Delhi Girl Quotes

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From New Delhi to New York, from Durban to Rio; women and girls are been hunted down by rapists, abused by pedophiles and emotionally decapitated by a society that is becoming increasingly hostile to the womenfolk
Oche Otorkpa
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
Zadie Smith (White Teeth)
Myra wasn't simple or complicated. She was different. She was not perfect, not even close but her flaws were intresting. She always had an opinion, something to say about everything.Most interesting thing about her is that she never said something to please, yet she was nice to be around.
Parul Wadhwa (The Masquerade)
I guess teaching maths at Chandan Classes didn’t keep me as fit as when I was the volleyball captain at IIT Delhi.
Chetan Bhagat (The Girl in Room 105)
I am sick and tired of coming good on expectations.
Parul Wadhwa
Shut your gob. If you love someone, never use the word pataana. If you love the girl, then respect the girl.
Ashwini Rudra (Delhi via Lucknow: Once, love travelled this route)
I have a distinct air of myself standing amidst such a crowd of people. My eyes set above, looking at the tall building if it bespeaks a promising note. I don’t know how fair is life, All I know is I have a plan to alter the face of it, the way I choose. A purpose, a driving motive, and an obsession.
Parul Wadhwa (The Masquerade)
Yet, there is a Chennai that hasn’t changed and never will. Women still wake up at the crack of dawn and draw the kolam—the rice-flour design—outside their doorstep. Men don’t consider it old-fashioned to wear a dhoti, which is usually matched with a modest pair of Bata chappals. The day still begins with coffee and lunch ends with curd rice. Girls are sent to Carnatic music classes. The music festival continues to be held in the month of December. Tamarind rice is still a delicacy—and its preparation still an art form. It’s the marriage between tradition and transformation that makes Chennai unique. In a place like Delhi, you’ll have to hunt for tradition. In Kolkata, you’ll itch for transformation. Mumbai is only about transformation. It is Chennai alone that firmly holds its customs close to the chest, as if it were a box of priceless jewels handed down by ancestors, even as the city embraces change.
Bishwanath Ghosh (Tamarind City)
In many elite Hindu families in the Delhi region and the North-west, until about the time of Partition it was the custom for boys to learn Persian and Urdu and be literate in the Persian script, while the girls were taught Devanagari. Among elite Sikh families too, the boys would similarly be schooled in Persian and Urdu and know the Persian script, while the girls were taught Gurmukhi, the Punjabi script in which the Guru Granth Sahib, the Sikh holy book, is written.
Peggy Mohan (Wanderers, Kings, Merchants: The Story of India through Its Languages)
But no literature grows in isolation, and looking at the history of Indian writing in English is like looking at a silent movie made up of static postcards of Delhi, or Mumbai, or any other thronged Indian city: the life, the colour, the hubbub of hundreds of eager new writers and high-minded editors, peacocking poets and fiery-eyed pamphleteers, all of that has been bled out of collective memory. In the same year that Dean Mahomet wrote his Travels, the Madras Hircarrah (1794) started up, joining Hicky’s Bengal Gazette (1780) and the India Gazette (1781); the first in a flood of periodicals and journals that would breathlessly, urgently take the news of India running along from one province to another. The
Nilanjana Roy (The Girl Who Ate Books: Adventures in Reading)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
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NEW DELHI — The rape and slaying of two teenage girls in an Indian village threatened to touch off wider strife Thursday, when the father of one of the girls said the crime was the product of a conspiracy among Yadavs, members of the dominant caste in the area.
Anonymous
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More red lights on top of the cars than on roads. Glamorous lifestyle coexisting with some underprivileged lives. Big showrooms on the left, begging kids on the right. Azaan from the mosque blending smoothly with the pleasant sound of temple bells. The modern travel miracle Delhi Metro passes by the ancient temples and monuments. Crowded streets coexist with lonely hearts. This city is like the most beautiful girl in a college. That is what I know about Delhi, the capital city of the nation.
Misbah Khan (Blanks & Blues)
She is too upfront for her own good
Parul Wadhwa (The Masquerade)
In my opinion, Fiction is a figment of our imagination & it causes us to dream but Reality taints dreams, and the F.scott Fitzgerald has clearly depicted this in The Great Gatsby.
Parul Wadhwa (The Masquerade)
God, she misses Delhi. Misses roti and pickle and curd in the winter sun. Girls fussing over her in tiny, windowless salons. Golgappas in Khan Market. The crowds of Old Delhi. Sweet corn on the side of the road, dressed with chilli and chaat masala and lemon. Misses her dad so much just to think of him makes her cry. Misses her mum. But they barely speak.
Deepti Kapoor (Age of Vice)
When asked for their opinion men, more often than not, blamed western culture as the source of the rape epidemic. This most often found expression in blaming the victims, whose clothing styles showed that they had been corrupted by western culture. Men who come to big cities like Delhi looking for work are shocked at seeing young women wearing tight western clothing that, in their minds at least, leaves nothing to the imagination. Men from the villages who are accustomed to seeing women wearing the ghunghat, or traditional veil, in public arrive in Delhi to find themselves sexually overstimulated by the Delhi girls, who are like mangoes. What do you do with the fruit? You eat it, suck it, and throw it away. These women are being used and overused. Sometimes, they have ten boyfriends. In such a situation, how can you stop rapes? The current discourse is being created by elites and it ends there. You have all these rich people talking on TV, but if the rich want to have fun, they can afford to hire women and go to a hotel. Where will a poor man go?
E. Michael Jones (The Jews and Moral Subversion)
The culture of ‘protect women by locking them up’ runs so deep that it is reflected in the rules of places of higher learning, including in Delhi University. When women at St Stephen’s protested the locks on their hostels, a male faculty member said, ‘If the girls’ blocks are open, we’ll have to open a maternity ward.’ Unlike boys, girls cannot leave hostels in the evenings to even go to the library that stays open till midnight. Pinjra Tod , a student-led ‘Break the Cage’ protest movement at Delhi University, finally filed a complaint with the Delhi Commission of Women, which has in turn issued notice to all 23 registered universities in Delhi asking for explanations on the treatment of women in their hostels
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
Anjali, 19, studies at Gargi College, in Delhi. She and her younger sister were raised disguised as boys but without the freedom. They were always dressed in boys’ pants and shirts even as little girls. There were no frocks or dresses. A barber always cut their hair short. No hair clips or ribbons. No make-up, not even kajal. They were denied all signs of femaleness in clothes, hair, jewellery and they were kept at home as much as possible. Once, when Anjali returned home with nail polish on her nails from a friend’s house, her mother hit her and the nail polish was scraped off. These restrictions continue in college. Anjali feels suffocated and slipped me a note in a college classroom requesting me to intervene.
Deepa Narayan (Chup: Breaking the Silence About India’s Women)
A starlet in whom Shukla took a special interest was a curvaceous beauty called Vijay Kumari, known by her pet name, Candy. Students at the Film and Television Institute of India (FTII), Pune, recall how one day in August 1976 film director G.P. Sippy turned up at the institute along with Candy dressed in blue jeans, a yellow top and dark glasses. They were told that Candy, who had ‘high connections’, was to be given a place in the girls’ hostel even though she had taken none of the mandatory admission tests. N.V.K. Murthy, the then director of FTII, at first resisted her admission but was told by Sippy that it was a direct order from Shukla. Shortly afterwards Murthy was transferred to Delhi and replaced by Jagat Murari.
Coomi Kapoor (The Emergency: A Personal History)
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