wide-eyed, with a mixture of shock and disgust. I scrambled to my feet and wiped my mouth with the back of my hand. What in the holy hell just happened? I… I… uh… I’m so sorry,” I managed. “I don’t know what… I wouldn’t normally do something… I just…” Ms. Saunders pulled her hand close to her chest, perhaps to protect it from further abuse. Get out,” she said quietly. Yeah, I’ll get back to work. Again, I’m so, so sorry. Would you like me to bring you a cup of coffee?” No, not to your desk,” she said evenly, but her volume increased with every word. “Get out of here, you freak. I don’t care what you’ve heard, I’m not into women. You’re fired. Now get out of here before I call security.” But… my job review—” Get out!” she yelled.
Michelle Rowen (Bitten & Smitten (Immortality Bites, #1))
He opened the desk drawer, finding nothing but small pots of paint (used for brightening up antiques) and a paintbrush. He wondered if he would be able to throw paint in the man’s face, and blind him for long enough to escape. He opened the top of a pot of paint and dipped in his finger.
Neil Gaiman (The Graveyard Book)
Set flush in the wall behind the desk was a steel door. It was knobless, and along one edge were three brass keyholes spaced a few inches apart. Rube brought out a key ring, selected a key, then walked around the desk, inserted the key in the topmost lock, and turned it. From his watch pocket he took a single key, pushed it into the middle keyhole, and turned. The guard stood waiting beside him, and now the guard inserted a key in the bottom keyhole, turned it and pulled the door open with the key. Rube removed his two keys and gestured me in through the open door before him. He followed, and the door swung solidly shut behind us. I heard the multiple click of the locks engaging, and we were standing in a space hardly larger than a big closet, dimly lighted by an overhead bulb in a wire cage. Then I saw that we were at the top of a circular metal staircase.
Jack Finney (Time and Again (Time, #1))
Sometimes my sadness in reading is that I can’t stay. I fall away from the ability to receive. So that the life-long work of reading is the process of situating and elaborating within myself techniques that might guide or permit the lengthening duration and affective expansion of my receptive capacity. Within reading I desire lastingness in tandem with the falling away.   Writing proposes itself as a possible technique towards lastingness. My body becomes a desk. I lay the book on my chest; the notebook was waiting behind it, propped on the sloping lectern of the top of my thighs.
Lisa Robertson (Nilling: Prose Essays on Noise, Pornography, The Codex, Melancholy, Lucretiun, Folds, Cities and Related Aporias (Department of Critical Thought Book 6))
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
E.L. Doctorow (Ragtime)
Doc bought a package of yellow pads and two dozen pencils. He laid them out on his desk, the pencils sharpened to needle points and lined up like yellow soldiers. At the top of a page he printed: OBSERVATIONS AND SPECULATIONS. His pencil point broke. He took up another and drew lace around the O and the B, made a block letter of the S and put fish hooks on each end. His ankle itched. He rolled down his sock and scratched, and that made his ear itch. “Someone’s talking about me,” he said and looked at the yellow pad. He wondered whether he had fed the cotton rats. It is easy to forget when you’re thinking.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
November 2, 1984 was an especially tragic day in the Chronic Fatigue Syndrome/AIDS epidemic. That was the day Anthony Fauci became the Director of the National Institutes of Allergy and Infectious Diseases. (NIAID). (Good Intentions p.128) It was the day a thin-skinned, physically ultra-diminutive man with a legendary Napoleonic attitude was positioned by destiny to become the de facto AIDS Czar. In the fog of culpability that constitutes what could be called "Holocaust II" one thing is clear: the buck, on its way to the very top of the government, at least pauses at the megalomaniac desk of Anthony Fauci.
Charles Ortleb (Fauci: The Bernie Madoff of Science and the HIV Ponzi Scheme that Concealed the Chronic Fatigue Syndrome Epidemic)
It contained a long, narrow desk with a glass top, and on that…three ceramic beer mugs. They were stuffed with all sorts of things—pencils, rulers, drafting pens. On a tray were erasers, a paperweight, ink remover, old receipts, adhesive tape, paper clips of many colors…a pencil sharpener and postage stamps.
Haruki Murakami (Wind/Pinball: Two Novels)
Florence’s mother liked to imagine a life of diamonds and gilt for her daughter. But this, this, was the life Florence wanted. A blue-and-white teacup stuffed with clementine peels. A tangle of white ranunculus in a ceramic pitcher on the windowsill. Amanda had once put a vase of those same flowers on her desk at work. The whole place looked like a painting by Vermeer. And it was cold. Chilly gusts rattled the windows in their frames. Someone had told Florence once that glass was actually a liquid that settled slowly, over eons; that was why in old houses the windows were always thicker at the bottom than at the top. Was that true? Florence didn’t care. In the same way she couldn’t understand why people were so determined to expose Maud Dixon’s identity, she couldn’t understand why they needed to pin things down, turn poetry into fact. Wasn’t poetry better? Why would you turn something beautiful into something quotidian?
Alexandra Andrews (Who Is Maud Dixon?)
Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
Walt Whitman
Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.
Judith McNaught (Double Standards)
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I met a woman named Joan Scarangello.” “Good.” “Who is she exactly?” “A deputy to the deputy director of operations.” Which sounded junior, but wasn’t. In CIA-speak a D-DDO was part of a tiny circle at the very top. One of the three or four most plugged-in people on the planet. Her natural habitat would be a Langley office about eight times the size of my shipping container, probably with more phones on the desk than I had seen in my entire life. I said, “They’re really taking this seriously, aren’t they?
Lee Child (Personal (Jack Reacher, #19))
Before opening them, I slowly looked around the room. Sumire’s coat was hanging in the closet. I saw her goggles, her Italian dictionary, her passport. Inside the desk were her ballpoint pen and mechanical pencil. In the window above the desk the gentle, craggy slope was visible. A black cat was walking on top of the wall of the house next door. The bare little boxy room was enveloped in the late-afternoon silence. I closed my eyes and could still hear the waves on the deserted beach that morning. I opened my eyes again, and this
Haruki Murakami (Sputnik Sweetheart)
Sentences spoken by writers, unless they have been written out first, rarely say what writers wish to say. Writers are unlucky speakers, by and large, which accounts for their being in a profession which encourages them to stay at their desks for years, if necessary, pondering what to say next and how best to say it. Interviewers propose to speed up this process by trepaning writers, so to speak, and fishing around in their brains for unused ideas which otherwise might never get out of there. Not a single idea has ever been discovered by means of this brutal method--and still the trepaning of authors goes on every day. I now refuse all those who wish to take the top off my skull yet again. The only way to get anything out of a writer's brains is to leave him or her alone until he or she is damn well ready to write it down.
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
He looked down at the desk, at his notebook resting there with the pen on top. He had never thought of engineering as a way to escape the world; after all, engineers didn't build stories or other worlds. Or, well, perhaps they did; perhaps, late at night, huddled around the boiler with the driver and the conductor, they told their own stories. Famous robberies in the west, derailments, perhaps even ghost trains or passengers long dead who still prowled the carriages. Either way, Jack had turned his profession into his escape, which Ellis could respect.
Sam Starbuck (The Dead Isle)
trolley. Walter shook Larry’s hand and followed his luggage up the path to the hotel’s grand entrance, to the reception desk, where Raphael stood waiting with a concierge smile. After introductions, dinner, and paperwork, Walter eventually found himself in a suite on the top floor of the
Emily St. John Mandel (The Glass Hotel)
every Friday night he would set up a desk in the Tight Manhole, an Irish bar where the mine workers drank and sang songs of misery. The oil company paid him to report on all the charitable and civic-minded projects they had in the works as well as hard-hitting news stories happening in Haggleworth. Because of his honest face and gifted speaking voice, men and women would come in from all the other bars in Haggleworth—the Dirty Chute, the Mine Shaft, the Rear End, the Suspect Opening, the Black Orifice, the Poop Chute, too many to list here—all to listen to The Shell Oil Burgundy Hour.
Ron Burgundy (Let Me Off at the Top!: My Classy Life and Other Musings)
Niru, you're welcome to stay if you want, Ms. McConnell says to me without looking up from her desk. Without students in the classroom she is much smaller and more feminine. I stare at her legs visible beneath her desk and at the way her blonde hair falls about her face as she reads the New Yorker. Porn makes it look so easy, so casual, so routine. Older women are supposed to crave fresh young meat, to lick their pen tops absentmindedly while thinking about us, to squeeze their legs together in a good faith effort to keep from corrupting the younger generations. And I am supposed to stumble forward both confused and uncontrolled, pulled by my relentless desire like light towards a black hole. Except I am unmoved. I imagine Ms. McConnell naked, perched at the edge of her desk, legs crossed waiting for me to cross the room and give her what she needs. That's how they always say it, that they will take what they want, get what they need, that hardcore sex is good punishment for bad behavior. I wonder if it would set the record straight for me. It's nice outside, Ms. McConnell says, you should enjoy the day. Her stare makes me feel like she can read my thoughts and I am suddenly embarrassed.
Uzodinma Iweala (Speak No Evil)
Almost all of them had mustaches, as though they had learned to blend in by watching movies from the early eighties. He wore a white shirt, and the top button was undone; and for some reason my eyes focused on the thick tuft of black hair poking out. I looked into his dark eyes, and he smiled at me in a way that told me he was looking forward to doing what he was about to do, and I started to cry. I slid down the wall until I dangled from the shackles around my wrists, watching through my tears as he pulled razor blades, knives, pliers, and a drill from the desk they had in the center of the room.” When
Pittacus Lore (The Power of Six (Lorien Legacies, #2))
Apron,” Chad said, sounding a little nervous. “I’ve been wondering. Do you think you and me would have been friends, if, you know, we were in seventh grade together?” I thought about it for a second. I thought about Rennie and Jenny Pratt making fun of Chad, his swishy way of walking down the halls, and Johnny Berman and Sherman Howl writing faggot on the top of his desk and picking him last for dodge ball. And I thought about how, if I ignored them all and decided to be friends with Chad anyway, he would have been my only one. “Yes,” I nodded. “We’d be friends.” “Yup,” Chad said smiling as far as his cracked lips would let him. “That’s what I think, too.
Jennifer Gooch Hummer (Girl Unmoored)
I’ve noticed in myself that if something small and ultimately meaningless has gone wrong—I can’t find the file I left on top of my desk, my daughter failed to do what I asked her to do before going to a friend’s house—I can easily get rattled. But if someone calls to inform me of a serious difficulty—someone has been in an accident, or a child is in trouble—I notice a profound stillness come over me as I focus on the problem. In the former case, my temptation to become frantic does not attract solutions, but rather hinders them. There is nothing in my personal energy that invites help from others, nor do I have the clarity to think through what I need to do next.
Marianne Williamson (The Gift of Change: Spiritual Guidance for Living Your Best Life (The Marianne Williamson Series))
be apart. Despite getting rejected by my top-choice school, I was starting to really believe in myself again based on all the positive feedback we continued to get on our videos. And besides, I knew I could always reapply to Emerson the following year and transfer. • • • College started out great, with the best part being my newly found freedom. I was finally on my own and able to make my own schedule. And not only was Amanda with me, I’d already made a new friend before the first day of classes from a Facebook page that was set up for incoming freshmen. I started chatting with a pretty girl named Chloe who mentioned that she was also going to do the film and video concentration. Fitchburg isn’t located in the greatest neighborhood, but the campus has lots of green lawns and old brick buildings that look like mansions. My dorm room was a forced triple—basically a double that the school added bunk beds to in order to squeeze one extra person in. I arrived first and got to call dibs on the bunk bed that had an empty space beneath it. I moved my desk under it and created a little home office for myself. I plastered the walls with Futurama posters and made up the bed with a new bright green comforter and matching pillows. My roommates were classic male college stereotypes—the football player and the stoner. Their idea of decorating was slapping a Bob Marley poster and a giant ad for Jack Daniels on the wall.
Joey Graceffa (In Real Life: My Journey to a Pixelated World)
The End of Nature was the first book for a general audience about global warming; it came out in 1989 and soon appeared in more than twenty languages. At the time, the available data on climate change still fit on the top of my desk. What’s astonishing is that twenty years later most of the predictions scientists were then making have proved too conservative.
Bill McKibben (The Global Warming Reader: A Century of Writing About Climate Change)
Amazing Stories Mag: What does your writing process look like? Ursula K. Le Guin: It looks like a woman sitting at a desk, or staring out a window, or cooking dinner, or waking up in the morning, or whatever. You know what a ground bass is in music? A theme that keeps going on underneath, no matter what else is happening on top of it? Writing is the ground bass of my existence.
Ursula K. Le Guin
Harry’s heart was pumping frantically now that he knew they were on the right track. He led the way forward down the narrow space between the lines of the desks, heading, as he had done in his dream, for the source of the light, the crystal bell jar quite as tall as he was that stood on a desk and appeared to be full of a billowing, glittering wind. “Oh look!” said Ginny, as they drew nearer, pointing at the very heart of the bell jar. Drifting along in the sparkling current inside was a tiny, jewel-bright egg. As it rose in the jar it cracked open and a hummingbird emerged, which was carried to the very top of the jar, but as it fell on the draft, its feathers became bedraggled and damp again, and by the time it had been borne back to the bottom of the jar it had been enclosed once more in its egg.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
In the summer of 1914, he had headed to France in the company of his only son, Alistair. They were driving at high speed through woodland in Northern France when Alistair lost control of the wheel. The car spun into a roadside tree and flipped upside down. Alistair was flung from the vehicle and landed on his head. Cumming was trapped by his leg in a tangle of smouldering metal. ‘The boy was fatally injured,’ wrote Compton Mackenzie in his account of the incident, ‘and his father, hearing him moan something about the cold, tried to extricate himself from the wreck of the car in order to put a coat over him; but struggle as he might, he could not free his smashed leg.’ If he was to have any hope of reaching his son, there was only one thing to do. He reached for his pocket knife and hacked away at his mangled limb ‘until he had cut it off, after which he had crawled over to the son and spread a coat over him.’ Nine hours later, Cumming was found lying unconscious next to his son’s dead body. His recovery was as remarkable as his survival. He was back at his desk within a month, brushing aside any outer shows of mourning for his son. Cumming had the ramrod emotional backbone that so typified the gentlemen of his social class and era. Just a few months after his accident, one of his operatives visited him at his offices on the top floor of Whitehall Court. Cumming, who had not yet received his artificial leg, was inching his substantial frame down six flights of stairs: ‘two sticks, and backside, edging its way down one step at a time.’ Little wonder that his friends described him as ‘obstinate as a mule.
Giles Milton (Russian Roulette: How British Spies Thwarted Lenin's Plot for Global Revolution)
The room was small, but as neat as his necktie and as clean as his collar. The fireplace was swept; the floor was bare and polished. Books crowded bookshelves in every possible space. One corner was filled by an elderly flat-top desk; the papers on it were neatly in order. Near it, on its own stand, was a small electric calculator. To her right, french windows gave out on a tiny porch over the garage. Beyond it she could see the sprawling city, where a few neon signs were already blinking.
Robert A. Heinlein (The Year of the Jackpot (The Galaxy Project))
face lit up with a glow of gratitude that was prayer, though he did not know it. Then furtively the percussion-cap box came out. He released the tick and put him on the long flat desk. The creature probably glowed with a gratitude that amounted to prayer, too, at this moment, but it was premature: for when he started thankfully to travel off, Tom turned him aside with a pin and made him take a new direction. Tom's bosom friend sat next him, suffering just as Tom had been, and now he was deeply and gratefully interested in this entertainment in an instant. This bosom friend was Joe Harper. The two boys were sworn friends all the week, and embattled enemies on Saturdays. Joe took a pin out of his lapel and began to assist in exercising the prisoner. The sport grew in interest momently. Soon Tom said that they were interfering with each other, and neither getting the fullest benefit of the tick. So he put Joe's slate on the desk and drew a line down the middle of it from top to bottom.
Mark Twain (Tom Sawyer Collection)
And then I found the Code. It was buried under some of the things they’d dumped out of his desk. A piece of loose-leaf notebook paper with Darius’s thirteen-year-old scrawl on it, mounted on a faded sheet of blue construction paper. THE CODE OF HONOR, it said at the top, and underneath were written the seven rules we thought all heroes should live by: 1) Be the strongest of the strong. 2) Be the bravest of the brave. 3) Help the helpless. 4) Always tell the truth. 5) Be loyal. 6) Never give up. 7) Kill all monsters. We were big on killing monsters.
Alan Gratz (Code of Honor)
The Hand - 1952- The teacher asks a question. You know the answer, you suspect you are the only one in the classroom who knows the answer, because the person in question is yourself, and on that you are the greatest living authority, but you don’t raise your hand. You raise the top of your desk and take out an apple. You look out the window. You don’t raise your hand and there is some essential beauty in your fingers, which aren’t even drumming, but lie flat and peaceful. The teacher repeats the question. Outside the window, on an overhanging branch, a robin is ruffling its feathers and spring is in the air.
Mary Ruefle
And that had led to all the trouble with How to Dynamically Manage People for Dynamic Results in a Caring Empowering Way in Quite a Short Time Dynamically. Ponder didn't know when this book would be written, or even in which world it might be published, but it was obviously going to be popular because random trawls in the depths of L-space often turned up fragments. Perhaps it wasn't even just one book. And the fragments had been on Ponder's desk when Ridcully had been poking around. Unfortunately, like many people who are instinctively bad at something, the Archchancellor prided himself on how good at it he was. Ridcully was to management what King Herod was to the Bethlehem Playgroup Association. His mental approach to it could be visualized as a sort of business flowchart with, at the top, a circle entitled "Me, who does the telling" and, connected below it by a line, a large circle entitled "Everyone else." Until now this had worked quite well, because, although Ridcully was an impossible manager, the University was impossible to manage and so everything worked seamlessly. And it would have continued to do so if he hadn't suddenly started to see the point in preparing career development packages and, worst of all, job descriptions.
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
It bugged him. He stepped back, stepped back some more so he saw the building proper and realized he had been here before. Back in the ’70s. The restaurant had been a community center or the like, legal aid, a view of the desks so you can see that everybody looks like you. Help you fill out the application for food stamps and other government programs, break down the discouraging bureaucratese, probably run by some former Panthers. He was still working for Horizon so it had to be the ’70s. Top floor, middle of summer, and the elevator was out. Humping up all that white-and-black hexagon tile, the steps worn from so many feet that they seemed to smile, a dozen smiles every floor.
Colson Whitehead (The Nickel Boys)
It happened in tiny increments as I remember. Mr Miller sat on the edge of the desk, which shifted slightly; the sudden exertion of the correction he had to make to regain his balance resulted in a double blow-off; two little rasping braps, accompanied by an expression of amused shame on his face, before the table suddenly lurched, cracked and then collapsed on to the floor with Mr Miller on top of it. There must have been a nanosecond of disbelief and amazement at the confluence of this combination of farcical ingredients before the class exploded into frenzied, screeching giggles, which Mr Miller simply had to allow, since his embarrassment and indignation would have only made it worse.
Simon Pegg (Nerd Do Well)
I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
The cemetery watchman left the room and returned with a tray holding three small skulls and a large one. I could feel the short hairs on the back of my neck standing up of their own accord. None of them were real though; they were wood or celluloid imitations. They all had flaps that opened at the top; one was a jug and the other three steins. The man behind the desk named the toast. 'To our Friend!' I thought he meant myself at first; he meant that shadowy enemy of all mankind, the Grim Reaper. 'We are called The Friends of Death,' he explained to me when the grisly containers had been emptied. 'To outline our creed and purpose briefly, it is this: That death is life, and life is death. We have mastered death, and no member of the Friends of Death need ever fear it. They 'die,' it is true, but after death they are buried in special graves in our private cemetery - graves having air vents, such as you discovered. Also, our graves are equipped with electric signals, so that after the bodies of our buried members begin to respond to the secret treatment our scientists have given them before internment, we are warned. Then we come and release them - and they live again. Moreover, they are released, freed of their thralldom; from then on death is an old familiar friend instead of an enemy. They no longer fear it. Do you not see what a wonderful boon this would be in your case, Brother Bud; you who have suffered so from that fear?' ("Graves For The Living")
Cornell Woolrich
What's in a name? that which we call a rose/By any other name would smell as sweet.' In other words, the essence of an object does not change depending on it's name. This is a common misconception not unlike the 'world is flat' belief. By verbally identifying an object, by giving it a name, we alter it. And at the same time we prevent it from changing. A name is like a forked stick that we use to hold a snake on the ground." Portnov imitated using a forked branch to press down an imaginary viper. "By the way, consider this: the contradictory nature of a statement almost certainly proves its legitimacy... Come in." [...] "May I continue? Thank you. However, there is also another misconception-by which a name automatically defines the properties of an object. Here is a pen." He tossed up and caught a dark-blue pen with a white top. "If I give it the name of... an earthworm, will it slither?" Second years, Group A, maintained a tense silence. No one wanted to risk an answer. "It will not." Portnov let the pen fall on his desk. "Because this given piece of plastic has nothing in common with the process and events that we are talking about, that we spend time studying... between dance parties and dealing with gastrointestinal problems. Besides, when I say 'give a name,' I do not imply any of the languages that are commonly used by any of the living persons. I am talking about Speech, which you will begin to study during your third year. Some of you may start earlier.
Marina Dyachenko (Vita Nostra (Vita Nostra, #1))
I recall a frosty sunny morning in March when I was sitting in the interrogator's office. He was asking his customary crude questions and writing down my answers, distorting my words as he did so. The sun played in the melting latticework of frost on the wide window... In the gaps where the frost had melted, the rooftops of Moscow could be seen, rooftop after rooftop, and above them merry little puffs of smoke. But I was staring not in that direction but at a mound of piled-up manuscripts which had been dumped there a little while before and had not yet been examined. In notebooks, in file folders, in homemade binders, in tied and untied bundles, and simply in loose pages. The manuscripts lay there like the burial mound of some interred human spirit, its conical top rearing higher than the interrogator's desk, almost blocking me from his view. And brotherly pity ached in me for the labor of that unknown person who had been arrested the previous night, these spoils from the search of his premises having been dumped that very morning on the parquet floor of the torture chamber... I sat there and I wondered: Whose extraordinary life had they brought in for torment, for dismemberment, and then for burning? Oh, how many idea and works had perished in that building - a whole lost culture? Oh, soot, soot, from the Lubyanka chimneys! And the most hurtful thing of all was that our descendants would consider our generation more stupid, less gifted, less vocal than in actual fact it was.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
He pulled me towards the front desk to check in. The petite redhead behind the counter had a hard time forming a coherent sentence when she looked at Jake. She pressed a few buttons and handed him a key card. She kept a firm grasp on the card and looked admiringly at him. “I’m off at one.” She batted her eyelashes. “Are you seriously offering yourself to me in front of my girlfriend? I mean no offense, but look at her and look at you.” He scoffed. I gasped. I was going to sneak in his room and murder him in his sleep. He grabbed my hand, and I tried to pull away to no avail. His hand refused to leave mine. “That’s how rumors get started you know. Now let me go so I can check into my room.” I said tersely, watching the cameras still flashing through the glass. “Whatever, just wait until morning when pictures hit the press. I wouldn’t be surprised if they’re plastered everywhere in an hour.” “I’m going to kill you in your sleep.” I mumbled under my breath. “What was that?” He started laughing. “Nothing.” I backpedaled. “It will be easy since we’re sharing a room.” “What!?” I shrieked. “I have the entire top floor. There’s more than enough room.” He shrugged. “You have got to be kidding me!” “Aubrey, I thought we were going to try and be friends. Why are you fighting the inevitable? I’m not that awful, I promise. I don’t bite, unless you’re into that kind of thing, then I’d gladly make an exception.” He winked, and I slugged him in the stomach. Damn, his stomach must be made of iron because it hurt my hand.
Sophie Monroe (Battlescars (Battlescars, #1))
Ultimately, more than eighty arms control specialists signed a letter defending the Iran deal as a “net plus for international nuclear nonproliferation efforts” and warning that “unilateral action by the United States, especially on the basis of unsupported contentions of Iranian cheating, would isolate the United States.” But that message didn’t penetrate the Trump administration, which continued to publicly excoriate Iran. The time of specialists playing a formative role in foreign policy, some career officials feared, may have passed too. Just days after assuming power, the new administration had, of course, fired its top in-house expert on nonproliferation. SO IT WAS THAT, on a cold Sunday in January 2017, Tom Countryman found himself clearing out his office at the State Department. It was the end of thirty-five years of service, but he was unsentimental. “There was so much to do,” he said with a shrug. “I’m not sure I pondered it.” On most Sundays, the Department was eerily empty. But on this one, Countryman wasn’t alone. Under Secretary Patrick Kennedy, after forty-four years in the Foreign Service, was cleaning out his desk as well. The two graying diplomats took a break from their boxes of paperwork and family photos to reminisce. Kennedy had been in the thick of the Iraq War as chief of staff for the Coalition Provisional Authority. Countryman had been in Egypt as that country joined the Gulf War. It was an improbably quiet end to a pair of high-stakes careers: memories and empty desks, as the State Department stood still.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
I glance around the study, uncertain where she’s storing stationery supplies this week. Could be here, could be the trunk of her car, could be in her bra or at the bottom of her Louis Vuitton briefcase. I reach for the top drawer of the desk. Hesitate. Mom is a mess monster. Her bedroom looks like a battle broke out between a hurricane and a thrift store. There are cold cups of tea in there, playing host to entire micro-nations. My Spider-Man mug went in two months and ten days ago . . . I haven’t seen it since. A shudder rips through me. When my mug finally does emerge, it will need to be destroyed in the fires of Mount Doom. But that’s her space. Our compromise. She fights her natural urge to leave things lying around the rest of the house and we keep her bedroom door closed at all times.
Louise Gornall (Under Rose-Tainted Skies)
The male staff all wore gorgeous colored loin cloths that always seem to be about to fall off they’re wonderful hips. Their upper bodies were tanned sculpted and naked. The female staff wore short shorts and silky flowing tops that almost but didn’t expose their young easy breasts. I noticed we only ever encountered male staff, and the men walking through the lobby were always greeted by the female staff. Very ingenious, as Rebecca said later - if we had ticked Lesbians on the form I wonder what would have happened? -There was a place to tick for Lesbians, I said ? -Sexual Persuasion- it was on all the forms -Really. And, how many options were there? -You’re getting the picture, said Jillian. This was not your basic check in procedure as at say a Best Western. Our Doormen/Security Guards , held out our chairs for us to let us sit at the elegant ornate table. Then they poured us tea, and placed before each of us a small bowl of tropical fruit, cut into bite size pieces. Wonderful! Almost immediately a check in person came and sat opposite us at the desk. Again a wonderful example of Island Male talent. (in my mind anyway) We signed some papers, and were each handed an immense wallet of information passes, electronic keys, electronic ID’s we would wear to allow us to move through the park and its ‘worlds’ and a small flash drive I looked at it as he handed it to me, and given the mindset of the Hotel and the murals and the whole ambiance of the place, I was thinking it might be a very small dildo for, some exotic move I was unaware of. -What’s this? I asked him -Your Hotel and Theme Park Guide I looked at it again, huh, so not a dildo.
Germaine Gibson (Theme Park Erotica)
Add orange peel and cinnamon to milk. Grate the chocolate.' The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar. Into the milk it went. 'Add anise.' Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips.
Erica Bauermeister (The School of Essential Ingredients)
That’s not fair,” Sophie grumbled through a yawn. “Yeah, wow,” Keefe said, rubbing his eyes as he stumbled to his feet. “If I don’t go now, I’m going to be drooling on your desk—unless you need me to stay.” Sophie couldn’t tell if he was asking her or her physicians. Either way, she told him, “Go home, Keefe. You’ve been stuck here long enough.” He shook his head, studying her with sleepy eyes. “I’m never stuck with you, Foster. Someday I’m going to make you see that.” “Sounds like I’d better get Hunkyhair home,” Ro said, striding out of Sophie’s closet in a silky pink gown that somehow looked both right and wrong with her armor strapped on top of it. “I was bored,” Ro added when she noticed the way everyone was staring, like that explained her new fashion choices. “I’ll bring the dress back tomorrow.” “Keep it,” Sophie told her. “You… look really good.” Ro glanced down, sliding her hands across the shimmering skirt, then rolled her eyes and muttered something about sparkles going to her head.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Apple Core   Outside the morning is cold. He sits at his desk, his fingers motionless on the keyboard. A blanket covers his shoulders and a coffee mug half full of soy milk and Folgers loiters to his right. The surrounding room is strewn with papers, some failed attempts, some nothing at all. Unsealed envelopes and empty packs of cigarettes, unfinished books and drained beer bottles, a dictionary and a worn notebook mixed in with laundry, plastic bags, and cardboard boxes. He sits and stares at his   computer screen, no more than a title punched out along the top of the page. Thoughts swirl around him and the clock face blinks overhead. His speakers lie silent, his printer still. A burned out candle sits next to unopened whiskey. Notes taped to every surface are lorded over by an Easter card signed with familiar names. They speak to the urgency of the world around him. His breakfast is left unfinished, except for the apple, whose core he has wrapped in a napkin and tossed on top of his overflowing wastebasket.
T. O'Hara (Metaphors)
this. I can’t smile or fake things I’m not feeling. Digging chopsticks out of the drawer, I stick them in the bowl and pick it up, carrying it upstairs. I reach the top and don’t pause as I turn away from their bedroom door and head left, toward my own room. Carrying the bowl to my desk, I pause, the smell of the ramen making my stomach roll. I set it down and move to the wall, sliding down until I’m sitting on the floor. The cool hardwood eases my nerves, and I’m tempted to lie down and rest my face on it. Is it weird I stayed in the house tonight when they died just down the hall this morning? The coroner estimated the time of death about two a.m. I didn’t wake up until six. My mind races, caught between wanting to let it go and wanting to process how everything happened. Mirai is here every day. If I didn’t find them, she would’ve. Why didn’t they wait until I’d gone back to school next week? Did they even remember I was in the house? I let my head fall back against the wall and lay my arms over my bent knees, closing my burning eyes. They didn’t leave me a note. They dressed up. They put the dog out. They scheduled Mirai to come late this morning, instead of early.
Penelope Douglas (Credence)
He was sitting at his desk. He had to get some relief from seeing what he did not want to see. The factory was empty. There was only the night watchman who’d come on duty with his dogs. He was down in the parking lot, patrolling the perimeter of the double-thick chain-link fence, a fence topped off, after the riots, with supplemental scrolls of razor ribbon that were to admonish the boss each and every morning he pulled in and parked his car, “Leave! Leave! Leave!” He was sitting alone in the last factory left in the worst city in the world. And it was worse even than sitting there during the riots, Springfield Avenue in flames, South Orange Avenue in flames, Bergen Street under attack, sirens going off, weapons firing, snipers from rooftops blasting the street lights, looting crowds crazed in the street, kids carrying off radios and lamps and television sets, men toting armfuls of clothing, women pushing baby carriages heavily loaded with cartons of liquor and cases of beer, people pushing pieces of new furniture right down the center of the street, stealing sofas, cribs, kitchen tables, stealing washers and dryers and ovens—stealing not in the shadows but out in the open. Their strength is tremendous, their teamwork is flawless. The shattering of glass windows is thrilling. The not paying for things is intoxicating. The American appetite for ownership is dazzling to behold. This is shoplifting. Everything free that everyone craves, a wonton free-for-all free of charge, everyone uncontrollable with thinking, Here it is! Let it come! In Newark’s burning Mardi Gras streets, a force is released that feels redemptive, something purifying is happening, something spiritual and revolutionary perceptible to all. The surreal vision of household appliances out under the stars and agleam in the glow of the flames incinerating the Central Ward promises the liberation of all mankind. Yes, here it is, let it come, yes, the magnificent opportunity, one of human history’s rare transmogrifying moments: the old ways of suffering are burning blessedly away in the flames, never again to be resurrected, instead to be superseded, within only hours, by suffering that will be so gruesome, so monstrous, so unrelenting and abundant, that its abatement will take the next five hundred years. The fire this time—and next? After the fire? Nothing. Nothing in Newark ever again.
Philip Roth (American Pastoral)
If anything, it was hotter in the house. Crazy July heat. It got in your head. The kitchen was full of dirty dishes. Flies buzzed around a green plastic Hefty bag filled with Beefaroni and tuna-fish cans. The living room was dominated by a big old Zenith black-and-white TV he had rescued from the Naples dump. A big spayed brindle cat, name of Bernie Carbo, slept on top of it like a dead thing. The bedroom was where he worked on his writing. The bed itself was a rollaway, not made, the sheets stiff with come. No matter how much he was getting (and over the last two weeks that had been zero), he masturbated a great deal. Masturbation, he believed, was a sign of creativity. Across from the bed was his desk. A big old-fashioned Underwood sat on top of it. Manuscripts were stacked to both sides. More manuscripts, some in boxes, some secured with rubber bands, were piled up in one corner. He wrote a lot and he moved around a lot and his main luggage was his work--mostly poems, a few stories, a surreal play in which the characters spoke a grand total of nine words, and a novel he had attacked badly from six different angles. It had been five years since he had lived in one place long enough to get completely unpacked.
Stephen King (Cujo)
This way please,' said a voice. In the door stood Dr Sesame, the famous Dr Sesame, whose reputation as a sympathetic and, according to some, also a kind-hearted man had spread throughout the town and beyond. He had also written a popular pamphlet on sexual problems, which had given Pinneberg the courage to write making an appointment for Emma and himself. This, then, was the Dr Sesame at present standing in the doorway, and saying 'This way, please.' Dr Sesame searched on his desk for the letter. 'You wrote to me, Mr Pinneberg... saying you couldn't have any children just yet because you couldn't afford it?' 'Yes,' said Pinneberg, dreadfully embarrassed. 'You can start undressing,' said the doctor to Emma, and carried on: 'And you want to know an entirely reliable means of prevention. Hm, an entirely reliable means...' He smiled sceptically behind his gold-rimmed spectacles. 'I read about it in your book... These pessoirs...' 'Pessaries,' said the doctor. 'Yes, but they don't suit every woman. And it's always a bit of a business. It depends on whether your wife would be nimble-fingered enough...' He looked up at her. She had already taken off her blouse and skirt. Her slim legs made her look very tall. 'Well, let's go next door,' said the doctor. 'You needn't have taken your blouse off for this, young lady.' Emma went a deep red. 'Oh well, leave it off now. Come this way. One moment, Mr Pinneberg.' The two of them went into the next room. Pinneberg watched them go. The top of the doctor's head reached no farther than the 'young lady's' shoulders. How beautiful she was! thought Pinneberg yet again; she was the greatest girl in the world, the only one for him. He worked in Ducherow, and she worked here in Platz, and he never saw her more than once a fortnight, so his joy in her was always fresh, and his desire for her absolutely inexpressible. Next door he heard the doctor asking questions on and off in a low voice, and an instrument clinking on the side of a bowl. He knew that sound from the dentist's; it wasn't a pleasant one. Then he winced violently. Never had he heard that tone from Emma. She was saying in a high, clear voice that was almost a shriek - 'No, no, no!' And once again, 'No!' And then, very softly, but he still heard it: 'Oh God.' Pinneberg took three steps to the door - What was that? What could it be? What about these rumours that those kind of doctors were terrible lechers? But then Dr Sesame spoke again - impossible to hear what he said - and the instrument clinked again. There was a long silence.
Hans Fallada (Little Man, What Now?)
The four women came to see them at the house later in the afternoon. Alexander and Tatiana were playing soccer. Actually Tatiana had just gotten the ball away from him and, squealing, was trying to hold on to it, while he was behind her, trying to kick it from under her. He had lifted her off the ground and was pressing himself hard into her while she was shrieking. All he was wearing was his skivvies, and all she was wearing was his ribbed top and her underwear. Flummoxed, Tatiana stood in front of Alexander, trying to shield his near-naked body from four pairs of wide eyes. He stood behind her, his arms on her shoulders, and Tatiana heard him say, “Tell them—No, forget it, I will,” and before she could utter a sound, he came forward, walked up to them, twice their size, bare and unrelentingly himself, and said, “Ladies, in the future you might want to wait for us to come and see you.” “Shura,” Tatiana muttered, “go and get dressed.” “Soccer is probably the least of what you’ll see,” Alexander said into the women’s stunned faces before going inside the house. When he came back out, suitably covered, he told Tatiana he was going to the village to get a couple of things they needed, like ice and an ax. “What an odd combination,” she remarked. “Where are you going to get ice from?” “The fish plant. They have to refrigerate their fish, don’t they?” “Ax?” “From that nice man Igor,” Alexander yelled, walking up the clearing, blowing her a kiss. She gazed after him. “Hurry back,” she called. Naira Mikhailovna apologized hastily. Dusia was mouthing a prayer. Raisa shook. Axinya beamed at Tatiana, who invited them all for a bit of kvas. “Come inside. See how nicely Alexander cleaned the house. And look, he repaired the door. Remember, the top hinge was broken?” The four women looked around for a place to sit. “Tanechka,” said Naira nervously, “there is no furniture in here.” Axinya whooped. Dusia crossed herself. “I know, Naira Mikhailovna. We don’t need much.” She looked down on the floor. “We have some things, we have my trunk. Alexander said he will make us a bench. I’ll bring my desk with the sewing machine…we’ll be fine.” “But how—” “Oh, Naira,” said Axinya, “leave the girl alone, will you?” Dusia glared at the rumpled bedsheets on top of the stove. A flustered Tatiana smiled. Alexander was right. It was better to go and visit them. She asked when would be a good time to come for dinner. Naira said, “Come tonight, of course. We’ll celebrate. But you come every night. Look, you won’t be able to eat here at all. There’s nowhere even to sit or cook. You’ll starve. Come every night. That’s not too much to ask, is it?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The door was still open, so I shut it and was returning to my desk when I braked. There was a backpack resting on the other side of my desk chair. It wasn’t mine. It wasn’t Missy’s. I was pretty sure it wasn’t Holly’s or the cousin’s. “Shit,” I muttered under my breath. “Huh?” she barked, her head swinging around to me. A quick glance confirmed what I already knew. She was drunk. “Nothing.” She pulled out one of her shirts, but it wasn’t her normal pajama top. She was really drunk. I picked up Shay’s bag and checked the contents to make sure it was his. It was. I saw his planner with his name scrawled at the top, so I zipped that bag and put it in the back of my closet. No one needed to go through it. I didn’t think Missy would, but I just never knew. Dropping into my chair, I picked up my phone to text Shay as Missy fell to the floor. I looked up to watch. I couldn’t not see this. I was tempted to video it, but I was being nice. For once. As Missy wrestled with her jeans and lifted them over her head to throw into her closet, I texted Shay. Me: You left your bag here. Missy let out a half-gurgled moan and a cry of frustration at the same time. She didn’t stand, instead crawling to the closet. She grabbed another pair of pants. Those weren’t her pajamas, either. As she pulled them on—or tried since her feet kept eluding the pants’ hole—my phone buzzed back. Coleman: Can I pick it up in the morning? I texted back. Me: When? Missy got one leg in. Success. I wanted to thrust my fist in the air for her. My phone buzzed again. Coleman: Early. My playbook is in there. I groaned. Me: When is early? I’m in college, Coleman. Sleeping in is mandatory. Coleman: Nine too early for you? I can come back to get it now. Nine was doable. Me: Let’s do an exchange. You bring me coffee, and I’ll meet you at the parking lot curb with your bag. Coleman: Done. Decaf okay? I glared at my phone. Me: Back to hating you. Coleman: Never stop that. The world’s equilibrium will be fucked up. I have to know what’s right and wrong. Don’t screw with my moral compass, Cute Ass. Oh, no! No way. Me: Third rule of what we don’t talk about. No nicknames unless they reconfirm our mutual dislike for each other. No Cute Ass. His response was immediate. Coleman: Cunt Ass? A second squeak from me. Me: NO! I could almost hear him laughing. Coleman: Relax. I know. Clarke’s Ass. That’s how you are in my phone. The tension left my shoulders. Me: See you in the morning. 9 sharp. Coleman: Night. I put my phone down, but then it buzzed once again. Coleman: Ass. I was struggling to wipe this stupid grin off my face. All was right again. I plugged my phone in, pulled my laptop back toward me, and sent a response to Gage’s email. I’ll sit with you, but only if we’re in the opposing team’s section. He’d be pissed, but that was the only way. I turned the computer off, and by then Missy was climbing up the ladder in a bright pink silk shirt. The buttons were left buttoned, and her pajama bottoms were a pair of corduroy khakis. I was pretty sure she didn’t brush her teeth, but before my head even hit the pillow, she was snoring
Tijan (Hate to Love You)
I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said. Elizabeth thought it must be a great deal more uncommon, but she wasn’t completely certain and she let it pass. The following day, that discovery was completely eclipsed by another one. At Ian’s insistence, she’d spread the books from Havenhurst across his desk in order to go over the quarter’s accounts, and as the morning wore on, the long columns of figures she’d been adding and multiplying began to blur together and transpose themselves in her mind-due in part, she thought with a weary smile, to the fact that her husband had kept her awake half the night making love to her. For the third time, she added the same long columns of expenditures, and for the third time, she came up with a different sum. So frustrated was she that she didn’t realize Ian had come into the room, until he leaned over her from behind and put his hands on the desk on either side of her own. “Problems?” he asked, kissing the top of her head. “Yes,” she said, glancing at the clock and realizing that the business acquaintances he was expecting would be there momentarily. As she explained her problem to him, she started shoving loose papers into the books, hurriedly trying to reassemble everything and clear his desk. “For the last forty-five minutes, I’ve been adding the same four columns, so that I could divide them by eighteen servants, multiply that by forty servants which we now have there, times four quarters. Once I know that, I can forecast the real cost of food and supplies with the increased staff. I’ve gotten three different answers to those miserable columns, and I haven’t even tried the rest of the calculations. Tomorrow I’ll have to start all over again,” she finished irritably, “and it takes forever just to get all this laid out and organized.” She reached out to close the book and shove her calculations into it, but Ian stopped her. “Which columns are they?” he asked calmly, his surprised gaze studying the genuine ire on her face. “Those long ones down the left-hand side. It doesn’t matter, I’ll fight it out tomorrow,” she said. She shoved the chair back, dropped two sheets of paper, and bent over to pick them up. They’d slid beneath the kneehole of the desk, and in growing disgust Elizabeth crawled underneath to get them. Above her, Ian said, “$364.” “Pardon?” she asked when she reemerged, clutching the errant sheets of paper. He was writing it down on a scrap of paper. “$364.” “Do not make light of my wanting to know the figures,” she warned him with an exasperated smile. “Besides,” she continued, leaning up and pressing an apologetic kiss on his cheek, loving the tangy scent of his cologne, “I usually enjoy the bookwork. I’m simply a little short of sleep today, because,” she whispered, “my husband kept me awake half the night.” “Elizabeth,” he began hesitantly, “there’s something I-“ Then he shook his head and changed his mind, and since Shipley was already standing in the doorway to announce the arrival of his business acquaintances, Elizabeth thought no more of it. Until the next morning.
Judith McNaught (Almost Heaven (Sequels, #3))
Sadly not. I can only feel the depth of your power, the strength of it. And you’re strong. Once you learn to harness it, I have the feeling that I won’t be able to take an ounce of it from you without permission.” My mouth slipped into a smile and her gaze dropped to trace the movement, making my dick get all kinds of hopeful ideas. “Can you just get this over with? I have a lot of studying to do.” She tilted her chin in the angriest offering I'd ever seen but that wasn't going to cut it today.What would it even take for her to want me to bite her? I'd have given a whole lot to hear her beg me for it that was for sure. “Don’t you want to hear my proposition, Tory?” I asked in a seductive tone as I shifted closer to her, wanting to feel the heat of her body against mine. “I can’t imagine anything that you could offer me to make me a willing participant in your dinner schedule,” she deadpanned. “There may be one thing,” I said, teasing her, tempting her. Her eyes lit angrily and I could tell she was about to start cursing me or something equally aggressive, so I took a final step forward, caught her chin between my fingers and pressed my mouth to hers. Tory sucked in a breath of surprise and I slid my tongue between the opening in her lips, kissing her roughly and dominating her mouth in a demand for her to give in to me. She raised her hands to my chest, palms flat against my pecs and for a moment I was sure she was going to shove me back with either her strength or her magic. But then the moment passed and instead of fighting, she surrendered, her hands caressing instead of pushing me away, tongue moving with mine and lips devouring. And she tasted so fucking sweet. I groaned deep in the back of my throat as I dropped my hands to her waist and walked her backwards until her ass hit the desk there. I lifted her up easily, parting her thighs as I stepped between them and my cock throbbed as I drove it against her panties, stealing a little friction and loving the way she arched into the movement like she was aching for more of me. Her hands banded around my neck and she pulled me closer, kissing me hard and heatedly as her hips flexed and she ground herself against my solid cock I moved my hand to her knee, tracing a line along the top of her long socks with my thumb before shifting it up her silken skin. Tory kissed me harder, her fingers pushing through my hair as she moaned between brushes of our tongues as I kept moving my hand higher, half expecting her to stop me while my heart thundered harder for every second where she didn't. I pushed my fingers beneath her skirt and she moaned again, her other leg hooking around my ass and dragging me nearer in a demand I was more than willing to give in to. I grinned against her lips, loving how quickly she'd fallen to my desire, but the moment I did, she sucked my bottom lip between her teeth and bit down hard to remind me of exactly what kind of animal she was. I jerked back before she could spill my blood, laughing at the fire in her and pausing with my hand almost grazing her panties and the temptation of what lay beneath them. “Why?” she asked breathlessly, suspicion colouring her green eyes and making me want to offer her the truth. “You can just take what you want from me. So why kiss me?” (Caleb pov)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
You're certainly not dressed like you're running a business." Eyes blazing, she glared. "What's wrong with how I'm dressed?" "An apron and a pink tracksuit with Juicy written across the ass are hardly serious business attire and they certainly don't scream swipe right on desi Tinder." Sam didn't know if there was such a thing as Tinder for people of South Asian descent living abroad, but if it did exist, he and Layla would definitely not have been a match. Layla gave a growl of frustration. "You may be surprised to hear that I don't live my life seeking male approval. I'm just getting over a breakup so I'm a little bit fragile. Last night, I went out with Daisy and drank too much, smoked something I thought was a cigarette, danced on a speaker, and fell onto some loser named Jimbo, whose girlfriend just happened to be an MMA fighter and didn't like to see me sprawled on top of her man. We had a minor physical altercation and I was kicked out of the bar. Then I got dumped on the street by my Uber driver because I threw up in his cab. So today, I just couldn't manage office wear. It's called self-care, and we all need it sometimes. Danny certainly wouldn't mind." "Who's Danny?" The question came out before he could stop it. "Someone who appreciates all I've got going here-" she ran a hand around her generous curves- "and isn't hung up on trivial things like clothes." She tugged off the apron and dropped it on the reception desk. "I'm not hung up on clothes, either," Sam teased. "When I'm with a woman I prefer to have no clothes at all." Her nose wrinkled. "You're disgusting." "Go home, sweetheart." Sam waved a dismissive hand. "Put your feet up. Watch some rom-coms. Eat a few tubs of ice cream. Have a good cry. Some of us have real work to do.
Sara Desai (The Marriage Game (Marriage Game #1))
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))