Desk Flip Quotes

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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
Are you—” There seemed no way to say it but to say it. “Your Grace, are you trying to get me into your bed?” “Yes. Nightly. I said as much, not a minute ago. Are you listening at all?” “Listening, yes,” she muttered to herself. “Comprehending, no.” “I’ll have my solicitor draw up the papers.” He returned to his place behind the desk. “We can do it on Monday.” “Your Grace, I don’t—” “Tuesday, then.” “Your Grace, I cannot—” “Well, I’m afraid my schedule is quite booked for the rest of the week.” He flipped through the pages of an agenda. “Brooding, drinking, indoor badminton tournament . . .
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
There had been an “incident” with the couch. It had gotten flipped over and a leg broke off. It was being repaired. Jameson told her she had to be more careful in the future – his shit wasn't cheap. She told him that maybe he shouldn't go around fucking people so hard. He told her to shut her mouth. It just went uphill from there, and then they broke his desk chair.
Stylo Fantome (Reparation (The Kane Trilogy, #3))
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
Tana French (In the Woods (Dublin Murder Squad, #1))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
I go back to my desk, flip open my cell, and stare at the keypad. I want to hear his voice so badly, to be connected to him, to ask him why and how and what I can do to make it better. But you can‘t force someone to love you.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
Then I howled into my pillow—a deep, blood-vessel-popping howl of frustration and envy directed at Will, at my friends, at everyone else who was out there starting jobs, taking trips, discovering new things—all unencumbered by illness. That everyone’s lives were starting while mine was over before it had begun seemed unspeakably unfair. When I’d run out of air, lungs burning, I stood up and walked across my room to the small wooden desk pushed up against the windows and flipped open my journal. The world is moving forward and I am stuck, I wrote.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
Then on Sunday night while I’m at the computer checking to see if anyone’s online, my dad’s head appears in my doorway. “Will,” he says, “do you have a sec to talk in the living room?” I spin around in the desk chair and stand up. My stomach flips a bit because the living room is the room least likely to be lived in, the room where the nonexistence of Santa is revealed, where grandmothers die, where grades are frowned upon, and where one learns that a man’s station wagon goes inside a woman’s garage, and then exits the garage, and then enters again, and so on until an egg is fertilized, and etc.
John Green (Will Grayson, Will Grayson)
He has a really consistent routine. He comes in in the morning at around 8:30. He reads five newspapers. He reads The Financial Times, The Washington Post, The New York Times, The Wall Street Journal, and The Omaha World Herald. Then he has a stack of reports on his desk from the companies Berkshire owns, and some trade press like American Banker or oil and gas journals, and through the rest of the day, he alternates between flipping through this stuff and then talking on the phone to people either who call him or who he calls. He never calls his managers; they can call him. He is really accessible, but he leaves them alone. Then he has CNBC on all day long with the crawl, with the sound muted and if he sees his name cross along the bottom and they are talking about him, he will turn the sound on to find out what they are saying. That is his day. He doesn't do meetings -- there are no meetings.
Alice Schroeder
So look," he began, leaning over the desk, "I was—" "Excuse me?" Bethany said. Her voice was loud, even. Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart in hand peeking out from his sleeve. "We can help you over here," Bethany said to him. "Did you have a question?" "Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—" "I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this. "Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay, so—" "She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer to where he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us." Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "I think she'll know it." "She won't. Ask me." Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back. Whatever happens, I thought, happens. For the first time, time at the info desk was flying. "Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and she sat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here's my question." Amanda picked up a pen, as if there might be a written portion. "Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened to the big tongs?" The sick part was that Bethany, for a second, looked as if she was actually flipping through her mental Rolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all. I could feel myself smiling. A real smile. Wes looked at Amanda. "Do you know?" Amanda shook her head slowly. "All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?" I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the broken back wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.
Sarah Dessen (The Truth About Forever)
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak. “Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. “Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!” I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?” He caws mournfully, still pulling at his own feathers. “Finn.” He puts his hands behind his back, trying to look innocent. “What? He deserved it.” “He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?” His voice comes out just a tad petulant. “He started it.
Kiersten White (Illusions of Fate)
And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In the end? Nothing ends, Adrian. Nothing ever ends.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
When was the last time you went out for an adults-only evening with one or more of your women friends? If you can’t answer that question without checking the calendar on the wall in your kitchen, flipping through the daytimer on your desk or calling up your computerized calendar, Chick Night™ is a concept that is long overdue.
Colleen Kleven (The Beginner's Guide to Chick Night™: Your Handbook to Help and Happiness)
You know, he's all manners and politeness in public, but the moment that door closes, he throws you over his mahogany desk, flips up your skirt and spanks your ass.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters, #1))
Doesn’t matter, babe. It’ll be flipped up when I get you bent over the desk about two seconds after I get my hands on you.
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.
Walter Isaacson (Steve Jobs)
There’s no frigging way I’ve misplaced three of my newest thongs. True, I have a habit of losing things like my keys and sunglasses, and once I even lost track of a Big Mac—which I found two days later in my desk drawer.
Linda Cassidy Lewis (High Tea & Flip-Flops (High Tea, #1))
I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
That night, after all the guests have gone, after the chairs have been stacked back up, and the leftovers put in the fridge, I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Will," he says, "do you have a sec to talk in the living room?" I spin around in the desk chair and stand up. My stomach flips a bit because the living room is the room least likely to be lived in, the room where the nonexistence of Santa is revealed, where grandmothers die, where grades are frowned upon, and where one learns that a man's station wagon goes inside a woman's garage, and then exits the garage, and then enters again, and so on until an egg is fertilized, and etc.
David Levithan (Will Grayson, Will Grayson)
Twist sat in front of his desk as the office spun around him. He remembered that feeling—relentless dizziness. At nine years old, Harry’s parents had taken him on a rollercoaster ride. They’d said they wanted their steady child to experience a moment of unbounded exhilaration. Harry was pushed into a situation he couldn’t control, thrown around and flipped upside down until the content of his guts reached his mouth. He tried to focus on the physics and the engineering powering his experience, but nothing worked, and he screamed and he threw up and begged to get out. Stuck in a car, close to the clouds, there was no way out.
Alexandra Almeida (Unanimity (Spiral Worlds, #1))
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
Now, let us clear the air: I am not a stupid girl. I realized the words I’d written in the ledger book were more than ink and cotton. They’d reached out into the world and twisted the shape of it in some invisible and unknowable way that brought Samuel to stand beneath my window. But there was a more rational explanation available to me—that Samuel had seen the longing in my face and decided to hell with that bitter old German woman—and I chose to believe that instead. But still: when I got to my room and settled the brown ball of fur in a nest of pillows, the first thing I did was trawl through my desk drawer for a pen. I found my copy of The Jungle Book, flipped to the blank pages at the back, and wrote: She and her dog were inseparable from that day forward.
Alix E. Harrow (The Ten Thousand Doors of January)
Look, Ella..." He stared down at his hands, opening and closing his fists. I waited. I think we might have a little bit of a misunderstanding here... You're a nice girl and all,but... I really like you,but I don't really like you... The unmistakable notes of "Don't Stop Believin'," electronic version, suddenly filled my room, followed by the audible and visual treat of my phone vibrating its way across my desk toward Alex's hip. I flung myself on it. In a clear-headed moment, I would have just turned it off. As it was, I did manage a "Sorry!" to Alex before flipping it open/ "Are you dead?" Frankie demanded from the other end. "No." I edged away from Alex, who was very politely pretending to be interested in the biscotti. "Are you even sick?" "No," I admitted. "Of course not. Okay, I'm coming over." "No!" I cringed as Alex jumped a little. I took a breath. "God, no. Don't. It's wedding central here. Sienna will have you trying up birdseed in little purple pouches." There was a long pause. "You okay, Marino?" "Yeah," I managed. "Truth time.Where were you today?" Could I do it? Could I actually use the word cramps with Alex Bainbridge standing three feet away? I could only imagine how the actual truth would sound. Here, in bed, hiding because I thought I'd made the queen of all fools out of myself e-mailing Alex Bainbridge over the break, and I can't even tell you about it because I promised...But it's okay-or maybe not-because he's here now, in my bedroom. ust about to tell me I made the queen of all fools out of myself. Sure. Come on over.The two of you can bond over my idiocy.
Melissa Jensen (The Fine Art of Truth or Dare)
In the summer of 1914, he had headed to France in the company of his only son, Alistair. They were driving at high speed through woodland in Northern France when Alistair lost control of the wheel. The car spun into a roadside tree and flipped upside down. Alistair was flung from the vehicle and landed on his head. Cumming was trapped by his leg in a tangle of smouldering metal. ‘The boy was fatally injured,’ wrote Compton Mackenzie in his account of the incident, ‘and his father, hearing him moan something about the cold, tried to extricate himself from the wreck of the car in order to put a coat over him; but struggle as he might, he could not free his smashed leg.’ If he was to have any hope of reaching his son, there was only one thing to do. He reached for his pocket knife and hacked away at his mangled limb ‘until he had cut it off, after which he had crawled over to the son and spread a coat over him.’ Nine hours later, Cumming was found lying unconscious next to his son’s dead body. His recovery was as remarkable as his survival. He was back at his desk within a month, brushing aside any outer shows of mourning for his son. Cumming had the ramrod emotional backbone that so typified the gentlemen of his social class and era. Just a few months after his accident, one of his operatives visited him at his offices on the top floor of Whitehall Court. Cumming, who had not yet received his artificial leg, was inching his substantial frame down six flights of stairs: ‘two sticks, and backside, edging its way down one step at a time.’ Little wonder that his friends described him as ‘obstinate as a mule.
Giles Milton (Russian Roulette: How British Spies Thwarted Lenin's Plot for Global Revolution)
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Feeling like a displaced person Laura struggles with being defined by her status as a widow. “Distracted by the word widow, which had taken root, budded and bloomed in her mind like a weed in a vacant lot, Laura opened the dictionary on her desk. Flipping past thousands of words, she used in every-day communication with family, friends, and acquaintances – those little black letters, symbols to express thoughts for the ear to hear and the heart to feel – she wondered, What words gave expression to her pain? What words described the sense of something lurking inside her, or the dark shadows stalking her mind? Widow: a five-letter word, preceded by words like wide, and widget and followed by words like widow’s peak, widow’s weeds, and widower. This little word – widow- in small case, had no business masquerading as a noun: a person, place or thing. In contrast, - widget, a small mechanical object, not a feeling thing, just an object – seemed an honest noun. Widow is not an object, she thought. “It’s a word so thin as to be nothing but a wisp of breath passing through one’s vocal cords and disappearing almost imperceptibly between one’s lips. It has no life of its own. It’s a mere label, and it could just as well be a piece of paper saying, chocolate cookies or best before date.
Sharon J. Harrison (Picking Apples in the Sunshine)
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.
Judith McNaught (Almost Heaven (Sequels, #3))
Health System?” Kendall nodded and folded her hands on the desk. “Not new to human resources, but I’ve only been with Belmont for two weeks. Before this, I worked in HR for a medical center over in Ashland. We had the occasional employee discipline issues and a layoff here and there, but nothing like this.” Adam nodded and continued flipping through the forms, studying the legal language as carefully as possible for a first pass. “I hear you. Union negotiations can be especially tricky. You’re very smart to bring in outside assistance. Sometimes professional mediation can really turn things around. Once
Tawna Fenske (About That Fling)
This is the way it is with all people, I’ve learned. A person’s strengths almost always have a flip side. Obama’s strengths are prodigious, but he’s not perfect or exempt from blame for some of the disappointments I hear expressed about him ever more frequently these days. The day after the Affordable Care Act passed, a slightly hungover but very happy president walked into my office to reflect on the momentous events of the night before. “Not used to martinis on work nights,” he said with a smile, as he flopped down on the couch across from my desk, still bearing the effects of the late-night celebration he hosted for the staff after the law was passed. “I honestly was more excited last night than I was the night I was elected. Elections are like winning the semifinals. They just give you the opportunity to make a difference. What we did last night? That’s what really matters.” That attitude and approach is what I admire most about Obama, the thing that makes him stand apart. For him, politics and elections are only vehicles, not destinations. They give you the chance to serve. To Obama’s way of thinking, far worse than losing an election is squandering the opportunity to make the biggest possible difference once you get the chance to govern. That’s what allowed him to say “damn the torpedoes” and dive fearlessly into health care reform, despite the obvious political risks. It is why he was able to make many other tough calls when the prevailing political wisdom would have had him punt and wait for another chance with the ball. Yet there is the flip side to that courage and commitment. Obama has limited patience or understanding for officeholders whose concerns are more parochial—which would include most of Congress and many world leaders. “What are they so afraid of?” he asked after addressing the Senate Democrats on health reform, though the answer seemed readily apparent: losing their jobs in the next election! He has aggravated more than one experienced politician by telling them why acting boldly not only was their duty but also served their political needs. Whether it’s John Boehner or Bibi Netanyahu, few practiced politicians appreciate being lectured on where their political self-interest lies. That hint of moral superiority and disdain for politicians who put elections first has hurt Obama as negotiator, and it’s why Biden, a politician’s politician, has often had better luck.
David Axelrod (Believer: My Forty Years in Politics)
Jong-Il’s elite team of bodyguards was one of the most sinister, intriguing aspects of his way of life. He kept 120 of them and preferred them to be orphans; once hired they were not permitted to visit home or to ever leave the Leader’s side. If they wanted to marry, they were only allowed to marry a typist or secretary from a specific unit of the Party, and the matchmaking procedure itself was bizarre. A bodyguard had to apply to his supervisor for marriage, and if the application was approved—likely this decision was Jong-Il’s—the bodyguard would be called to his supervisor’s office on the Third Floor. Twenty photographs were placed on the supervisor’s desk, facedown. Blindly the bodyguard would pick a picture, which the supervisor would then flip over. The woman in the photograph would be the man’s wife. If the bodyguard refused to marry the stranger, he would have to wait another two years before being able to reapply—and this time he would have to marry the girl whose photograph he had blindly drawn, whether he liked the look of her or not, at risk of being dismissed.
Paul Fischer (A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power)
So I shook my head and flipped the picture back onto my desk. “Very nice picture,” I said. “Tell me, Detective, do you think a man can be too handsome?
Jeff Lindsay (Double Dexter (Dexter #6))
Blake picked the paperback up from her desk entitled Warrior Fae, flipped it open to the last page and tore it out before scrunching it up and tossing it in the trash. Fucking savage.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
he wanted to feel miserable, he just needed to remind himself of Marill. Wartortle’s desk, although flipped on its side, was still somewhat salvageable and recognizable.  Aside from that, the ground was littered with paper, broken shards of glass and dust… a whole lot of dust. This Voltorb created such a bigger impact than Pikachu had ever seen in tournaments; the extent of its damage was beyond impressive.  Had Team Nova somehow manipulated or rather found a way to accentuate Voltorb’s attacks?  Could they do the same with other Pokémon?  ... This was getting the Great Detective Pikachu nowhere… The drawers in Wartortle's desk were either empty by choice or simply because its content was spilled all over
K.T. Coolbricks (The Great Detective Pikachu: Episode 1 - A Mother’s Lament, A Pokémon’s Torments (A Pokemon Story) (The Great Detective Pikachu - Chapters))
adventure. Or maybe it’s just because I’m dumb. “No. I don’t know anything about Linus that might help you.” Colton folded his hands and exhaled slowly. “That’s a shame, because you seemed like a kid with common sense.” He stood from the desk and cracked his knuckles. I didn’t know what he was planning on doing, and luckily I didn’t have to find out. The speaker by the door crackled, and a girl’s voice spoke loud and clear. “Colton, to the front office please. Your bike is parked in a tow away zone. Colton, to the front office immediately.” “Blazes!” Colton shouted as he hopped off his seat. “My bike is in trouble?” As Colton started walking to the front door of the art room, I managed to sneak a peek at the page he had written notes on. The manila folder was open on the desk next to me. The paper on top was filled with chicken scratched words and doodles that looked like blueprints. Paper clipped to that sheet was my school picture. What the heck was my picture doing in his folder? Stopping at the door, Colton flipped around and headed back to the desk. Slapping the folder shut, he slid it along until it fell into his hand. “Don’t want to leave this thing sitting out, do we?” I didn’t answer, watching as he left the room. Before he disappeared out of view, I saw him say something to the
Marcus Emerson (Secret Agent 6th Grader (Secret Agent 6th Grader, #1))
My mind flipped back to the moment seventeen years earlier when we first met, me arriving late to her office, a little damp from the rain, Michelle rising up from her desk, so lovely and self-possessed in a lawyerly blouse and skirt, and the easy banter that followed. I had seen in those round, dark eyes of hers a vulnerability that I knew she rarely let show. I knew even then that she was special, that I would need to know her, that this was a woman I could love. How lucky I had been, I thought. “Barack?
Barack Obama (A Promised Land)
There’s a special tax provision called Section 179 that lets business owners deduct 100 percent of the cost of personal property (such as desks and computers) in the year it was bought instead of having to depreciate it over time. In the past, rental property owners weren’t allowed to use this provision for personal property (such as appliances, carpets, and furniture) in their rental units. The Tax Cuts and Jobs Act (TCJA) removed that restriction, and now landlords can take full advantage of Section 179 deductions, up to a total of $1 million (but the deduction can’t create a net loss).
Michele Cagan (Real Estate Investing 101: From Finding Properties and Securing Mortgage Terms to REITs and Flipping Houses, an Essential Primer on How to Make Money with Real Estate (Adams 101))
The wood floor is- so splintery on my flip-flops like nails are sticking up, poking me and crap, the boards are all cracked and you can see down one story, or more at times. Besides, some floorboards are missing altogether; I feel like I could go through the floor at any time. (Room 202) There is no light coming anywhere but her light she is giving off, looking over everything in its interiority, I see that there are boards over the old glass smashed glass window panes; not even the smallest glimmer or flicker of a star or moonlight at this point to guide me, nothing to show the way other than spun web cover over everything, even the hole that should not be cover seemed roached out, look at all the spiders crawling all down me, I don’t go in there I was thinking. I went at night so no one would find me. Look even going down the hall the lockers start to bang themselves like humpers of the past. I could see kissing here doing that too. Like I could see it all in my mind too, like they all did when the kids slammed their looker in these unhallowed halls, look now there are papers everywhere, just left behind like love notes of the past, I want to read yet it has nothing there to be said, I could get some of it, yet not all… I don’t have anything wrong with me, I can’t see, should I take it with me? I do- (It was tucked in her underwire right strap, her outfit when cut off to be laid out for viewing.) -It was Nevaeh and Chiaz’s first love note. (Now) You can foresee what's going to happen… can’t you- I sure did not in the past nor do I know, yet I do at times. It’s a new day, she sat back- crap let's do it a new way today- damn (‘Like- I want to choke down my rabbit,’) it works for me it's well to get that right, or so Jenny said. Yet I was feeling more than that below, and so was she, in my mouth. ‘If you are going through hell keep on going don’t slow down, if you are scared don’t show it…!’ My love was singing to be willing to do this, yet you can’t hear that and if you do, you’ll hear Maggie coming out. (Back at the old school) The hollowing sound of her voices in my face, its blows’ a-crossed me and spooks me out, it is so haunted within these falling walls, yet see is not scaring me at this point, I feel somewhat safe. As well as the wind howling as my thought makes, makes me think of who she maybe thinks I am. I see the hand-covered handrails going up past the old Gym and girl’s locker room, looking into the showers it’s like- I could see bare-ass naked girls and the steam in the air. With the sounds of: ‘O-op-e-s-y- don’t drop the soap!’ All along with the sounds of girls giggling, hell- I don’t want to know what’s going on. Water running, just guessing like them… I had the bad thoughts and photos running in my little-wicked mind. Like the sands of time… not fading all away or turning all too black and write. Up till now the water and sound or the girls are from the past, or so I think and have been long gone, for them to be real girls, it was abandoned for years, like what is this crap…? Like the snapping of a towel, my head spun around, as the little girl pulled me to the next room by her resenting glow, In the locker part of the room- I see all the old desked linked together, she's sitting there proverb her story to me, her hair braids are freaking cute to me; like no girl does that anymore. Yet who are these girls, I think- I know, yet they don’t, see me. They don’t even think I see them all up in it. I heard these stories and believe it yet; I don’t believe it seeing it now unfolding in front of me. There is some random b*tch putting the redhead face in the capper, with the sound of the flush! I am good, she said.
Marcel Ray Duriez (Nevaeh They Call Out)
Read Opt to read something that has nothing to do with work to engage a different part of your brain. Keep a book at your desk. Pick up the newspaper. Flip through a travel magazine.
Brett Blumenthal (52 Small Changes for the Mind: Improve Memory * Minimize Stress * Increase Productivity * Boost Happiness)
Let’s practice together. What do you call the distance across a circle?” I asked. Mom looked up in surprise. “Diameter?” I gave her a thumbs-up and flipped to the next card. “An equation with two terms?” She thought for a second. “A binomial,
Kelly Yang (Key Player (Front Desk #4))
Nesta asked, “What is the Wild Hunt?” She’d also told him of their encounter with Lanthys, and the presence of the Autumn Court soldiers. Cassian had convinced Rhys not to engage with them, at least until they could deal with Briallyn. When Rhys had raised his shield around the Prison once more, they’d already vanished. Rhys blew out a breath, leaning back in his chair. “Honestly, I thought it mere myth. That Lanthys remembers such a thing … Well, there’s always room for lying, I suppose, but on the off chance he was telling the truth, that’d make him more than fifteen thousand years old.” Feyre asked, “So what is it, then?” Rhys lifted a hand, and a book of legends from a shelf behind him floated to his fingers. He laid it upon the desk. He flipped it open to a page, revealing an image of a group of tall, strange-looking beings with crowns atop their heads. “The Fae were not the first masters of this world. According to our oldest legends, most now forgotten, we were created by beings who were near-gods—and monsters. The Daglan. They ruled for millennia, and enslaved us and the humans. They were petty and cruel and drank the magic of the land like wine.” Rhys’s eyes flicked to Ataraxia, then to Cassian. “Some strains of the mythology claim that one of the Fae heroes who rose up to overthrow them was Fionn, who was given the great sword Gwydion by the High Priestess Oleanna, who had dipped it into the Cauldron itself. Fionn and Gwydion overthrew the Daglan. A millennium of peace followed, and the lands were divided into rough territories that were the precursors to the courts—but at the end of those thousand years, they were at each other’s throats, on the brink of war.” His face tightened. “Fionn unified them and set himself above them as High King. The first and only High King this land has ever had.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Blake picked the paperback up from her desk entitled Warrior Fae, flipped it open to the last page and tore it out before scrunching it up and tossing it in the trash.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
I have waited eight years to come here. I am recovered. And I want to begin.” “But—” “We can’t fault her impatience.” A tiny smile curled the edges of Nura’s mouth. “She likes to get things done. I can respect that.” Respect wasn’t quite what I saw in the amused gleam of Nura’s pale eyes. But that was fine. I’d been given my chance to earn it, and a chance was all I needed. “Let’s go, then.” Nura looked down at the paper Willa gave her, then flipped it over. She took a pen from the desk. “Hold onto my arm.” I obeyed as I watched her draw a circle. Then add lines and shapes winding through its center— And then, suddenly, I was no longer standing in the Tower of Midnight, but blinking into a blinding midday sun. “Nura.” A strained male voice. “What, exactly, do you want?
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
I flip him off underneath my desk. “Hiding your hand defeats the intended purpose of such a gesture.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
That’s the thing about Rosie—I can be a total prick and she just gives it right back. “Did I offend you?” Her brow arches. “You’ve been offending me for years. If you were too nice to me, I’d worry one of us was terminal or something.” That makes my lips twitch. “Plus, I’d never fuck you. I hate you too much.” Ah. There it is. It shouldn’t make me smile. But it does. She knows exactly how to get under my skin, bring out the worst in me. I slide the page back across the desk toward her. “I like this one. It shows how truly unhinged you were.” “I still am. Better watch your back, Mr. Ford Grant Junior.” Oh yeah. I’ve pissed her off all right. But the thing about knowing how to piss each other off is that we also know how to confuse each other. That’s what last night by the fire was. Mutual confusion. And I must want more of it because I flip open my laptop and toss out, “That journal entry is fascinating, but all wrong. I was at home when you called that night. And I broke every speed limit to get to you.
Elsie Silver (Wild Love (Rose Hill, #1))
Listen, shit gets ripped off at hospitals all the fucking time. I mean Jesus, who wants to work in a hospital? The money sucks and it's boring and disgusting and you can get attacked with like, staplers, because people are genuinely off their rockers, and if I tell anybody something's wrong—any little, the slightest nothing, anything—the whole entire desk gangs up on you like you're some traitor to their mind-blowing incompetence. By law, they have to call the police and file a report. It's a whole thing, a giant hassle, and they all hate you 'cause it means tossing the cells, it really is like jail only everybody knows it's somebody on staff, and that gets them extra table-flipping pissy because it's this big hot steaming pile of extra work for nothing!
Phoebe Eaton (The Best Women's Stage Monologues 2021)
Yes, ‘Rhys is the greatest lover a female can hope for’ is undoubtedly how I learned to read.” “I was only trying to tell you what you now know.” My blood heated a bit. “Hmmm,” was all I said, pulling a book toward me. “I’ll take that hmmm as a challenge.” His hand slid down my thigh, then cupped my knee, his thumb brushing along its side. Even through my leathers, the heat of him seeped to my very bones. “Maybe I’ll haul you between the stacks and see how quiet you can be.” “Hmmm.” I flipped through the pages, not seeing any of the text. His hand began a lethal, taunting exploration up my thigh, his fingers grazing along the sensitive inside. Higher, higher. He leaned in to drag a book toward himself, but whispered in my ear, “Or maybe I’ll spread you out on this desk and lick you until you scream loud enough to wake whatever is at the bottom of the library.” I whipped my head toward him. His eyes were glazed—almost sleepy.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Blake picked the paperback up from her desk entitled Warrior Fae, flipped it open to the last page and tore it out before scrunching it up and tossing it in the trash. Fucking savage. Not that I was complaining. She deserved to never find out the end of her book. If I had the time, I’d find a way to track down every copy in the world so that she could suffer forevermore without knowing how it ended. I wasn’t sure if there was any worse fate than that to bestow on someone.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
Put the hand out,” I instruct him calmly. Jacob shakes his head against the table. I tighten my hold on his throat, his eyes bulging as he struggles to take in a breath. Finally, he raises his right hand, putting it forward on the desk. “Vengeance is mine, I will repay, says the Lord,” I recite, flipping open a new knife with one hand. “Isn’t that right, kid? Isn’t that what they’re teaching you these days?
Jescie Hall (That Sik Luv)
withdrew her poetry book and flipped to page fifty-two. When the bell rang she stuffed her book back inside. Everyone leapt from their desks to make for sixth period. Sadie Howard glanced back then did a double take when she saw Gray. They usually sat together. How was Gray going to explain that one? Just as she headed toward Sadie, Gray was bumped from behind. The force of the body against hers sent her pack flying out of her hands onto the ground. Okay, now she was pissed. “What’s your . . .” Gray whipped around to find herself face-to-face with Raj McKenna. “ . . . problem,” Gray finished, the
Nikki Jefford (Entangled (Spellbound, #1))
You’ll be pleased to learn that these fancy cork jackets really do a remarkable job of keeping a person afloat,” she heard spill out of her mouth after a full minute had passed. Everett, annoyingly enough, kept reading, but then his head snapped up and he narrowed his eyes on her. “I do beg your pardon, Millie, I was completely engrossed in my book, but . . . what did you just say? Something about keeping a person afloat?” “I said these jackets are remarkably effective.” She twirled around to show off the jacket she was wearing. Everett shot out of the chair before she could finish her twirling. “Where are the children?” he demanded as he rushed for the door, scowling down at her when she, seemingly unable to help herself, moved to block his way. “They’re languishing, which means lingering, in the ocean, having a most marvelous time of it, I might add.” Everett actually picked her up and set her aside right before he froze. “Elizabeth was right, Miss Longfellow. You really are a lunatic.” “And you, Mr. Mulberry, are rapidly turning out to be a rather unlikeable sort,” Millie shot back. “Do you honestly believe if the children had gone overboard that I’d waste time seeking out your assistance instead of jumping into the ocean after them?” “You don’t know how to swim.” “Which is why I’m wearing this jacket, and which is also why, because you know I can’t swim, you should have stayed topside with the children instead of burying yourself in here with what appears to be some type of novel.” She peered over at the desk, but couldn’t make out what he was reading. “Did you forget the children’s fascination with walking the plank?” “They were considering walking a plank?” “Don’t be silly,” Millie said with a sniff. “After what happened the last time they tried that game, I do think their interest in that has dimmed simultaneously.” Everett’s brows drew together. “Simultaneously?” Fumbling with the cork jacket, Millie stuck her hand in a pocket and retrieved her dictionary. Flipping through the pages, she glanced over different words. “Ah, here we go. I think significantly might have been what I meant to say.” She lifted her head and refused to sigh when she realized Everett was now scowling her way. “Why would you bring up the whole plank business when you knew the children had abandoned their interest in it?” he asked. “You annoyed me.” “The amount of money I’m currently paying you to nanny the children should hold any and all annoyance you may think you feel for me at bay.” “Even if you paid me twice what you are, I’d still get annoyed with you on a frequent basis.” “I’m
Jen Turano (In Good Company (A Class of Their Own Book #2))
A bodyguard had to apply to his supervisor for marriage, and if the application was approved—likely this decision was Jong-Il’s—the bodyguard would be called to his supervisor’s office on the Third Floor. Twenty photographs were placed on the supervisor’s desk, facedown. Blindly the bodyguard would pick a picture, which the supervisor would then flip over. The woman in the photograph would be the man’s wife.
Paul Fischer (A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power)
What happened?” She shook her hand and looked at her palm. “I gave myself a splinter.” She looked closer. “I think.” “Let me see.” “No, I’m fine. I can get a needle when I get home.” He waved his hand in front of him impatiently. “Stubborn woman, let me have your hand.” “It’s not like you can see anything.” With a wild swipe, he captured her wrist. “That’s where you’re wrong. My myopia gives me about two inches of clear vision if I hold something in just the right place.” He tugged her up to stand and pulled her hand closer to his nose. “And it just so happens that clear swath is somewhat magnified. I assume you’re the kind of woman to carry a pocketknife?” She pulled out her knife and handed it to him. For some reason he grinned. She held her breath, realizing how very close she was to him. He flipped open her knife, and his face screwed up in concentration. “You’re also not the kind of woman who’d shriek or tug away from me like my mother does, right?” “Of course not.” She’d rather die than embarrass herself that way. But anticipating pain wasn’t what was sending her heart to throbbing—rather it was being close enough to see the individual hairs darkening his jawline. Her heart had never flipped like this for a man before. She’d evidently not outgrown her schoolgirl infatuation with the handsomest boy in class, but now that they were older, the feelings were quite different. Harrison gently squeezed the flesh of her hand. She squirmed—not because he scraped the knife against her skin but rather because his breath tickled her wrist. “Done.” He ran his thumb across the scratch on her palm and smiled. “Splinter removal—a talent in which you can never outdo me.” “I thought you told me gloating wasn’t a good thing.” Why rub such a silly skill in her face anyway? “I was kidding.” Sure he was. “Being talented at splinter removal isn’t worth being blind as a newborn pup and unable to shoot worth a nickel.” His smile disappeared until his jaw clenched. Then he dropped her hand and stalked away. “Sorry.” Harrison ran into a desk and muttered under his breath. “Seems we are a lot alike, as you said.” Though maybe gloating wasn’t really her downfall, rather speaking without thinking. She hadn’t meant to shove his weakness in his face. If she couldn’t stop competing and ridiculing his weaknesses, they’d part as enemies instead of becoming the kind of friends Lydia and Beatrice were. Then again, remaining enemies might be a good thing. One did not pine for one’s enemy.
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Show me something." "What would you like to see?" "Anything. Dazzle me with your boring, practical Alben magic." Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he's talking to himself. A slow smile spreads across Finn's face as he rubs his knuckles - black and blue with several bruises from Sir Bird's beak. "Let's see," he says, flipping through his father's book. "Here! I'll need some water in a shallow bowl ... ink ... yes, I think this is everything." He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one - change. But the rest I haven't learned yet. Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird. Only instead of getting wet, as the water washes over his body, Sir Bird's feathers turn ... blue. Bright, brilliant, shimmering blue. Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color. "Ha!" Finn says, pointing at his knuckles. "Now you're black and blue, too!" I can't help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn's magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. "Hush now. I'll make him fix you. You're still very handsome, but blue isn't your color, is it?" He caws mournfully, still pulling at his own feathers. "Finn." He puts his hands behind his back, trying to look innocent. "What? He deserved it." "He's a bird. You can't really find this much satisfaction in revenge against a bird, can you?" His voice comes out just a tad petulant. "He started it. Besides, I made it temporary. It'll wear off within the hour." "There now." I kiss Sir Bird's head and set him on my shoulder. "You'll be back to yourself in no time." "Tell him to stop pecking at me.' "Perhaps you deserve it.
Kiersten White (Illusions of Fate)
Sitting next to Scott means I get to watch how he writes. He presses down hard, scratching out quick little letters. When he turns to the next page in his notebook you can see the imprints of the words from the previous page. He’s always fidgeting with his pen. He does this twirly thing with it where he quickly flips it over his hand. If I tried that, my pen would probably fly across the room and stab someone’s eye out. Scott sits with one sneaker up against his chair rung. He’s kind of too tall for his desk. He has this way of flipping pages in his book like he’s trying to rip them out or something. He flips pages roughly, with purpose. I never sat close enough to notice that before. The closest I’ve ever gotten to Scott was last year when I sat two rows behind him in English. This is so much better.
Susan Colasanti
Sitting next to Scott means I get to watch how he writes. He presses down hard, scratching out quick little letters. When he turns to the next page in his notebook you can see the imprints of the words from the previous page. He’s always fidgeting with his pen. He does this twirly thing with it where he quickly flips it over his hand. If I tried that, my pen would probably fly across the room and stab someone’s eye out. Scott sits with one sneaker up against his chair rung. He’s kind of too tall for his desk. He has this way of flipping pages in his book like he’s trying to rip them out or something. He flips pages roughly, with purpose. I never sat close enough to notice that before. The closest I’ve ever gotten to Scott was last year when I sat two rows behind him in English. This is so much better.
Susane Colasanti (So Much Closer)
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
Word Silence" There's a flame like the flame of fucking that longs to be put out: words are filings drawn toward a vast magnetic silence. The loins ask their usual question concerning loneliness. The answer is always a mountaintop erasing itself in a cloud. It's as if the mind keeps flipping a coin with a lullaby on one side and a frightening thrill on the other, and if it lands it's back in the air at once. A word can rub itself rosy against its cage of context, starting a small fire in the sentence and trapping for a moment the twin scents of now and goodbye. The sexual mimicry always surprises me: the long dive the talky mind makes into the pleasures of its native dark. Like pain, such joy is locked in forgetfulness, and the prisoner must shout for freedom again and again. Is that what breaks the sentences apart and spreads their embers in a cooling silence? The pen lies in the bleach of sunlight fallen on the desk, ghost-sheet of a bed turned back. If I look for a long time into its wordlessness, I can see the vestiges of something that I knew dissolving. Something that I no longer know. And there I sleep like an innocent
Chase Twichell (Horses Where the Answers Should Have Been: New and Selected Poems (Kingsley Tufts Poetry Award))
I get the niggling feeling in my belly that says it's time for a new song. It hits at the most random, inopportune times. Fucking creative muse bitch. I stand up quick and grab a pen from the desk in the corner, flipping my arm over and finding a space between the tattoos.
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
You fill out a lot of forms. Then you fill out some different forms. Then you hire a new assistant for this case only because the forms have to be filed in quintuplicate and filed with the office of each Prime, separately, and one simply does not have enough hours in the day. Then you go home, really tired, to your family having eaten dinner at your desk again. And you fall straight into bed without enough energy to do more than kiss the children and spouses goodnight. And the next morning you get up and fill out more forms, and you visit the clarks to see if anyone has read your requests, and they say no. And you do this once a day for a week or so. And if you’ve filled out all the paperwork perfectly, then you flip a coin to determine whether or not they unseal the records for you.
Alexandra Rowland (A Conspiracy of Truths (The Tales of the Chants, #1))
Not meaning to disrespect the Lincolns in any way, but they’re looking into this because they’re paid to look into it. Not because they necessarily think there’s anything to go on.” He paused. “However, if they come up with something solid. I mean solid. Real proof a crime has been committed here. Something that will stand up in court, then we’ll take another look. But until then …” He closed the file folder in front of him with a swish, sat back, adjusted his navy-blue tie, and looked at Hank. Hank studied Diego a moment and then finally stood. “All right. Thanks, Captain,” he said reluctantly as he turned and left the room. Hank knew Diego had done the logical thing. As head of the Richmond Hill Police Department, Captain Diego had worked his way up through the ranks and was well respected by the men under him. That wasn’t to say Diego was always right, of course, but he was the captain. He sighed and stabbed speed dial on his cell phone. “Jake here.” “Hey, Jake, the captain closed the file. Mrs. Macy’s death has officially been labeled a suicide by the coroner.” “So the investigators found nothing either?” Jake asked. “Nope. I have all the reports right here. If you guys are going to be home for a while, I’ll drop them over.” “Sure,” Jake said. “We’re here now. Come on over.” “Be right there.” Hank touched the cell phone and ended the call, shoving it into his pocket. He made photocopies of the papers, went to his desk, and slipped them into his briefcase. Before leaving, he poked his head back into Diego’s office. “Can we at least have an autopsy done?” he asked. Diego sighed. “All right. I’ll get the coroner to do a full autopsy. Then we’ll close the case.” “Thanks, Captain,” Hank said. He turned and left the precinct. Thursday, August 18th, 9:22 a.m. JAKE SWUNG the front door open when Hank knocked. “Come on in. Annie’s in the kitchen. There’s some fresh coffee on.” He led the way and Hank followed. Annie greeted Hank with a smile as he and Jake dropped into chairs at the kitchen table. Jake slouched back, using another chair to prop up his feet, while Annie poured three steaming mugs of coffee. She set them on the table with cream and sugar and sat at the end. Hank opened his briefcase and removed the folder of reports. He dropped them on the table in front of Annie. “It’s all here,” he said. “Police report. Coroner’s report. Doctor’s report. Drug screen.” Annie flipped open the folder and browsed the papers while Hank and Jake prepared their coffee. Lots of sugar in
Rayven T. Hill (Cold Justice (Jake and Annie Lincoln, #2))
Jesus Christ, he was going to kill me. My hands began to shake again. I couldn’t stop kissing him between each sentence, needing to taste the lips that were saying words so dirty. “What’s the good news?” I prompted . “You have on no underwear and decided to stop cutting me off during the day again?” There was no response so I did the only rational thing I could think of— crawled across the floor until I was under the desk. A nip at his ankle sent him flinging himself backwards with so much force the chair nearly flipped over.
Santino Hassell (Illegal Contact (The Barons, #1))
Jennifer was good at her job and loved it. However, I hated the fact she was forced on me. She was young, beautiful, and thin. Everything I never felt that I was, and she always insisted on wearing heels and cute little suits in the office. Really? Who had such bionic feet that they could wear those day in and day out. My attitude toward her bordered on civil with a touch of sarcasm. I was sure she had stories to tell the women in the church on how hard I was to work with. I told myself I didn’t care. I’d wear flip-flops and flats at my desk and sequester all shoes over a two-inch heel to be worn only on Sundays.
Anna Aquino
Let’s see what your temperature is,” she said, bringing an electronic thermometer over from the desk. “It’s higher than usual.” Her amber stare flipped up to his. “Your arm.” “No, your eyes.” She blinked, then seemed to shake herself. “I seriously doubt that.” “Then you underestimate your appeal.” As she shook her head and clicked one of the plastic covers onto the silver wand, he caught a whiff of her scent. His fangs elongated. “Open.” She brought the thermometer up and waited. “Well?” Rehv stared into those amazing tricolored eyes of hers and dropped his jaw. She leaned in, all business as usual, only to freeze. As she looked at his canines, her scent surged with something dark and erotic. Triumph singed in his veins as he growled, “Do me.” There was a long moment, during which the two of them were bound together by invisible strings of heat and longing. Then her mouth flattened out. “Never, but I will take your temperature, because I have to.” She jabbed the thermometer in between his lips, and he had to clamp his teeth together to keep the thing from deflating one of his tonsils. S’all good, though. Even if he couldn’t have her, he turned her on. And that was more than he deserved. There was a beep, an interval, and another beep. “One oh nine,” she said as she stepped back and released the plastic cover into the biohazard bin. “Havers will be with you as soon as he’s able.” The door clapped shut behind her with the hard syllabic smack of the f-word. Man, she was hot. -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I visited McBeth’s eleventh and twelfth grade classes, which were both working on prototypes for projects they had approached through design thinking. One was a revitalization scheme for Toronto’s waterfront, and the other was creating an indoor agriculture system. The students were producing all sorts of creative solutions, from elaborate models of their waterfront developments to fish farms where the fish’s own waste would fertilize the plants that cleaned the water. It was loud, messy work. At one point, three girls were hand-sawing a piece of lumber balanced between two desks, and sawdust quickly coated their preppy uniforms and hair. With a few exceptions, all the students said they preferred to work without computers on this type of project. They felt they had more creative freedom, were less distracted, could be more accurate to their vision, and gained a better understanding of the scale and materials involved. It also seemed more fun. The groups building models and contraptions around the room were laughing and joking as they glued and taped and cut and broke things. The only ones working on computers were two girls who gave up on a model and decided to make an app instead. They sat side by side, quietly checking out the pricing options on various app-building websites, flipping over to Facebook whenever McBeth was out
David Sax (The Revenge of Analog: Real Things and Why They Matter)
health intervention and a support system that’s sustainable for you. But this could change everything. Think about Wylie.” “You want me to say I tried to kill myself?” she asked, her words broken with emotion. “I don’t think I can do that. I can’t go there and lie.” “You can’t say it’s a lie,” he cut in. “You admit you don’t remember what happened that night. If the prosecutor can’t find any evidence of habitual drug use, then what other explanation is there? They’ll know they can’t prove their case, and they’ll back the charges down. Isn’t that worth it?” “Worth saying I’m suicidal?” Tara cupped her hands over her mouth, the word seeming too bitter and unsavory to let out again. “Better than being a drug addict,” he argued, his voice raising a few octaves. “You have no idea how lucky you are that Willow stumbled upon this. Just think about it for a minute before you shoot it down completely.” She bit at her lip to force herself to do what Reid was asking. “What would we do next if I say what you want me to say?” A smile accompanied by a look of relief cascaded over Reid’s face. “We’re about to enter the discovery stage of the trial now that the arraignment is over. That means the prosecutor has to share information and evidence they’ve gathered.” “Everything?” she asked, feeling like she was about to be stripped bare and paraded through the court when the day came. “By law it’s any information reasonably calculated to lead to admissible evidence. We’ll get a good idea of what they intend to do in court, who they’ll call as witnesses. Once we have that information I think we should present this new evidence and petition the court to reduce the charges.” “Sorry to interrupt,” a small and unfamiliar voice called from behind Tara. “This was just delivered,” a girl said as she handed an envelope over to Tara who took it, assuming this was some kind of mistake. “It’s for me?” she asked, but the girl was gone before she had the question fully formed. “That’s my assistant, Elise. She’s kind of skittish. Apparently I don’t give off a real warm and fuzzy feel as a boss. She’s always afraid to knock on the door.” When Tara read her name across the front of the envelope she flipped it and peeled it open. “It’s a request for me to relinquish my legal rights as a parent and allow the adoption of Wylie by the Oldens. They have a lawyer.” She handed the paper over to Reid and hoped he’d tell her to rip this up and forget about it. It wasn’t time for that yet. She wasn’t ready. “Damn,” he muttered, slapping the document down on his desk.
Danielle Stewart (Three Seconds to Rush (Piper Anderson Legacy Mystery, #1))
The day he came to PARC for his job interview, Rick Jones invited him into his office and asked him a stock question. “What do you think your greatest achievement will be at PARC?” he asked. “It’ll be a personal computer,” Kay replied. “What’s that?” Spying a flat portfolio on Jones’s desk the size of a student’s notebook, Kay seized it and flipped it open. “This will be a flat-panel display,” he said, indicating the cover, which he held upright. “There’ll be a keyboard here on the bottom, and enough power to store your mail, files, music, artwork, and books. All in a package about this size and weighing a couple of pounds. That’s what I’m talking about.” He walked out, leaving Jones scratching his head and saying to himself, “Yeah, right.
Michael A. Hiltzik (Dealers of Lightning: Xerox PARC and the Dawn of the Computer Age)
Gray reached into her now visible pack and quickly withdrew her poetry book and flipped to page fifty-two. When the bell rang she stuffed her book back inside. Everyone leapt from their desks to make for sixth period. Sadie Howard glanced back then did a double take when she saw Gray. They usually sat together. How was Gray going to explain that one? Just as she headed toward Sadie, Gray was bumped from behind. The force of the body against hers sent her pack flying out of her hands onto the ground. Okay, now she was pissed. “What’s your . . .
Nikki Jefford (Entangled (Spellbound, #1))
I scooped out the chilly, sleepy ball of puppy and held him to my chest, where he rooted toward the warmth beneath my arm. "Thank you, Samuel," I whispered, which I know now was an utterly insufficient response. But Samuel seemed content. He bowed his head in a chivalrous, Old-World-ish gesture like a knight accepting his lady's favor, mounted his drooling pony, and disappeared across the misted grounds. Now, let us clear the air: I am not a stupid girl. I realized the words I'd written in the ledger book were more than ink and cotton. They'd reached out into the world and twisted the shape it in some invisible and unknowable way that brought Samuel to stand beneath my window. But there was a more rational explanation available to me- that Samuel had seen the longing in my face and decided to hell with that bitter old German woman- and I chose to believe that instead. But still: when I got to my room and settled the brown ball of fur in a nest of pillows, the first thing I did was trawl through my desk drawer for a pen. I found my copy of The Jungle Book, flipped to the blank pages at the back, and wrote: She and her dog were inseparable from that day forward.
Alix E. Harrow (The Ten Thousand Doors of January)
For the one-hundred-and-eleventh day, I arrived at the office at eight a.m., sat down at my desk, flipped open a notepad, and neatly wrote Elliot Levy’s schedule in black ink. And at the bottom, following the notation for his last meeting of the day, I included a postscript—which I’d been doing for a hundred and one days. Yesterday’s had been: P.S. Are you even human? The day before: P.S. You remind me of porridge. Today’s: P.S. You’re intolerable. Then, like I always did, I precisely sliced that strip off the bottom, slid it inside an envelope with all one hundred and one of the others, and returned it to its place at the back of my desk drawer beneath my box of tampons. In my current condition, I absolutely did not need them, but I’d found tampons were the best deterrent for most men. Though I regularly questioned if Elliot was a cyborg, I couldn’t picture him willingly touching feminine hygiene products either. This was my only form of rebellion. Those postscripts allowed me to release a tiny drip of the anger I swallowed down on a daily basis. When Elliot’s demands became unbearable, I took out my envelope, ran my fingers over the one-inch strips of “fuck you very much,” and immediately calmed. The therapist I’d been forced to see when I was a teen would have been proud…ish.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))