Composite Restoration Quotes

life. I did not wish to restore the past. What I needed was an entirely new composition.

Milton argued, in 1649, after the execution of Charles I, that a people 'free by nature' had a right to overthrow a tyrant; a subject that recalls vividly the questions examined by Shakespeare in his major tragedies about fifty years before. Milton continued to defend his ideals of freedom and republicanism. But at the Restoration, by which time he was blind, he was arrested. Various powerful contacts allowed him to be released after paying a fine, and his remaining years were devoted to the composition - orally, in the form of dictation to his third wife - of his epic poem on the fall of humanity, Paradise Lost, which was published in 1667. It is interesting that - like Spenser and Malory before him, and like Tennyson two centuries later - Milton was attracted to the Arthurian legends as the subject for his great epic. But the theme of the Fall goes far beyond a national epic, and gave the poet scope to analyse the whole question of freedom, free will, and individual choice. He wished, he said, to 'assert eternal providence,/And justify the ways of God to men'. This has been seen as confirmation of Milton's arrogance, but it also signals the last great attempt to rationalise the spirit of the Renaissance: mankind would not exist outside Paradise if Satan had not engineered the temptation and fall of Adam and Eve. For many critics, including the poets Blake and Shelley, Satan, the figure of the Devil, is the hero of the poem.

Whereas the slave cargoes gathered on the African coast reconfigured the normative boundaries of social life, the slave communities in the Americas exploded those boundaries beyond recognition. If an Akan-speaking migrant lived to complete a year on a west Indian sugar estate, he or she was likely by the end of that time to have come into close contact with unrelated Akan strangers as well as with Ga, Guan, or Adangbe speakers in the holding station on the African littoral, with Ewe speakers on the slave ship, and with Angolans, Biafrans, and Senegambians on the plantation. This was the composite we call diasporic Africa—an Africa that constituted not the continent on European maps, but rather the plurality of remembered places immigrant slaves carried with them. Like any geographic entity, diasporic Africa varies according to the perspective from which it is surveyed. Viewed from a cartographic standpoint (in essence, the view of early modern Europeans), diasporic Africa is a constellation of discrete ethnic and language groups; if one adopts this perspective, the defining question becomes whether or not the various constituent groups in the slave community shared a culture. Only by approaching these questions from the vantage point of Africans as migrants, however, can we hope to understand how Africans themselves experienced and negotiated their American worlds. If in the regime of the market Africans’ most socially relevant feature was their exchangeability, for Africans as immigrants the most socially relevant feature was their isolation, their desperate need to restore some measure of social life to counterbalance the alienation engendered by their social death. Without some means of achieving that vital equilibrium thanks to which even the socially dead could expect to occupy a viable place in society, slaves could foresee only further descent into an endless purgatory.

The five subsequent volumes, as planned by the author, will consist primarily of source material, that is, they will contain the transliterated texts of the restored Sumerian compositions, together with a translation and commentary as well as the autograph copies of all the pertinent uncopied material in the University Museum utilized for the reconstruction of the texts. Each of these five volumes will be devoted to a particular class of Sumerian composition: (1) epics; (2) myths; (3) hymns; (4) lamentations; (5) "wisdom." It cannot be too strongly stressed that on the day this task is completed and Sumerian literature is restored and made available to scholar and layman, the humanities will be enriched by one of the most magnificent groups of documents ever brought to light. As the earliest creative writings, these documents hold a unique position in the history of civilization. Moreover, because of their profound and enduring influence on the spiritual and religious development of the entire Near East, they are veritable untapped mines and treasure-houses of significant source material and invaluable data ready for exploitation by all the relevant humanities.

Nature herself is a moving target, especially in an era of rapid climate change. Species composition may change, but relationship endures. It is the most authentic facet of the restoration. Here is where our most challenging and most rewarding work lies, in restoring a relationship of respect, responsibility, and reciprocity. And love.

Interval training is the repeated performance of high-intensity exercises, for set periods, followed by set periods of rest. Intervals can consist of any variety of movements with any variation of work and rest times. It burns far more calories and produces positive changes in body composition with much less time than aerobic training. This is not only because of the muscle it builds, but also the effect it has on the metabolism following the workouts. Strength training creates enough stress on the body’s homeostasis that a large energy (calorie) expenditure is required long after the exercise has stopped. During low-intensity aerobic exercise, fat oxidation occurs while exercising and stops upon completion. During high-intensity exercise your body oxidizes carbs for energy, not fat. Then, for a long time afterward, fat oxidation takes place to return systems to normal: to restore depleted carbohydrates, creatine phosphate, ATP (adenosine triphosphate), circulatory hormones, re-oxygenate the blood, and decrease body temperature, ventilation and heart rate. Not to mention the longer term demands: strengthening tendons and ligaments, increasing bone density, forming new capillaries, motor skill adaptation, repairing muscle tissue and building new muscle. And the more muscle mass you have, the more calories you are able to burn during and after exercise.

The problem that arose at this particular juncture was that Rey did not have a poem to perform. He was, after all, a prophet on a singular journey to restore peace and justice and beauty to the city. Things like composition and revision might only hinder the voice of God.

The first was a pair of linked stories by Philip Francis Nowlan from 1928–9 in which he introduced the character of Anthony Rogers, soon renamed Buck for the comic strip which followed. The composite volume Armageddon 2419 AD describes how our hero falls asleep at a point when the USA is the most powerful nation in the world and wakes in the 25th century to find his country in ruins, ruled by the ruthless Han. Nowlan’s tale is essentially a Yellow Peril story with futuristic weapons added. What follows is a struggle to restore freedom to the USA and the rest of the world, and to defeat once and for all ‘that monstrosity among the races of men’, the Chinese.

Films featuring museums are on the whole, not serious ones. They are mostly comedies, mild thrillers, romances, and horror movies, with a few disaster movies and detective films. Nevertheless, they speak clearly to the popular perception of the museum: a place apart from normal, everyday life; dusty, dark, mysterious, with arcane processes being carried out by strange obsessive curators and naive restorers and scientists. Neither exhibitions nor collections in store are the focus: 'the museum' is a sort of composite of both, and its psychological depiction is of a place where surprising and extraordinary things can happen - a place with hidden depths and many secrets.

Cosmetic Dentistry includes teeth whitening, composite holding, porcelain, composite polishes, dental inserts, tooth reshaping and contouring.Although we all know that cosmetic dentistry is not a known claim to fame under the dental calling, it requires the profound review and preparing to execute dental restorative methodology to meet the required standard.

We might debate the authenticity of the desired reference ecosystem, but she will decide. We’re not in control. What we are in control of is our relationship to the earth. Nature herself is a moving target, especially in an era of rapid climate change. Species composition may change, but relationship endures. It is the most authentic facet of the restoration. Here is where our most challenging and most rewarding work lies, in restoring a relationship of respect, responsibility, and reciprocity. And love.

away from accessible consciousness, and that is possibly where and when the self matures, thanks to the gradual sedimentation and reworking of one’s memory. As lived experiences are reconstructed and replayed, whether in conscious reflection or in nonconscious processing, their substance is reassessed and inevitably rearranged, modified minimally or very much in terms of their factual composition and emotional accompaniment. Entities and events acquire new emotional weights during this process. Some frames of the recollection are dropped on the mind’s cutting-room floor, others are restored and enhanced, and others still are so deftly combined either by our wants or by the vagaries of chance that they create new scenes that were never shot. That is how, as years pass, our own history is subtly rewritten. That is why facts can acquire a new significance and why the music of memory plays differently today than it did last year.

But some games have more than one evolutionarily stable equilibrium. In these games, evolutionary forces will restore the equilibrium proportions if there are small changes to the population. But large changes in the population composition can cause evolutionary forces to bring the population to another equilibrium altogether.

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But you who have always softened and warmed my heart, shall restore my benevolence as well as my health and tranquility of mind. You shall polish and refine my sentiments of life and manners, banish all the unsocial and ill natured particles in my composition,