Desk Motivational Quotes

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Max's scarred brow crinkled. He reached for the coffee mug on his desk. “Motive is tricky. See, what might be a good reason for me to kill someone might not be a good enough reason for you to kill someone." Swift stared at his hands loosely clasped around his ankle. “I wouldn't. Deliberately hurt anyone." "And my impulse is to hurt anyone who hurts you.” When Swift's gaze lifted to his, Max said, “See how that works?" He did, and while it wasn't intended as a compliment, it did warm his heart in a funny way. He managed to joke, “Why, I think that's the most romantic thing anyone's ever said to me.
Josh Lanyon (Come Unto These Yellow Sands)
There’s a lot of repetition in my life. No real routine or narrative, just a lot of repetition, and before I know it, I’m sitting in the break room drinking a cup of coffee (it doesn’t taste good) and staring at my phone again, scrolling, waiting for the motivation to get up and go to my desk.
Halle Butler (The New Me)
Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
There are many paths leading to a garden and many experiences awaiting those who venture in. No matter what your motive—whether to grow healthy, delicious food; spend time outdoors feeling more alive than your desk job allows; help save the planet; find relaxation, solace, or healing; meet your neighbors; get your hands in the sweet earth; or discover for yourself just how abundant and generous nature can be—a garden rarely disappoints. It’s a magnet for life in all its quirky, beautiful forms.
Jane Shellenberger (Organic Gardener's Companion: Growing Vegetables in the West)
He has discovered the truths that keep writers chained to their desks: the primacy of the inner life and the sheer exhilaration of creating a world from scratch.
Barbara Klein Moss
A catch phrase or a motivational poster on the wall won’t ever change behavior. Action will. Get out from behind your desk and your computer, and put away your phone. Make time each day to have genuine “face time” with the humans in your organization.
Steve Browne (HR on Purpose: Developing Deliberate People Passion)
Humans are not made for sitting at a desk all day. We have been evolving for millions of years to hunt animals through dense forest and vast plains. To walk huge distances in search of water. To spend hours searching for edible fruit to bring home to our families. The sedentary lifestyle many of us lead these days is no more than a by-product of the last few centuries.
Alexander Zenon
He told the associate that there was a lot of economic value in the work the desk did—that helping companies hedge their energy costs was a legitimate function of the capital markets, and that Goldman was the best place on the Street to do it. The associate took a moment to contemplate, then said, “You know, helping the world is great and all, but you need to be motivated by money.” He’d said it so bluntly that Jeremy attributed it to the booze, but the next day, as he came down from his hangover, he couldn’t help but think that the associate might have been telling the truth.
Kevin Roose (Young Money: Inside the Hidden World of Wall Street's Post-Crash Recruits)
Hair tickled her neck in a way it hadn’t done since she was six—the first time she’d taken a pair of scissors to her hair, to eliminate the need for the ridiculous ribbons Maman had insisted on tying in it. That day, she’d learned what happened when she crossed one of Sophie De Wilde’s invisible lines, and she hadn’t been able to sit at her desk chair without pain for hours. But Maman wasn’t here to see. To judge. To punish. Or to decide that it wasn’t deserving of punishment. She had never drawn the lines in the same place twice. The second time Margot had cut her own hair, at age ten, it had simply been because it was annoying her, not in rebellion. Maman hadn’t punished her that time, and it wasn’t because she’d left it longer—below her shoulders, no ends tickling her neck. It had been because it hadn’t been meant to hurt anyone. “It is the heart that matters,” Maman had said as she evened out the edges that second time. “The motivation.
Roseanna M. White (The Number of Love (The Codebreakers, #1))
Embracing a different vocabulary, Mihaly Csikszentmihalyi has described a highly sought-after affective state called the flow state or flow experience. In such intrinsically motivating experiences, which can occur in any domain of activity, people report themselves as fully engaged with and absorbed by the object of their attention. In one sense, those "in flow" are not conscious of the experience at the moment; on reflection, however, such people feel that they have been fully alive, totally realized, and involved in a "peak experience." Individuals who regularly engage in creative activities often report that they seek such states; the prospect of such "periods of flow" can be so intense that individuals will exert considerable practice and effort, and even tolerate physical or psychological pain, in pursuit thereof. Committed writers may claim that they hate the time spent chained to their desks, but the thought that they would not have the opportunity to attain occasional periods of flow while writing proves devastating.
Howard Gardner (Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi)
knocking again, but there is still no reply.  “Jackson?” she yells.  When there is no response, she opens the heavy oak door.  Music overloads her as she walks into his room.                 Her eyes scan the space, and when they fall on Jackson, she’s mortified.  He turns around, without his shirt on.  “Do you often walk into a person’s room uninvited?” he asks.                 Unable to speak, Kayla gawks at him.  Finally, she sputters, “I knocked a couple of times and even…called…out your name.”                 Jackson walks to his closet.  He yanks a shirt off a hanger and pulls it on.  “Sorry, I couldn’t hear you.”                 “Obviously,” Kayla yells over the music.  She walks over to the stereo and turns it down.  “Dear Lord, Jackson, how are you not deaf?”                 “It distracts me,” Jackson mumbles.  “Why are you here anyway?”                 Kayla sits on his bed.  “To spend time with you and to work on our project.”                 “What?  You didn’t want to get to know Damien?” Jackson grumbles, returning to his desk.                 “Jackson, I have no idea who Damien is, and for some reason he’s talking like he’s interested in me, which I do not understand.”                 He turns and looks at her.  “Kayla, I feel protective of you and just want you to be careful with Damien.  His motives…well…you may not understand them.  Just be careful.”                 “Should I be worried?  Is he a bad guy?”                 Jackson shakes his head. “No, not at all. He rubs me the wrong way, but he isn’t a bad guy.  I wish he were, but he isn’t.  Full of himself, yes, but—”                 “So are you,” Kayla interrupts.  Jackson smirks and nods. The song over the speakers changes and
Sarah Kay Carter (Shift (The Neturu Chronicles #1))
My faith gives me the ability to say, whatever is next, I'm ready. If it is Hillary or Trump I am ready because they might sit on the desk but they do not sit on the throne.
Patience Johnson (Why Does an Orderly God Allow Disorder)
I understand individuals and their personal motivations, but when those same individuals become a part of something bigger, some amorphous corporate ball of greed, I can't anticipate the logical next move, because it has long ago stopped being human. Your average human being has a conscience and the world is structured with checks and balances to shed light on that individual should he or she become something ugly and cruel. But a company can hide its corruption; the individuals responsible can sit innocently and united behind their desks for years before they are discovered. They are as guilty as the guy robbing the liquor store in the ski mask, only they're free to show their faces. I had no idea whether I should be looking for the worker bee or the nest, or both, and my nearsightedness cost my boss his job.
Lisa Lutz (The Last Word (The Spellmans, #6))
The findings of these studies can be summarized in three simple points. A tidy desk results in a higher evaluation of our character and capacity. This raises our self-esteem and increases our motivation. As a result, we work harder and our performance improves.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
Miss Sydney-" "Sir Ross," she interrupted, standing and bracing her hands on his desk. Her high-necked dress revealed nothing as she leaned toward him. However, if she had been wearing a low décolletage, her breasts would have been presented to him like two succulent apples on a tray. Stimulated unbearably by the thought, Ross forced himself to focus on her face. Her lips curled in a faint smile. "You have nothing to lose by letting me try," she pointed out. "Give me a month to prove my worth." Ross stared at her intently. There was something manufactured about her display of charm. She was trying to manipulate him into giving her something she wanted- and she was succeeding. But why in God's name did she want to work for him? He realized suddenly that he could not let her go without discovering her motives. "If I fail to please you," she added, "you can always hire someone else." Ross was known for being a supremely rational man. It would be impractical for him to hire this woman. Stupid, even. He knew exactly what the others at Bow Street would make of it. They would assume that he had hired her because of her sexual appeal. The uncomfortable truth was, they would be right. It had been a long time since he had been so strongly attracted to a woman. He wanted to keep her here, to enjoy her beauty and intelligence, and to discover if she returned his interest. His mind weighed the scruples of such a decision, but his thoughts were eclipsed by male urges that refused to be quelled. And for the first time in his magisterial career, he ignored reason in favor of desire.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
Girish Mathrubootham, the CEO and cofounder of FreshDesk (cloud-based customer support platform), had a secret way to motivate himself during the early days of the company after watching the padayappa movie. Before starting to the office he would watch the song 'Vetri kodi kattu' (Hoist the flag of victory) from the movie and then step into his office every day. It motivated him a lot his company (Freshdesk) won the Microsoft BizSpark Startup Challenge within six months and helps over 50,000 businesses and organizations around the world offer better, more personal support to their customers.
Don Bosco G (SIM Superstar Inside Me: Love of a fan towards a great human being)
The information we work with is frequently updated as we receive new materials and as the content of various projects evolves. Documents and papers quickly pile up. Even if we tidy our desk once, to keep it that way we need to stay on top of it, and that requires a mindset that keeps us motivated, an understanding of why we want to tidy up.
Marie Kondō (Joy at Work: The Life-Changing Magic of Organising Your Working Life)
Another company came up with an even more brilliant idea --- that nobody could own their own cubicle -- designing the system such that those who showed up to work earliest in the morning could claim the ones closest to the windows. None of the cubicles had anything but a desk, a place to connect a computer, and a chair. No one could establish a sense of connection to their workspace. Ultimately, by setting the atmosphere this way, the company communicated to the employees that they are valued only for their direct productivity and that they are easily replaceable.
Dan Ariely (Payoff: The Hidden Logic That Shapes Our Motivations (TED Books))
When you are sitting behind a desk with a person on the other side, there is a barrier between you that becomes a psychological and subliminal message. Some of the best leaders I know have a round table or a circle of chairs in their offices so that when people come in to speak with them, the arrangement lends itself to more engaging interaction. Using a roundtable in which there is no head fosters collaboration, cooperation, mutual respect, and equal positioning.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
One company I know took the art of using cubicles to kill motivation to a higher level. They found out that employees had all kinds of personal mementoes on their desks, so the management redid the cubicles and made them 20 percent smaller, with less space for anything personal, but more space for more people. Another company came up with an even more brilliant idea that nobody could “own” their own cubicle, designing the system such that those who showed up to work earliest in the morning could claim the ones closest the windows. None of the cubicles has anything but a desk, a place to connect a computer, and a chair. No one could establish a sense of connection to their workspace. Ultimately, by setting the atmosphere this way, the company communicated to the employees that they are valued only for their direct productivity and that they are easily replaceable.
Dan Ariely (Payoff: The Hidden Logic That Shapes Our Motivations (TED Books))
People who are intelligent are considered smarter than idiots. Intelligent people will not get distracted by piglets squealing and naysaying. With their deep understanding, their minds will continue to work, in pursuit of their craft, just like night owls at their desks in their quiet lairs; using the blood of the defeated piglets as ink for their writings.
D.L. Lewis
But when the genetic manipulations began to take effect, the alterations had disastrous consequences. As it turns out, the attempt had resulted not in corrected genes, but in damaged ones,” David says. “Take away someone’s fear, or low intelligence, or dishonesty . . . and you take away their compassion. Take away someone’s aggression and you take away their motivation, or their ability to assert themselves. Take away their selfishness and you take away their sense of self-preservation. If you think about it, I’m sure you know exactly what I mean.” I tick off each quality in my mind as he says it—fear, low intelligence, dishonesty, aggression, selfishness. He is talking about the factions. And he’s right to say that every faction loses something when it gains a virtue: the Dauntless, brave but cruel; the Erudite, intelligent but vain; the Amity, peaceful but passive; the Candor, honest but inconsiderate; the Abnegation, selfless but stifling. “Humanity has never been perfect, but the genetic alterations made it worse than it had ever been before. This manifested itself in what we call the Purity War. A civil war, waged by those with damaged genes, against the government and everyone with pure genes. The Purity War caused a level of destruction formerly unheard of on American soil, eliminating almost half of the country’s population.” “The visual is up,” says one of the people at a desk in the control room. A map appears on the screen above David’s head. It is an unfamiliar shape, so I’m not sure what it’s supposed to represent, but it is covered with patches of pink, red, and dark-crimson lights. “This is our country before the Purity War,” David says. “And this is after—” The lights start to recede, the patches shrinking like puddles of water drying in the sun. Then I realize that the red lights were people—people, disappearing, their lights going out. I stare at the screen, unable to wrap my mind around such a substantial loss. David continues, “When the war was finally over, the people demanded a permanent solution to the genetic problem. And that is why the Bureau of Genetic Welfare was formed. Armed with all the scientific knowledge at our government’s disposal, our predecessors designed experiments to restore humanity to its genetically pure state. “They called for genetically damaged individuals to come forward so that the Bureau could alter their genes. The Bureau then placed them in secure environments to settle in for the long haul, equipped with basic versions of the serums to help them control their society. They would wait for the passage of time—for the generations to pass, for each one to produce more genetically healed humans. Or, as you currently know them . . . the Divergent.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
But when the genetic manipulations began to take effect, the alterations had disastrous consequences. As it turns out, the attempt had resulted not in corrected genes, but in damaged ones,” David says. “Take away someone’s fear, or low intelligence, or dishonesty . . . and you take away their compassion. Take away someone’s aggression and you take away their motivation, or their ability to assert themselves. Take away their selfishness and you take away their sense of self-preservation. If you think about it, I’m sure you know exactly what I mean.” I tick off each quality in my mind as he says it—fear, low intelligence, dishonesty, aggression, selfishness. He is talking about the factions. And he’s right to say that every faction loses something when it gains a virtue: the Dauntless, brave but cruel; the Erudite, intelligent but vain; the Amity, peaceful but passive; the Candor, honest but inconsiderate; the Abnegation, selfless but stifling. “Humanity has never been perfect, but the genetic alterations made it worse than it had ever been before. This manifested itself in what we call the Purity War. A civil war, waged by those with damaged genes, against the government and everyone with pure genes. The Purity War caused a level of destruction formerly unheard of on American soil, eliminating almost half of the country’s population.” “The visual is up,” says one of the people at a desk in the control room. A map appears on the screen above David’s head. It is an unfamiliar shape, so I’m not sure what it’s supposed to represent, but it is covered with patches of pink, red, and dark-crimson lights. “This is our country before the Purity War,” David says. “And this is after—” The lights start to recede, the patches shrinking like puddles of water drying in the sun. Then I realize that the red lights were people—people, disappearing, their lights going out. I stare at the screen, unable to wrap my mind around such a substantial loss. David continues, “When the war was finally over, the people demanded a permanent solution to the genetic problem. And that is why the Bureau of Genetic Welfare was formed. Armed with all the scientific knowledge at our government’s disposal, our predecessors designed experiments to restore humanity to its genetically pure state. “They called for genetically damaged individuals to come forward so that the Bureau could alter their genes.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
Fortunately for Hypo, and the navy, and the United States, Chester Nimitz was not such an admiral. He was briefed each morning at eight o’clock by his fleet intelligence officer, Lieutenant Commander Edwin Layton. Layton also had a standing invitation to walk into Nimitz’s office at any hour of any day if he believed he had important information for the C-in-C. (No one else on the staff, except perhaps the chief of staff, had this privilege.) Hypo provided a daily briefing to Layton, who in turn drew on other sources and briefed Nimitz. Layton and Rochefort had known one another when both men were stationed in Tokyo as language officers in the 1920s. They had shared in the long trial of learning Japanese. They counted one another as friends, and this tended to smooth the contours of their professional partnership, which might otherwise had been complicated by the organizational rivalry between the Fourteenth Naval District (of which Hypo was a part) and the Pacific Fleet staff. Nimitz paid close attention to all the intelligence products that crossed his desk. On his first day as CINCPAC, he told Layton, “I want you to be the Admiral Nagumo of my staff. I want your every thought, every instinct as you believe Admiral Nagumo might have them. You are to see the war, their operations, their aims, from the Japanese viewpoint and keep me advised what you are thinking about, what you are doing, and what purpose, what strategy, motivates your operations. If you can do this, you will give me the kind of information needed to win this war.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
Finding the right mentor is not always easy. But we can locate role models in a more accessible place: the stories of great originals throughout history. Human rights advocate Malala Yousafzai was moved by reading biographies of Meena, an activist for equality in Afghanistan, and of Martin Luther King, Jr. King was inspired by Gandhi as was Nelson Mandela. In some cases, fictional characters can be even better role models. Growing up, many originals find their first heroes in their most beloved novels where protagonists exercise their creativity in pursuit of unique accomplishments. When asked to name their favorite books, Elon Musk and Peter Thiel each chose “Lord of the Rings“, the epic tale of a hobbit’s adventures to destroy a dangerous ring of power. Sheryl Sandberg and Jeff Bezos both pointed to “A Wrinkle in Time“ in which a young girl learns to bend the laws of physics and travels through time. Mark Zuckerberg was partial to “Enders Game“ where it’s up to a group of kids to save the planet from an alien attack. Jack Ma named his favorite childhood book as “Ali Baba and the Forty Thieves“, about a woodcutter who takes the initiative to change his own fate. … There are studies showing that when children’s stories emphasize original achievements, the next generation innovates more.… Unlike biographies, in fictional stories characters can perform actions that have never been accomplished before, making the impossible seem possible. The inventors of the modern submarine and helicopters were transfixed by Jules Vern’s visions in “20,000 Leagues Under the Sea” and “The Clippership of the Clouds”. One of the earliest rockets was built by a scientist who drew his motivation from an H.G. Wells novel. Some of the earliest mobile phones, tablets, GPS navigators, portable digital storage desks, and multimedia players were designed by people who watched “Star Trek” characters using similar devices. As we encounter these images of originality in history and fiction, the logic of consequence fades away we no longer worry as much about what will happen if we fail… Instead of causing us to rebel because traditional avenues are closed, the protagonist in our favorite stories may inspire originality by opening our minds to unconventional paths.
Adam Grant (Originals: How Non-Conformists Move the World)
It is said that the situation is considerably better in early infancy, and that in the first six months of life an extensive injury to the dominant hemisphere may compel the normally secondary hemisphere to take its place; so that the patient appears far more nearly normal than he would be had the injury occurred at a later stage. This is quite in accordance with the general great flexibility shown by the nervous system in the early weeks of life, and the great rigidity which it rapidly develops later. It is possible that, short of such serious injuries, handedness is reasonably flexible in the very young child. However, long before the child is of school age, the natural handedness and cerebral dominance are established for life. It used to be thought that left-handedness was a serious social disadvantage. With most tools, school desks, and sports equipment primarily made for the right-handed, it certainly is to some extent. In the past, moreover, it was viewed with some of the superstitious disapproval that has attached to so many minor variations from the human norm, such as birthmarks or red hair. From a combination of motives, many people have attempted and even succeeded, in changing the external handedness of their children by education, though of course they could not change its physiological basis in hemispheric dominance. It was then found that in very many cases these hemispheric changelings suffered from stuttering and other defects of speech, reading, and writing, to the extent of seriously wounding their prospects in life and their hopes for a normal career. We now see at least one possible explanation for the phenomenon. With the education of the secondary hand, there has been a partial education of that part of the secondary hemisphere which deals with skilled motions, such as writing. Since, however, these motions are carried out in the closest possible association with reading, speech, and other activities which are inseparably connected with the dominant hemisphere, the neuron chains involved in processes of the sort must cross over from hemisphere to hemisphere and back; and in a process of any complication, they must do this again and again. Now, the direct connectors between the hemispheres—the cerebral commissures—in a brain as large as that of man are so few in number that they are of very little use, and the interhemispheric traffic must go by roundabout routes through the brain stem, which we know very imperfectly but which are certainly long, scanty, and subject to interruption. As a consequence, the processes associated with speech and writing are very likely to be involved in a traffic jam, and stuttering is the most natural thing in the world.
Norbert Wiener (Cybernetics: or the Control and Communication in the Animal and the Machine)
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Deci and Ryan identified three key human needs—competence, autonomy, and relatedness or personal connection. Students feel a sense of relatedness when they perceive that their teachers like, value, and respect them. They feel competent when they work at challenging tasks (Tough, 2013, pp. 74-5). These three feelings are far more effective motivators for students than “a deskful of gold stars and blue ribbons.” Deci and Ryan recognize that throughout the day, teachers convey to their students “deep messages about belonging, connection, ability, and opportunity” (quoted by Tough, 2013).
William Ribas (Social-Emotional Learning in the Classroom second edition: Practice Guide for Integrating All SEL Skills into Instruction and Classroom Management)
Nimitz paid close attention to all the intelligence products that crossed his desk. On his first day as CINCPAC, he told Layton, “I want you to be the Admiral Nagumo of my staff. I want your every thought, every instinct as you believe Admiral Nagumo might have them. You are to see the war, their operations, their aims, from the Japanese viewpoint and keep me advised what you are thinking about, what you are doing, and what purpose, what strategy, motivates your operations. If you can do this, you will give me the kind of information needed to win this war.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
I had to admit, while writing this book, I experienced highs and lows myself. At first, I was filled with excitement and thrilled at the idea of providing people with a guide to help them understand their emotions. I imagined how readers’ lives would improve as they learned to control their emotions. My motivation was high and I couldn’t help but imagine how great the book would be. Or so I thought. After the initial excitement, the time came to sit down to write the actual book, and that’s when the excitement wore off pretty quickly. Suddenly ideas that looked great in my mind felt dull. My writing seemed boring, and I felt as though I had nothing substantive or valuable to contribute. Sitting at my desk and writing became more challenging each day. I started losing confidence. Who was I to write a book about emotions if I couldn’t even master my own emotions? How ironic! I considered giving up. There are already plenty of books on the topic, so why add one more? At the same time, I realized this book was a perfect opportunity to work on my emotional issues. And who doesn’t suffer from negative emotions from time to time? We all have highs and lows, don’t we? The key is what we do with our lows. Are we using our emotions to grow and learn or are we beating ourselves up over them?
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
Please allow this book to offer one piece of serious advice (don't worry, this is the only one): Take control. Decide that enough is enough. Stop waiting for your advisor to guide your work - write a paper using your own brain and slap it down on his or her desk. Study - really, actually study - what it is you're studying. Realize that you can't include everything in your thesis, and drop your lofty and unrealistic plan to transform the field. You won't. Plan what you need to do to graduate, write it down, sit with the person whose approval you need, and work up a timeline. Seek out interesting conferences, and if your department won't pay for you to attend them, search for outside sponsorship. (You have the freaking internet, for crying out loud.) Actively pursue your goals, because - and it's so easy to forget this - that's why you're here. Can't find the motivation to work today? Tough shit. It's like a snow day: Every day off you give yourself makes you feel good that day, but it's one more day you'll have to make up in June when you really want to be out of school. It's possible that many graduate programs want you to get depressed, say "Fuck it" and take charge of your own destiny. They may consider this part of your necessary struggle. Well, so be it. Wait no longer. Take charge now. And get on with your stupid, stupid career.
Adam Ruben, "Surviving Your Stupid, Stupid Decision to Go To Grad School""
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
She lengthened her stride, aware at every step of how long she'd been sitting at a desk and how much her body rejoiced in this simple act of walking on the beach in the sun.
Donna Leon (A Sea of Troubles (Commissario Brunetti, #10))
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with others I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts. When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried a promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that. But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning. I succeeded, and five minutes later I was standing in front of my desk again, but what happened there was also rendered lifeless. It felt as though I was getting nothing back from what I was doing. However much effort I put in, nothing came back. Everything vanished, everything dissolved into the great darkness in which we lived. I might as well say this as that, do this as that, nothing made any difference.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))