Decisive Girl Quotes

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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
Jeffrey Eugenides (The Virgin Suicides)
Unfortunately, some family members are so psychotic that no matter how hard you try to forge a healthy relationship, nothing will help. Now that you're an adult, take refuge in the fact that some things are beyond your control. You owe it to yourself to steer clear of people who are harmful to your health.
Andrea Lavinthal (Your So-Called Life: A Guide to Boys, Body Issues, and Other Big-Girl Drama You Thought You Would Have Figured Out by Now – A Must-Have Bible for Women in Their Late 20s and 30s)
All our final decisions are made in a state of mind that is not going to last.
Marcel Proust (In the Shadow of Young Girls in Flower)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
You see, the best thing about wrong decisions is that they don’t prevent you from making the right decisions later on. It’s harder, but it’s not impossible.
Siobhan Vivian (Not That Kind of Girl)
You can’t blame a fella for kissing the prettiest girl in New York, can you, sister?” Sam’s grin was anything but apologetic. Evie brought up her knee quickly and decisively, and he dropped to the floor like a grain sack. “You can’t blame a girl for her quick reflexes now, can you, pal?
Libba Bray (The Diviners (The Diviners, #1))
I am proud of you, Allison Sekemoto,” he whispered as he drew back. “Whatever you decide, whatever path you choose to take, I hope that you will remain the same girl I met that night in the rain. The one decision for which I have no regrets.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
Isn't every hero aware of all the terrible reason they did those good deeds?" Aware of every mistake they ever made and how good people got hurt because of their decisions? Don't they recall the moments they weren't heroic at all? The moments where their heroism led to more deaths than deliberate villainy ever could?
Holly Black (The Coldest Girl in Coldtown)
I am sorry my decisions do not meet with your approval, but nevertheless, they are mine, and the consequences are also mine.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
In Pakistan when women say they want independence, people think this means we don’t want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from the heavens to tell us that every woman should listen to a man.
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
I'll be there for ya, girl. No matter what. Beck took a deep breath and released it slowly. He had to stay strong for her, make the tough decisions. It was best that Paul's daughter never know how he felt about her. There'd be less hurt that way, for both of them. Just keep her safe, God. I can settle for that.
Jana Oliver (Forsaken (The Demon Trappers, #1))
I had already made a decision early on that I would be a plain girl with lots of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be.
Amy Poehler (Yes Please)
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field. 'Why you crying, girl?' Constantine asked me in the kitchen. I told her what the boy had called me, tears streaming down my face. 'Well? Is you?' I blinked, paused my crying. 'Is I what?' 'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?' 'I don't know. I don't think so,' I sobbed. Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me. 'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?' She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
Then again, that's how quickly people's perceptions could change. It only took one mistake, one stupid decision.
Siobhan Vivian (Not That Kind of Girl)
Obviously it takes eight brains to come to one decision in this crowd. Good thing they have one another.
Mari Mancusi (Girls That Growl (Blood Coven Vampire, #3))
Who you are is defined by the next decision you make, not the last one.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
To my son, If you are reading this letter, then I am dead. I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt. I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate. There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid. At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame. I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you. The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you. For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right. I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy. Stephen
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
But ever since I made the decision to drop a few pounds-way less easy than it sounds, by the way-I've become obsessed with my size and in so doing I've inadvertently allowed my inner critic to have a voice. And you know what? She's a bitch. Like now when I see my underpants in the laundry, I no longer think Soft! Cotton! Sensible! Instead I hear her say Damn, girl, these panties be huge.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
And it was suddenly very simple: There was no choice.
Jojo Moyes (The Girl You Left Behind)
Sometimes the kindest thing you can do for a person is to shield them from that which will not help them. Make the decision and then carry the burden yourself, bear the weight so that they don't have to.
Lynn Weingarten (Suicide Notes from Beautiful Girls)
Other people don’t get to tell you what you can have! Someone else doesn’t get to tell you who you can be! The world doesn’t get to decide what you can try. You are the only one who can make that decision.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.
Krzysztof Kieślowski (Kieslowski on Kieslowski)
You cold or something?' he said. She strained against him; she wanted to pass clear through him: 'It's a chill, it's nothing'; and then, pushing a little away: 'Say you love me.' I said it.' No, oh no. You haven't. I was listening. And you never do.' Well, give me time.' Please.' He sat up and glanced at a clock across the room. It was after five. Then decisively he pulled off his windbreaker and began to unlace his shoes. Aren't you going to, Clyde?' He grinned back at her. 'Yeah, I'm going to.' I don't mean that; and what's more, I don't like it: you sound as though you were talking to a whore.' Come off it, honey. You didn't drag me up here to tell you about love.' You disgust me,' she said. Listen to her! She's sore!' A silence followed that circulated like an aggrieved bird. Clyde said, 'You want to hit me, huh? I kind of like you when you're sore: that's the kind of girl you are,' which made Grady light in his arms when he lifted and kissed her. 'You still want me to say it?' Her head slumped on his shoulder. 'Because I will,' he said, fooling his fingers in her hair. 'Take off your clothes--and I'll tell it to you good.
Truman Capote (Summer Crossing)
Time passes by you like a bullet," he says. "and fear gives you the excuses you're craving to not do the things you know you should. Don't doubt yourself, don't second guess, don't let fear hold you back, don't be lazy, and don't base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
We say it’s a modern American Western - two gunslingers who ride into town, fight the bad guys, kiss the girl and ride out into the sunset again. And we were always talking from the very beginning that if you’re going to have cowboys, they need a trusty horse. —Eric Kripke on the decision to add the Impala
Eric Kripke
We all make decisions as though we will live forever.
Lucinda Riley (The Girl on the Cliff)
I have not been so much pushed by winds as pulled forward by the force of my decisions.
Jean Kwok (Girl in Translation)
That girl would’ve promised you forever. As long as you love her, for as long as you care, she’s yours. So walking to the park with you and climbing in that Porsche? Easiest decision she’s ever made.
J.M. Darhower (Ghosted)
It was Friday, July 24, 1992, when I stepped on the train. Every year I think of it. I see it as my real birthday: the birth of me as a person, making decisions about my life on my own. I was not running away from Islam, or to democracy. I didn't have any big ideas then. I was just a young girl and wanted some way to be me; so I bolted into the unknown.
Ayaan Hirsi Ali (Infidel)
I made a decision that year, to start mattering in a way that had nothing to do with sports teams or plastic crowns, and the reality is, I might have made that decision without her, or if I'd never fallen in love with a girl who considered love to be the biggest disaster of all.
Robyn Schneider (The Beginning of Everything)
As a black woman, the decision to love yourself just as you are is a radical act. And I'm as radical as they come.
Bethanee Epifani J. Bryant
She thought now it was time to be tested, to make decisions and find her own roads, to stop falling where she was told to fall and to stand only when allowed to stand.
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
And so she decided in that moment - decided, yes, decided, astonished that she could even do such a thing as decide - that she would never again ask forgiveness for a thing she didn't do, for crimes she could in no way recall committing.
Shobha Rao (Girls Burn Brighter)
Young girl, you’re not making life decisions, you’re making lineage decisions. Be wise and have fun. That’s the only way to do it.
Ayura Ayira (Sidikat)
there was a young woman who came to the library, miles away from her true home. She read a story about a girl who had come to a fork in the road and was so afraid of making the wrong decision that she stayed where she was, huddled in the hollow of a tree. After several days, an old woman came along and told her a riddle. She asked, ‘What is something you create, even if you do nothing?’ The answer was a choice. Choosing not to do something was still a choice.
Evie Woods (The Lost Bookshop)
Oh, don't go on like that!" cried the poor Queen, wringing her hands in despair. "Consider what a great girl you are. Consider what a long way you've come today. Consider what o'clock it is. Consider anything, only don't cry!" Alice could not help laughing at this, even in the midst of her tears. "Can you keep from crying by considering things?" she asked. "That's that way it's done," the Queen said with great decision: "nobody can do two things at once, you know.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
I learned that regret gets you nothing but a bigger pile of shit to shovel around.  And so, I made a decision.  I decided not to muck around in the regret shit pile for even one more day.
Raine Miller (Cherry Girl (The Blackstone Affair, #3.5))
Sometimes,' she said, after a few more seconds of silence, 'sometimes you got to act. You can't wait. You got to do what needs doing, before the world makes the decision for you.
Nikki Loftin (Wish Girl)
I did it because a girl doing nothing in a fairy tale ends up dead or worse, but a girl who makes a decision usually gets rewarded.
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
Sosie wasn't sure how to answer. Since she could remember, she'd had crushes on both girls and guys. They were person-specific infatuations - Brian Levithan's wicked sense of humour was every bit as sexy as Valerie Martnez's sweet smile and amazing krunk routines. It seemed odd to Sosie that she had to make some hard-and-fast decision about such an arbitrary, individual thing as attraction, like having to declare an orientation major: I am straight with a minor in gay.
Libba Bray (Beauty Queens)
Someone comes along saying they’ll save you and you throw yourself into their arms and let them make all the decisions. You can only hope that by the time you come to your senses they haven’t done too much damage.
Grady Hendrix (The Final Girl Support Group)
Choosing to break up your family is one of the most difficult decisions you will make in a lifetime. But once you have come to it; it will be with certainty. Certainty that you are ready to embrace the changes, the challenges and the joys of starting a new life.
Lisa Thomson (The Great Escape: A Girl's Guide To Leaving a Marriage)
You have to realize it is impossible to be the shero to everyone. There comes a time when you have to make a difficult decision to say no to the ones you love. If not, you will be fighting a never-ending battle that you will lose every time. Sad but true, you have to be cruel to be kind, otherwise, you will be defeated.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
There's an independence about Mary - she's not influenced by anyone and she's very much her own person, she makes her own decisions. I understand her because I'm one of three girls too and I've always been defiant that I didn't want to do what they did.
Jessica Fellowes (The World of Downton Abbey)
She had come to the clinic because she didn't want to be a little girl anymore. But it wasn't having sex that made you a woman. It was having to make decisions, sometimes terrible ones. Children were told what to do. Adults made up their own minds, even when the options tore them apart.
Jodi Picoult (A Spark of Light)
Damon spoke without moving. “I’m not like you.” “You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.” Damon snapped, almost automatically, “Because I wasn’t invited!” Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon. “But how did Klaus get in, then—?” she began, following her own thoughts. “That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.” “Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question. “Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.” Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made. “You see, I’m not like you,” he said. “It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
L.J. Smith (Dark Reunion (The Vampire Diaries #4))
I know this is a lot to take in. The violence. The neglect. The bad decisions. The self-harm. Imagine if a trauma reel like this played in your head all the time, as it does in mine, and not just on the pages of a book you can put down if you need to, just for a moment, to steady your nerves.
Virginia Roberts Giuffre (Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice)
do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
She was of the mind that people should make their own decisions about their own lives, if you can image such a preposterous thing.
Elizabeth Gilbert (City of Girls)
So I made a decision. I will do my best, and I will trust that my best is exactly what God intended for these babies.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
As simple as that, Conrad had finally done it. For the first time in his life he had the right answer. It wasn't the best decision and certainly wasn't a logical one, but it was the right one.
Victoria Forester (The Girl Who Could Fly (Piper McCloud, #1))
It's okay to feel bad about how things went down, but it's not okay to drown in guilt and regret every day for having made decisions other people don't agree with. At some point, we all have to man up and decide to do what we have to do, despite the people around us who try to get in the way.
M.E. Girard (Girl Mans Up)
You stand at the edge of the rest of your life. The decisions you make now affect everything from here on. Gone are the times when simple and inconsequential matters governed your life. It is now the time for you to choose who you want to be, what you want to stand for, and what you want your life to reflect.
Robert J. Crane (The Girl in the Box: Books 1-3 (The Girl in the Box, #1-3))
Contrast this with the use by modern Islamic scholars of Muhammad’s decision to marry a six-year-old girl, consummating their marriage when she turned nine, to justify child marriage in Iraq and Yemen today.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
The damage to her body, the wear and the weariness, were all products of conscious, determined choices made by a girl she hadn’t been in decades. She carried the weight of those decisions like a sack of bones.
James S.A. Corey (Persepolis Rising (The Expanse, #7))
The whole organization seemed to be in free fall, indulging in a collective fantasy in which experienced colleagues refused to admit that their every movement, every decision that was made and implemented, only led them one step closer to the abyss.
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
Now Pip had to save him back; that was her choice. And she knew, without a shadow of a doubt, that it was the right one to make. Maybe the other choices she'd made hadn't been, maybe every decision up to this point had been wrong or bad, untraveled paths and other lives. This choice was the worst of them all, hurt the most, but it was right, it was good.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
A woman imagines what she wants, and plans mentally for the transition. She gathers strength to prepare for the emotional challenges in her life that lie ahead. Conflicts try to break her stride but although she is filled with pain, she still walks with confidence, and with a smile on her face. When there is a world of distractions and difficult decisions to make, when a woman finds herself straying off the tracks, she will not feel defeated. She is courageous! She is victorious! She is a pioneer!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
How good it would be to make my own decisions; if only I knew how to.
Val Wood (Rich Girl, Poor Girl)
So I made the best decision of my life: I decided to love my body.
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
She was only one girl; she didn’t want the fate of nations resting on her decisions.
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
Zakath stared at the floor. 'I suddenly feel very helpless,' he admitted, 'and I don't like the feeling. I've been rather effectively dethroned, you know. This morning I was the Emperor of the largest nation on earth; this afternoon, I'm going to be a vagabond.' You might find it refreshing,' Silk told him lightly. Shut up, Kheldar,' Zakath said almost absently. He looked back at Polgara. 'You know something rather peculiar?' What's that?' Even if I hadn't given my word, I'd still have to go to Kell. It's almost like a compulsion. I feel as if I'm being driven, and my driver is a blindfolded girl who's hardly more than a child.' There are rewards,' she told him. Such as what?' Who knows? Happiness, perhaps.' He laughed ironically. 'Happiness has never been a driving ambition of mine, Lady Polgara, not for a long time now.' You may have to accept it anyway,' She smiled. 'We aren't allowed to choose our rewards any more than we are our tasks. Those decisions are made for us.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
In a few short months, I had gone from a friendly, optimistic, confident woman to a confused girl with a nervous stammer who second-guessed every thought that went through her head and rationalized every bad decision she made.
Holly Madison (Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny)
Young women are not putting themselves in danger. The people around them are doing the real damage. Who? you might wonder. The abstinence teacher who tells her students that they'll go to jail if they have premarital sex. The well-founded organization that tells girls on college campuses that they should be looking for a husband, not taking women's studies classes. The judge who rules against a rape survivor because she didn't meet whatever standard for a victim he had in mind. The legislator who pushes a bill to limit young women's access to abortion because he doesn't think they're smart enough to make their own decisions. These are the people who are making the world a worse place, and a more dangerous one, at that, for girls and young women. We're just doing our best to live in it.
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
Now, even if he and Dr B made their decision, D didn't know if he had the rigour to feed the cyanide to the ill, or to watch someone else do it and maintain a professional disposition. It was absurdley like the argument in one's youth, about whether you should approach a girl you were infatuated with. And when you'd decide, it still counted for nothing. The act still had to be faced.
Thomas Keneally (Schindler’s List)
When I made the decision to transition, I honestly had no idea what it would be like for me to live as female. The only thing I knew for sure was that pretending to be male was slowly killing me.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
A Muslim girl does not make her own decisions or seek control. She is trained to be docile. If you are a Muslim girl, you disappear, until there is almost no you inside you. In Islam, becoming an individual is not a necessary development; many people, especially women, never develop a clear individual will. You submit: that is the literal meaning of the word islam: submission. The goal is to become quiet inside, so that you never raise your eyes, not even inside your mind. But
Ayaan Hirsi Ali (Infidel)
Constantine sat down next to me, at the kitchen table, I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen to me.' "Every morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, am I gone believe what them fools say about me today?" She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
I played my role as the good Christian girl and spared everyone the drama of an argument. But that decision to remain silent split me in two. It convinced me that I could never really be myself in church. That I had to check my heart and mind at the door.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
If things go wrong, you don't have to accept you made a bum decision.
Dorothy Koomson (My Best Friend's Girl)
Never leave yourself open to regret Grace. We can only make a decision when we know the choices we are faced with. If we shy away, turn our backs and hide, we will simply never know. And that is when you end up old and wondering and regretting. Live a life of hope. Don’t live a life of regret.
Hazel Gaynor (The Girl Who Came Home)
When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness. The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions. Take a breather and let it go. I bet the load is so much lighter!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Every decision I have made - from changing jobs, to changing partners, to changing homes - has been taken with trepidation. I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life, specifically the fear of change, the fear of the unknown, and I have gone ahead despite the pounding in the heart that says: turn back, turn back, you'll die if you venture too far... In the past several years I have learned, in short, to trust myself. Not to eradicate fear but to go on in spite of fear. Not to become insensitive to distinguished critics but to follow my own writer's instinct. My job is not to paralyze myself by anticipating judgment but to do the best that I can and let judgment fall where it may. The difference between the woman who is writing this essay and the college girl sitting in her creative writing class in 1961 is mostly a matter of nerve and daring - the nerve to trust my own instincts and the daring to be a fool. No one ever found wisdom without being a fool.
Erica Jong
There's a Chinese saying that the fates are winds that blow through our lives from every angle, urging us along the paths of time. Those who are strong-willed may fight the storm and possibly choose their own road, while the weak must go where they are blown. I say I have not been so much pushed by winds as pulled forward by the force of my decisions.
Jean Kwok (Girl in Translation)
I’m a big girl. I can make my own decisions about my dance partners.” He raised his arms in defense. “All I’m saying is that the guy let you trip and fall. I worry about you dancing in someone else’s arms.
Ada Adams (ReAwakened (Angel Creek, #2))
My problem was not only drinking; it was selfishness. The booze was leading me to put myself ahead of others, especially my family. I loved Laura and the girls too much to let that happen. Faith showed me a way out.
George W. Bush (Decision Points)
Okay.” Mavis nodded decisively. “Then you tear it down. You don’t take no for an answer. You nag and you pick and you stick until it pops out of him. Whatever it is. Girls are good at this, Dallas.” “I’m not good at being a girl.” “Sure you are. You’re your own kind of girl. Think of it as kicking his ass until he cracks.
J.D. Robb (Portrait in Death (In Death, #16))
No, it’s never happened to me before but I doubt after I fell head over heels in love with a wonderful man who kept important things from me, I’ll get over it just like that. I’ll drink with my girls and cry and wonder if I made the right decision. Then another man will come along, he won’t be as wonderful as my first love, but I suppose I’ll eventually get over it and move on.
Kristen Ashley (Breathe (Colorado Mountain, #4))
I tried to stay away from the classic Disney princess movies. In addition to featuring a lot of unempowered women, those movies are just so white. White people and stories about white people are not bad, it’s just that when you live in America, everything is so inherently white. I don’t want you to grow up wishing you were white and having that inform all of your decisions later on in life. I want you to be proud of having black hair and Asian features.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, and Advice for Living Your Best Life)
Why do we teach girls that their perspectives are inherently untrustworthy?" I would yell. I want to reclaim these words- after all, melodrama comes from melos, which means "music," "honey"; a drama queen is, nonetheless, a queen- but they are still hot to the touch. This is what I keep returning to: how people decide who is or is not an unreliable narrator. And after that decision has been made, what do we do with people who attempt to construct their own vision of justice?
Carmen Maria Machado (In the Dream House)
Our lives here are defined by others, every decision made for us, every turn of fate pushed by the hands of others. But you stood up and said no.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
Official decisions are as elusive as young girls.
Franz Kafka (The Castle)
Worrying isn't rational. No one makes a conscious decision to freak out about something.
Sara Nović (Girl at War)
Everything, good or bad, was down to me.
Dorothy Koomson (My Best Friend's Girl)
This habit starts awfully early. Social psychologist Marilynn Brewer, who has been studying the nature of stereotypes for many years, once reported that her daughter returned from kindergarten complaining that “boys are crybabies.”25 The child’s evidence was that she had seen two boys crying on their first day away from home. Brewer, ever the scientist, asked whether there hadn’t also been little girls who cried. “Oh yes,” said her daughter. “But only some girls cry. I didn’t cry.” Brewer’s little girl was already dividing the world, as everyone does, into us and them. Us is the most fundamental social category in the brain’s organizing system, and it’s hardwired.
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
Pagan At home in the countryside I make the decision to leave your book --overdue at the library-- face up, 'promiscuous' out in the sun. Pagan. I laugh to see this was our religion all along. Hidden even from ourselves taught early not to touch the earth. Years of white gloves straight seamed hose. 'Being good girls.' Scripture like chains. Dogma like flies. Smiles like locks and lies.
Alice Walker
So you like her and you're scared. Now what?" "Nothing. It just sucks that I finally found the girl worth having and she's too good for me." "Why don't you let her make that decision for herself?" "Because I care about her just enough to want to make it for her.
Jamie McGuire (Walking Disaster (Beautiful, #2))
​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Here’s the bottom line: The relationship a girl has with her dad often influences how she will relate to boys. Girls want to believe their dads love them and will protect them. When they don’t feel that, they often go searching for those things from guys. This can lead to unwise decisions, which in turn bring a host of consequences and painful memories.
Jill Duggar (Growing Up Duggar: It's All about Relationships)
Each one of us is imbued with a deep yearning to live our own life, not our mother’s. Yet the narcissistic mother puts pressure on her child to act and react to the world as she would. A child raised in this way makes decisions according to what she believes will win her mother’s love and approval. Accustomed to her mother thinking for her, the girl has difficulty later on creating an authentic, healthy adult life for herself.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
An artist raised to slaughter. I want to hurt everyone involved in that decision. I would too, I think, if I could. Maybe I am too vengeful. But then I look at him laughing and I don't care. I'd do it in a heartbeat.
Bea Fitzgerald (Girl, Goddess, Queen)
In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.
Mokokoma Mokhonoana
In our society, a person's sex is based on their genitalia. That decision is then used to assume a person's gender as boy or girl, rather than a spectrum of identities that the child should be determining for themselves.
George M. Johnson (All Boys Aren’t Blue)
Yes. I don’t want to argue with him, I just want what’s best for him. Want to push him to make smart decisions for his life, to do something that he loves. I know he’s capable of that. But he’s seemed stuck the last few years. Maybe I go about it the wrong way. I just don’t know how to help him.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
I'm made mute by the virtue of decision And I choose most of your life goes on without me Oh the fear I've known That I might reap the praise of strangers and end up on my own All I've sown was a song But maybe I was wrong
Emily Saliers
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
You don't know shit, man," he said finally. He was brisk and sad at the same time. "I hate to get on you for this. I'm not getting on you for this, but I'm just telling you. This is the first... negative thing that happened to you in your life. And you can't be overreacting to it and making big-ass expensive decisions based on it. I'm just saying. People die. Other people do stupid shit. I’m surrounded by family members doing stupid shit. I used to think I had to do shit for them. I still wanna do shit for them. But you gotta live your own life. You gotta take care of your own shit before you get started doing things for errybody else.
Jesse Andrews (Me and Earl and the Dying Girl)
Teenage girls today need strong, positive role models that can show them how to be independent thinkers and confident decision-makers. Dana is proud and self-confident, which is good, but she does not always make wise decisions. Rather than make her a super woman, I balanced her with difficult situations that could have been handled better. Her strength, however, shines through. This way, a young woman can read the book, discuss Dana's actions, and reflect on the decision-making in her own life.
Sharon M. Draper
...Ever since I made the decision to drop a few pounds—way less easy than it sounds, by the way—I’ve become obsessed with my size, and in so doing I’ve inadvertently allowed my inner critic to have a voice. And you know what? She’s a bitch. Like now when I see my underpants in the laundry, I no longer think Soft! Cotton! Sensible! Instead I hear her say Damn, girl, these panties be huge.” “Your inner critic has terrible grammar.” “I know, it’s the only way I can take away some of her power over me...
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
I haven’t told you thank you yet, have I?” I shifted, uncomfortable, but made the decision not to answer. I really hadn’t done this for thanks, and it made me uncomfortable . I shouldn’t be thanked for doing the right thing— we should all just... do it. Drawing attention to it meant that I had done something extraordinary, but I hadn’t.
Bella Forrest (The Girl Who Dared to Think (The Girl Who Dared, #1))
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this. No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it." Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once. "Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you." "Jack—please." Riley's voice was broken. Everything Jack wanted to hear. "Please?" Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
R.J. Scott (The Heart of Texas (Texas, #1))
It was my decision to break up, but he didn't fight me on it. Would he have fought for Trish? And if so, was it because she was the right girl? Or was Trish simply the type of girl men fought for while I was the type of girl men left without looking back?
Meredith Schorr (A State of Jane)
We want our daughters to be curious and independent and ambitious. We want them to make good choices, to have the resilience to bounce back from their ‘it seemed like a good idea at the time’ decisions, and to possess the strength to recover from plain bad luck.
Kasey Edwards (Raising Girls Who Like Themselves)
silly girl little angel little devil so oblivious to being the miracle worker you are the mother the magician the master of your life
Rupi Kaur (Home Body)
Fight Like a Girl is a mind-set, a sense of empowerment that can be applied daily to everyday decisions. It is to protect yourself, defend your identity, and secure your selfworth
Kym Rock (Fight Like a Girl)
In his love life Yancy specialized in devising scenarios that could lead only to unwise decisions.
Carl Hiaasen (Razor Girl)
Shame is a very effective way to silence individuals, and those who are less socially or economically powerful are rarely in a position to influence the decisions that affect them.
Ann Fessler (The Girls Who Went Away: The Hidden History of Women Who Surrendered Children for Adoption in the Decades Before Roe v. Wade)
Never had a larger committee been convened to make a decision about the purchase of mustard powder and the replacement of a claw hammer whose handle had split from age and misuse.
Amy Stewart (Girl Waits With Gun (Kopp Sisters, #1))
It only took one mistake, one stupid decision
Siobhan Vivian (Not That Kind of Girl)
Who hasn't made a few bad decisions under the spell of sugar and alcohol?
Dana Bate (The Girls' Guide to Love and Supper Clubs)
The Decision ...I wiped my hands on my pinafore now sullied and stained not crisp or pressed as it had been before...
Muse (Enigmatic Evolution)
You're ninety years old. What's one regret you wish you could change? That's it? That's the question, but here are the rules. You have to look for the grace of it, not the judgement, yours or anyone else's. You have to look for the answer in your passions, your art, your writing, the ocean, the faces of those you love, the ethereal things that give you joy. It has to feel light and free. If it doesn't, you're convincing yourself of the wrong decision.
Heather Tucker (The Clay Girl (Ari Appleton, #1))
I made a decision early on that I would be a plain girl with tons of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be. I decided early on it was not going to be my looks. I have spent a lifetime coming to terms with this idea and I would say I am about 15 to 20 percent there. Which I think is great progress. Decide what your currency is early. Let go of what you will never have. People who do this are happier and sexier.
Amy Poehler (Yes Please)
To arrive at sex, you first have to undo the zip of the girl's dress. And between zip and sex lay a process in which twenty- maybe thirty- subtle decisions and judgements had to be made
Haruki Murakami
Pity me, and pardon me, O virtuous reader! You never knew what it is to be a slave; to be entirely unprotected by law or custom; to have the laws reduce you to the condition of a chattel, entirely subject to the will of another. You never exhausted your ingenuity in avoiding the snares, and eluding the power of a hated tyrant; you never shuddered at the sound of his footsteps, and trembled within hearing of his voice. I know I did wrong. No one can feel it more sensibly than I do. The painful and humiliating memory will haunt me to my dying day. Still, in looking back, calmly, on the events of my life, I feel that the slave woman ought not to be judged by the same standard as others.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
We all have received the divine injunction: ‘Follow thou me.’ It guided Peter. It motivated Paul. It can determine our personal destiny. Can we make the decision to follow in righteousness and truth the Redeemer of the world? With his help, a rebellious boy can become an obedient man, a wayward girl can cast aside the old self and begin anew. Indeed, the gospel of Jesus Christ can change lives.
Thomas S. Monson
Your mom said I could plan the wedding. She doesn't care, and between you and me I'm so relieved. It was going to be really hard to manipulate her into letting me make all the decisions anyway. - Macey
Ally Carter (United We Spy (Gallagher Girls, #6))
The most important question for every client is "W X ho are you?" I'm not as interested in an answer as I am in teaching a process that the girl can use for the rest of her life. The process involves looking within to find a true core of self, acknowledging unique gifts, accepting all feelings, not just the socially acceptable ones, and making deep and firm decisions about values and meaning. The process includes knowing the difference between thinking and feeling, between immediate gratification and long-term goals, and between her own voice and the voices of others. The process includes discovering the personal impact of our cultural rules for women. It includes discussion about breaking those rules and formulating new, healthy guidelines for the self. The process teaches girls to chart a course based on the dictates of their true selves. The process is nonlinear, arduous, and discouraging. It is also joyful, creative and full of surprises.
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls (Ballantine Reader's Circle))
They too struggle with the expectation to look sexy but not to feel sexual, to provoke desire in others without experience it themselves. Our daughters may not be faced with the decision of whether to strip for maxim, but they will have to figure out how to become sexual beings without being objectified or stigmatized.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Maybe I should call my mother and tell her that her decision to send me to an all-girls Catholic school had cured my curiosity with boys. I was no longer interested in giving blow jobs to college guys who worked at Burger King. Now I only wanted to spread my legs for men twice my age who bit and spanked and wore clerical collars.
Pam Godwin (Lessons in Sin)
And even though she could feel the sensible and rational parts of herself rallying in her head, she knew that a small sliver of Pip had already made the decision. That flake of recklessness inside contaminating all other thoughts.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
The bottom line, though, is that I was a dumb, hormonal, fifteen-year-old girl. It was the wrong decision. [...] You never gave me the time of day to tell you how sorry I was once I came to my senses that following year. So, I need to say it now. I am so sorry if my leaving like that hurt you in anyway." "Hurt me?" [...] "It changed me. I loved you.
Penelope Ward (RoomHate)
One thing this night taught her beyond all doubt - all males were lunkheads, all of them. She recognized that protect the poor helpless girl and don’t worry her little wee head tone. “I’m not stupid. I’m not going to run into a situation I have no business being in to show no one can boss me around. I’m not a warrior and tonight made that clear in large neon signage. But I deserve to know about events that concern me and help make the decisions on how to handle them.
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
I’m not sure about all the particulars that led to this moment. Do I believe life is a series of dots to be connected…or that no one can outrun destiny…or that all roads lead to truth and coincidence is a lie to distract us? The reason I was in this place no longer mattered. The harsh reality stared me in the face and demanded an immediate decision. Walk away and blame it on my age. Or stay and try to help a woman who had slowly become my friend over the last few weeks.
Laura Anderson Kurk (Perfect Glass)
All my life I saw my inaction as harmless. I was happy to stand by while Kizzy made decisions, while she ran toward danger or threat, answered back to insults. I thought my silence, my stillness, was a fine way to be. But now I realised it made me as bad as those men who took the side of a monster, who watched a locked door as children starved to death inside.
Kiran Millwood Hargrave (The Deathless Girls)
When I try to reconstruct the place that I was, at that point in my life, to figure out how I got there, to that punch, to that bed, to that girl—I can't. I can see where some bad decisions led to some other bad decisions, but I can't get all the way there; it's like I imagine a curve, where I'm dropping lower and lower down, and then I'm off the radar screen, invisible, and then, after some time goes by, the line is rising, visible again, and I don't know what happened in between.
Kristen Roupenian (You Know You Want This: Cat Person and Other Stories)
Once again I am being held hostage for my vagina," She sighs. "What is it with you aliens? Can't a girl just make her own decisions for once? Is that so freaking hard?" "The khui has decided," I tell her. She gives a small shake of her head. "It's always someone else's decision. When's it going to be mine?" I watch her, frustrated. There is no decision to be made. The khui has decided. And yet... I don't like the way her words make me feel. Or the defeat in her voice. Liz is a fighter. I don't want her to give up.
Ruby Dixon (Barbarian Alien (Ice Planet Barbarians, #2))
In Pakistan when women say they want independence, people think this means we don't want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from heavens to tell us that every woman should listen to a man.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
I love you, Beatrice De Novo. I fell in love with the girl I met six years ago, and I love the woman in front of me even more.” “Gio--” “So you make the decision, Tesoro mio … It’s your choice. I want eternity with you, and I’m not leaving again.” He gave her a sad smile. “You can’t make me.
Elizabeth Hunter
time passes by you like a bullet, and fear gives you the excuses you’re craving to not do the things you know you should. don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
There’s a reason they call childbirth labor. Making a healthy baby takes effort: It requires foresight and self-denial and courage. It’s expensive and demanding and tiring. You have to learn new things, change many habits, possibly deal with complicated medical situations, make difficult decisions, and undergo stressful ordeals. I had a wisdom tooth pulled without Novocaine while I was pregnant—it hurt a lot and seemed to go on forever. The kindness of the very young dental assistant, holding back my hair as I spat blood into a bowl, will stay with me for the rest of my life. Pregnant women do such things, and much harder things, all the time. For example, they give birth, which is somewhere on the scale between painful and excruciating. Or they have a cesarean, as I did, which is major surgery. None of this is without risk of death or damage or trauma, including psychological trauma. To force girls and women to undergo all this against their will is to annihilate their humanity. When they undertake it by choice, we should all be grateful.
Katha Pollitt (Pro: Reclaiming Abortion Rights)
Maybe this is how it always is. Maybe someone always wants more. Maybe everyone has a time when they realise that they've been accidentally lying when they say I love you, I miss you, you're pretty, you're the prettiest one, I never want you to leave. Maybe this time ends and it all becomes true again, as true as you ever thought it was. Maybe this time does not end. If this time ends, it would be a smart decision to wait it out. If it does not end, then perhaps you should not wait, and you should find another person to whom you can say these things without lying. But perhaps it always happens, no matter which girl or boy you are trying to love, in which case you might as well stay where you are because you would repeat the same process with anyone else.
Haley Tanner (Vaclav & Lena)
She felt, at times, that what had seemed like an infinity of choice turned out to be a funnel, life narrowing itself one bad decision at a time, each mistake cutting the options by half, spiraling her ever downward until there was nowhere left to fall but into a small, dark hole that had no bottom. Choosing
Robin Wasserman (Girls on Fire)
It was a dark time. Most of my decisions came from a place of believing the garbage that found its way into my head that, despite ample evidence otherwise, insisted I was ugly, stupid, and worthless. And that narrative told me I didn’t have the right to take things slow, or insist we use a condom, or even to just say, “Stop.” That self-advocacy stuff wasn’t for girls like me, girls who were taught that their worthiness was determined by who was in love with them.
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
Jane Yolen (Once Upon a Time (she said))
A Muslim girl does not make her own decisions or seek control. She is trained to be docile. If you are a Muslim girl, you disappear, until there is almost no you inside you. In Islam, becoming an individual is not a necessary development; many people, especially women, never develop a clear individual will. You submit: that is the literal meaning of the word islam: submission. The goal is to become quiet inside, so that you never raise your eyes, not even inside your
Ayaan Hirsi Ali (Infidel)
Decisions were permanent, and although we could regret some of them, we couldn’t call them back. I had made some poor ones. Neil had too. I guess the best we could hope for, was to love each other as honestly as possible on each day we had left together. And hope for many, many long years of those days in the future.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I don't. We each have free will. There may be higher purpose, but the actual path each of us takes to get there, and whether we choose to accept it at all, is up to us." She turns to me. "If you can't let go of that fear of making the wrong decision, you will never be able to take the chances you must take to live life fully.
Pam Jenoff (The Ambassador's Daughter (The Kommandant's Girl, #0))
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. “But as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.” There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke. His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body. His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age. “We did it, didn’t we?” Raven said softly, bringing Gregori back to his body. “She’s a girl.” Gregori stepped away from Raven, holding on to his composure with his great strength of will.
Christine Feehan (Dark Desire (Dark, #2))
I know your choices being taken away is your favourite point of moral outrage right now, but it's not that simple. I'm pretty sure what we were about to do takes two people. That makes it my decision as much as yours. And I don't feel comfortable taking advantage of a girl who was drunk and upset and otherwise not thinking clearly. And yes," he said stiffly, when I tried to get a word in, "taking advantage is what it's called when a guy has to get a girl drunk for her to look in her direction. Okay?
Maggie Hall (Map of Fates (The Conspiracy of Us, #2))
Those decisions seem easy for some and, sure, you could say those people are just the shallow puddles we trudge through, but I would argue that those people are lucky because right now as I watch this girl—the past me—looking serenely self-possessed, I know that she is standing on a great precipice. I can tell by looking at her that she is the still water you only ever skip rocks over. The world as she knows it is about to be turned upside down, and if she doesn’t learn to swim, her own depth will drown her. I feel a strong desire to whisper “surrender,” but I don’t. Like everyone in this airport, she is headed somewhere, possibly the first stop on that brutal journey of self-discovery. Like the rest of us, she will have to learn the hard way that we are not always in control. Sometimes it takes the love of others to show us who we really are.
Renee Carlino (Sweet Thing (Sweet Thing, #1))
Among the 27,000 North Koreans in the South, two kinds of life have been left behind: the wretched life of persecution and hunger, and the manageable life that was not so bad. People in the first group adjust rapidly. Their new life, however challenging, could only be better. For the people in the second group, life in the South is far more daunting. It often makes them yearn for the simpler, more ordered existence they left behind, where big decisions are taken for them by the state, and where life is not a fierce competition.
Hyeonseo Lee (The Girl with Seven Names: Escape from North Korea)
He wants a strong woman, and this here is weak behavior. Men don’t walk away from a woman lightly. When they do, they have made up their mind. They want someone else, someone different, someone better than who you were during that relationship. The more you’d then start to push him, the more you will prove he made the right decision. He can get better.   That’s
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
When you make a decision, own it. Never apologize for your decision - even if you have to revisit it later or the results are not what you wanted. When I've made a decision that didn't garner positive results, I've said, "We made the best decision we could based on the facts at the time, but given where we are now as a company and what our goals are, we now need to revisit this decision.
Fran Hauser (The Myth of the Nice Girl: Achieving a Career You Love Without Becoming a Person You Hate)
Ingersoll was introduced as one of the main speakers by Frederick Douglass and proceeded, unlike most leaders of his party, to eviscerate the court’s logic. “This decision takes from seven millions of people the shield of the Constitution,” he said. “It leaves the best of the colored race at the mercy of the meanest of the white. It feeds fat the ancient grudge that vicious ignorance bears toward race and color. It will be approved and quoted by hundreds of thousands of unjust men. The masked wretches who, in the darkness of night, drag the poor negro from his cabin, and lacerate with whip and thong his quivering flesh, will, with bloody hands, applaud the Supreme Court. The men who, by mob violence, prevent the negro from depositing his ballot—those who with gun and revolver drive him from the polls, and those who insult with vile and vulgar words the inoffensive colored girl, will welcome this decision with hyena joy. The basest will rejoice—the noblest will mourn.
Susan Jacoby (The Great Agnostic: Robert Ingersoll and American Freethought)
Young women are not putting themselves in danger. The people around them are doing the real damage. Who? you might wonder. The abstinence teacher who tells her students that they'll go to jail if they have premarital sex. The well-founded organizarion that tells girls on college campuses that they should be looking for a husband, not taking women's studies classes. The judge who rules against a rape survivor because she didn't meet whatever standard for a victim he had in mind. The legislator who pushes a bill to limit young women's access to abortion because he doesn't think they're smart enough to make their own decisions. These are the people who are making the world a worse place, and a more dangerous one, at that, for girls and young women. We're just doing our best to live in it.
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
Cause she was a girl with good intentions Yeah, she made some bad decisions And she learned a couple lessons Wish I could tell her She was a girl with good intentions Didn't need the second guessing Didn't need to ever question Wish I could tell her She didn't know all of the hurt she could take Her world was crumbling and so was her faith Wish I could talk to her, 'cause what I would say "Oh baby, you're enough to get you out of this place" I know you'll get the chance, to find who you are I know you'll have the choice, before it gets too dark I know you'll get the chance to find who you are I know you'll have the choice
EJR
Jai pointed at the car. "Get in the car. I'm pissed at you for getting out of it in the first place." Outrage lit through her. "Hey, I'm a big girl, I can make my own decisions." "Get in the car, Ari!" Charlie yelled now, his own eyes glittering with anger. Her mouth fell open, her cheeks blazing with indignation as the two men in her life stared at her, their expressions implacable. She made a 'pfft' sound and whirled around, stomping like a child towards the car. "Too much testosterone, infuriating cavemen, need someone else to boss around, stupid jerks..." she kept muttering insults under her breath until Charlie and Jai had cleared the road.
Samantha Young (Scorched Skies (Fire Spirits, #2))
In retrospect, I didn’t really want to be a slut. What I wanted and needed was a therapist who would consent to fucking me, but I doubted my parents’ insurance would have covered that. I had a lot to figure out for myself and I did that by making poor decisions that summer. If some wise, authoritative adult could simply have explained why I wanted to do these things and then done some with me, I think I would have refrained from most of my sexual misadventures...
Valentine Glass (Between Kay and You: A Bisexual Girl's Cumming-of-Age Confession)
I did not tell him my decision, that would have broken my will. I did not wait to have breakfast with him but only drank some coffee and made an excuse to go home. I knew the excuse did not fool Joey; but he did not know how to protest or insist; he did not know that this was all he needed to have done. Then I, who had seen him that summer nearly every day till then, no longer went to see him. He did not come to see me. I would have been very happy to see him if he had, but the manner of my leavetaking had begun a constriction which neither of us knew how to arrest. When I finally did see him, more or less by accident, near the end of the summer, I made up a long and totally untrue story about a girl I was going with and when school began again I picked up with a rougher, older crowd and was very nasty to Joey. And the sadder this made him, the nastier I became. He moved away at last, out of the neighborhood, away from our school, and I never saw him again.
James Baldwin (Giovanni's Room)
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.
Leo Tolstoy (War and Peace)
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
Alexander Pushkin (Eugene Onegin)
You had a couple of Adidas teeshirts. I don’t get it, I said. You said it’s a joke. You kind of shrugged. “I have this funny kind of sense of humor.” It was the exact same shrug you made a split second before you kissed me on the night we became lovers. Colombo was on teevee and we were sitting on a rolled up exercise mat on the floor. The look on your face, my favorite look was here goes. It looked like the smallest decision, like a boat slightly turning but now absolutely going in that direction. I was fixed.
Eileen Myles (Chelsea Girls: A Novel)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Young women are not putting themselves in danger. The people around them are doing the real damage. Who? you might wonder. The abstinence teacher who tells her students that they'll go to jail if they have premarital sex. The well-founded organizarion that tells girls on college campuses that they should be looking for a husband, not taking women's studies classes. The judge who rules against a rape survivor because she didn't meet whatevel standard for a victim he had in mind. The legislator who pushes a bill to limit young women's access to abortion because he doesn't think they're smart enough to make their own decisions. These are the people who are making the world a worse place, and a more dangerous one, at that, for girls and young women. We're just doing our best to live in it.
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
The essence of the suicides consisted not of sadness or mystery but simple selfishness. The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind. What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself. Her brain going dim to all else, but flaming up in precise points of pain, personal injury, lost dreams. Every other loved one receding as though across a vast ice floe, shrinking to black dots waving tiny arms, out ofhearing. Then the rope thrown over the beam, the sleeping pill dropped in the palm with the long, lying lifeline, the window thrown open, the oven turned on, whatever. They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us. We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out ofthose rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will.
Jeffrey Eugenides (The Virgin Suicides)
Moments later, the curtain rattled open and Daisy strode out, a vision of hotness in head-to-toe body-skimming leather. She'd taken out her ponytail and her hair lay loose and wild around her shoulders. "I'm badass," she whispered, staring at herself in the mirror. "Look at me." He was looking. And he was wanting---wanting with a ferocity that took his breath away. "Hamish! Quit gawking at my girl." He had a decision to make. But right now, all he knew was that he had to follow his heart, and his heart was strutting in front of the mirror, wrapped head-to-toe in black leather.
Sara Desai (The Dating Plan (Marriage Game, #2))
A Muslim woman must not feel wild, or free, or any of the other emotions and longings I felt when I read those books. A Muslim girl does not make her own decisions or seek control. She is trained to be docile. If you are a Muslim girl, you disappear, until there is almost no you inside you. In Islam, becoming an individual is not a necessary development; many people, especially women, never develop a clear individual will. You submit: that is the literal meaning of the word islam: submission. The goal is to become quiet inside, so that you never raise your eyes, not even inside your mind. But
Ayaan Hirsi Ali (Infidel)
Often the person we judge most harshly is ourself. Every day, we criticize our decisions, our actions, even our private thoughts. We worry the tone of an e-mail we sent to a colleague might be misconstrued. We lambaste our lack of self-control as we throw away the empty ice-cream container. We regret rushing a friend off the phone instead of listening patiently to their troubles. We wish we had told a family member what they meant to us before they died. We all carry the weight of secret regrets—the strangers we see on the street, our neighbors, our colleagues, our friends, even our loved ones.
Greer Hendricks (An Anonymous Girl)
It was degrading to play with girls and in our talk we relegated them to a remote island of life. We had somehow caught the spirit of the role of our sex and we flocked together for common moral schooling. We spoke boastfully in bass voices; we used the word “nigger” to prove the tough fiber of our feelings; we spouted excessive profanity as a sign of our coming manhood; we pretended callousness toward the injunctions of our parents; and we strove to convince one another that our decisions stemmed from ourselves and ourselves alone. Yet we frantically concealed how dependent we were upon one another.
Richard Wright (Black Boy)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
long legs stretched before him, elbows on his slightly bent knees, he was eye level with a thumb-sucking little girl with what looked to be a disproportionately large head atop a bone-thin body.  She popped her thumb out of her mouth with a wet noise and held both arms toward him expectantly.  Valerius stared at her motionlessly, uncertain what he should do. She tilted her head sideways as if in thought, then seemed to make a decision.  If the mountain wouldn’t come to her, she was going to take herself to the mountain.  She waddled bravely between the warrior’s spread legs and crawled unceremoniously into his lap.  She grabbed one of his forearms with both little hands, surprisingly strong in their sticky grip, yanking a few of his hairs in the process, and pulled his arm around to hold her securely in his lap, where she wriggled around to find a comfortable position and promptly stuck a thumb back into her mouth.
Aja James (Pure Healing (Pure/ Dark Ones #1))
And so when the generation, which itself desired to level and to be emancipated, to destroy authority and at the same time itself, has, through the scepticism of the principle association, started the hopeless forest fire of abstraction; when as a result of levelling with this scepticism, the generation has rid itself of the individual and of everything organic and concrete, and put in its place 'humanity' and the numerical equality of man and man: when the generation has, for a moment, delighted in this unlimited panorama of abstract infinity, unrelieved by even the smallest eminence, undisturbed by even the slightest interest, a sea of desert; then the time has come for work to begin, for every individual must work for himself, each for himself. No longer can the individual, as in former times, turn to the great for help when he grows confused. That is past; he is either lost in the dizziness of unending abstraction or saved for ever in the reality of religion. Perhaps very many will cry out in despair, but it will not help them--already it is too late...Nor shall any of the unrecognizable presume to help directly or to speak directly or to teach directly at the head of the masses, in order to direct their decisions, instead of giving his negative support and so helping the individual to make the decision which he himself has reached; any other course would be the end of him, because he would be indulging in the short-sighted compassion of man, instead of obeying the order of divinity, of an angry, yet so merciful, divinity. For the development is, in spite of everything, a progress because all the individuals who are saved will receive the specific weight of religion, its essence at first hand, from God himself. Then it will be said: 'behold, all is in readiness, see how the cruelty of abstraction makes the true form of worldliness only too evident, the abyss of eternity opens before you, the sharp scythe of the leveller makes it possible for every one individually to leap over the blade--and behold, it is God who waits. Leap, then, into the arms of God'. But the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' (according to his degree) will have a double work compared with the 'outstanding' man (of the same degree), because he will not only have to work continuously, but at the same time labour to conceal his work.
Søren Kierkegaard (The Present Age)
I think often of what I tell my own young children as I walk them through the thought process of making decisions. I tell them daily that there are only two motivations for doing the right thing - they can first be motivated by love. They can choose what is right because they do not want the people around them to suffer the consequences of their wrong choices. Or they can be motivated by self-interest - because they themselves do not want to live with the consequences for their bad decisions. And I tell my children that love is the motivation that will give them joy and peace when doing the right thing is hard and hurts.
Rachael Denhollander (What Is a Girl Worth?: My Story of Breaking the Silence and Exposing the Truth about Larry Nassar and USA Gymnastics)
Little by little, as you came to know her better in the weeks that followed, you discovered that eye to eye on nearly everything of any importance. Your politics were the same, most of the books you cared about were the same books, and you had familiar attitudes about what you wanted out of life: love, work, and children- with money and possessions far down on the list. Much to your relief, your personalities were nothing alike. She laughed more than you did, she was freer and more outgoing than you were, she was wormer than you were, and yet, all the way down at the bottom, at the nethermost point where you were joined together, you felt that you had met another version of yourself- but one that was more fully evolved than you were, better able to express what you kept bottled up inside you, a saner being. You adored her, and for the first time in your life, the person you adored adored you back. You came from entirely different worlds, a young Lutheran girl from Minnesota and a not so young Jew from New York, but just two and a half months after your chance encounter on February twenty-third thirty years ago, you decided to move in together. Until then, every decision you had made about women had been a wrong decision- but not this one.
Paul Auster (Winter Journal)
So accustomed have male media leaders become to the wealth and decision-making power they command they just can't parse the notion of equality between the sexes. They have never understood the world feminists actually envision, in which women and men share equal educational, economic, and professional opportunities, live free of abuse, can be fully sexual without judgment or coercion, and where girls and boys alike can embrace their authentic selves because no one will be told that strength, tenderness, confidence, empathy, or aggression is "inappropriate" for their gender, ethnicity, sexual orientation, or physical ability.
Jennifer L. Pozner (Reality Bites Back)
She was right, though, in the end. I never should have given her so much credit. It all got tangled together, her appearance and Toby coming back into my life and the first time I ever read a book that spoke to me, and the question of who I wanted to be in the aftermath of my personal tragedy. Because I made a decision that year, to start mattering in a way that had nothing to do with sports teams or plastic crowns, and the reality is, I might have made that decision without her, or if I’d never fallen in love with a girl who considered love to be the biggest disaster of all. The truth of it was, I’d been running the wrong experiment my whole life, and while Cassidy was the first person to realize, she didn’t add the elements that allowed me to proceed down a different path. She lent a spark, perhaps, or tendered the flame, but the arson was mine. Oscar Wilde once said that to live is the rarest thing in the world, because most people just exist, and that’s all. I don’t know if he’s right, but I do know that I spent a long time existing, and now, I intend to live.
Robyn Schneider (The Beginning of Everything)
Hello..." "Hello Who are you?" "Take a moment to reflect." "And how did you get here from there, Mrs. Hall?" "I don't know. I really don't. I was such a together person. And I didn't make decisions. I mean, I never did anything in my whole life that wasn't someone else's idea. Like a girl in a mirror. Like I was watching, sitting, brushing my hair, while my life went by on the glass. When my mother deserted me. When Hector died. When Hector died again. When Daniel was killed, it was like the mirror was broken. There were only two things I could have done. And one of them would have been just to lie down and never get up again. It's like how many times can life hit you? When do the blows start to hurt? When do you just... stop?
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
In 1944-1945, Dr Ancel Keys, a specialist in nutrition and the inventor of the K-ration, led a carefully controlled yearlong study of starvation at the University of Minnesota Laboratory of Physiological Hygiene. It was hoped that the results would help relief workers in rehabilitating war refugees and concentration camp victims. The study participants were thirty-two conscientious objectors eager to contribute humanely to the war effort. By the experiment's end, much of their enthusiasm had vanished. Over a six-month semi-starvation period, they were required to lose an average of twenty-five percent of their body weight." [...] p193 p193-194 "...the men exhibited physical symptoms...their movements slowed, they felt weak and cold, their skin was dry, their hair fell out, they had edema. And the psychological changes were dramatic. "[...] p194 "The men became apathetic and depressed, and frustrated with their inability to concentrate or perform tasks in their usual manner. Six of the thirty-two were eventually diagnosed with severe "character neurosis," two of them bordering on psychosis. Socially, they ceased to care much about others; they grew intensely selfish and self-absorbed. Personal grooming and hygiene deteriorated, and the men were moody and irritable with one another. The lively and cooperative group spirit that had developed in the three-month control phase of the experiment evaporated. Most participants lost interest in group activities or decisions, saying it was too much trouble to deal with the others; some men became scapegoats or targets of aggression for the rest of the group. Food - one's own food - became the only thing that mattered. When the men did talk to one another, it was almost always about eating, hunger, weight loss, foods they dreamt of eating. They grew more obsessed with the subject of food, collecting recipes, studying cookbooks, drawing up menus. As time went on, they stretched their meals out longer and longer, sometimes taking two hours to eat small dinners. Keys's research has often been cited often in recent years for this reason: The behavioral changes in the men mirror the actions of present-day dieters, especially of anorexics.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.
Lady Gaga
In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and on our children. In reality, the feminist movement could be said to be trying to visualize and make way for a world in which abortion would not be necessary; a world free from poverty and rape, in which young girls would grow up with intelligent regard for and knowledge of their bodies and respect for their minds, in which the socialization of women into heterosexual romance and marriage would no longer be the primary lesson of culture; in which single women could raise children with a less crushing cost to themselves, in which female creativity might or might not choose to express itself in motherhood. Yet, when radical feminists and lesbian/feminists begin to speak of such a world, when we begin to sketch the conditions of a life we have collectively envisioned, the first charge we are likely to hear is a charge of violence: that we are “man-haters.” We hear that the women’s movement is provoking men to rape; that it has caused an increase in violent crimes by women; and when we demand the right to rear our children in circumstances where they have a chance for more than mere physical survival, we are called fetus-killers. The beating of women in homes across this country, the rape of daughters by fathers and brothers, the fear of rape that keeps old—as well as young—women off the streets, the casual male violence that can use a car to run two jogging women off a country road, the sadistic exploitation of women’s bodies to furnish a multibillion-dollar empire of pornography, the decision taken by powerful white males that one-quarter of the world’s women shall be sterilized or that certain selected women—poor and Third World—shall be used as subjects for psychosurgery and contraceptive experiments—these ordinary, everyday events inevitably must lead us to ask: who indeed hates whom, who is killing whom, whose interest is served, and whose fantasies expressed, by representing abortion as the selfish, willful, morally contagious expression of woman’s predilection for violence?
Adrienne Rich (On Lies, Secrets, and Silence: Selected Prose 1966-1978)
It’s not like you have anything to lose anymore.” My fingers stop at my thumb ring while Sienna’s words echo in my head. Do I have anything to lose? I mean, after all I did, everything I fought against. I slowly turn the ring on my thumb. This simple band has, like all of my rings, one word engraved on it. Will anything change if I go to him? After all, I did lose everything that is important. It’s funny, actually, after the months I spent pushing him away. I thought, like the silly girl I probably am, that if I didn’t give myself to him, I’d be safe, that as long as I didn’t sleep with him, I wouldn’t lose my heart. Shouldn’t I have this one last memory to take home with me? So lost…I came here lost and I’ll go home lost. How convenient, and so utterly pathetic I want to give myself one strong shake to snap out of this.
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
The noise of the town some floors below was greatly muted. In a state of complete mental detachment, he went over the events, the circumstances and the stages of destruction in their lives. Seen in the frozen light of a restrictive past, everything seemed clear, conclusive and indisputable. Now it seemed unthinkable that a girl of seventeen shoudl be so naive; it was particularly unbelieveable that a girl of seventeen should set so much store by love. If the surveys in the magazines were to be believed, things had changed a great deal in the twenty-five years since Annabelle was a teenager. Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction motivated as much by narcissism as by sexual pleasure. They later would try to make a good marriage, basing their decision on a range of social and professional criteria, as well as on shared interests and tastes. Of course, in doing this they cut themselves off from any possibility of happiness--a condition indissociable from the outdated, intensely close bonds so incompatible with the exercise of reason--but this was their attempt to escape the moral and emotional suffering which had so tortured their forebears. This hope was, unfortunately, rapidly disappointed; the passing of love's torments simply left the field clear for boredom, emptiness and an anguished wait for old age and death. The second part of Annabelle's life therefore had been much more dismal and sad than the first, of which, in the end, she had no memory at all.
Michel Houellebecq
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
Wearing a dress did not make him a girl, but neither did bearing a penis indelibly make him a boy if that’s not what he was or wanted to be, though if it was what he was and wanted to be, he was welcome to be it and still wear a dress if he liked. Or to put it another way: wear whatever the hell you want and who cares what anyone else thinks. Though everyone else will have thoughts. And they’re unlikely to keep those thoughts to themselves or be entirely kind. Though that doesn’t mean you shouldn’t do whatever you want, just that you should be forewarned that if you do, there will be consequences. Not that that’s not true of everything—all actions have consequences. Not that the consequences in this case suggested he should not do what he wanted to do and be who he was. None of which was to say that all decisions could be made without regard for consequences.
Laurie Frankel (This Is How It Always Is)
I wish I could manage to be glad!” the Queen said. “Only I never can remember the rule. You must be very happy, living in this wood, and being glad whenever you like!” “Only it is so very lonely here!” Alice said in a melancholy voice; and at the thought of her loneliness two large tears came rolling down her cheeks. “Oh, don’t go on like that!” cried the poor Queen, wringing her hands in despair. “Consider what a great girl you are. Consider what a long way you’ve come to-day. Consider what o’clock it is. Consider anything, only don’t cry!” Alice could not help laughing at this, even in the midst of her tears. “Can you keep from crying by considering things?” she asked. “That’s the way it’s done,” the Queen said with great decision: “nobody can do two things at once, you know. Let’s consider your age to begin with—how old are you?” “I’m seven and a half exactly.” “You needn’t say ‘exactually,’” the Queen remarked: “I can believe it without that. Now I’ll give you something to believe. I’m just one hundred and one, five months and a day.” “I can’t believe that!” said Alice. “Can’t you?” the Queen said in a pitying tone. “Try again: draw a long breath, and shut your eyes.” Alice laughed. “There’s no use trying,” she said: “one can’t believe impossible things.” “I daresay you haven’t had much practice,” said the Queen. “When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.
Lewis Carroll (Through the Looking-Glass)
Holmes," I said, reaching up to touch her hands, to fold them in mine. "Do you forgive me?" "You sound like you're making some kind of decision," I said, because she was scaring me a little. "Do you?" I paused, thinking. Not long ago, I'd wanted everything from her. For her to be my confidant, my general. My best and only friend. I wanted her to be the other half of me, like we together made a coin. She the king's head to my tails. I loved her like you would the person you'd always wanted to be, and in return I would have followed her anywhere, excused any action, fought to keep her hoisted high on her throne. When that myth I'd made of her shattered, I didn't know what to do. This last year, any thought I had of her felt wrong. Skewed. How could I understand what had happened, when I had put up so many lenses between my experience of her and the girl herself? Holmes wasn't a myth, or a king. She was a person. And to have a relationship with a person, you had to treat them like one. "Can I forgive you a little now?" I asked. "And then a little more tomorrow, and the next day? If there is a next day?" "Yes," she said, quickly, like it was more than she had asked for. Like I might take it back. "Provided you don't blow anything up, of course." "Yes." "Or try to look in my ears again while I'm sleeping -" "Yes," she said, laughing. That look on her face, always, like she was surprised to be laughing, like it was something involuntary and slightly shameful, like a sneeze.
Brittany Cavallaro (The Case for Jamie (Charlotte Holmes, #3))
I didn’t want to be not dating someone just because I was used to not dating anyone. But, on the other hand, one of the nice things about being single all the time is that there’s no built-up generalized desire for romantic companionship to factor into the decision. I have no impulse to date just to date. When people say, “Ugh, I have a date tonight. I am not looking forward to it,” I am incapable of understanding that as a statement. And when I say I’m pretty sure I don’t like someone enough to date him, but I admit, when pressed, that I don’t know how to be sure, and then the people around me take that as incontrovertible evidence that I should proceed anyway—I don’t understand that, either. Everyone means so well, but how weird is it that so many girls spend so much time convincing each other to date people we aren’t sure we want to date? What are we pushing each other toward? Look, I’m literally as little of an expert as you can be at something when it comes to dating. I just don’t get any of this. Still,
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
Oh . . . I know you. Believe it or not, I know exactly who you are." "Oh yeah? Where am I from?" "I don't know." "Tell me about my family." "I can't." "Then you really don't know me, do you?" After a moment, Stephanie rolled over to face her. "Yes," she said, "I do." She couldn't hide the challenge in her tone. "Okay, how about this? You're a good girl and always have been, but deep down, you think there's more to life than always following the rules, and there's a part of you that craves the unknown. If you're honest with yourself, Travis is part of that. You're selective when it comes to sex, but once you commit to someone, the standards you would normally hold yourself to go out the window. You think you'll marry your boyfriend, but can't help but wonder why you don't have a ring on your finger yet. You love your family, but you wanted to make your own decisions about who you become, which is why you live here. Even so, you worry your choices will earn your family's disapproval. How am I doing so far?
Nicholas Sparks (The Choice)
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I thought of the long-ago afternoon when we first met, a boy and a girl in a crowded plaza. Even then he was an ingrained macho, able to direct his destiny; in contrast, he believed that because I had been born a girl I was at a disadvantage, I should accept my limitations and entrust myself to others’ care. In his eyes, I would never be independent. Huberto had thought that way since he could think at all; it was not likely that the Revolution was going to change those attitudes. I realized that our problems were not related in any way to the fortunes of the guerillas; even if he achieved his dream, there would be no equality for me. For Naranjo, and others like him, “the people” seemed to be composed exclusively of men; we women should contribute to the struggle but were excluded from decision-making and power. His revolution would not change my fate in any fundamental way; under any circumstances, as long as I lived I would still have to make my own way. Perhaps it was at that moment I realized that mine is a war with no end in view; I might as well fight it cheerfully or I would spend my life waiting for some distant victory in order to be happy.
Isabel Allende (Eva Luna)
The anti-precog has to be present when the precog is in the process of deciding, not after. The anti-precog makes all futures seem equally real to the precog; he aborts his talent to choose at all. A precog is instantly aware when an anti-precog is nearby because his entire relation to the future is altered. In the case of telepaths a similar impairment—” “She goes back in time,” G. G. Ashwood said. Joe stared at him. “Back in time,” G.G. repeated, savoring this; his eyes shot shafts of significance to every part of Joe Chip’s kitchen. “The precog affected by her still sees one predominant future; like you said, the one luminous possibility. And he chooses it, and he’s right. But why is it right? Why is it luminous? Because this girl—” He shrugged in her direction. “Pat controls the future; that one luminous possibility is luminous because she’s gone into the past and changed it. By changing it she changes the present, which includes the precog; he’s affected without knowing it and his talent seems to work, whereas it really doesn’t. So that’s one advantage of her anti-talent over other anti-precog talents. The other—and greater—is that she can cancel out the precog’s decision after he’s made it.
Philip K. Dick (Ubik)
In some instances, even when crisis intervention has been intensive and appropriate, the mother and daughter are already so deeply estranged at the time of disclosure that the bond between them seems irreparable. In this situation, no useful purpose is served by trying to separate the mother and father and keep the daughter at home. The daughter has already been emotionally expelled from her family; removing her to protective custody is simply the concrete expression of the family reality. These are the cases which many agencies call their “tragedies.” This report of a child protective worker illustrates a case where removing the child from the home was the only reasonable course of action: Division of Family and Children’s Services received an anonymous telephone call on Sept. 14 from a man who stated that he overheard Tracy W., age 8, of [address] tell his daughter of a forced oral-genital assault, allegedly perpetrated against this child by her mother’s boyfriend, one Raymond S. Two workers visited the W. home on Sept. 17. According to their report, Mrs. W. was heavily under the influence of alcohol at the time of the visit. Mrs. W. stated immediately that she was aware why the two workers wanted to see her, because Mr. S. had “hurt her little girl.” In the course of the interview, Mrs. W. acknowledged and described how Mr. S. had forced Tracy to have relations with him. Workers then interviewed Tracy and she verified what mother had stated. According to Mrs. W., Mr. S. admitted the sexual assault, claiming that he was drunk and not accountable for his actions. Mother then stated to workers that she banished Mr. S. from her home. I had my first contact with mother and child at their home on Sept. 20 and I subsequently saw this family once a week. Mother was usually intoxicated and drinking beer when I saw her. I met Mr. S. on my second visit. Mr. S. denied having had any sexual relations with Tracy. Mother explained that she had obtained a license and planned to marry Mr. S. On my third visit, Mrs. W. was again intoxicated and drinking despite my previous request that she not drink during my visit. Mother explained that Mr. S. had taken off to another state and she never wanted to see him again. On this visit mother demanded that Tracy tell me the details of her sexual involvement with Mr. S. On my fourth visit, Mr. S. and Mrs. S. were present. Mother explained that they had been married the previous Saturday. On my fifth visit, Mr. S. was not present. During our discussion, mother commented that “Bay was not the first one who had Tracy.” After exploring this statement with mother and Tracy, it became clear that Tracy had been sexually exploited in the same manner at age six by another of Mrs. S.'s previous boyfriends. On my sixth visit, Mrs. S. stated that she could accept Tracy’s being placed with another family as long as it did not appear to Tracy that it was her mother’s decision to give her up. Mother also commented, “I wish the fuck I never had her.” It appears that Mrs. S. has had a number of other children all of whom have lived with other relatives or were in foster care for part of their lives. Tracy herself lived with a paternal aunt from birth to age five.
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
All they could do was flutter their fans and bat their eyes. The matchmaker Mother hired bragged that they were perfect porcelain dolls. What she didn't say was they had no minds of their own." Shang grimaced at the memory without looking at her. "They'd say anything to make me like them." How familiar that sounds. Mulan put her hands on her hips. "Not all girls are like that. You have to look at it from their perspective, too. Girls are raised to be pretty and graceful, and quiet." She made a face. "They aren't allowed to speak their minds, and they don't have a choice in who they marry. My parents were lucky that they fell in love, but their marriage was arranged, too. And my mother, she doesn't even belong to her family anymore after they got married. It wasn't my mother's decision, but her family's. They told her that a woman's only role in life is to bear sons." Shang leaned forward. "You sound quite passionate about this." His closeness made Mulan hunch back. Remembering who she was pretending to be, she felt her cheeks burn. "I just... I mean, I bet there are some girls who'd make better soldiers than boys. If they were given the chance." "A female soldier? That's the craziest thing I've heard." "Girls can be strong, too." "Not like us, Ping." Mulan hid a smile. "You'd be surprised.
Elizabeth Lim (Reflection)
Only date people who respect your standards and make you a better person when you’re with them. Consider the message of the movie A Walk to Remember. Landon Carter is the reckless leader who is skating through high school on his good looks and bravado. He and his popular friends at Beaufort High publicly ridicule everyone who doesn’t fit in, including the unfashionable Jamie Sullivan, who wears the same sweater day after day and gives free tutoring lessons to struggling students. By accident, events thrust Landon into Jamie’s world and he can’t help but notice that Jamie’s different. She doesn’t care about conforming and fitting in with the popular kids. Landon’s amazed at how sure of herself she seems and asks, “Don’t you care what people think about you?” As he spends more time with her, he realizes she has more freedom than he does because she isn’t controlled by the opinions of others, as he is. Soon, despite their intentions not to, they have fallen in love and Landon has to choose between his status at Beaufort...and Jamie. “This girl’s changed you,” his best friend yells, “and you don’t even know it.” Landon admits, “She has faith in me. She wants me to be better.” He chooses her. After high school graduation, Jamie reveals to Landon that she’s dying of leukemia. During her final months, Landon does all he can to make her dreams come true, including marrying her in the same church her mother and father were married in. They spend a wonderful summer together, truly in love. Despite Jamie’s dream for a miracle, she dies. Heartbroken, but inspired by Jamie’s belief in him, Landon works hard to go to medical school. But he laments to her father that he couldn’t fulfill her last desire, to see a miracle. Jamie’s father assures him that Jamie did see a miracle before she died, for someone’s heart had truly changed. And it was his. Now that’s a movie to remember! Never apologize for having high standards and don’t ever lower your standards to please someone else.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Tobias,” I say anyway. My hands shake, but not from fear this time—from anger. “Where is he? What are you doing to him?” “I see no reason to provide that information,” says Jeanine. “And since you are all out of leverage, I see no way for you to give me a reason, unless you would like to change the terms of our agreement.” I want to scream at her that of course, of course I would rather know about Tobias than about my Divergence, but I don’t. I can’t make hasty decisions. She will do what she intends to do to Tobias whether I know about it or not. It is more important that I fully understand what is happening to me. I breathe in through my nose, and our through my nose. I shake my hands. I sit down in the chair. “Interesting,” she says. “Aren’t you supposed to be running a faction and planning a war?” I say. “What are you doing here, running tests on a sixteen-year-old girl?” “You choose different ways of referring to yourself depending on what is convenient,” she says, leaning back in her chair. “Sometimes you insist that you are not a little girl, and sometimes you insist that you are. What I am curious to know is: How do you really view yourself? As one or the other? As both? As neither?” I make my voice flat and factual, like hers. “I see no reason to provide that information.” I hear a faint snort. Peter is covering his mouth. Jeanine glares at him, and his laughter effortlessly transforms into a coughing fit.
Veronica Roth (Insurgent (Divergent, #2))
Sometimes I wonder if maybe it was for the best. I tried and I failed. Maybe deep down I didn’t want it enough. Like you said, not everyone does.’ ‘True.’ Eventually she says something. ‘But is that really you talking? Or is it your grief?’ ‘I don’t know.’ I shake my head. ‘And that’s OK,’ she says quietly. I raise my eyes to meet Cricket’s. ‘I’m eighty-one years old and I’ve learned if there’s one gift you can give yourself in life, it’s the freedom and courage to say “I don’t know”. Because I’ll let you into a secret – you don’t have to know. You don’t have to know how you feel, or what you want, or if you’re happy or if you’re sad. Life is full of choices and decisions, and there is so much pressure on us to make all the right ones. But what if we don’t? What if we have doubts and misgivings? What if we make mistakes and contradict ourselves?’ She looks at me, her eyes shining. ‘What if we try our best and fail anyway?’ As her words peg out before me, I think about myself, about everything that’s happened. ‘What then? Should we feel bad about ourselves? Why not just accept that we don’t know? Because if you accept that, my dear girl, it will give you such immense freedom. It will allow you to change your mind, to take a different path, to grab opportunities that come your way that you might never have thought of . . . to be impulsive instead of being stuck, to stop feeling guilty.’ Cricket looks at me, her face imploring. ‘To stop feeling scared.
Alexandra Potter (Confessions of a Forty-Something F**k Up)
But I am a hungry.” A pause. “You’re infected,” Miss J says. “But you’re not a hungry, because you can still think, and they can’t.” That distinction hasn’t struck Melanie until now, or at least hasn’t weighed much against the planetary mass of her realisation. But it is a real difference. Does it make other differences possible? Does it make her not be a monster after all? These ontological questions come first, and loom largest. Another, more practical one peeps out from behind them. “Is that why I’m a crucially important specimen?” Miss J makes a hurting face, then an angry one. “That’s why you’re important to Dr Caldwell’s research project. She believes she can find something inside you that will help her to make medicine for everyone else. An antidote. So they can’t ever be turned into hungries, or if they’re turned, they can be changed back again.” Melanie nods. She knows that’s really important. She also knows that not all the evils that struck this land had the same cause and origin. The infection was bad. So were the things that the important-decision people did to control the infection. And so is catching little children and cutting them into pieces, even if you’re doing it to try to make medicine that stops people being hungries. It’s not just Pandora who had that inescapable flaw. It seems like everyone has been built in a way that sometimes makes them do wrong and stupid things. Or almost everyone. Not Miss Justineau, of course.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's, over to shoot guns in the field. "Why you crying girl?" Constantine asked me in the kitchen. I told her what the boy had called me, tears streaming down my face, "Well? Is you?" I blinked, paused my crying. "Is I what?" "Now you look a here, Eugenia" - because Constantine was the only one who'd occasionally follow Mama's rule. "Ugly live up on the inside. Ugly be hurtful, mean person. Is you one a them peoples?" "I don't know. I don't think so." I sobbed. Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen. Listen to me.' "Ever morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, 'Am I gone believe what them fools say about me today?' She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew what I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
Do you believe in God, Aunt Elner?” “Sure I do, honey, why?” “How old were you when you started believing, do you remember?” Aunt Elner paused for a moment. “I never thought about not believing. Never did question it. I guess believing is just like math: some people get it right out of the chute, and some have to struggle for it. (...) Oh, I know a lot of people struggle, wondering is there really a God. They sit and think and worry over it all their life. The good Lord had to make smart people but I don’t think he did them any favors because it seems the smart ones start questioning things from the get go. But I never did. I’m one of the lucky ones. I thank God every night, my brain is just perfect for me, not too dumb, not too bright. You know, your daddy was always asking questions.” “He was?” “I remember one day he said, ‘Aunt Elner, how do you know there is a God, how can you be sure?’ ” “What did you tell him?” “I said, ‘Well, Gene, the answer is right on the end of your fingertips.’ He said, ‘What do you mean?’ I said, ‘Well, think about it. Every single human being that was ever born from the beginning of time has a completely different set of fingerprints. Not two alike. Not a single one out of all the billions is ever repeated.’ I said, ‘Who else but God could think up all those different patterns and keep coming up with new ones year after year, not to mention all the color combinations of all the fish and birds.’ ” Dena smiled. “What did he say?” “He said, ‘Yes, but, Aunt Elner, how do you know that God’s not repeating old fingerprints from way back and reusing them on us?’ ” She laughed. “See what I mean? Yes, God is great, all right. He only made one mistake but it was a big one.” “What was that?” “Free will. That was his one big blunder. He gave us a choice whether or not to be good or bad. He made us too independent … and you can’t tell people what to do; they won’t listen. You can tell them to be good until you’re blue in the face but people don’t want to be preached at except at church, where they know what they are getting and are prepared for it.” “What’s life all about, Aunt Elner? Don’t you ever wonder what the point of the whole thing is?” “No, not really; it seems to me we only have one big decision in this life, whether to be good or bad. That’s what I came up with a long time ago. Of course, I may be wrong, but I’m not going to spend any time worrying over it, I’m just going to have a good time while I’m here. Live and let live.
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs, #1))
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))