Deck Up Quotes

We've searched our database for all the quotes and captions related to Deck Up. Here they are! All 100 of them:

There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch. Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Percy and Hedge lay on the deck, looking exhausted. Hedge was missing his shoes. He grinned at the sky, muttering, “Awesome. Awesome.” Percy was covered in nicks and scratches, like he’d jumped through a window. He didn’t say anything but he grasped Annabeth’s hand weakly as if to say, Be right with you as soon as the world stops spinning. Leo, Piper, and Jason, who’d been eating in the mess hall, came rushing up the stairs. “What? What?” Leo cried, holding a half-eaten grilled cheese sandwich. “Can’t a guy even take a lunch break? What’s wrong?” “Followed!” Frank yelled again. “Followed by what? Jason asked. “I don’t know!” Frank panted. “Whales? Sea monsters? Maybe Kate and Porky!” Annabeth wanted to strangle the guy, but she wasn’t sure her hands would fit around his thick neck. “That makes absolutely no sense.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
They say you never know what you would do in a hypothetical situation. We’d all like to think we’d be one of the people who gave up their lifejackets and waved a stoic good-bye from the slanting deck of the titanic, someone who jumped in front of a bullet for a stranger, or turned and raced back up the stairs of one of the towers, in search of someone who needed help rather than our own security. But you just don’t know for sure if, when things fall apart, you’ll think safety first, or if safety will be the last thing on your mind.
Huntley Fitzpatrick (My Life Next Door)
Shallan, weren't you supposed to be reading?” “I . . . had trouble concentrating.” “So you came up on deck,” Jasnah said, “to sketch pictures of young men working without their shirts on. You expected this to help your concentration?
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Oh, hell,” Kelsier said. “There’s actually a God?” “Yes.” Kelsier decked him. It was a good, clean punch, thrown from the shoulder while he brought his other arm up to block a counter strike.
Brandon Sanderson (Secret History (Mistborn, #3.5))
O CAPTAIN! my Captain! our fearful trip is done, The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up - for you the flag is flung - for you the bugle trills, For you bouquets and ribbon'd wreaths - for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Leaves of Grass)
My memories are like a shuffled deck of cards, each one coming up at random.
Brian James (Life is But a Dream)
What is it about being ill and wanting to go home? This time there was no Katy to boat sit, so I left Emma out on the deck where she had access to her Emma cage. I closed up as best I could and decided to do a ‘hold mail’ as I wasn’t sure how long I’d be gone.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
Nagumo was suddenly on his own. At this crucial time, the cost of his failure to learn the complicated factors that played into carrier operations suddenly exploded. Now, when every minute counted, it was too late to learn the complexities involved in loading different munitions on different types of planes on the hangar deck, too late to learn how the planes were organized and spotted on the flight decks, too late to learn the flight capabilities of his different types of planes, and far too late to know how to integrate all those factors into a fast-moving and efficient operation with the planes and ordnance available at that moment. Commander Genda, his brilliant operations officer, couldn’t make the decisions for him now. It was all up to Nagumo. At 0730 on June 4, 1942, years of shipbuilding, training, and strategic planning had all come to this moment. Teams of highly trained pilots, flight deck personnel, mechanics, and hundreds of other sailors were ready and awaiting his command. The entire course of the battle, of the Combined Fleet, and even perhaps of Japan were going to bear the results of his decisions, then and there.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
There's always a siren, singing you to shipwreck. Some of us may be more susceptible than others are, but there's always a siren. It may be with us all our lives, or it may be many years or decades before we find it or it finds us. But when it does find us, if we're lucky we're Odysseus tied up to the ship's mast, hearing the song with perfect clarity, but ferried to safety by a crew whose ears have been plugged with beeswax. If we're not at all lucky, we're another sort of sailor stepping off the deck to drown in the sea.
Caitlín R. Kiernan (The Drowning Girl)
There was a roar of delight from the forward bench, and then the bearlike figure of Nils Ropehander came lumbering down the deck, bellowing congratulations. "What's that? The General? Engaged? Well General, here's my hand in congratulations!" The expression here's my hand turned out to be a loose one. Nils scooped Horace up in a massive bear hug of delight. The hug, unlike the expression, was not a loose one. When he released Horace, the young groom-to-be crumpled, moaning breathlessly, to the deck.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
She stepped forward as if to pick up the fur she'd tossed over a chair. Smoothly, she turned to hand it to him. And with perfect timing, flung herself into his arms. The sable fell as he took her shoulders to shove her back. Eve stepped to the doorway to see Magdelana with her arms locked around Roarke's neck, his hands on her bare shoulders--one of the ivory straps sliding to her elbow. "Son of a bitch," she said. On cue, Magdelana spun around, her face full of passion and shock. "Oh, God. Oh...it's not what it looks like." "Bet." Eve strode in. Actually, Roarke thought, it was more of a swagger. He had a moment to admire it, before Eve rammed her fist in his face. "Fuck me." His head snapped back, and he tasted blood. Magdelana cried out, but even the deaf would have caught the suppressed laughter in the sound. "Roarke! Oh, my God, you're bleeding. Please, let me just--" "Don't look now," Eve said cheerfully. "But he's not the only one." She decked Magdelana with a straight-armed jab. "Bitch," Eve added as Magdelana's eyes rolled back and she fell, unconscious, to the floor. Roarke looked down. "Well, now, fuck us all.
J.D. Robb (Innocent in Death (In Death, #24))
Maybe I can put it another way... Life, Charlie Brown, is like a deck chair." "Like a what?" "Have you ever been on a cruise ship? Passengers open up these canvas deck chairs so they can sit in the sun... Some people place their chairs facing the rear of the ship so they can see where they've been... Other people face their chairs forward... They want to see where they're going! On the cruise ship of life, Charlie Brown, which way is your deck chair facing?" "I've never been able to get one unfolded...
Charles M. Schulz (The Complete Peanuts, Vol. 16: 1981-1982)
Productivity is a trap. Becoming more efficient just makes you more rushed, and trying to clear the decks simply makes them fill up again faster. Nobody in the history of humanity has ever achieved “work-life balance,” whatever that might be, and you certainly won’t get there by copying the “six things successful people do before 7:00 a.m.” The day will never arrive when you finally have everything under control—when the flood of emails has been contained; when your to-do lists have stopped getting longer; when you’re meeting all your obligations at work and in your home life; when nobody’s angry with you for missing a deadline or dropping the ball; and when the fully optimized person you’ve become can turn, at long last, to the things life is really supposed to be about. Let’s start by admitting defeat: none of this is ever going to happen. But you know what? That’s excellent news.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Gundar, seeing Halt upright for the first time in two days, stumped up the deck to join them. 'Back on your feet then?' he boomed cheerfully, with typical Skandian tact. 'By Gorlag's toenails, with all the heaving abd puking you've been doing, I thought you'd turn yourself inside out and puke yourself over the rail!'... 'You do paint a pretty picture, Gundar,' Will said... 'Thank you for your concern,' Halt said icily... 'So, did you find Albert?' Gundar went on, unabashed. Even Halt was puzzled by this sudden apparent change of subject. 'Albert?' he asked. Too late, he saw Gundar's grin widening and knew he'd stepped into a trap. 'You seemed to be looking for him. You'd lean over the rail and call, 'Al-b-e-e-e-e-e-r-t!' I thought he might be some Araluen sea god.' 'No, I didn't find him. Maybe I could look for him in your helmet.' He reached out a hand. But Gundar had heard what happened when Skandians lent their helmets to the grim-faced Ranger while onboard ship... 'No, I'm pretty sure he's not there,' he said hurriedly.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
But playing your music as loud as you want and coming home drunk aren't real life. Real life, it turns out, is diapers and lawnmowers, decks that need painting, a wife that needs to be listened to, kids that need to be taught right from wrong, a checkbook, an oil change, a sunset behind a mountain, laughter at a kitchen table, too much wine, a chipped tooth, and a screaming child.
Donald Miller (To Own a Dragon: Reflections On Growing Up Without A Father)
Livie, I think you’re completely fucked up.” Chunks of cheesecake fly out of my mouth and splatter against the deck’s glass panel as I choke on my fork. My sister has a twisted sense of humor.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
Michael Tobert (Karna's Wheel)
When my dad died, it was like everything felt really shaky, you know? And trying to be the best I could be, it gave me something to focus on. If I could just do everything right, then I was safe.' I couldn't believe I was saying this, not ere, at a party packed with classates and strangers. In fact, I couldn't imagine saying it anywhere, really, except in my own head where it somehow made sense. 'That sucks, though,' Wes said finally, his voice low. 'You're jsut setting yourself up to fail, because you'll never get everything perfect.' 'Says who?' He just looked at me. 'The world,' he said, gsturing all around us, as if the party, the deck encompassed it all. 'The universe. There's just no way.
Sarah Dessen (The Truth About Forever)
I saw their mouths going up and down without a sound, as if they were sitting on the deck of a departing ship, stranding me in the middle of a huge silence.
Sylvia Plath (The Bell Jar)
Listen, friend, he said, this whole game is just one big deck of cards. if you want to get into the game you have to take whatever comes up in the shuffle.
Charles Bukowski (Notes of a Dirty Old Man)
I stare at her chest. As she breathes, the rounded peaks move up and down like the swell of waves, somehow reminding me of rain falling softly on a broad stretch of sea. I'm the lonely voyager standing on deck, and she's the sea. The sky is a blanket of gray, merging with the gray sea off on the horizon. It's hard to tell the difference between sea and sky. Between voyager and sea. Between reality and the workings of the heart.
Haruki Murakami (Kafka on the Shore)
A little while later Jack walked into the kitchen at the bar and saw Preacher scowl his greeting. Bravely, Jack walked up to the counter. “Hey, man,” he said. “You were right, I was wrong, and I’d like us to get back on the same team.” “You sure this team of mine isn’t too much trouble for little you?” Preacher asked. “Okay, you about done? Because this really hurts and I’m trying not to deck you right now.
Robyn Carr (Shelter Mountain (Virgin River, #2))
The seven of us slipped onto the porch and down the deck stairs, finding lawn chairs to sit in under a giant oak tree. Kaidan leaned back in his chair, balancing it on the back two legs. “How about a game of Truth or Dare?” Marna offered. I was immediately apprehensive. Just as I was about to suggest something else, Kaidan spoke and my heart faltered. “I'll go first,” he said. “I dare Kope to kiss Anna.” Everything inside me flooded with fury and embarrassment. Kaidan leaned far back with his arms crossed, cocky. I stood up without thinking and hooked my foot under his chair, swiftly kicking upward and causing him to topple backward. He looked up at me from the ground with a stunned expression that morphed into a grin. The twins and Blake were in hysterics. Blake laughed so hard he fell sideways out of his own chair, which made Jay join in the laughter. I couldn't sit there with them anymore. This whole night was a disaster. I turned and walked through the yard, toward the side of the house. I heard Ginger talk between gasps of mirth. “Maybe she's not so bad after all!
Wendy Higgins (Sweet Evil (Sweet, #1))
Every spirit passing through the world fingers the tangible and mars the mutable, and finally has come to look and not to buy. So shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves, and then drops them all in a heap at the side of the house and goes on.
Marilynne Robinson (Housekeeping)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
That sucks, though," Wes said finally, his voice low. "You're just setting yourself up to fail, because you'll never get everything perfect." "Says who?" He just looked at me. "The world," he said, gesturing all around us, as if this party, this deck encompassed it all. "The universe. There's just no way. And why would you want everything to be perfect, anyway?" "I don't want everything to be perfect," I said. Just me, I thought. Somehow. "I just want—
Sarah Dessen (The Truth About Forever)
I'm not confused anymore.I know what I want." "Me,too.What I've always wanted since I first saw you." "Why didn't you kiss me again after that first time,that night on the deck?" "You didn't give me any hints that you wanted another one." i wiggled up a little closer to him and looped my fingers behind his neck. "What would a hint entail?" He held my gaze."Exactly what you're doing." "Then why aren't you kissing me?" He touched his nose to mine."It's cold out here.What if our lips freeze together?" "I'll chance it.
Rachel Hawthorne (Love on the Lifts)
Everyone up here had two stories : the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you. No one cared if you had an old car on your deck, let alone a rusted fridge. Any Life that could be imagined could be lived up here.
Kristin Hannah (The Great Alone)
What you can't do is leave me!" He was thrown back. There were still six crewmen standing against him. That wasn't deterring him in the least, however, which only infuriated her the more. The fool man was going to get tossed in the river yet. She might do it herself. She was, after all, fed up with being told what she could or couldn't do. "And why can't I leave you?" "Because I love you!" He hadn't even paused in throwing another punch to shout that. Georgina, however, went very still, and breathless, and nearly sat down on the deck, her knees had gone so weak with the incredible emotion that welled up inside her.
Johanna Lindsey (Gentle Rogue (Malory-Anderson Family, #3))
...if true love breaks as easily as a delusion, on what can we rely? What will people pin their hopes on?" [Nilima] "They'll have the sweet, intimate memories of a lost paradise, and beside it a sea of sorrow.... People looking on from outside think all is lost... What remains when everything is lost can be held in the palm, like a jewel. It can't be flaunted in a pageant, so the lookers-on are disappointed and jeer as they return home.." [Kamal] "...Jewels are not meant for everybody, certainly not for the rabble. People who're only happy when decked out with gold and silver from top to toe won't understand the value of your tiny diamonds and gems. Those who want a lot feel secure only after tying knot upon knot. They put a price on something only by its weight and show and bulk. But it's useless to try and show the sunrise from a western window..[Nilima]
Sarat Chandra Chattopadhyay
Who is to say that your friend's life is worth more than a Dragon's?' said One Eye, who was taking up most of the deck. 'It's worth more to me,' said Hiccup. 'Because I didn't know the Doomfang personally.
Cressida Cowell (How to Cheat a Dragon's Curse (How to Train Your Dragon, #4))
In 1855, as the price of paper rose, Dr. Deck proposed to dig up 2 1/2 million tons of Egyptian mummies, ship them to New York, unroll them; and use their linen wrappings to make paper.
Nicholson Baker (Double Fold: Libraries and the Assault on Paper)
I am salivating. There's a challenge in her eyes, making her the bravest girl I've ever met, because I will bloody well lay her down right here on Blake's deck and pick up where I left off in that hotel room. I will have that bikini off faster than she can gasp.
Wendy Higgins (Sweet Temptation (Sweet, #4))
There will never be another Dark-Hunter who goes free. Your happiness comes at the expense of their freedom because there’s no one else I want to barter with. No one else to pay the fee you set up centuries ago. Knowing that, I hope you sleep well at night. (Artemis) (Artemis leaves.) But what about the Dark-Hunters? (Acheron) The one thing I’ve learned most out of all this is that it’s not over until all the cards are played. She laid down her ace, thinking we can’t beat it. But there are fifty-one other cards in the deck and the game isn’t over yet. We’ll figure something out. Her little fit fight now just shows that she’s played her best hand. That was all she’s capable of doing to hurt you, which is exactly why she did it. Don’t let her ruin your day, baby, and don’t let her take from us what we have. We’ve gotten this far together. What’s another bitter goddess to us? Like my papou always says, over, under, around, or through. There’s always a way and we’ll find it. (Tory)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
No one likes the feeling that other people are waiting— impatiently—for a response. At the beginning of the day, faced with an overflowing inbox, an array of voice mail messages, and the list of next steps from your last meeting, it’s tempting to “clear the decks” before starting your own work . When you’re up-to-date, you tell yourself, it will be easier to focus. The trouble with this approach is it means spending the best part of the day on other people’s priorities.
Jocelyn K. Glei (Manage Your Day-to-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind (99U))
And I want cabana boys named Raoul to rub warm, fragrant oil all over me, from head to toe, all over my throat and chest and my legs and arms. I want—” Theo pushed the chair back on the deck and it made a loud scraping sound. He grabbed Lucy’s face and kissed her hard, then rose up and placed her on her feet, taking her hand. “Where are we going, Theo?” “Shh.” He stroked her hair as he led her inside. “The name’s Raoul.
Susan Donovan (He Loves Lucy)
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day, and she would listen to every sound, spring to her feet, feel surprised that it had not come; then at sunset, always more sorrowful, she would wish the next day were already there.
Gustave Flaubert (Madame Bovary)
We're standing on the deck that's all wooden like the deck of a ship. There's fuzz on it, little bundles. Grandma says it's some kind of pollen from a tree. "Which one?" I'm staring up at all the differents. "Can't help you there, I'm afraid." In Room we knowed what everything was called but in the world there's so much, persons don't even know the names.
Emma Donoghue (Room)
There's a shark. Following the ship.' I tried not to look, but couldn't help it. I saw a flash of dirty white down in the green. We walked back to the deck chairs. Walter, we'll have to wait. Till the moon comes up.' I guess we better have a moon.' I want to see that fin. That black fin. Cutting the water in the moonlight.
James M. Cain (Double Indemnity)
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day.… —GUSTAVE FLAUBERT, Madame Bovary
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
As difficult as it is to endure, depression has elements that can be helpful in grief. It slows us down and allows us to take real stock of the loss. It makes us rebuild ourselves from the ground up. It clears the deck for growth. It takes us to a deeper place in our soul that we would not normally explore.
Elisabeth Kübler-Ross (On Grief and Grieving: Finding the Meaning of Grief Through the Five Stages of Loss)
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
I confess that if I were in Violet's place, with only a few minutes to open a locked suitcase, instead of on the deck of my friend Bela's yacht, writing this down, I probably would have given up hope. I would have sunk to the floor of the bedroom and pounded my fists against the carpet wondering why in the world life was so unfair and filled with inconveniences.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
this is not a Quote it's a poem. "A Thousand Kisses Deep" The ponies run, the girls are young, The odds are there to beat. You win a while, and then it’s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it’s real, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. You lose your grip, and then you slip Into the Masterpiece. And maybe I had miles to drive, And promises to keep: You ditch it all to stay alive, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. Confined to sex, we pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. I made it to the forward deck. I blessed our remnant fleet – And then consented to be wrecked, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. I guess they won’t exchange the gifts That you were meant to keep. And quiet is the thought of you, The file on you complete, Except what we forgot to do, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. The ponies run, the girls are young, The odds are there to beat . . .
Leonard Cohen
As I went over to say good-by I saw that the expression of bewilderment had come back into Gatsby's face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams-not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart
F. Scott Fitzgerald (The Great Gatsby)
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
The boat has become supreme isolation, chosen isolation, holding myself apart from the world, which I only dimly understand anyway. I can sit on the aft deck and never be surprised by anything again- no phone will ever ring, no one will knock that I haven't seen coming for a quarter mile. that I can go to sleep any night and wake up having broken loose- a failed knot, a line frayed, the anchor dragged- that I can drift out of sight of land makes a twisted sense, in line with my internal weather. When everything has proven tenuous one can either move toward permanence or toward impermanence. The boat's sublimely impermanent. Some mornings the fog's so thick that I exist only in a tight globe of clearing, beyond which is all foghorn and unknown.
Nick Flynn (Another Bullshit Night in Suck City)
Puppies and kids naturally go together, but it's up to the adults to teach them how to do it the right way.
Cesar Millan (Puppyhood Deck: 50 Tips for Raising the Perfect Dog)
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.
Jeffrey Eugenides (Middlesex)
A ring-whorled prow rode in the harbour, ice-clad, outbound, a craft for a prince. They stretched their beloved lord in his boat, laid out by the mast, amidships, the great ring-giver. Far fetched treasures were piled upon him, and precious gear. I have never heard before of a ship so well furbished with battle tackle, bladed weapons and coats of mail. The massed treasure was loaded on top of him: it would travel far on out into the ocean's sway. They decked his body no less bountifully with offerings than those first ones did who cast him away when he was a child and launched him alone over the waves. And they set a gold standard up high above his head and let him drift to wind and tide, bewailing him and mourning their loss. No man can tell, no wise man in hall or weathered veteran knows for certain who salvaged that load.
Seamus Heaney (Beowulf)
The crafty otter produced a flat pebble from his helmet, spat on one side of it, and held it up for the bird to see. 'Right, I'll spin ye. Dry side, I win, wet side, you lose. Good?' The honey buzzard nodded eagerly... Buteo's keen eyes watched every spin of the stone until it clacked down flat on the deck. Garfo grinned from ear to ear. 'Wet side! You lose!
Brian Jacques (Loamhedge (Redwall, #16))
As they prepared themselves to go ashore no one doubted in theory that at least a certain percentage of them would remain on the island dead, once they set foot on it. But no one expected to be one of these. Still it was an awesome thought and as the first contingents came struggling up on deck in full gear to form up, all eyes instinctively sought out immediately this island where they were to be put, and left, and which might possibly turn out to be a friend's grave.
James Jones (The Thin Red Line)
Olson sat up. He put his hands against his belly and stared calmly at the poised soldiers on the deck of the squat vehicle. the soldiers stared back. 'You bastards!' McVries sobbed. 'You bloody bastards!' Olson began to get up. Another volley of bullets drove him flat again. Now there was a sound from behind Garraty. He didn't have to turn his head to know it was Stebbins. Stebbins was laughing softly. Olson sat up again. The guns were still trained on him, but the soldiers did not shoot. Their silhouettes on the halftrack seemed almost to indicate curiosity. Slowly, reflectively, Olson gained his feet, hands crossed on his belly. He seemed to sniff the air for direction, turned slowly in the direction of the Walk, and began to stagger along.
Richard Bachman
We ain't felt the rain for two years, said Jae, the black woman. In Brooklyn there's a little rec deck they take us up on, but it's covered over, barbed wire and shit, and you don't really see the sky, she explained. So we don't mind the rain. We love it. And she put her head back again, face up, as close to the sky as it could get.
Piper Kerman (Orange Is the New Black)
You are really nuts, you know it? One a these days they're gonna come over and just lock you up! You aren't playing with a full deck, Eunice. I think somebody blew your pilot light out. There's more. You know what? You got splinters in the windmill of your mind. You're playin hockey with a warped puck! I think you dine sprung a leak in your dingey....
Vicki Lawrence
Sometimes, during the lonely hours on the control deck, Bowman would listen to this radiation. He would turn up the gain until the room filled with a crackling, hissing roar; out of this background, at irregular intervals, emerged brief whistles and peeps like the cries of demented birds. It was an eerie sound, for it had nothing to do with Man; it was as lonely and meaningless as the murmur of waves on a beach, or the distant crash of thunder beyond the horizon.
Arthur C. Clarke
Tereza tried to see herself through her body. That is why, from girlhood on, she would stand before the mirror so often. And because she was afraid her mother would catch her at it, every peek into the mirror had a tinge of secret vice. It was not vanity that drew her to the mirror; it was amaze­ment at seeing her own "I." She forgot she was looking at the instrument panel of her body mechanisms; she thought she saw her soul shining through the features of her face. She forgot that the nose was merely the nozzle of a hose that took oxygen to the lungs; she saw it as the true expression of her nature. Staring at herself for long stretches of time, she was occa­sionally upset at the sight of her mother's features in her face. She would stare all the more doggedly at her image in an attempt to wish them away and keep only what was hers alone. Each time she succeeded was a time of intoxication: her soul would rise to the surface of her body like a crew charging up from the bowels of a ship, spreading out over the deck, waving at the sky and singing in jubilation.
Milan Kundera (The Unbearable Lightness of Being)
Once, when I was a child, I dreamed that Grimbeard the Ghastly, on the deck of his ship The Endless Journey, threw the sword Endeavor up into the air. Up and up it spun, through the inky blackness, across the cavernous span of a hundred years, until, entirely of its own accord, my own left hand sprang out of space and stars and never-ending time and caught it. Now that I am so very old, I am dreaming once again. And in my dream, I am the one throwing the sword. It is spinning now, in the black starlit waters of my dream, right above your head, dear reader. A sword that may look second-best, and secondhand, but but carries the memories of a thousand lost fights, a history lesson in itself. Reach out, and catch it by the hilt. Swear by its name, Endeavor, to do your utmost to make the world a better place than when you arrived in it. For look! There will be dragons all around you, as camouflaged as a Stealth Dragon.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
What’s the main allure of folks in Extreme Spiritual Addiction? Astral flash, of course. Picture a wannabe rock star, all decked out in garish colors and sequins. Why does that over-the-top kind of dress-up work so well in Vegas? Because audiences in Vegas aren’t seeking Spiritual Enlightenment, nor even a refined experience. Quite the opposite, right? Fact is, multitudes anywhere prefer entertainment that’s larger-than-life. Sleazy sex sells, and so does every other kind of garishness, including astral flash. To some spiritual seekers – and others -- astral flash can seem incredibly wonderful. Only some folks of course – you need not be one of them.
Rose Rosetree (Seeking Enlightenment in the Age of Awakening: Your Complete Program for Spiritual Awakening and More, In Just 20 Minutes a Day)
In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras --those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing a graphic novel at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the chase agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul.
Stephen King (Revival)
Till the last moment they dress a man up in peacock's feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they've decked out so finely sticks their noses in it with his own two hands.
Fyodor Dostoevsky (Crime and Punishment)
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
Your Midas touch on the Chevy door November flush and your flannel cure "This dorm was once a madhouse" I made a joke, "Well, it's made for me" How evergreen, our group of friends Don't think we'll say that word again And soon they'll have the nerve to deck the halls That we once walked through One for the money, two for the show I never was ready, so I watch you go Sometimes you just don't know the answer 'Til someone's on their knees and asks you "She would've made such a lovely bride What a shame she's fucked in her head, " they said But you'll find the real thing instead She'll patch up your tapestry that I shred
Taylor Swift
it, Leo had no idea. Coach Hedge was too miserable to help. He kept pacing the deck with tears in his eyes, pulling at his goatee and slapping the side of his head, muttering, “I should have saved them! I should have blown up more stuff!” Finally Leo told him to go belowdecks and secure everything for departure. He wasn’t doing any good beating himself up. The six demigods gathered on the quarterdeck and gazed at the distant column of dust still rising from the site of the implosion.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I think,' Olympia said slowly, 'that I know you quite well.' She looked down at the deck and added in a carefully mild voice, 'You can be a scoundrel; I know that. You stole from me and betrayed me and lied to me. You have no morals and no ideals; you think of yourself first and you're a coward sometimes on that account.' She hesitated, chewing her lip. 'What people call a coward, anyway. I don't know what cowardice is anymore. I don't know what heroism is.' She looked up. 'But I know one thing, and I learned it from you. I know what courage means. It means to pick up and go on, no matter what. It means having a heart of iron, like they say. You have that.
Laura Kinsale (Seize the Fire)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet)
According to Q-Jo, the whole tarot deck, or at least the twenty-two trump cards of the Major Arcana, may be read as the Fool's journey. "On one important level," she explained, "the major cards are chapters in the story of a quest. I'm talking the universal human quest for understanding and divine reunion. And it doesn't matter whether the quest starts with the Fool or ends with him, because it's a loop anyhow, a cycle endlessly repeated. When the naive young Fool finally tumbles over the precipice, he falls into the world of experience. Now his journey has really begun. Along the way, he'll meet all the teachers and tempters - the tempters are teachers, too - and challenging situations that a person is likely to meet in the task of his or her growing. The Fool is potentially everybody, but not everybody has the wisdom or the guts to play the fool. A lot of folks don't know what's in that bag they're carrying. And they're all too willing to trade it for cash. Inside the bag, the have every tool they need to facilitate their life's journey, but they won't even open it up and glance inside. Subconsciously, the goal of all of us out-of-control primates is essentially the same, but let me assure you of this: the only ones who'll ever reach that goal are the ones who have the courage to make fools of themselves along the way.
Tom Robbins (Half Asleep in Frog Pajamas)
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»
Sherry Thomas (Private Arrangements)
Questions are not happenstance thoughts nor are questions common problems of today which one picks up from hearsay and booklearning and decks out with a gesture of profundity questions grow out of confrontation with the subject matter and the subject matter is there only where eyes are, it is in this manner that questions will be posed and all the more considering that questions that have today fallen out of fashion in the great industry of problems. One stands up for nothing more than the normal running of the industry. Philosophy interprets its corruption as the resurrection of metaphysics.
Martin Heidegger (Ontology: The Hermeneutics of Facticity (Studies in Continental Thought))
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Clear night, thumb-top of a moon, a back-lit sky. Moon-fingers lay down their same routine On the side deck and the threshold, the white keys and the black keys. Bird hush and bird song. A cassia flower falls. I want to be bruised by God. I want to be strung up in a strong light and singled out. I want to be stretched, like music wrung from a dropped seed. I want to be entered and picked clean. And the wind says “What?” to me. And the castor beans, with their little earrings of death, say “What?” to me. And the stars start out on their cold slide through the dark. And the gears notch and the engines wheel.
Charles Wright
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
Alice Sebold (The Lovely Bones)
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
Barbara Kingsolver (Demon Copperhead)
As soon as my log-in sequence completed, a window popped up on my display, informing me that today was an election day. Now that I was eighteen, I could vote, in both the OASIS elections and the elections for U.S. government officials. I didn’t bother with the latter, because I didn’t see the point. The once-great country into which I’d been born now resembled its former self in name only. It didn’t matter who was in charge. Those people were rearranging deck chairs on the Titanic and everyone knew it. Besides, now that everyone could vote from home, via the OASIS, the only people who could get elected were movie stars, reality TV personalities, or radical televangelists.
Ernest Cline (Ready Player One (Ready Player One, #1))
Oh,bleep no. "Jack! What are you-" He lit both wicks and grabbed one of the bottles. Grinning maniacally at me, he turned and hurled his bottle. It spun lazily,a trail of light until it disappeared behind the deck of the ship.Maybe it wouldn't work.Maybe- A massive fireball billowed up, scorching the air and flowering along the boat. "Evie?You might want to throw that thing." I looked down in horror at my own burning Molotov cocktail,then flung it as far from myself as I could. It smashed against the side of the boat, most of the falmes falling down into the silver water. Which proceeded to catch fire. "Wow.Didn't expect that!" Jack nodded appreciatively as the flames spread, eating their way outward along the top of the lake.The boat,now engulfed, creaked and groanded its death cries. "Adding a touch of faerie liguor to the petrol gave it the extra kick,I think." An unearthly shriek ripped through the air, jarring me to the bones.I did not want to meet the owner of that voice. Jack laughed,taking my trembling hand. "This is the part where we run.
Kiersten White (Supernaturally (Paranormalcy, #2))
in the dark room she sits and in front of her is a plate and on the plate lies a black hunk of bread the size of a deck of cards. The bread has sawdust in it, and cardboard. She takes a knife and a fork, and cuts it slowly into four pieces. She eats one, chews it deliberately, pushes it with difficulty through her dry throat. eats another and another and finally the last one. She lingers especially on the last one. She knows after this piece is gone there will be no more food until tommorow morning. She wishes she could be strong enough to save half of the bread until dinner, but she isn't, she can't. When she looks up from her plate, her sister Dasha, is staring at her. Her plate is long empty. " I wish Alexander was coming back" says Dasha. " He might have food for us" I wish Alexander was coming back, thinks Tatiana.
Paullina Simons
When we reach the wall, we can discuss your future,” Elian says. I clench my fists, appalled at his audacity and the fact that I’m being forced to tolerate it. Never the queen, always the minion. “Discuss it?” I repeat. “You said you wanted to come with us, and I want to make sure you’re useful. You can’t just be a prisoner taking up space on my deck.” “I was belowdecks,” I remind him. “In a cage.” “That was this morning,” he says, as though it’s far enough in the past to be forgotten. “Try not to hold a grudge.” The grin he gives me is beyond taunting and I sneer, not deigning to reply. Instead I breeze past and make sure to knock my shoulder as hard as I can into his. The sooner I have his heart, the better.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.
Rebecca Solnit (A Field Guide to Getting Lost)
Coconut,” I say. “You always smell coconut-y.” Then, because it’s dark in the van, and because I’m wiped out from all the panic and my guard is down, I add, “You always smell good.” “Sex Wax.” “What?” I sit up a little straighter. He reaches down to the floorboard and tosses me what looks like a plastic-wrapped bar of soap. I hold it up to the window to see the label in the streetlight. “Mr. Zog’s Sex Wax,” I read. “You rub it on the deck of your board,” he explains. “For traction. You know, so you don’t slip off while you’re surfing.” I sniff it. That’s the stuff, all right. “I bet your feet smell heavenly.” “You don’t have a foot fetish thing, do you?” he asks, voice playful. “I didn’t before, but now? Who knows.” The tires of the van veer off the road onto the gravelly shoulder, and he cuts the wheel sharply to steer back onto the pavement. “Oops.” We chuckle, both embarrassed. I toss the wax onto the floorboard. “Well, another mystery solved
Jenn Bennett (Alex, Approximately)
You start on Monday with the idea implanted in your bosom that you are going to enjoy yourself. You wave an airy adieu to the boys on shore, light your biggest pipe, and swagger about the deck as if you were Captain Cook, Sir Francis Drake, and Christopher Columbus all rolled into one. On Tuesday, you wish you hadn't come. On Wednesday, Thursday, and Friday, you wish you were dead. On Saturday, you are able to swallow a little beef tea, and to sit up on deck, and answer with a wan, sweet smile when kind-hearted people ask you how you feel now. On Sunday, you begin to walk about again, and take solid food. And on Monday morning, as, with your bag and umbrella in your hand, you stand by the gunwale, waiting to step ashore, you begin to thoroughly like it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
No. When I was a girl, I wanted to be a pirate.” That brought up an all-too-pleasant image—Miss Marshall, the rich, dark red of her hair unbound and flying defiantly in the wind aboard a ship’s deck. She’d wear a loose white shirt and pantaloons. He would definitely surrender. “I am less shocked than you might imagine,” Edward heard himself say. “Entirely unshocked.” She smiled in pleasure. “A bloodthirsty cutthroat profession? Good thing you gave that up. It would never have suited you.” Her expression of pleasure dimmed. “You’d have succeeded too easily,” Edward continued, “and now you’d be sitting, bored as sin, atop a heap of gold too large to spend in one lifetime. Still, though, wouldn’t it solve ever so many problems if you married a lord? James Delacey could never touch you again if you did.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near.
Thomas Hardy (The Return of the Native)
O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Oh Captain! My Captain!)
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
Isabel Allende (The House of the Spirits)
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The old intergenerational give-and-take of the country-that-used-to-be, when everyone knew his role and took the rules dead seriously, the acculturating back-and-forth that all of us here grew up with, the ritual post-immigrant struggle for success turning pathological in, of all places, the gentleman farmer's castle of our superordinary Swede (a character). A guy stacked like a deck of cards for things to unfold entirely differently. In no way prepared for what is going to hit him. How could he, with all his carefully calibrated goodness, have known that the stakes of living obediently were so high? Obedience is embraced to lower the stakes. A beautiful wife. A beautiful house. Runs his business like a charm... This is how successful people live. They're good citizens. They feel lucky. They feel grateful. God is smiling down on them. There are problems, they adjust. And then everything changes and it becomes impossible. Nothing is smiling down on anybody. And who can adjust then? Here is someone not set up for life's working out poorly, let alone for the impossible. ... the tragedy of the man not set up for tragedy -- that is every man's tragedy.
Philip Roth (American Pastoral)
She unlocked the door, and they walked through to the small backyard. It was fall, and two of their three fruit trees were in season: a Fuyu persimmon tree and a guava tree. “Sadie, do you see this? This is a persimmon tree! This is my favorite fruit.” Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. “Can you believe our luck?” Marx said. “We bought a house with a tree that has my actual favorite fruit.” Sam used to say that Marx was the most fortunate person he had ever met—he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn’t truly understood the nature of Marx’s good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know—were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. “Shouldn’t you wash that?” Sadie asked. “It’s our tree. Nothing’s touched it except my grimy hand,” Marx said. “What about the birds?” “I don’t fear the birds, Sadie. But you should have one of these.” Marx stood, and he picked another fruit for himself and one for her. He walked over to the hose at the side of the house, and he rinsed the persimmon. He held out the fruit to her. “Eat up, my love. Fuyus only yield every other year.” Sadie took a bite of the fruit. It was mildly sweet, its flesh somewhere between a peach and a cantaloupe. Maybe it was her favorite fruit, too?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken? Yeah, right! That was absolutely not happening. “We haven’t got all day, Lani,” Martin barked from on deck. I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into? There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin. “Now that’s what I’ve been hoping for,” he said. I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.” Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right. “You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?
Delilah Fawkes (Lush Curves (Lush Curves , #1))
Let me tell you something, man. I sat here at this desk during the war as one report after another of Arab sellouts came in. The Egyptian Chief of Staff selling secrets to the Germans; Cairo all decked out to welcome Rommel as their liberator; the Iraqis going to the Germans; the Syrians going to the Germans; the Mufti of Jerusalem a Nazi agent. I could go on for hours. You must look at Whitehall’s side of this, Bruce. We can’t risk losing our prestige and our hold on the entire Middle East over a few thousand Jews.” Sutherland sighed. “And this is our most tragic mistake of all, Sir Clarence. We are going to lose the Middle East despite it.” “You are all wound up, Bruce.” “There is a right and a wrong, you know.” General Sir Clarence Tevor-Browne smiled slightly and shook his head sadly. “I have learned very little in my years, Bruce, but one thing I have learned. Foreign policies of this, or any other, country are not based on right and wrong. Right and wrong? It is not for you and me to argue the right or the wrong of this question. The only kingdom that runs on righteousness is the kingdom of heaven. The kingdoms of the earth run on oil. The Arabs have oil.” Bruce Sutherland was silent. Then he nodded. “Only the kingdom of heaven runs on righteousness,
Leon Uris (Exodus)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Why then I do but dream on sovereignty, Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying, he'll lade it dry to have his way: So do I wish the crown, being so far off, And so I chide the means that keeps me from it, And so, I say, I'll cut the causes off, Flattering me with impossibilities, My eye's too quick, my hear o'erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard; What other pleasure can the world afford? I'll make my heaven in a lady's lap, And deck my body in gay ornaments, And witch sweet ladies with my words and looks. O miserable thought! and more unlikely Than to accomplish twenty golden crowns! Why, love forswore me in my mother's womb; And for I should not deal in her soft laws, She did corrupt frail nature with some bribe, To shrink mine arm up like a wither'd shrub, To make an envious mountain on my back, Where sits deformity to mock my body; To shape my legs of an unequal size, To disproportion me in every part, Like to a chaos, or an unlick'd bear-whelp That carries no impression like the dam. And am I then a man to be belov'd? O monstrous fault, to harbor such a thought! Then since this earth affords no joy to me But to command, to check, to o'erbear such As are of better person than myself, I'll make my heaven to dream upon the crown, And whiles I live, t' account this world but hell, Until my misshap'd trunk that bears this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I - like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out - Torment myself to catch the English crown; And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall, I'll slay more gazers than the basilisk, I'll play the orator as well as Nestor, Deceive more slily than Ulysses could, And like a Simon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the murtherous Machevil to school. Can I do this, and cannot get a crown? Tut, were it farther off, I'll pluck it down.
William Shakespeare (King Henry VI, Part 3)
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.
Danilo Kiš (Hourglass)
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))