Familiar Stranger Quotes

We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.

There's an opposite to déjà vu. They call it jamais vu. It's when you meet the same people or visit places, again and again, but each time is the first. Everybody is always a stranger. Nothing is ever familiar.

Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky - all things tending towards the eternal or what we imagine of it.

She knew I could tell with one glance, one look, one simple instant. It was her eyes. Despite the thick makeup, they were still dark-rimmed., haunted, and sad. Most of all though, they were familiar. The fact that we were in front of hundreds of strangers changed nothing at all. I'd spent a summer with those same eyes-scared, lost, confused-staring back at me. I would have known them anywhere.

If I were an armadillo, and a stranger came up and said I looked familiar, and they wanted to know why I looked so familiar, I'd respond in a raspy voice, "Your brother ran over my brother.

One of the disadvantages of almost universal education was the fact that all kinds of persons acquired a familiarity with one's favorite writers. It gave one a curious feeling; it was like seeing a drunken stranger wrapped in one's dressing gown.

Odd how it was so easy for a stranger to assume such familiarity. Especially when those who were supposed to know you best often didn't, not at all.

Great Paddy Shits in the Mornin', Elora! He's a vampire! No' a stray dog!

Elora: "If you bite me, I'll stake you." Baka: "If I bite you, I'll stake myself.

Perhaps the deepest reason why we are afraid of death is because we do not know who we are. We believe in a personal, unique, and separate identity — but if we dare to examine it, we find that this identity depends entirely on an endless collection of things to prop it up: our name, our "biography," our partners, family, home, job, friends, credit cards… It is on their fragile and transient support that we rely for our security. So when they are all taken away, will we have any idea of who we really are? Without our familiar props, we are faced with just ourselves, a person we do not know, an unnerving stranger with whom we have been living all the time but we never really wanted to meet. Isn't that why we have tried to fill every moment of time with noise and activity, however boring or trivial, to ensure that we are never left in silence with this stranger on our own?

as if familiar paths traced in summer skies could lead as easily to prison as to the sleep of the innocent.

In a sea of trees turned into a sea of total strangers, familiar means everything.

McKenna will always be a part of me, no matter where he goes. They say that people who've lost a limb sometimes feel as if they still have it. How many times I've felt that McKenna was still here, and the empty space beside me was alive with his presence." She closed her eyes and leaned forward until her forehead and the tip of her nose touched the cool glass. "I love him beyond reason," she whispered. "He's a stranger to me now, and yet he is still so familiar. I can't imagine a sweeter agony, having him so close.

Admiration and familiarity are strangers.

He experienced a familiar comfort being in the presence of another person's unknowable pain. More than any landscape, this place felt like home.

Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.

And so I learned that familiar paths traced in the dusk of summer evenings may lead as well to prison as to innocent untroubled sleep.

How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.

Upon first glance I felt a sense of familiarity with you. Like we had been down this road a thousand times before, why I felt this with a complete stranger I am yet to know but I trust further down the road our chance meeting will make perfect sense.

Sir Storm, I have decided that you are a god of poetic justice." Baka to Storm

He walked around all the useless things in the courtyard and touched them with his hands; for some reason, he wished that these would remember him, and love him. But he didn't believe they would. From childhood memories he knew how strange and sad it is after a long absence to see a familiar place again, for these unmoving objects have no memory and do not recognize the stirrings of a stranger's heart.

Twenty years is, after all, a long time. We are not the same people we were. Old friends, lovers, even family members: they are strangers who happen to wear a familiar face. We have no right to claim to know anyone after such a distance.

An interesting note to this novel is the fact that not only are a number of the experiences related herein ones to which I am intimately familiar, one is particularly unusual. I wracked my brain for quite some time to come up with a suitable near-death experience to use in the opening scene. As it turns out I had an “AHA” moment, or more appropriately a “DUH” moment when it occurred to me that I had actually survived the perfect experience to use. As a result, the first scene and the near-death experience described here was drawn, almost in its entirety from my OWN life, and I still retain the scar. I guess sometimes truth really is stranger than fiction.

A rush of panic comforted him with its familiarity.

Origins and History of Consciousness III. It’s simple to wake from sleep with a stranger, dress, go out, drink coffee, enter a life again. It isn’t simple to wake from sleep into the neighborhood of one neither strange nor familiar whom we have chosen to trust. Trusting, untrusting, we lowered ourselves into this, let ourselves downward hand over hand as on a rope that quivered over the unsearched…. We did this. Conceived of each other, conceived each other in a darkness which I remember as drenched in light. I want to call this, life. But I can’t call it life until we start to move beyond this secret circle of fire where our bodies are giant shadows flung on a wall where the night becomes our inner darkness, and sleeps like a dumb beast, head on her paws, in the corner.

A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land.

Anyone can be polite to a stranger. Anyone can remain charming when spending time with an acquaintance, but what about those with whom we have familiarity? We hurt, offend and piss off the ones we love the most. Whenever we come home from playing nice and kissing ass instead of lips, we remove the masks and be who we really are.

You can't see yourself. You know what you look like because of mirrors and photographs, but out there in the world, as you move among your fellow human beings, whether strangers or friends or the most intimate beloveds, your own face is invisible to you. You can see other parts of yourself, arms and legs, hands and feet, shoulders and torso, but only from the front, nothing of the back except the backs of your legs if you twist them into the right position, but not your face, never your face, and in the end - at least as far as others are concerned - your face is who you are, the essential fact of your identity. Passports do not contain pictures of hands and feet. Even you, who have lived inside your body for sixty-four years now, would probably be unable to recognize your foot in an isolated photograph of that foot, not to speak of your ear, or your elbow, or one of your eyes in close-up. All so familiar to you in the context of the whole, but utterly anonymous when taken piece by piece. We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.

It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.

Storm gave the gun to Elora so that she could practice the reload. He moved behind her to make sure her form was correct. The first two shots missed altogether. One hit a target in the crotch-two targets away from where she was aiming. By the fourth round she was managing to hit her target...in the crotch. Ram said, "I'm beginnin' to sense a very disturbin' pattern here.

He was breathing heavy, but speaking assurances, words of encouragement delivered in short sentences. "Hang in there now. It'll be okay. We're almost there. Almost there.

The greatest love stories are unexpected, unexplained... choreographed chaos played out in God’s timing. It feels like a chance encounter with a familiar stranger... Like a rekindling of an eternal flame.

We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound.

He turned to her and said, “About time,” when the train finally creaked in, with the familiarity strangers adopt with each other after sharing in the disappointment of a public service.

All good writing is like this. It is why a favorite book feels like an old friend and a new acquaintance at the same time, and the reason a favorite author can be a familiar figure and a mysterious stranger all at once.

Spend twenty years there and you ask yourself how there can still be strangers with so many familiar faces ... it's probably that cities generate strangers continuously ...

Stephen Blackpool fall into the loneliest of lives, the life of solitude among a familiar crowd. The stranger in the land who looks into ten thousand faces for some answering look and never finds it, is in cheering society as compared with him who passes ten averted faces daily, that were once the countenances of friends

The classic 'seven-year itch' may not be a case of familiarity breeding ennui and contempt, but the shock of having someone you thought you knew all too well suddenly seem a stranger. When that happens, you are compelled to either recommit or get the hell out. There are many such times in a marriage.

What is it that you want with me, Baka?” He looked at her in a predatory way that, she sensed, had nothing to do with blood. “The same thing any man who isn’t blind would want from you.” Elora arched a right eyebrow and took another sip of golden liquid as she waited for him to spell it out. “Your phone number.

Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.

Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.

We're never the same person twice.

But I've smelled you, smelledthe wrongness of all that's been done to you by hands familiar and those of strangers. You chose to stop acknowledging a world that has treated you foully. What's saner than that?

The touch was exactly what the touch of a lover's hand should be: familiar, yet exciting as a whispered promise. I felt an almost irresistible urge to take her hand and place it flat against my chest, near my heart. Maybe I should've done it. I know now that she would've laughed, if I'd done it, and she would've liked me for it. But strangers that we were then, we stood for five long seconds and held the stare, while all the parallel worlds, all the parallel lives that might've been, and never would be, whirled around us.

I look around the room at some of the familiar faces and some of those who are still strangers to me. Somewhere deep within, I find the strength. The strength I was born from, that I never knew I possessed. ~Willow Mosby (Exposing ELE

Hello?" "How's it going?" Dane asked. I relaxed at the familiar voice. "I'm having a fling with a younger man," I told him. "He's kind of short for me, and there's a little incontinence problem . . . but we're working to get beyond all that.

There’s an opposite to déjà vu. They call it jamais vu. It’s when you meet the same people or visit places, again and again, but each time is the first. Everybody is always a stranger. Nothing is ever familiar.

Frequency led to awareness, awareness to familiarity, and familiarity to trust. And trust, almost without exception, leads to profit.

If you asked me whether I was the type of person who liked trying new things or preferred sticking with what was familiar, I would have told you I was the second girl. The if –it-aint-broke-don’t-fix-it girl. I also would have told you plays were lame. It suddenly occurs to me that I don’t seem to know very much about…me. It’s a weird feeling, like maybe a stranger is inhabiting my body. Or maybe a stranger was, and I kicked her out.

Encounters between people, it often seems to me, are like trains passing at breakneck speed in the night. We cast fleeting looks at the passengers sitting behind dull glass in dim light, who disappear from our field of vision almost before we perceive them. Was it really a man and a woman who flashed past like phantoms, who came out of nothing into the empty dark, without meaning or purpose? Did they know each other? Did they talk? Laugh? Cry? People will say: That's how it is when strangers pass one another in rain and wind and there might be something in the comparison. But we sit opposite people for longer, we eat and work together, lie next to each other, live under the same roof. Where is the haste? Yet everything that gives the illusion of permanence, familiarity, and intimate knowledge: isn't it a deception invented to reassure, with which we try to conceal and ward off the flickering, disturbing haste because it could be impossible to live with all the time. Isn't every exchange of looks between people like the ghostly brief meeting of eyes between travellers passing one another, intoxicated by the inhuman speed and the shock of air pressure that makes everything shudder and clatter? Don't our looks bounce off others, as in the hasty encounter of the night, and leave us with nothing but conjectures, slivers of thoughts and imagined qualities? Isn't it true that it's not people who meet, but rather the shadows cast by their imaginations?

There are many causes for a suicide, and generally the most obvious ones were not the most powerful. Rarely is suicide committed (yet the hypothesis is not excluded) through reflection. What sets off the crisis is almost always unverifiable. Newspapers often speak of "personal sorrows" or of "incurable illness." These explanations are plausible. But one would have to know whether a friend of the desperate man had not that very day addressed him indifferently. He is the guilty one. For that is enough to precipitate all the rancors and all the boredom still in suspension. But if it is hard to fix the precise instant, the subtle step when the mind opted for death, it is easier to deduce from the act itself the consequences it implies. In a sense, and as in melodrama, killing yourself amounts to confessing. It is confessing that life is too much for you or that you do not understand it. Let's not go too far in such analogies, however, but rather return to everyday words. It is merely confessing that that "is not worth the trouble." Living, naturally, is never easy. You continue making the gestures commanded by existence for many reasons, the first of which is habit. Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering. What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.

As Harold took a bite of Bavarian sugar cookie, he finally felt as if everything was going to be ok. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.

A warm flow of pain was gradually replacing the ice and wood of the anaesthetic in his thawing, still half-dead, abominably martyred mouth. After that, during a few days he was in mourning for an intimate part of himself. It surprised him to realize how fond he had been of his teeth. His tongue, a fat sleek seal, used to flop and slide so happily among the familiar rocks, checking the contours of a battered but still secure kingdom, plunging from cave to cove, climbing this jag, nuzzling that notch, finding a shred of sweet seaweed in the same old cleft; but now not a landmark remained, and all there existed was a great dark wound, a terra incognita of gums which dread and disgust forbade one to investigate. And when the plates were thrust in, it was like a poor fossil skull being fitted with the grinning jaws of a perfect stranger.

Solitude is never where you are; it is always where you are not, and is only possible with a stranger present; whatever the place or whoever the person, it must be one that is wholly ignorant concerning you, and concerning which or whom you are equally ignorant, so that will and sensation remain suspended and confused in an anxious uncertainty, while with the ceasing of all affirmation on your part, your own inner consciousness ceases at the same time. True solitude is to be found in a place that lives a life of its own, but which for you holds no familiar footprint, speaks in no known voice, and where accordingly the stranger is yourself.

He turned back to Lara, his alert gaze raking over her tearful face. Somehow the solid reality of his presence eased her panic. He folded her in his arms, anchoring her against his chest, murmuring quietly into her hair. Sniffling, Lara reached inside his waistcoat until her palm rested over the steady beat of his heart. The sensation of his warm breath sinking down to her scalp me her quiver. It was so terribly intimate, crying in his arms... even more personal than making love. But he had never felt so much like a husband to her as he did in this moment. Quieting, she inhaled his familiar scent and let out a shaky sigh.

Years might pass and they might change, both of them, but she was sure she would still know her own child, just as she would know herself, no matter how long it had been. She was certain of this. She would spend months, years, the rest of her life looking for her daughter, searching the face of every young woman she meet for as long as it took, searching for a spark of familiarity in the faces of strangers.

Strange how a land untraveled can look so familiar" Mappo blinked, the memories scattered by the sound of that familiar soft voice. He glanced up at Icarium. "Stranger still how the mind's eye can travel so far and so fast, yet return in an instant" The Jhag smiled. "With that eye you might explore the entire world" "With that eye you might escape it".

Familiarity could make you a stranger to yourself.

As a species-old rite of passage she learned that flattering words, looks of longing, and inadvertent touches are often no more than skillfully applied means to an end.

Sometimes it feels as if I am living with a man who I don’t know. A man whose face seems familiar but remains a stranger.

DURING THAT YEAR, and especially in the winter months, he found himself returning more and more frequently to such a state of unreality; at will, he seemed able to remove his consciousness from the body that contained it, and he observed himself as if he were an oddly familiar stranger doing the oddly familiar things that he had to do. It was a dissociation that he had never felt before; he knew that he ought to be troubled by it, but he was numb, and he could not convince himself that it mattered.

He wanted to look at her like he wanted to breathe, like she was breath and he was drowning, and every moment of his not looking was a struggle towards the thing he most needed. Except once he looked, looking would not be enough. Then he would have to talk to her—draw the delicate spool of her thoughts from that smiling mouth, until he knew all the colours of her. Until he understood how a stranger could seem so familiar to him. How something in her could call to a part of him he had long thought dead. How it was possible she could feel like homecoming to a man who had never before had any sense of home.

I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .

Why do you not believe you’re the father?” “Because elves and humans can no’ procreate.” As an afterthought, in the interest of clarity, he added, “With each other. It’s a biological fact not up to interpretation. The chromosomes do no’ line up.” Monq barked out a laugh that clearly offended Ram. “And what could you be findin’ amusin’ about this… situation?” “She’s an elf, you idiot! Her DNA is 99.9% the same as yours. The .01% difference is that her ears are not pointed.” While Ram stood there with his mouth open, trying to absorb that astonishing news, Elora turned to Monq with a hint of menace. “And you didn’t think this was information you should pass along?” “First, is it my job to keep up on gossip and know that the two of you are an item? No. Second, aren’t elves supposed to recognize each other as mates? That didn’t happen in your case?” Slowly a grin spread over his face. “Aye. ‘Tis exactly what did happen. Great Paddy! We’re havin’ a baby. I need to call my mother.

Like faith, marriage is a mystery. The person you’re committed to spending your life with is known and yet unknown, at the same time remarkably intimate and necessarily other. The classic seven-year itch may not be a case of familiarity breeding ennui and contempt, but the shock of having someone you thought you knew all too well suddenly seem a stranger. When that happens, you are compelled to either recommit to the relationship or get the hell out. There are many such times in a marriage.

Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my own tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine – I didn’t hear mine – only hears, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agonizing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove … - which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come. Too bad dark languages rarely survive.

In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away. Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION. “I don’t really like parties either,” Alec said sympathetically. “No hablo italiano,” the boy mumbled without looking up. “Er,” said Alec. “This conversation is happening in English.” “No hablo ingles,” he said without missing a beat. “Oh, come on. Really?” “Worth a shot,” said the boy. Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY. The weird coincidence emboldened Alec to try again. “I get shy when there are strangers too,” Alec told the kid. “I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.” “Well.” Alec shrugged. “Those feel like similar things sometimes.” The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him. “Raphael?” he asked. “Raphael Santiago?” He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal. Of course, he was not exactly coming off as a party animal now. “Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.” Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it. He understood that they were immortal, but there was no need to show off about it. “We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.” “The thought of you at twelve haunts me,” Raphael said darkly. “Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?” “I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.” Alec rolled his eyes.

read something once that describes the sea as “all a case of knives” and I have never forgotten it. It is a description I admire very much, because it is so startling that you know no one else has thought of it before the author did, and yet so perfectly clear that you wonder why you never thought of it yourself. All good writing is like this. It is why a favorite book feels like an old friend and a new acquaintance at the same time, and the reason a favorite author can be a familiar figure and a mysterious stranger all at once.

Dreams and coffee and sunrises make up the rhythms of the road. Music is a part of it, too: the popular music on the jukeboxes and radio stations. You hear it constantly, in diners and on car radios. The music has a rhythm that fits the steady drumming of tires over pavement. It seeps into your bloodstream. After a while it ceases to make any difference whether or not you like the stuff. When you’re traveling alone, a nameless rider with a succession of strangers, it can give you a comforting sense of the familiar to hear the same music over and over. At any given time, a few current hits will be overplayed to exhaustion by the rock & roll stations. In hitching across the continent, you might hear the same song fifty or sixty times. Certain songs become connected in your mind with certain trips.

For so long, you haunted me. The familiar face of a stranger in a hundred lifetimes. As if we were always circling each other, two planets in cosmic alignment, thrown into a continuous loop by the power of one another. I waited for you, before I even knew it was you I was waiting for.

I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone. In the university whither I was going I must form my own friends and be my own protector. My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances. I loved my brothers, Elizabeth, and Clerval; these were "old familiar faces," but I believed myself totally unfitted for the company of strangers. Such were my reflections as I commenced my journey; but as I proceeded, my spirits and hopes rose. I ardently desired the acquisition of knowledge. I had often, when at home, thought it hard to remain during my youth cooped up in one place and had longed to enter the world and take my station among other human beings. Now my desires were complied with, and it would, indeed, have been folly to repent.

The town reacted to us as its inhabitants had reacted to all things new before our coming. It regarded us a while without curiosity but with caution, and after we were seen to be harmless (and children) it closed in around us, as a real mother embraces a stranger's child. Warmly, but not too familiarly.

One walks along a street and strays unknowingly from one's path; one then looks up and suddenly for those familiar landmarks of orientation, and, seeing none, one feels lost. Panic drapes the look of the world in a strangeness, and the more one stares blankly at the world, the stranger it looks, the more hideously frightening it seems. There is then born in one a wild, hot wish to project out upon the alien world the world that one is seeking. This wish is a hunger for power, to be in command of one's self.

In practice, race was a sliding signifier in Jamaica. The social slippage – the sliding of the signifier – was extensive, constitutive of social life itself. There were wide skin colour variations even within the same family, as was the case in my own. Jamaican society gossiped, monitored intensely and speculated riotously about this perpetual, confusing fluidity of the body. When I was a child it’s what Jamaica was. Such

It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions... The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor.

The more familiar acquaintance we have with God the more do we partake of him. He that passes by the fire may have some gleams of heat, but he that stands by it has his colour changed. It is not possible that a man should have any long conference with God and be no whit affected. If we are strangers to God it is no wonder that our faces become earthy.

It happened all the time in this city that encompassed seven hills, two continents, three seas and fifteen million mouths. It happened behind closed doors and in open courtyards; in cheap motel rooms and five-star luxury suites; in the midst of the night or plain daylight. The brothels of this city could tell many a story had they only found ears willing to listen. Call girls and rent boys and aged prostitutes beaten, abused and threatened by clients looking for the smallest excuse to lose their temper. Transsexuals who never went to the police for they knew they could be assaulted a second time. Children scared of particular family members and new brides of their fathers- or brothers-in-law; nurses and teachers and secretaries harassed by infatuated lovers just because they had refused to date them in the past; housewives who would never speak a word for there were no words in this culture to describe marital rape. It happened all the time. Canopied under a mantle of secrecy and silence that shamed the victims and shielded the assailants. Istanbul was no stranger to sexual abuse. In this city where everyone feared outsiders, most assaults came from those who were too familiar, too close.

In all human endeavors that deal with what is unthinkable, too terrible to be dealt with squarely, we turn to what is familiar and regimented: funerals, wakes, and even wars. Now, in this trial, we had gone beyond our empathy with the pain of the victims and our niggling realization that the defendant was a fragmented personality. He knew the rules, he even knew a great deal about the law, but he did not seem to be cognizant of what was about to happen to him. He seemed to consider himself irrefragable. And what was about to happen to him was vital for the good of society. I could not refute that. It had to be, but it seemed hollow that none of us understood that his ego, our egos and the rituals of the courtroom itself, the jokes and the nervous laughter were veiling the gut reactions that we should all be facing. We were all on “this railroad train running …

...It is not unusual for strangers in extreme circumstances to find themselves sharing a sudden familiarity. The shock of shared threat makes the stranger an ally. Then the stranger happens to be someone likable, someone who has seemed appealing and intriguing from the very beginning, then he will fit all the more readily into place, almost as if he was always meant to be there.

I fight for the men I've held in my arms, dying on foreign soil. I fight for their wives and children, who's names I heard whispered in their last breaths. I fight for we few who did come home, only to find our country full of strangers wearing familiar faces. I fight for my people impoverished to pay the debts of an Empire too weak to rule them, yet brands them criminals for wanting to rule themselves! I fight so that all the fighting I've already done hasn't been for nothing. I fight... because I must." ―Ulfric Stormcloak

The hearing was adjourned. For a few brief moments, as I left the Law Courts on my way to the van, I recognised the familiar smells and colours of a summer evening. In the darkness of my mobile prison I rediscovered one by one, as if rising from the depths of my fatigue, all the familiar sounds of a town that I loved and of a certain time of day when I sometimes used to feel happy. The cries of the newspaper sellers in the languid evening air, the last few birds in the square, the shouts of the sandwich sellers, the moaning of the trams high in the winding streets of the town and the murmuring of the sky before darkness spills over onto the port, all these sounds marked out an invisible route which I knew so well before going into prison. Yes, this was the time of day when, long ago, I used to feel happy. What always awaited me then was a night of easy, dreamless sleep. And yet something had changed, for with the prospect of the coming day, it was to my cell that I returned. As if a familiar journey under a summer sky could as easily end in prison as in innocent sleep.

As Harold took a bite of Bavarian Sugar cookie, he finally felt as if everything was going to be okay. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy...there are Bavarian Sugar cookies. And, fortunately, when there aren't any cookies we can still find reassurance in a familiar hand on our skin...or a kind and loving gesture...or a subtle encouragement...or a loving embrace...or an offer of comfort.... And we must remember that all these things, the nuances, the anomalies, the subtleties which we assume only accessorize our days, are in fact here for a much nobler and larger cause. They are here to save our lives.

We think we know the ones we love. Our husbands, our wives. We know them - we are them, sometimes; when separated at a party we find ourselves voicing their opinions, their taste in food or books, telling an anecdote that never happened to us but happened to them. We watch their tics of conversation, of driving and dressing, how they touch a sugar cube to their coffee and stare as it turns white to brown, then drop it, satisfied, into the cup. I watched my own husband do that every morning; I was a vigilant wife. We think we know them. We think we love them. But what we love turns out to be a poor translation, a translation we ourselves have made, from a language we barely know. We try to get past it to the original, but we never can. We have seen it all. But what have we really understood? One morning we awaken. Beside us, that familiar sleeping body in the bed: a new kind of stranger. For me, it came in 1953. That was when I stood in my house and saw a creature merely bewitched with my husband's face. Perhaps you cannot see a marriage. Like those giant heavenly bodies invisible to the human eye, it can only be charted by its gravity, its pull on everything around it. That is how I think of it. That I must look at everything around it, all the hidden stories, the unseen parts, so that somewhere in the middle - turning like a dark star - it will reveal itself at last.

Don't be afraid. My telling can't hurt you in spite of what I have done and I promise to lie quietly in the dark - weeping perhaps or occasionally seeing the blood once more - but I will never again unfold my limbs to rise up and bare teeth. I explain. You can think what I tell you a confession, if you like, but one full of curiosities familiar only in dreams and during those moments when a dog's profile plays in the steam of a kettle. Or when a corn-husk doll sitting on a shelf is soon splaying in the corner of a room and the wicked of how it got there is plain. Stranger things happen all the time everywhere. You know. I know you know. One question is who is responsible? Another is can you read?

Oh, I was lucky, you know, to get anyone. I was what they called an old bride of twenty-six. Of course I married him. Everyone needs to keep something private from their family. Like a shutter in a rainstorm, banging against the window, I venture forth, retreat back, try afresh, retreat again. Nothing changes in my life and yet nothing is the same. That did not help, Ed knew as the words hung between them and he had that all-too-familiar sensation of wanting to claw them from the air and stuff them back in his mouth. We were all in small pieces that didn't fit together, too many countries, too many scars, too many secrets inside us. How do you make a stranger so intimate when they could easily destroy you?

Nationalism, originally a progressive movement, replaced the bonds of feudalism and absolutism. The average man today obtains his sense of identity from his belonging to a nation, rather than from his being a "Son of Man." His objectivity, that is, his reason, is warped by this fixation. He judges the "stranger" with different criteria than the members of his own clan. His feelings toward the stranger are equally warped. Those who are not "familiar" by bonds of blood and soil (expressed a common language, customs, food, song, etc.) are looked upon with suspicion, and paranoid delusions about them can spring up at the slightest provocation. This incestuous fixation not only poisons the relationship of the individual to the stranger, but to the members of his own clan and to himself. The person who has not freed himself from the ties to blood and soil is not yet fully born as a human being; his capacity for love and reason are crippled; he does not experience himself nor his fellow man in their-and his own-human reality.

What’s your name again?” “Peter. Peter Granford.” Lewis opened up his mouth to speak, but then just shook his head. “What?” The boy ducked his head. “You just, uh, looked like you were going to say something important.” Lewis looked at this namesake, at the way he stood with his shoulders rounded, as if he did not deserve so much space in this world. He felt that familiar pain that fell like a hammer on his breastbone whenever he thought of Peter, of a life that would be lost to prison. He wished he’d taken more time to look at Peter when Peter was right in front of his eyes, because now he would be forced to compensate with imperfect memories or-even worse-to find his son in the faces of strangers. Lewis reached deep inside and unraveled the smile that he saved for moments like this, when there was absolutely nothing to be happy about. “It was important,” he said. “You remind me of someone I used to know.

Sounds came to me dully, as if people were speaking through their handkerchiefs or with their hands over their mouths. Colors weren’t true either, but rather a vague assortment of shaded pastels that indicated not so much color as faded familiarities. People’s names escaped me and I began to worry over my sanity. After all, we had been away less than a year, and customers whose accounts I had formerly remembered without consulting the ledger were now complete strangers.

Where I come from, nobody reads novels unless they're like my mother-- fetishizing the artistic media of a bygone era, probably because it was the last time she was happy. But regular people don't read books there. That quasi- telepathic pact between author and reader held little interest for a general audience. Because the dominant storytelling medium of my world involved the seamless integration of an individual's subconscious wiring into the narrative, evoking deep personal wonder and terror, familiarity and delight, yearning and fury, and a triggering catharsis so spellbinding and essential that the idea of sitting down to page through a novel that's not even intended to be about the secret box inside your mind-- why would anyone want to do that for, like, fun? Unless, of course, you were constitutionally inclined to sublimate yourself to a stronger personality, in which case reading a book where every word is fixed in place by the deliberate choices of a controlling vision, surrendering agency over your own imagination to a stranger you'll likely never meet, is some sort of masochistic pleasure.

During social studies, otherwise known as Dad's cirriculum as the Ways and Means of the Indefatigable White People, my father used to warn me about listening to rap or the blues with Caucasian strangers. And as I got older, I'd be admonished not to play Monopoly, drink more than two beers, or smoke weed with them either. For such activities can breed a false sense of familiarity . And nothing, from a hungry jungle cat to the African ferryboat, is more dangerous than a white person on what they think is familiar ground.

Candy felt helpless; no one seemed to understand why she was standing there. Children were colliding with her at hip level, and this awkward, darkly handsome young man, who was surely her own age but seemed somehow older…was she supposed to tell him why she’d come to St. Cloud’s? Couldn’t anyone tell by just looking at her? Then Homer Wells looked at her in that way; their eyes met. Candy thought that he had seen her many times before, that he’d watched her grow up, had seen her naked, had even observed the act responsible for the particular trouble she was now presenting for cure. It was shattering to Homer to recognize in the expression of the beautiful stranger he had fallen in love with something as familiar and pitiable as another unwanted pregnancy.

Practical jokes are a demonstration that the distinction between seriousness and play is not a law of nature but a social convention which can be broken, and that a man does not always require a serious motive for deceiving another. Two men, dressed as city employees, block off a busy street and start digging it up. The traffic cop, motorists and pedestrians assume that this familiar scene has a practical explanation – a water main or an electric cable is being repaired – and make no attempt to use the street. In fact, however, the two diggers are private citizens in disguise who have no business there. All practical jokes are anti-social acts, but this does not necessarily mean that all practical jokes are immoral. A moral practical joke exposes some flaw of society which is hindrance to a real community or brotherhood. That it should be possible for two private individuals to dig up a street without being stopped is a just criticism of the impersonal life of a large city where most people are strangers to each other, not brothers; in a village where all inhabitants know each other personally, the deception would be impossible.

And there was something familiar about the cadence of the words. The language. It was him. I wrote: I know who you are. I recognize your voice. by kidzero I felt a little dizzy after I sent it, maybe because I had been holding my breath. A new message pinged and the air rushed out of me like a deflated balloon. you shouldn't be talking to strangers anyway. who am I? by anonymous I didn't really know his name or anything about him, but I couldn't admit that now. I wanted to keep talking to him. I quickly typed: You are the Unidentified. The Unidentified refuses to be typecast, target-marketed, corporate-identified, defined. by kidzero

Science is a grand thing when you can get it; in its real sense one of the grandest words in the world. But what do these men mean, nine times out of ten, when they use it nowadays? When they say detection is a science? When they say criminology is a science? They mean getting outside a man and studying him as if he were a gigantic insect; in what they would call a dry impartial light; in what I should call a dead and dehumanized light. They mean getting a long way off him, as if he were a distant prehistoric monster; staring at the shape of his “criminal skull” as if it were a sort of eerie growth, like the horn on a rhinoceros’s nose. When the scientist talks about a type, he never means himself, but always his neighbour; probably his poorer neighbour. I don’t deny the dry light may sometimes do good; though in one sense it’s the very reverse of science. So far from being knowledge, it’s actually suppression of what we know. It’s treating a friend as a stranger, and pretending that something familiar is really remote and mysterious. It’s like saying that a man has a proboscis between the eyes, or that he falls down in a fit of insensibility once every twenty-four hours. Well, what you call “the secret” is exactly the opposite. I don’t try to get outside the man. I try to get inside.

Sometimes without conscious realization, our thoughts, our faith, our interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the difference between the way the place actually is, and the way he has remembered it. He may walk along the old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone on to a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists. This being true of the physical self, how much more true it is of the spiritual self.

Nell walks what feels like the length of Paris. She walks through the numbered arrondissements, meandering through a food market, gazing at the glossy produce, both familiar and not at the same time, accepting a plum at a stallholder's urging and then buying a small bag in lieu of breakfast and lunch. She sits on a bench by the Seine, watching the tourist boats go by, and eats three of the plums, thinking of how it felt to hold the tiller, to gaze onto the moonlit waters. She tucks the bag under her arm as if she does this all the time and takes the Metro to a brocante recommended in one of her guidebooks, allowing herself an hour to float among the stalls, picking up little objects that someone once loved, mentally calculating the English prices, and putting them down again. And as she walks, in a city of strangers, her nostrils filled with the scent of street food, her ears filled with an unfamiliar language, she feels something unexpected wash through her. She feels connected, alive.

Human infants begin to develop specific attachments to particular people around the third quarter of their first year of life. This is the time at which the infant begins to protest if handed to a stranger and tends to cling to the mother or other adults with whom he is familiar. The mother usually provides a secure base to which the infant can return, and, when she is present, the infant is bolder in both exploration and play than when she is absent. If the attachment figure removes herself, even briefly, the infant usually protests. Longer separations, as when children have been admitted to hospital, cause a regular sequence of responses first described by Bowlby. Angry protest is succeeded by a period of despair in which the infant is quietly miserable and apathetic. After a further period, the infant becomes detached and appears no longer to care about the absent attachment

He thought of his old name. He’d almost forgotten it. He said it out loud, and it sounded as though he were being called by some stranger. He felt the familiar pressure in his head after yesterday’s drinking. Because it must be noted that Chinese people have two names: one given by their families, used to summon the child, scold and punish him, but also the basis for affectionate nicknames. But when the child goes out into the world, he or she takes another name, an outside name, a world name, a personage name. Donned like a uniform, a surplice, a prison jumpsuit, an outfit for a formal cocktail party. This outside name is useful and easy to remember. From here on out it will corroborate its person. Best if it’s worldly, universal, recognizable to everyone; down with the locality of our names. Down with Oldrzich, Sung Yin, Kazimierz, and Jyrek; down with Blażen, Liu, and Milica. Long live Michael, Judith, Anna, Jan, Samuel, and Eryk!

You carried your infant daughter in one arm, and walked with me, a child six years of age, tired, trudging beside you. You left that nightmare behind. And you left behind other things, too. The elm trees that lined your street. The familiar scent of autumn. The baker's smile when he handed you the fresh bread, the song of the peddlers in the street, the sound of strangers around you talking, haggling, buying, singing, speaking, fighting in a language you understood. Your friends. Your career. Your home. Your dreams. Your family. Your memories. Pots, pans, the fine silver spoons and forks. Photographs. Heirlooms. Your favorite dresses. Your father's grave. The colorful wares of the markets at the new year. Streets you knew by name. Cab drivers who recited poetry. The halls of your old university. You left whatever you couldn't fit into a single suitcase behind you and closed the door of your home for the last time, the dishes washed, the beds made, the curtains drawn, thinking, "Perhaps, perhaps we will come back," and you shut the door, and left, without knowing if you'd ever find home again.

Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.