Defender Song Quotes

We've searched our database for all the quotes and captions related to Defender Song. Here they are! All 100 of them:

So many vows... they make you swear and swear. Defend the king. Obey the king. Keep his secrets. Do his bidding. Your life for his. But obey your father. Love your sister. Protect the innocent. Defend the weak. Respect the gods. Obey the laws. It’s too much. No matter what you do, you’re forsaking one vow or the other.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Yet the songs would mention this—that the Lion fell before the western gate of Orynth, defending the city and his son.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
How can you still count yourself a knight, when you have forsaken every vow you ever swore?" Jaime reached for the flagon to refill his cup. "So many vows...they make you swear and swear. Defend the king. Obey the king. Keep his secrets. Do his bidding. Your life for his. But obey your father. Love your sister. Protect the innocent. Defend the weak. Respect the gods. Obey the laws. It's too much. No matter what you do, you're forsaking one vow or the other.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
It's always better to attack than to defend," Coram had told her when they talked about fencing late at night. "Always. Ye don't win with defense--ye only hold the other feller off, or wear him down. Attack and have done with it!
Tamora Pierce (Alanna: The First Adventure (Song of the Lioness, #1))
He thinks great folly, child,' said Aslan. "This world is bursting with life for these few days because the song with which I called it into life still hangs in the air and rumbles in the ground. It will not be so for long. But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh, Adam's son, how cleverly you defend yourself against all that might do you good!
C.S. Lewis (The Magician's Nephew (The Chronicles of Narnia, #1))
It's a fool boy who mocks a giant, and a mad world when a cripple has to defend him.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
A brigand, a barber, a beggar, two orphans, and a boy whore. With such do we defend the realms of men.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Your brother Robb has been crowned King in the North. You and Aemon have that in common. A king for a brother.” said Mormont. “And this too,” said Jon. “A vow.” The Old Bear gave a loud snort, and the raven took flight, flapping in a circle about the room. “Give me a man for every vow I’ve seen broken and the Wall will never lack for defenders.” “I’ve always known that Rob will be Lord of Winterfell.” Mormont gave a whistle, and the bird flew to him again and settled on his arm. “A lord’s one thing, a king’s another. They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call `Your Grace’. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon… and I’ll name you a liar, and know I have the truth of it.” Jon drew himself up, taut as a bowstring “And if it did trouble me, what might I do, bastard as I am?” “What will you do?” Mormont asked. “Bastard as you are.” “Be troubled,” said Jon, “and keep my vows.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I buried him with mine own hands, in a place he showed me once when I was a squire at Storm’s End. No one shall ever find him there to disturb his rest.” He looked at Jaime defiantly. “I will defend King Tommen with all my strength, I swear it. I will give my life for his if need be. But I will never betray Renly, by word or deed. He was the king that should have been. He was the best of them.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Don't put me in a position where I have to defend myself against this again.
C.D. Reiss (Spin (Songs of Corruption, #1))
Ten thousand swords before you, ten thousand daggers drawn. Ten thousand lives defend you, ten thousand warriors strong Our blood will spill ten thousand times In hope, ten thousand sigh For love we face ten thousand deaths With joy, ten thousand die Ten thousand Fey before you, ten thousand fierce and tall, Ten thousand souls protect you, beloved of us all ~Ten Thousand Swords, a Fey Warrior’s Song
C.L. Wilson
You each name yourself king, yet the kingdom bleeds and no one lefts a sword to defend it but my son.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a God. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs.
Nick Cave
Too many disciples neglect their thorn-like qualities. For instance: Opting for singleness doesn't count if you can't attract a mate. Patience doesn't count if you are too cowardly to defend what is right. Forgiveness doesn't count if the offender never respected you enough to ask for it. Don't label your character flaws as noble sacrifices.
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
Jon smiled at him. "I'm sorry about your wrist. Robb used the same move on me once, only with a wooden blade. It hurt like seven hells, but yours must be worse. Look, if you want, I can show you how to defend that." Alliser Thorne overheard him. "Lord Snow wants to take my place now." He sneered. "I'd have an easier time teaching a wolf to juggle than you will training this aurochs." "I'll take that wager, Ser Alliser," Jon said. "I'd love to see Ghost juggle.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Kingship wrought of Infinite worship, Quick-forged by the Swift Sure Hand; Bold in Righteousness, Valiant in Justice, A sword of honor to defend the clans of Albion!
Stephen R. Lawhead (The Paradise War (The Song of Albion, #1))
Which king?” “All of them. The true and the false alike. If they would claim the realm, let them defend it.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
No wall can keep you safe," his father told him once, as they walked the walls of Winterfall. "A wall is only as strong as the men who defend it.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I have clinched and closed with the naked North, I have learned to defy and defend; Shoulder to shoulder we have fought it out — yet the Wild must win in the end.
Robert W. Service (Songs of a Sourdough)
When you are quiet, the silence blows against your mind and etches away everything that is soft and unimportant. What is left is what is real: pure awareness and the very hardest questions.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
This world is bursting with life for these few days because the song with which I called it into life still hangs in the air and rumbles in the ground. It will not be so for long. But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh Adam’s sons, how cleverly you defend yourselves against all that might do you good! But I will give him the only gift he is still able to receive.
C.S. Lewis (The Magician's Nephew (Chronicles of Narnia, #1) (Publication Order, #6))
Toma cuidado!... Ele está a reflectir: vai defender a sua mentira.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
We others are the exception and the danger—and we need eternally to be defended. –Well, there actually are things to be said in favor of the exception, provided that it never wants to become the rule.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
Gendry, do you swear before the eyes of gods and men to defend those who cannot defend themselves, to protect all women and children, to obey your captains, your liege lord, and your king, to fight bravely when needed and do such other tasks as are laid upon you, however hard or humble or dangerous they may be?
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
O, the breadth of the love of Christ! Shall such a love as this have half our hearts? Shall it have a cold love in return? Shall Jesus' marvellous lovingkindness and tender care meet with but faint response and tardy acknowledgment? O my soul, tune thy harp to a glad song of thanksgiving! Go to thy rest rejoicing, for thou art no desolate wanderer, but a beloved child, watched over, cared for, supplied, and defended by thy Lord.
Charles Haddon Spurgeon (Morning and Evening)
I spent 10 years of my life gambling, they always hated that and tried to stop me. I never defended myself, you know me well, I never defend my actions because I know that time heals what reason cannot. And here we are, they finally understand why gambling is so fun. Thanks, Achilles.
Madeline Miller (The Song of Achilles)
I know that whatever is left of the planet when the pillage ends that’s the world that the children will live in. Whatever genetic song lines, whatever fragments of whale squeal and shattered harmonies are life, that’s what evolution has got to work with. Music is the trembling urgency and exuberance of life ongoing.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
You are defending some unnamed territory inside of you that houses what's true. It exhausts you and burns you out.
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
Lady Melisandre would be lighting her nightfire and chanting, Lord of Light, defend us, for the night is dark and full of terrors. “Winter is coming,” Jon said
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
What about Hector?” Achilles’ eyes never left Odysseus. “Priam’s oldest son and heir, favorite of the god Apollo. Troy’s mightiest defender.
Madeline Miller (The Song of Achilles)
If we can't love our one and only home, what can we love? If we're unwilling to defend what we love, then what are we?
Michael Carter (Kingfisher's Song: Memories Against Civilization)
the white-manufactured authenticity about blackness was a means for people who looked like him to both police their gentility and defend their innocence.
Emily S. Bingham (My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song)
Ugh, so June Song came out with her non-apology, and I bet white people will be jumping over themselves to defend her. I hate this industry.
R.F. Kuang (Yellowface)
I called Matt from Columbia when I needed help." "Yeah," Nicky said, unimpressed. "So we all heard. You called Matt, gave him your 'I'm fine' song and dance routine, and then hitchhiked with strangers back to campus. Maybe you remember?" Nicky waited, but Neil couldn't defend himself against an accusation like that. "Anyway, you're welcome. I just saved you at least two hundred dollars in intensive therapy." Neil didn't think Nicky wearing down his guard was something to be grateful for, but he obediently said, "Thank you." "You ever say that like it's not a question?" Nicky asked, looking pained. "Oh well. I'll take my victories where I can. Focus on the battles first, then win the war, right? I don't know how the quote actually goes but you know what I mean. So where was I?" It didn't take him long to remember. He chattered away a mile a minute about his upcoming presentation. Neil let it go in one ear and out the other. His mind was more on the phone still sitting in his hands than the put-upon tone of Nicky's voice. When Nicky finally turned away to harass Aaron about something, Neil flipped his phone open. He went past his packed inbox to his call history. It hadn't changed; Andrew's name was still the only one there.
Nora Sakavic (The Raven King (All for the Game, #2))
You measure a good song the same way you measure architecture, fashion, or any other artistic endeavor. Time. You know when you see a picture of yourself from the eighties with a horrible hairdo and some stone-washed jeans and you think, “How embarrassing—what the fuck was I thinking? Why didn’t somebody stop me?” It’s the same thing Mick Jagger and David Bowie should be thinking every time they hear their cover of “Dancing in the Streets.” The point is, at the time it seemed like a good idea, just like kitchens with burnt-orange Formica and avocado appliances, den walls covered with fake brick paneling, and segregation—all horrible decisions that we now universally recognize as wrong. But somehow when it comes to music, we can’t just admit we made a mistake with “Emotional Rescue.” There’s always some dick who defends the past. “Hey, man, I lost my virginity to ‘Careless Whisper.’ ” I’m sure there was somebody who got laid for the first time on 9/11 but they don’t get a boner when they see the footage of the planes going into the tower.
Adam Carolla (In Fifty Years We'll All Be Chicks . . . And Other Complaints from an Angry Middle-Aged White Guy)
FALK. I feel myself like God's lost prodigal; I left Him for the world's delusive charms. With mild reproof He wooed me to His arms; And when I come, He lights the vaulted hall, Prepares a banquet for the son restored, And makes His noblest creature my reward. From this time forth I'll never leave that Light,— But stand its armed defender in the fight; Nothing shall part us, and our life shall prove A song of glory to triumphant love!
Henrik Ibsen (Love's Comedy)
If it is our destiny as Black women to stand before crowds, before press and police and people enamored of our grief—if we are to give eulogy after eulogy and defend the dead… if all we have are our voices, then why are we so feared?
Bethany C. Morrow (A Song Below Water (A Song Below Water, #1))
Agora parecem estranhos, esquisitos, extraordinários: e aquele que sente em si essas forças é obrigado a cultivá-las e a defende-las contra um mundo inimigo, a venerá-las e a vigiar por seu crescimento: torna-se por isso ou um grande homem ou um original e um louco, a menos que pereça a tempo.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
..."His sigh spoke of fear and regret mingled with grim acceptance. 'Teach her,' he said. 'Teach her to fight. Teach her to defend herself, and teach her to kill. The five of you must be her chatoks in the Dance of Knives. Teach her as you have taught no other. Give her everything. Hold nothing back.' 'Rain...' Bel murmured, his eyes troubled. Rain waved off his unspoken objection. ' She is a Tairen Soul, and we Tairen Souls were born for war. I may not like this path the gods have set before her, but Farsight is right. I must do everything in my power to ensure she is prepared to walk it'...
C.L. Wilson (Queen of Song and Souls (Tairen Soul, #4))
Listen to. To hear with thoughtful attention. To hold something close, to attend to it, to be astonished by it, to devote your life to its mysteries, to name it precisely, to wonder how it comes to be. To stay awake to it. To move closer to the wild and twittering night. To let it cover you and keep you safe. To me, listening is starting to sound a lot like love.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
Jaime reached for the flagon to refill his cup. “So many vows . . . they make you swear and swear. Defend the king. Obey the king. Keep his secrets. Do his bidding. Your life for his. But obey your father. Love your sister. Protect the innocent. Defend the weak. Respect the gods. Obey the laws. It’s too much. No matter what you do, you’re forsaking one vow or the other.
George R.R. Martin (A Game of Thrones / A Clash of Kings (A Song of Ice and Fire, #1-2))
There is necessary beauty in the world, I understand this. Beauty to attract mates, to attract prey, to attract pollinators. But so much of beauty seems to be bycatch, “unnecessary beauty,” waste products of essential processes. The opalescence of the inside of an oyster shell, a rainbow around the moon, a baby’s dreaming smile. Profligate beauty is a mystery to me. Sing praises.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
Disaster calls us to action. They call us to levels of compassion and courage we did know we could reach. They smash us with sorrow and lift us with determination and moral resolved, the way a wave both makes and lifts us in the same wild movement. Disaster transforms sorrowful love into a force strong enough to change the trajectory of history….Dear Mary Oliver, do you think this might now be how we do the work of loving a weary, reeling world? And don’t we have to try?
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
In actuality, myths are neither fiction nor history. Nor are most myths—and this will surprise some people—an amalgamation of fiction and history. Rather, a myth is something that never happened but is always happening. Myths are the plots of the psyche. They are ongoing, symbolic dramatizations of the inner life of the species, external metaphors for internal events. As Campbell used to say, myths come from the same place dreams come from. But because they’re more coherent than dreams, more linear and refined, they are even more instructive. A myth is the song of the universe, a song that, if accurately perceived, explains the universe and our often confusing place in it. It is only when it is allowed to crystallize into “history” that a myth becomes useless—and possibly dangerous. For example, when the story of the resurrection of Jesus is read as a symbol for the spiritual rebirth of the individual, it remains alive and can continually resonate in a vital, inspirational way in the modern psyche. But when the resurrection is viewed as historical fact, an archival event that occurred once and only once, some two thousand years ago, then its resonance cannot help but flag. It may proffer some vague hope for our own immortality, but to our deepest consciousness it’s no longer transformative or even very accessible on an everyday basis. The self-renewing model has atrophied into second-hand memory and dogma, a dogma that the fearful, the uninformed, and the emotionally troubled feel a need to defend with violent action.
Tom Robbins (Wild Ducks Flying Backward)
As the Earth swung heavily on its bell-chain, the night began to toll. Deep, soft belling seemed to roll over the desert, and ancient stone and ancient bone resounded. The saguaros sang out. Sand sifted down the flank of the moon-borne ridge. A drop of water popped onto the pool. Another. The poorwill called again. Profundo, adagio, deeply, slowly, the music pulsed through the dark amphitheater. I lay still, shaken by the night’s extravagant expressions of profound joy. I would make myself silent and resonant, tuned to the wild Earth.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?
Ovid
The song was familiar. I’d heard it many times. It was “Lullaby” by Billy Joel. And I would bet any money he could play it splendidly on the piano, as well. A lump grew in my throat as he sang to his daughter. The love he had for her was evident, and it was a love I recognized. My own fathers love. It was a love that made men lay down his life to defend and protect. I thought of Liam standing in the way when someone tried to harm his daughter, his wife. Had he done as my father had? Did he fight off a man so out of his mind he would slash an innocent?
Sarah Brocious (More Than Scars)
We hear most acutely in the range of 2.5 megahertz, which is the peak of birdsong. Human speech is pitched much lower, one kilohertz or below, and so is less central to our hearing. Why is this? Acoustic ecologist Gordon Hempton surmises that our bodies evolved not for cocktail party conversation but rather to harvest sounds from wild creatures. These are the aural signals on which our species’ success depended: Birds chatting, unconcerned. Herds gathering. Corvids flocking. Sudden silence. They spoke clearly: Here is safety. Here is water. Here is food. Here is danger.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
Farewell, we must part; we have turned from the land Of our cold-hearted brother, with tyrannous hand, Who assumed all our rights as a favor to grant, And whose smile ever covered the sting of a taunt; Who breathed on the fame he was bound to defend— Still the craftiest foe, ’neath the guise of a friend; Who believed that our bosoms would bleed at a touch, Yet could never believe he could goad them too much; Whose conscience affects to be seared with our sin, Yet is plastic to take all its benefits in; The mote in our eye so enormous has grown, That he never perceives there’s a beam in his own.
Frank Moore (Songs And Ballads Of The Southern People, 1861-1865)
There's not a season set aside for pondering and reveries. It will not les us hesitate or rest; it does not wish us to stand back and comment on its comeliness or devise a song for it. It has no time to listen to our song. It only asks us not to tire in our hard work. It wants to see us leathery, our necks and fore-arms burnt as black as chimney oak; it wants to leave us thinned and sinewy from work. It taxes us from dawn to dusk, and torments us at night; that is the taxing that the thrush complains about. Our great task each and every year is to defend ourselves against hunger and defeat with implements and tools.
Jim Crace (Harvest)
People of color in the internal colonies of the US cannot defend themselves against police brutality or expropriate the means of survival to free themselves from economic servitude. They must wait for enough people of color who have attained more economic privilege (the “house slaves” of Malcolm X’s analysis) and conscientious white people to gather together and hold hands and sing songs. Then, they believe, change will surely come. People in Latin America must suffer patiently, like true martyrs, while white activists in the US “bear witness” and write to Congress. People in Iraq must not fight back. Only if they remain civilians will their deaths be counted and mourned by white peace activists who will, one of these days, muster a protest large enough to stop the war. Indigenous people need to wait just a little longer (say, another 500 years) under the shadow of genocide, slowly dying off on marginal lands, until-well, they’re not a priority right now, so perhaps they need to organize a demonstration or two to win the attention and sympathy of the powerful. Or maybe they could go on strike, engage in Gandhian noncooperation? But wait-a majority of them are already unemployed, noncooperating, fully excluded from the functioning of the system. Nonviolence declares that the American Indians could have fought off Columbus, George Washington, and all the other genocidal butchers with sit-ins; that Crazy Horse, by using violent resistance, became part of the cycle of violence, and was “as bad as” Custer. Nonviolence declares that Africans could have stopped the slave trade with hunger strikes and petitions, and that those who mutinied were as bad as their captors; that mutiny, a form of violence, led to more violence, and, thus, resistance led to more enslavement. Nonviolence refuses to recognize that it can only work for privileged people, who have a status protected by violence, as the perpetrators and beneficiaries of a violent hierarchy.
Peter Gelderloos (How Nonviolence Protects the State)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
Hackers could even install brain spyware into the apps and devices you are using. A research team led by UC Berkeley computer science professor Dawn Song tried this on gamers who were using neural interface to control a video game. As they played, the researchers inserted subliminal images into the game and probed the players’ unconscious brains for reaction to stimuli—like postal addresses, bank details, or human faces. Unbeknownst to the gamers, the researchers were able to steal information from their brains by measuring their unconscious brain responses that signaled recognition to stimuli, including a PIN code for one gamer’s credit card and their home address.
Nita A. Farahany (The Battle for Your Brain: Defending the Right to Think Freely in the Age of Neurotechnology)
Let me tell you youngins something. See yawl are half-baked like your fathers. The first mistake yawl made was coming to my place of business without hesitation. You don’t come in your enemy's territory because obviously I have shit set up to defend myself. Second, I’ll give yawl credit for doing something halfway smart. I know you two would have some of your own people in here posing as club goers, but I have people checked at the door. So, your men have been disarmed. Third you can’t make business moves with me, so I suggest you two drop this shit. Yawl quest for revenge is admirable but it’s over. I’ll let the other shit yawl have done to us slide as a fair pay for what we did to your fathers.” - Cyrus
Shantel Williams (Love Songs and Bullets)
I have never known a boy who did not love the Warrior. I am old, though, and being old, I love the Smith. Without his labor, what would the Warrior defend? Every town has a smith, and every castle. They make the plows we need to plant our crops, the nails we use to build our ships, iron shoes to save the hooves of our faithful horses, the bright swords of our lords. No one could doubt the value of a smith, and so we name one of the Seven in his honor, but we might as easily have called him the Farmer or the Fisherman, the Carpenter or the Cobbler. What he works at makes no matter. What matters is, he works. The Father rules, the Warrior fights, the Smith labors, and together they perform all that is rightful for a man. Just as the Smith is one aspect of the godhead, the Cobbler is one aspect of the Smith. It was he who heard my prayer and healed my feet.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
Did dinosaurs sing? Was there a teeming, singing wilderness with all the species thumping around, tuning up for the next millennia? Of course, dinosaurs sang, I thought. They are the ancestors of the singing birds and cousins to the roaring crocodiles…turns out, no. Turns out the syrinx, the organ that produces birdsong and the larynx, the organ that produces operatic arias, didn’t evolve until after the dinosaur extinction event…Some dinosaurs blew air into their closed mouths and through nasal cavities into resonance chambers, which we see in fossils as bony crests. They made the forest echo with clear, ominous tones, eerily like a cello. I have heard it in recordings scientists made of the sound they produced when they blew air through crests constructed to mimic lambeosaurus’s. Some dinosaurs cooed to their mates like doves…turns out that even if dinosaurs didn’t sing, they danced. There is evidence in vigorous scrape marks found in 100-million year old Colorado sandstone. From the courting behavior of ostriches and grouse, scientists envision the dinosaur males coming together on courting grounds, bobbing and scratching, flaring their brilliant feathers and cooing. Imagine: huge animals, each weighing more than a dozen football teams, shaking the Earth for a chance at love. What the story of the dinosaurs tells me is that if the earth didn’t have music, it would waste no time inventing it. In birds, tantalizing evidence of birdsong is found in 67-million-year old fossils, marking the first know appearance of the syrinx. Now the whole Earth can chime, from deep in the sea to high in the atmosphere with the sounds of snapping shrimp, singing mice, roaring whales, moaning bears, clattering dragonflies, and a fish calling like a foghorn. Who could catalog the astonishing oeuvre of the Earth? And more songs are being created every year.
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
Human ears are built to hear birdsong, we hear most acutely in the range of 2.5 megahertz, which is the peak of birdsong. Human speech is pitched much lower, on kilohertz or below…Acoustic ecologist Gordon Hempton surmises that our bodies evolved not for party conversation but rather to harvest sounds from wild creatures… the aural signals on which our species’ success depended. But that’s just the beginning of the meaning we harvest by listening. Victor Hugo reminded us that ‘music expresses that which cannot be said and on which it is impossible to be silent.’ Listen. Breathe Earth’s wild music into you body. You are not alone. Here is the harmony of which you are a part. Your joy is the exhilaration of birds…The depth of your feelings is the depth of time. Your longing is a spring chorus of frogs, ‘the wordless voice of longing that resonates within us, the longing to continue, to participate in the sacred life of the world,’ as Robin Wall Kimmerer wrote
Kathleen Dean Moore (Earth's Wild Music: Celebrating and Defending the Songs of the Natural World)
T'here are no gods left to watch, I’m afraid. And there are no gods left to help you now, Aelin Galathynius.' Aelin smiled, and Goldryn burned brighter. 'I am a god.'” “You do not yield.” “Live, Manon. Live.” “And far away, across the snow-covered mountains, on a barren plain before the ruins of a once-great city, a flower began to bloom” “Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. 'I love you both,' she whispered. 'And no matter what may happen, no matter how far we may be, that will never change.'” “Yet the songs would mention this—that the Lion fell before the western gate of Orynth, defending the city and his son.” “'We came,' Manon said, loud enough that all on the city walls could hear, 'to honor a promise made to Aelin Galathynius. To fight for what she promised us.' Darrow said quietly, 'And what was that?' Manon smiled then. 'A better world.'” “Her mother placed a phantom hand over Aelin’s heart.b'It is the strength of this that matters. No matter where you are, no matter how far, this will lead you home.'” “'Rise,' Darrow said, 'Aelin Ashryver Whitethorn Galathynius, Queen of Terrasen.'” “One blink for yes. Two for no. Three for Are you all right? Four for I am here, I am with you. Five for This is real, you are awake.” And she said to Abraxos, touching his spin, 'I love you.' It was the only thing that mattered in the end. The only thing that mattered now.” “Lord Lorcan Lochan?” Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.” “'I took his name,' Erawan spat, writhing as the words flowed from his tongue under Damaris's power. 'I wiped it away from existence. Yet he only remembered it once. Only once. The first time He behelded you.' Tears slid down Dorian's face at the unbearable truth.” “Gavriel smiled at him. 'Close the gate, Aedion,' was all his father said. And then Gavriel stepped beyond the gates. That golden shield spreading thin.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
They heard Hugo ask if the plan for the hors d'oeuvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
A Retreat. I have a hunch (but I don’t know whether my lips should confess it now) that the time for a Universal Retreat is at hand. The son of earth will henceforth understand that he is not expressing himself in harmony with his deepest being but always in accordance with some artificial form painfuly thrust upon him from without, either by people or by circumstances. He will then dread that form of his and feel ashamed of it, much as he had thus far idolized and flaunted it. We will soon fear our persons and our personalities, because it will become apparent that they are by no means truly our own. And instead ofroaring: “I believe in this-I feel it-that’s how I am-I’m ready to defend it,” we will say in all humility: “Maybe I believe in it-maybe I feel it-I happened to say it, to do it, or to think it.” The bard will scorn his own song. The leader will shudder at his own command. The high priest will stand in terror of the altar, and the mother will instill in her son not only principles but also ways of escaping them so that they do not smother him.
Witold Gombrowicz (Ferdydurke)
Whether we remember a particular event at all, and how accurate our memories of it are, largely depends on how personally meaningful it was and how emotional we felt about it at the time. The key factor is our level of arousal. We all have memories associated with particular people, songs, smells, and places that stay with us for a long time. Most of us still have precise memories of where we were and what we saw on Tuesday, September 11, 2001, but only a fraction of us recall anything in particular about September 10. Most day-to-day experience passes immediately into oblivion. On ordinary days we don’t have much to report when we come home in the evening. The mind works according to schemes or maps, and incidents that fall outside the established pattern are most likely to capture our attention. If we get a raise or a friend tells us some exciting news, we will retain the details of the moment, at least for a while. We remember insults and injuries best: The adrenaline that we secrete to defend against potential threats helps to engrave those incidents into our minds. Even if the content of the remark fades, our dislike for the person who made it usually persists.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Prayer bridges the gap of sin, space, and time engulfing us on all sides, separating us from the closeness we once shared with our Creator. If the church is the ship, the Holy Spirit the wind in its sails and Christ the anchor, then prayer is the rudder that guides the Christian’s life in the stormy sea that is this world. Prayer is the hand we extend to help someone that has fallen, the blessing we speak to comfort someone who grieves, the joy we express when a child does well, and the mourning we do when a loved one passes away. Prayer is the sword that strikes at our enemies, the shield that defends against their attacks and the victory song we sing when the adversary has been defeated.
Reed Abbitt Moore (Piggy Sense!: Save it for a rainy day)
He loved her humor, her tenacity and bravery, the way she defended the people she loved like a soldier in battle. He loved the fact that she didn't shy away from the tough subjects, even though they scared him in the moment. Her iron will, the way she closed her eyes and mouthed song lyrics like they were baptizing her. Her face, her body, her scent. She'd infiltrated him, become a part of him before he'd realized what was happening, and now...
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
He’s so fucked,” Tyler sounds through a chuckle. “I swear to God he was listening to K-Ci and JoJo last night when I popped into his room.” “It was on the radio, you dick!” I defend, stalking toward my bedroom. I may have found the song in my cloud and replayed it once or twice. “Doesn’t surprise me,” Sean coos up at me in taunt. “The meaner they are, the harder they fall.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
He moved in a ballad of death, Ibad’at Mutlaqa’s song ringing in his mind and resonating to the very depths of his soul.
Andy Peloquin (Defender (Darkblade, #7))
Sworbreck was dealing with the baker first. He was a chubby man, which made him look guilty of eating well, and he was sweating profusely, which made him look guilty of being warm, both of them capital crimes in this lean winter of the Great Change. “I been a baker twenty years,” he was saying. “My father was a baker.” “Hoarders!” someone screamed. “Take ’em to the Tower!” “Take ’em all!” The Styrian woman clutched her face with her hands as if she wanted to crush it between them. “Mercy!” she blubbed. “Mercy!” The court was not without it. Judge was the voice of the mob. She was their bitter rage, their envy and their greed, but she was also their sentimental forgiveness. When the mood turned for some well-spoken old man, some innocent-looking young woman, first Judge’s chin would crinkle, then her lower lip would tremble, then her black eyes would well with tears. Sometimes she would vault from behind the High Table, kiss the accused, clasp their head to her rusted breastplate. Then they would be embraced by weeping guards, applauded on their way out of the hall while songs were sung and slogans chanted, free Citizens and Citizenesses, enemies no more! Perhaps Judge liked seeing the hope in the eyes of the accused, so she could see it crushed. Perhaps she truly believed she was doing the good work and rejoiced in those righteously acquitted as much as those rightfully convicted. Perhaps—surely the most terrible possibility of all—she was doing the good work, and somehow he could not see it. The baker was trying to defend himself, but how to prove false what was self-evidently absurd? “I charged the lowest prices I could and still stay in business! But flour’s gone up so high—” “And so we come to you!” roared Sworbreck at the miller. He was bony and severe, with a habit of peering up shiftily from under his brows that did him no favours. “There was a poor harvest!” he barked out. “Now the cold weather’s frozen the canals, snarled up the roads. It’s hard to get goods into the city.” “Ah, so the government is to blame?” Sworbreck spread his arms towards the benches behind the dock, where the Representatives gravely shook their heads at such a slander. “And since the government consists of those chosen by the people…” Sworbreck leaned back, raised his arms to the balconies. “The people are to blame?
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness, #3))
Kvothe, Defend yourself well at the University. Make me proud. Remember your father’s song. Be wary of folly. Your friend, Abenthy.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The wall defends itself.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
God? Oh God,” I prayed. “I don’t want to be done. Please don’t let me be done. Please don’t let me be done.” I prayed like this all the time. It was my upbringing. Talking to God felt a little like having a conversation with myself, the inner me. I’d always believed God created that inner me, so talking to him was a bit like having a heart to heart with myself. No, I don’t have a God complex. I just think most people make too big a deal about God, fighting wars to defend him or staging protests to deny him. He just seems like a good guy to me. I like talking to him.
Amy Harmon (The Song of David (The Law of Moses, #2))
January 9 READ Psalm 7:1–5. 1 LORD my God, I take refuge in you; save and deliver me from all who pursue me, 2 or they will tear me apart like a lion and rip me to pieces with no one to rescue me. 3 LORD my God, if I have done this and there is guilt on my hands— 4 if I have repaid my ally with evil or without cause have robbed my foe— 5 then let my enemy pursue and overtake me; let him trample my life to the ground and make me sleep in the dust. SMEAR CAMPAIGN. How do we deal with gossip and slander and the loss of our reputation? David shows us straightaway. He doesn’t say, “I will take refuge in God,” but rather shows that he already has, that he is already safe. How can he feel that way before he knows whether the smear campaign will be thwarted? The answer: if we trust in God’s wisdom and will, then we have peace regardless of the immediate outcome. It is only God’s opinion of us that counts, and that will prevail. Prayer: Lord, some criticisms are terribly unfair. My deepest comfort is knowing that you see all things and will in the end set all things right. So I will not desperately defend myself or strike out at my accusers and insinuators. You know the truth, and that suffices for me. I leave this all in your hands. Amen.
Timothy J. Keller (The Songs of Jesus: A Year of Daily Devotions in the Psalms)
Righteous Lord, I have many who falsely accuse me. Defend me from them! But I also know my sin, and my heart rightly accuses me. I rest in Jesus’s atoning death for me.
Timothy J. Keller (The Songs of Jesus: A Year of Daily Devotions in the Psalms)
Bart gave her a little shove—speak of the devil. But she was still high on adrenaline and defended herself—with the back of her elbow applied to the front of his face. She felt a satisfying crunch. His screech was like a song she’d been dying to hear on the radio.
L.L. Muir (The Ghosts of Culloden Moor: Volume I (The Ghosts of Culloden Moor #1-4))
Traffic on Wisconsin Avenue wasn’t too bad, but he hit his first snag of the day when he found Pennsylvania to be mired in gridlock. While he crept forward he sang along with his Blaupunkt stereo. Neil Young’s On the Beach was a 1974 release that would have been a unique listening choice for most thirty-two-year-olds, but Ross had grown up with it. Revolution music, his mother used to call it, although Ethan realized there was a certain dissonance to the concept of singing along with antiestablishment songs while driving his luxury car on his way to his government job.
Mark Greaney (Tom Clancy Support and Defend)
THE ELOQUENCE OF BROKENNESS. What is the broken and contrite heart God wants so much (verse 17)? It is a heart that knows how little it deserves yet how much it has received. To know only the first truth is to be self-loathing, to know only the second is to be self-satisfied—and both kinds of hearts will be self-absorbed. David is talking instead about hearts broken by costly, free grace—knowing both how lost and how loved we are. This gets us out of ourselves, freeing us from the need to be constantly looking at ourselves. When our lips are opened, we do not speak of ourselves but of God’s praise (verse 15). Prayer: Lord, create in me true brokenness—not the counterfeit ones of discouragement, bitterness, or despair. Let me know liberation from always needing to defend myself, always standing on my dignity, always smarting because I’ve been snubbed. Give me the quiet peace of a broken spirit. Amen.
Timothy J. Keller (The Songs of Jesus: A Year of Daily Devotions in the Psalms)
Aren’t we waiting for Lori?” Jonah asked. Toby didn’t turn around as he answered. “Nah, she isn’t coming. We’ll meet up with her later today.” Great. Lori was too pissed to see him and Toby was like Antarctica. Jonah still wasn’t completely sure why they were so angry, given the fact that Zev hadn’t told anyone back home about their relationship. Well, there was one option; his old friends weren’t comfortable with him being gay. Tough shit. Jonah figured the best way to deal with the situation was to face it head-on. But as soon as they got into Jonah’s car, Toby started fiddling with the radio. Jonah decided to bide his time and wait for Toby to finish what he was doing so they could talk. He almost lost his composure when the other man landed on a Barry Manilow song and kept it there. Toby had to be the only Fanilow under the age of fifty. “So I’m guessing Lori told you about that guy in my apartment last night.” Toby’s posture immediately stiffened. Several long moments passed before he answered. “Yeah, she did.” “Anything you want to ask me about it, Toby? Might as well get it out there. No reason to walk on eggshells around each other.” “Ooookay,” Toby responded, drawing out the word. He took a deep breath and turned to face Jonah. “Did you stumble across a clearance sale on jackass cream or something? Maybe they were running a special on lobotomies?” Well, that was an unexpected response. “Huh? Whatta you mean?” “What I mean, Jonah…,” Toby said in a louder voice, “is that I know we’re all just a couple of bad decisions away from being one of those weirdos who buys fake nuts and hangs them on the back of his pickup truck, but you really managed to win the stupid cake last night.” Okay, this conversation wasn’t going exactly how Jonah had planned, but he still felt the need to defend himself. “Stupid? Why? Because I’m gay? That’s not a bad decision, Toby. It’s not a decision at all.” Jonah pulled into a parking lot of a decent diner, turned off the car, and turned to face Toby. The conversation was tense and awkward, but at least Toby’s atrocious music was no longer making Jonah’s ears bleed. Jonah would have preferred hearing his car engine drop out and drag across the asphalt than another cheesy ballad. “No shit, Sherlock. But cheating on Zev is a decision. A really bad decision.” Jonah’s mouth dropped open, and he snapped his eyes toward Toby in shock. Holy crap. Toby knew about his relationship with Zev. That meant Lori knew. As much as he hated being hidden from Zev’s family and life back in Etzgadol, Jonah didn’t want the man to be forced out against his will. “You know?” “Know what?” “About, um, me and Zev?” Toby rolled his eyes. “Of course I know. Just because I was blessed in the looks department doesn’t mean I was shorted anything upstairs. I’m not an idiot, Jonah.
Cardeno C. (Wake Me Up Inside (Mates, #1))
The Scimitars gave it some clog, intending to go firm once across the bridge but the defenders let the leading troop
Andy Farman (Crossing the Rubicon (Armageddon's Song #5))
He had to go—had to go down there to lead the fight at the gate. Where he’d make his last stand. Where he’d meet his end, defending the place he’d loved most. It was the least he could do, with all the warriors who had fallen thanks to him, to his choices. To fall himself for Terrasen. A death worthy of a song. An end worthy of being told around a fire. If in Erawan’s new world of darkness, flames would be allowed to exist.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Each step heavier than the last. Each step a memory of his friend, an image of the kingdom they had seen, the enemies they had fought, the quiet moments that no song would ever mention. Yet the songs would mention this—that the Lion fell before the western gate of Orynth, defending the city and his son. If they survived today, if they somehow lived, the bards would sing of it.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
The Night’s Watch takes no part in the wars of the Seven Kingdoms,” Jon reminded them when some semblance of quiet had returned. “It is not for us to oppose the Bastard of Bolton, to avenge Stannis Baratheon, to defend his widow and his daughter. This creature who makes cloaks from the skins of women has sworn to cut my heart out, and I mean to make him answer for those words … but I will not ask my brothers to forswear their vows. “The Night’s Watch will make for Hardhome. I ride to Winterfell alone, unless …” Jon paused. “… is there any man here who will come stand with me?” The roar was all he could have hoped for, the tumult so loud that the two old shields tumbled from the walls. Soren Shieldbreaker was on his feet, the Wanderer as well. Toregg the Tall, Brogg, Harle the Huntsman and Harle the Handsome both, Ygon Oldfather, Blind Doss, even the Great Walrus. I have my swords, thought Jon Snow, and we are coming for you, Bastard.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
He’s so fucked,” Tyler sounds through a chuckle. “I swear to God he was listening to K-Ci and JoJo last night when I popped into his room.” “It was on the radio, you dick!” I defend, stalking toward my bedroom. I may have found the song in my cloud and replayed it once or twice.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Jinnah had, among other things, criticized the singing in government schools of the patriotic hymn ‘Vande Mataram’. Composed by the great Bengali writer Bankim Chandra Chatterjee, the poem invoked Hindu temples, praised the Hindu goddess Durga, and spoke of seventy million Indians, each carrying a sword, ready to defend their motherland against invaders, who could be interpreted as being the British, or Muslims, or both. ‘Vande Mataram’ first became popular during the swadeshi movement of1905–07. The revolutionary Aurobindo Ghose named his political journal after it. Rabindranath Tagore was among the first to set it to music. His version was sung by his niece Saraladevi Chaudhurani at the Banaras Congress of 1905. The same year, the Tamil poet Subramania Bharati rendered it into his language. In Bengali and Tamil, Kannada and Telugu, Hindi and Gujarati, the song had long been sung at nationalist meetings and processions. After the Congress governments took power in 1937, the song was sometimes sung at official functions. The Muslim League objected vigorously. One of its legislators called it ‘anti-Muslim’, another, ‘an insult to Islam’. Jinnah himself claimed the song was ‘not only idolatrous but in its origins and substance [was] a hymn to spread hatred for the Musalmans’. Nationalists in Bengal were adamant that the song was not aimed at Muslims.The prominent Calcutta Congressman Subhas Chandra Bose wrote to Gandhi that ‘the province (or at least the Hindu portion of it) is greatly perturbed over the controversy raised in certain Muslim circles over the song “Bande Mataram”. As far as I can judge, all shades of Hindu opinion are unanimous in opposing any attempts to ban the song in Congress meetings and conferences.’ Bose himself thought that ‘we should think a hundred times before we take any steps in the direction of banning the song’. The social worker Satis Dasgupta told Gandhi that ‘Vande Mataram’ was ‘out and out a patriotic song—a song in which all the children of the mother[land] can participate, be they Hindu or Mussalman’. It did use Hindu images, but such imagery was common in Bengal, where even Muslim poets like Nazrul Islam often referred to Hindu gods and legends. ‘Vande Mataram’, argued Dasgupta, was ‘never a provincial cry and never surely a communal cry’. Faced with Jinnah’s complaints on the one side and this defence by Bengali patriots on the other, Gandhi suggested a compromise: that Congress governments should have only the first two verses sung. These evoked the motherland without specifying any religious identity. But this concession made many Bengalis ‘sore at heart’; they wanted the whole song sung. On the other side, Muslims were not satisfied either; for, the ascription of a mother-like status to India was dangerously close to idol worship.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
Give boys the songs. Mos cantandi, mos amandi: the custom of singing becomes the custom of love. We sing what we love, and we learn to love that which we sing.
Anthony Esolen (Defending Boyhood: How Building Forts, Reading Stories, Playing Ball, and Praying to God Can Change the World)
Siamangs—large black members of the gibbon family—swing high up in the tallest trees of the Asian Jungle. Every morning, the male and female burst into spectacular duets. Their song begins with a few loud whoops, which gradually build into ever louder, more elaborate sequences. Amplified by balloonlike throat sacs, the sound carries far and wide. I have heard them in Indonesia, where the whole forest echoed with their sound. The siamangs listen to one another during breaks. Whereas most territorial animals need only to know where their boundaries run and how strong and healthy their neighbors are, siamangs face the added complexity that territories are jointly defended by pairs. This means that pair-bonds matter. Troubled pairs will be weak defenders, while bonded pairs will be strong ones. Since the song of a pair reflects their marriage, the more beautiful it is, the more their neighbors realize not to mess with them. A close-harmony duet communicates not only “stay out!” but also “we’re one!” If a pair duets poorly, on the other hand, uttering discordant vocalizations that interrupt one another, neighbors hear an opportunity to move in and exploit the pair’s troubled relationship.
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
How did my son Bran come to fall?” “I flung him from a window.” The easy way he said it took her voice away for an instant. If I had a knife, I would kill him now, she thought, until she remembered the girls. Her throat constricted as she said, “You were a knight, sworn to defend the weak and innocent.” “He was weak enough, but perhaps not so innocent. He was spying on us. “Bran would not spy.” “Then blame those precious gods of yours, who brought the boy to our window and gave him a glimpse of something he was never meant to see.” “Blame the gods?” she said, incredulous. “Yours was the hand that threw him. You meant for him to die.” His chains chinked softly. “I seldom fling children from towers to improve their health. Yes, I meant for him to die.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I knew that whatever evil they were capable of, whatever carelessness, they were just as capable of kindness, and for that reason alone I would defend them until I was no more than foam on the sea.
Katherine Macdonald (A Song of Sea and Shore)
So in reality there was just one functioning channel, which came on at around 5 p.m., shutting down at 11 p.m. At seven o’clock, there was a news program for twenty-five minutes, almost exclusively about Kim Jong-il. There was no live film, just old photographs of him visiting factories, and the newscaster would read, verbatim, whatever he had supposedly said on those occasions. Next there was a thirty-minute music program, in which the lyrics scrolled across the screen karaoke style. The songs had titles like “Defend the Headquarters of Revolution,” which described the North Korean people as “bombs and bullets.” Then there was a slot for a drama or film, followed by another news program on the more recent movements of Kim Jong-il. This was the news that my students had mentioned watching each night. There were, of course, no commercials, but the news was sometimes interrupted by Kim Jong-il quotations that filled the screen.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
Abide with Us, Our Savior Author: Joshua Stegmann Abide with us, our Savior, Nor let Thy mercy cease From Satan’s might defend us, And grant our souls release. Abide with us, our Savior, Sustain us by Thy Word, That we may, now and ever, Find peace in Thee, O Lord. Abide with us, our Savior, Thou light of endless light Increase to us Thy blessings, And save us by Thy might.
Philip P. Bliss (Hymnal: Ancient Hymns & Spiritual Songs: Lyrics to thousands of popular & traditional Christian hymns)
Song 4. Sioux-Soldier-Sold There is the law of the Creator which Tells us: Do not take what is not yours to take. Do not take more than you can use. Respect life and the giver of life. Give back. Defend your people when there is need For defense. And when a people strips your spirit of Your body and sells your “red skins” for Bounty, then they are the ones Who have broken the law.
Joy Harjo (An American Sunrise)
defend my actions.
Fabiola Francisco (Write You a Love Song (Love in Everton, #1))
Winter rose Finally after many days the sun rose, And it turned lively, the stiff, but beautiful winter rose, That will soon be covered in frost, Where its scent and its radiant colour will be lost, And its petals will kiss each other with a passionate compactness, And lie suspended in this state with a beautiful aptness, That humans fail to acquire, Because we are a rose where every petal is a dichotomous desire, So the rose of our life never achieves this beautiful compactness, Because it tries to grow against the winter’s stillness, And as it does so, its frost bitten petals fall apart and break into pieces, Unlike the winter rose where it seems beauty reposes in peace in so many pieces, Holding them together, for it believes in winter’s silence and its stillness, That whispers to it silent songs of patience and its eventual fairness, Like this winter rose I hold your memories together, Though many might say I am a cold and insensitive lover, But my love Irma, the petals of hope and love have a melancholic dichotomy of their own, And like the beautiful winter rose your memories within me have grown, Waiting, waiting for the winter silence to end, Even if that means a million winter’s I have to defend, So, let the winter rose be, and let the winter stay as long as it wants to, For my mind and heart have entered into a beautiful hibernation, where no one wishes to be, but sometimes we have to!
Javid Ahmad Tak (They Loved in 2075!)
His dragon's ability to let go of her hatred only impressed upon him again that he didn't deserve her. 'I'll take you anyways,' she had said. 'Why?' he croaked aloud. 'After all I did, why take me?' 'Because you protected me, and I know you always will.' She nodded to the brute. 'I'm glad I was able to defend you for once.' 'Is that what you think? That only I benefit from this?' He moved so that he could face her, looking into those purple eyes that had led him back through the dark. 'You saved me that day at Windshear, too. You've saved me a little every day since. I need you just as much. If anything, I need you more.' Her eyes welled with affection, and their bond pushed outward, expanding visibly, and through Osric's soul still stabbed with pain, it was nothing like before.
Michael R. Miller (Defiant (Songs of Chaos, #3))
Twenty Complaints Laments contain various complaints expressing struggle, questions, outrage, and frustration. The following passages are examples of the unique complaints found in the psalms of lament: Why? Why, O Lord, do you stand far away? Why do you hide yourself in times of trouble? (Ps. 10:1) Why does the wicked renounce God and say in his heart, “You will not call to account”? (Ps. 10:13) My God, my God, why have you forsaken me? Why are you so far from saving me, from the words of my groaning? (Ps. 22:1) I say to God, my rock: “Why have you forgotten me? Why do I go mourning because of the oppression of the enemy?” (Ps. 42:9) For you are the God in whom I take refuge; why have you rejected me? Why do I go about mourning because of the oppression of the enemy? (Ps. 43:2) Awake! Why are you sleeping, O Lord? Rouse yourself! Do not reject us forever! (Ps. 44:23) O God, why do you cast us off forever? Why does your anger smoke against the sheep of your pasture? (Ps. 74:1) Why do you hold back your hand, your right hand? Take it from the fold of your garment and destroy them! (Ps. 74:11) Why then have you broken down its walls, so that all who pass along the way pluck its fruit? (Ps. 80:12) O Lord, why do you cast my soul away? Why do you hide your face from me? (Ps. 88:14) How? O Lord, how many are my foes! Many are rising against me. (Ps. 3:1) How long, O Lord, will you look on? Rescue me from their destruction, my precious life from the lions! (Ps. 35:17) How long, O God, is the foe to scoff? Is the enemy to revile your name forever? (Ps. 74:10) Remember this, O Lord, how the enemy scoffs, and a foolish people reviles your name. (Ps. 74:18) Arise, O God, defend your cause; remember how the foolish scoff at you all the day! (Ps. 74:22) O Lord God of hosts, how long will you be angry with your people’s prayers? (Ps. 80:4) How long, O Lord? Will you hide yourself forever? How long will your wrath burn like fire? (Ps. 89:46) Return, O Lord! How long? Have pity on your servants! (Ps. 90:13) O Lord, how long shall the wicked, how long shall the wicked exult? (Ps. 94:3) How shall we sing the Lord’s song in a foreign land? (Ps. 137:4)
Mark Vroegop (Dark Clouds, Deep Mercy: Discovering the Grace of Lament)
The clans have grown bolder since Lord Jon died,” Ser Donnel said. He was a stocky youth of twenty years, earnest and homely, with a wide nose and a shock of thick brown hair. “If it were up to me, I would take a hundred men into the mountains, root them out of their fastnesses, and teach them some sharp lessons, but your sister has forbidden it. She would not even permit her knights to fight in the Hand’s tourney. She wants all our swords kept close to home, to defend the Vale … against what, no one is certain. Shadows, some say.” He looked at her anxiously, as if he had suddenly remembered who she was. “I hope I have not spoken out of turn, my lady. I meant no offense.” “Frank talk does not offend me, Ser Donnel.” Catelyn knew what her sister feared. Not shadows, Lannisters, she thought to herself, glancing back to where the dwarf rode beside Bronn.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Did Lysa know you were coming?” “There was no time to send word ahead,” Catelyn told him. The others were coming up behind her. “I fear we ride before the storm, Uncle.” “May we enter the Vale?” Ser Donnel asked. The Waynwoods were ever ones for ceremony. “In the name of Robert Arryn, Lord of the Eyrie, Defender of the Vale, True Warden of the East, I bid you enter freely, and charge you to keep his peace,” Ser Brynden replied. “Come.” And so she rode behind him, beneath the shadow of the Bloody Gate where a dozen armies had dashed themselves to pieces in the Age of Heroes. On the far side of the stoneworks, the mountains opened up suddenly upon a vista of green fields, blue sky, and snowcapped mountains that took her breath away. The Vale of Arryn bathed in the morning light.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The riches of His goodness are unsearchable; you will never be able to convey them or even conceive them. Oh, the breadth of the love of Christ! Shall such a love as this have only half our hearts? Shall it have a cold love in return? Shall Jesus’ marvelous loving-kindness and tender care be met with only faint response and delayed acknowledgment? My soul, tune your harp to a glad song of thanksgiving! Go to your rest rejoicing, for you are not a desolate wanderer but a beloved child, watched over, cared for, supplied, and defended by your Lord.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
Acorn Woodpeckers of the western United States and Mexico store acorns in “granary” trees and defend them aggressively. They wedge the acorns into holes in trees or wooden telephone poles so tightly that crows, squirrels, and rats can’t raid their supply. To remove an acorn, a woodpecker hammers it with its bill to crack the shell and extract the meat. Clark’s Nutcrackers, capable of carrying more than 90 pine seeds at a time in a pouch under their tongue, store many of them in caches, even under the snow. They cache two to three times what they need for the winter and eventually find half or more of their seed caches later. Not only do the birds recall the site of these caches for up to nine months, they also remember the relative number of seeds and the size of the seeds in each cache. Florida Scrub Jays cache food by burying one acorn at a time; if they observe another jay, a potential cache robber, watching them, they will return later to move the acorn. But they will only do this if they themselves were cache robbers in the past. Seems that honest jays trust the other ones and thieves do not.
Roger J. Lederer (Beaks, Bones and Bird Songs: How the Struggle for Survival Has Shaped Birds and Their Behavior)
I’m always hungry, so I am. Well so long, James, and heed my advice: a man’s chosen history is like a suit of armour – it defines and defends him, but viewing the world through a visor distorts his perception, and to prise it off the man, you’ll have to kill him first.” He winked and smiled with sharp, white teeth.
Finn Dervan (Serenity Song)
By March 1948 Sheikh Abdullah was the most important man in the Valley. Hari Singh was still the state’s ceremonial head – now called ‘sadr-i-riyasat’ – but he had no real powers. The government of India completely shut him out of the UN deliberations. Their man, as they saw it, was Abdullah. Only he, it was felt, could ‘save’ Kashmir for the Union. At this stage Abdullah himself was inclined to stress the ties between Kashmir and India. In May 1948 he organized a week-long ‘freedom’ celebration in Srinagar, to which he invited the leading lights of the Indian government. The events on the calendar included folk songs and poetry readings, the remembrance of martyrs and visits to refugee camps. The Kashmiri leader commended the ‘patriotic morale of our own people and the gallant fighting forces of the Indian Union’. ‘Our struggle’, said Abdullah, ‘is not merely the affair of the Kashmir people, it is the war of every son and daughter of India.’59 On the first anniversary of Indian independence Abdullah sent a message to the leading Madras weekly, Swatantra. The message sought to unite north and south, mountain and coast, and, above all, Kashmir and India. It deserves to be printed in full: Through the pages of SWATANTRA I wish to send my message of fraternity to the people of the south. Far back in the annals of India the south and north met in the land of Kashmir. The great Shankaracharya came to Kashmir to spread his dynamic philosophy but here he was defeated in argument by a Panditani. This gave rise to the peculiar philosophy of Kashmir – Shaivism. A memorial to the great Shankaracharya in Kashmir stands prominent on the top of the Shankaracharya Hill in Srinagar. It is a temple containing the Murti of Shiva. More recently it was given to a southerner to take the case of Kashmir to the United Nations and, as the whole of India knows, with the doggedness and tenacity that is so usual to the southerner, he defended Kashmir. We in Kashmir expect that we shall continue to receive support and sympathy from the people of the south and that some day when we describe the extent of our country we shall use the phrase ‘from Kashmir to Cape Comorin’.60
Ramachandra Guha (India After Gandhi: The History of the World's Largest Democracy)