Green Computing Quotes

Issac:"I dislike living in a world without Augustus Waters." Computer: "I don't understand-" Issac: "Me neither. Pause

I hope you didn't bring the Asian kid along thinking he's a computer genius. Because I'm not," Takumi said.

Me: "Touch the cave wall." Computer: "You touch the cave wall. It is moist." Isaac: "Lick the cave wall." Computer: "I do not understand. Repeat?" Me: "Hump the moist cave wall." Computer: "You attempt to jump. You hit your head." Isaac: "Not jump. HUMP." Computer: "I don't understand." Isaac: "Dude, I've been alone in the dark in this cave for weeks and I need some relief. HUMP THE CAVE WALL." Computer: "You attempt to ju-" Me: "Thrust pelvis against the cave wall." Computer: "I do not-" Isaac: "Make sweet love to the cave." Computer: "I do not-

Welcome to the future, Holmesy. It’s not about hacking computers anymore; it’s about hacking human souls.

This book felt, at times, entirely impossible, but a lot of people made it possible. I'll start with my son, Orin, who reminded me to take frequent breaks by pointing to my computer and saying, "Close it.

I think she and I were talking about how much I adored skateboarding on the computer but how it would never even occur to me to try and step on a skateboard in real life, and then she said, 'Let's play Truth or Dare' and then you fucked her." "Wait, you fucked her? In front of the Colonel?" Takumi cried. "I didn't fuck her.

It’s not about hacking computers anymore; it’s about hacking human souls.

We should do something,” I said. “Can the something be play blind-guy video games while sitting on the couch?” “Yeah, that’s just the kind of something I had in mind.” So we sat there for a couple hours talking to the screen together, navigating this invisible labyrinthine cave without a single lumen of light. The most entertaining part of the game by was far trying to get the computer to engage with us in humorous conversation: Me: “Touch the cave wall.” Computer: “You touch the cave wall. It is moist.” Isaac: “Lick the cave wall.” Computer: “I do not understand. Repeat?” Me: “Hump the cave wall.” Computer: “You attempt to jump. You hit your head.” Isaac: “Not jump. HUMP.” Computer: “I don’t understand.” Isaac: “Dude, I’ve been alone in the dark in this cave for weeks and I need some relief. HUMP THE CAVE WALL.” Computer: “You attempt to ju—” Me: “Thrust pelvis against cave wall.” Computer: “I do not—” Isaac: “Make sweet love to the cave.” Computer: “I do not—” Me: “FINE. Follow left branch.” Computer: “You follow the left branch. The passage narrows.” Me: “Crawl.” Computer: “You crawl for one hundred yards. The passage narrows.” Me: “Snake crawl.” Computer: “You snake crawl for thirty yards. A trickle of water runs down your body. You reach a mound of small rocks blocking the passageway.” Me: “Can I hump the cave now?” Computer: “You cannot jump without standing.” Isaac: “I dislike living in a world without Augustus Waters.” Computer: “I don’t understand—” Isaac: “Me neither. Pause.

Our effort was mocked by some police supervisors: has the computer caught Ted yet?

I sat at the computer, my eyes closed, elbows against the desk, and listened to a voice singing in a minor key.

if anyone ever uses lol with me, i rip my computer right out of the wall and smash it over the nearest head.

Even with skills that are primarily mental, such as computer programming or speaking a foreign language, it remains the case that we learn best through practice and repetition—the natural learning process.

Then on Sunday night while I’m at the computer checking to see if anyone’s online, my dad’s head appears in my doorway. “Will,” he says, “do you have a sec to talk in the living room?” I spin around in the desk chair and stand up. My stomach flips a bit because the living room is the room least likely to be lived in, the room where the nonexistence of Santa is revealed, where grandmothers die, where grades are frowned upon, and where one learns that a man’s station wagon goes inside a woman’s garage, and then exits the garage, and then enters again, and so on until an egg is fertilized, and etc.

Though we nearly lost everything last month, when the mainframe got possessed by Sumerian demons, and we had to call in a technodruid to exorcise it. I’d never heard language like that before, and even after it was all over, the office still smelled of burning mistletoe for weeks. And I might add that the computer Helpline people were no bloody use at all.

Forrest Gander: "Maybe the best we can do is try to leave ourselves unprotected. To keep brushing off habits, how we see things and what we expect, as they crust around us. Brushing the green flies of the usual off the tablecloth. To pay attention.

Opening up their sack, the children chorus, “Oh Snowman, what have we found?” They lift out the objects, hold them up as if offering them for sale: a hubcap, a piano key, a chunk of pale-green pop bottle smoothed by the ocean. A plastic BlyssPluss container, empty; a ChickieNobs Bucket O’Nubbins, ditto. A computer mouse, or the busted remains of one, with a long wiry tail.

I dislike living in a world without Augustus Waters.” Computer: “I don’t understand—” Isaac: “Me neither. Pause.

You can't get a personal computer to work without Windows (this is under the assumption you can actually get Windows to work).

The fights begin. We're into it ironically at first, but then start genuinely having fun trying to top each other yelling stuff. We get looks, but so what? "Make him feel like every day is Monday!" Delia shouts. "Embarrass him in front of everyone he's ever loved!" I shout. "Dip your hands in his blood!" Delia shouts. "Send him back to school to get his degree in computer science!" I shout. "Show him how angry you are that stuff that's supposed to smell like green tea doesn't smell like green tea!" Delia shouts. "Okay, that one was a stretch," I say.

Pages later- hearing and exposed- Whitman starts to write about all the travel he can do by imagining, and lists all the places he can visit while loafing on the grass. "My palms cover continents," he writes. I kept thinking about maps, like the way sometimes when I was kid and I would look at atlases, and just the looking was kind of like being somewhere else. This is what I had to do.I had to hear and imagine my way into her map. But hadn't I been trying to do that? I looked up at the maps above my computer. I had tried to plot her possible travels, but just as the grass stood for too much so Margo stood for too much. It seemed impossible to pin her down with maps. She was too small and the space covered by the maps too big. They were more than a waste of time- they were the physical representation of the total fruitlessness of all of it, my absolute inability to develop the kinds of palms that cover continents, to have the kind of mind that correctly imagines.

For instance, the previous run-on sentence is a sentence fragment, and it happened in part because of the really nice time my body was having making this lavender Le Pen make the loop-de-looping we call language. I mean writing. The point: I’d no sooner allow that fragment to sit there like a ripe zit if I was typing on a computer. And consequently, some important aspect of my thinking, particularly the breathlessness, the accruing syntax, the not quite articulate pleasure that evades or could give a fuck about the computer’s green corrective lines (how they injure us!) would be chiseled, likely with a semicolon and a proper predicate, into something correct, and, maybe, dull. To be sure, it would have less of the actual magic writing is, which comes from our bodies, which we actually think with, quiet as it’s kept.

Tin Toy went on to win the 1988 Academy Award for animated short films, the first computer-generated film to do so. To celebrate, Jobs took Lasseter and his team to Greens, a vegetarian restaurant in San Francisco.

It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.

Daisy didn’t have a computer, so she did everything on her phone, from texting to writing fan fiction. She could type on it faster than I could on a regular keyboard. “Have you ever gotten a dick pic?” she asked in lieu of saying hello. “Um, I’ve seen one,” I said, scooting into the bench across from her. “Well, of course you’ve seen one, Holmesy. Christ, I’m not asking if you’re a seventeenth-century nun. I mean have you ever received an unsolicited, no-context dick pic. Like, a dick pic as a form of introduction.” “Not really,” I said.

It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and

That’s the wonder and terror of computer-generated images for me: If they look real, my brain isn’t nearly sophisticated enough to understand they are not. We’ve long known that images are unreliable—Kafka wrote that “nothing is as deceptive as a photograph”—and yet I still can’t help but believe them.

Pathways toward a New Shabbat Do 1. Stay at home. Spend quality time with family and real friends. 2. Celebrate with others: at the table, in the synagogue, with friends or community. 3. Study or read something that will edify, challenge, or make you grow. 4. Be alone. Take some time for yourself. Check in with yourself. Review your week. Ask yourself where you are in your life. 5. Mark the beginning and end of this sacred time by lighting candles and making kiddush on Friday night and saying havdalah on Saturday night. Don’t 6. Don’t do anything you have to do for your work life. This includes obligatory reading, homework for kids (even without writing!), unwanted social obligations, and preparing for work as well as doing your job itself. 7. Don’t spend money. Separate completely from the commercial culture that surrounds us so much. This includes doing business of all sorts. No calls to the broker, no following up on ads, no paying of bills. It can all wait. 8. Don’t use the computer. Turn off the iPhone or smartphone or whatever device has replaced it by the time you read this. Live and breathe for a day without checking messages. Declare your freedom from this new master of our minds and our time. Find the time for face-to-face conversations with people around you, without Facebook. 9. Don’t travel. Avoid especially commercial travel and places like airports, hotel check-ins, and similar depersonalizing encounters. Stay free of situations in which people are likely to tell you to “have a nice day” (Shabbat already is a nice day, thank you). 10. Don’t rely on commercial or canned video entertainment, including the TV as well as the computer screen. Discover what there is to do in life when you are not being entertained.

Lilah did little more than sleep and eat and cry, which to me was the most fascinating thing in the entire universe. Why did she cry? When did she sleep? What made her eat a lot one day and little the next? Was she changing with time? I did what any obsessed person would do in such a case: I recorded data, plotted it, calculated statistical correlations. First I just wrote on scraps of paper and made charts on graph paper, but I very quickly became more sophisticated. I wrote computer software to make a beautifully colored plot showing times when Diane fed Lilah, in black; when I fed her, in blue (expressed mother's milk, if you must know); Lilah's fussy times, in angry red; her happy times, in green. I calculated patterns in sleeping times, eating times, length of sleep, amounts eaten. Then, I did what any obsessed person would do these days; I put it all on the Web.

Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.

Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence. Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon. So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.

Most people think the Lego corporation assembled a crack team of world-class experts to engineer Mini-Florida on a computer, but I’m not buying it.” “You aren’t?” asked Coleman. “It’s way too good.” Serge pointed at a two-story building in Key West. “Examine the meticulous green shutters on Hemingway’s house. No, my money is on a lone-wolf manic type like the famous Latvian Edward Leedskalnin, who single-handedly built the Coral Castle back in the twenties. He operated in secret, moving multi-ton hewn boulders south of Miami, and nobody knows how he did it. Probably happened here as well: The Lego people conducting an exhaustive nationwide search among the obsessive-compulsive community. But they had to be selective and stay away from the ones whose entire houses are filled to the ceiling with garbage bags of their own hair. Then they most likely found some cult guru living in a remote Lego ashram south of Pueblo with nineteen wives, offered him unlimited plastic blocks and said, ‘Knock yourself out.

I hope when this is done I'll be able to get back into my happy gardening vibe that was so healthy for me. I want to go back to my routine and my morning ritual with the compost, but it will probably be that my life will split in two. New Leaf Gardening in Wood Green will be happening in parallel to a fantasy that runs along the bottom of that screen like a ticker. Alice will be fine. Rabbit will stay up tonight, and every night. Resending and resending, reopening the page to see if she has responded, if anyone has. The spinning wheel will make my eyes hurt and everything else will go dark.

We rode in a darling neighborhood of little bungalows cuddled together. I love the gray-green-putty colors against the leafless cherry trees and Japanese maples. I could feel the crocus, daffodil, and tulip bulbs underground, gaining strength, patiently enduring our winter, waiting to burst forth for another glorious Seattle spring. I held my hand out and whooshed it through the thick, healthy air. What other city has given birth to the jumbo jet, the Internet superstore, the personal computer, the cellular phone, online travel, grunge music, the big-box store, good coffee? Where else could somebody like me ride bikes alongside the man with the fourth-most-watched TEDTalk? I started laughing.

It was one of the rare mornings when Dad was around. He’d gotten up early to go cycling, and he was sweaty, standing at the counter in his goony fluorescent racing pants, drinking green juice of his own making. His shirt was off, and he had a black heart-rate monitor strapped across his chest, plus some shoulder brace he invented, which is supposedly good for his back because it pulls his shoulders into alignment when he’s at the computer. “Good morning to you, too,” he said disapprovingly. I must have made some kind of face. But I’m sorry, it’s weird to come down and see your Dad wearing a bra, even if it is for his posture. Mom came in from the pantry covered with spaghetti pots. “Hello, Buzzy!

Do you know where the dictionary is?” Fang looked at the girl who had spoken. “What?” “Our reference materials are over here,” the girl said, pointing. “When we have free study time, you can walk around and do homework. If you need to look up stuff, the computers and other references are over here.” “Oh. Okay. Thanks.” “No problem.” The girl swallowed and stepped closer. She was shorter than Max and had long, dark red hair. Her eyes were bright green, and her nose had freckles. “I’m Lissa,” she said. “And you’re Nick, right?” What did she want? He looked at her. “Uh-huh,” he said warily. “I’m glad you’re in our class.” “What? Why?” She stepped still closer, and he could smell the lavender scent of soap. Giving him a flirtatious smile, she said, “Why do you think?

Stanford commencement address; Andy Behrendt, “Apple Computer Mogul’s Roots Tied to Green Bay,” (Green Bay) Press Gazette, Dec. 4, 2005; Georgina Dickinson, “Dad Waits for Jobs to iPhone,” New York Post and The Sun (London), Aug. 27, 2011; Mohannad Al-Haj Ali, “Steve Jobs Has Roots in Syria,” Al Hayat, Jan. 16, 2011; Ulf Froitzheim, “Porträt Steve Jobs,” Unternehmen, Nov. 26, 2007. Silicon Valley: Interviews with Steve Jobs, Laurene Powell. Jobs, Smithsonian oral history; Moritz, 46; Berlin, 155–177; Malone, 21–22. School: Interview with Steve Jobs. Jobs, Smithsonian oral history; Sculley, 166; Malone, 11, 28, 72; Young, 25, 34–35; Young and Simon, 18; Moritz, 48, 73–74. Jobs’s address was originally 11161 Crist Drive, before the subdivision was incorporated into the town from the county.

A newly formed planet appeared on the large screen. its surface was till red-hot, like a piece of charcoal fresh out of the furnace. Time passed at the rate of geological eras, and the planet gradually cooled. The color and patterns on the surface slowly shifted in a hypnotic manner. A few minutes later, an orange planet appeared on the screen, indicating the end of the simulation run. "The computations were done at the coarsest level; to do it with more precision would require over a month." Green Glasses moved the mouse and zoomed in on the surface of the planet. The view swept over a broad desert, over a cluster of strangely shaped, towering mountain peaks, over a circular depression like an impact crater. "What are we looking at?" Yang Dong asked. "Earth. Without life, this is what the surface of the planet would look like now." "But . . . where are the oceans?" "There are no oceans. No rivers either. The entire surface is dry." "Your'e saying that without life, liquid water would not exist on Earth?" "The reality would probably be even more shocking. Remember, this is only a coarse simulation, but at least you can see how much of an impact life had in the present state of the Earth." "But--" "Do you think life is nothing but a fragile, thin, soft shell clinging to the surface of this planet?" "Isn't it?" "Only if you neglect the power of time. If a colony of ants continue to move clods the size of grains of rice, they could remove all of Mount Tai in a billion years. As long as you give it enough time, life is stronger than metal and stone, more powerful than typhoons and volcanoes.

Patients, beings who want to be rehabilitated, send me questions See? I answer them real fast, 1 2 3 done Like so You get?' Toby said, his pale green fingers clattering across the keyboard. 'I think so,' I said, shifting in my chair. 'Okay hear we go First question: I just moved to a new city and there's a school next door All the kids, every last student, wear the same clothes Are they all related Is this one of those mafia families I need to be careful around You know the answer? Toby asked, swiveling to face me. 'Perhaps,' I said after thinking a moment. It took a second to distinguish when the question ended and when Toby's remarks started. 'You sure, I can check real quick 1 2 3 I check that fast,' Toby said, his words zooming out of his mouth while Google search engine popped up on his computer screen.

Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement.

Ah, Jerry. All my ideas are the same old scam: the bigger the fib, the bigger they bite. The first shamans around the fire were in on it – they knew growing maize along the Euphrates was for mugs. Tell people that reality is exactly what it appears to be, they’ll nail you to a lump of wood. But tell ’em they can go spirit-walking while they commute, tell ’em their best friend is a lump of crystal, tell ’em the government has been negotiating with little green men for the last fifty years, then every Joe Six-Pack from Brooklyn to Peoria sits up and listens. Disbelieving the reality under your feet gives you a licence to print your own. All it takes is an original twist – an artificial intelligence, created by the military to invade and take over the enemy’s computer and weapons systems, has broken loose and is controlling the whole planet with a chilling agenda of its own – and Joe Six-Pack hands you his credits cards, and says “Tell me more . . .

It was little things at first. Abby missed a phone call because she had an away game. Then one time Gretchen didn’t write back and never made up for the missing letter. They got busy with SATs and college applications, and even though they both applied to Georgetown, Gretchen didn’t get in, and Abby wound up going to George Washington anyways. At college they went to their computer labs and sent each other emails, sitting in front of black and green CRT screens and pecking them out one letter at a time. And they still wrote, but calling became a once-a-week thing. Gretchen was Abby’s maid of honor at her tiny courthouse wedding, but sometimes a month would go by and they wouldn’t speak. Then two months. Then three. They went through periods when they both made an effort to write more, but after a while that usually faded. It wasn’t anything serious, it was just life. The dance recitals, making the rent, first real jobs, pickups, dropoffs, the fights that seemed so important, the laundry, the promotions, the vacations taken, shoes bought, movies watched, lunches packed. It was a haze of the everyday that blurred the big things and made them feel distant and small.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

Charlotte had the blondest hair I’ve ever seen. She didn’t shake my hand but gave me a quick little wave and smiled. “Hi, August. Nice to meet you,” she said. “Hi,” I said, looking down. She was wearing bright green Crocs. “So,” said Mr. Tushman, putting his hands together in a kind of slow clap. “What I thought you guys could do is take August on a little tour of the school. Maybe you could start on the third floor? That’s where your homeroom class is going to be: room 301. I think. Mrs. G, is—” “Room 301!” Mrs. Garcia called out from the other room. “Room 301.” Mr. Tushman nodded. “And then you can show August the science labs and the computer room. Then work your way down to the library and the performance space on the second floor. Take him to the cafeteria, of course.” “Should we take him to the music room?” asked Julian. “Good idea, yes,” said Mr. Tushman. “August, do you play any instruments?” “No,” I said. It wasn’t my favorite subject on account of the fact that I don’t really have ears. Well, I do, but they don’t exactly look like normal ears. “Well, you may enjoy seeing the music room anyway,” said Mr. Tushman. “We have a very nice selection of percussion instruments.” “August, you’ve been wanting to learn to play the drums,” Mom said, trying to get me to look at her. But my eyes were covered by my bangs as I stared at a piece of old gum that was stuck to the

Bohr advanced a heavyhanded remedy: evolve probability waves according to Schrodinger's equation whenever you're not looking or performing any kind of measurement. But when you do look, Bohr continued, you should throw Schrodinger's equation aside and declare that your observation has caused the wave to collapse. Now, not only is this prescription ungainly, not only is it arbitrary, not only does it lack a mathematical underpinning, it's not even clear. For instance, it doesn't precisely define "looking" or "measuring." Must a human be involved? Or, as Einstein once asked, will a sidelong glance from a mouse suffice? How about a computer's probe, or even a nudge from a bacterium or virus? Do these "measurements" cause probability waves to collapse? Bohr announced that he was drawing a line in the sand separating small things, such as atoms and their constituents, to which Schrodinger's equation would apply, and big things, such as experimenters and their equipment, to which it wouldn't. But he never said where exactly that line would be. The reality is, he couldn't. With each passing year, experimenters confirm that Schrodinger's equation works, without modification, for increasingly large collections of particles, and there's every reason to believe that it works for collections as hefty as those making up you and me and everything else. Like floodwaters slowly rising from your basement, rushing into your living room, and threatening to engulf your attic, the mathematics of quantum mechanics has steadily spilled beyond the atomic domain and has succeeded on ever-larger scales.

Tegmark: That’s right, and there’s a more elemental example. In a certain sense, your genes have invented you. They built your brain so that you could make copies of your genes. That’s why you like to eat—so you won’t starve to death. And that’s why we fall in love—to make copies of our genes, right? But even though we know this, we still choose to use birth control, which is the opposite of what our genes want. Some people dismiss the idea that there will ever be anything smarter than humans for mystical reasons—because they think there’s something more than quarks and electrons and information processing going on in us. But if you take the scientific approach, that you really are your quarks, then there’s clearly no physical law of physics that precludes anything more intelligent than a human. We were constrained by how many quarks you could fit into a skull, and things like that—constraints that computers don’t have. It becomes instead more a question of time. And, as you said, there’s a relentless pressure to make smarter things, because it’s profitable and interesting and useful. The question isn’t if this will happen, but when. And finally, to come back to those ants. Suppose you’re in charge of a huge green-energy project, and just as you’re about to let the water flood the hydroelectric dam you’ve built, someone points out that there’s an anthill right in the middle of the flood zone. Now, you know the ants don’t want to be drowned, right? So you have to make a decision. What are you going to do? Harris: Well, in that case, too bad for the ants. Tegmark: Exactly. So we ought to plan ahead. We don’t want to end up like the ants.

We call them shadow particles, Shadows. You know what nearly knocked me off my chair just now? When you mentioned the skulls in the museum. Because one of our team, you see, is a bit of an amateur archaeologist. And he discovered something one day that we couldn’t believe. But we couldn’t ignore it, because it fitted in with the craziest thing of all about these Shadows. You know what? They’re conscious. That’s right. Shadows are particles of consciousness. You ever heard anything so stupid? No wonder we can’t get our grant renewed.” She sipped her coffee. Lyra was drinking in every word like a thirsty flower. “Yes,” Dr. Malone went on, “they know we’re here. They answer back. And here goes the crazy part: you can’t see them unless you expect to. Unless you put your mind in a certain state. You have to be confident and relaxed at the same time. You have to be capable—Where’s that quotation…” She reached into the muddle of papers on her desk and found a scrap on which someone had written with a green pen. She read: ‘ “… Capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ You have to get into that state of mind. That’s from the poet Keats, by the way. I found it the other day. So you get yourself in the right state of mind, and then you look at the Cave—” “The cave?” said Lyra. “Oh, sorry. The computer. We call it the Cave. Shadows on the walls of the Cave, you see, from Plato. That’s our archaeologist again. He’s an all-around intellectual. But he’s gone off to Geneva for a job interview, and I don’t suppose for a moment he’ll be back…. Where was I? Oh, the Cave, that’s right. Once you’re linked up to it, if you think, the Shadows respond. There’s no doubt about it. The Shadows flock to your thinking like birds.…

About a month before the handover of sovereignty, Joshua Paul, a young CPA staffer, typed up a joke on his computer and sent it to a few friends in the palace. The recipients forwarded it to their friends, who did the same thing. In less than a week, almost everyone in the Green Zone had seen it. QUESTION: Why did the Iraqi chicken cross the road? CPA: The fact that the chicken crossed the road shows that decision-making authority has switched to the chicken in advance of the scheduled June 30th transition of power. From now on, the chicken is responsible for its own decisions. HALLIBURTON: We were asked to help the chicken cross the road. Given the inherent risk of road crossing and the rarity of chickens, this operation will only cost $326,004. SHIITE CLERIC MOQTADA AL-SADR: The chicken was a tool of the evil Coalition and will be killed. U.S. ARMY MILITARY POLICE: We were directed to prepare the chicken to cross the road. As part of these preparations, individual soldiers ran over the chicken repeatedly and then plucked the chicken. We deeply regret the occurrence of any chicken-rights violations. PESHMERGA: The chicken crossed the road, and will continue to cross the road, to show its independence and to transport the weapons it needs to defend itself. However, in the future, to avoid problems, the chicken will be called a duck, and will wear a plastic bill. AL-JAZEERA: The chicken was forced to cross the road multiple times at gunpoint by a large group of occupation soldiers, according to witnesses. The chicken was then fired upon intentionally, in yet another example of the abuse of innocent Iraqi chickens. CIA: We cannot confirm or deny any involvement in the chicken-road-crossing incident. TRANSLATORS: Chicken he cross street because bad she tangle regulation. Future chicken table against my request.

do you think Jesus would do if he came back to earth tonight in Bremerton?” C asked, as he spooned some rice onto his plate. “I don’t know,” I said, savoring a mouthful of Mongolian beef. “Would he come in a white robe and sandals, or the dress of this time?” C pressed on. I shrugged my shoulders, forking in the fried rice. “Would he be white, black, Asian, or maybe look like Saddam Hussein instead of Kevin Costner or Tom Cruise? What if he didn’t fit our image of him? What if he was bald? Or, for God’s sake, what if he was gay? “He wouldn’t have any cash, no MasterCard, Visa, Discover Card, or portfolio of any kind. If he went to a bank and said, ‘Hello. I’m Jesus, the son of God. I need some of those green things that say “In God We Trust” on them to buy some food and get a place to stay,’ the bank manager would say, ‘I’m sorry, but I looked in my computer and without a social security number, local address, and credit history, I can’t do anything for you. Maybe if you show me a miracle or two, I might lend you fifty dollars.’ “Where would he stay? The state park charges sixteen dollars a night. Could he go to a church and ask, ‘May I stay here? I am Jesus’? Would they believe him?” As I took a sip of my drink, I wondered just who this character was sitting across from me. Was he some angel sent to save me? Or was he, as the Rolling Stones warned in their song, Satan himself here to claim me for some sin of this life or a past life of which I had no recollection? Or was he an alien? Or was he Jesus, the Christ himself, just “messing” with me? Was I in the presence of a prophet, or just some hopped-up druggie? “‘Ask, and it will be given you; seek, and you will find; knock, and it will be opened to you.’ That’s what Jesus said. What doors would be opened to him?” he asked. “The Salvation Army—Sally’s?” I guessed. “That’s about all,” C said. “Unless he saw Tony Robbins’ TV formula to become a millionaire and started selling miracles to the rich at twenty-thousand dollars a pop. He could go on Regis, Oprah, maybe get an interview with Bill Moyers, or go on Nightline. Or joust with the nonbelievers on Jerry Springer! Think of the book deals! He

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

In a small, dark room with no windows, a man hunched over his cluttered workstation. Papers were scattered all over the surface of the desk and he had to dig through them to find the keyboard. He sat down and turned on the monitor. As the display warmed up, a bright green typing arrow faded into view in the bottom corner of the screen. The man scraped his hand across his scraggly beard and typed into the screen on his computer. “How are you doing today?” The display beeped and words formed on the screen as someone responded. “When can I have someone to play with?” The man sighed and typed again. “I’m sorry, but you know why you must be alone right now.” The computer beeped as the reply came across the screen. “I’m doing better.” “I’m sure you are, but I have to be sure you can’t hurt anyone.” “I promise I won’t.” “I believe you. But there are some things I have to do to make sure.

time they had, an obstructionist warden would make the task truly impossible. She turned to her computer and logged in to Lexis/Nexis, the online

I know how a crane works. I can peel a potato eight different ways and I’m a little more than average at playing Green sleeves on a recorder. I can speak French, Dutch, Mandarin, Portuguese and English. I can read and write in eleven types of computer code. I can even unhook a bra. Yet, I can’t tell the difference between being bored and depressed.

The wires in the ampule modulator unit are marked as follows according to international convention: blue = neutral or live; yellow = live or blue; blue and live = neutral and green; black = instant death. (Except where prohibited by law.) Switch the computer on. Your hard drive will automatically download. (Allow three to five days.) When downloading is complete, your screen will say: "Yeah, what?" Now it is time to install your software. Insert Disc A (marked "Disc D" or "Disc G") into Drive Slot B or J, and type: "Hello! Anybody home?" At the DOS command prompt, enter your License Verification Number. Your License Verification Number can be found by entering your Certified User Number, which can be found by entering your License Verification Number. If you are unable to find your License Verification or Certified User numbers, call the Software Support Line for assistance. (Please have your License Verification and Certified User numbers handy as the support ø staff cannot otherwise assist you.)

I highly recommend a crystal salt lamp in the room to help to balance the ions and improve the electro-magnetic balance of the air. The benefits of these naturally beautiful lamps are well known. While most ionizers on the market are just so many more man-made machines, the salt crystal lamp is a beautiful alternative of Mother Nature, without any noise and no harmful ozone added to our homes. Salt crystal lamps are highly beneficial for daily use in the whole house. Bed rooms, living rooms, dining rooms, and especially near televisions, computers and around smokers, to neutralize the damage being put out from those sources. Use these lovely lamps to reduce your own fatigue, a crystal salt lamp near your child’s computer will minimize the ill effect of all that radiation and bring a soothing effect to the surroundings of your child’s work area; they improve concentration and refresh the child naturally by neutralizing the effects of an artificial environment. Please place a small crystal salt light in your child’s

battery and transferring files. To charge your Kindle from a power outlet, you will need a compatible AC adapter (sold separately) for the USB cable. When your Kindle is charging, a lightning bolt appears on the battery icon at the top of the Home screen. The indicator light on the bottom edge will turn amber while the battery is charging and green when it is fully charged. Charging should take less than four hours using a Kindle AC adapter. Charging using 3rd party adapters or via USB should take less than four hours, but may take longer depending on the capability of the hardware. You can still use your Kindle while it is connected to your computer and charging via USB. To do so, unmount or eject it so that your Kindle exits USB drive mode. Windows: Right-click on the "Safely remove hardware" icon in the lower right-hand corner of the task bar and follow the onscreen instructions

Jaywalker’s suitemates (a word he’d grown especially fond of, ever since the spellcheck feature on his computer had tried to correct it to sodomites) included two P.I. lawyers (the initials standing for personal injury, a considerably more polite designation than the also-used A.C. for ambulance chaser); an immigration practitioner named Herman Greenberg, who, in a stroke of marketing genius, had had his business cards printed on green card stock, forever earning himself the aka Herman Greencard; a bankruptcy specialist known in-house as “Fuck-the-Creditors” Feinblatt; an older guy who did nothing but chain-smoke, cough, read the Law Journal and handle real estate closings; and a woman who didn’t seem to do much of anything at all but wait for her next Big Case to walk through the door, her last Big Case having walked out the door fifteen years ago.

It’s a sexy update that allows you to control your computer’s search abilities.

She shrieked his name, threw her arms around his neck and hugged him so fiercely he took a step back and started to laugh. He put his arms around her and held her off the floor in her excitement. She kissed him on both cheeks, several times, making loud smacking noises. He laughed at her, hanging on, hating the thought of letting her go. He had to put her down too soon. Large, liquid green eyes stared up at him, overcome, and on her lips a phenomenal smile. “How did you do this?” she asked in a breath. “It was easy,” he said. “I need to show you how to work that computer. I can’t believe you didn’t use a computer before.” She just shook her head and stared at the paper. Wes wouldn’t allow her use of his computer; it would have put her in touch with the outside world too much. “Go on,” he said. “Call ’em. Use the phone in my place instead of in here. Have a little time alone with the girlfriends.” She got up on her toes and kissed his cheek again, laying her small hand against the other cheek. She looked at him with such gratitude, it melted his heart. Then she whirled and ran to his apartment, gripping that paper like a lifeline. “Yeah,” he said to himself, under his breath, nodding. “Bet there’s lots of little things I can look up for her. Yeah.” And he went back to chopping. Jack came into the kitchen, looked at Preacher and frowned. “What are you grinning about?” he asked. “I’m not grinning,” Preacher said. “Preacher, I didn’t know you had that many teeth.” “Aw, Paige. I looked up something for her, got her all excited. That’s all.” “Kind of looks like it got you a little excited, too. I think you’re flushed. And Jesus, you sure have a mouthful. You never showed me a grin like that.” Yeah, he thought—big mystery. You put your arms around me and kiss all over me like that, I’ll show you a mouthful—of fist. But he couldn’t stop grinning. He could feel it and couldn’t stop it. Jack just shook his head and left the kitchen. There

we have a Gene-IE to grant us wishes,” he said. Darlene brushed past in her white coat. To my surprise, Eliza was at the computer desk behind the lab door and looked up at me. “You took your time,” she said with a glint in her green eyes. “Leaving us to do all the work.” I had an overwhelming urge to hug her, which I didn’t fight. She responded very tightly, then slowly broke away. “What are you doing standing

School Code of Conduct. Everything you need to know about how to behave at school—and how not to behave—is right here in this book.” A bunch of teachers came around and started handing out a copy to each student in the gym. “When you receive yours, open up to page one and follow along with me,” Stricker said. Then she started reading… really… slowly. “‘Section One: Hills Village Middle School Dress Code…’” When I got my copy, I flipped all the way to the back of the book. There were sixteen sections and twenty-six pages total. In other words, we were going to be lucky to get out of this assembly by Christmas. “‘… All students are expected to dress appropriately for an academic environment. No student shall wear clothing of a size more than two beyond his or her normal size….’” HELP! That’s what I was thinking about then. Middle school had just started, and they were already trying to bore us to death. Please, somebody stop Mrs. Stricker before she kills again! Leo took out a pen and started drawing something on the inside of the back cover. Stricker turned to the next page and kept reading. “‘Section Two: Prohibited Items. No student shall bring to school any electronic equipment not intended for class purposes. This includes cell phones, iPods, cameras, laptop computers….’” The whole thing went on and on. And on. And on. By the time we got to Section 6 (“Grounds for Expulsion”), my brain was turning into guacamole, and I’m pretty sure my ears were bleeding too. People always talk about how great it is to get older. All I saw were more rules and more adults telling me what I could and couldn’t do, in the name of what’s “good for me.” Yeah, well, asparagus is good for me, but it still makes me want to throw up. As far as I could tell, this little green book in my hands was just one long list of all the ways I could—and probably would—get into trouble between now and the end of the school year. Meanwhile, Leo was drawing away like the maniac he is. Every time Stricker mentioned another rule, he scribbled something else on the page in front of him. Finally, he turned it around and showed me what he was working on.

Things may even be worse than that, however. There’s some reason to think that the rise in ethical consumerism could even be harmful for the world, on balance. Psychologists have discovered a phenomenon that they call moral licensing, which describes how people who perform one good action often compensate by doing fewer good actions in the future. For example, in a recent experiment, participants were told to choose a product from either a selection of mostly “green” items (like an energy-efficient lightbulb) or from a selection of mostly conventional items (like a regular lightbulb). They were then told to perform a supposedly unrelated visual perception task: a square box with a diagonal line across it was displayed on a computer screen, and a pattern of twenty dots would flash up on the screen; the subjects had to press a key to indicate whether there were more dots on the left or right side of the line. It was always obvious which was the correct answer, and the experimenters emphasized the importance of being as accurate as possible, telling the subjects that the results of the test would be used in designing future experiments. However, the subjects were told that, whether or not their answers were correct, they’d be paid five cents every time they indicated there were more dots on the left-hand side of the line and five cents every time they indicated there were more dots on the right-hand side. They therefore had a financial incentive to lie, and they were alone, so they knew they wouldn’t be caught if they did so. Moreover, they were invited to pay themselves out of an envelope, so they had an opportunity to steal as well. What happened? People who had previously purchased a “green” product were significantly more likely to both lie and steal than those who had purchased the conventional product. Their

green glow of his computer to reclaim his bedroom, to redefine the heaps of clutter around him. He swiveled back to the blinking cursor on his TRS-80. With burning, sleep-deprived eyes, he scanned the lines of commands and responses that had delivered him to his present point, the same lines he had been staring at since late the night before. The modem clicked and hummed.

He convinced John Stainton to agree that there would be no CGI (computer-generated imagery) wildlife in the movie. We didn’t want to pretend to react to an animal in front of a green screen, and then have computer graphic technicians complete the shot later. That was how Hollywood would normally have done it, but that wasn’t an option for Steve. “All the animals have to be real,” he insisted to the executives at MGM. “I’m doing all of my own stunts. Otherwise, I am not interested.” I always believed that Steve would excel at anything he put his mind to, and a movie would be no different. The camera loved him. As talks ground on at MGM, we came up with a title: Crocodile Hunter: Collision Course. But mostly we had phone calls and meetings. The main sticking point was that no insurance company would touch us. No underwriter would write a policy for a project that required Steve to be working with real live crocodiles. As negotiations seemed to be grinding to a halt, we were all feeling frustrated. Steve looked around at John, Judi, and the others. He could see that everybody had gotten a bit stretched on all our various projects. He decided we needed a break. He didn’t lead us into the bush this time. Instead, Steve said a magic word. “Samoa.” “Sea snakes?” I asked. “Surfing,” he said.

I have only touched one other computer at my friend Marissa's house, and found the experience disconcerting. There was something sinister about the green letters and numbers that flashed on the screen as the computer booted up, and I hated the way Marissa stopped answering questions or noticing me the second it was turned on.

So the way to think about the problem is this. You and I and computers and bacteria and viruses and everything else material are made of molecules and atoms, which are themselves composed of particles like electrons and quarks. Schrodinger's equation works for electrons and quarks, and all evidence points to its working for things made of these constituents, regardless of the number of particles involved. This means that Schrodinger's equation should continue to apply during a measurement. After all, a measurement is just one collection of particles (the person, the equipment, the computer...) coming into contact with another (the particle or particles being measured). But if that's the case, if Schrodinger's math refuses to bow down, then Bohr is in trouble. Schrodinger's equation doesn't allow waves to collapse. An essential element of the Copenhagen approach would therefore be undermined. So the third question is this: If the reasoning just recounted is right and probability waves don't collapse, how do we pass from the range of possible outcomes that exist before a measurement to the single outcome the measurement reveals? Or to put it in more general terms, what happens to a probability wave during a measurement that allows a familiar, definite, unique reality to take hold? Everett pursued this question in his Princeton doctoral dissertation and came to an unforeseen conclusion.

Brain function is largely an uncharted territory. But just to get a glimpse of the terrain, however foggy, consider some numbers. The human retina, a thin slab of 100 million neurons that's smaller than a dime and about as thick as a few sheets of paper, is one of the best-studied neuronal clusters. The robotics researcher Hans Moravec has estimated that for a computer-based retinal system to be on a par with that of humans, it would need to execute about a billion operations each second. To scale up from the retina's volume to that of the entire brain requires a factor of roughly 100,000; Moravec suggests that effectively simulating a brain would require a comparable increase in processing power, for a total of about 100 million million (10^14) operations per second. Independent estimates based on the number of synapses in the brain and their typical firing rates yield processing speeds within a few orders of magnitude of this result, about 10^17 operations per second. Although it's difficult to be more precise, this gives a sense of the numbers that come into play. The computer I'm now using has a speed that's about a billion operations per second; today's fastest supercomputers have a peak speed of about 10^15 operations per second ( a statistic that no doubt will quickly date this book). If we use the faster estimate for brain speed, we find that a hundred million laptops, or a hundred supercomputers, approach the processing power of a human brain. Such comparisons are likely naive: the mysteries of the human brain are manifold, and speed is only one gross measure of function.

So, you start to ponder. What actually is information, and what does it do? Your response is simple and direct. Information answers questions. Years of research by mathematicians, physicists, and computer scientists have made this precise. Their investigations have established that the most useful measure of information content is the number of distinct yes-no questions the information can answer. The coins' information answers 1,000 such questions: Is the first dollar heads? Yes. Is the second dollar heads? Yes. Is the third dollar heads? No. Is the fourth dollar heads? No. And so on. A datum that can answer a single yes-no question is called a bit-a familiar computer-age term that is short for binary digit, meaning a 0 or a 1, which you can think of as a numerical representation of yes or no. The heads-tails arrangement of the 1,000 coins thus contains 1,000 bits' worth of information. Equivalently, if you take Oscar's macroscopic perspective and focus only on the coins' overall haphazard appearance while eschewing the "microscopic" details of the heads-tails arrangement, the coins' "hidden" information is 1,000 bits.

Via our machines— be it phone, television, or computer— we receive an enormous amount of information every day. But we don’t have the time, the energy, and the emotional resilience to deal with all of this information. We do triage as best we can, but we still are flooded with more stimulation than we can process and integrate. Still, many people are hooked. Scientists have discovered that every time we hear the blip or ding of an e-mail or text message a small amount of dopamine is released into our brains. We humans are programmed to be curious and it is natural to want to know more, more, and more. Therapists have coined a phrase for a new addiction: FOMO, or “fear of missing out.

We can be intentional in our decisions about vacations and leisure time. Before we make our decisions, we can explore questions like, How far from home will we travel? Shall we go by bike, car, train, or airplane? Do we have closer alternatives nearby? What kind of tourism and recreation do we want to support with our choices? Travel has always been a big source of pleasure for Jim and me and we have struggled to find the right balance between saving and savoring. Some of our happiest times have been traveling to festivals and parks. We still travel but we are experimenting with the staycation. One day a month, we go off the grid. We wake up and make one decision at a time about what we feel like doing. We don’t take phone calls or look at our computers. We don’t pay bills or do housework. We just enjoy whatever we feel like doing in our area.

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

filling the form in.  She held up the photo and matched it with the wall, a tired, thinlooking girl looking out at her. It was set to the right of Oliver’s. They could have had them taken at the same time. She’d ask Mary.  Grace had said she had only been with Oliver — or at least that’s what the answers suggested. She’d have to ask her to make sure. It wasn’t unknown for homeless people to get into disagreements over love. When you’ve got nothing much to lose, the law doesn’t come into play when you’re asking yourself if you’re prepared to kill for someone.  Grace also admitted to being a regular heroin user and agreed to have an examination. She also said she didn’t have any diseases as far as she knew. She was the same age, too. Eighteen. Had they known each other before they’d become homeless? She’d have to find Grace to know the truth.  She went back to Oliver’s file and checked the date next to his signature. It said the seventh of September. Just under two months ago.  Jamie leafed to the next and only other page in the file. It was another shabbily photocopied sheet. Mary must have been doing them on her printer-scanner at home, creating them on her computer. She really did care. The sheet displayed a pixelated outline of the human body — no doubt an image pulled off the web and then stretched out to fill a page. The resolution was too low to keep any sort of detail, but the shape still came through okay. It was a human with their arms out, feet apart. At the top of the page, in Comic Sans, ‘Examination Sheet’ was written as the title.  In appropriately illegible handwriting for a doctor, notes had been jotted around the body. Parts had been circled with lines being drawn to the corresponding note. She read words like ‘graze’ and ‘lesion’. ‘Rash’ cropped up a few times. But there didn’t look to be anything sinister going on. The crooks of the elbows, as well as the ankles, were all circled several times but nothing was written at the sides. Those areas didn’t need explaining, though underneath, as if encapsulating the entire exam were the words ‘No signs of infection’. So he’d been relatively careful, then. Clean needles, at least. Under that, there was a little paragraph recommending a general blood panel, but overall, Oliver seemed to be in decent health. Nothing had been prescribed, it seemed.  She checked Grace’s and found it to be much the same, complete with triple circles around the elbows and ankles. Though her genital area had also been circled and the word ‘Rash’ had been written. At the bottom, a prescription had been written for azithromycin.  Jamie clicked her teeth together, rummaging in her brain for the name. Was it a gonorrhoea medication or chlamydia? She knew it was for an STD, she just couldn’t remember which. But that meant that where she’d put down ‘1’ for number of

Are you good with computers, Mr. Greene?” “Simon. And no.

him that he couldn’t speak to Jamie. Not even to wish her a happy birthday. It wasn’t that Jamie blamed either of them for anything. They weren’t happy people — apart or together. She looked up, Mary’s voice echoing back to her as she let the recording in. Roper was snapping his fingers and waving at her.  She pulled the headphones down around her neck and sat up. ‘What is it?’ ‘You called the parents yet to follow-up?’ ‘Not yet.’ Her voice cracked a little and she coughed to cover it. ‘Good. It’s after twelve—’ he checked his watch ‘—we should get going if we’re going to catch Grace at the shelter.’ ‘Has Mary called?’ Jamie asked, taking a sizeable bite out of her bagel. She’d already eaten a bowl of granola and an apple. ‘No,’ Roper said, standing up and taking his pea coat off the back of his chair, ‘but I want to get there before she does and see her come in. Don’t want her to know we’re coming and come up with a story we can never disprove. Heroin, secrets, dead-boyfriend — there’s a lot she’s not going to want to say and I don’t need her getting any prep in before we arrive.’ Jamie inhaled deeply, letting the oxygen seep into her muscles. ‘Okay.’ ‘You call that doctor yet?’ Roper asked, throwing his coat around his shoulders. ‘No,’ Jamie said, shaking her head. ‘What the hell have you been doing all morning?’ She looked at her computer screen, at the twenty-eight windows she had open. All

The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

Consistent with this, computer simulations show that conditional cooperators who are a bit forgiving do better than individuals who hold grudges indefinitely, so long as they live in a world in which things don’t always go as planned. Chimps seems to follow this logic.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

The barrel has a built in suppressor so it can’t be heard more than a half mile away over the flattest land and doesn’t need hearing protection to fire safely outdoors. The sight is a green laser that is invisible without the filter, so you look through the lens and you see the dot – wherever the dot is, that is where the bullet goes. The weapon has a computer processor on board that controls the recoil and adjusts the laser sight dependent on the range of the target in your sites as well as environmental variables like wind, humidity, and temperature. On the side of the weapon is a display you can flip up showing whatever the weapon is aimed at. You have a choice of regular, thermal, or night vision. The screen can also flip to the side so you can hold the weapon around a corner and still see what you are aiming at.” Jack

The transmission from the solar system ended. The deciphering computer now ran uselessly. The post was once again only hearing the noise of the universe. But the listener was certain that what he had just experienced was not a dream. He knew as well that the several thousand listening posts spread across Trisolaris had also received this message, which Trisolaran civilization had awaited for eons. Two hundred cycles of civilization had been crawling through a dark tunnel, and there was finally a glimmer of light before them. The listener read over the message from the Earth again. His thoughts drifted over the blue ocean that never froze and the green forests and fields, enjoying the warm sunlight and the caress of a cool breeze. What a beautiful world! The paradise we imagined really exists!

the battery icon at the top of the Home screen. The indicator light on the bottom edge will turn amber while the battery is charging and green when it is fully charged. Charging should take less than four hours using a Kindle AC adaptor. Charging using 3rd-party adapters or via USB should take less than four hours, but may take longer depending on the capability of the hardware. You can still use your Kindle whilst it is connected to your computer and charging via USB.

So often, I see people bury themselves in mounds of data coming off their computers, hoping that some stream or other will yield an interesting correlation. There’s nothing wrong with using statistical analysis as a tool, and with this ability to crunch big data, the cost of this continues to drop. However, recognize that relying on this is just guessing.

computer search. Most of the projects I saw were much too hard. I didn’t have time to experiment with polymerase chain reactions, dinoflagellates, or genomics.

Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam. the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.

Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.

TUVOK!” The lights were gone, only the emergency illumination remaining, but it was enough to let Deanna see that the Vulcan was sprawled motionless on the floor beneath the office table, his head coated in something dark and glistening. She couldn’t see color, but she knew it was green. “Oh, God.” She struck her combadge. “Medical emergency, Counselor Troi’s office!” Maybe emergencies, she thought as she felt her insides heave and she vomited up her last meal onto the carpet. She couldn’t tell through the inner turbulence if the baby was still kicking. “Sickbay, acknowledge!” Nothing. “Computer!” She began dragging herself toward Tuvok. “Where are you, you stupid computer?” But that voice, the one that reminded her so maddeningly of her mother, remained silent. “Somebody!

Then they ducked under the canopy of forest, the others following, and let the dark green radiance embrace them.

Brain entrainment: Neurofeedback (NFB) Transcranial Magnetic Stimulation (TMS) Brain Computer Interface (BCI) Hyperbaric Oxygen Therapy (HBOT) Floatation Tanks (REST) Reduced Environmental Stimulation Therapy Nootropics: Caffeine Nicotine Lion’s Mane mushroom Adderall Ritalin Modafinil Brahmi Winter Cherry (Ashwagandha) “Qualia Mind” a proprietary blend Ginkgo Biloba Maca root Yerba Mate Green Tea Aniracetam Phosphatidylserine Plant Medicines & Psychedelics: Ketamine LSD Psilocybin Iboga MDMA

If you haven’t had the pleasure of physically comparing different Wall Street trading floors, you needn’t bother. They are all basically alike. The floor itself is a checkerboard of stained carpet squares covering a maze of twisted wires and electronic equipment. These removable squares serve as the lid of a massive trash can, and hidden below are dozens of half-empty Chinese food containers and mice. (Mice love trading floors, and banking employees are constantly discussing creative ways to trap and kill them.) If you stop by virtually any trading floor on Wall Street, this is what you will inevitably encounter: Hundreds of telephones are ringing. Television monitors are blasting news and flashing scattered bond quotes. One of the checkerboard squares is upended, and several maintenance men are taking a break to yell at each other in front of a pile of circuits and cables. Dozens of traders and salespeople are standing at three-foot intervals face-to-face at several long rectangular desks, which are stacked with a rainbow of colorful computers, flashing monitors, blue Reuters and green Telerate screens, beige Bloomberg data systems, and customized black broker quote boxes.

He was one year older than me, a cynical computer dork with an intense MacBook stare—whenever he’d launch into talking, his turtle-green eyes would get a dark zoom while he rummaged for words, like a hand silently dipping into a Scrabble bag, feeling for the next vowel.

Instead of focusing, in the style of the “neural correlates of consciousness” (NCC) approach, on a single exemplary conscious experience—like the experience of “seeing the color red”—Tononi and Edelman asked what was characteristic about conscious experiences in general. They made a simple but profound observation: that conscious experiences—all conscious experiences—are both informative and integrated. From this starting point, they made claims about the neural basis of every conscious experience, not just of specific experiences of seeing red, or feeling jealous, or suffering a toothache. The idea of consciousness as simultaneously informative and integrated needs a little unpacking. Let’s start with information. What does it mean to say that conscious experiences are “informative”? Edelman and Tononi did not mean this in the sense that reading a newspaper can be informative, but in a sense that, though it might at first seem trivial, conceals a great deal of richness. Conscious experiences are informative because every conscious experience is different from every other conscious experience that you have ever had, ever will have, or ever could have. Looking past the desk in front of me through the window beyond, I have never before experienced precisely this configuration of coffee cups, computer monitors, and clouds—an experience that is even more distinctive when combined with all the other perceptions, emotions, and thoughts that are simultaneously present in the background of my inner universe. At any one time, we have precisely one conscious experience out of vastly many possible conscious experiences. Every conscious experience therefore delivers a massive reduction of uncertainty, since this experience is being had, and not that experience, or that experience, and so on. And reduction of uncertainty is—mathematically—what is meant by “information.” The informativeness of a particular conscious experience is not a function of how rich or detailed it is, or of how enlightening it is to the person having that experience. Listening to Nina Simone while eating strawberries on a roller coaster rules out just as many alternative experiences as does sitting with eyes closed in a silent room, experiencing close to nothing. Each experience reduces uncertainty with respect to the range of possible experiences by the same amount. In this view, the “what-it-is-like-ness” of any specific conscious experience is defined not so much by what it is, but by all the unrealized but possible things that it is not. An experience of pure redness is the way that it is, not because of any intrinsic property of “redness,” but because red is not blue, green, or any other color, or any smell, or a thought or a feeling of regret or indeed any other form of mental content whatsoever. Redness is redness because of all the things it isn’t, and the same goes for all other conscious experiences.

I looked down at the fingers squeezing mine and something about the noise or his smile filled me with a kind of sick understanding of what our hand-holding had done. Of what she was trying to tell me before I got into his car. I tried to focus on the lights of the dying Christmas tee and the shrieking faces of guests I didn't know. But in those final seconds my mind wandered to my dad, who was probably sitting alone in the kitchen, drunk and watching the ball drop on TV; my brother, shooting spells from the depths of his bedroom, his small face green with the glow of his computer; and my mother, crunching down the street with a flashlight and my cocker spaniel, moving through the snowy darkness as the clock hit zero.

And even when they built computers to do some thinking for them, they designed them not so much for wisdom as for friendliness. So they were doomed. Homicidal beggars could ride.” 3 Within a century of little Kago’s arrival on Earth, according to Trout’s novel, every form of life on that once peaceful and moist and nourishing blue-green ball was dying or dead.

To Do This Week Orange = Calendar and Computer Yellow = Errands Green = Money and Finances Blue = Waiting

Social media has been the largest platform on the internet to disperse optical illusions that we have seen thus far. GOD forbid there become more... with editing capabilities, photoshop, filters, CGI, AI, green screens, backdrops which are all available when curating, crafting to create and alter whatever reality you want. Yet Social media is the place where people choose to come and go, for information about you. Make that make sense.

Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.

Dephile   De-soul me Here in my Desolation Take away The spark That fires The arteries That drives The mind That charges The fingertips Compute me Count me Then tuck fuck me Away in Your green Locked box.

Unfortunately, wacky ideas have dominated the public dialogue in tech to the point that important conversations about social issues have been drowned out or dismissed for years. Some of the ideas that come out of Silicon Valley include buying islands in New Zealand to prep for doomsday; seasteading, or building islands out of discarded shipping containers to create a new paradise without government or taxes; freezing cadavers so that the deceased's consciousness can be uploaded into a future robot body; creating oversized dirigibles; inventing a meal-replacement powder named after dystopian sci-fi movie Soylent Green; or making cars that fly. These ideas are certainly creative, and it's important to make space in life for dreamers–but it's equally important not to take insane ideas seriously. We should be cautious. Just because someone has made a mathematical breakthrough or made a lot of money, that doesn't mean we should listen to them when they suggest aliens are real or suggest that in the future it will be possible to reanimate people, so we should keep smart people's brains in large freezers like the ones used for frozen vegetables at Costco.

It was almost a miracle. Will Borger and Lee Kenwood stood back to reexamine their work.  Everything was in place and connected.  The dim interior of the small concrete building made the bright green lights of the IMIS computer system appear somewhat eerie.

Attached to the front of his computer screen is a piece of paper bearing a quotation from Michael Jordan: “I failed over and over again in my life, and that is why I succeed.” Gayner likes to remind himself that Jordan didn’t make it onto his varsity basketball team as a sophomore at high school, but then harnessed his “superhuman” work ethic and “sheer willpower” to become one of the greatest players of all time. “You cannot control the outcome,” says Gayner. “You can only control the effort and the dedication and the giving of one hundred percent of yourself to the task at hand. And then whatever happens, happens.

Soon after that, Eno briefly joined a group called the Scratch Orchestra, led by the late British avant-garde composer Cornelius Cardew. There was one Cardew piece that would be a formative experience for Eno—a piece known as “Paragraph 7,” part of a larger Cardew masterwork called The Great Learning. Explaining “Paragraph 7” could easily take up a book of its own. “Paragraph 7”’s score is designed to be performed by a group of singers, and it can be done by anyone, trained or untrained. The words are from a text by Confucius, broken up into 24 short chunks, each of which has a number. There are only a few simple rules. The number tells the singer how many times to repeat that chunk of text; an additional number tells each singer how many times to repeat it loudly or softly. Each singer chooses a note with which to sing each chunk—any note—with the caveats to not hit the same note twice in a row, and to try to match notes with a note sung by someone else in the group. Each note is held “for the length of a breath,” and each singer goes through the text at his own pace. Despite the seeming vagueness of the score’s few instructions, the piece sounds very similar—and very beautiful—each time it is performed. It starts out in discord, but rapidly and predictably resolves into a tranquil pool of sound. “Paragraph 7,” and 1960s tape loop pieces like Steve Reich’s “It’s Gonna Rain,” sparked Eno’s fascination with music that wasn’t obsessively organized from the start, but instead grew and mutated in intriguing ways from a limited set of initial constraints. “Paragraph 7” also reinforced Eno’s interest in music compositions that seemed to have the capacity to regulate themselves; the idea of a self-regulating system was at the very heart of cybernetics. Another appealing facet of “Paragraph 7” for Eno was that it was both process and product—an elegant and endlessly beguiling process that yielded a lush, calming result. Some of Cage’s pieces, and other process-driven pieces by other avant-gardists, embraced process to the point of extreme fetishism, and the resulting product could be jarring or painful to listen to. “Paragraph 7,” meanwhile, was easier on the ears—a shimmering cloud of sonics. In an essay titled “Generating and Organizing Variety in the Arts,” published in Studio International in 1976, a 28-year-old Eno connected his interest in “Paragraph 7” to his interest in cybernetics. He attempted to analyze how the design of the score’s few instructions naturally reduced the “variety” of possible inputs, leading to a remarkably consistent output. In the essay, Eno also wrote about algorithms—a cutting-edge concept for an electronic-music composer to be writing about, in an era when typewriters, not computers, were still en vogue. (In 1976, on the other side of the Atlantic, Steve Jobs and Steve Wozniak were busy building a primitive personal computer in a garage that they called the Apple I.) Eno also talked about the related concept of a “heuristic,” using managerial-cybernetics champion Stafford Beer’s definition. “To use Beer’s example: If you wish to tell someone how to reach the top of a mountain that is shrouded in mist, the heuristic ‘keep going up’ will get him there,” Eno wrote. Eno connected Beer’s concept of a “heuristic” to music. Brecht’s Fluxus scores, for instance, could be described as heuristics.