Ef Benson Quotes

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Vicinity to the sea is desirable, because it is easier to do nothing by the sea than anywhere else, and because bathing and basking on the shore cannot be considered an employment but only an apotheosis of loafing.
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E.F. Benson (The Collected Ghost Stories of E.F. Benson)
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The hours of the morning between breakfast and lunch were the time which the inhabitants of Riseholme chiefly devoted to spying on each other.
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E.F. Benson (Queen Lucia)
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An idea so luminous flashed across her brain that she almost thought the room had leaped into light.
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E.F. Benson
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Vermouth always makes me brilliant unless it makes me idiotic.
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E.F. Benson
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The narrator, I think, must succeed in frightening himself before he can think of frightening his readerโ€ฆ
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E.F. Benson
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There's many things in this world that will depress you, and make you good for nothing, if you take them seriously, and that cheer you up if you don't.
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E.F. Benson (The Osbornes)
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It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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There is a certain amount which I shan't mention publicly," Elizabeth said. "Things about Lucia which I should never dream of stating openly." "Those are just the ones I should like to hear about most," said Diva. "Just a few little titbits.
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E.F. Benson (Mapp and Lucia (Lucia, #4))
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With regard to religion, finally, it may be briefly said that she believed in God in much the same way as she believed in Australia. For she had no doubts whatever as to the existence of either; and she went to church on Sunday in much the same spirit as she would look at a kangaroo in the zoological gardens; for kangaroos came from Australia.
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E.F. Benson (Queen Lucia)
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My candle was a little tongue of light in its vastness, that failed to pierce the opposite end of the room, and left an ocean of mystery and suggestion beyond its island of light.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johannโ€™s advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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Philosophers have argued about the strongest emotion known to man. Some say โ€˜loveโ€™, others โ€˜hateโ€™, others โ€˜fearโ€™. I am disposed to put โ€˜curiosityโ€™ on a level, at least, with these august sensations, just mere simple inquisitiveness.
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E.F. Benson (Night Terrors: The Ghost Stories of E.F. Benson)
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He exhibited three portraits, each a masterpiece, which killed every picture within range.
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E.F. Benson (The E.F. Benson MEGAPACK ยฎ: 36 Classic Horror Stories)
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Bits of exultation kept peeping out, and Lucia kept poking them back.
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E.F. Benson (Complete Mapp & Lucia)
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He deceived me by telling the truth.
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E.F. Benson (The Works of E. F. Benson)
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Miss Elizabeth Mapp might have been forty, and she had taken advantage of this opportunity by being just a year or two older. Her face was of high vivid colour and was corrugated by chronic rage and curiosity; but these vivifying emotions had preserved to her an astonishing activity of mind and body, which fully accounted for the comparative adolescence with which she would have been credited anywhere except in the charming little town which she had inhabited so long. Anger and the gravest suspicions about everybody had kept her young and on the boil.
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E.F. Benson (Miss Mapp (Lucia, #2))
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Miss Elizabeth Mapp might have been forty, and she had taken advantage of this opportunity by being just a year or two older
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E.F. Benson (Miss Mapp (Lucia, #2))
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rambler roses climbed indifferently about, made friends where they could, and when they found themselves unable, firmly stabbed their enemies and strangled their remains.
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E.F. Benson (Daisy's Aunt)
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post-prandial hour. But oftener than not when these occasions occurred,
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E.F. Benson (E. F. Benson: Collection of 6 Works: Across The Stream, The Blotting Book, Crescent And Iron Cross, Daisy's Aunt, Miss Mapp, Queen Lucia)
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and it is only in loneliness, as Goethe says, that your perceptions put forth their flowers.
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E.F. Benson (Queen Lucia)
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No proper person fusses about death; that's a train which we are all sure to catch.
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E.F. Benson (Night Terrors: The Ghost Stories of E.F. Benson)
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My dear, it is just busy people that have time for everything.
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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Vermouth always makes me brilliant unless it makes me idiotic, but we'll hope for the best.
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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He told himself that he was not drunk at all, but that he had taken an unusual quantity of whisky, which seemed to produce much the same effect as intoxication.
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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No trumps. Not a trump. Not any sort of Trump. There!
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E.F. Benson (Miss Mapp (Lucia, #2))
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Hermy, when she was not otter-hunting, could be very sarcastic, and he had a clear month of Hermy in front of him, without any otter-hunting, which, so she had informed him, was not possible in August. This was mysterious to Georgie, because it did not seem likely that all otters died in August, and a fresh brood came in like caterpillars. If Hermy was here in October she would otter-hunt all morning and snore all afternoon, and be in the best of tempers, but the August visit required more careful steering.
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E.F. Benson (Queen Lucia)
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Ah, this delicious night air,' she said, luxuriously sniffing in the coolness. 'Night air and gardening are the great tonics. There is nothing so stimulating as bare contact with rich mother earth. You are never so fresh as when you have been grubbing in the soil - black hands, black nails, and boots covered with mud.' She gave her great jovial laugh. 'I'm a glutton for air and earth,' she said. 'Positively I look forward to death, for then I shall be buried and have the kind earth all round me. No leaden caskets for me - I have given explicit directions. But what shall I do about air? Well, I suppose one can't have everything.' ("Mrs. Amworth")
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E.F. Benson (Monster Mix)
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She paused a moment. "Pepino, shall I tell all our dear friends our little secret?" she said. "If you say 'no,' I shan't. But, please, Pepino--" Pepino, however, had been instructed to say 'yes,' and accordingly did so.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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I have lived, and never a ghost have I seen as yet.โ€ The old woman sat staring hard into the fire, her pale eyes wide open. โ€œAy,โ€ she broke in; โ€œand eight-and-twenty years you have lived and never seen the likes of this house, I reckon. Thereโ€™s a many things to see, when oneโ€™s still but eight-and-twenty.โ€ She swayed her head slowly from side to side. โ€œA many things to see and sorrow for.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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don't mind good, sweet, gentle things, likeโ€”oh, like almost everybody, if only they are sweet and good naturally. But generally they are not. Their sweetness is the result of education or morality, or something tedious, not the result of their natures, of themselves.
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E.F. Benson (Daisy's Aunt)
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The subject dropped, and we sat on in the dusk that was rapidly deepening into night. The door into the hall was open at our backs, and a panel of light from the lamps within was cast out to the terrace. Wandering moths, invisible in the darkness, suddenly became manifest as they fluttered into this illumination, and vanished again as they passed out of it. One moment they were there, living things with life and motion of their own, the next they quite disappeared. How inexplicable that would be, I thought, if one did not know from long familiarity, that light of the appropriate sort and strength is needed to make material objects visible. Philip must have been following precisely the same train of thought, for his voice broke in, carrying it a little further. 'Look at that moth,' he said, 'and even while you look it has gone like a ghost, even as like a ghost it appeared. Light made it visible. And there are other sorts of light, interior psychical light which similarly makes visible the beings which people the darkness of our blindness.' ("Expiation")
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E.F. Benson (The Collected Ghost Stories of E.F. Benson)
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I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft, surveying the scene of my vigil, the great red room of Lorraine Castle, in which the young duke had died. Or, rather, in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place, and never, I thought, had apoplexy better served the ends of superstition.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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The functions of the human frame are, broadly speaking, known. They are a country, anyhow, that has been charted and mapped out. But outside that lie huge tracts of undiscovered country, which certainly exist, and the real pioneers of knowledge are those who, at the cost of being derided as credulous and superstitious, want to push on into those misty and probably perilous places. I felt that I could be of more use by setting out without compass or knapsack into the mists than by sitting in a cage like a canary and chirping about what was known. Besides, teaching is very very bad for a man who knows himself only to be a learner: you only need to be a self-conceited ass to teach. ("Mrs. Amworth")
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E.F. Benson (Monster Mix)
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she believed in God in much the same way as she believed in Australia, for she had no doubt whatever as to the existence of either, and she went to church on Sunday in much the same spirit as she would look at a kangaroo in the Zoological Gardens, for kangaroos come from Australia.
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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There is to my mind something inhuman in senility, something crouching and atavistic; the human qualities seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable, with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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She could trim a hat with a toothbrush and a banana in such a way that it looked quite Parisian till you firmly analysed its component parts, and most of her ingenuity was devoted to dress: the more was the pity that she had such a roundabout figure that her waistband always reminded you of the equator . .
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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These invitations were couched in Chesterfield terms: Mr. Wyse said that he had met a mutual friend just now who had informed him that you were in residence, and had encouraged him to hope that you might give him the pleasure of your company, etc. This was alluring diction: it presented the image of Mr. Wyse stepping briskly home again, quite heartened up by this chance encounter, and no longer the prey to melancholy at the thought that you might not give him the joy.
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E.F. Benson (Complete Mapp & Lucia)
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Good morning, dear lady," he said. "By Jove! what a picture of health and freshness you are!" Miss Mapp cast one glance at her basket to see that the paper quite concealed that article of clothing which the perfidious laundry had found. (Probably the laundry knew where it was all the time, and--in a figurative sense, of course--was "trying it on".)
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E.F. Benson (Miss Mapp (Lucia, #2))
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If you come to think of it, the one thing which the human mind cannot grasp is the finite, not the infinite, the temporary, not the eternal.
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E.F. Benson (In the Tube)
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I don't see how the baby is the result of gambling," said Georgie. "Unless he bet he wouldn't have one.
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E.F. Benson (Mapp And Lucia (Complete Collection) (ShandonPress))
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Conversation was a thing that made time pass, not a way of passing the time.
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E.F. Benson (Dodo Trilogy - Complete Collection: Dodo - A Detail of the Day, Dodo's Daughter & Dodo Wonders)
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The only thing worse than drink is the devil,โ€ I remarked. โ€œPrecisely. Thatโ€™s where he is going. He goes there often.
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E.F. Benson (The Big Book of the Masters of Horror: 120+ authors and 1000+ stories)
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Puffin made a noise that sounded rather like "Fudge!
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E.F. Benson (Miss Mapp (Lucia, #2))
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We really must make a compromise," thought Miss Mapp, meaning that everybody must come round to her way of thinking, "or our dear little cosy bridge evenings won't be possible.
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E.F. Benson (The Male Impersonator)
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With her skin turned black with all those sunbaths, and her hair spiky and wiry with so many sea baths, Isobel resembled a cross between a kipper and a sea urchin.
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E.F. Benson (Mapp and Lucia (Lucia, #4))
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The body is transmuted into other forms, worms batten on it, it helps to feed the grass, and some animal consumes the grass. But as for the survival of the individual spirit of a man, show me one tittle of scientific evidence to support it. Besides, if it did survive, all the evil and malice in it must surely survive too. Why should the death of the body purge that away? It's a nightmare to contemplate such a thing, and oddly enough, unhinged people like spiritualists want to persuade us for our consolation that the nightmare is true. ("Monkeys")
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E.F. Benson (The Mummy Walks Among Us)
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It is absurd and ridiculous to want to remain as one was. Indeed, not to change shows that one has a nature incapable of development. It implies a sort of moral torpor, an atrophy of one's nature not to get older as one gets older. And one of the biggest, and perhaps best effects of age is to give one tolerance, to make one realize that it takes all sorts to make a world." He
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E.F. Benson (Scarlet and Hyssop)
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She's been, but she's coming back," he said. "I expect her every minute. Ah! there she is." This was rather stupid of Stephen. He ought to have guessed that Lucia's second appearance was officially intended to be her first. He grasped that when she squeezed her way through the crowd and greeted him as if they had not met before that morning. "And dearest Adele," she said. "What a crush! Tell me quickly, where are the caricatures of Pepino and me? I'm dying to see them; and when I see them no doubt I shall wish I was dead." The light of Luciaphilism came into Adele's intelligent eyes...
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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We are most of us so accustomed to see people behave, and to behave ourselves, in a manner not quite natural, that to see anyone who never does so, is in itself calculated to make one rather nervous.
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E.F. Benson (Dodo Trilogy - Complete Collection: Dodo - A Detail of the Day, Dodo's Daughter & Dodo Wonders)
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No one is ever bored unless they are comfortable. That's the great principle. There isn't time for it. You cannot be bored and something else at the same time. Being comfortable doesn't count; that's our normal condition. But you needn't be uncomfortable in order to be bored. It's very comfortable sitting here with you, and I'm not the least bored. I should poison myself if I were bored: I can't think why you don't.
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E.F. Benson (Dodo Trilogy - Complete Collection: Dodo - A Detail of the Day, Dodo's Daughter & Dodo Wonders)
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Diva had "popped" into the grocer's. She always popped everywhere just now; she popped across to see a friend, and she popped home again; she popped into church on Sunday, and occasionally popped up to town, and Miss Mapp was beginning to feel that somebody ought to let her know, directly or by insinuation, that she popped too much. So, thinking that an opportunity might present itself now, Miss Mapp read the news-board outside the stationer's till Diva popped out of the grocer's again. The headlines of news, even the largest of them, hardly reached her brain, because it was entirely absorbed in another subject. Of course, the first thing was to find out by what train . . .
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E.F. Benson (Miss Mapp (Lucia, #2))
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Georgie, I've got it," she said. "I've guessed what it means." Now though Georgie was devoted to his Lucia, he was just as devoted to inductive reasoning, and Daisy Quantock was, with the exception of himself, far the most powerful logician in the place. "What is it, then?" he asked. "Stupid of me not to have thought of it at once," said Daisy. "Why, don't you see? Pepino is Auntie's heir, for she was unmarried, and he's the only nephew, and probably he has been left piles and piles. So naturally they say it's a terrible blow. Wouldn't do to be exultant. They must say it's a terrible blow, to show they don't care about the money. The more they're left, the sadder it is. So natural. I blame myself for not having thought of it at once...
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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Georgie knew it was useless to protest when Lucia got that loud, inspired, gabbling ring in her voice; she would cut through any opposition, as a steam saw buzzes through the most solid oak board till, amid a fountain of flying sawdust, it has sliced its way.
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E.F. Benson (Lucia in London & Mapp and Lucia (The Mapp & Lucia Novels))
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The car came opposite her, and she curtsied so low that recovery was impossible, and she sat down in the road. Her parasol flew out of her hand and out of her parasol flew the Union Jack. She saw a young man looking out of the window, dressed in khaki, grinning broadly, but not, so she thought, graciously, and it suddenly struck her that there was something, beside her own part in the affair, which was not as it should be. As he put his head in again there was loud laughter from the inside of the car. Mr. Wootten helped her up and the entire assembly of her friends crowded round her, hoping she was not hurt. "No, dear Major, dear Padre, not at all, thanks," she said. "So stupid: my ankle turned. Oh, yes, the Union Jack I bought for my nephew, it's his birthday to-morrow. Thank you. I just came to see about my coke: of course I thought the Prince had arrived when you all went down to meet the 4.15. Fancy my running straight into it all! How well he looked." This was all rather lame, and Miss Mapp hailed Mrs. Poppit's appearance from the station as a welcome diversion. . . . Mrs. Poppit was looking vexed.
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E.F. Benson (Miss Mapp (Lucia, #2))
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Miss Mapp moved towards the screen. "What a delicious big screen," she said. "Yes, but don't go behind it, Mapp," said Irene, "or you'll see my model undressing." Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...
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E.F. Benson (Miss Mapp (Lucia, #2))
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Quite as agreeable was the arrival of a fresh supply of red-currant fool, and as this had been heralded a few minutes before by a loud pop from the butler's pantry, which looked on to the lawn, Miss Mapp began to waver in her belief that there was no champagne in it, particularly as it would not have suited the theory by which she accounted for the Major's unwonted good humour, and her suggestion that the pop they had all heard so clearly was the opening of a bottle of stone ginger-beer was not delivered with conviction. To make sure, however, she took one more sip of the new supply, and, irradiated with smiles, made a great concession. "I believe I was wrong," she said. "There is something in it beyond yolk of egg and cream. Oh, there's Boon; he will tell us." She made a seductive face at Boon, and beckoned to him. "Boon, will you think it very inquisitive of me," she asked archly, "if I ask you whether you have put a teeny drop of champagne into this delicious red-currant fool?" "A bottle and a half, Miss," said Boon morosely, "and half a pint of old brandy. Will you have some more, Miss?" Miss Mapp curbed her indignation at this vulgar squandering of precious liquids, so characteristic of Poppits. She gave a shrill little laugh.
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E.F. Benson (Miss Mapp (Lucia, #2))
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I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue โ€” and every time he did so, he looked at his watch.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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I wonder why he hastened to tell us that George Hearne was buried in the churchyard, and then added that naturally he was!' 'It's the natural place to be buried in,' said I. 'Quite. That's just why it was hardly worth mentioning.' I felt then, just momentarily, just vaguely, as if my mind was regarding stray pieces of a jig-saw puzzle. The fancied ringing of the telephone bell last night was one of them, this burial of George Hearne in the churchyard was another, and, even more inexplicably, the ladder I had seen under the trees was a third. Consciously I made nothing whatever out of them, and did not feel the least inclination to devote any ingenuity to so fortuitous a collection of pieces. Why shouldn't I add, for that matter, our morning's bathe, or the gorse on the hillside? But I had the sensation that, though my conscious brain was presently occupied with piquet, and was rapidly growing sleepy with the day of sun and sea, some sort of mole inside it was digging passages and connecting corridors below the soil. ("Expiation")
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E.F. Benson (The Collected Ghost Stories of E.F. Benson)
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Even with that, however, the brooding expectation of the vigil weighed heavily upon me. It was after midnight that the candle in the alcove suddenly went out, and the black shadow sprang back to its place there. I did not see the candle go out; I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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Now Miss Mapp's social dictatorship among the ladies of Tilling had long been paramount, but every now and then signs of rebellious upheavals showed themselves. By virtue of her commanding personality these had never assumed really serious proportions, for Diva, who was generally the leader in these uprisings, had not the same moral massiveness. But now when Elizabeth was so exceedingly superior, the fumes of Bolshevism mounted swiftly to Diva's head. Moreover, the sight of this puzzling male impersonator, old, wrinkled, and moustached, had kindled to a greater heat her desire to know her and learn what it felt like to be Romeo on the music-hall stage and, after years of that delirious existence, to subside into a bath-chair and Suntrap and Tilling. What a wonderful life! . . . And behind all this there was a vague notion that Elizabeth had got her information in some clandestine manner and had muddled it. For all her clear-headedness and force Elizabeth did sometimes make a muddle and it would be sweeter than honey and the honeycomb to catch her out. So in a state of brooding resentment Diva went home to lunch and concentrated on how to get even with Elizabeth.
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E.F. Benson (Miss Mapp (Lucia, #2))
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Poets of all ages and of all denominations are unanimous in assuring us that there was once a period on this grey earth known as the Golden Age. These irresponsible hards describe it in terms of the vaguest, most poetic splendour, and, apart from the fact, upon which they are all agreed, that the weather was always perfectly charming, we have to reconstruct its characteristics in the main for ourselves.
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E.F. Benson (Dodo Trilogy - Complete Collection: Dodo - A Detail of the Day, Dodo's Daughter & Dodo Wonders)
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There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
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E.F. Benson (The Mummy Walks Among Us)
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The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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Marcia was silent a moment. Then a sort of softer gleam came into her angry eye. "Tell me some more about her," she said. Adele clapped her hands. "Ah, that's splendid," she said. "You're beginning to feel kinder. What we would do without our Lucia I can't imagine. I don't know what there would be to talk about." "She's ridiculous!" said Marcia relapsing a little. "No, you mustn't feel that," said Adele. "You mustn't laugh at her ever. You must just richly enjoy her." "She's a snob!" said Marcia, as if this was a tremendous discovery. "So am I: so are you: so are we all," said Adele. "We all run after distinguished people like--like Alf and Marcelle. The difference between you and Lucia is entirely in her favour, for you pretend you're not a snob, and she is perfectly frank and open about it. Besides, what is a duchess like you for except to give pleasure to snobs? That's your work in the world, darling; that's why you were sent here. Don't shirk it, or when you're old you will suffer agonies of remorse. And you're a snob too. You liked having seven--or was it seventy?--Royals at your dance." "Well, tell me some more about Lucia," said Marcia, rather struck by this ingenious presentation of the case. "Indeed I will: I long for your conversion to Luciaphilism. Now to-day there are going to be marvellous happenings...
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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Miss Mapp had experienced a cruel disappointment last night, though the triumph of this morning had done something to soothe it, for Major Benjy's window had certainly been lit up to a very late hour, and so it was clear that he had not been able, twice in succession, to tear himself away from his diaries, or whatever else detained him, and go to bed at a proper time. Captain Puffin, however, had not sat up late; indeed he must have gone to bed quite unusually early, for his window was dark by half-past nine. To-night, again the position was reversed, and it seemed that Major Benjy was "good" and Captain Puffin was "bad". On the whole, then, there was cause for thankfulness, and as she added a tin of biscuits and two jars of Bovril to her prudent stores, she found herself a conscious sceptic about those Roman roads. Diaries (perhaps) were a little different, for egoism was a more potent force than archรฆology, and for her part she now definitely believed that Roman roads spelt some form of drink. She was sorry to believe it, but it was her duty to believe something of the kind, and she really did not know what else to believe. She did not go so far as mentally to accuse him of drunkenness, but considering the way he absorbed red-currant fool, it was clear that he was no foe to alcohol and probably watered the Roman roads with it.
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E.F. Benson (Miss Mapp (Lucia, #2))
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She paused on the pavement, and remembered that Diva had not yet expressed regret about the worsted, and that she still "popped" as much as ever. Thus Diva deserved a punishment of some sort, and happily, at that very moment she thought of a subject on which she might be able to make her uncomfortable. The street was full, and it would be pretty to call up to her, instead of ringing her bell, in order to save trouble to poor overworked Janet. (Diva only kept two servants, though of course poverty was no crime.) "Diva darling!" she cooed. Diva's head looked out like a cuckoo in a clock preparing to chime the hour. "Hullo!" she said. "Want me?" "May I pop up for a moment, dear?" said Miss Mapp. "That's to say if you're not very busy." "Pop away," said Diva. She was quite aware that Miss Mapp said "pop" in crude inverted commas, so to speak, for purposes of mockery, and so she said it herself more than ever. "I'll tell my maid to pop down and open the door.
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E.F. Benson
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I began to walk about the room, peering round each article of furniture, tucking up the valances of the bed, and opening its curtains wide. I pulled up the blinds and examined the fastenings of the several windows before closing the shutters, leant forward and looked up the blackness of the wide chimney, and tapped the dark oak paneling for any secret opening. There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantelshelf, too, were more candles in china candlesticks.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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She ran her hands, butterfly fashion, over the keys. "A little morsel of Stravinski?" she said. It was in the middle of the morsel that Adele came in and found Lucia playing Stravinski to Mr. Greatorex. The position seemed to be away, away beyond her orbit altogether, and she merely waited with undiminished faith in Lucia, to see what would happen when Lucia became aware to whom she was playing. . . . It was a longish morsel, too: more like a meal than a morsel, and it was also remarkably like a muddle. Finally, Lucia made an optimistic attempt at the double chromatic scale in divergent directions which brought it to an end, and laughed gaily. "My poor fingers," she said. "Delicious piano, dear Adele. I love a Bechstein; that was a little morsel of Stravinski. Hectic perhaps, do you think? But so true to the modern idea: little feverish excursions: little bits of tunes, and nothing worked out. But I always say that there is something in Stravinski, if you study him. How I worked at that little piece, and I'm afraid it's far from perfect yet.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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What is it, Georgie? she said. "See if poor Lucia can help." "Well, said Georgie. "You know Pug?" "That mangy little thing of Lady Ambermere's? said Lucia. "Yes. Pug died. I don't know what of--" "Cream, I should think," said Lucia. "And cake." "Well it may have been. Anyhow, Lady Ambermere had him stuffed, and while I was out this morning, she left him in a glass case at my house, as a present for the Museum. There is lying on a blue cushion, with one ear cocked, and a great watery eye, and the end of his horrid tongue between his lips.
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E.F. Benson (Lucia in London & Mapp and Lucia (The Mapp & Lucia Novels))
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Mrs. Alingsby was tall and weird and intense, dressed rather like a bird-of-paradise that had been out in a high gale, but very well connected. She had long straight hair which fell over her forehead, and sometimes got in her eyes, and she wore on her head a scarlet jockey-cap with an immense cameo in front of it. She hated all art that was earlier than 1923, and a considerable lot of what was later. In music, on the other hand, she was primitive, and thought Bach decadent: in literature her taste was for stories without a story, and poems without metre or meaning. But she had collected round her a group of interesting outlaws, of whom the men looked like women, and the women like nothing at all, and though nobody ever knew what they were talking about, they themselves were talked about. Lucia had been to a party of hers, where they all sat in a room with black walls, and listened to early Italian music on a spinet while a charcoal brazier on a blue hearth was fed with incenseโ€ฆ Luciaโ€™s general opinion of her was that she might be useful up to a point, for she certainly excited interest.
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E.F. Benson (Complete Mapp and Lucia (The Mapp & Lucia Novels, #1-6))
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She was a gardener of the ruthless type, and went for any small green thing that incautiously showed a timid spike above the earth, suspecting it of being a weed. She had had a slight difference with the professional gardener who had hitherto worked for her on three afternoons during the week, and had told him that his services were no longer required. She meant to do her gardening herself this year, and was confident that a profusion of beautiful flowers and a plethora of delicious vegetables would be the result. At the end of her garden path was a barrow of rich manure, which she proposed, when she had finished the slaughter of the innocents, to dig into the depopulated beds. On the other side of her paling her neighbour Georgie Pillson was rolling his strip of lawn, on which during the summer he often played croquet on a small scale. Occasionally they shouted remarks to each other, but as they got more and more out of breath with their exertions the remarks got fewer. Mrs. Quantock's last question had been "What do you do with slugs, Georgie?" and Georgie had panted out, "Pretend you don't see them.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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On the doorstep Adele met Tony Limpsfield. She hurried him into her motor, and told the chauffeur not to drive on. "News!" she said. "Lucia's going to have a lover." "No!" said Tony in the Riseholme manner "But I tell you she is. He's with her now." "They won't want me then," said Tony. "And yet she asked me to come at half-past five." "Nonsense, my dear. They will want you, both of them. . . . Oh Tony, don't you see? It's a stunt." Tony assumed the rapt expression of Luciaphils receiving intelligence. "Tell me all about it," he said. "I'm sure I'm right," said she. "Her poppet came in just now, and she held his hand as women do, and made him draw his chair up to her, and said he scolded her. I'm not sure that he knows yet. But I saw that he guessed something was up. I wonder if he's clever enough to do it properly. . . . I wish she had chosen you, Tony, you'd have done it perfectly. They have got--don't you understand?--to have the appearance of being lovers, everyone must think they are lovers, while all the time there's nothing at all of any sort in it. It's a stunt: it's a play: it's a glory.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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But why did she come back and take her card away?" asked Miss Mackintosh. "I told Florence that Miss Mapp had heard something dreadful about her. And how did she know that Lady Deal was coming here at all? The house was taken in my name." "That's just what we all long to find out," said Diva eagerly. "She said that somebody in London told her." "But who?" asked Miss Mackintosh. "Florence only settled to come at lunch time that day, and she told her butler to ring up Susie and say she would be arriving." Diva's eyes grew round and bright with inductive reasoning. "I believe we're on the right tack," she said. "Could she have received Lady Deal's butler's message, do you think? What's your number?" "Tilling 76," said Miss Mackintosh. Evie gave three ecstatic little squeaks. "Oh, that's it, that's it!" she said. "Elizabeth Mapp is Tilling 67. So careless of them, but all quite plain. And she did hear it from somebody in London. Quite true, and so dreadfully false and misleading, and so like her. Isn't it, Diva? Well, it does serve her right to be found out." Miss Mackintosh was evidently a true Tillingite. "How marvellous!" she said.
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E.F. Benson (Miss Mapp (Lucia, #2))
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Every now and then the horses seemed to throw up their heads and sniffed the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high, wind-swept plateau. As we drove, I saw a road that looked but little used, and which seemed to dip through a little, winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop โ€” and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses, and frequently crossed himself as he spoke.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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Miss Mackintosh waved her arms wildly. "Oh, please stop, and let me guess," she cried. "I shall go crazy with joy if I'm right. It was an old Peerage, and so she found that Lady Deal was Helena Herman--" "Whom she had seen ten years ago at a music hall as a male impersonator," cried Diva. "And didn't want to know her," interrupted Miss Mackintosh. "Yes, that's it, but that is not all. I hope you won't mind, but it's too rich. She saw you this morning coming out of your house in your bath-chair, and was quite sure that you were that Lady Deal." The three ladies rocked with laughter. Sometimes one recovered, and sometimes two, but they were re-infected by the third, and so they went on, solo and chorus, and duet and chorus, till exhaustion set in. "But there's still a mystery," said Diva at length, wiping her eyes. "Why did the Peerage say that Lady Deal was Helena Herman?" "Oh, that's the last Lady Deal," said Miss Mackintosh. "Helena Herman's Lord Deal died without children and Florence's Lord Deal, my Lady Deal, succeeded. Cousins." "If that isn't a lesson for Elizabeth Mapp," said Diva. "Better go to the expense of a new Peerage than make such a muddle. But what a long call we've made. We must go.
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E.F. Benson (Miss Mapp (Lucia, #2))
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This little colloquy in Adele's box was really the foundation of the secret society of the Luciaphils, and the membership of the Luciaphils began swiftly to increase. Aggie Sandeman was scarcely eligible, for complete goodwill towards Lucia was a sine qua non of membership, and there was in her mind a certain asperity when she thought that it was she who had given Lucia her gambit, and that already she was beginning to be relegated to second circles in Lucia's scale of social precedence. It was true that she had been asked to dine to meet Marcelle Periscope, but the party to meet Alf and his flute was clearly the smarter of the two. Adele, however, and Tony Limpsfield were real members, so too, when she came up a few days later, was Olga. Marcia Whitby was another who greedily followed her career, and such as these, whenever they met, gave eager news to each other about it. There was, of course, another camp, consisting of those whom Lucia bombarded with pleasant invitations, but who (at present) firmly refused them. They professed not to know her and not to take the slightest interest in her, which showed, as Adele said, a deplorable narrowness of mind. Types and striking characters like Lucia, who pursued undaunted and indefatigable their aim in life, were rare, and when they occurred should be studied with reverent affection... Sometimes one of the old and original members of the Luciaphils discovered others, and if when Lucia's name was mentioned an eager and a kindly light shone in their eyes, and they said in a hushed whisper "Did you hear who was there on Thursday?" they thus disclosed themselves as Luciaphils... All this was gradual, but the movement went steadily on, keeping pace with her astonishing career, for the days were few on which some gratifying achievement was not recorded in the veracious columns of Hermione.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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He looked sharply towards the pollarded trees. 'Yes, just there,' he said. 'I saw it plainly, and equally plainly I saw it not. And then there's that telephone of yours.' I told him now about the ladder I had seen below the tree where he saw the dangling rope. 'Interesting,' he said, 'because it's so silly and unexpected. It is really tragic that I should be called away just now, for it looks as if the - well, the matter were coming out of the darkness into a shaft of light. But I'll be back, I hope, in thirty-six hours. Meantime, do observe very carefully, and whatever you do, don't make a theory. Darwin says somewhere that you can't observe without theory, but to make a theory is a great danger to an observer. It can't help influencing your imagination; you tend to see or hear what falls in with your hypothesis. So just observe; be as mechanical as a phonograph and a photographic lens.' Presently the dog-cart arrived and I went down to the gate with him. 'Whatever it is that is coming through, is coming through in bits,' he said. 'You heard a telephone; I saw a rope. We both saw a figure, but not simultaneously nor in the same place. I wish I didn't have to go.' I found myself sympathizing strongly with this wish, when after dinner I found myself with a solitary evening in front of me, and the pledge to 'observe' binding me. It was not mainly a scientific ardour that prompted this sympathy and the desire for independent combination, but, quite emphatically, fear of what might be coming out of the huge darkness which lies on all sides of human experience. I could no longer fail to connect together the fancied telephone bell, the rope, and the ladder, for what made the chain between them was the figure that both Philip and I had seen. Already my mind was seething with conjectural theory, but I would not let the ferment of it ascend to my surface consciousness; my business was not to aid but rather stifle my imagination. ("Expiation")
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E.F. Benson (The Collected Ghost Stories of E.F. Benson)
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This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might--though he didn't look like it--welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined. . . . To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand. . .
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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Luck ever attends the bold and constructive thinker: the apple, for instance, fell from the tree precisely when Newton's mind was groping after the law of gravity, and as Diva stepped into her grocer's to begin her morning's shopping (for she had been occupied with roses ever since breakfast) the attendant was at the telephone at the back of the shop. He spoke in a lucid telephone-voice. "We've only two of the big tins of corned beef," he said; and there was a pause, during which, to a psychic, Diva's ears might have seemed to grow as pointed with attention as a satyr's. But she could only hear little hollow quacks from the other end. "Tongue as well. Very good. I'll send them up at once," he added, and came forward into the shop. "Good morning," said Diva. Her voice was tremulous with anxiety and investigation. "Got any big tins of corned beef? The ones that contain six pounds." "Very sorry, ma'am. We've only got two, and they've just been ordered." "A small pot of ginger then, please," said Diva recklessly. "Will you send it round immediately?" "Yes, ma'am. The boy's just going out." That was luck. Diva hurried into the street, and was absorbed by the headlines of the news outside the stationer's. This was a favourite place for observation, for you appeared to be quite taken up by the topics of the day, and kept an oblique eye on the true object of your scrutiny...
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E.F. Benson (Miss Mapp (Lucia, #2))
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It was getting very clear then (and during this week Riseholme naturally thought of nothing else) that Lucia designed a longer residence in the garish metropolis than she had admitted. Since she chose to give no information on the subject, mere pride and scorn of vulgar curiosity forebade anyone to ask her, though of course it was quite proper (indeed a matter of duty) to probe the matter to the bottom by every other means in your power, and as these bits of evidence pieced themselves together, Riseholme began to take a very gloomy view of Lucia's real nature. On the whole it was felt that Mrs. Boucher, when she paused in her bath-chair as it was being wheeled round the green, nodding her head very emphatically, and bawling into Mrs. Antrobus's ear-trumpet, reflected public opinion. "She's deserting Riseholme and all her friends," said Mrs. Boucher, "that's what she's doing. She means to cut a dash in London, and lead London by the nose. There'll be fashionable parties, you'll see, there'll be paragraphs, and then when the season's over she'll come back and swagger about them. For my part I shall take no interest in them. Perhaps she'll bring down some of her smart friends for a Saturday till Monday. There'll be Dukes and Duchesses at The Hurst. That's what she's meaning to do, I tell you, and I don't care who hears it." That was lucky, as anyone within the radius of a quarter of a mile could have heard it.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeperโ€™s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly โ€” the thoughts of vanished men, which still haunted rather than participated in the world of today.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation. Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated. "Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him." Puffin gave his alto cackling laugh. "Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman." He let this sink in, then added: "Have a drink, old chap?" Major Flint flew to his feet. "Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward. The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
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E.F. Benson
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Now all my life I have believed that we are intended to be happy, that joy is of all gifts the most divine. And when I left London, abandoned my career, such as it was, I did so because I intended to devote my life to the cultivation of joy, and, by continuous and unsparing effort, to be happy. Among people, and in constant intercourse with others, I did not find it possible; there were too many distractions in towns and work-rooms, and also too much suffering. So I took one step backwards or forwards, as you may choose to put it, and went straight to Nature, to trees, birds, animals, to all those things which quite clearly pursue one aim only, which blindly follow the great native instinct to be happy without any care at all for morality, or human law or divine law. I wanted, you understand, to get all joy first-hand and unadulterated, and I think it scarcely exists among men; it is obsolete.
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E.F. Benson (The Man Who Went Too Far)
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The Major's laughter boomed out again. "And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties." Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face. "And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable.
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E.F. Benson (Miss Mapp (Lucia, #2))
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News!," she said. "Lucia's going to have a lover." "No!" said Tony in the Riseholme manner. "They won't want me then," said Tony. "And yet she asked me to come at half-past five." "Nonsense, my dear. They will want you, both of them...Oh Tony, don't you see? It's a stunt." Tony assumed the rapt expression of Luciaphils receiving intelligence. "Tell me all about it," he said. "I'm sure I'm right," said she. "Her poppet came in just now, and she held his hand as women do, and made him draw his chair up to her, and said he had scolded her. I'm not sure that he knows yet. But I saw that he guessed something was up. I wonder if he's clever enough to do it properly...I wish she had chosen you, Tony, you'd have done it perfectly. They have got - don't you see - to have the appearance of being lovers, everyone must think they are lovers, while all the time there's nothing at all of any sort in it. It's a stunt; it's a play; it's a glory." "But perhaps there is something in it," said Tony. "I really think I had better not go in." "Tony trust me. Lucia has no more idea of keeping a real lover than of keeping a chimpanzee.
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E.F. Benson (Lucia in London & Mapp and Lucia (The Mapp & Lucia Novels))
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They lived in a world of destruction and fortuitous death. All was chance, and it was not even the Devil who threw the dice, for he was part of the fairy-tale and perished with it. It had hardly been worth while to pick a bone with it, for the only thing to quarrel with was one's own credulity in having ever believed a tale that broke down at so many points when put to the test. Year by year boys fresh from school joined in the dance of death, and sweltered in the reeking, stinking heat, when they should have been playing cricket or swimming in cool waters, and they got trench-fever and were gassed, and young limbs swift to run and ripe for love were gashed by bullets and sawn off in hospitals. The fate of the world rested on their shoulders: they were the bewildered scapegoats who were driven out into this desert of death, to expiate the criminal pride and folly of those who had been in charge of world-affairs while they were yet unbreeched. Save for rare moments of panic, they maintained a cheerful carelessness, a studied unconsciousness of the surrounding horror, for to think about it, to realize it and speak of it was to go mad. A few went mad, and with bandaged eyes awaited the volley they would never hear. The rest carried on, dumb and gallant, saying nothing, except in a few blurted words to a friend, of that smouldering focus of resentment and despair.
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E.F. Benson (As We Are)
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There were thousands of young men, as padres at the front would testify, in whom belief in God was an unshakeable conviction, and who in danger, in bodily agony and in death found peace and consolation in their undimmed faith. There were thousands upon thousands again for whom religion had always been a matter of indifference, and to whom it remained so. But there were also those, not negligible in point of numbers, and far from negligible in point of intelligence, who quietly thought about it all, and found that the faith in which they had been brought up was not reconcilable with the horrors that were their daily bread. About the reality of them there was no doubt: to see your friend turned to tripe or a dish of brains before your eyes was actual, and they threw over the other not with indifference, but with the savage contempt of those who have been fooled. It was childish to talk of loving your enemies when you were going through hell yourself for the sake of maiming or killing them as profusely as possible. And what price Divine Protection for non-combatants? There was that padre (bloody fool) who ran out across a shell-swept area to administer the sacrament to a man who lay mortally wounded in front of a trench, and who was like to die before they could bring him in. A shell hit him directly as he ran: he vanished like a property in a conjuring trick, and one couldn't help laughing and was sick afterwards.
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E.F. Benson (As We Are)
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The simple word "No" connoted a great deal in the Riseholme vernacular. It was used, of course, as a mere negative, without emphasis, and if you wanted to give weight to your negative you added "Certainly not." But when you used the word "No" with emphasis, as Daisy had used it from her bedroom window to Georgie, it was not a negative at all, and its signification briefly put was "I never heard anything so marvellous, and it thrills me through and through. Please go on at once, and tell me a great deal more, and then let us talk it all over.
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E.F. Benson (Lucia in London & Mapp and Lucia (The Mapp & Lucia Novels))
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He sat down by his table and began to think things out. He told himself he was not drunk at all, but that he had taken an unusual amount of whisky, which seemed to produce much the same effect as intoxication.
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E.F. Benson (Miss Mapp (Lucia, #2))
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Types and striking characters like Lucia, who pursued undaunted and indefatigable their aim in life, were rare, and when they occurred should be studied with reverent affection...Sometimes one of the old and original members of the Luciaphils discovered others, and if when Lucia's name was mentioned an eager and a kindly light shone in their eyes, and they said in a hushed whisper "Did you hear who was there on Thursday?" they thus disclosed themselves as Luciaphils...
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E.F. Benson (Lucia in London & Mapp and Lucia (The Mapp & Lucia Novels))
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I saw his face, too; it was the face of the driver of the hearse, with a mole on the left cheek. Then he spoke to me, jerking his thumb over his shoulder. "'Just room for one inside, sir,' he said.
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E.F. Benson (Ghost Stories: Selected and Introduced by Mark Gatiss)
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Supposing you asked me, on oath, whether I believed in witches, I should say โ€˜No.โ€™ But if you asked me again, on oath, whether I suspected I believed in them, I should, I think, say โ€˜Yes.
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E.F. Benson (The Big Book of the Masters of Horror: 120+ authors and 1000+ stories)
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Tolerance, according to the old ladyโ€™s code, was the fruit of charity-Evaโ€™s tolerance was the fruit of indifference.
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E.F. Benson (The Rubicon)
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I supposed a stalwart chicken begins life in a stalwart egg.
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E.F. Benson (The Rubicon)
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Yes, dear, I said beer,'" remarked Robert a little irritably," and in any case, I insist that you dismiss your present cook. You only took her because she was a Christian Scientist, and you have left that little sheepfold now. You used to talk about false claims, I remember. Well, her claim to be a cook is the falsest I've ever heard of.
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E.F. Benson (Queen Lucia)
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For one moment the mundane world obtruded itself in the calm peace.
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E.F. Benson (Queen Lucia)
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It was possible to slam his door, go to bed, and be very polite in the morning.
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E.F. Benson (Queen Lucia)
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Lucia was always very busy of a morning in polishing the sword and shield of Art,
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E.F. Benson (Queen Lucia)
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Lucia did push and shove, and had everything her way.
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E.F. Benson (Queen Lucia)
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She tried him in French and found he could speak it very decently, and told him that she had a book which she had just finished, which she would lend him. It was by that exquisite stylist Huysman and was called Lร -Bas. She
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E.F. Benson (Night Terrors: The Ghost Stories of E.F. Benson (Tales of Mystery & The Supernatural))