Attraction Image Quotes

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You will attract everything that you require. If it’s money you need you will attract it. If it’s people you need you’ll attract it. You’ve got to pay attention to what you’re attracted to, because as you hold images of what you want, you’re going to be attracted to things and they’re going to be attracted to you. But it literally moves into physical reality with and through you. And it does that by law. (Bob Proctor)
Rhonda Byrne (The Secret (The Secret, #1))
If sweatpants are your everyday attire, you’ll end up looking like you belong in them, which is not very attractive. What you wear in the house does impact your self-image.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing)
And because I had been a hustler, I knew better than all whites knew, and better than nearly all of the black 'leaders' knew, that actually the most dangerous black man in America was the ghetto hustler. Why do I say this? The hustler, out there in the ghetto jungles, has less respect for the white power structure than any other Negro in North America. The ghetto hustler is internally restrained by nothing. He has no religion, no concept of morality, no civic responsibility, no fear--nothing. To survive, he is out there constantly preying upon others, probing for any human weakness like a ferret. The ghetto hustler is forever frustrated, restless, and anxious for some 'action'. Whatever he undertakes, he commits himself to it fully, absolutely. What makes the ghetto hustler yet more dangerous is his 'glamour' image to the school-dropout youth in the ghetto.These ghetto teen-agers see the hell caught by their parents struggling to get somewhere, or see that they have given up struggling in the prejudiced, intolerant white man’s world. The ghetto teen-agers make up their own minds they would rather be like the hustlers whom they see dressed ‘sharp’ and flashing money and displaying no respect for anybody or anything. So the ghetto youth become attracted to the hustler worlds of dope, thievery, prostitution, and general crime and immorality.
Malcolm X (The Autobiography of Malcolm X)
A person is nothing but his image. Philosophers can tell us that it doesn't matter what the world thinks of us, that nothing matters but what we really are. But philosophers don't understand anything. As long as we live with other people, we are only what other people consider us to be. Thinking about how others see us and trying to make our image as attractive as possible is considered a kind of dissembling or cheating. But does there exist another kind of direct contact between my self and their selves except through the mediation of the eyes? Can we possibly imagine love without anxiously following our image in the mind of the beloved? When we are no longer interested in how we are seen by the person we love, it means we no longer love.
Milan Kundera (Immortality)
For the briefest moment, they came face to face. Their eyes locked. Then he broke the stare, swiveled, sank into a sitting position, chains clanking, with his knees up. She watched him speechlessly as he set a cooler bag between his boots, like he was settling down to a picnic or something. An image of the contents as hospital blood bags, complete with juice straws, flashed through her mind. Unfolding her legs, she made herself as comfortable as she could on the cold outer edge of the sill. An intangible and unnameable charge electrified the space between them, and at first, neither of them said anything. [...] Finally she heard him unzip the bag and watched him pull out a small cylinder. "I thought you might like some crappy ice cream," he said.
Kelly Creagh (Nevermore (Nevermore, #1))
The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside -- you were a fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn't find out what a hollow, fraudulent person you really were.
David Foster Wallace (Oblivion: Stories)
If you knew the power within yourself to be truly happy, to be truly whole, then you would never ask another to become the image you desire for yourself, in order to be happy and whole.
Stephen Richards
When the heart is beautiful, its light shines through the eyes, vocal tones and actions of its master. True beauty is not in the body, but in the heart of the beholder.
Suzy Kassem
Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.
Naomi Wolf (The Beauty Myth)
There is a danger of developing a blanket distaste for modern life which could have its attractions but lack the all-important images to help us identify them.
Alain de Botton (How Proust Can Change Your Life)
Energy doesn't lie, what you attract is who you are.
Lebo Grand (Sensual Lifestyle)
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
Donovan Caine naked, water droplets sliding down his lean body, his muscles clenching and relaxing as he washes himself. Mmm. Nice image. Despite our earlier confrontation, I still found the detective extremely sexy. He'd be even more attractive if he'd lose the righteous anger and the stick up his ass. But no man was perfect.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
There was something stubborn in me that didn't want to lose weight to attract a man. If the right man came along, he'd be able to see my virtues magically. Once he kissed me, the frog would turn into a prince. I had become a trick question, a heavy disguise, but behind the disobliging exterior was the welcoming child I would always be. Of course, what I'd forgotten was that he was not Parsifal and I was not the Grail; the medievalism of my imagination was not sufficiently up-to-date to recognize that the lover was a shopper and I a product.
Edmund White
HOW CAN I TELL IF A MAN I’M SEEING WILL BECOME ABUSIVE? • He speaks disrespectfully about his former partners. • He is disrespectful toward you. • He does favors for you that you don’t want or puts on such a show of generosity that it makes you uncomfortable. • He is controlling. • He is possessive. • Nothing is ever his fault. • He is self-centered. • He abuses drugs or alcohol. • He pressures you for sex. • He gets serious too quickly about the relationship. • He intimidates you when he’s angry. • He has double standards. • He has negative attitudes toward women. • He treats you differently around other people. • He appears to be attracted to vulnerability. No single one of the warning signs above is a sure sign of an abusive man, with the exception of physical intimidation. Many nonabusive men may exhibit a umber of these behaviors to a limited degree. What, then, should a woman do to protect herself from having a relationship turn abusive? Although there is no foolproof solution, the best plan is: 1. Make it clear to him as soon as possible which behaviors or attitudes are unacceptable to you and that you cannot be in a relationship with him if they continue. 2. If it happens again, stop seeing him for a substantial period of time. Don’t keep seeing him with the warning that this time you “really mean it,” because he will probably interpret that to mean that you don’t. 3. If it happens a third time, or if he switches to other behaviors that are warning flags, chances are great that he has an abuse problem. If you give him too many chances, you are likely to regret it later. Finally, be aware that as an abuser begins his slide into abuse, he believes that you are the one who is changing. His perceptions work this way because he feels so justified in his actions that he can’t imagine the problem might be with him. All he notices is that you don’t seem to be living up to his image of the perfect, all-giving, deferential woman.
Lundy Bancroft (Why Does He Do That?: Inside the Minds of Angry and Controlling Men)
Simply being born female in our society is to grow up being told your worth as a person is tied to how slim and attractive you are. Even for those of us lucky enough to have evolved parents, the message is still driven home by the world at large.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
The difference between the who and the what at the heart of love, separates the heart. It is often said that love is the movement of the heart. Does my heart move because I love someone who is an absolute singularity, or because I love the way that someone is? Often love starts with some type of seduction. One is attracted because the other is like this or like that. Inversely, love is disappointed and dies when one comes to realize the other person doesn’t merit our love. The other person isn’t like this or that. So at the death of love, it appears that one stops loving another not because of who they are but because they are such and such. That is to say, the history of love, the heart of love, is divided between the who and what. The question of being, to return to philosophy, because the first question of philosophy is: What is it to be? What is “being”? The question of being is itself always already divided between who and what. Is “Being” someone or something? I speak of it abstractly, but I think that whoever starts to love, is in love or stops loving, is caught between this division of the who and the what. One wants to be true to someone—singularly, irreplaceably—and one perceives that this someone isn’t x or y. They didn’t have the properties, the images, that I thought I’d loved. So fidelity is threatened by the difference between the who and the what.
Jacques Derrida
Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.
One day I realized, I am what I'm looking for. The love I've been searching the world for. When I devoutly love myself it's fulfilling, and it attracts others. They fight to love me twice as much.
Euphoria Godsent
She had realized there are only fragments, that 'memories' always consist of fragments the mind puts together into a pattern, adapts a picture staked out early without the need for a conenction with anything that really happened. A great deal is misunderstood by small children, then stored as images that attract similar images, confirming and reinforcing.
Marianne Fredriksson (Hanna's Daughters)
The Secret is the law of attraction! Everything that’s coming into your life you are attracting into your life. And it’s attracted to you by virtue of the images you’re holding in your mind. It’s what you’re thinking. Whatever is going on in your mind you are attracting to you.
Rhonda Byrne (The Secret)
Who is telling us about the false self today? Who is even equipped tell us? Many clergy have not figured this out for themselves, since even ministry can be a career decision or an attraction to "religion" more than the result of an encounter with God or themselves. Formal religious status can maintain the false self rather effectively, especially if there are a lot of social payoffs like special respect, titles, salaries, a good self image, or nice costumes. It is no accident that the religious "Pharisees" became the symbolic bad guys in the Jesus story.
Richard Rohr (Immortal Diamond: The Search for Our True Self)
Asexual people are often told they will one day find "the one" and develop sexual feelings and the values society attaches to them. Many asexual folks have to hear this over and over and over again, which thrusts a perpetual image of immaturity upon them. Asexuality is not a signal that a person is necessarily stunted emotionally or physically, and feeling sexual attraction or inclination is not the line everyone must cross to be treated like an adult. Maturity should not be measured by willingness or inclination to seek out or accept sexual experiences. [p. 7]
Julie Sondra Decker (The Invisible Orientation: An Introduction to Asexuality)
She told me I should be proud of my healthy shape and healthy body and love it and treasure it because it was mine. No one, she said, could tell me what to think of my body. If I let another person’s opinion matter I was giving him or her control over me, and I had complete control over my own self-image.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
When you are, where you are supposed to be; Life conspires to help you succeed.
Jennifer McVey (Living Spiritually: Affirmation Images)
If I let another person’s opinion matter then I was giving him control over me; I alone had complete control over my self-image.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
Women who have learned how to always be in touch with their sensuality can't help but attract at the highest vibrational level than those who have not. In fact, that becomes their default setting. They are a perfect representation of the "early birds catches the fattest worm" adage.
Lebo Grand (Sensual Lifestyle)
I try to stay fit and eat healthily, but I am not anxious to starve myself and become unnaturally thin. I don’t find that look attractive on women and I don’t want to become part of that trend. It’s unhealthy and it puts too much pressure on women in general who are being fed this image of the ideal, which it is not. I think America has become obsessed with dieting rather than focusing on eating well, exercising and living a healthy life. I also think that being ultra-thin is not sexy at all. Women shouldn’t be forced to conform to unrealistic and unhealthy body images that the media promote. I don’t need to be skinny to be sexy.
Scarlett Johansson
The skinnier and more toned I got, the fatter I felt. The more in shape I got, the more out of shape I felt like I was. And the more I made myself look good to the masses, the less attractive I felt like I was.
Dan Pearce (Single Dad Laughing)
The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside — you were a fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn’t find out what a hollow, fraudulent person you really were. Logically, you would think that the moment a supposedly intelligent nineteen-year-old became aware of this paradox, he’d stop being a fraud and just settle for being himself (whatever that was) because he’d figured out that being a fraud was a vicious infinite regress that ultimately resulted in being frightened, lonely, alienated, etc. But here was the other, higher-order paradox, which didn’t even have a form or name — I didn’t, I couldn’t.
David Foster Wallace
The simple fact of the matter is that trying to be perfectly likable is incompatible with loving relationships. Sooner or later, for example, you’re going to find yourself in a hideous, screaming fight, and you’ll hear coming out of your mouth things that you yourself don’t like at all, things that shatter your self-image as a fair, kind, cool, attractive, in-control, funny, likable person. Something realer than likability has come out in you, and suddenly you’re having an actual life. Suddenly there’s a real choice to be made, not a fake consumer choice between a BlackBerry and an iPhone, but a question: Do I love this person? And, for the other person, does this person love me? There is no such thing as a person whose real self you like every particle of. This is why a world of liking is ultimately a lie. But there is such a thing as a person whose real self you love every particle of. And this is why love is such an existential threat to the techno-consumerist order: it exposes the lie.
Jonathan Franzen
The misconception of equating ease of life with “passing” must be dismantled in our culture. The work begins by each of us recognizing that cis people are not more valuable or legitimate and that trans people who blend as cis are not more valuable or legitimate. We must recognize, discuss, and dismantle this hierarchy that polices bodies and values certain ones over others. We must recognize that we all have different experiences of oppression and privilege, and I recognize that my ability to blend as cis is one conditional privilege that does not negate the fact that I experience the world as a trans woman (with my own fears, insecurities, and body-image issues) no matter how attractive people may think I am.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
I am, for some reason, actually happy with who I am and the muscle, the bones, and the flub that exist beneath these clothes. I don’t need to lose 20 lbs. to be attractive. I don’t need to starve myself of the good things of life to be healthy. And, I don’t need to chase someone else’s ideal of what I should be looking like.
Dan Pearce (Single Dad Laughing)
Her skirt was nice, but she was wearing a dull-colored blouse that wasn't at all attractive. I'd have to remember to tell her not to wear it when she was with me if the two of us were going to get together, I thought
Jonas Karlsson (The Room)
When selecting a one-night stand, a heterosexual woman who is materialistic is a trillion times more likely to choose a sexually unattractive poor man who seems rich over a sexually attractive rich man who seems poor.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Herein lies the attractiveness of ethnic agitation: its ease and accessibility. The Other is visible, everyone can recognize and remember his image. One doesn’t have to read books, think, discuss: it is enough just to look.
Ryszard Kapuściński (The Shadow of the Sun)
Mr. Darcy is a construct designed to make woman feel bad about the partners that they're capable of attracting versus the fantasized image he presents.
Caitlin Kittredge (Second Skin (Nocturne City, #3))
What makes cinema so attractive, so fascinating is that it’s not just a one plus one process. It’s a chemistry between sounds, words, ideas and image.
Wong Kar-Wai
Women who have learned how to always be in touch with their sensuality can't help but attract at the highest vibrational level than those who have not. In fact, that becomes their default setting.
Lebo Grand
Human beings tend to react better to good-looking people. It’s called the halo effect—someone’s attractive, so you trust them more. It’s natural, which makes it a hard habit to break, but once you start dealing with magical creatures you’d better learn to break it, and fast, because some of the most vicious things out there can make themselves look like absolute angels. Like unicorns. Don’t get me started on unicorns. For some reason everyone has this idealised image of them as beautiful innocent snowflakes. Beautiful, yes. Innocent, no. After you’ve had one of the little bastards try and kebab you, you wise up quick.
Benedict Jacka (Fated (Alex Verus, #1))
They vie with one another in offering attractive, “informative” accounts and images of the world. They are free to speculate on the facts, to bring new facts into being, to demand answers to their own contrived questions.
Daniel J. Boorstin (The Image: A Guide to Pseudo-Events in America (Vintage))
Is there a difference between happiness and inner peace? Yes. Happiness depends on conditions being perceived as positive; inner peace does not. Is it not possible to attract only positive conditions into our life? If our attitude and our thinking are always positive, we would manifest only positive events and situations, wouldn’t we? Do you truly know what is positive and what is negative? Do you have the total picture? There have been many people for whom limitation, failure, loss, illness, or pain in whatever form turned out to be their greatest teacher. It taught them to let go of false self-images and superficial ego-dictated goals and desires. It gave them depth, humility, and compassion. It made them more real. Whenever anything negative happens to you, there is a deep lesson concealed within it, although you may not see it at the time. Even a brief illness or an accident can show you what is real and unreal in your life, what ultimately matters and what doesn’t. Seen from a higher perspective, conditions are always positive. To be more precise: they are neither positive nor negative. They are as they are. And when you live in complete acceptance of what is — which is the only sane way to live — there is no “good” or “bad” in your life anymore. There is only a higher good — which includes the “bad.” Seen from the perspective of the mind, however, there is good-bad, like-dislike, love-hate. Hence, in the Book of Genesis, it is said that Adam and Eve were no longer allowed to dwell in “paradise” when they “ate of the tree of the knowledge of good and evil.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
Modern writing at its worst does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug. The attraction of this way of writing is that it is easy. It is easier -- even quicker, once you have the habit -- to say In my opinion it is not an unjustifiable assumption that than to say I think.
George Orwell (Politics and the English Language)
. Even Proust—there’s a famous passage where Odette opens the door with a cold, she’s sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so—the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting’s blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because—the line of beauty is the line of beauty. It doesn’t matter if it’s been through the Xerox machine a hundred times.
Donna Tartt (The Goldfinch)
Dance is an image. As painting is a song. Simulacra simulate. A rite repeats a metaphora (a voyage). Moving trucks in modern-day Greece still have the word METAPHORA on their sides. A myth is the danced image of the rite itself, which is expected to attract the world.
Pascal Quignard (The Hatred of Music (The Margellos World Republic of Letters))
Smiling, she reached for the book. “I’d be happy to show it to you. It’s one of Arthur’s favorites.” Oh, what wicked fun. She was taunting him without mercy now, she realized, but his reaction was so entertaining— almost adorable —that she couldn’t help herself. When he said nothing, she plucked the book from his hands and flipped it to page forty, revealing a couple in a pose so erotic that even she raised a brow when she saw it again. She stepped closer, turning the book toward him as she tapped the illustration. “This is the one.” As he peered down at the picture, his eyes widened a fraction. She suppressed a grin as she sensed this very staid and proper vicar’s inability to look away, ensnared by his own carnal instincts. He examined the image for several seconds and then lifted his eyes to hers. Something unexpected— something primal — flashed in his expression then, and her knees wobbled and nearly buckled under the intensity of his gaze as it smoldered and bored into her soul. He gently tugged at the book, removing it from her grip, and in so doing, inadvertently brushed her fingers with his own. She wanted to pull away from him, but so help her, she could not break the contact, and suddenly, the tables turned. Suddenly, this was no longer her little game, her amusing trifle. Suddenly, it was very real. All humor vanished as she realized the joke was now very much on her.
Anna Durbin (King of Wands)
Because of the way human beings relate to narrative, we tend to identify with those characters we find appealing. We try to see ourselves in them. The same I.D.-relation, however, also means that we try to see them in ourselves. When everybody we seek to identify with for six hours a day is pretty, it naturally becomes more important to us to be pretty, to be viewed as pretty. Because prettiness becomes a priority for us, the pretty people on TV become all the more attractive, a cycle which is obviously great for TV. But it’s less great for us civilians, who tend to own mirrors, and who also tend not to be anywhere near as pretty as the TV-images we want to identify with. Not only does this cause some angst personally, but the angst increases because, nationally, everybody else is absorbing six-hour doses and identifying with pretty people and valuing prettiness more, too. This very personal anxiety about our prettiness has become a national phenomenon with national consequences.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
I strongly believe that our bodies give back to us whatever resonates with the thoughts we are thinking about it. If you truly love your body, are grateful and appreciative of the things it CAN do for you, and what it does for you every day without even having to ask, you will change your life.
Crystal Gray (Goddesses Fart Too: A modern guide to spiritual enlightenment for increased happiness, patience, and inner peace)
MAGNITUDE of EXISTENCE U are a dot A point A speck An image A stillness A shadow A centrifugal force Turning into itself Emanating heat Emanating light You are a transient warmth Wave like u exist Resonating properties As body As mind As heart As human You are One dot in trillions exponentially Sifting through motion Expressed as e=motion You are engulfed in water From the inside out Wrapped in the Arms of giver of air Held ephemerally by the heart of sky In suspended attraction to the wooing of earth You are reflecting ash taken to travel Bathing in sun rays Resting as moonlight You are a resonant echo Given to name matter Bouncing dot like You are a distance timber Specified to forms A mountain A valley A hill A meadow A dune A desert Exacting measure You Are A magnitude of existences © Olivia Chumacero
Olivia Chumacero
He burned to appease the fierce longings of his heart before which everything else was idle and alien. He cared little that he was in mortal sin, that his life had grown to be a tissue of subterfuge and falsehood. Beside the savage desire within him to realize the enormities which he brooded on nothing was sacred. He bore cynically with the shameful details of his secret riots in which he exulted to defile with patience whatever image had attracted his eyes. By day and by night he moved among distorted images of the outer world. A figure that had seemed to him by day demure and innocent came towards him by night through the winding darkness of sleep, her face transfigured by a lecherous cunning, her eyes bright with brutish joy. Only the morning pained him with its dim memory of dark orgiastic riot, its keen and humiliating sense of transgression.
James Joyce (A Portrait of the Artist as a Young Man)
A sausage is an image of rest, peace and tranquility in stark contrast to the destruction and chaos of everyday life.
Tom Robbins (Another Roadside Attraction)
All the thoughts/images in our minds, and all the emotions connected with our thoughts will sooner or later manifest as our reality.
Maddy Malhotra (How to Build Self-Esteem and Be Confident: Overcome Fears, Break Habits, Be Successful and Happy)
God's image is more than flesh and bones.
Charles F. Glassman (Brain Drain The Breakthrough That Will Change Your Life)
Not only have people stopped trying to be attractive when they are out among other people, but they are no longer even trying not to look ugly!
Milan Kundera (Immortality)
Image of God present in all creation and in all people , and is always available to assist in our positive personal evolution, and the positive evolution of society.
Raymond Charles Barker (Create the Life You Want: How to Attract Health, Wealth, Happiness and Peace of Mind Using the Religious Science of Raymond Charles Barker)
If you choose an image that comes from experience rather than the ideal thoughts in your mind, you will be happier in life.
Shin Kawamoto (Unusual Love Method: How to Attract a Soulmate Who Will Make Your Life Happy)
The last time I was single the men I was looking at were in their thirties and I still had that youthful image fixed in my head. It was depressing at first, choosing from a pool that's not regarded as desirable or vital in your society. [...] I managed to re-educate myself eventually. Now I'm only attracted to people my age. A young face looks like a blank page to me.
Viv Albertine (To Throw Away Unopened)
George Orwell, on how to avoid thinking when you speak: You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. they will construct your sentences for you -- even think your thoughts for you, to a certain extent -- and at need they will perform the important service of partially concealing your meaning even from yourself. It is at this point that the special connexion between politics and the debasement of language becomes clear... It does not consist in picking out words for the sake of their meaning and inventing images in order to make the meaning clearer. It consists in gumming together long strips of words which have already been set in order by someone else, and making the results presentable by sheer humbug. The attraction of this, is that it is easy.
George Orwell
Under this swarm of waspish self-inquiries he began to feel sorry for himself - a brilliant man trapped, a Byron tamed; and his mind wandered back to Sarah, to visual images, attempts to recollect that face, that mouth, that generous mouth. Undoubtedly it awoke some memory in him, too tenuous, perhaps too general, to trace to any source in his past; but it unsettled him and haunted him, by calling to some hidden self he hardly knew existed. He said it to himself: It is the stupidest thing, but that girl attracts me. It seemed clear to him that it was not Sarah in herself who attracted him - how could she, he was betrothed - but some emotion, some possibility she symbolized. She made him aware of a deprivation. His future had always seemed to him of vast potential; and now suddenly it was a fixed voyage to a known place. She had reminded him of that.
John Fowles (The French Lieutenant's Woman)
Of course, it is true that plastic surgeries and sex reassignments are “artificial,” but then again so are the exercise bikes we work out on, the antiwrinkle moisturizers we smear on our faces, the dyes we use to color our hair, the clothes we buy to complement our figures, and the TV shows, movies, magazines, and billboards that bombard us with “ideal” images of gender, size, and beauty that set the standards that we try to live up to in the first place. The class systems based on attractiveness and gender are extraordinarily “artificial”— yet only those practices that seem to subvert those classes (rather than reaffirm them) are ever characterized as such.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
As he looked at his reflection in the dresser mirror, he felt that recurring surprise that the tall, attractive man staring back was he, and beyond that was the wonder that the image bore no real relationship to the man himself.
Rod Serling (Stories from the Twilight Zone)
Dating. The word alone roused fear in her, confusion as to how to begin, and—worst—a disgusting, chilling whisper that assured her she wasn’t attractive enough or woman enough or whatever enough to keep a man long term. Yikes. Um . . . no wonder she’d been hiding behind dowdy clothes and her beloved spinster persona. It was time, past time, to stop hiding. To move beyond the scars Harrison had left. To repair her self-image. And to step into the future wearing a pair of fashionable high heels.
Becky Wade (True to You (A Bradford Sisters Romance, #1))
The myth persists in Egypt to this day that Napoleon’s soldiers actually disfigured some of these ruins, and are even said to have used the Sphinx as target practice for their cannons, shooting off its nose. This last is a calumny: it is known that the Sphinx was defaced as early as the eighth century by the Sufi iconoclast Saim-ed-Dahr,28 and was further damaged in 1380 by fanatical Muslims prompted by the Koran’s strictures against images. During these early times the Sphinx was not regarded as a precious historical object, but instead inspired fear: through the centuries it became known to the Egyptians as Abul-Hol (Father of Terrors), and would only begin to be regarded more favorably when it became a tourist attraction in the later nineteenth century.
Paul Strathern (Napoleon in Egypt)
If you cannot explain how it is going to be useful to the customers than don’t bother them with your products? Attractive prices, quality, brand image, durability, etc., everything is secondary, the primary thing is to fit your product in the middle of their need.
Shahenshah Hafeez Khan
Our thoughts have the power to attract wealth, health and happiness, or poverty, sickness, and sadness. We are created in the image of God and have the potential to do great things. So choose carefully what thoughts you intend to focus on today and dismiss the rest.
Pam Malow-Isham (Brilliant Words to Grow By: A Devotional Celebrating the Duality of Life)
What's more, throughout much of our society, the image of female perfection to which women are encouraged to aspire has become more and more defined by sexual allure. Of course wanting to be sexually attractive has always and will always be a natural desire for both men and women, but in this generation a certain view of female sexuality has become celebrated throughout advertisements, music, television programmes, films and magazines. This image of female sexuality has become more than ever defined by the terms of the sex industry.
Natasha Walter (Living Dolls: The Return of Sexism)
Foucault’s was a seductive image, one that helped to make him famous and to attract legions of disciples. But for all that, it remains a late 20th-century ideological construct, one with little or no contemporary relevance or resonance in the societies it purports to describe.
Andrew Scull (Madness: A Very Short Introduction (Very Short Introductions))
Position B: Wolves, as top predators, are a natural part of healthy, complex, self-regulating ecosystems, and removing most of them (the plans call for 80, even 100 percent reduction in certain management units) is only bound to screw things up. Without wolves, deer and moose numbers explode in unsustainable numbers, then crash, over and over. Wolves, too, are a valued resource on which trappers and subsistence hunters depend, and a multimillion-dollar cash cow attracting throngs of ecotourists and photographers. Their presence also offers inestimable aesthetic value to many residents, even if they never manage to see one. Besides that, shooting wolves from airplanes is just plain wrong and reflects horribly on the state’s image. Anyone who doesn’t see things that way is a nearsighted, beetle-browed, knuckle-dragging redneck.
Nick Jans (A Wolf Called Romeo)
And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy.
Vladimir Nabokov (The Luzhin Defense)
There is a distasteful air of the outlaw that accompanies the idea of a writer in my husband's mind. A self-centeredness about writing that doesn't fit with his image of a revolutionary. It has the one-word job description : defiance. I've never felt such a dangerous attraction towards anything else in my life.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
I want you to know never have a bad day. there's never bad things that happen there is merely changes in direction on the road of live. You never come to a dead end just turn left or right you know and it's gonna be good. You'll still get where you want. You're going down the hallway, you're just gonna bounce of the walls a little bit. The law of attraction, just like the law of gravity. You can't out-will the law of gravity and you cannot out-will the law of attraction. it's a real physical law, it? Science has determent really exists the more you think about beautiful amazing things the reality is those things are gonna come right to you. The more you think about the things you fear, the more you start to think about things you don't want to happen, or you're scared of or whatever those things are gonna come to you.because you're dwelling on them, even if you're dwelling on the fact that you're scared of them, it's just putting those images out those frequencies from your brain, Whenever you start to feel scared or fucked up, or it's a bad day , instantly think about great things, successful things, beautiful things, helping people,going out there and living the life that you want to. if it's snowing go outside and think about sun, if you're out of money go outside and think of being a billionaire, if you're horny go out there and think, on top of you, completely naked, sweating just a little bit, and doing all the things to your body that you want me to do. i must sign out, because now, you have to go take a cold shower.
Tom DeLonge
The ruinous deeds of the ravaging foe (Beowulf) The best-known long text in Old English is the epic poem Beowulf. Beowulf himself is a classic hero, who comes from afar. He has defeated the mortal enemy of the area - the monster Grendel - and has thus made the territory safe for its people. The people and the setting are both Germanic. The poem recalls a shared heroic past, somewhere in the general consciousness of the audience who would hear it. It starts with a mention of 'olden days', looking back, as many stories do, to an indefinite past ('once upon a time'), in which fact blends with fiction to make the tale. But the hero is a mortal man, and images of foreboding and doom prepare the way for a tragic outcome. He will be betrayed, and civil war will follow. Contrasts between splendour and destruction, success and failure, honour and betrayal, emerge in a story which contains a great many of the elements of future literature. Power, and the battles to achieve and hold on to power, are a main theme of literature in every culture - as is the theme of transience and mortality. ................ Beowulf can be read in many ways: as myth; as territorial history of the Baltic kingdoms in which it is set; as forward-looking reassurance. Questions of history, time and humanity are at the heart of it: it moves between past, present, and hope for the future, and shows its origins in oral tradition. It is full of human speech and sonorous images, and of the need to resolve and bring to fruition a proper human order, against the enemy - whatever it be - here symbolised by a monster and a dragon, among literature's earliest 'outsiders'. ....... Beowulf has always attracted readers, and perhaps never more than in the 1990s when at least two major poets, the Scot Edwin Morgan and the Irishman Seamus Heaney, retranslated it into modern English. Heaney's version became a worldwide bestseller, and won many awards, taking one of the earliest texts of English literature to a vast new audience.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
In sum, then a conservative tech writer offers a really attractive way of looking at viewer passivity and TV's institutionalization of irony, narcissism, nihilism, stasis. It's not our fault! It's outmoded technology's fault! If TV-dissemination were up to date, it would be impossible for it to "institutionalize" anything through its demonic "mass psychology"! Let's let Joe B., the little lonely guy, be his own manipulator or video-bits! Once all experience is finally reduced to marketable image, once the receiving user of user-friendly receivers can choose freely, Americanly, from an Americanly infinite variety of moving images hardly distinguishable from real-life images, and can then choose further just how he wishes to store, enhance, edit, recombine, and present those images to himself, in the privacy of his very own home and skull, TV's ironic, totalitarian grip on the American psychic cajones will be broken!" E Unibus Pluram: Television and U.S. Fiction" (The Review of Contemporary Fiction, 1993)
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
He took one step out of her office cubical, turned, and said, “I’m not going to bite you, ya know.” She closed her eyes. Biting. An image of him nibbling at her neck took her by surprise and she dropped her pen. She startled and opened her lids. He was far more dangerous than she had first imagined. Even her thoughts weren’t safe from the perilously handsome man.
Vicki Wilkerson (Bikers and Pearls (Summerbrook, #1))
Appearing nude on film was not easy when I was twenty-six in Body Heat; it was even harder when I was forty-six in The Graduate, on the stage, which is more up close and personal than film. After my middle-age nude scene, though, I unexpectedly got letters from women saying, "I have not undressed in front of my husband in ten years and I'm going to tonight." Or, "I have not looked in the mirror at my body and you gave me permission." These affirmations from other women were especially touching to me because when I began The Graduate I'd just come through a period when I felt a great loss of confidence, when my rheumatoid arthritis hit me hard and I literally couldn't walk or do any of the things that I was so used to doing. It used to be that if I said to my body, "Leap across the room now," it would leap instantly. I don't know how I did it, but I did it. I hadn't realized how much my confidence was based on my physicality. On my ability to make my body do whatever I wanted it to do. I was so consumed, not just by thinking about what I could and couldn't do, but also by handling the pain, the continual, chronic pain. I didn't realize how pain colored my whole world and how depressive it was. Before I was finally able to control my RA with proper medications, I truly had thought that my attractiveness and my ability to be attractive to men was gone, was lost. So for me to come back and do The Graduate was an affirmation to myself. I had my body back. I was back.
Kathleen Turner (Send Yourself Roses: Thoughts on My Life, Love, and Leading Roles)
Society, advertising, and magazines want women to believe that thinness and perfect skin are synonymous with beauty, that it’s impossible to be attractive without these unattainable standards. But this is clearly wrong; most men love curves, stretch marks, and even your cellulitis that you abhor. So, caress them with a smile because they are the very sign of your femininity.
Anoir Ou-Chad
The same goes for pajamas. If you are a woman, try wearing something elegant as nightwear. The worst thing you can do is to wear a sloppy sweat suit. I occasionally meet people who dress like this all the time, whether waking or sleeping. If sweatpants are your everyday attire, you’ll end up looking like you belong in them, which is not very attractive. What you wear in the house does impact your self-image.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
There were no actual villains, just inertia. The administration genuinely wanted more diversity for reasons of its image as well as fairness, notwithstanding the cranky alumni letters in The Daily Princetonian. ... Hiring committees had not a clue where to look for or how to attract suitable candidates. And so, though a high-level recruitment plan existed on paper, there was only foot-dragging and defensive excuse making.
Sonia Sotomayor (My Beloved World)
She moved to push past him. When he did not move, she stopped, unwilling to touch him. A pity. The memory of the warmth of her gloved hand on his cold cheek flashed. Apparently her behavior outside had been the product of surprise. And pleasure. He wondered what else he might do instinctively in response to pleasure. An image flashed- blond hair spread wide across dark, silken sheets, ice blue eyes alight with surprise as he gave prim, proper Penelope a glimpse of dark and heady pleasure. He'd nearly kissed her in the darkness. It had started out as a way to intimidate her, to begin the systematic compromising of quiet, unassuming, Penelope Marbury. But he did not deny that as they stood in his barren kitchen, he wondered what she would taste like. How her breath would sound fluttering across his skin. How she would feel against him. Around him.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1)) was a funny idea, writing in a language not your own. It almost makes you feel guilty, she said, the way people feel forced to use English, how much of themselves must get left behind in that transition, like people being told to leave their homes and take only a few essential items with them. Yet there was also a purity to that image that attracted her, filled as it was with possibilities for self-reinvention. To be freed from clutter, both mental and verbal, was in some ways an appealing prospect; until you remembered something you needed that you had had to leave behind. She, for instance, found herself unable to make jokes when she spoke in another language...So it was not, she imagined, a question of translation so much as one of adaptation. The personality was forced to adapt to its new linguistic circumstances, to create itself anew...
Rachel Cusk
Attracting Love Love comes when we least expect it, when we are not looking for it. Hunting for love never brings the right partner. It only creates longing and unhappiness. Love is never outside ourselves; love is within us. Don’t insist that love come immediately. Perhaps you are not ready for it, or you are not developed enough to attract the love you want. Don’t settle for anybody just to have someone. Set your standards. What kind of love do you want to attract? List the qualities in yourself, and you will attract a person who has them. You might examine what may be keeping love away. Could it be criticism? Feelings of unworthiness? Unreasonable standards? Movie star images? Fear of intimacy? A belief that you are unlovable? Be ready for love when it does come. Prepare the field and be ready to nourish love. Be loving, and you will be lovable. Be open and receptive to love.
Louise L. Hay (You Can Heal Your Life)
Individuals blind to the sexual opposite within them, be they men or women, never realise that the partner they choose is chosen because he or she bears some resemblance to the anima or animus. The anger and hurt felt at the 'true discovery' of the partner's failings is really anger and hurt directed at oneself; and this would become apparent, were one to see the dark figure within one's own unconscious impelling one into a particular relationship. Like always attracts like; rather than railing at the partner, one should take a long, close look at one's own psychic makeup. But it is easier to complain bitterly --- to analysts, marriage counsellors, and also astrologers --- that yet another relationship has collapsed and yet another partner has proved to be a bad choice. It is also fashionable to blame this on the failures of the parent of the opposite sex; but the past continues to live within a person not only because in some way it is part of his own substance, but also because he permits it to do so. When a disastrous relationship occurs once, we may fool ourselves into believing it is chance; when it occurs twice, it has become a pattern, and a pattern is an unmistakable indication that the anima or animus is at work in the unconscious, propelling the helpless ego into relationships or situations which are baffling, painful, and frighteningly repetitive. Again, it is much wiser to look within oneself for the source of the pattern, rather than at the inherent failure of the opposite sex. For these destructive patterns are the psyche's way of making itself known, although great effort is often required to fulfil its demand for transformation. And great sacrifices also are required - of such precious commodities as one's pride, one's self-image, one's self-righteousness.
Liz Greene (Relating: An Astrological Guide to Living With Others on a Small Planet)
Any words of greeting Leo had intended to say vanished instantly. His gaze traveled slowly over her. She was like one of the exquisite feminine images painted on bandboxes or displayed in print shops. The pristine perfection of her made him long to unwrap her, like a bonbon done up in a neat paper twist. Leo's silence went on so long that Catherine was forced to speak again. "I'm ready for the outing. Where are we going?" "I can't remember," Leo said, still staring.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Although contemplating the nature of the body highlights its less attractive features, the purpose of the exercise is not to demonize the body. While it is certainly true that at times the discourses describe the human body in rather negative terms, some of these instances occur in a particular context in which the point being made is that the speakers in question have overcome all attachment to their body. In contrast, the Kāyagatāsati Sutta takes the physical bliss of absorption attainment as an object for body contemplation. This passage clearly demonstrates that contemplation of the body is not necessarily linked to repugnance and loathing. The purpose of contemplating the nature of the body is to bring its unattractive aspects to the forefront of one's attention, thereby placing the attractive aspects previously emphasized in a more balanced context. The aim is a balanced and detached attitude towards the body. With such a balanced attitude, one sees the body merely as a product of conditions, a product with which one need not identify.
Anālayo (Satipaṭṭhāna: The Direct Path to Realization)
in persons entrenched in serious sin the enemy ordinarily works on the imagination. He fills such persons’ imagination with images of “sensual delights and pleasures” awakening, consequently, an attraction toward these “delights and pleasures” which confirms them all the more in their “vices and sins.” This is the action of the enemy in the young Augustine: “In my youth I burned to get my fill of evil things.” A great energy is stirred in Augustine, an energy that leads him away from God and toward “sensual delights and pleasures.
Timothy M. Gallagher (The Discernment of Spirits: An Ignatian Guide for Everyday Living)
Kant abolished God and made man God in His stead. We are still living in the age of the Kantian man, or Kantian man-god. Kant's conclusive exposure of the so-called proofs of the existence of God, his analysis of the limitations of speculative reason, together with his eloquent portrayal of the dgnity of rational man, has had results which might possibly dismay him. How recognizable, how familiar to us, is the man so beautifully portrayed in the Grundelgung, who confronted even with Christ turns away to consider the judgment of his own conscience and to hear the voice of his own reason. Stripped of the exiguous metaphysical background which Kant was prepared to allow him, this man is with us still, free, independent, lonely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison d'etre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational and yet increasingly aware of his alienation from the material universe which his discoveries reveal; and since he is not a Hegelian (Kant, not Hegel, has provided Western ethics with its dominating image) his alienation is without cure. He is the ideal citizen of the liberal state, a warning held up to tyrants. He has the virtue which the age requires and admires, courage. It is not such a very long step from Kant to Nietzsche, and from Nietzsche to existentialism and the Anglo-Saxon ethical doctrines which in some ways closely resemble it. In fact Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer.
Iris Murdoch (The Sovereignty of Good (Routledge Classics))
Consumption was understood as a manner of appearing, and that appearance became a staple of nineteenth-century manners. It became rude to eat heartily. It was glamorous to look sickly. “Chopin was tubercular at a time when good health was not chic,” Camille Saint-Saëns wrote in 1913. “It was fashionable to be pale and drained; Princess Belgiojoso strolled along the boulevards … pale as death in person.” Saint-Saëns was right to connect an artist, Chopin, with the most celebrated femme fatale of the period, who did a great deal to popularize the tubercular look. The TB-influenced idea of the body was a new model for aristocratic looks—at a moment when aristocracy stops being a matter of power, and starts being mainly a matter of image. (“One can never be too rich. One can never be too thin,” the Duchess of Windsor once said.) Indeed, the romanticizing of TB is the first widespread example of that distinctively modern activity, promoting the self as an image. The tubercular look had to be considered attractive once it came to be considered a mark of distinction, of breeding. “I cough continually!” Marie Bashkirtsev wrote in the once widely read Journal, which was published, after her death at twenty-four, in 1887. “But for a wonder, far from making me look ugly, this gives me an air of languor that is very becoming.” What was once the fashion for aristocratic femmes fatales and aspiring young artists became, eventually, the province of fashion as such. Twentieth-century women’s fashions (with their cult of thinness) are the last stronghold of the metaphors associated with the romanticizing of TB in the late eighteenth and early nineteenth centuries.
Susan Sontag (Illness as Metaphor and AIDS and Its Metaphors)
The question of ponderance has been am I the creator or is God the creator? How about God and I Am One creator together, with no disconnect whatsoever. To say that I Am God may sound controversial to some. But I am not God that rules over others, I am God that rules over my own being. As one with God I have the gift to control how I am. However I am being is all of my own doing. I, choose to be happy, sad, angry, or at peace. Whatever state of being I Am, determines the state of conditions that I attract. So if I elevate my state of being to one of acceptance and allowance, I will be at peace with whatever that occurs. Will I be able to control the circumstances around me? Control, no, but influence, yes. All that resonate with my being, I shall attract, thus expanding the circle of those with peaceful intentions. All of those with like thoughts would come together. The entire circle of peace is a connection of oneness. When united are the intentions of peace, the force of good shall rule the land. But when I say rule, it is not the ruling that forces against one's own free will, it is the ruling that the natural soul yearns for every being, to be at peace with one another. Want to know what harmony looks like? Look at this image.
Jason Micheal Ratliff
As females, most of us have spent a lifetime being inundated with the message that our worth is inextricably linked to our attractiveness. We are trained from our earliest years to turn a critical eye on ourselves: Are we thin enough? Too thin? Tall enough? Too tall? Athletic enough? Too athletic? Curvy enough? Too curvy? And the list goes on. The ideal of attractiveness is mercurial and capricious, ever-shifting and forever-out-of-reach. It is an impossible ideal by its very nature. And it is a lie. To walk through life with calm assurance, clothed in confidence in our femininity and self-worth, requires that we first recognize and reject the lie that our worth is tied to our attractiveness. We must learn to appreciate and accept the endless array of attributes that make each of us a wonderfully and gorgeously unique human. We must discover for ourselves the truth that our worth lies solely in our existence. That to exist is to be worthy of love and acceptance and fulfillment and companionship and tenderness and happiness. When we can see and accept that our existence is what makes us worthy, we will finally be able to accept our own worthiness, to love our female skin in all of its unique glory, and to walk confidently and comfortably in a world desperate for the love that we can now freely give.
L.R. Knost
From a social psychological standpoint, the selfie phenomenon seems to stem from two basic human motives. The first is to attract attention from other people. Because people’s positive social outcomes in life require that others know them, people are motivated to get and maintain social attention. By posting selfies, people can keep themselves in other people’s minds. In addition, like all photographs that are posted on line, selfies are used to convey a particular impression of oneself. Through the clothes one wears, one’s expression, staging of the physical setting, and the style of the photo, people can convey a particular public image of themselves, presumably one that they think will garner social rewards.
Mark R. Leary
On the other hand, maybe what attracts us aren't the stories of falling apart so much as the stories of self-creation. The falling apart stuff is just a byproduct, a hazard of the trade. Maybe what I loved about Camille Claudel was what she created out of what she smashed to bits. How did a bourgeois girl become an artist and a woman? What was the female equivalent of the Great Man? If it didn't exist, why not? Who said it didn't? Who said it couldn't? What were the conditions that made it so hard? Rodin was the image Claudel identified with and against which she defined herself. Scott was this image for Zelda. A woman could not be a great artist and have a traditional marriage - not unless her husband was a Leonard Woolf. One boyfriend I had in college used to joke, 'Only one artist in the family,' meaning not me. I didn't get it then, but I get it now. There was always something self-annihilating in the act of loving, for a girl with creative aspirations - always - but far more then than now. The message, invariably, was that youthful passions lead to middle-age breakdowns, so choose your institution wisely. Marriage or the nuthouse. One or the other. It started to dawn on me that it wasn't that I was attracted to stories about girls who went mad, I was attracted to stories about girls with ambitions who wound up institutionalized. Getting locked up was not the result of adventure, it was the price you paid for adventure, it was your punishment. I had mistaken correlation for causation. Rookie mistake.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
10:13 Your situation is not unique! Every human life faces contradictions! Here is the good news: God believes in your freedom! He has made it possible for you to triumph in every situation that you will ever encounter! 10:14  My 1dearly loved friends! Escape into his image and likeness in you where the 2distorted image (2idolatry) loses its attraction! (Dearly loved friends, translated as  1agapetos; to know the agape love of God is to know our true identity! The word, agape, comes from agoo, meaning to lead as a shepherd guides his sheep, and pao, to rest, like in Psalm 23, ”he leads me beside still waters where my soul is restored; by the waters of reflection my soul remembers who I am! Now I can face the valley of the shadow of death and fear no evil!”)
François Du Toit (The Mirror Bible)
We have commented several times on how the currently accepted image of Jesus all but makes it impossible to find him interesting and attractive, lovable. The responses of common people to him throughout the pages of the gospel show how false that image is. He was such an attractive person and such a powerful speaker that, from the human point of view, the leaders of the day killed him out of envy of his popularity (Matt. 27:18). He was a master of humor and often used it to drive home the truths he imparted, as any good speaker does.7 But few today would put him on their guest list for a party—if it were really going to be a party. Just as we don’t think of Jesus as intelligent, so we don’t think of him as pleasant company, someone to enjoy being around. Is it any wonder that someone would rather not be his student?
Dallas Willard (The Divine Conspiracy: Rediscovering Our Hidden Life In God)
Griffin Hansbury, who was born female but underwent a sex change after graduating from college, has another well-informed view of the powers of testosterone. “The world just changes,” he said. “The most overwhelming feeling was the incredible increase in libido and change in the way I perceived women.” Before the hormone treatments, Hansbury said, an attractive woman in the street would provoke an internal narrative: “She’s attractive. I’d like to meet her.” But after the injections, no more narrative. Any attractive quality in a woman, “nice ankles or something,” was enough to “flood my mind with aggressive pornographic images, just one after another…Everything I looked at, everything I touched turned to sex.” He concluded, “I felt like a monster a lot of the time. It made me understand men. It made me understand adolescent boys a lot.
Christopher Ryan
...he used to speak of how with very great paintings it's possible to know them deeply, inhabit them almost, even through copies. Even Proust -- there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so -- the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream the image, re-shape reality with it, pull something all his own from it into the world. Because -- the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times.
Donna Tartt (The Goldfinch)
HOW ATTRACTION HAPPENS Moses is talking to someone drunk with worshiping the golden calf. "What happened to your doubt? You used to be so skeptical of me. The Red Sea parted. Food came every day in the wilderness for forty years. A fountain sprang out of a rock. You saw these things and still reject the idea of prophethood. Then the magician Samiri does a trick to make the metal cow low, and immediately you kneel! What did that hollow statue say? Have you heard a dullness like your own?" This is how attraction happens: people with nothing they value delight in worthlessness. Someone who thinks there's no meaning or purpose feels drawn to images of futility. Each moves to be with its own. The ox does not turn toward a lion. Wolves have no interest in Joseph, unless to devour him. But if a wolf is cured of wolfishness, it will sleep close by Joseph, like a dog in the presence of meditators. Soul companionship gives safety and light to a cave full of friends.
Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
The year 1992 was the countdown year for the formation of the European single market, the regional economic entity—utopian for some, dystopian for others—now intended to recenter Europe in a global politics fragmented in the wake of the breakup of the Soviet Union....The year 1992 was also when the action adventure TV series Highlander first premiered—“the first European co-produced weekly hour to be sold into the US syndication market.” ...My own pleasure in Highlander began with the principal actor Adrian Paul’s eroticized image. I immediately (and somewhat idiosyncratically) “recognized” it as gay (the image, not necessarily the main story character Duncan MacLeod, or the actor Adrian Paul). It was in this “recognition” that I discovered my pleasure in the show. As a lesbian I was surprised: this was really the first TV show since my adolescence in which an eroticized male image seemed so powerfully attractive to me. Perhaps that is why I assumed it was somehow gay....
Katie King (Networked Reenactments: Stories Transdisciplinary Knowledges Tell)
some point over the next few hours, she left some food and water for her children in their room and opened their bedroom window. She wrote out the name of her doctor, with a telephone number, and stuck it to the baby carriage in the hallway. Then she took towels, dishcloths, and tape and sealed the kitchen door. She turned on the gas in her kitchen stove, placed her head inside the oven, and took her own life. 2. Poets die young. That is not just a cliché. The life expectancy of poets, as a group, trails playwrights, novelists, and nonfiction writers by a considerable margin. They have higher rates of “emotional disorders” than actors, musicians, composers, and novelists. And of every occupational category, poets have far and away the highest suicide rates—as much as five times higher than the general population. Something about writing poetry appears either to attract the wounded or to open new wounds—and few have so perfectly embodied that image of the doomed genius as Sylvia Plath.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
I declared earlier in this document that, 'with one exception,' there was no cuteness among The Seven. Sherry was the exception, although a serious qualification must be appended to this statement. Physically she was attractive, not to the point of being a harrowing beauty, but enough to put her over the line between women of average or even 'good' looks into the company of those who possessed across-the-room attraction. (If anyone believes that I'm perpetuating some arbitrary or twisted image of the world, that's fine with me - I wish them well in their transactions with social reality.) The qualification to which I made reference above is this: if you happened to cross that room on the other side of which stood Sherry, what you confronted was...I can't even name it - some kind of thing inhabiting the body of an attractive woman, an alien from some diseased planet or a creature of low evolutionary stature that by some curious means had insinuated itself into a human being at some stage in her development, the result being this Sherry-thing.
Thomas Ligotti (My Work is Not Yet Done: Three Tales of Corporate Horror)
To have that sense of one’s intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference. If we do not respect ourselves, we are the one hand forced to despise those who have so few resources as to consort with us, so little perception as to remain blind to our fatal weaknesses. On the other, we are peculiarly in thrall to everyone we see, curiously determined to live out – since our self-image is untenable – their false notion of us. We flatter ourselves by thinking this compulsion to please others an attractive trait: a gist for imaginative empathy, evidence of our willingness to give. Of course I will play Francesca to your Paolo, Helen Keller to anyone’s Annie Sullivan; no expectation is too misplaced, no role too ludicrous. At the mercy of those we cannot but hold in contempt, we play roles doomed to failure before they are begun, each defeat generating fresh despair at the urgency of divining and meeting the next demand made upon us.
Joan Didion
My honors thesis project was my first interactive exhibit, in which two facing chairs were activated by a motion sensor when the viewer walked by. One was a cofortable armchair of plush red velvet, with a dildo sticking out of a hole in the seat. When activated, the dildo moved up and down and a strobe light pulsed. The facing chair was hard and uncomfortable, with spikes protruding from the seat, and when the viewer walked by it a dog would bark. The juxtaposition of the two chairs was meant to represent how forces of repression censor the desire for liberation. In that same exhibition, I showed a handmade box in the shape of a cross, decorated with a beautiful painting of the Holy Trinity. The viewer was encouraged to open the box, where they would find a dildo wrapped in the American flag and nailed to a cross-- this was meant to symbolize the hypocrisy and repression that is hidden under the attractive facade of organized religion. The dildo was surrounded by pages from the Bible, which were themselves surrounded by images of the sickness and starvation caused by the embargo in Iraq, a comment on the effects of imposing one culture and religion on another.
Wafaa Bilal (Shoot an Iraqi: Art, Life and Resistance Under the Gun)
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
C.S. Lewis (The Screwtape Letters)
Looking at a situation like the Israel-Palestine conflict, Americans are likely to react with puzzlement when they see ever more violent and provocative acts that target innocent civilians. We are tempted to ask: do the terrorists not realize that they will enrage the Israelis, and drive them to new acts of repression? The answer of course is that they know this very well, and this is exactly what they want. From our normal point of view, this seems incomprehensible. If we are doing something wrong, we do not want to invite the police to come in and try and stop us, especially if repression will result in the deaths or imprisonment of many of our followers. In a terrorist war, however, repression is often valuable because it escalates the growing war, and forces people to choose between the government and the terrorists. The terror/repression cycle makes it virtually impossible for anyone to remain a moderate. By increasing polarization within a society, terrorism makes the continuation of the existing order impossible. Once again, let us take the suicide bombing example. After each new incident, Israeli authorities tightened restrictions on Palestinian communities, arrested new suspects, and undertook retaliatory strikes. As the crisis escalated, they occupied or reoccupied Palestinian cities, destroying Palestinian infrastructure. The result, naturally, was massive Palestinian hostility and anger, which made further attacks more likely in the future. The violence made it more difficult for moderate leaders on both sides to negotiate. In the long term, the continuing confrontation makes it more likely that ever more extreme leaders will be chosen on each side, pledged not to negotiate with the enemy. The process of polarization is all the more probably when terrorists deliberately choose targets that they know will cause outrage and revulsion, such as attacks on cherished national symbols, on civilians, and even children. We can also think of this in individual terms. Imagine an ordinary Palestinian Arab who has little interest in politics and who disapproves of terrorist violence. However, after a suicide bombing, he finds that he is subject to all kinds of official repression, as the police and army hold him for long periods at security checkpoints, search his home for weapons, and perhaps arrest or interrogate him as a possible suspect. That process has the effect of making him see himself in more nationalistic (or Islamic) terms, stirs his hostility to the Israeli regime, and gives him a new sympathy for the militant or terrorist cause. The Israeli response to terrorism is also valuable for the terrorists in global publicity terms, since the international media attack Israel for its repression of civilians. Hamas military commander Salah Sh’hadeh, quoted earlier, was killed in an Israeli raid on Gaza in 2002, an act which by any normal standards of warfare would represent a major Israeli victory. In this case though, the killing provoked ferocious criticism of Israel by the U.S. and western Europe, and made Israel’s diplomatic situation much more difficult. In short, a terrorist attack itself may or may not attract widespread publicity, but the official response to it very likely will. In saying this, I am not suggesting that governments should not respond to terrorism, or that retaliation is in any sense morally comparable to the original attacks. Many historical examples show that terrorism can be uprooted and defeated, and military action is often an essential part of the official response. But terrorism operates on a logic quite different from that of most conventional politics and law enforcement, and concepts like defeat and victory must be understood quite differently from in a regular war.
Philip Jenkins (Images of Terror: What We Can and Can't Know about Terrorism)
What the hell was that?” Joss turned on him the moment Gabriel cleared the last of the china. “What the hell was what?” Gray pulled a flask from his breast pocket and offered it to his brother. Joss waved it away. “You know damn well what I mean. Something’s going on between you and Miss Turner, I know it.” Gray uncapped the flask and took a sip. “What makes you say that?” He circled the table, discreetly examining the angle of the tablecloth and the perspective from the captain’s chair. Surely Joss couldn’t have seen what had taken place under the table. Even if his brother had noticed, he could demand all the answers he wished. Gray had no desire-or words-to explain it. For the first time since he’d left England, Gray gave thanks for the thin, impractical leather of those dandified Hessians. The feel of her lithe, shapely leg against his…She’d accepted the contact so readily, blushed so attractively. Beneath that table, they’d formed some sort of alliance. And then she had extended a clear verbal invitation. If he went to her berth right now, she would be expecting him. At last, he could solve the mystery of what held together that damned striped frock. Or…he could simply rip it from her body. Gray shoved the image aside before his groin could react further.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The gestures of models (mannequins) and mythological figures. The romantic use of nature (leaves, trees, water) to create a place where innocence can be refound. The exotic and nostalgic attraction of the Mediterranean. The poses taken up to denote stereotypes of women: serene mother (madonna), free-wheeling secretary (actress, king’s mistress), perfect hostess (spectator-owner’s wife), sex-object (Venus, nymph surprised), etc. The special sexual emphasis given to women’s legs. The materials particularly used to indicate luxury: engraved metal, furs, polished leather, etc. The gestures and embraces of lovers, arranged frontally for the benefit of the spectator. The sea, offering a new life. The physical stance of men conveying wealth and virility. The treatment of distance by perspective – offering mystery. The equation of drinking and success. The man as knight (horseman) become motorist. Why does publicity depend so heavily upon the visual language of oil painting? Publicity is the culture of the consumer society. It propagates through images that society’s belief in itself. There are several reasons why these images use the language of oil painting. Oil painting, before it was anything else, was a celebration of private property. As an art-form it derived from the principle that you are what you have.
John Berger (Ways of Seeing)
One might say that, until now, the social, cultural, and political framework for knowledge of the Gulag has not been in place. I first became aware of this problem several years ago, when walking across the Charles Bridge, a major tourist attraction in what was then newly democratic Prague. There were buskers and hustlers along the bridge, and, every fifteen feet or so someone was selling precisely what one would expect to find for sale in such a postcard-perfect spot. Paintings of appropriately pretty streets were on display, along with bargain jewelry and 'Prague' key chains. Among the bric-a-brac, one could buy Soviet military paraphernalia: caps, badges, belt buckles, and little pins, the tin Lenin and Brezhnev images that Soviet schoolchildren once pinned to their uniforms. The sight struck me as odd. Most of the people buying the Soviet paraphernalia were Americans and West Europeans. All would be sickened by the thought of wearing a swastika. None objected, however, to wearing the hammer and sickle on a T-shirt or a hat. It was a minor observation, but sometimes, it is through just such minor observations that a cultural mood is best observed. For here, the lesson could not have been clearer: while the symbol of one mass murder fills us with horror, the symbol of another mass murder makes us laugh.
Anne Applebaum (Gulag: A History)
For almost all astronomical objects, gravitation dominates, and they have the same unexpected behavior. Gravitation reverses the usual relation between energy and temperature. In the domain of astronomy, when heat flows from hotter to cooler objects, the hot objects get hotter and the cool objects get cooler. As a result, temperature differences in the astronomical universe tend to increase rather than decrease as time goes on. There is no final state of uniform temperature, and there is no heat death. Gravitation gives us a universe hospitable to life. Information and order can continue to grow for billions of years in the future, as they have evidently grown in the past. The vision of the future as an infinite playground, with an unending sequence of mysteries to be understood by an unending sequence of players exploring an unending supply of information, is a glorious vision for scientists. Scientists find the vision attractive, since it gives them a purpose for their existence and an unending supply of jobs. The vision is less attractive to artists and writers and ordinary people. Ordinary people are more interested in friends and family than in science. Ordinary people may not welcome a future spent swimming in an unending flood of information. A darker view of the information-dominated universe was described in the famous story “The Library of Babel,” written by Jorge Luis Borges in 1941.§ Borges imagined his library, with an infinite array of books and shelves and mirrors, as a metaphor for the universe. Gleick’s book has an epilogue entitled “The Return of Meaning,” expressing the concerns of people who feel alienated from the prevailing scientific culture. The enormous success of information theory came from Shannon’s decision to separate information from meaning. His central dogma, “Meaning is irrelevant,” declared that information could be handled with greater freedom if it was treated as a mathematical abstraction independent of meaning. The consequence of this freedom is the flood of information in which we are drowning. The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland. As finite creatures who think and feel, we can create islands of meaning in the sea of information. Gleick ends his book with Borges’s image of the human condition: We walk the corridors, searching the shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and of the future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information.
Freeman Dyson (Dreams of Earth and Sky)
She thought constantly about Paris and avidly read all the society pages in the papers. Their accounts of receptions, celebrations, the clothes worn, and all the accompanying delights enjoyed, whetted her appetite still further. Above all, however, she was fascinated by what these reports merely hinted at. The cleverly phrased allusions half-lifted a veil beyond which could be glimpsed devastatingly attractive horizons promising a whole new world of wicked pleasure. From where she lived, she looked on Paris as representing the height of all magnificent luxury as well as licentiousness...she conjured up the images of all the famous men who made the headlines and shone like brilliant comets in the darkness of her sombre sky. She pictured the madly exciting lives they must lead, moving from one den of vice to the next, indulging in never-ending and extraordinarily voluptuous orgies, and practising such complex and sophisticated sex as to defy the imagination. It seemed to her that hidden behind the façades of the houses lining the canyon-like boulevards of the city, some amazing erotic secret must lie. "The uneventful life she lived had preserved her like a winter apple in an attic. Yet she was consumed from within by unspoken and obsessive desires. She wondered if she would die without ever having tasted the wicked delights which life had to offer, without ever, not even once, having plunged into the ocean of voluptuous pleasure which, to her, was Paris.
Guy de Maupassant (A Parisian Affair and Other Stories)
Actually, some asexual people celebrate sex—up to and including engaging in it themselves despite lack of sexual attraction. Some asexual people write stories or produce art depicting sexual situations and/or nudity. Some asexual people have no problem with consuming media that contains sexual content. They do not have to be attracted to other people to appreciate or create positive portrayals of these relationships. This can be especially difficult to explain if an asexual artist does create sexually explicit material, because people want to know whether they’re creating this because they secretly desire it. Or they might reverse the issue and suggest asexual people have no business creating this media—or that they can’t be good at it—if they don’t have personal experience. What artists choose to make art about has absolutely no bearing on what they’re attracted to or what they might want to experience themselves. Art can be used to express personal desires, but no one should assume someone must be doing so if that person depicts experiences or images contrary to personally expressed desires, and no one should use a person’s artwork or subject matter to invalidate claims. Asexual artists cannot be restricted to creating media that is devoid of sex. Asexual artists know and accept that most people are attracted sexually to others, so if they want to write realistic books or movies, they generally have to create at least some of their subjects with that dimension attached to them.
Julie Sondra Decker (The Invisible Orientation: An Introduction to Asexuality)
I want you to know never have a bad day. there's never bad things that happen there is mearely changes in direction on the road of live. You never come to a dead end just turn left or right you know and it's gonna be good. You'll still get where you want. You're going down the hallway, you're just gonna bounce of the walls a little bit. The law of attraction, just like the law of gravity. You can't outwill the law of gravity and you cannot outwill the law of attraction. it's a real physical law, it(?) science has determent really excists the more you think about beautiful amazing things the reality is those things are gonna come right to you. The more you think about the things you fear, the more you start to think about things you dont want to happen, or you're scared of or whatever those things are gonna come to you.because you're dwelling on them, even if you're dwelling on the fact that you're scared of them, it's just putting those images out those frequencies from your brain, Whenever you start to feel scared or fucked up, or it's a bad day , instantly think about great things, succesful things, beautiful things, helping people,going out there and living the life that you want to. if it's snowing go outside and think about sun, if youre out of money go outside and think of being a billionair, if you're horny go out there and think, on top of you, completely naked, sweating just a little bit, and doing all the things to your body that you want me to do. i must sign out, because now, you have to go take a cold shower
Tom DeLonge
You're a killer, Keeley.You'd tease a man to death." He didn't mean it as a compliment, but to her it was a revelation. "I've never tried it before. Now one's ever attracted me enough.You do,and I dont even know why." When she dropped her hand,he took her wrist. It surprised him to feel the gallop of her pulse there, when her eyes, her voice had been so cool, so steady. "Then you're a quick learner." "I'd like to think so.If I come to you, you'd be the first." "The first what?" Temper wanted to stir, especially when she laughed. THen his mind cleared and the meaning flashed through like a thunderbolt. His hand tightened on her wrist, then dropped it as though she had turned to fire. "That scared you enough to shut you up," she observed. "I'm surprised anything could render you speechless." "I've..." But he couldn't think. "No,don't fumble around for words. You'll spoil your image." She couldn't think just why his dazed expression struck her as so funny,or why the shock in his eyes was endearing somehow. "We'll just say that,under these circumstances, we both have a lot to consider.And now,I'm way behind in my work, and have to get ready for my afternoon class." She walked away,as easily, as casually, Brian thought numbly, as she might have if they'd just finished discussing the proper treatment for windgalls. She left him reeling. he'd gone and fallen in love with the gentry,and the gentry was his boss's daughter. And his boss's daughter was innocent. He'd have to be mad to lay a hand on her after this. He began to wish Betty had just kicked him in the head and gotten it all over with.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
One early terracotta statuette from Catal Huyuk in Anatolia depicts an enthroned female in the act of giving birth, supported by two cat-like animals that form her seat (Plate 1). This figure has been identified as a 'birth goddess' and it is this type of early image that has led a number of feminist scholars to posit a 'reign of the goddess' in ancient Near Eastern prehistory. Maria Gimbutas, for whom such images are proof of a perfect matriarchal society in 'Old Europe' , presents an ideal vision in which a socially egalitarian matriarchal culture was overthrown by a destructive patriarchy (Gimbutas 1991). Gerda Lerner has argued for a similar situation in the ancient Near East; however, she does not discuss nude figurines at any length (Lerner 1986a: 147). More recently, critiques of the matriarchal model of prehistory have pointed out the flaws in this methodology (e.g. Conkey and Tringham 1995; Meskell 1995; Goodison and Morris 1998). In all these critiques the identification of such figures as goddesses is rejected as a modern myth. There is no archaeological evidence that these ancient communities were in fact matriarchal, nor is there any evidence that female deities were worshipped exclusively. Male gods may have worshipped simultaneously with the 'mother goddesses' if such images are indeed representations of deities. Nor do such female figures glorify or show admiration for the female body; rather they essentialise it, reducing it to nothing more nor less than a reproductive vessel. The reduction of the head and the diminution of the extremities seem to stress the female form as potentially reproductive, but to what extent this condition was seen as sexual, erotic or matriarchal is unclear. ....Despite the correct rejection of the 'Mother Goddess' and utopian matriarchy myths by recent scholarship, we should not loose track of the overwhelming evidence that the image of female nudity was indeed one of power in ancient Mesopotamia. The goddess Ishtar/Inanna was but one of several goddesses whose erotic allure was represented as a powerful attribute in the literature of the ancient Near East. In contact to the naked male body which was the focus of a variety of meanings in the visual arts, female nudity was always associated with sexuality, and in particular with powerful sexual attraction, Akkadian *kuzbu*. This sexuality was not limited to Ishtar and her cult. As a literary topos, sensuousness is a defining quality for both mortal women and goddesses. In representational art, the nude woman is portrayed in a provocative pose, as the essence of the feminine. For femininity, sexual allure, *kuzbu*, the ideal of the feminine, was thus expressed as nudity in both visual and verbal imagery. While several iconographic types of unclothed females appear in Mesopotamian representations of the historical period - nursing mothers, women in acts of sexual intercourse, entertainers such as dancers and musicians, and isolated frontally represented nudes with or without other attributes - and while these nude female images may have different iconographic functions, the ideal of femininity and female sexuality portrayed in them is similar. -Zainab Bahrani, Women of Babylon: Gender and Representation in Mesopotamia
Zainab Bahrani
It had been almost exactly four months since we’d met; four months since we’d locked glances in that bar; four months since his eyes and hair had made my knees turn to overcooked noodles. It had been four months since he’d failed to call me the next day, week, month. I’d moved on, of course, but the rugged image of Marlboro Man had left an indelible mark on my psyche. But I’d just begun my Chicago planning before I’d met him that night and had continued the next day. And now, at the end of April, I was just about set to go. “Oh, hi,” I said nonchalantly. I was leaving soon. I didn’t need this guy. “How’ve you been?” he continued. Yikes. That voice. It was gravelly and deep and whispery and dreamy all at the same time. I didn’t know until that moment that it had already set up permanent residence in my bones. My marrow remembered that voice. “Good,” I replied, focusing my efforts on appearing casual, confident, and strong. “I’m just gearing up to move to Chicago, actually.” “No kidding?” he said. “When are you going?” “Just a couple of weeks,” I replied. “Oh…” He paused. “Well…would you like to go out to dinner this week?” This was always the awkward part. I could never imagine being a guy. “Um, sure,” I said, not really seeing the point of going out with him, but also knowing it was going to be next to impossible for me to turn down a date with the first and only cowboy I’d ever been attracted to. “I’m pretty free all this week, so--” “How ’bout tomorrow night?” he cut in. “I’ll pick you up around seven.” He didn’t know it at the time, but that single take-charge moment, his instantaneous transformation from a shy, quiet cowboy to this confident, commanding presence on the phone, affected me very profoundly. My interest was officially ablaze.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I created a sphere in this infinite space for myself: not too big, though possessing mass. My mental state didn’t improve, however. The sphere floated in the middle of “emptiness”—in infinite space, anywhere could be the middle. The universe had nothing that could act on it, and it could act on nothing. It hung there, never moving, never changing, like a perfect interpretation for death. I created a second sphere whose mass was equal to the first one’s. Both had perfectly reflective surfaces. They reflected each other’s images, displaying the only existence in the universe other than itself. But the situation didn’t improve much. If the spheres had no initial movement—that is, if I didn’t push them at first—they would be quickly pulled together by their own gravitational attraction. Then the two spheres would stay together and hang there without moving, a symbol for death. If they did have initial movement and didn’t collide, then they would revolve around each other under the influence of gravity. No matter what the initial conditions, the revolutions would eventually stabilize and become unchanging: the dance of death. I then introduced a third sphere, and to my astonishment, the situation changed completely. Like I said, any geometric figure turns into numbers in the depths of my mind. The sphereless, one-sphere, and two-sphere universes all showed up as a single equation or a few equations, like a few lonesome leaves in late fall. But this third sphere gave “emptiness” life. The three spheres, given initial movements, went through complex, seemingly never-repeating movements. The descriptive equations rained down in a thunderstorm without end. Just like that, I fell asleep. The three spheres continued to dance in my dream, a patternless, never-repeating dance. Yet, in the depths of my mind, the dance did possess a rhythm; it was just that its period of repetition was infinitely long. This mesmerized me. I wanted to describe the whole period, or at least a part of it. The
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
The Biggest Property Rental In Amsterdam Amsterdam has been ranked as the 13th best town to live in the globe according to Mercer contacting annual Good quality of Living Review, a place it's occupied given that 2006. Which means that the city involving Amsterdam is among the most livable spots you can be centered. Amsterdam apartments are equally quite highly sought after and it can regularly be advisable to enable a housing agency use their internet connections with the amsterdam parkinghousing network to help you look for a suitable apartment for rent Amsterdam. Amsterdam features rated larger in the past, yet continuing plan of disruptive and wide spread construction projects - like the problematic North-South town you live line- has intended a small scores decline. Amsterdam after rated inside the top 10 Carolien Gehrels (Tradition) told Dutch news company ANP that the metropolis is happy together with the thirteenth place. "Of course you want is actually the first place position, however shows that Amsterdam is a fairly place to live. Well-known places to rent in Amsterdam Your Jordaan. An old employees quarter popularised amang other things with the sentimental tunes of a quantity of local vocalists. These music painted an attractive image of the location. Local cafes continue to attribute live vocalists like Arthur Jordaan and Tante Leeni. The Jordaan is a network of alleyways and narrow canals. The section was proven in the Seventeenth century, while Amsterdam desperately needed to expand. The region was created along the design of the routes and ditches which already existed. The Jordaan is known for the weekly biological Nordermaarkt on Saturdays. Amsterdam is famous for that open air market segments. In Oud-zuid there is a ranging Jordan Cuypmarkt open year long. This part of town is a very popular spot for expats to find Expat Amsterdam flats due in part to vicinity of the Vondelpark. Among the largest community areas A hundred and twenty acres) inside Amsterdam, Netherlands. It can be located in the stadsdeel Amsterdam Oud-Zuid, western side from the Leidseplein as well as the Museumplein. The playground was exposed in 1865 as well as originally named the "Nieuwe Park", but later re-named to "Vondelpark", after the 17th one hundred year author Joost lorrie den Vondel. Every year, the recreation area has around 10 million guests. In the park can be a film art gallery, an open air flow theatre, any playground, and different cafe's and restaurants.
EXERCISE 10: DEVELOPING A GRAND VISION You may want to do this exercise alone, out in a natural setting somewhere. 1. See Your Interests, Values, and Abilities. The next step is to discover how your interests and your deep values connect into and form your mission. It can be accomplished by seeing a grand, whole, meaningful image of what purpose you could dedicate your life to. This will be formed from your interests, values, and present goals. Begin to play with the images that you see, which represent some kind of direction that you want to take. As you get a sense of what your mission can be, see various snapshots of yourself doing what you love to do, snapshots of your abilities. 2. Focus on Heroes and Heroines. Take a look at what your favorite heroes or heroines do. See yourself doing things that give you the same feeling you get when you think of them. See snapshots of the person you want to become. Any images you don’t like can fade away. 3. Direct a Movie of Yourself. See yourself the way you want to be—doing the things you love to do. Whatever you choose to put on the screen, you’re the Spielberg, you’re the director. See the images that you feel passionate about. You can play with the images in front of you. Pretend that you’re in the middle of an inner, three-dimensional movie theater. It’s a place where you can see and hear and feel with great fidelity. Notice how much you can see, letting the wisdom from within guide the visual display that you see in front of you. Visualize it, feel it, enjoy it. The images are often up close and in full, rich color. See yourself living out a scenario that gives you tingles in your spine. You can zoom in on that glorious, fun-filled, exciting future that you see. It allows you to do what you love to do and accomplish what you believe in. 4. Recall Your Deep Values. List your deep values as you watch your mission scenario. Notice how your values and your images can fit together with a remarkable consistency. 5. Ask for Help from Your Inner Wisdom. Ask for your inner wisdom, the higher powers, or God to guide your grand vision. This vision is going to be more of a discovery than a creation. Let it come to you. Ask and it will come. Take the time to see and hear those aspects of life that unify into a whole that you feel a powerful passion for. See some more images. See some time going by. See various bright, radiant, up-close, colorful images of what it is that you could create in your life. They can begin going in a certain direction, coalescing and representing many of your current goals, some of the things that you want. See them develop into a kind of grand visionary collection of images that represents your purpose and your mission. 6. Do What It Takes. Take whatever time you need—five minutes, an hour, a whole afternoon. This is your life, your future that you are creating. When you finish, write it down. Your images are so attractive, you have some glimpses of what your mission is. Now you can develop it more fully. Ask the visionary in you to give you the gift of this grand vision. Now that you can see your grand vision of what you want to contribute to, you can make that vision into a cause to work for—a specific direction to channel your efforts to.
NLP Comprehensive (NLP: New Technology: The New Technology)
Nail your 3D Modelling skills with YAIT - 3D Architectural Modelling Online Course Introduction 3D Architecture or Architectural Visualization is the art of creating 2D and 3D images that contain the attributes of a proposed architectural design. Today, 3D rendering and architectural visualization software help the architects and designers to appraise proportions and scales using interactive 3D modeling and perform the effects of lighting, rendering and others. About this course In the present technical era, manual designs have become an old technique and designers and architects are focusing more on digital formats which can be created with the help of AutoCAD. We are explaining the best prototypes for different products by efficiently development as per standard market. Now 3D Architectural Modelling services help Designers to showcase their projects with amazing impact and accuracy. Using powerful 3D Architectural Modelling and rendering software architects, designers and 3D artists can control designs in real-time, quickly transforming between concepts and reality by making and creating multiple versions of the designs. AutoCAD are some of the powerful 3D modeling and rendering software, that make amazing designs and attracts numerous clients today. The real estate and architectural industries use 3ds Max to create photorealistic images of buildings in the design phase. The software creates seamless 3D geometry taken from the imported raw CAD files which are in the form of curves and paths. Architectural 3D Models are utilized in the conceptualization, planning, design, construction, fundraising, small object modelling, Floor Plan, Interior, Exterior to Furniture Modelling in Details, We will make to nail it! Rendering makes your 3D models look pretty. A lot of digital design software comes with an in-built rendering engine. Activate it and the software smooths all the rough edges and presents your model in its best form. 3D Architectural Modeling has been around in AutoCAD for a long time now. Yet, so many users still are using just regular 2D AutoCAD tools to represent real 3D “things.” In this first of a two-part series, I would like to go over some tips and tricks for AutoCAD 3D modeling that may make it easier to jump into the world of 3D. Most professional courses will have introductory sessions that help you get to grips with your digital design software. Even so, I recommend you doing that yourself before you take a course. It just helps with your confidence. You can start a course knowing that you know a little. That foundation will help you learn a lot. Students will go through a step by step process to create various interiors with the help of the lectures and sessions in the 3D Architecture Tutorial. With this training, the students will be able to master skills on Bedroom Interiors, Basic Modelling, Interfaces of 3ds Max, Interior Modelling, Lighting and Rendering with Mental Ray & Texturing. What You’ll Learn Understanding of 2D Architectural Drawings Software Usage - Auto Cad - 3Ds Max - Sketch Up Types of Modelling: - Spline Modelling - Poly Modelling (High Poly & Low Poly) Hands on Practice of: - Understating of each Tool - Easy Modelling Products Interior & Floor Plan Area Modelling Software Usage - Auto Cad - 3Ds Max - Sketch Up Hands on Practice of: - Floor Plan Area (Residential & Commercial) - Interior Property (Residential & Commercial) Exterior Modelling Software Usage - Auto Cad - 3Ds Max - Sketch Up Hands on Practice of: - Exterior Property(Residential & Commercial) - Site Plan Product Modelling Software Usage - 3Ds Max - Sketch Up Hands on Practice of: - Easy Product Model - Complicated and Detailed Product Modelling Syllabus
Yait Institute
Adding variability increased the frequency of the pigeons completing the intended action. Skinner’s pigeons tell us a great deal about what helps drive our own behaviors. More recent experiments reveal that variability increases activity in the nucleus accumbens and spikes levels of the neurotransmitter dopamine, driving our hungry search for rewards.[lxxiv] Researchers observed increased dopamine levels in the nucleus accumbens in experiments involving monetary rewards as well as in a study of heterosexual men viewing images of attractive women’s faces.[lxxv] Variable rewards can be found in all sorts of products and experiences that hold our attention. They fuel our drive to check email, browse the web, or bargain-shop. I propose that variable rewards come in three types: Tribe, hunt and self (figure 20). Habit-forming products utilize one or more of these variable reward types.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
In a spornographic age it’s no longer enough for the male body to be presented to us by consumerism as merely attractive, or desiring to be desired, as it was in the early days of nakedly narcissistic male metrosexuality. This masculine coquettish-ness, pleasing as it is, no longer offers an intense enough image. Or provokes enough lust. It’s just not very shocking or arousing any more. In fact, it’s just too… normal. To get our attention these days the sporting male body has to promise us nothing less than an immaculately groomed, waxed and pumped gang-bang in the showers.
Mark Simpson
Being in the image and likeness of this Creator, you are infinitely powerful, abundant, peaceful and perfect in the exact same way. You may have forgotten this, but evolution and growth is all about remembering what you already are. Step by step, you realize higher aspects of yourself. You remember. As such, there is nothing new to learn. All you are doing is unlearning the original error, step by step, at whatever rate you choose.
David Cameron Gikandi (The Missing Instructions for YOU - How to Use the Law of Attraction to Heal Your Chakras and Finally Experience True Happiness!)
When condominiums don’t meet government-backed lenders’ standards they become non-warrantable. This means that buyers cannot get standard loans for these properties. They will have to pay cash or pay exorbitant rates through private lenders. When a building is full of non-warrantable condos, the pool of buyers shrinks and lowers the condo’s value. One might think that newer projects would have lower maintenance costs than older projects. But this isn’t always true. Some builders set monthly fees low while they advertise the project. This attracts bargain buyers, but owners soon discover they have inadequate reserves. The monthly fees then skyrocket. Even if the homeowners successfully sue the builder, it is hard to sell any properties while litigation is pending, and values drop. Most states have specific forms for condominium transactions in which the association discloses finances and reserves. Buyers must sign and verify they have examined the financial condition of the project. Pay attention to past history. How old is the roof? When were improvements last made? How often do association dues increase? Even though many people don’t investigate these issues, a home’s value depends on them. CHAPTER 7 BANK FINANCING Banks have a new image. Now you have ‘a friend,’ your friendly banker. If the banks are so friendly, how come they chain down the pens? — Alan King Bank lending standards and terms change daily. This chapter provides general principles that should prove useful over the long term. We will examine how to borrow from banks to acquire or refinance a home. Please note the term “banks” as used here includes credit unions and other major financial institutions. There’s another chapter on non-bank lending to help those who don’t meet the criteria set by major lending institutions.
Alex Goldstein (No Nonsense Real Estate: What Everyone Should Know Before Buying or Selling a Home)
At the beginning of modernity, it may have been easier to acknowledge that there exists an innate tropism toward the gruesome. Edmund Burke observed that people like to look at images of suffering. “I am convinced we have a degree of delight, and that no small one, in the real misfortunes and pains of others,” he wrote in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757). “There is no spectacle we so eagerly pursue, as that of some uncommon and grievous calamity.” William Hazlitt, in his essay on Shakespeare’s Iago and the attraction of villainy on the stage, asks, “Why do we always read the accounts in the newspapers of dreadful fires and shocking murders?” Because, he answers, “love of mischief,” love of cruelty, is as natural to human beings as is sympathy.
Susan Sontag (Regarding the Pain of Others)
Look around. Society is filled with highly engineered versions of reality that are more attractive than the world our ancestors evolved in. Stores feature mannequins with exaggerated hips and breasts to sell clothes. Social media delivers more “likes” and praise in a few minutes than we could ever get in the office or at home. Online porn splices together stimulating scenes at a rate that would be impossible to replicate in real life. Advertisements are created with a combination of ideal lighting, professional makeup, and Photoshopped edits—even the model doesn’t look like the person in the final image. These are the supernormal stimuli of our modern world. They exaggerate features that are naturally attractive to us, and our instincts go wild as a result, driving us into excessive shopping habits, social media habits, porn habits, eating habits, and many others.
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
It has been well established that television, films, and magazines distort people’s standards and perception of beauty.748 The photoshopped and filtered photos online and in magazines create an unrealistic expectation of beauty that is unattainable by anyone.749 Pornography has even more devastating effects on viewers. Watching porn literally rewires the brain in what is called neuroplastic change, and gradually affects the release of dopamine. Psychiatrist Norman Doidge says, “Because plasticity is competitive, the brain maps for new, exciting images increased at the expense of what had previously attracted them.”750 What this means is that frequent porn watchers develop a “tolerance” similar to drug users, and then require harder (and weirder) porn in order for the same amount of dopamine to be released.751 Many regular porn watchers become unable to maintain erections during sex with an actual person, similar to how a drug addict is unable to get a good buzz from an average dose of whatever their drug of choice is.
Mark Dice (The Illuminati in Hollywood: Celebrities, Conspiracies, and Secret Societies in Pop Culture and the Entertainment Industry)
clever, the falsely attractive.” He knows us too well. There is of course nothing wrong with a photograph of your pug. But when you take that photograph without imagination and then put a “1977” filter on it—your pug wasn’t born in 1977—you are reaching for an invented past that has no relevance to the subject at hand. You make the image “better” in an empty way, thus making it worse.
Teju Cole (Known and Strange Things: Essays)
3 Reasons Why You Should Visit Galapagos Islands Are you have been planning to spend their vacation in most of the beautiful place in the world. Then the Galapagos Islands is one of the most beautiful places in the world. The famous archipelago in the Pacific Ocean is a demand and desired destination for travelers all around the world. The Galapagos isn’t probably the easiest and cheapest accessible place in the world but still attracts huge numbers of visitors, although there is a limit on how many people can arrive in the Galapagos. These are not budget-friendly travel destination Islands, but there are some ways how to arrange your week in paradise from cruising the living onboard and archipelago to making the day trip from one of the islands. You have most already heard or read all superlatives Galapagos Island can offer many visitors. But if you hesitate if the time and money will be worth it, we’ve put a list of three reasons why we should visit the Galapagos Islands. After reading these reasons, we believe that there won’t be any hesitation. The Galapagos Legend should be on every traveler. Pristine beaches You come to Galapagos Island to see fantastic wildlife but firstly mention the beaches. The stretches of fine white sand are on every island, and although you won’t have that much time to relax and lay down here just because of that there is so much to do, so we are looking at you sea lions only walking on those beaches from one to another end is a great unforgettable experience. Never expect deck chairs, bars, or umbrellas beaches on the Galapagos have nothing familiar with those touristy and crowded places form travel catalogs. Wildlife When we think and talk about the Galapagos Islands, we have a suspicion that the wildlife would be something marvelous and unique. What we never know was that these superlatives would get a new dimension on the Galapagos. All the wildlife animal species from iguanas, birds, tortoises, sea lions crabs to fish are incredible, and nothing can make you on their natural behavior that is dissimilar from the animal's behavior we know from our countries. The Galapagos animals never feel fear human at all, so you can get close to them and take images of a lifetime. Island hikes There are many designed ways on islands of Galapagos that will help you to walk through a unique landscape and will also help you to understand the evaluation process better, evaluation of not only the islands but also of the flora and fauna which live here in unbelievable symbiosis. The hikes are short, so visitors are allowed to walk on the island on their own so that you want a certified guide to show you around. Hikes were one of the best activities we did on the Galapagos as it combined the exploration of almost barren volcanic islands and watching wildlife. Galapagos Legend help you plan the trip you have dreamed about. You can choose onshore activities that cater to your interests, from a wildlife safari to a side trip to the fabulous annual Carnival in Rio, Brazil. As you stay on shore before and after your trip, you have the option of staying at a delightful boutique-style hotel or in a 5-star hotel setting.
I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore. But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.
Marcel Proust (Swann's Way)
The firmament that is New York is greater than the sum of its constituent parts. It is a city and it is also a creature, a mentality, a disease, a threat, an electromagnet, a cheap stage set, an accident corridor. It is an implausible character, a monstrous vortex of contradictions, an attraction-repulsion mechanism so extreme no one could have made it up. New York, which has been called the capital of the twentieth century, as Paris was that of the nineteenth, would seem on the face of it to be founded on progress, on change, on the bulldozing of what has faded to make way for the next thing, the thing after that, the future. The lure of the new is built right into its name; it is the part of the name that actually registers, since the “York,” a commemoration of a colonial lineage, carries no resonance and exists only as a vestige. New York is incarnated by Manhattan (the other boroughs, noble, useful, and significant though they may be, are merely adjuncts), and Manhattan is a finite space that cannot be expanded but only continually resurfaced and reconfigured. Manhattan is a wonderland of real estate speculation, a hot center whose temperature cannot but increase as population increases and desirability remains several paces ahead of capacity. The myth of Manhattan, therefore, is cast in the future tense. It does not hark back to a heroic past, lacks its Romulus and Remus (except in the image of that transaction between Peter Minuit and the Canarsies, which is simply the first clever deal, the primordial ground-floor entry). New York has no truck with the past. It expels its dead.
Luc Sante (Low Life: Lures and Snares of Old New York)
Not unlike Mussolini in his early laissez-faire period with Alberto De Stefani, Hitler named as his first minister of finance the conservative Lutz Graf Schwerin von Krosigk. For a time, the Führer left foreign policy in the hands of professional diplomats (with the aristocratic Constantin von Neurath as foreign minister) and the army in the hands of professional soldiers. But Hitler’s drive to shrink the normative state and expand the prerogative state was much more sustained than Mussolini’s. Total master of his party, Hitler exploited its radical impulses for his own aggrandizement against the old elites and rarely (after the exemplary bloodbath of June 1934) needed to rein it in. Another suggested key to radicalization is the chaotic nature of fascist rule. Contrary to wartime propaganda and to an enduring popular image, Nazi Germany was not a purring, well-oiled machine. Hitler allowed party agencies to compete with more traditional state offices, and he named loyal lieutenants to overlapping jobs that pitted them against each other. The ensuing “feudal” struggles for supremacy within and between party and state shocked those Germans proud of their country’s traditional superbly trained and independent civil service. Fritz-Dietlof Count von der Schulenburg, a young Prussian official initially attracted to Nazism, lamented in 1937 that “the formerly unified State power has been split into a number of separate authorities; Party and professional organizations work in the same areas and overlap with no clear divisions of responsibility.” He feared “the end of a true Civil Service and the emergence of a subservient bureaucracy.” We saw in the previous chapter how the self-indulgently bohemian Hitler spent as little time as possible on the labors of government, at least until the war. He proclaimed his visions and hatreds in speeches and ceremonies, and allowed his ambitious underlings to search for the most radical way to fulfill them in a Darwinian competition for attention and reward. His lieutenants, fully aware of his fanatical views, “worked toward the Führer,” who needed mainly to arbitrate among them. Mussolini, quite unlike Hitler in his commitment to the drudgery of government, refused to delegate and remained suspicious of competent associates—a governing style that produced more inertia than radicalization. War provided fascism’s clearest radicalizing impulse. It would be more accurate to say that war played a circular role in fascist regimes. Early fascist movements were rooted in an exaltation of violence sharpened by World War I, and war making proved essential to the cohesion, discipline, and explosive energy of fascist regimes. Once undertaken, war generated both the need for more extreme measures, and popular acceptance of them. It seems a general rule that war is indispensable for the maintenance of fascist muscle tone (and, in the cases we know, the occasion for its demise). It seems clear that both Hitler and Mussolini deliberately chose war as a necessary step in realizing the full potential of their regimes. They wanted to use war to harden internal society as well as to conquer vital space. Hitler told Goebbels, “the war . . . made possible for us the solution of a whole series of problems that could never have been solved in normal times.
Robert O. Paxton (The Anatomy of Fascism)
fresh produce sets the tone for the store’s image, not only from the stand-point of being visually attractive, but also by conveying the message of naturalness and freshness about the entire store. (Having cut-price items prominently at the entrance can similarly convey a value message for the entire store.)
Herb Sorensen (Inside the Mind of the Shopper: The Science of Retailing)
Since non-verbal signals have five times the impact of verbal signals, paying attention to the image you are projecting is crucial to your first impressions.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
So saying, she managed to straighten- which left her facing the house, looking directly at the blank bow windows of the downstairs parlor. With the storm darkening the skies, the windows were reflective. They reflected the image of a man standing directly behind her. With a gasp, Patience whirled. Her gaze collided with the man's- his eyes were hard, crystalline gray, pale in the weak light. They were focused, intently, on her, their expression one she couldn't fathom. He stood no more than three feet away, large, elegant and oddly forbidding. In the instant her brain registered those facts, Patience felt her heels sink, and sink- into the soft soil of the flower bed. The edge crumbled beneath her feet. Her eyes flew wide- her lips formed a helpless "Oh." Arms flailing, she started to topple back- The man reacted so swiftly his movement was a blur- he gripped her upper arms and hauled her forward. She landed against him, breast to chest, hips to hard thighs. The breath was knocked out of her, leaving her gasping, mentally as well as physically. Hard hands held her upright, long fingers iron shackles about her arms. His chest was a wall of rock against her breasts; the rest of his body, the long thighs that held them braced, felt as resilient as tensile steel. She was helpless. Utterly, completely, and absolutely helpless. Patience looked up and met the stranger's hooded gaze. As she watched, his grey eyes darkened. The expression they contained- intensely concentrated- sent a most peculiar thrill through her. She blinked; her gaze fell- to the man's lips. Long, thin yet beautifully proportioned, they'd been sculpted with a view to fascination. They certainly fascinated her; she couldn't drag her gaze away. The mesmerizing contours shifted, almost imperceptibly softening; her own lips tingled. She swallowed, and dragged in a desperately needed breath. Her breasts rose, shifting against the stranger's coat, pressing more definitely against his chest. Sensation streaked through her, from unexpectedly tight nipples all the way to her toes. She caught another breath and tensed- but couldn't stop the quiver that raced through her. The stranger's lips thinned; the austere planes of his face hardened. His fingers tightened about her arms. To Patience's stunned amazement, he lifted her- easily- and carefully set her down two feet away.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
Jung called the quality of eternity or religious power associated with the imaginal numinosity, a term he revived from Rudolf Otto's original conception of religious experiences in The Idea of the Holy. Otto's term helped describe the autonomous, compelling qualities of the image that Jung encountered when the imaginal began to intrude spontaneously upon his world. In 1937, Jung described the numinosum as “a dynamic agency or effect not caused by an arbitrary act of will. On the contrary, it seizes and controls the human subject, who is always rather its victim than its creator . . . The numinosum is either a quality belonging to a visible object or the influence of an invisible presence that causes a peculiar alteration of consciousness”33 Jung viewed encounters with the numinous as enigmatic, deeply impressive, and mysterious, defying explanation.34 Though not proving the existence of God, Jung described imaginal encounters as “godlike.”35 He assumed, as does Corbin, that numinous images gain their potency from their connection to a greater truth that we normally only dimly recognize, and considered an encounter with the numinosum a part of all religious, as well as psychopathological experience. Summarizing Jung's thoughts on the numinosum, Andrew Samuels concludes that a confrontation with numinous images not only compels tremendously, but has teleological implications, foretelling “a not yet disclosed, attractive, and fateful meaning.”36
Sandra Dennis (Embrace of the Daimon: Healing through the Subtle Energy Body: Jungian Psychology & the Dark Feminine)
I once conjured up this image of Hitler. I imagined that he didn’t kill himself and that he was kept in a kind of open booth at Auschwitz, like a circus attraction of old times. He had been stripped naked and everyone visiting Auschwitz could let him know what they felt about him. Then I extended the picture. I had hundreds of these booths. There were the SS men who had shot Jews in trenches and in forests, the guards at the camps, the man who owned the company that made the Zyklon B, the men who inserted the canisters into the chutes, the women who had denounced Jews to the secret police and of course all the French gendarmes who took part in the roundup in July 1942. And do you know what I realised? I realised there would be more of my booths than visitors.
Glenn Haybittle (The Tree House)
Hitler’s notions of a social ‘new order’ have to be placed in this setting of conquest, ruthless exploitation, the right of the powerful, racial dominance, and more or less permanent war in a world where life was cheap and readily expendable. His ideas often had their roots in the resentment that still smouldered at the way his own ‘talents’ had been left unrecognized or the disadvantages of his own social status compared with the privileges of the high-born and well-to-do. Thus he advocated free education, funded by the state, for all talented youngsters. Workers would have annual holidays and could expect once or twice in their lives to go on a sea-cruise. He criticized the distinctions between different classes of passengers on such cruise ships. And he approved of the introduction of the same food for both officers and men in the army. Hitler might appear to have been promoting ideas of a modern, mobile, classless society, abolishing privilege and resting solely upon achievement. But the central tenet remained race, to which all else was subordinated. Thus, in the east, he said, all Germans would travel in the upholstered first- or second-class railway carriages – to separate them from the native population. It was a social vision which could have obvious attractions for many members of the would-be master-race. The image was of a cornucopia of wealth flowing into the Reich from the east. The Reich would be linked to the new frontiers by motor-ways cutting through the endless steppes and the enormous Russian spaces. Prosperity and power would be secured through the new breed of supermen who lorded it over the downtrodden Slav masses.
Ian Kershaw (Hitler)
A number of factors contribute to the development of an individual’s “practiced self-deception.” First, people who live primarily in fantasy confuse fantasy images with real, goal-directed action. They believe that they are actively pursuing their goals, when in fact they are not taking the steps necessary for success. For example, an executive in the business world may only perform the functions that enhance an image of himself as the “boss,” and leave essential management tasks unattended. The distinction between the image of success and its actual achievement is blurred. Retreat from action-oriented behavior is masked by the person’s focus on superficial signs and activities that preserve vanity and the fantasy image. Secondly, involvement in fantasy distorts one’s perception of reality, making self-deception more possible. Kierkegaard (1849/1954) alluded to this power of fantasy to attract and deceive when he observed: Sometimes the inventiveness of the human imagination suffices to procure possibility. Instead of summoning back possibility into necessity, the man pursues the possibility—and at last cannot find his way back to himself. (p. 77, 79) Thirdly, through its assigned roles and its rules for role-designated behavior, including age-appropriate activities, our culture actively supports people’s tendencies to give themselves up to more and more passivity and fantasy as they move through the life process. In addition, the discrepancy between society’s professed values on the one hand, and how society actually operates, on the other, tends to distort a person’s perceptions of reality, further confusing the difference between idealistic fantasies and actual accomplishments. The general level of pretense, duplicity, and deception existing in our society contributes to everyone’s disillusionment, cynicism, resignation, and passivity. The pooling of the individual defenses and fantasies of all society’s members makes it possible for each person to practice self-delusion under the guise of normalcy. Thus chronic self-denial becomes a socially acceptable defense against death anxiety.
Robert W. Firestone (The Fantasy Bond: Structure of Psychological Defenses)
How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
Author: Musin Almat Zhumabekovich
Sweet merciful fuck, words like shockingly pretty dilute the effect of his image. Yeah, the first glimpse is a shock, but it’s not just his attractiveness. It’s his presence, his projection of self-assurance and command that makes me feel disoriented, breathless, and really fucking weird deep in my core.
Pam Godwin (Dark Notes)
You will only attract what you think of.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
This was a family that consumed attractive, talented people. Its aim was to preserve beauty and genius through the centuries. For all eternity. To bottle the spark of magic that flares up in the soul of an artist, to preserve in wax the pain that is born in the heart of an actor, to dry and store the subtle, shifting images that hover above the head of a writer. Madness. They didn't realize it was impossible. As the years pass by, feelings and emotions are blunted. And thousands of years of life kill all feelings. The soul becomes cold. It can't burn anymore. The farys took away from humans the one thing that I sought and valued in them most of all—their bright, vital feelings.
Lena Meydan
People easily believe in the transition of energy, image and voice through the air, and into their laptops and smartphones, but not in the transition of thought. And they easily accept the possibility of cloning animals and humans, or transforming them genetically, and even making hybrids with different species, but refuse to accept that we may be a hybrid of two or more alien species as well.
Daniel Marques (The 88 Secret Codes of the Power Elite: The Complete Truth about Making Money with the Law of Attraction and Creating Miracles in Life that is Being Hidden from You with Mind Programming)
We could’ve been a still photo, the kind from a booth at the mall where two dollars went in and a strip of three shots came out. Our image wasn’t the first shot, the one that was always frantic and unfocused. It wasn’t the second shot either--laughing and silly. No, this was the final image--the serious shot--where the couple realized they wanted a good picture to remember the moment by and couldn’t afford to screw the last one up.
Elizabeth Langston
Once you recognize that you are being used, you can ask yourself, How has my self-image become so withered that I would allow myself to be used so? And what will I now do to restore that image to its former glory? Of
Angelica Crystal Powers (The God Academy: A Master Class in the Power of Attraction)
Christopher walked back home with Albert padding calmly beside him. For some reason the dog seemed improved after meeting Beatrix Hathaway. As Christopher gave him a damning glance, Albert looked up at him with a toothy grin, his tongue lolling. “Idiot,” Christopher muttered, although he wasn’t certain if the word was directed at his dog or himself. He felt troubled and guilty. He knew he’d behaved like an ass to Beatrix Hathaway. She had tried to be friendly, and he had been cold and condescending. He hadn’t meant to be offensive. It was just that he was nearly mad with longing for Prudence, for the sweet, artless voice that had saved his sanity. Every word of every letter she’d sent him still resonated through his soul. “I’ve done a great deal of walking lately. I seem to think better outdoors…” And when Christopher had set out to find Albert, and found himself walking through the forest, a mad idea had taken hold of him…that she was nearby, and fate would bring them together that quickly, that simply. But instead of finding the woman he had dreamed of, craved, needed for so long, he had found Beatrix Hathaway. It wasn’t that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful… Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free. Christ, it had been too long since he’d had a woman. He was randy as the devil, and lonely, and filled with equal measures of grief and anger. He had so many unfulfilled needs, and he didn’t begin to know how to address any of them. But finding Prudence seemed like a good start.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Focusing on thoughts or images that make you feel good will enable you to be at a higher level energetically and, consequently, will draw to you a higher level of vibrational experience. In other words, positive thoughts will attract positive experiences. The reverse is also true. If you’ve fallen into the habit of negative obsessing and/or fear-based thinking, you need to know that you can shift to a healthier, happier mindset.
Susan Barbara Apollon (An Inside Job: A Psychologist Shares Healing Wisdom for Your Cancer Journey)
Why a widow should raise an attractive or pathetic image in one’s mind, or at the worst something rather bold and dashing, while widower seemed to have a vague connection with the word mother-in-law cannot be explained. Brightness falls from even Clive Newcome when we have to envisage him as a young widower in mourning. As for David Copperfield, his creator most wisely sent him abroad almost at once, and while he was still in England surrounded him with events so overwhelming that we never have time to think of his widowerhood.
Angela Thirkell (Wild Strawberries (Barsetshire, #2))
As good architects know, seemingly arbitrary decisions, such as where to locate the bathrooms, will have subtle influences on how the people who use the building interact. Every trip to the bathroom creates an opportunity to run into colleagues, for better or for worse. A good building is not merely attractive, it also works. As we shall see, small and apparently insignificant details can have major impacts on people's behaviour. A good rule of thumb is to assume that everything matters. In many cases, the power of these small details come from focusing the attention of users in a particular direction. A wonderful example of this principle comes from, of all places, the men's rooms at Schiphol airport in Amsterdam. There, the authorities etched the image of a black housefly into each urinal. It seems that men usually do not pay much attention to where they aim, which can create a bit of a mess. But if they see a target, attention, and therefore accuracy, are much increased. According to the man who came up with the idea, it works wonders... Etchings reduced spillage by 80%. The insight that everything matters can be both paralysing and empowering.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
Sexy power You are a powerful baby, embossed perfection. You are a sexual toughness and I need only you alone, you have sex power, attraction to you as a chain wrapped around me pulls towards you, muscles stronger than metal, You are the highest peak of sexual tension, excitement, amazing admiration, you are a powerful thermonuclear explosion of an orgasm. You have the sexiest genes, you have the sexual power you excite me so much, right up to the orgasm, divinely sexy. Grateful, sweet, hot moans like the roar of a lioness. You're a powerful lure for real men. Piercing in love, extremely attractive, alluring bright image that goes into the soul and heart. Your skin color is so attractive to itself and so much excites. Attraction to you is strong and powerful as steel, an erection is stronger than stone, butt and chest are more perfect than any other model. A chur hot, sexier than you nothing and can not be, you are superior to all in its beauty. Physically perfect deity of the pantheon of gods. You are my sex dream, the empress of beauty, your juicy body shapes are just perfect, as are the features of your infinitely beautiful face. Your appearance is gifted with magical charm - it's magically beautiful.
Musin Almat Zhumabekovich
Rebranding: (Marketing) the process of giving a product or an organization a new image, in order to make it more attractive or successful (even though it all might still be the same>me) +Brandon
Just try to find an uncompelling photo of Fleetwood Mac taken at any point between 1975 and 1987. I've spent hours scouring Google Images in search of a single Fleetwood Mac band photo to which I am not sexually attracted, and failed every time.
Steven Hyden (Twilight of the Gods: A Journey to the End of Classic Rock)
1. The most terrible thing in love is that it is not given to you in life to know who really is your second half. And even if you find it, then you cannot be sure that your love for all your eternity will love you, as it may simply abandon you because of some trifle. 2. Cupid is a cross-eyed sniper. 3. For many people, love with late ignition. 4. If you have a broken heart, then destiny is going to offer you something better. 5. Love is the blues of sincere feelings. Something that arouses in reality something paranormal, something supernatural. 6. It is love, not friendship, which is the exact opposite of loneliness. They do not understand that everything except love is meaningless, insignificant trifles. 7. In love there is no word I, there is only a word we. 8. Do not confuse love with porn. 9. The image of a loved one is the light in the midst of darkness. 10. When love dies it is as if a person has died, the spirit comes out of his body, this spirit is a memory, a boredom, a memory. It is a life of love after parting, as if life after death. This spirit wanders in your mind, soul, and heart. 11. Love is a beautiful feeling to tears. 13. The more you love a girl, the less you want to have sex with her. You just want to embrace the soul, love the heart and kiss her lips and cheeks. Because love is higher than sex. 14. Love is stronger than fear 15. Everyone is looking for the second half: superiority, someone is a match, and few are the opposite. 16. Sympathy is a bluff, it is almost always the case. Love is a constant feeling of love, an obsession that is only intensified by mutual love. The idea of a loved one does not let you go, she is constantly in your head, and sits there very tightly. 17. Love is two magnets (a man and a woman) that attract each other more and more. Whenever you move them away from each other, the farther you go, the more powerful they are attracted to each other by body and soul. This is the most powerful magnetic force between them, and there is love. 18. When hugging a girlfriend, you need not just hug, you must convey the warmth of love that comes from your soul. What would she feel from this warm sunlight coming from your soul is the merging of souls in love with a single whole. And at this moment maybe you will feel that she presses you to her a little stronger than you her. 19. True love is like two souls merging together, like galaxies facing for centuries. 20. Let the hole in the heart let in the light of true love. 21. True love and friendship, unselfish generosity and forgiveness - these are the main manifestations of higher philosophy. 22. 1. The cause of death of love in love relationships: misunderstanding and misunderstanding. 2. The cause of death of love in marriage: life, money, character. 23. Smart chooses his life partner with the help of: brain and penis. But wise with the help of: heart and soul. 24. Cupid has poisonous arrows. 25. Release all your volley, from your flamethrower of love, into that one and only. 26. Love your beloved powerfully. 27. Lovers of exotic looks, I'm talking about love between nations and races. Such people fall in love much more sincerely and love in bed very hot and passionate rather than representatives of their people. As for most of them, for representatives of your own people, you are something trivial and trivial. 28. Goodness and love are interdimensional, multidimensional spatial forms of philosophy, out of time, this state of harmony in eternity, the key to all worlds and the inner worlds of people both external and hidden. With this vision of thinking, you see everything at once, at the same time deeply and from a height, you see all forms of time as in one palm. 29. Get up now, and forgive the loved one you love so much. 30. Love is when you give up your own egoism and accept that person in your life and you realize that you are not alone in the whole universe.
Musin Almat Zhumabekovich
This may be the real reason many of us fear silence in church—because anyone sitting near us may hear the hissing, rumbling, wheezing sounds of a living human being, which do not match up with the attractive countenances that we work so hard to present to one another.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
Tips To Make SEO Work For You Your site should be optimized as well as possible so you can generate a high ranking with search engines that are most used today. However, there are many times when your strategies will seem to fail and your measures won't add up right, so use these tips to get the right process together. Make sure your keywords are both relevant and specific to site content. A tag containing a more generic keyword phrase (i.e.: Classic Rock Music) will face very heavy competition in the SERP, where as something more specific (i.e.: Rolling Stones Music) will likely get your higher up the list. A higher ranking is one way to increase traffic to your site. Providing content that can be linked to and referenced by other websites, bloggers, etc., is the simplest way to optimize your standing in search engines. Say for example you are a graphic designer and have a site that operates as your portfolio. If you were to provide unique tutorials on your website, others can discover these, appreciate them and share them on their own site, which in turn increases the amount of times your page is referenced on the whole of the Internet as well as increasing the traffic coming from those pages where your tutorials were referenced. When creating URLs (Uniform Resource Locator), you should use keywords whenever it is possible. Keywords that are found in the URL, hold weight and prove a much needed search engine boost. Be sure to use a content management system to place keywords and hyphens in your URL's, that will attract visitors. Link to pages offering similar or related goods and services. Target your marketing to likely customers by providing a link to your website from pages offering goods or services related to what you offer. For example, if a consumer needs a mattress, they will likely need sheets and blankets as well. If you post an image on your site, tag it with the word "image." Image searching is one of the most popular forms of searches on any search engine. Many a person has found an interesting image on a search engine, and found that it was attached to a site they came to love. You should always use your keyword phrases in your HTML title tag. The title tag is the main weight during a search using a search engine. If you were the reader, what words would you be likely to search for? Once those words have been identified, they should be added to your page title. With the massive flood of internet marketers over recent years, search engines are now becoming more selective than ever. If you flood your content with links or even if you post a link that doesn't blend with the context of the content, the search engine may refuse to pull it up. You could even be punished as a result. If you are entering those times when strategies just aren't proving powerful, these great tips could provide great inspiration to insure that you are getting the best possible results that are out there for you. You want your audience to find you as easily as possible, so make sure you are always formulating strategies for success.
marketing agency
[11] “There are many Europeans who began by surrendering completely to the influence of the Christian symbol until they landed themselves in a Kierkegaardian neurosis, or whose relation to God, owing to the progressive impoverishment of symbolism, developed into an unbearably sophisticated I-You relationship—only to fall victims in their turn to the magic and novelty of Eastern symbols. This surrender is not necessarily a defeat; rather it proves the receptiveness and vitality of the religious sense. We can observe much the same thing in the educated Oriental, who not infrequently feels drawn to the Christian symbol or to the science that is so unsuited to the Oriental mind, and even develops an enviable understanding of them. That people should succumb to these eternal images is entirely normal, in fact it is what these images are for. They are meant to attract, to convince, to fascinate, and to overpower. They are created out of the primal stuff of revelation and reflect the ever-unique experience of divinity
C.G. Jung (The Archetypes and the Collective Unconscious (Collected Works 9i))
To me, it doesn’t seem right to keep clothes we don’t enjoy for relaxing around the house. This time at home is still a precious part of living. Its value should not change just because nobody sees us. So, starting today, break the habit of downgrading clothes that don’t thrill you to loungewear. The real waste is not discarding clothes you don’t like but wearing them even though you are striving to create the ideal space for your ideal lifestyle. Precisely because no one is there to see you, it makes far more sense to reinforce a positive self-image by wearing clothes you love. The same goes for pajamas. If you are a woman, try wearing something elegant as nightwear. The worst thing you can do is to wear a sloppy sweat suit. I occasionally meet people who dress like this all the time, whether waking or sleeping. If sweatpants are your everyday attire, you’ll end up looking like you belong in them, which is not very attractive. What you wear in the house does impact your self-image.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
There's not a damned thing wrong with your body. You are average-sized, you deluded fool! You are an attractive, intelligent woman, you idiot! You should spend January lying in a hammock and eating cheese.
Liane Moriarty (Nine Perfect Strangers)
Hence, the vital need for us always to keep ourselves in the noblest ideals and purest purposes of life, due to the fact that energies attract other energies of the same kind. Thus, when we dwell on vice or darkness, the mental forces that we exteriorize then return to our mind, forces which are reanimated and intensified by the elements in tune with them.  Consequently, we reinforce the bars of the prison in which we thoughtlessly remain, making our soul a closed world, where the voices and images of our own thoughts combine with the suggestions of those who are in tune with our behavior, thereby imposing recurrent hallucinations on us and temporarily
Brian Foster (51 Disclosures from Spiritism - The 3rd Revelation)
At one time areas along the roadways [in the Great Smoky Mountains National Park] were carefully cut and trimmed, creating a lawnlike appearance. When a new superintendent was appointed, he ordered this practice stopped, which engendered a good deal of complain from visitors. The roadsides had been so attractive, they said, so neat, and now they had a rough and ungainly appearance. On this small but significant point the superintendent was adamant, however, and for exactly the right reason. Visitors to the park were reacting to a conventional, familiar, and deeply ingrained image of beauty - the trimmed and landscaped lawn. The goal should not be to stimulate that familiar response, but to confront the visitor with the less familiar setting of an unmanaged landscape. The mild shock of a scene to which there is no patterned response, and the engendering of an untutored personal response, is precisely what national park management should seek, even in such seemingly small details.
Joseph L. Sax (Mountains Without Handrails: Reflections on the National Parks)
It wasn't that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful... Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The Blacklist If you’re unfamiliar with Caillou, he is the leader of the toddler community. He is the Dark Lord from whom they take orders. Caillou is who every toddler aspires to be. He’s a whining shit stain of a kid who, despite having no redeeming qualities, not even physical attractiveness, still gets everything he asks for. If most of us were Caillou’s parents, we would have dropped him off at Grandma’s house and not looked back. He is a demon’s spawn. His whine could strip paint. His cries generate no sympathy in parents, only rage. Parents, have you noticed that as your child watched Caillou he began whining more? If you have not gotten your child addicted to this degenerate of a television-show character, proceed with caution. No animated child in history has angered parents like Caillou has. If you Google his name, you will find images of him walking through flames like a demon and YouTube channels dedicated to discussing his assholery.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
Web Design - Give Your Brand Global Recognition Running a small business seems easy but actually, it is not. Surprised? Well, there’s a lot to look after and accomplish without violating the budget and resources. If you own a small business and planning to take it to new heights, you must begin with a professional web design company. Why? Because to let your audience know about your products and services, you got to make your online presence. To make a visible impact online, you need to give your organization a face, which is possible only with a well-designed website that’s professional yet user-friendly. When a website has to be designed, a number of factors are meant to be considered. Font, images, content, alignment, graphics, loading time and interface are the major factors to be careful about. What else? You need to ensure that your brand’s message is displayed the right way and at the right place. Call-to-action has to be there and the design must be in a way that attracts the audience. Want to know more? Length and number of pages also matter, as they play a great role in the presentation and are responsible to hold the audience. All this must be sounding like a lot of stuff and complicated but it is all easy with the right small business web design company by your side. It will understand your business, its needs, and goals for long-term and come with a website which is liked by the audience the moment they click it. All you need to be careful is finding the company that’s worth time and money you invest. The market is flooded with a number of web designers who boast a lot but are not worth what they say. Hiring the wrong designers may cause serious consequences for your website and eventually business. To stay away from coming across such ugly experiences, take enough time and settle for the best professionals. Check their previous work, feedback, price plan and expertise before finalizing anything. Keep this brief piece of information in mind and gift your small business the website it deserves. Good Luck!
Webdesignagency usa
For three years between 2014 and 2017 academics in the UK carried out a study about the images of men that women found attractive. The results, published in Feminist Media Studies, discovered a disturbing trend. Newsweek summed up the shocking findings in a headline, ‘Men with muscles and money are more attractive to straight women and gay men – showing gender roles aren’t progressing.
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
Some scholars thus suggest that Mahāyāna arose out of a variant on the worship of stūpas and images, that is, the cult of books. One finds in many Mahāyāna sūtras the claim that copying, memorizing or reciting this text will earn one great merit. The theory is that this formula reflects a new form of worship aimed at attracting lay followers and their material support.
Mark Siderits (Buddhism as Philosophy)
And once more I see him the way he appeared to me at the very beginning of the novel: standing at the window and staring across the courtyard at the walls opposite. This is the image from which he was born. As I have pointed out before, characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about. But isn't it true that an author can write only about himself? Staring impotently across a courtyard, at a loss for what to do; hearing the pertinacious rumbling of one's own stomach during a moment of love; betraying, yet lacking the will to abandon the glamorous path of betrayal; raising one's fist with the crowds in the Grand March; displaying one's wit before hidden microphones—I have known all these situations, I have experienced them myself, yet none of them has given rise to the person my curriculum vitae and I represent. The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own I ends) which attracts me most. For beyond that border begins the secret the novel asks about. The novel is not the author's confession; it is an investigation of human life in the trap the world has become.
Milan Kundera (The Unbearable Lightness of Being)
The type of work you do, the food on your table, beverages, fragrances, music, friends and animals surrounding you, all this affects the types of spirits you attract. Any sounds, images, fragrance, foods, work, or emotions that are constantly, consistently present potentially serve as lures for spirits (or serve to keep them away).
Judika Illes (Encyclopedia of Spirits)
1. The most terrible thing in love is that it is not given to you in life to know who really is your second half. And even if you find it, then you cannot be sure that your love for all your eternity will love you, as it may simply abandon you because of some trifle. 2. Cupid is a cross-eyed sniper. 3. For many people, love with late ignition. 4. If you have a broken heart, then destiny is going to offer you something better. 5. Love is the blues of sincere feelings. Something that arouses in reality something paranormal, something supernatural. 6. It is love, not friendship, which is the exact opposite of loneliness. They do not understand that everything except love is meaningless, insignificant trifles. 7. In love there is no word I, there is only a word we. 8. Do not confuse love with porn. 9. The image of a loved one is the light in the midst of darkness. 10. When love dies it is as if a person has died, the spirit comes out of his body, this spirit is a memory, a boredom, a memory. It is a life of love after parting, as if life after death. This spirit wanders in your mind, soul, and heart. 11. Love is a beautiful feeling to tears. 13. The more you love a girl, the less you want to have sex with her. You just want to embrace the soul, love the heart and kiss her lips and cheeks. Because love is higher than sex. 14. Love is stronger than fear 15. Everyone is looking for the second half: superiority, someone is a match, and few are the opposite. 16. Sympathy is a bluff, it is almost always the case. Love is a constant feeling of love, an obsession that is only intensified by mutual love. The idea of a loved one does not let you go, she is constantly in your head, and sits there very tightly. 17. Love is two magnets (a man and a woman) that attract each other more and more. Whenever you move them away from each other, the farther you go, the more powerful they are attracted to each other by body and soul. This is the most powerful magnetic force between them, and there is love. 18. When hugging a girlfriend, you need not just hug, you must convey the warmth of love that comes from your soul. What would she feel from this warm sunlight coming from your soul is the merging of souls in love with a single whole. And at this moment maybe you will feel that she presses you to her a little stronger than you her. 19. True love is like two souls merging together, like galaxies facing for centuries. 20. Let the hole in the heart let in the light of true love. 21. True love and friendship, unselfish generosity and forgiveness - these are the main manifestations of higher philosophy. 22. 1. The cause of death of love in love relationships: misunderstanding and misunderstanding. 2. The cause of death of love in marriage: life, money, character. 23. Smart chooses his life partner with the help of: brain and penis. But wise with the help of: heart and soul. 24. Cupid has poisonous arrows. 25. Release all your volley, from your flamethrower of love, into that one and only. 26. Love your beloved powerfully. 27. Lovers of exotic looks, I'm talking about love between nations and races. Such people fall in love much more sincerely and love in bed very hot and passionate rather than representatives of their people. As for most of them, for representatives of your own people, you are something trivial and trivial. 28. Goodness and love are interdimensional, multidimensional spatial forms of philosophy, out of time, this state of harmony in eternity, the key to all worlds and the inner worlds of people both external and hidden. With this vision of thinking, you see everything at once, at the same time deeply and from a height, you see all forms of time as in one palm. 29. Get up now, and forgive the loved one you love so much. 30. Love is when you give up your own egoism and accept that person in your life and you realize that you are not alone in the whole universe. Author: Musin Almat Zhumabekovich
Musin Almat Zhumabekovich.
Because of the speed of technological and architectural change, the world is liable to be full of scenes and objects that have not yet been transformed into appropriate images and may therefore make us nostalgic for another, now lost world, which is not inherently more beautiful but might seem so because it has already been widely depicted by those who open our eyes. There is a danger of developing a blanket distaste for modern life, which could have its attractions but lack the all-important images to help us identify them.
Alain de Botton (How Proust Can Change Your Life (Vintage International))
Your thoughts have no power to attract. But they do have the power to build a though-form. Once the though-form is created, electrons, photons and neutrinos are injected in that massless hologram via the electric currents of your centre-point, making that virtual image a magnetic entity, which becomes a field of electrically charged particles ready to become the desire's non-physical counterpart.
David Barreto
Uses of Customized Blinds Custom blinds will also be used to manage the temperature in any room. As an illustration, if the room in a home is cold through the day time, the owner of the home and their family members can easily open up the blinds so that they'll let the daylight in. The daylight helps to heat up the room with out altering the temperature on the wall. Additionally, when it gets too scorching, the family can shut the blinds in order that they can cool the room down as properly. Regardless of the scenario, these blinds can be utilized for all kinds of different purposes. Window blinds right now can be found in quite a few colours, materials and magnificence. Getting a perfect window blind will rely in your style. Aside from decoration, the window shades serve many functions in properties. They prevent excess light from coming through windows, they provide us with privateness and they're also appropriate to manage temperature. In cold seasons they forestall heat from getting out of the home. Buying the perfect varieties of window blinds can change your complete looks of your own home and make it attractive. Vertical blinds are among the most unique sorts of window blinds you can get. They're good insulators and can be utilized to utterly Blinds Sutherland Shire block daylight penetration. The vertical shades are also strong sufficient to prevent any damage from strong winds. They're low-cost however trendy. Some are constructed with the ability to adjust themselves according to the time of day. Customs blinds can be used for both informal and office settings. This innovative idea means that you can use images as blind. In the case of makes use of of customized blinds, there are different options. Using your personal creativeness, customized blinds will be embellished with completely different colours, designs and patterns. If your window is of an additional strange size, there are traditional window blinds which might be customized to slot in. These are the roller blinds. Resulting from technology, they have been superior to be extra dependable and sturdy than before. They're now less more likely to breakdown. You can select from all kinds of colours and patterns. Earlier than coming to a conclusion on one of the best kinds of window blinds, it is important to do some in depth analysis. Custom blinds act as a fantastic reward in your loved ones. It's a present that can be cherished and remembered for a number of years. It is unique from normal gifts, the recipient will be glad about the trouble and thought you will have invested into it. When you parents have passion for grandchildren, think about having your children printed onto a blind and giving it to them. They may merely adore the photograph of their grandchildren, as well as having a new blind to boost the look of their residence.
Edward Cullen
When you keep a strong image of what you want in your mind, and possess the conviction that it is yours by right, you send out powerful vibrations to the farthest reaches of the universe.
Stephen Richards (How to Get Everything You Can Imagine: Volume 1: How Mind Power Works)
Theme is not imposed on the story but evoke from within it--initally an intuitive but finally an intellectual act on the part of the writer. The writer muses on the story idea to determine what it is in it that has attracted him, why it seems to him worth telling. Having determined that what interests him and what chiefly concerns the major character is the idea of nakedness (physical, psychological, perhaps spiritual), he toys with various ways of telling his story, thinks about what has been said before about nakedness (for instance, in traditional Christianity and pagan myth), broods on every image that occuurs to him, turning it over and over, puzzling on it, hunting for connections, trying to figure out--before he writes, while he writes, and in the process of revisions, what it is he really thinks. (How naked should we be or can we be? Is openness, vulnerability, a virtue or a defect? To what extent, with what important qualifications?) He finds himself bringing in black strippers, perhaps an Indian stripper, supported by imagery that recalls primitive nakedness. And so on. Only when he thinks out his story in this way does he achieve not just an alternative reality or, loosely, an imitation of nature, but true, firm art--fiction as serious thought.
John Gardner
Los Angeles is the City of Dreams, the City of Angels, a city blessed and cursed with a glorious dream and façade of hopes -- glitter sprinkled on top if its sprawling expanse. It is a city without a center, a city with a rich and fabled past often bestowed with nostalgic memories not entirely based on fact; an erasure of memory. Without a distinct ancestry, it is often seen and referred to as a whore. The city is made up of so many distinct parts, communities intertwined and fraying at the edges. Sitting on top of one another, Los Angeles is seemingly without borders, an area of pulsing, moving bodies all swaying with the energy of the city’s rich and unique cultures. Navigating Los Angeles is an experience in itself. By way of its intricate mapping of freeways, streets and avenues, the veins and arteries of its body possess the inhabitant to follow these lifelines, dependent upon its circulating blood to survive. The body of Los Angeles makes one feel as if they can be instantly rewarded and punished by its beauty all in one moment. Los Angeles, the femme fatale, can lure one in with its bright lights, swaying palm trees, and warm sunshine yet punish at the same time – all in one sway of her hips. When the warm Santa Ana’s blow in on a summer’s night, dry and majestic, one can feel as though they have just kissed her lips, but the poison soon follows. Attracted to a dream, they pilgrimage to the City and become enraptured by the multi-faceted qualities of her magnificence. But what are we truly looking for? Many people come to the city, obsessed with an image and enraptured by an Angel. But the dichotomy that we find in her beauty is all too telling of how we see each other. Los Angeles is an angel, yet she is also a whore. Los Angeles as the femme fatale has been noted in Los Angeles film noir since the 1930s. The city itself is seductive, alluring, glamorous, and wanton. Yet she uses these qualities to her advantage, shattering the hopes and dreams of those who fall prey all too easily.
Gloria Álvarez
To consort with the crowd is harmful; there is no person who does not make some vice attractive to us, or stamp it upon us, or taint us unconsciously therewith.
Seneca (Letters From A Stoic: Epistulae Morales AD Lucilium (Illustrated. Newly revised text. Includes Image Gallery + Audio): All Three Volumes)
a key part of their subsequent success was rooted in the insight that continuous improvement to the shopping experience rather than any one particular improvement had the potential to be a major competitive edge. Tesco’s improvements included their ‘One in front’ commitment to effectively abolish checkout line-ups, baby-changing and bottle-warming facilities, ATMs, escorted searches for product requests and priority parking for pregnant mums. It was not that one improvement was more successful than another; it was the relentless implementation of a never-ending stream of small improvements that steadily improved Tesco’s image relative to their competitors, who were left seemingly forever floundering in their wake. The scheme also got Tesco’s staff more engaged in service delivery and coming up with ideas for further improvements. ‘Every little helps’ helped Tesco attract over a million new shoppers in the period from 1990–1995.
Greg Thain (Store Wars: The Worldwide Battle for Mindspace and Shelfspace, Online and In-store)
A planetary vision of bloody racial struggle, something not inherently attractive to most people most of the time, was translated at moments of stress into concepts and images that could generate political support.
Timothy Snyder (Black Earth: The Holocaust as History and Warning)
Love loves and in loving always looks beyond what it has in hand and possesses. The driving impulse [*Triebimpuls*] which arouses may tire out; love itself does not tire. This *sursum corda* which is the essence of love may take on fundamentally different forms at different elevations in the various regions of value. The sensualist is struck by the way the pleasure he gets from the objects of his enjoyment gives him less and less satisfaction while his driving impulse stays the same or itself increases as he flies more and more rapidly from one object to the next. For this water makes one thirstier, the more one drinks. Conversely, the satisfaction of one who loves spiritual objects, whether things or persons, is always holding out new promise of satisfaction, so to speak. This satisfaction by nature increases more rapidly and is more deeply fulfilling, while the driving impulse which originally directed him to these objects or persons holds constant or decreases. The satisfaction always lets the ray of the movement of love peer out a little further beyond what is presently given. In the highest case, that of love for a person, this movement develops the beloved person in the direction of ideality and perfection appropriate to him and does so, in principle, beyond all limits. However, in both the satisfaction of pleasure and the highest personal love, the same *essentially infinite process* appears and prevents both from achieving a definitive character, although for opposite reasons: in the first case, because satisfaction diminishes; in the latter, because it increases. No reproach can give such pain and act so much as a spur on the person to progress in the direction of an aimed-at perfection as the beloved's consciousness of not satisfying, or only partially satisfying, the ideal image of love which the lover brings before her―an image he took from her in the first place. Immediately a powerful jolt is felt in the core of the soul; the soul desires to grow to fit this image. "So let me seem, until I become so." Although in sensual pleasure it is the *increased variety* of the objects that expresses this essential infinity of the process, here it is the *increased depth of absorption* in the growing fullness of one object. In the sensual case, the infinity makes itself felt as a self-propagating unrest, restlessness, haste, and torment: in other words, a mode of striving in which every time something repels us this something becomes the source of a new attraction we are powerless to resist. In personal love, the felicitous advance from value to value in the object is accompanied by a growing sense of repose and fulfillment, and issues in that positive form of striving in which each new attraction of a suspected value results in the continual abandonment of one already given. New hope and presentiment are always accompanying it. Thus, there is a positively valued and a negatively valued *unlimitedness of love*, experienced by us as a potentiality; consequently, the striving which is built upon the act of love is unlimited as well. As for striving, there is a vast difference between Schopenhauer's precipitate "willing" born of torment and the happy, God-directed "eternal striving" in Leibniz, Goethe's Faust, and J. G. Fichte." ―from_Ordo Amoris_
Max Scheler
The basic discounter’s idea was to attract customers into the store by pricing these items—toothpaste, mouthwash, headache remedies, soap, shampoo—right down at cost. Those were what the early discounters called your “image” items. That’s what you pushed in your newspaper advertising—like the twenty-seven-cent Crest at Springdale—and you stacked it high in the stores to call attention to what a great deal it was. Word would get around that you had really low prices. Everything else in the store was priced low too, but it had a 30 percent margin. Health and beauty aids were priced to give away. As
Sam Walton (Sam Walton: Made In America)
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
Toward the final hallway, we found an attraction that hadn’t been there in previous years. Or maybe in other years we were more innocent and less observant, more eager to run to the next delight. Whatever the reason, as we neared the exit we were caught between two giant mirrors that faced each other, reflecting the image between them back and forth ad infinitum. We had dressed alike as we often did, or as often as cheap clothing and Goodwill bags would allow. We had on pale colored shorts and plain pink T’s, our heads covered with the fluorescent green bandanas we’d purchased, and flip flops on our feet. I was browner and a little heavier than Minnie—the chemo made her more susceptible to sunburn and killed her appetite, but other than that, we were still identical. Minnie and I stared at the rows of twins that had no end, one behind another in smaller and smaller replicas of the original. Bonnie and Minnie forever . . . and ever and ever. I reached for Minnie’s hand, and all our reflections joined hands as well, making the hair rise on my neck. Maybe it should have been comforting, the thought of the two of us going on forever, but it wasn’t. “There are twins, triplets, quadruplets, quintuplets, right? But what do you call that?” Minnie said, her eyes glued to the mirror in front of us. “Scary as hell,” I answered
Amy Harmon (Infinity + One)
The fact that Muslims do not believe man is created in the image of Allah,35 combined with the doctrine of tawheed, prevents any connection between Allah and man. Allah’s lack of unconditional love and mercy is expressed in the Muslim mind-set as well, especially in the way Islam views and treats non-Muslims. The impersonal and distant nature of Allah engenders a ritualistic and formalistic religion in which the individual can have no hope of personal salvation through faith alone.36 Instead, a Muslim must earn salvation through his works.37 Even a devout Muslim who diligently performs good works throughout his life has no true assurance that he will enter paradise in the afterlife. Continually working toward the goal of being “good enough” is thus extremely important in Islam.38 Unfortunately, according to the Quran, jihad is among the good works that earn Allah’s favor.39 In fact, martyrdom for Allah, dying in the way of Islam, is the only way to ensure acceptance into heaven.40 This explains why suicide bombing is attractive to so many radical Muslims.
Jay Sekulow (Unholy Alliance: The Agenda Iran, Russia, and Jihadists Share for Conquering the World)
Godlike erect, with native Honour clad In naked Majestie seemd Lords of all, And worthie seemd, for in thir looks Divine The image of thir glorious Maker shon, Truth, Wisdome, Sanctitude severe and pure, Severe, but in true filial freedom plac’t; Whence true autoritie in men; though both Not equal, as thir sex not equal seemd; For contemplation hee and valour formd, For softness shee and sweet attractive Grace, Hee for God only, shee for God in him: His fair large Front and Eye sublime declar’d Absolute rule; and Hyacinthin Locks Round from his parted forelock manly hung Clustring, but not beneath his shoulders broad: Shee as a vail down to the slender waste Her unadorned golden tresses wore Dissheveld, but in wanton ringlets wav’d As the Vine curles her tendrils, which impli’d Subjection, but requir’d with gentle sway, And
John Milton (Paradise Lost (Unexpurgated Start Publishing LLC))
Whether or not you intend it as such, every image in your mind acts as a sort of prayer, and the content of that prayer is broadcast into the universe. The universe—an intelligent, kinetic, interwoven network of energy—immediately begins to reorder itself to respond spontaneously to your request. Where
Angelica Crystal Powers (The God Academy: A Master Class in the Power of Attraction)
Women who have learned how to always be in touch with their sensuality can't help but attract at the highest vibrational level than those who have not. In fact, that becomes their default setting. They are a perfect representation of the "early bird catches the fattest worm" adage.
Lebo Grand (Sensual Lifestyle)
Women who have learned how to always be in touch with their sensuality can't help but attract at the highest vibrational level than those who have not. In fact, that becomes their default setting. They somehow perfectly represent the 'early bird catches the fattest worm' adage.
Lebo Grand (Sensual Lifestyle)
I meet with women daily for consultation who want to increase their self worth because they are tired of settling for less than they know they deserve (in relationships and life) and are ready to start attracting things at a higher level, my heart is constantly filled with joy and excitement.
Lebo Grand (Sensual Lifestyle)
Women who have learned how to always be in touch with their sensuality can't help but attract at the highest vibrational level than those who have not. In fact, that becomes their "new" default setting.
Lebo Grand
Everything that’s coming into your life you are attracting into your life. And it’s attracted to you by virtue of the images you’re holding in your mind. It’s what you’re thinking. Whatever is going on in your mind you are attracting to you. “Every thought of yours is a real
Rhonda Byrne (The Secret)
The first time that Raoul saw Christine at the Opera, he was charmed by the girl's beauty and by the sweet images of the past which it evoked, but was rather surprised at the negative side of her art. He returned to listen to her. He followed her in the wings. He waited for her behind a Jacob's ladder. He tried to attract her attention. More than once, he walked after her to the door of her box, but she did not see him. She seemed, for that matter, to see nobody. She was all indifference. Raoul suffered, for she was very beautiful and he was shy and dared not to confess his love, even to himself. And then came the lightning-flash of the gala performance: the heavens torn asunder and an angel's voice heard upon earth for the delight of mankind and the utter capture of his heart.
Gaston Leroux (The Phantom of the Opera)
Human self-image thrives on physical attractiveness, athletic ability, a worthwhile occupation; I worked to give those gifts to injured fliers in Britain and leprosy patients in India and now America. But, paradoxically, any of those desirable qualities may raise a barrier against the image of God, for virtually any quality that a person can rely on makes it more difficult for that person to rely on the spirit of God...Initially, I found this insight into the nature of Christ's Body jarring, perhaps because it brought a gnawing awareness that I had often sought to surround myself with the successful, the intelligent, and the beautiful. Too often I had judged by the image of people rather than the image of God.
Paul Brand, In His Image
a four second window of opportunity exists for a visual image to attract and hold attention before a viewer’s interest may be lost.
Zena O'Connor (Elements and Principles of Design)
It was a tale of doubt and betrayal, one familiar from so many country songs, but the reason these stories turn up so many times is that, for all our vanities, there are not so many ways to be a fool, or, as I wrote once, “Man uses words to dress up his vile instincts.” Anytime I strayed into an attractive but opaque image, Loretta pulled me back to the story. If the harmony became unsettling, she wanted a plain chord to serve as an anchor to your feelings. If I didn’t know it already, I found it was just as hard to write a song using simple tools as it was to turn the fancy tricks that I’d long since put away. So, we finished the song and I went back downtown to debut the number on my favorite stage in the world, the Ryman Auditorium, where I was opening for Bob Dylan that night.
Elvis Costello (Unfaithful Music & Disappearing Ink)
I have contended in Capitalism and Christianity, American Style that many anxious white males in the working and middle classes seek models of masculinity with whom to identify in a world of uncertainty. Corporate elites, sports heroes, financial wizards, and military leaders project images of independence, mastery, and virility that can make them attractive models of identification, whereas state welfare programs, market regulations, retirement schemes, and health care, while essential to life, may remind too many of the very fragilities, vulnerabilities, susceptibilities, and dependencies they strive to deny or forget.
William E. Connolly (The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism)
The absence of portraits of Margaret Beaufort as an attractive young woman to counterbalance the images of her in old age have helped give credit to the sinister reputation she has gained. But the face that stands out from her story is not that of the widow with the hooded eyes, praying amidst the riches of a royal chapel and seen in her portraits, but a young girl, riding in the biting wet of a Welsh winter, to Pembroke Castle where she must deliver her child. Now it was for her grandchildren and great-grandchildren to continue the Tudor story.
Leanda de Lisle (Tudor: Passion. Manipulation. Murder. The Story of England's Most Notorious Royal Family)
From this time Elizabeth Lavenza became my playfellow, and, as we grew older, my friend. She was docile and good tempered, yet gay and playful as a summer insect. Although she was lively and animated, her feelings were strong and deep, and her disposition uncommonly affectionate. No one could better enjoy liberty, yet no one could submit with more grace than she did to constraint and caprice. Her imagination was luxuriant, yet her capability of application was great. Her person was the image of her mind; her hazel eyes, although as lively as a bird's, possessed an attractive softness. Her figure was light and airy; and, though capable of enduring great fatigue, she appeared the most fragile creature in the world. While I admired her understanding and fancy, I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.
Mary Wollstonecraft Shelley (Frankenstein - Original 1818 Uncensored Version)
The first time you click on Milestone, you will establish your benchmark date—the day you started to write your book, for example. Add an image to this milestone to attract fans and encourage engagement.
Frances Caballo (Social Media Just for Writers: The Best Online Marketing Tips for Selling Your Books)
Thou shalt not make unto thee any graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth: thou shalt not bow down thyself to them, nor serve them.” [306] The second commandment forbids the worship of the true God by images or similitudes. Many heathen nations claimed that their images were mere figures or symbols by which the Deity was worshiped, but God has declared such worship to be sin. The attempt to represent the Eternal One by material objects would lower man’s conception of God. The mind, turned away from the infinite perfection of Jehovah, would be attracted to the creature rather than to the Creator. And as his conceptions of God were lowered, so would man become degraded.
Ellen G. White (Patriarchs And Prophets)