Deck Of Cards Life Quotes

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You never know beforehand what people are capable of, you have to wait, give it time, it's time that rules, time is our gambling partner on the other side of the table and it holds all the cards of the deck in its hand, we have to guess the winning cards of life, our lives.
José Saramago (Blindness)
Sometimes life hands you more than a new hand of cards to play—it hands you a whole new deck, maybe even a whole new game.
Tracy Wolff (Crush (Crave, #2))
Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.
Courtney Peppernell (Pillow Thoughts)
My memories are like a shuffled deck of cards, each one coming up at random.
Brian James (Life is But a Dream)
Life is too short for games unless it’s a game of cards. Don’t text back right away; if you like them, pretend you don’t; and don’t you dare say I love you first. Well screw all that. I will text you back in three seconds; I will tell you that I like you; and if I love you, I’ll tell you every chance I get. Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
It is a bit of a cliché to characterize life as a rambling journey on which we can alter our course at any given time--by the slightest turn of the wheel, the wisdom goes, we influence the chain of events and thus recast our destiny with new cohorts, circumstances, and discoveries. But for the most of us, life is nothing like that. Instead, we have a few brief periods when we are offered a handful of discrete options. Do I take this job or that job? In Chicago or New York? Do I join this circle of friends or that one, and with whom do I go home at the end of the night? And does one make time for children now? Or later? Or later still? In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions--we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made shape our lives for decades to come.
Amor Towles (Rules of Civility)
You never know beforehand what people are capable of, you have to wait, give it time, it's time that rules, time is our gambling partner on the other side of the table and it holds all the cards of the deck in its hands, we have to guess the winning cards of life, our lives
José Saramago (Blindness)
It’s really a rather simple thing to bring balance to my anger. All I need to do is remember that the ‘hand of cards’ that have been dealt to me pale in comparison to the ‘deck of cards’ that I’ve thrown at others.
Craig D. Lounsbrough
Years vanish. Months collapse. Time is like a tall building made of playing cards. It seems orderly until a strong gust of wind comes along and blows the whole thing skyward. Imagine it: an entire deck of cards soaring like a flock of birds.
Dani Shapiro (Hourglass: Time, Memory, Marriage)
I gave you too much power because I always yearned for your love, but I guess the love card wasn’t meant for me to have in my life. I always thought I was dealt a bad hand because that card never appeared in the deck.
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
But as I began to write this book, I realised that without the whole truth my life would have no power, no real meaning. With the help of my mother, the memories of our lives in North Korea and China cane back to me like scenes from a forgotten nightmare. Some of the images reappeared with a terrible clarity; others were hazy, or scrambled like a deck of cards spilled on the floor. The process of writing has been the process of remembering, and of trying to make sense out of those memories.
Yeonmi Park
Love is private and primitive and a bit on the funky and frightening side. I think of the Luna card in the Tarot deck: some strange, huge crustacean, its armor glistening and its pinchers wiggling, clatters out of a pool while wild dogs howl at a bulging moon. Underneath the hearts and flowers, love is loony like that. Attempts to housebreak it, to refine it, to dress the crabs up like doves and make them sing soprano always result in thin blood. You end up with a parody.
Tom Robbins (Still Life With Woodpecker)
According to Q-Jo, the whole tarot deck, or at least the twenty-two trump cards of the Major Arcana, may be read as the Fool's journey. "On one important level," she explained, "the major cards are chapters in the story of a quest. I'm talking the universal human quest for understanding and divine reunion. And it doesn't matter whether the quest starts with the Fool or ends with him, because it's a loop anyhow, a cycle endlessly repeated. When the naive young Fool finally tumbles over the precipice, he falls into the world of experience. Now his journey has really begun. Along the way, he'll meet all the teachers and tempters - the tempters are teachers, too - and challenging situations that a person is likely to meet in the task of his or her growing. The Fool is potentially everybody, but not everybody has the wisdom or the guts to play the fool. A lot of folks don't know what's in that bag they're carrying. And they're all too willing to trade it for cash. Inside the bag, the have every tool they need to facilitate their life's journey, but they won't even open it up and glance inside. Subconsciously, the goal of all of us out-of-control primates is essentially the same, but let me assure you of this: the only ones who'll ever reach that goal are the ones who have the courage to make fools of themselves along the way.
Tom Robbins (Half Asleep in Frog Pajamas)
We all shuffle our own deck in life ... The deck is our brain, the cards are our thoughts, the results we get will determine if we are giving ourselves a fair deal. Do you have an authentic dealer?
Michael Levy (The Joys of Live Alchemy)
The old intergenerational give-and-take of the country-that-used-to-be, when everyone knew his role and took the rules dead seriously, the acculturating back-and-forth that all of us here grew up with, the ritual post-immigrant struggle for success turning pathological in, of all places, the gentleman farmer's castle of our superordinary Swede (a character). A guy stacked like a deck of cards for things to unfold entirely differently. In no way prepared for what is going to hit him. How could he, with all his carefully calibrated goodness, have known that the stakes of living obediently were so high? Obedience is embraced to lower the stakes. A beautiful wife. A beautiful house. Runs his business like a charm... This is how successful people live. They're good citizens. They feel lucky. They feel grateful. God is smiling down on them. There are problems, they adjust. And then everything changes and it becomes impossible. Nothing is smiling down on anybody. And who can adjust then? Here is someone not set up for life's working out poorly, let alone for the impossible. ... the tragedy of the man not set up for tragedy -- that is every man's tragedy.
Philip Roth (American Pastoral)
Not all of us are dealt the easy cards in life, but that doesn’t mean you can’t reshuffle the deck once you’ve seen the light and the possibilities of a better outcome.
Lisa Wilkinson (It Wasn't Meant to Be Like This)
Well, you played me, Rabbit. You played me, and it worked, and I’m not the kind of person to make the same mistake twice. Your whole life is a game, but you know what? I already have a life. Poker’s nothing to me but a goddamn deck of cards.
Elle Lothlorien (Alice in Wonderland)
Set down your phones. Run barefoot through the grass. Let snowflakes land on your cheeks. Break out a deck of cards on the deck. Lean in. Listen. Relax. Smile. Enjoy. Toss the baseball until the streetlights come on, and then watch the stars appear. You’re doing enough. Keep going. It’s the small things that add up to a big life.
Ginny Yurich (Until the Streetlights Come On: How a Return to Play Brightens Our Present and Prepares Kids for an Uncertain Future)
From a scientific perspective, ‘destroy’ isn’t really accurate. Nothing has disappeared. All the matter that used to be there is still there, and so is all the angular momentum. It’s only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a straight flush: Once you shuffle, it’s gone.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
But if it turns out that she really can adjust them from without? Reshuffle the deck of his past, leave a few cards out, sub in several from a sunnier suit, where was the harm in that? Harm had to be the opposite, didn’t it? Letting the earliest truth metastasize into something that might kill you? The gangrenous spread of one day throughout the life span of a body— wasn’t that something worth stopping?
Karen Russell (Vampires in the Lemon Grove: Stories)
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
Amor Towles (Rules of Civility)
In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come. —
Amor Towles (Rules of Civility)
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
Sure, you can stay home and work towards the day when you have the perfect boat, perfectly outfitted, as most people try to do. You might even wait and do your cruising as a retired person clutching a fistful of platinum credit cards on a finely fitted boat filled with expensive gadgets needed to maintain your increased demands for comfort and security. But by that time you are somewhat lacking in the robust health and enthusiasm to fully engage in your long-postponed adventure. If I chose to sail as a young adventurer, poorly equipped in the material sense, I make no apologies. I was well-fitted out in health and spirit. As all sailors ultimately learn, it is easier to prepare a boat for sea than to clear the decks of your life for a voyage into unknown waters.
James Baldwin (Across Islands and Oceans)
EXCERPT FROM CHAPTER ONE MY LIFE ON CRAIGSLIST Stars and Cards Never Lie Date: 2011-04-1, 9:17PM EST Reply to: sev-rgddta-26664852@craigslist.org Life and the economy beating you down? The accuracy of the Rider Waite Tarot cards and my Astrology consultations will amaze you. The insight you’ll gain from these readings will be a fantastic catalyst for spiritual growth and personal advancement. Available by phone and skype. Alternative decks and house calls can be arranged upon request. •Location: New York City, MANHATTAN •it's NOT ok to contact this poster with services or other commercial interests Chapter 1 Four Cookies and a Funeral Yesterday I went on Craigslist and hired a Tarot reader to tell me whether I was in any danger of losing my job. I wasn’t really worried because last week, an astrologer I’d also found on Craigslist, had told me there was no major movement in the sixth house, which is the area of my chart that governs work. But just in case, I met with the Tarot card reader who told me everything was going to be okay. Today I got canned.
Alexandra Ares (My Life on Craigslist: A Fictitious Diary)
Although I am an optimist, my imagination can conjure countless deadly hands from any shuffled deck before the cards are dealt. I am, therefore, perplexed by so many people who, whether they’re optimists or pessimists, trust any dealer as long as he claims to share their vision of how all things ought to be, who trust their own vision to the extent that they never question it, and who believe that four of a kind and royal flushes always fall by chance in a world without meaning. To such folks, Hitler was a distant and half-comic figure—until he wasn’t; and mad mullahs promising to use nuclear weapons as soon as they obtain them are likewise harmless—until they aren’t. I, on the other hand, believe life has profound meaning and that the meaning of Creation itself is benign, but I also know that there are such things as card mechanics who can manipulate any deck to their great advantage. In life, little happens by chance, and most bad hands we’re dealt are the consequence of our actions, which are shaped by our wisdom and our ignorance. In my experience, survival depends on hoping for the best while recognizing that disaster is more likely and that it can’t be averted if it can’t be imagined.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
A box of dominoes, a deck of cards, those were under the folded blankets. There are a lot of paperbacks on the shelves in the bedrooms, detective novels mostly, recreational reading. Beside them are the technical books on trees and the other reference books, Edible Plants and Shoots, Tying the Dry Fly, The Common Mushrooms, Log Cabin Construction, A Field Guide to the Birds, Exploring Your Camera, he believed that with the proper guidebooks you could do everything yourself; and his cache of serious books: the King James Bible which he said he enjoyed for its literary qualities, a complete Robert Burns, Boswell’s Life, Thompson’s Seasons, selections from Goldsmith and Cowper. He admired what he called the eighteenth-century rationalists: he thought of them as men who had avoided the corruptions of the Industrial Revolution and learned the secret of the golden mean, the balanced life, he was sure they all practiced organic farming. It astounded me to discover much later, in fact my husband told me, that Burns was an alcoholic, Cowper a madman, Dr. Johnson a manic-depressive and Goldsmith a pauper. There was something wrong with Thompson also; “escapist” was the term he used. After that I liked them better, they weren’t paragons any more.
Margaret Atwood (Surfacing)
I’ve made myself into the character of a book, a life one reads. Whatever I feel is felt (against my will) so that I can write that I felt it. Whatever I think is promptly put into words, mixed with images that undo it, cast into rhythms that are something else altogether. From so much self-revising, I’ve destroyed myself. From so much self-thinking, I’m now my thoughts and not I. I plumbed myself and dropped the plumb; I spend my life wondering if I’m deep or not, with no remaining plumb except my gaze that shows me – blackly vivid in the mirror at the bottom of the well – my own face that observes me observing it. I’m like a playing card belonging to an old and unrecognizable suit – the sole survivor of a lost deck. I have no meaning, I don’t know my worth, there’s nothing I can compare myself with to discover what I am, and to make such a discovery would be of no use to anyone. And so, describing myself in image after image – not without truth, but with lies mixed in – I end up more in the images than in me, stating myself until I no longer exist, writing with my soul for ink, useful for nothing except writing. But the reaction ceases, and again I resign myself. I go back to whom I am, even if it’s nothing. And a hint of tears that weren’t cried makes my stiff eyes burn; a hint of anguish that wasn’t felt gets caught in my dry throat. But I don’t even know what I would have cried over, if I’d cried, nor why it is that I didn’t cry over it. The fiction follows me, like my shadow. And what I want is to sleep.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
Why are there no queens in the deck?” I asked rather suddenly. “It seems odd.” Suzanne Brantôme, on my left, and Mimi La Salle, on my right, smiled knowingly, and I felt foolish. But Marguerite did not smile. “You have by now read The Book of the City of Ladies, have you not, Anna?” “I have.” “Then you should tell us why the deck has no queens.” “Because…,” I began, but I hesitated, for my mind was racing far ahead of my voice. I wished so very much to please the duchess with my answer. “There has been so little recognition of the contributions of women in every walk of life?” I finally offered, with a woeful lack of confidence in my answer. But Marguerite bade me go on with a subtle nod. “Men have looked down upon our sex,” I said. “They have withheld education and caused us great suffering. They do not see women as fit rulers and…” I stopped and thought about my summary of Christine de Pizan’s work. When I began again, it was slowly, as if the words were falling together into an idea as they were spoken. “So why would men place queens in a deck of cards? It might signify their importance in the world.” Marguerite looked at me with affection and approval. “I have thought the same thoughts many times, as have my ladies at these tables. We all know very well there are no kingdoms without queens.” We sat silent for a moment as we pondered the wisdom of that idea. “Mayhap someday soon there will be queens in the playing cards,” I said hopefully. “If it is left to the men to decide, we shall first see the Second Coming of Christ!” Lady Brantôme declared. Everyone laughed at that. Mimi,
Robin Maxwell (Mademoiselle Boleyn)
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
Crabtree's Parable of the Cards: “We divide the deck into numbered and face cards, and so we divide the types of men. The numbered cards are the underlings, the parasites of the world. When you play a man who is a numbered card, he looks out only for himself with no consciousness that others are in the game with him. If you wish to be kind, you can say these men are the subordinates of the world, but they are parasites all the same. They attach themselves to someone greater, learning if they are young or inexperienced enough, leeching if they are strong or experienced enough to know better but would rather remain weak. They don’t contribute to the world. They only take from it, and if a man remains in this state, he is no better than a sheep. Numbered men are as disposable and interchangeable as the animals they mimic. The face cards are men who have seen the way the world works, who know the only way to survive is to kill or be killed. These men are the cannibals. They drive and lead the parasites, bluffing them into traps and bleeding them when necessary for their own survival or for that of the parasites they have chosen to protect. Depending on what level of face card they are, they bleed them to serve those they owe allegiance to. This is the way of the world. You may find it harsh or overly simplified. But in the end you will find these are your choices. You may be a face card, or you may be a number. The power to choose is yours. Aces are unique because they can be both a face card and a numbered card. But no matter what they are, they will always be the lowest of the low or the highest of the high—and because of this, they will always be alone. An ace does not evolve, but rather he constantly explores his dual nature. When he leads, he is acutely aware of his underlings, unable to use them with the casualness that his fellow face cards will do. When he is brought low, he is equally aware of the thin veil separating him from where he is supposed to be, and he can’t forget how he and his fellows in servitude should be treated. An ace is seldom at home unless he is with his own kind, and many fall into despair and find themselves wedged quite firmly in the low side of their nature. There are few aces in the world, and so most aces, no matter who they are with, feel alone. And that, my children, is the Parable of the Cards. Take it to heart, because the secret to life lies within it.
Heidi Cullinan (Double Blind (Special Delivery, #2))
When love is expressed in life and imbued into every great work, the potential for evolution expands exponentially.
Jennifer Sodini (Amenti Oracle Feather Heart Deck and Guide Book: Ancient Wisdom for the Modern World)
Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
His life seemed like a deck of cards, and in the midst of all those two’s and three’s someone had thrown him an Ace and a King, but they were still different suits. He didn’t know what to discard or what to keep, and he was scared to death to lay them down.
Tekoa Manning (Walter: The Homeless Man)
Life is too short for games unless it’s a game of cards. Don’t text back right away; if you like them, pretend you don’t; and don’t you dare say I love you first. Well screw all that. I will text you back in three seconds; I will tell you that I like you; and if I love you, I’ll tell you every chance I get. Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.
Courtney Peppernell (Pillow Thoughts)
Life may deal you some cards, but don't forget that you shuffled the deck.
Anthony T. Hincks
It is a bit of a cliché to characterize life as a rambling journey on which we can alter our course at any given time—by the slightest turn of the wheel, the wisdom goes, we influence the chain of events and thus recast our destiny with new cohorts, circumstances, and discoveries. But for the most of us, life is nothing like that. Instead, we have a few brief periods when we are offered a handful of discrete options. Do I take this job or that job? In Chicago or New York? Do I join this circle of friends or that one, and with whom do I go home at the end of the night? And does one make time for children now? Or later? Or later still? In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come. —
Amor Towles (Rules of Civility)
I am playing the game of life with the stacked deck of cards I was dealt.
Steven Magee
And remember, life’s not about what you’re dealt, but rather what you do with what you’re dealt. Like a deck of cards.
D.L. Koontz (Crossing Into the Mystic (The Crossings Trilogy, #1))
In a deck of playing cards, the reds are as important as the blacks.
Yohann Dafeu
What’s this one?” I ask. I point to a deck of cards with a clown on the front. There’s a full house showing on the card faces. “Life’s a gamble.” “And this one?” I start to paint over her sailboat. “Someday,” she says quietly, “I’ll sail into the sunset.” “There are wedding rings on the sail?” “Yes.” “You want to be married.” “Yes.” My heart kicks in my chest. “My back is my hopes and dreams. My front is my reality as I saw it at the time. Because I can face anything, as long as I let what happened to me push me forward.” Damn. I don’t even know how to respond.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
oday so many children aren't involved in their families' lives. Let's change that! Get them active in your family. Start by creating times for sharing and conversation.. .at the dinner table. Turn off the TV, all phones (including cells), and any other distractions. Toward the end of the meal, ask everyone this question: "What's the best thing that happened to you today?" Make dinnertime fun. Find out what's happening in your children's hearts and lives, and let them know what's happening in yours. Honor jobs well done, good grades, and positive contributions to the family and community. love having family pictures all over the house. It's a great way to promote family identity. Do team sports together. Have a family night out every now and then. The apostle Paul says, "If you have any encouragement from being united with Christ. . .then make my joy complete by being like-minded, having the same love, being one in spirit and purpose" (Philippians 2:1-2). hen was the last time you did something really special to say "I love you" to your husband or boyfriend? In the morning, tell your husband, "Honey, tonight is a special evening-just for the two of us." Then get busy. Set up a card table on your patio or deck-or even in the living room. Get out a beautiful tablecloth, your best napkins, flowers, and candles! Fix him his favorite meal and your best dessert, put on some soft romantic music, give yourself enough time to look your best, and you're all set for when he gets home. He'll feel like a king and know he's a top priority in your life.
Emilie Barnes (365 Things Every Woman Should Know)
I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that awesome deck consisting of hundreds—no, millions—of cards, just as you shuffle a deck of playing cards, but, of course, with much more difficulty, perhaps using special machines, like those lottery machines in front of notaries, and I’ll place them in the hands of my readers! And I’ll tell them: None of these has any connection with any other, preceding or following, front or back, cause or effect. Come, young reader, this is life and history, read it as you will. Everything that exists is in here, it all simply exists, but there’s no story binding it together. Then the disappointed young reader will ask: No story at all? At that point, appreciating his point of view, I’ll say, You’re right, at this age you do need a story to explain everything just so you can live in peace, otherwise you’d come unhinged. And with that, as if slipping a joker into my deck of millions of cards, I’d write Story and begin to gather together the cards in a way that tells a tale.
Orhan Pamuk (Silent House)
time is our gambling partner on the other side of the table and it holds all the cards of the deck in its hand, we have to guess the winning cards of life, our lives
José Saramago
Nash used to say that living your life was like shuffling a deck of cards. One day you might draw a good hand, the next, a bad beat. But buying into that meant surrendering what control we did have. Life wasn't drawing cards at random, it was choosing to pick up the deck, it was choosing how to shuffle, it was choosing the rules of play. It was the thousand of choices we made every single day, and the path those choices created for us.
Alexandra Bracken (The Mirror of Beasts (Silver in the Bone, #2))
In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
Towles, Amor
As part of an orchestrated PR follow-up, a Las Vegas Sun editorial of April 3, 1964, assured us that “Anybody who has been around Nevada very long knows that [casinos welcome] players with a system.” “Edward O. Thorp…obviously doesn’t know the facts of gambling life. There has never been a system invented that overcomes…the advantage the house enjoys in every game of chance.” And for the clincher: “ ‘Dr. Thorp may be qualified at mathematics, but he is sophomoric on gambling,’ is the way Edward A. Olsen, Gaming Control Board chairman, put it.” In a nonconfrontational vein, Gene Evans of Harrah’s Club explained that “…the club believes the player may have a better chance when the deck is shuffled every time, because all the Aces and face cards could come up on each deal.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Every time you shuffle a deck of cards, you have made a combination nobody has ever made in history. But how? How many combinations can there be? Millions? Billions? Trillions? Not even close. There are 80,658,175,170,943,878,571,660,636,856,403,766,975,289,505,440,883,277,824,000,000,000,00 combinations. That’s 70 numbers. The actual word for this number is 80 vigintillion. If you are wondering how this is possible, here’s a simple way to understand it. There are 52 cards in a deck. There are 26 letters in the alphabet. How many different stories have been created from those 26 letters? So, if you ever feel like you haven’t accomplished anything unique in your life, shuffle a deck of cards and you have done something that has never happened ever. Unless you don’t know how to shuffle. Which I don’t.
James Egan (365 More Things People Believe That Aren't True)
This was my first lesson about gambling: if you see somebody winning all the time, he isn't gambling, he's cheating. ater on in life, if I were continuously losing in any gambling situation, I would watch very closely. It's like the Negro in America seeing the white man win all the time. He's a professional gambler; he has all the cards and the odds stacked on his side, and he has always dealt to our people from the bottom of the deck.
Malcom X Alex Haley
Well, sometimes you need to reshuffle the deck. Sometimes we get dealt a hand that’s a hard one. We keep playing at this game of life until the game gets better.” “But what if the game gets too hard to shuffle the cards?”  “Then I’ll shuffle them for you.
Erin Branscom (Falling Inn Love (Freedom Valley, #1))
The people in our lives are like cards in a deck. At different times we draw, hold, and discard, but, in the end, we don’t really know the cards’ value until life calls our hand.
Richard Paul Evans (The Christmas Promise)
Life was a card game. You couldn’t stack the deck; only make the most of your hand.
Jailaa West (Coveting Her (Skin Sins Tattoo Shop #3))
In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
Amor Towles (Rules of Civility)
It is necessary and helpful to be, and in some ways to remain, a beginner. For this reason, the Tarot deck beloved by intuitives, romantics, fortune-tellers, and scoundrels alike contains within it the Fool as a positive card, an illustrated variant of which opens this chapter. The Fool is a young, handsome man, eyes lifted upward, journeying in the mountains, sun shining brightly upon him—about to carelessly step over a cliff (or is he?). His strength, however, is precisely his willingness to risk such a drop; to risk being once again at the bottom. No one unwilling to be a foolish beginner can learn. It was for this reason, among others, that Carl Jung regarded the Fool as the archetypal precursor to the figure of the equally archetypal Redeemer, the perfected individual.
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Nude #5. Deck of cards. Each card is made of flesh. The living cards are days of a woman’s life. I see a great silver needle go flashing right through the deck once from end to end.
Anne Carson (The Glass Essay)
It is a bit of a cliché to characterize life as a rambling journey on which we can alter our course at any given time—by the slightest turn of the wheel, the wisdom goes, we influence the chain of events and thus recast our destiny with new cohorts, circumstances, and discoveries. But for the most of us, life is nothing like that. Instead, we have a few brief periods when we are offered a handful of discrete options. Do I take this job or that job? In Chicago or New York? Do I join this circle of friends or that one, and with whom do I go home at the end of the night? And does one make time for children now? Or later? Or later still? In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come. — Maybe that sounds bleaker than I intended. — Life doesn’t have to provide you any options at all.
Amor Towles (Rules of Civility)
It's only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a Straight Flush: once you shuffle, it's gone.
Cixin Liu
The loss of his wife and mother on the same day became more than a catastrophic landmark in Theodore Roosevelt’s personal life: The brutal twist of fate reshaped his philosophy of leadership as well. It underscored the vulnerability, fragility, and mutability of all his endeavors, political and personal. Career objectives now seemed air-drawn, subject to dissolving or reversing in a moment’s time. Following that gruesome February day, chance—good luck and bad—would be deemed the trump card in his deck. This basic fatalism helps explain what might otherwise seem a haphazard choice of career opportunities during the next decade.
Doris Kearns Goodwin (Leadership: In Turbulent Times)
Unable to think about anything but shuffling, math, and magic, I became convinced that the secrets of the universe were found inside a pack of playing cards. For starters, there’s a curious symbolism encoded in a deck of cards. There are two colors (red and black) symbolizing day and night; four suits—spades, hearts, clubs, and diamonds—one for each season (or seasons of the magician's life cycle, if you like). The twelve court cards correspond to the months of the Gregorian calendar. Each suit contains thirteen cards, for the thirteen lunar cycles. There are fifty-two cards in a deck, those being the fifty-two weeks in a year. And if you add up the values of all 52 cards, including the joker, you get exactly 365. Add to this the seven shuffles and the surprising reach of the Bayer-Diaconis model—how shuffling mimics the behavior of everything from kneading dough to mixing chemicals—and cards really do start to look like cosmic instruments.
Alex Stone (Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind)
Even if, right then, he could not name the condition, he recognized what it felt like. It felt like each moment of what he’d once been able to call his life were being reshuffled over and over like a deck of cards.
Lynn Kostoff (Late Rain)
The more creative the activitty is, the more structured the work routine should probably be. When she was writing, Maya Angelou would get up every morning at 5:30 and have coffee. At 6:30 she would go off to a hotel room she kept--a modest room with nothing in it but a bed, a desk, a Bible, a dictionary, a deck of cards, and a bottle of sherry. She would arrive at 7:00 A.M. and write very day until 12:30 P.M.
David Brooks (The Second Mountain: The Quest for a Moral Life. Signed First Edition. Bound in Genuine Leather)
Nothing I can do will stop it. No matter what Sebastian says, he's the one holding the cards. All of them. The full deck and even the box. I'm just a card he'll shuffle into his life, yet I can't stop myself from volunteering.
Maggie Cole (Holiday Hoax)
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