Departure Is Painful Quotes

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Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a come losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful – as painful as actually being cut with a knife.
Haruki Murakami (1Q84 (1Q84, #1-3))
What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.
George Saunders (Lincoln in the Bardo)
If one is but secure at the foundation, he will not be pained by departure from minor details or affairs that are contrary to expectation. But in the end, the details of a matter are important. The right and wrong of one's way of doing things are found in trivial matters.
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
This principle - that your spouse should be capable of becoming your best friend - is a game changer when you address the question of compatibility in a prospective spouse. If you think of marriage largely in terms of erotic love, then compatibility means sexual chemistry and appeal. If you think of marriage largely as a way to move into the kind of social status in life you desire, then compatibility means being part of the desired social class, and perhaps common tastes and aspirations for lifestyle. The problem with these factors is that they are not durable. Physical attractiveness will wane, no matter how hard you work to delay its departure. And socio-economic status unfortunately can change almost overnight. When people think they have found compatibility based on these things, they often make the painful discovery that they have built their relationship on unstable ground. A woman 'lets herself go' or a man loses his job, and the compatibility foundation falls apart.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Studies have found that the same areas in the brain that light up in imaging scans when we break a leg are activated when we split up with our mate. As part of a reaction to a breakup, our brain experiences the departure of an attachment figure in a similar way to that in which it registers physical pain.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
The truth is you can never truly make amends for the hurt you cause; you apologize, you try to atone, at best the scars lighten but they don't disappear. You live with the pain that you pained someone.
Justin A. Reynolds (Early Departures)
Longing for Death Down into the womb of the earth, Out of the kingdom of light, Anger, pain, and a savage blow Signal the happy departure.
Novalis (Hymns to the Night)
If one is secure at the foundation, he will not be pained by departure from minor details or affairs that are contrary to expectation.
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.
George Saunders (Lincoln in the Bardo)
When human pain has struck me fiercely, when anger has corroded me, I rise, I always rise after the crucifixion, and I am in terror of my ascensions. THE FISSURE IN REALITY. The divine departure. I fall. I fall into darkness after the collusion with pain, and after pain the divine departure.
Anaïs Nin (House of Incest)
During the prayers of the day, there was one less “amen”.
Phindiwe Nkosi (Behind the Hospital)
She never knew her tender soul died daily as she helped him yo fix his broken pieces of life. His departure was no longer a pain but a slow death
Kshanasurya
Never before did I feel so bound by the chains of the soul. Never before was there such pain of ripping my heart apart as I ran.
Kate McGahan
I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?" I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.
Shūsaku Endō (Silence)
You were correct, for all men have within them both that which is dark and that which is light. A man is a thing of many divisions, not a pure, clear flame such as you once were. His intellect often wars with his emotions, his will with his desires . . . his ideals are at odds with his environment, and if he follows them, he knows keenly the loss of that which was old, but if he does not follow them, he feels the pain of having forsaken a new and noble dream. Whatever he does represents both a gain and a loss, an arrival and a departure. Always he mourns that which is gone and fears some part of that which is new. Reason opposes tradition. Emotions oppose the restrictions his fellow men lay upon him. Always, from the friction of these things, there arises the thing you called the curse of man and mocked; guilt!
Roger Zelazny (Lord of Light)
The love in your eyes, the pain you took from me, and everything else you gave me is all I am now. Two weeks will rush by like raindrops in a storm. Do not speak of goodbyes, do not mention distance because, in your heart, I stay.
Rolf van der Wind
With each new day, another piece of my past resurfaces, painfully reminding me of what's missing. Life can feel like an endless procession of losses, from start to finish. Your absence cuts through me like a knife, erasing the memory of the once-familiar contours of your face, leaving behind only the ache of your departure.
Rolf van der Wind
But if anything in thy own disposition gives thee pain, who hinders thee from correcting thy opinion? And even if thou art pained because thou art not doing some particular thing which seems to thee to be right, why dost thou not rather act than complain?- But some insuperable obstacle is in the way?- Do not be grieved then, for the cause of its not being done depends not on thee.- But it is not worth while to live if this cannot be done.- Take thy departure then from life contentedly, just as he dies who is in full activity, and well pleased too with the things which are obstacles.
Marcus Aurelius (Meditations)
See how a sleepy child will put off the inevitable departure for bed. The little creature's eyes blink and stare, and it needs constant jogging to prevent his nodding off into the slumber which nature craves. His waking is a pain; he is quite worn out, and peevish, and stupid, and yet he implores a respite, and deprecates repose, and vows he is not sleepy, even to the moment when his mother takes him in her arms, and carries him, in a sweet slumber, to the nursery. So it is with us old children of earth and the great sleep of death, and nature our kind mother.
J. Sheridan Le Fanu (Uncle Silas)
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense – that they don't succumb to despair, that they don't demand a space for their pain – it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.
John Darnielle (Universal Harvester)
I tend to imagine the self-regulating system like little gremlins hoping on the pain side of the balance to counteract the weight on the pleasure side. The gremlins represent the work of homeostasis, the tendency of any living system to maintain physiologic equilibrium. Once the balance is level, it keeps going, tipping an equal and opposite amount to the side of pain. In the 1970s social scientists Richard Solomon and John Corbett called this reciprocal relationship between pleasure and pain "The Opponent Process Theory". Any prolonged or repeated departure from hedonic or adaptive neutrality has a cost. That cost is an after-reaction, that is opposite in value to the stimulus, or as the old saying goes: "What goes up, must come down".
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
Haruki Murakami (1Q84 (1Q84, #1-3))
Sylvia had begun her month in New York with princessy pomp and fanfare….Her departure on June 27 was entirely different. She left New York shaken, depleted, and utterly alone.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
I miss what we were, but we aren’t that anymore, and it’s better to get away from the memories of all we could have been.
T.E. Carter (All We Could Have Been)
Justice is itself the great standing policy of civil society; and any eminent departure from it, under any circumstances, lies under the suspicion of being no policy at all,” Burke writes.
Yuval Levin (The Great Debate: Edmund Burke, Thomas Paine, and the Birth of Right and Left)
The love in your eyes, the pain you took from me, and everything else you gave me, is all I am now. Two weeks will rush by like raindrops in a storm. Do not speak of goodbyes, do not mention distance because in your heart I stay.
Rolf van der Wind
To grapple effectually with even purely material problems requires more serenity of mind and more lofty courage than people generally imagine. No two beings could have been more unfitted for such a struggle. Society, not from any tenderness, but because of its strange needs, had taken care of those two men, forbidding them all independent thought, all initiative, all departure from routine; and forbidding it under pain of death. They could only live on condition of being machines. And now, released from the fostering care of men with pens behind the ears, or of men with gold lace on the sleeves, they were like those lifelong prisoners who, liberated after many years, do not know what use to make of their freedom. They did not know what use to make of their faculties, being both, through want of practice, incapable of independent thought.
Joseph Conrad (An Outpost of Progress)
Dear Alien, Thank you for asking. Here on my earth, unlove is among the deepest loves to give a person. It touches us in a way no other pain could reach. For as long as breath comes, the possibility of heart correspondence may come too. For the rest of our lives, we are left with the unknown, sailing in a sea of doubt contaminated with hope - scattered and shattered over nothing that mattered. In the world of unlove, fire thrives from the cold. After they've left, our brains speculate how that person is doing. Departure never really exists. It's almost like leaving a person ensures you'll always be with them. Hope I answered your question. Mine for you: how is she? Curiously, KKF
Kristian Ventura (Cardiac Ablation)
If you are pained by any external thing, it is not this thing that disturbs you, but your own judgment about it. And it is in your power to wipe out this judgment now. But if anything in your own disposition gives you pain, who hinders you from correcting your opinion? And even if you are pained because you are not doing some particular thing that seems to you to be right, why do you not rather act than complain? “But some insuperable obstacle is in the way.” Do not be grieved then, for the cause of its not being done depends not on you. “But it is not worthwhile to live if this cannot be done.” Take your departure then from life contentedly, just as he dies who is in full activity, and well pleased, too, with the things that are obstacles.
Marcus Aurelius (Meditations)
Travel became distinguishable from pain and began to be regarded as an intellectual pleasur...These factors--the voluntariness of departure, the freedom implicit in the indeterminancies of mobility, the pleasure of travel free from necessity, the notion that travel signifies autonomy and is a means for demonstrating what one 'really' is independent of one context or set of defining associations--remain the characteristics of the modern conception of travel. Eric Leed
Robin Jarvis (Romantic Writing and Pedestrian Travel)
No, of course not. You’re still young and healthy. Maybe that’s why you don’t understand what I am saying. Let me give you an example. Once you pass a certain age, life becomes nothing more than a process of continual loss. Things that are important to your life begin to slip out of your grasp, one after another, like a comb losing teeth. And the only things that come to take their place are worthless imitations. Your physical strength, your hopes, your dreams, your ideals, your convictions, all meaning, or, then again, the people you love: one by one, they fade away. Some announce their departure before they leave, while others just disappear all of a sudden without warning one day. And once you lose them you can never get them back. Your search for replacements never goes well. It’s all very painful—as painful as actually being cut with a knife. You will be turning thirty soon, Mr. Kawana, which means that, from now on, you will gradually enter that twilight portion of life—you will be getting older. You are probably beginning to grasp that painful sense that you are losing something, are you not?
Haruki Murakami (1Q84 (Vintage International))
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
When we returned from our jog, several Pirahãs were huddled in a corner of our house, and there was a strong smell of alcohol in the air. Those in the huddle looked conspiratorial and stared at us. Some seemed angry, others ashamed. Others just stared down at something on the ground that they were all surrounding. As I approached, they parted. Pokó’s baby was on the ground, dead. They had forced cachaça down its throat and killed it. “What happened to the baby?” I asked, almost in tears. “It died. It was in pain. It wanted to die,” they replied. I just picked up the baby and held it, with tears now beginning to stream down my cheeks. “Why would they kill a baby?” I asked myself in confusion and grief.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
If thou art pained by an external thing, it is not this thing that disturbs thee, but thy own judgement about it. And it is in thy power to wipe out this judgement now. But if anything in thy own disposition gives thee pain, who hinders thee from correcting thy opinion? And even if thou art pained because thou art not doing some particular thing which seems to thee to be right, why dost thou not rather act than complain?—But some insuperable obstacle is in the way?—Do not be grieved then, for the cause of its not being done depends not on thee.—But it is not worth while to live, if this cannot be done.—Take thy departure then from life contentedly, just as he dies who is in full activity, and well pleased too with the things which are obstacles.
Marcus Aurelius (Gateway to the Stoics: Marcus Aurelius's Meditations, Epictetus's Enchiridion, and Selections from Seneca's Letters)
I remember the late Admiral Saunders declaring in the House of Commons, and that in the time of peace, 'That the city of Madrid laid in ashes was not a sufficient atonement for the Spaniards taking off the rudder of an English sloop of war.' I do not ask whether this is Christianity or morality, I ask whether it is decency? Whether it is proper language for a nation to use? In private life we call it by the plain name of bullying, and the elevation of rank cannot alter its character. It is, I think, exceedingly easy to define what ought to be understood by national honor; for that which is the best character for an individual is the best character for a nation; and wherever the latter exceeds or falls beneath the former, there is a departure from the line of true greatness.
Thomas Paine (The Crisis)
What agony he suffered as he watched that light, in whose golden atmosphere were moving, behind the closed sash, the unseen and detested pair, as he listened to that murmur which revealed the presence of the man who had crept in after his own departure, the perfidy of Odette, and the pleasures which she was at that moment tasting with the stranger. And yet he was not sorry that he had come; the torment which had forced him to leave his own house had lost its sharpness when it lost its uncertainty, now that Odette's other life, of which he had had, at that first moment, a sudden helpless suspicion, was definitely there, almost within his grasp, before his eyes, in the full glare of the lamp-light, caught and kept there, an unwitting prisoner, in that room into which, when he would, he might force his way to surprise and seize it; or rather he would tap upon the shutters, as he had often done when he had come there very late, and by that signal Odette would at least learn that he knew, that he had seen the light and had heard the voices; while he himself, who a moment ago had been picturing her as laughing at him, as sharing with that other the knowledge of how effectively he had been tricked, now it was he that saw them, confident and persistent in their error, tricked and trapped by none other than himself, whom they believed to be a mile away, but who was there, in person, there with a plan, there with the knowledge that he was going, in another minute, to tap upon the shutter. And, perhaps, what he felt (almost an agreeable feeling) at that moment was something more than relief at the solution of a doubt, at the soothing of a pain; was an intellectual pleasure.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
On such occasions, something unknown compels me, almost tears me away from the warm fireside. There is no reluctance or hesitation: I gladly go to meet the mes- senger from the ends of the earth (in most cases he has some connection with death or pleasure or instinct) and, in the instant of my departure, I abandon everything that is comfortable and familiar. In the past, though, the voice that had called me from without had not corresponded precisely to the voice from within. This, I believe, is because I was unable to meet the call from without with my body, managing barely to do so with words instead. I was familiar, it is true, with the sweet pain that occurred when it became entangled in the complex mesh of ideas, but I was ignorant as yet of the deep-rooted joy produced when the two types of summons, meeting in the body, find themselves perfectly matched.
Yukio Mishima (Sun & Steel)
As for myself, what has died for me has died, so to speak, into my own heart: when I looked for him, the person who vanished has collected himself strangely and so surprisingly in me, and it was so moving to feel he was now only there that my enthusiasm for serving his new existence, for deepening and glorifying it, took the upper hand almost at the very moment when pain would otherwise have invaded and devastated the whole landscape of my spirit. When I remember how I—often with the utmost difficulty in understanding and accepting each other—loved my father! Often, in childhood, my mind became confused and my heart grew numb at the mere thought that someday he might no longer be; my existence seemed to me so wholly conditioned through him (my existence, which from the start was pointed in such a different direction!) that his departure was to my innermost self synonymous with my own destruction …, but so deeply is death rooted in the essence of love that (if only we are cognizant of death without letting ourselves be misled by the uglinesses and suspicions that have been attached to it) it nowhere contradicts love: where, after all, can it drive out someone whom we have carried unsayably in our heart except into this very heart, where would the “idea” of this loved being exist, and his unceasing influence (: for how could that cease which even while he lived with us was more and more independent of his tangible presence) … where would this always secret influence be more secure than in us?! Where can we come closer to it, where more purely celebrate it, when obey it better, than when it appears combined with our own voices, as if our heart had learned a new language, a new song, a new strength! (To Countess Margot Sizzo-Noris-Crouy, January 6, 1923)
Rainer Maria Rilke (Duino Elegies and The Sonnets to Orpheus)
Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.
Debatrayee Banerjee
certainly this heartache, perhaps somewhat calculated—so little do we care for the pain of others—by a woman desiring to make us miss her as acutely as possible, whether the woman only pretending to make her departure wishes merely to obtain more favorable conditions, or whether leaving for ever—for ever!—she wants to strike a blow, perhaps from vengeance, perhaps to continue to be loved, or perhaps to preserve the quality of the memory that she will leave, and violently break out of this network of tedium and indifference which she had felt being woven around her,—certainly we had promised each other that we would avoid such heartache, we had said that we would part on good terms. But it is in fact very rare to part on good terms, for if all were well we would not separate. And then again, the woman toward whom we affect the utmost indifference does none the less feel obscurely that, just as we have come to tire of her because of the force of habit, so we have become all the more attached to her, and she guesses that one of the essential requirements for parting on good terms is to warn her partner that she is going to leave. Yet she fears that warning him may prevent her. Every woman feels that, the greater is her power over a man, the more her only way of leaving him is just to take flight. She becomes a fugitive precisely because she was a queen, this is inevitable.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
Something prickled along the back of his neck. He looked up to see Sophie standing on the back porch without so much as a shawl over her day dress, her expression puzzled. He stopped shoveling and crossed the drifted garden to stand a few steps below her. “I didn’t think Higgins and Merriweather would get much done, as cold as it is and as old as they are.” “You’ve shoveled half the garden out, Vim. Come in and eat something before you leave us.” He let the shovel fall to the side and wrapped his arms around her waist. Because she was standing higher than he, this put his face right at the level of her breasts. Oblivious to appearances and common sense, he laid his head on her chest. “You will catch your death, Sophie Windham.” She wrapped her arms around him for one glorious moment, the scent of spices and flowers enveloping him as she did. She offered spring and sunshine with her embrace, and Vim felt an ache in his chest so painful he wondered if it was the pangs of inchoate tears. “Come inside.” Sophie dropped her arms and took him by the hand. “You haven’t eaten yet today, and shoveling is hard work.” She was patronizing him. He allowed it, unable to ask her the mundane questions that might put aside the reality of his impending departure. Did Kit eat his breakfast? Will you do more baking today? Do you need more coal for your fireplace? Is there anything I can do to delay this parting? “Drink
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
First experiences in life are very important. I never analyzed you, I always saw you. I never judged you, I always grasped you. When I left, I became lost. I was working, living, performing but you were missing, I don’t know why? I seriously don't understand why you are impacting so much on me? Can you clear in future if you have answer? We never talked too much but why this pain of departure is there? I have tried to forget you a lot, tried to delete the contact, tried to full concentrate on my life, sometime cried but there was not a single day when I didn't think about you. Am I really over thinker? I failed in your case, I failed. I have to accept the reality that to be good with you is the only solution which can make me happy & stable. Wherever I'll be in life, but this connectivity is necessary now. It is a part of life. I have so many questions for you. Have you ever missed me like I do? Everyday? I felt it, was that true? Do you really like to hear me? Or you are also in me? Or you are trying to suggest me some future planning? Are you shy? Less talker? You always tried to be open up with me? I always maintained safe distance? Was I too reserved? Was I egoistic? Yes, I was, but only in your case. Whatever you did for me that all was unsaid, pure, clear, fair. You were always nice to me? You never scold me, is this your part of nature? I heard so many cases of your temper? I never asked about you to people, they used to tell me about you by their own. Can I suggest you something? You are smart thinker but be careful from the people. Never be too kind to anyone, not all people have value of it. People never learn from the mistakes; they don’t want to create; they want to copy. I would say, don’t kind to me too, I have said so many things to you. I never seen so calm person. How? Do you have emotions? neutral? You never think on the things? Are you so productive? Are you innocent (in case of people)? Why can’t you understand that people makes show off in front of you only? Why are you giving so much importance to commerce people? Are they intelligent than engineers? Do you think so? Am I asking you so many questions? I really care for you & your selection of people. What are you actually see in the people? Obviously it’s your choice to answer it or not? At least I can ask my questions. Did I make a mistake according to you? For me, I was right, but I never asked you about you. As you said, I never gave you chance. For me, you are the chance giver & I am chance taker. I was scared by you. Did I hurt you? Hope I never made loss of you in any manner. I want to clear you one thing that apart from all my shit thinking, if you need any kind of assistance then please feel free to share. So what I have confess my love to you? It’s fine? Right? It’s natural, I had tried to control it a lot. Now I am more transparent, shameless & confident. I can face you in any condition. This change has changed my life.
Somi
An unusually clear statement of the secular view of evil and suffering is made by Richard Dawkins in his book "River out of Eden: A Darwinian View of Life"- He writes: “The total amount of suffering per year in the natural world is beyond all decent contemplation....In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.” This is a complete departure from every other cultural view of suffering. Each one sees evil as having some purpose as a punishment, or a test, or an opportunity. But in Dawkin's view, the reason people struggle so mightily in the face of suffering is because they will not accept that it never has any purpose. It is senseless, neither bad nor good- because categories such as good and evil are meaningless in the universe we live in. "We humans have purpose on the brain," he argues. "Show us almost any object or process and it is hard for us to resist the 'Why' question...It is an almost universal delusion...The old temptation comes back with a vengeance when tragedy strikes..."Why oh why, did the cancer/earthquake/hurricane have to strike my child?" But he argues that this agony happens because "we cannot admit that things might be neither good nor evil, neither cruel nor kind, but simply callous-indifferent to all suffering, lacking purpose....DNA neither knows nor cares. DNA just is. And we dance to its music.
Timothy J. Keller (Walking with God through Pain and Suffering)
Railways, by days and by night. The flowers in the cuttings with their sooty blossoms, the birds on the wires with their sooty voices, they are their friends and long remember them. And we also stand still, with astonished eyes, when-already from the far distant distance- there's the cry of promise. And we stand, with hair streaming, when it's there like thunder and as though it had rolled round heaven knows what worlds. And we're still standing, with sooty cheeks, when-already from the far distant distance-it cries. Cries, far, far away. Cries. Really it was nothing. Or everything. Like us. And they beat, beyond the windows of prisons, sweet dangerous, promising rhythms. You are all ears then, poor prisoner, all hearing, for the clattering, oncoming trains in the night and their cry and their whistle shiver the soft dark of your cell with pain and desire. Or they crash bellowing over the bed, when at night you're harboring fever. And your veins, the moon-blue, vibrate and take up the song, the song of the freight trains: Under way-under way-under way- And your ear's an abyss, that swallows the world. Under way. But ever and again you are spat out at stations, abandoned to farewell and departure. And the stations raise up their pale signboards like brows beside your dark road. And they have names, those furrowed-brown signs, names, which are the world: bed, they mean, hunger and women. Ulla or Carola. And frozen feet and tears. And they mean tobacco, the stations, or lipstick or schnapps. Or God or bread. And the pale brows of the stations, the signboards, have names, that mean: women. You are yourself a railway track, rusty, stained, silver, shiny, beautiful and uncertain. And you are divided into sections and bound between stations. And they have signboards whereon is written women, or murder, or moon. And then that is the world. You are a railway- rumbled over, cried over- you are the track- on you everything happens and makes you rust blind and silver bright. You are human, your brain giraffe-lonely somewhere above on your endless neck. And no one quite knows your heart.
Borchert Wolfgang
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
In Separation, the second volume of his great trilogy on attachment, John Bowlby described what had been observed when ten small children in residential nurseries were reunited with their mothers after separations lasting from twelve days to twenty-one weeks. The separations were in every case due to family emergencies and the absence of other caregivers, and in no case due to any intent on the parents’ part to abandon the child. In the first few days following the mother's departure the children were anxious, looking everywhere for the missing parent. That phase was followed by apparent resignation, even depression on the part of the child, to be replaced by what seemed like the return of normalcy. The children would begin to play, react to caregivers, accept food and other nurturing. The true emotional cost of the trauma of loss became evident only when the mothers returned. On meeting the mother for the first time after the days or weeks away, every one of the ten children showed significant alienation. Two seemed not to recognize their mothers. The other eight turned away or even walked away from her. Most of them either cried or came close to tears; a number alternated between a tearful and an expressionless face. The withdrawal dynamic has been called “detachment” by John Bowlby. Such detachment has a defensive purpose. It has one meaning: so hurtful was it for me to experience your absence that to avoid such pain again, I will encase myself in a shell of hardened emotion, impervious to love — and therefore to pain. I never want to feel that hurt again. Bowlby also pointed out that the parent may be physically present but emotionally absent owing to stress, anxiety, depression, or preoccupation with other matters. From the point of view of the child, it hardly matters. His encoded reactions will be the same, because for him the real issue is not merely the parent's physical presence but her or his emotional accessibility. A child who suffers much insecurity in his relationship with his parents will adopt the invulnerability of defensive detachment as his primary way of being. When parents are the child's working attachment, their love and sense of responsibility will usually ensure that they do not force the child into adopting such desperate measures. Peers have no such awareness, no such compunctions, and no such responsibility. The threat of abandonment is ever present in peer-oriented interactions, and it is with emotional detachment that children automatically respond. No wonder, then, that cool is the governing ethic in peer culture, the ultimate virtue. Although the word cool has many meanings, it predominately connotes an air of invulnerability. Where peer orientation is intense, there is no sign of vulnerability in the talk, in the walk, in the dress, or in the attitudes.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Suicide should be made odious among the people of God--it should be emphasized as a deadly sin, and no undue feelings of tenderness towards the unfortunate dead, or of sympathy towards the living bereaved, should prevent us denouncing it as a crime against God and humanity, against the Creator and the creature. It is true that the exact enormity of the act is not defined with minute detail in the Holy Scriptures, or the limits of its punishment given; but to believers in the God whom we worship it has always been regarded as a sin of great magnitude; and in many countries especial pains have been taken to discourage it, by refusal to bury in consecrated ground, by indignities offered to the lifeless remains, or by such lack of funereal observances as would produce a peculiar and horrifying effect upon the survivors. Now, while not advocating measures of this description, we do not think that the same laudations and panegyrics should be pronounced over the self-murderer as are so freely uttered over the faithful Saint who has gone to his eternal rest. There is a difference in their death, and that difference should be impressed upon the living, unless the deceased, at the time of the rash act, was in such a mental condition as not to be wholly responsible for his actions; but again, if this condition be the result of sin, of departure from God's laws, then the unfortunate one, like the inebriate, is not altogether free from the responsibility of acts committed while in this state of mental derangement. If he is not censurable for the act itself, he is for the causes that induced it. In such cases the mantle of charity must not be stretched so widely, in our desire to protect our erring friends, as to reflect dishonor on the work of God, or contempt for the principles of the everlasting Gospel. There is an unfortunate tendency in the natures of many to palliate sins by which they are not personally injured; but we must not forget that such palliation frequently increases the original wrong, and brings discredit on the Church and dishonor to the name and work of our blessed Redeemer; in other words, to save the feelings of our friends we are willing to crucify afresh the Lord of life and glory.
John Taylor
his…demands?” And then she had held her breath as if seriously expecting Isabel to answer. And last night as Isabel passed a half-open bedroom door, she had overheard a fellow guest speaking to her maid. “I do so admire Lady Isabel for not feeling the need to bow to the demands of fashion,” the woman had said. “She dresses instead in what is comfortable even if it is not in the first stare. Though I find it no wonder her husband has strayed.” Isabel had gritted her teeth and gone on down to dinner, where she smiled and flirted and silently dared anyone to comment to her face that her dress was at least two years old. If only her early departure wouldn’t cause so much comment, she would call for her carriage and go home right now. But that was impossible. For one thing, she didn’t have a carriage, for she had come up from London with a fellow guest. Too short of funds to afford a post-chaise, she was equally dependent on her friend for transport back to the city when the hunting party broke up. And secondly, of course, there were only two places she could go—Maxton Abbey, or the London house—and her husband might be at either one. Unless, with her safely stashed at the Beckhams’, he had accepted yet another of the many invitations he received. But she couldn’t take the chance. After little more than a year of marriage, the pattern was ingrained—wherever one of the Maxwells went, the other took pains not to go. She could not burst in on her husband; what if he were entertaining his mistress? Better not to know. She might go to the village of Barton Bristow, descending on her sister. But Emily’s tiny cottage was scarcely large enough for her and her companion, with no room for a guest—and Mrs. Dalrymple’s constant chatter and menial deference was enough to set Isabel’s teeth on edge. In fact, the only nice thing Isabel could say about being married was that at least she wasn’t required to drag a spinster companion around the countryside with her to preserve her reputation, as Emily had to do. Isabel turned her borrowed mount over to the stable boys and strode across to the house, where the butler intercepted her in the front hall. “A letter has just been delivered for you, Lady Isabel, by a special messenger. He said a post-chaise will call for you tomorrow.” She took the folded sheet with trepidation. Who could be summoning her? Not her husband, that was certain. Her father, possibly, for yet another lecture on the duties of a young wife? She broke the seal and unfolded the page. My dearest Isabel, You will remember from happier days that I will soon celebrate my seventieth birthday… Uncle Josiah. But her moment of relief soon
Leigh Michaels (The Birthday Scandal)
The surprise, for me, is that the accruing weight of these departures doesn’t bury us, and that even the pain of an almost unbearable loss gives way quite quickly to something more distant but still stubbornly gleaming.
Houghton Mifflin Harcourt (The Best American Series: 14 Short Stories & Essays)
Let us suppose a race of people whose peculiar mental limitation compels them to regard a painting as something made up of little coloured dots which have been put together like a mosaic. Studying the brushwork of a great painting, through their magnifying glasses, they discover more and more complicated relations between the dots, and sort these relations out, with great toil, into certain regularities. Their labour will not be in vain. These regularities will in fact ‘work’; they will cover most of the facts. But if they go on to conclude that any departure from them would be unworthy of the painter, and an arbitrary breaking of his own rules, they will be far astray. For the regularities they have observed never were the rule the painter was following. What they painfully reconstruct from a million dots, arranged in an agonising complexity, he really produced with a single lightning-quick turn of the wrist, his eye meanwhile taking in the canvas as a whole and his mind obeying laws of composition which the observers, counting their dots, have not yet come within sight of, and perhaps never will".
C.S. Lewis
Lily kept Serena's chubby body curled tightly against her own and prayed as she had prayed every night since Cade's departure. She had been furious with him at first. Then she had felt rejected, as if she were of no account in his life. Cade had never said anything to contradict her fears. But then she had begun to remember little things—the kitten in his lap, the flute on her pillow, his pain in setting Roy's leg, the fierce passion of his lovemaking—and she had to wonder if these weren't Cade's way of showing how he felt. A sliver of hope had entered Lily's heart then, and she had nourished it in the days since, hoping to block out the growing fear when there was no sign of Cade even after the battle was won. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
As part of a reaction to a breakup, our brain experiences the departure of an attachment figure in a similar way to that in which it registers physical pain.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
I would make statues of the sick and dying, not to sob at the waste of sickness or death but at its normalcy, at the way the fluids flow out from these temporary containers. Illness is not a departure from the itinerary, not a battle, not a failure. It is the noble permanent out-breath, the quotation mark to close out the sentence.
Sonya Huber (Pain Woman Takes Your Keys, and Other Essays from a Nervous System (American Lives))
One who wants to live is killed by people who want a departure from life. [ from, PAIN ]
Ivan Veljanoski
There were five of these commandments. The First Commandment (Matthew v, 21-6) was that man must not only refrain from killing, he must not become angry with his brother, must not consider anyone to be raca, of no consequence, and if he should quarrel he must first be reconciled before bringing a gift to God, that is before praying. The Second Commandment (Matthew v, 27-32) was that man must not only refrain from adultery, he must avoid lusting after womanly beauty, and one joined to a woman he never be unfaithful to her. The Third Commandment (Matthew v, 33-7) was that man must swear no oaths. The Fourth Commandment (Matthew v, 38-42) was that man must not only refrain from taking an eye for an eye, but must turn the other cheek when smitten on one, must forgive injuries and humbly bear them and never refuse people that which they desire of him. The Fifth Commandment (Matthew v, 43-8) was that man must not only refrain from hating his enemies, and waging war against them, but must love, help and serve them. Nekhlyudov fixed his gaze on the light coming from the burning lamp, and his heart stopped. Recalling all the ugliness of our lives, he started to imagine what this life could be like if only people were educated in the principles, and his soul was filled with the kind of rapture he had not known for a very long time. It was as if he had suddenly found peace and freedom after a long period of anguish and pain. He did not sleep that night, and, as so often happens with many, many people reading the Gospels for the first time, as he read he came to a full understanding of words he had heard read many times before without taking in what they said. All that was revealed to him in that book as vital, important and joyful he drank in like a sponge soaking up water. And all that he read seemed familiar, seemed to confirm and full acknowledge things he had known for a very long time without accepting or believing them. But now he accepted and believed. But more that that: as well as accepting and believing that by obeying these commandments people will attain the highest of all possible blessings, he now accepted and believed that obeying these commandments is all that a person has to do, the only thing makes sense in human life, and that any departure from this is a mistake leading to instant retribution. This emerged from the teaching as a whole but with particular strength and clarity from the parable of the vineyard. The workers in the vineyard had come to imagine that the garden where they had been sent to work for the master was their own property, and that everything in it had been put there for their benefit, and all they had to do was to enjoy life in the garden, forget all about the master and put to death anybody who reminded them of the master and their duty towards him. ‘This is just what we are doing,’ thought Nekhlyudov, ‘living in the absurd conviction that we are masters of our own lives, and that life is given to us purely for our enjoyment. Yet this is patently absurd. Surely, if we have been sent here it must be at someone’s behest and for a purpose. But we have decided that we live only for our gratification, and naturally life turns sour on us, as it turns sour on a worker who fails to follow his master’s will. And the will of the master is expressed in these commandments. People only have to obey these commandments and the kingdom of God will be established on earth, and the people will receive the highest of all possible blessings. ‘See ye first the kingdom of God, and his righteousness, and the all the rest shall be added on to you.’ And although we are seeking ‘all the rest’, we obviously cannot find it. ‘So this is what my life is all about. As one part comes to an end, another begins.
Leo Tolstoy (Resurrection)
Do you recall how, when we strove upon the balcony, you mocked me? You told me that I, too, took pleasure in the ways of the pain which you work. You were correct, for all men have within them both that which is dark and that which is light. A man is a thing of many divisions, not a pure, clear flame such as you once were. His intellect often wars with his emotions, his will with his desires... his ideals are at odds with his environment, and if he follows them, he knows keenly the loss of that which was old–but if he does not follow them, he feels the pain of having forsaken a new and noble dream. Whatever he does represents both a gain and a loss, an arrival and a departure. Always he mourns that which is gone and fears some part of that which is new. Reason opposes tradition. Emotions oppose the restrictions his fellow men lay upon him. Always, from the friction of these things, there arises the thing you called the curse of man and mocked–guilt! 
Roger Zelazny (Lord of Light)
Henry was right to observe that two players left Wings, and Paul hadn’t asked why. But Paul hadn’t asked why because he knew the answer. The dispute that led to McCullough’s departure mirrored fights he’d had with Harrison over what to play and how to play it, as well as Lennon’s complaint, in that painful Rolling Stone interview, about Paul treating them as sidemen. He was, once again, accused by his bandmates of being a control freak.
Allan Kozinn (The McCartney Legacy: Volume 1: 1969 – 73)
We are beginning to see the unfolding plan of God. Jesus is going to gather around him a core group of people who will continue his work after his departure. Jesus will preach only for a short time, about three years, in a small land. Yet his message is for the whole world and for all the ages to come. What is important for him is to form the hearts of a few disciples who will travel, as poor pilgrims, throughout the world, to announce and communicate his message of love and forgiveness. These few disciples will break down the barriers that separate people and cultures from one another and so bring peace. Many young people today, like these first disciples of Jesus, are disillusioned by our rich societies. They are looking for an ideal, a vision that gives meaning to their lives. They search, but what do they find? A world where material success has become the most important thing in life. Many seek to break through the competition and rivalry, greed and corruption that they see and hear everywhere. They are often shocked by the way our beautiful, fragile earth is treated and depressed by the continuing armed conflicts. Some slip into a world of drugs, searching for an experience that takes them away for a few moments from our rigidly structured society. They hope to find relief from the pain of despair, to taste the “infinite” and forget the harshness of our world.
Jean Vanier (Drawn into the Mystery of Jesus through the Gospel of John)
Departure I HAVE seen him, and his hand Has that slow gesture still. My tutored heart That had gone quietly these many months And happily, securely, beat its way Glad to be free of the old instancy— My heart betrayed me. Cowardly it stopped; And then it leaped, And the old Panic hoofbeats thundered in my ears. Oh, is there then no peace for me When old love will not die? And shall I conquer all things, Thrusting up, through the intolerable pain of growth, Until my soul Leaps wingéd to the sunset’s rim— Only at last to break myself on love, And fall a-trembling like an aching girl Because he has a beautiful, slow hand?
Eunice Hammond Tietjens
A leaf and you! A leaf from tree, in Autumn fell, It had a story to tell, As it swayed in the lap of air, Nobody noticed the act unfair, For it alone fell, The rest clung to the branches and didn’t experience hell, Which they all would someday, Few early, few later, few did yesterday and the leaf that just fell, experienced it today, It did not shout, it did not scream or yell, As it thought of moments, few lived in agony and few lived so well, Finally it rested on the surface of the bare ground, And every natural force leapt on it like a famished hound, To consume it in their own ways, For death has a game that it with all plays, So time kissed it, life forsook it, gravity constricted it; and finally it was lost, there was nothing left of it, Just a memory of a falling leaf that everyone consumed bit by bit, bit by bit, Surprising that time sometimes moans its departure, Because it had reared it in its lap with love and composure, Alas time the greatest force of all, is the most cursed of all, For in the end it loses everything to its own existential virtues, and kills us all, Then it lies there moaning the loss, Whenever a beautiful corner of life that it loved it does happen to pass, Just like the leaf that fell and was forever lost, There on the branch a moment of time hangs still seeking the past, For it loved the leaf, but it had duty to perform as well, So it mournfully stood there as the leaf fell, It buried it too, And then it hurried too, For it had new leaves to tend, A new leaf to break and bend, To keep gravity happy, who blames time for all crimes, But it is someone else who in shadows creates these moments of depraved times, And lays the blame on time, the eternal subject of everyone's hate, But time has a companion who shares this blame, we all know it as fate, However, the real force lies in the shadows always plotting to bend and break a leaf, And blame it all on time, the eternal and infamous thief, Who actually steals nothing, because it is always losing a part of it, Whenever present becomes past, it loses its own precious bit, It always has been so, and maybe it will always be so, until time has nothing to spare any more, Then the Universe shall fall apart because then it shall not be needed anymore, And a new order shall rise, a new leaf shall emerge and grow, Then time shall rule every place high and low, Then my darling Irma, I will love you again, and again, Because then my love, a moment of love, shall be a lifelong gain, Where every kiss shall be remembered and felt again and again, And you shall not hurt me, and I shall not have the power to cause you any pain, Because now time will be judging us all in the present, A gift that indeed is the precious moment in the present, So my love Irma, love me now, but love me true, Before another leaf falls and as long as the sky is still happy and blue!
Javid Ahmad Tak (They Loved in 2075!)
Blessed be any wind that blows us into the port of our Saviour's love! Happy wounds, which make us seek the beloved Physician. Ye tempted ones, come to your tempted Saviour, for he can be touched with a feeling of your infirmities, and will succour every tried and tempted one. Morning, October 4 "At evening time it shall be light." Zechariah 14:7 Oftentimes we look forward with forebodings to the time of old age, forgetful that at eventide it shall be light. To many saints, old age is the choicest season in their lives. A balmier air fans the mariner's cheek as he nears the shore of immortality, fewer waves ruffle his sea, quiet reigns, deep, still and solemn. From the altar of age the flashes of the fire of youth are gone, but the more real flame of earnest feeling remains. The pilgrims have reached the land Beulah, that happy country, whose days are as the days of heaven upon earth. Angels visit it, celestial gales blow over it, flowers of paradise grow in it, and the air is filled with seraphic music. Some dwell here for years, and others come to it but a few hours before their departure, but it is an Eden on earth. We may well long for the time when we shall recline in its shady groves and be satisfied with hope until the time of fruition comes. The setting sun seems larger than when aloft in the sky, and a splendour of glory tinges all the clouds which surround his going down. Pain breaks not the calm of the sweet twilight of age, for strength made perfect in weakness bears up with patience under it all. Ripe fruits of choice experience are gathered as the rare repast of life's evening, and the soul prepares itself for rest. The Lord's people shall also enjoy light in the hour of death. Unbelief laments; the shadows fall, the night is coming, existence is ending. Ah no, crieth faith, the night is far spent, the true day is at hand. Light is come, the light of immortality, the light of a Father's countenance. Gather up thy feet in the bed, see the waiting bands of spirits! Angels waft thee away. Farewell, beloved one, thou art gone, thou wavest thine hand. Ah, now it is light. The pearly gates are open, the golden streets shine in the jasper light. We cover our eyes, but thou beholdest the unseen; adieu, brother, thou hast light at even-tide, such as we have
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
There was, e.g, the surprising contrast between the death of Moses, immediate and painless, while his eye was not dim nor his natural force abated, and the painful and ignominious death to be endured by Jesus. Then there was the not less remarkable contrast between the manner of Elijah's departure from the earth--translated to heaven without tasting death at all, making a triumphant exit out of the world in a chariot of fire, and the way by which Jesus should enter into glory--the via dolorosa of the cross. Whence this privilege of exemption from death, or from its bitterness, granted to the representatives of the law and the prophets, and wherefore denied to Him who was the end both of law and of prophecy?
Alexander Balmain Bruce (The Training of the Twelve: How Jesus Christ Found and Taught the 12 Apostles; A Book of New Testament Biography)
Why were we prepared to go along with what felt like Roger’s takeover? We accepted so many things as inevitable that, looking back, seem unnecessary. Such craven compliance might have been the result of gradual changes wrought in the band structure over the previous decade. Perhaps lacking confidence in his own writing abilities, David may have felt that if we confronted these issues we risked losing Roger and being unable to continue. Or in the aftermath of Rick’s departure maybe we feared being marginalised and then negotiated out individually. It pains me to admit it, but whatever the reasons, the tendency to cast Roger as the ultimate villain, though tempting, is probably misplaced.
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
Rushing toward his friend as if he races the pain races to him, struggles with sorrow. Raman crossed the green fields between them. Since they met, they did not part, and they vowed not to do so. -“I will not leave him alone, I will be his father, brother, and friend”, this is how he took a vow to himself when he saw his friend crying and complaining about his father’s departure to war. Thus, he renewed the covenant on the day he saw him silent and alone, with his mother placing in his hands the farewell poem. A hand patted his shoulder, wrapped towards him, and hugged him – my friend, he is gone. – he will come back, Raman, my father promised me that he will come back on Eid morning. – Ruslan, he can’t keep this promise anymore. Now, it is Eid, let’s play and have fun. – No, Eid will never come unless my father comes, Eid will never come unless my father comes.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
My wife and son were sure to endure pain as a result of my departure. Since I was a prominent and outspoken member of the congregation, my departure from the LDS church might include a ‘disciplinary council’. A disciplinary council is a panel of fifteen men, most of whom I know personally, given the responsibility of judging what, if any, action should be taken to protect the church and help me see ‘the error of my ways’. This process, if required, was going to be torture.
Lyndon Lamborn (Standing for Something More: The Excommunication of Lyndon Lamborn)
Morning, October 4 "At evening time it shall be light." Zechariah 14:7 Oftentimes we look forward with forebodings to the time of old age, forgetful that at eventide it shall be light. To many saints, old age is the choicest season in their lives. A balmier air fans the mariner's cheek as he nears the shore of immortality, fewer waves ruffle his sea, quiet reigns, deep, still and solemn. From the altar of age the flashes of the fire of youth are gone, but the more real flame of earnest feeling remains. The pilgrims have reached the land Beulah, that happy country, whose days are as the days of heaven upon earth. Angels visit it, celestial gales blow over it, flowers of paradise grow in it, and the air is filled with seraphic music. Some dwell here for years, and others come to it but a few hours before their departure, but it is an Eden on earth. We may well long for the time when we shall recline in its shady groves and be satisfied with hope until the time of fruition comes. The setting sun seems larger than when aloft in the sky, and a splendour of glory tinges all the clouds which surround his going down. Pain breaks not the calm of the sweet twilight of age, for strength made perfect in weakness bears up with patience under it all. Ripe fruits of choice experience are gathered as the rare repast of life's evening, and the soul prepares itself for rest. The Lord's people shall also enjoy light in the hour of death. Unbelief laments; the shadows fall, the night is coming, existence is ending. Ah no, crieth faith, the night is far spent, the true day is at hand. Light is come, the light of immortality, the light of a Father's countenance. Gather up thy feet in the bed, see the waiting bands of spirits! Angels waft thee away. Farewell, beloved one, thou art gone, thou wavest thine hand. Ah, now it is light. The pearly gates are open, the golden streets shine in the jasper light. We cover our eyes, but thou beholdest the unseen; adieu, brother, thou hast light at even-tide, such as we have not yet.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
So I get to spend my first night with you, huh?” A blush heated her cheeks. Though she doubted Agent Hennessey felt any real discomfort just now, she could not believe he had the audacity to flirt with her. “In a manner of speaking,” she said calmly. The man could very well be feeling a bit loose-tongued. He might not mean to flirt. He made a sound in his chest, a laugh perhaps. “I’ve been dying to get you all to myself ever since that night,” he mumbled. Taken aback, Elizabeth reminded herself that he probably wouldn’t even remember anything he said. Ignoring the remark was likely the best course. “Sorry,” he muttered. “I didn’t mean to let that slip out.” She’d suspected as much. Swiping her hands on her thighs, she sat back, relaxed her shoulders against the empty shelves behind her. “That’s all right, Agent Hennessey,” she allowed, “most patients say more than they mean to when on heavy-duty painkillers.” He licked his lips and groaned. The doctor in her went on immediate alert. “Are you feeling pain now, Agent Hennessey?” Surely not. He’d been dosed half an hour prior to their departure. He inhaled a big breath. “No way, Doc. I’m flying over here.” He blinked a few times then turned his head slowly to look at her. “God, you’re gorgeous, did you know that?” Elizabeth sat a little straighter, tugged at the collar of her blouse to occupy her hands. “You might want to get some more sleep, Hennessey, before you say something you’ll regret.” “Too late, right?” He made another of those rumbling sounds that were likely an attempt at chuckling. “No big deal.” He waved a hand dismissively. “You already know how gorgeous you are.
Heather Graham (In the Dark / Person of Interest)
Death is a friend we have not met, a voice we have not heard, a face we have not seen. Death is a slipping away, a going beyond a stepping through. It is a fading, as light slips from the sky at dusk, tenderly, and with a silent beauty. It is a leaf caught in the current, too far for us to reach from shore. It is a ship setting sail at dawn, to lands we do not know, and with friends we cannot follow. It is a bird set free from a cage, flying one last flight across our horizon before we lose it to the clouds. Death is the fall of a rose, the drop of a sparrow, the sigh of a barren bough. It is a letting go, a quieting of fear, and a haven from pain. Death is a coming home after a long journey. It is a safe harbor after many storms, and a sweet quiet rest after great labor. Death is a road we have not walked. a place we have not seen, a friend we have not met. It is a going and a coming, a departure, and an arrival. an end and a beginning.
Joan Walsh Anglund (The Friend We Have Not Met: Poems of Consolation)
Theories like this try to show that Jesus’ attitude to sinners was nothing other than a demonstration of the reconciled attitude God had already shown towards the world’s guilt. But what sense would this make of the many stern words of judgment in the mouth of Jesus? And what of the whole terrible drama, the tragedy of the Old Covenant between Yahweh and Israel? What of the departure of God’s glory from the Temple, and the angel, with fire from God’s throne, setting it in flames? Was all this a pure misunderstanding, corrected by Christ’s Father-God? Would not this bring us back to Marcion’s anti-Semitic gnosticism, in which the God of the Old Testament was an inferior demon? Surely the Bible is a unity?—especially in view of the continuity from the great prophets, Job and the “Servant” to the Cross of Christ. Certainly the Cross is concerned with Jesus’ “solidarity” with sinners. But this word, so much in vogue today, is much too weak to express the whole depth of the identification taken on by Jesus. The truth of sin (particularly when it is seen as the lie) must be realized somewhere in the iron ruthlessness implied by the sinner’s “No” to God and God’s “No” to this refusal. And this could only be realized by someone who is so truthful in himself that he is able to acknowledge the full negativity of this “No”: someone who is able to experience it, to bear it, to suffer its deadly opposition and melt its rigidity through pain. We
Hans Urs von Balthasar (Does Jesus Know Us?: Do We Know Him?)
Whatever may be the opinion of utilitarian moralists as to the original conditions by which virtue is made virtue; however they may believe (as they do) that actions and dispositions are only virtuous because they promote another end than virtue; yet this being granted, and it having been decided, from considerations of this description, what is virtuous, they not only place virtue at the very head of the things which are good as means to the ultimate end, but they also recognise as a psychological fact the possibility of its being, to the individual, a good in itself, without looking to any end beyond it; and hold that the mind is not in a right state, not in a state conformable to Utility, not in the state most conducive to the general happiness, unless it does love virtue in this manner—as a thing desirable in itself, even although, in the individual instance, it should not produce those other desirable consequences which it tends to produce, and on account of which it is held to be virtue. This opinion is not, in the smallest degree, a departure from the Happiness principle. The ingredients of happiness are very various, and each of them is desirable in itself, and not merely when considered as swelling an aggregate. The principle of utility does not mean that any given pleasure, as music, for instance, or any given exemption from pain, as for example health, is to be looked upon as means to a collective something termed happiness, and to be desired on that account. They are desired and desirable in and for themselves; besides being means, they are a part of the end. Virtue, according to the utilitarian doctrine, is not naturally and originally part of the end, but it is capable of becoming so; and in those who love it disinterestedly it has become so, and is desired and cherished, not as a means to happiness, but as a part of their happiness.
John Stuart Mill (Utilitarianism (Annotated): University Edition)
BACK AT THE railway station, Ivan Grigoryevich began to feel that there was no point in wandering about Leningrad any longer. He stood inside the cold, high building and pondered. And it is possible that one or two of the people who passed the gloomy old man looking up at the black departures board may have thought, ‘There – a Russian from the camps, a man at a crossroads, contemplating, choosing which path to follow.’ But he was not choosing a path; he was thinking. During the course of his life dozens of interrogators had understood that he was neither a monarchist, nor a Social Revolutionary, nor a Social Democrat; that he had never been part of either the Trotskyist or the Bukharinist opposition. He had never been an Orthodox Christian or an Old Believer; nor was he a Seventh Day Adventist. There in the station, thinking about the painful days he had just spent in Moscow and Leningrad, he remembered a conversation with a tsarist artillery general who had at one time slept next to him on the bed boards of a camp barrack. The old man had said, ‘I’m not leaving the camp to go anywhere else. It’s warm in here. There are people I know. Now and again someone gives me a lump of sugar, or a bit of pie from a food parcel.’ He had met such old men more than once. They had lost all desire to leave the camp. It was their home. They were fed at regular hours. Kind comrades sometimes gave them little scraps. There was the warmth of the stove. Where indeed were they to go? In the calcified depths of their hearts some of them stored memories of the brilliance of the chandeliers in the palaces of Tsarskoye Selo,37 or of the winter sun in Nice. Others remembered their neighbour, Mendeleyev, coming round to drink tea with them; or they remembered Scriabin, Repin or the young Blok. Others preserved, beneath ash that was still warm, the memories of Plekhanov, Gershuni and Trigoni, of friends of the great Zhelyabov. There had been instances of old men being released from a camp and asking to be readmitted. The whirl of life outside had knocked them off their feet. Their legs were weak and trembling, and they had been terrified by the cold and the solitude of the vast cities. Now Ivan Grigoryevich felt like going back again behind the barbed wire himself. He wanted to seek out those who had grown so accustomed to their barrack stoves, so at home with their warm rags and their bowls of thin gruel. He wanted to say to them, ‘Yes, freedom really is terrifying.’ And he would have told these frail old men how he had visited a close relative, how he had stood outside the home of the woman he loved, how he had bumped into a comrade from his student days who had offered to help him. And then he would have gone on to say to these old men of the camps that there is no higher happiness than to leave the camp, even blind and legless, to creep out of the camp on one’s stomach and die – even only ten yards from that accursed barbed w
Vasily Grossman (Everything Flows)
My mother - Contained God itself A tarnished look of pain A hand clutching her heart A love we can not name A fog or a smoke An infinite thirst for life (But the wing is dead under the frost.) My mother - Is an uncertain form She gets lost when she walks And we sit in the valley And I shelter her to my love My mother Is a broken sky That exhales day and night Its beauty. My mother - Is the scent of a hundred roses And the suffering of so many things My mother Is no more than a dream - I suppose Of those who are said lips closed And behind her veil She sleeps - my mother - And her star Do not doubt anymore of its light.
Emmanuelle Soni-Dessaigne
There is something sad about traveling, because as you discover the enormous amount of life and living that exist in all these places and hidden corners, you are left with two contradictory feelings: first, traveling strongly confirms the idea that one can only see what one is intellectually, spiritually, and physically prepared to see…Everything we encounter depends on our palate in the same way tasting food is that encounter between the food and the palate. Second, there is something excruciatingly painful about leaving a place as soon as you begin to feel at home. There is a deep sorrow in knowing that all the things, places, lakes, wildflowers, animals, and people that we encounter will continue their lives without us. Even more painful is the realization that there are many more lives and much more beauty that we will never get to experience." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]
Louis Yako
The more familiar we are with the particular conditions that connect or disconnect us from presence, the easier it becomes to spot them in our lives. For example, I tend to lose presence when I’m rushing. This means that I’m more apt to make physical or relational blunders: I might drop something in the kitchen, forget my lunch, or even say something sharp. I learned a painful lesson about this a few years ago. I was at a farewell party for my girlfriend, Evan, who had just finished a year of service at a meditation retreat center. We had plans to drive north up the coast of California after the party, and I’d made an appointment to install a car radio for the trip. In that classic, romantic way, I wanted everything to be perfect. As our departure time approached, I grew more and more anxious about missing the appointment. With no sign of a formal send-off, I finally spoke up and said that we needed to leave soon. To avoid any awkwardness, Evan went along with my request, but she was in tears by the time we arrived at the auto shop. She was incensed at me for cutting short a meaningful experience and at herself for not speaking up. In my fixation to create “the perfect trip,” I’d missed the fact that she was already enjoying herself. I reflected a lot on that incident, how losing presence had unintended, painful consequences.
Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)