“
The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Unfortunately, some family members are so psychotic that no matter how hard you try to forge a healthy relationship, nothing will help. Now that you're an adult, take refuge in the fact that some things are beyond your control. You owe it to yourself to steer clear of people who are harmful to your health.
”
”
Andrea Lavinthal (Your So-Called Life: A Guide to Boys, Body Issues, and Other Big-Girl Drama You Thought You Would Have Figured Out by Now)
“
All our final decisions are made in a state of mind that is not going to last.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
You see, the best thing about wrong decisions is that they don’t prevent you from making the right decisions later on. It’s harder, but it’s not impossible.
”
”
Siobhan Vivian (Not That Kind of Girl)
“
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
”
”
Penelope Douglas (Birthday Girl)
“
You can’t blame a fella for kissing the prettiest girl in New York, can you, sister?” Sam’s grin was anything but apologetic.
Evie brought up her knee quickly and decisively, and he dropped to the floor like a grain sack. “You can’t blame a girl for her quick reflexes now, can you, pal?
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
I am proud of you, Allison Sekemoto,” he whispered as he drew back. “Whatever you decide, whatever path you choose to take, I hope that you will remain the same girl I met that night in the rain. The one decision for which I have no regrets.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
Isn't every hero aware of all the terrible reason they did those good deeds?" Aware of every mistake they ever made and how good people got hurt because of their decisions? Don't they recall the moments they weren't heroic at all? The moments where their heroism led to more deaths than deliberate villainy ever could?
”
”
Holly Black (The Coldest Girl in Coldtown)
“
I am sorry my decisions do not meet with your approval, but nevertheless, they are mine, and the consequences are also mine.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
In Pakistan when women say they want independence, people think this means we don’t want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from the heavens to tell us that every woman should listen to a man.
”
”
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
“
I'll be there for ya, girl. No matter what.
Beck took a deep breath and released it slowly. He had to stay strong for her, make the tough decisions. It was best that Paul's daughter never know how he felt about her. There'd be less hurt that way, for both of them.
Just keep her safe, God. I can settle for that.
”
”
Jana Oliver (Forsaken (The Demon Trappers, #1))
“
I had already made a decision early on that I would be a plain girl with lots of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be.
”
”
Amy Poehler (Yes Please)
“
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field.
'Why you crying, girl?' Constantine asked me in the kitchen.
I told her what the boy had called me, tears streaming down my face.
'Well? Is you?'
I blinked, paused my crying. 'Is I what?'
'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?'
'I don't know. I don't think so,' I sobbed.
Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me.
'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?'
She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
Then again, that's how quickly people's perceptions could change. It only took one mistake, one stupid decision.
”
”
Siobhan Vivian (Not That Kind of Girl)
“
Obviously it takes eight brains to come to one decision in this crowd. Good thing they have one another.
”
”
Mari Mancusi (Girls That Growl (Blood Coven Vampire, #3))
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Who you are is defined by the next decision you make, not the last one.
”
”
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
“
But ever since I made the decision to drop a few pounds-way less easy than it sounds, by the way-I've become obsessed with my size and in so doing I've inadvertently allowed my inner critic to have a voice. And you know what? She's a bitch. Like now when I see my underpants in the laundry, I no longer think Soft! Cotton! Sensible! Instead I hear her say Damn, girl, these panties be huge.
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
Sometimes the kindest thing you can do for a person is to shield them from that which will not help them. Make the decision and then carry the burden yourself, bear the weight so that they don't have to.
”
”
Lynn Weingarten (Suicide Notes from Beautiful Girls)
“
Other people don’t get to tell you what you can have!
Someone else doesn’t get to tell you who you can be!
The world doesn’t get to decide what you can try.
You are the only one who can make that decision.
”
”
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
“
And it was suddenly very simple: There was no choice.
”
”
Jojo Moyes (The Girl You Left Behind)
“
Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.
”
”
Krzysztof Kieślowski (Kieslowski on Kieslowski)
“
We all make decisions as though we will live forever.
”
”
Lucinda Riley (The Girl on the Cliff)
“
I have not been so much pushed by winds as pulled forward by the force of my decisions.
”
”
Jean Kwok (Girl in Translation)
“
Time passes by you like a bullet," he says. "and fear gives you the excuses you're craving to not do the things you know you should. Don't doubt yourself, don't second guess, don't let fear hold you back, don't be lazy, and don't base your decisions on how happy it will make others. Just go for it, okay?
”
”
Penelope Douglas (Birthday Girl)
“
You cold or something?' he said. She strained against him; she wanted to pass clear through him: 'It's a chill, it's nothing'; and then, pushing a little away: 'Say you love me.'
I said it.'
No, oh no. You haven't. I was listening. And you never do.'
Well, give me time.'
Please.'
He sat up and glanced at a clock across the room. It was after five. Then decisively he pulled off his windbreaker and began to unlace his shoes.
Aren't you going to, Clyde?'
He grinned back at her. 'Yeah, I'm going to.'
I don't mean that; and what's more, I don't like it: you sound as though you were talking to a whore.'
Come off it, honey. You didn't drag me up here to tell you about love.'
You disgust me,' she said.
Listen to her! She's sore!'
A silence followed that circulated like an aggrieved bird. Clyde said, 'You want to hit me, huh? I kind of like you when you're sore: that's the kind of girl you are,' which made Grady light in his arms when he lifted and kissed her. 'You still want me to say it?' Her head slumped on his shoulder. 'Because I will,' he said, fooling his fingers in her hair. 'Take off your clothes--and I'll tell it to you good.
”
”
Truman Capote (Summer Crossing)
“
We say it’s a modern American Western - two gunslingers who ride into town, fight the bad guys, kiss the girl and ride out into the sunset again. And we were always talking from the very beginning that if you’re going to have cowboys, they need a trusty horse.
—Eric Kripke on the decision to add the Impala
”
”
Eric Kripke
“
She thought now it was time to be tested, to make decisions and find her own roads, to stop falling where she was told to fall and to stand only when allowed to stand.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I made a decision that year, to start mattering in a way that had nothing to do with sports teams or plastic crowns, and the reality is, I might have made that decision without her, or if I'd never fallen in love with a girl who considered love to be the biggest disaster of all.
”
”
Robyn Schneider (The Beginning of Everything)
“
It was Friday, July 24, 1992, when I stepped on the train. Every year I think of it. I see it as my real birthday: the birth of me as a person, making decisions about my life on my own. I was not running away from Islam, or to democracy. I didn't have any big ideas then. I was just a young girl and wanted some way to be me; so I bolted into the unknown.
”
”
Ayaan Hirsi Ali (Infidel)
“
As a black woman, the decision to love yourself just as you are is a radical act. And I'm as radical as they come.
”
”
Bethanee Epifani J. Bryant
“
That girl would’ve promised you forever. As long as you love her, for as long as you care, she’s yours. So walking to the park with you and climbing in that Porsche? Easiest decision she’s ever made.
”
”
J.M. Darhower (Ghosted)
“
And so she decided in that moment - decided, yes, decided, astonished that she could even do such a thing as decide - that she would never again ask forgiveness for a thing she didn't do, for crimes she could in no way recall committing.
”
”
Shobha Rao (Girls Burn Brighter)
“
Young girl, you’re not making life decisions, you’re making lineage decisions. Be wise and have fun. That’s the only way to do it.
”
”
Ayura Ayira (Sidikat)
“
I learned that regret gets you nothing but a bigger pile of shit to shovel around. And so, I made a decision. I decided not to muck around in the regret shit pile for even one more day.
”
”
Raine Miller (Cherry Girl (The Blackstone Affair, #3.5))
“
Oh, don't go on like that!" cried the poor Queen, wringing her hands in despair. "Consider what a great girl you are. Consider what a long way you've come today. Consider what o'clock it is. Consider anything, only don't cry!"
Alice could not help laughing at this, even in the midst of her tears. "Can you keep from crying by considering things?" she asked.
"That's that way it's done," the Queen said with great decision: "nobody can do two things at once, you know.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Sometimes,' she said, after a few more seconds of silence, 'sometimes you got to act. You can't wait. You got to do what needs doing, before the world makes the decision for you.
”
”
Nikki Loftin (Wish Girl)
“
I did it because a girl doing nothing in a fairy tale ends up dead or worse, but a girl who makes a decision usually gets rewarded.
”
”
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
“
Sosie wasn't sure how to answer. Since she could remember, she'd had crushes on both girls and guys. They were person-specific infatuations - Brian Levithan's wicked sense of humour was every bit as sexy as Valerie Martnez's sweet smile and amazing krunk routines. It seemed odd to Sosie that she had to make some hard-and-fast decision about such an arbitrary, individual thing as attraction, like having to declare an orientation major: I am straight with a minor in gay.
”
”
Libba Bray (Beauty Queens)
“
Choosing to break up your family is one of the most difficult decisions you will make in a lifetime. But once you have come to it; it will be with certainty. Certainty that you are ready to embrace the changes, the challenges and the joys of starting a new life.
”
”
Lisa Thomson (The Great Escape: A Girl's Guide To Leaving a Marriage)
“
So I made a decision. I will do my best, and I will trust that my best is exactly what God intended for these babies.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
You have to realize it is impossible to be the shero to everyone. There comes a time when you have to make a difficult decision to say no to the ones you love. If not, you will be fighting a never-ending battle that you will lose every time. Sad but true, you have to be cruel to be kind, otherwise, you will be defeated.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
There's an independence about Mary - she's not influenced by anyone and she's very much her own person, she makes her own decisions. I understand her because I'm one of three girls too and I've always been defiant that I didn't want to do what they did.
”
”
Jessica Fellowes (The World of Downton Abbey)
“
She had come to the clinic because she didn't want to be a little girl anymore. But it wasn't having sex that made you a woman. It was having to make decisions, sometimes terrible ones. Children were told what to do. Adults made up their own minds, even when the options tore them apart.
”
”
Jodi Picoult (A Spark of Light)
“
there was a young woman who came to the library, miles away from her true home. She read a story about a girl who had come to a fork in the road and was so afraid of making the wrong decision that she stayed where she was, huddled in the hollow of a tree. After several days, an old woman came along and told her a riddle. She asked, ‘What is something you create, even if you do nothing?’ The answer was a choice. Choosing not to do something was still a choice.
”
”
Evie Woods (The Lost Bookshop)
“
Damon spoke without moving. “I’m not like you.”
“You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.”
Damon snapped, almost automatically, “Because I wasn’t invited!”
Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon.
“But how did Klaus get in, then—?” she began, following her own thoughts.
“That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.”
“Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question.
“Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.”
Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made.
“You see, I’m not like you,” he said.
“It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
”
”
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
“
She was of the mind that people should make their own decisions about their own lives, if you can image such a preposterous thing.
”
”
Elizabeth Gilbert (City of Girls)
“
As simple as that, Conrad had finally done it. For the first time in his life he had the right answer. It wasn't the best decision and certainly wasn't a logical one, but it was the right one.
”
”
Victoria Forester (The Girl Who Could Fly (Piper McCloud, #1))
“
You stand at the edge of the rest of your life. The decisions you make now affect everything from here on. Gone are the times when simple and inconsequential matters governed your life. It is now the time for you to choose who you want to be, what you want to stand for, and what you want your life to reflect.
”
”
Robert J. Crane (Alone, Untouched, Soulless (The Girl in the Box, #1-3))
“
do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
”
”
Penelope Douglas (Birthday Girl)
“
Contrast this with the use by modern Islamic scholars of Muhammad’s decision to marry a six-year-old girl, consummating their marriage when she turned nine, to justify child marriage in Iraq and Yemen today.
”
”
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
“
A woman imagines what she wants, and plans mentally for the transition. She gathers strength to prepare for the emotional challenges in her life that lie ahead. Conflicts try to break her stride but although she is filled with pain, she still walks with confidence, and with a smile on her face.
When there is a world of distractions and difficult decisions to make, when a woman finds herself straying off the tracks, she will not feel defeated.
She is courageous!
She is victorious!
She is a pioneer!
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
How good it would be to make my own decisions; if only I knew how to.
”
”
Val Wood (Rich Girl, Poor Girl)
“
Young women are not putting themselves in danger. The people around them are doing the real damage. Who? you might wonder. The abstinence teacher who tells her students that they'll go to jail if they have premarital sex. The well-founded organization that tells girls on college campuses that they should be looking for a husband, not taking women's studies classes. The judge who rules against a rape survivor because she didn't meet whatever standard for a victim he had in mind. The legislator who pushes a bill to limit young women's access to abortion because he doesn't think they're smart enough to make their own decisions. These are the people who are making the world a worse place, and a more dangerous one, at that, for girls and young women. We're just doing our best to live in it.
”
”
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
“
Zakath stared at the floor. 'I suddenly feel very helpless,' he admitted, 'and I don't like the feeling. I've been rather effectively dethroned, you know. This morning I was the Emperor of the largest nation on earth; this afternoon, I'm going to be a vagabond.'
You might find it refreshing,' Silk told him lightly.
Shut up, Kheldar,' Zakath said almost absently. He looked back at Polgara. 'You know something rather peculiar?'
What's that?'
Even if I hadn't given my word, I'd still have to go to Kell. It's almost like a compulsion. I feel as if I'm being driven, and my driver is a blindfolded girl who's hardly more than a child.'
There are rewards,' she told him.
Such as what?'
Who knows? Happiness, perhaps.'
He laughed ironically. 'Happiness has never been a driving ambition of mine, Lady Polgara, not for a long time now.'
You may have to accept it anyway,' She smiled. 'We aren't allowed to choose our rewards any more than we are our tasks. Those decisions are made for us.
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
It's okay to feel bad about how things went down, but it's not okay to drown in guilt and regret every day for having made decisions other people don't agree with. At some point, we all have to man up and decide to do what we have to do, despite the people around us who try to get in the way.
”
”
M.E. Girard (Girl Mans Up)
“
In a few short months, I had gone from a friendly, optimistic, confident woman to a confused girl with a nervous stammer who second-guessed every thought that went through her head and rationalized every bad decision she made.
”
”
Holly Madison (Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny)
“
Now, even if he and Dr B made their decision, D didn't know if he had the rigour to feed the cyanide to the ill, or to watch someone else do it and maintain a professional disposition. It was absurdley like the argument in one's youth, about whether you should approach a girl you were infatuated with. And when you'd decide, it still counted for nothing. The act still had to be faced.
”
”
Thomas Keneally (Schindler’s List)
“
The whole organization seemed to be in free fall, indulging in a collective fantasy in which experienced colleagues refused to admit that their every movement, every decision that was made and implemented, only led them one step closer to the abyss.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
Constantine sat down next to me, at the kitchen table, I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen to me.' "Every morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, am I gone believe what them fools say about me today?" She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
I played my role as the good Christian girl and spared everyone the drama of an argument. But that decision to remain silent split me in two. It convinced me that I could never really be myself in church. That I had to check my heart and mind at the door.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
A Muslim girl does not make her own decisions or seek control. She is trained to be docile. If you are a Muslim girl, you disappear, until there is almost no you inside you. In Islam, becoming an individual is not a necessary development; many people, especially women, never develop a clear individual will. You submit: that is the literal meaning of the word islam: submission. The goal is to become quiet inside, so that you never raise your eyes, not even inside your mind. But
”
”
Ayaan Hirsi Ali (Infidel)
“
Never leave yourself open to regret Grace. We can only make a decision when we know the choices we are faced with. If we shy away, turn our backs and hide, we will simply never know. And that is when you end up old and wondering and regretting. Live a life of hope. Don’t live a life of regret.
”
”
Hazel Gaynor (The Girl Who Came Home)
“
When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness.
The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions.
Take a breather and let it go. I bet the load is so much lighter!
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Every decision I have made - from changing jobs, to changing partners, to changing homes - has been taken with trepidation. I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life, specifically the fear of change, the fear of the unknown, and I have gone ahead despite the pounding in the heart that says: turn back, turn back, you'll die if you venture too far... In the past several years I have learned, in short, to trust myself. Not to eradicate fear but to go on in spite of fear. Not to become insensitive to distinguished critics but to follow my own writer's instinct. My job is not to paralyze myself by anticipating judgment but to do the best that I can and let judgment fall where it may. The difference between the woman who is writing this essay and the college girl sitting in her creative writing class in 1961 is mostly a matter of nerve and daring - the nerve to trust my own instincts and the daring to be a fool. No one ever found wisdom without being a fool.
”
”
Erica Jong
“
There's a Chinese saying that the fates are winds that blow through our lives from every angle, urging us along the paths of time. Those who are strong-willed may fight the storm and possibly choose their own road, while the weak must go where they are blown. I say I have not been so much pushed by winds as pulled forward by the force of my decisions.
”
”
Jean Kwok (Girl in Translation)
“
Okay.” Mavis nodded decisively. “Then you tear it down. You don’t take no for an answer. You nag and you pick and you stick until it pops out of him. Whatever it is. Girls are good at this, Dallas.” “I’m not good at being a girl.” “Sure you are. You’re your own kind of girl. Think of it as kicking his ass until he cracks.
”
”
J.D. Robb (Portrait in Death (In Death, #16))
“
No, it’s never happened to me before but I doubt after I fell head over heels in love with a wonderful man who kept important things from me, I’ll get over it just like that. I’ll drink with my girls and cry and wonder if I made the right decision. Then another man will come along, he won’t be as wonderful as my first love, but I suppose I’ll eventually get over it and move on.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
I tried to stay away from the classic Disney princess movies. In addition to featuring a lot of unempowered women, those movies are just so white. White people and stories about white people are not bad, it’s just that when you live in America, everything is so inherently white. I don’t want you to grow up wishing you were white and having that inform all of your decisions later on in life. I want you to be proud of having black hair and Asian features.
”
”
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, and Advice for Living Your Best Life)
“
This habit starts awfully early. Social psychologist Marilynn Brewer, who has been studying the nature of stereotypes for many years, once reported that her daughter returned from kindergarten complaining that “boys are crybabies.”25 The child’s evidence was that she had seen two boys crying on their first day away from home. Brewer, ever the scientist, asked whether there hadn’t also been little girls who cried. “Oh yes,” said her daughter. “But only some girls cry. I didn’t cry.” Brewer’s little girl was already dividing the world, as everyone does, into us and them. Us is the most fundamental social category in the brain’s organizing system, and it’s hardwired.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl.
A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed.
Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.”
I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Each one of us is imbued with a deep yearning to live our own life, not our mother’s. Yet the narcissistic mother puts pressure on her child to act and react to the world as she would. A child raised in this way makes decisions according to what she believes will win her mother’s love and approval. Accustomed to her mother thinking for her, the girl has difficulty later on creating an authentic, healthy adult life for herself.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
Pagan
At home
in the countryside
I make the decision
to leave your book
--overdue at the library--
face up, 'promiscuous'
out in the sun.
Pagan.
I laugh to see
this was our religion
all along.
Hidden
even from ourselves
taught
early
not to touch
the earth.
Years of white gloves
straight seamed hose.
'Being good girls.'
Scripture like chains.
Dogma like flies.
Smiles like locks
and lies.
”
”
Alice Walker
“
Why do we teach girls that their perspectives are inherently untrustworthy?" I would yell. I want to reclaim these words- after all, melodrama comes from melos, which means "music," "honey"; a drama queen is, nonetheless, a queen- but they are still hot to the touch. This is what I keep returning to: how people decide who is or is not an unreliable narrator. And after that decision has been made, what do we do with people who attempt to construct their own vision of justice?
”
”
Carmen Maria Machado (In the Dream House)
“
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses.
While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?"
Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
”
”
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
“
You don't know shit, man," he said finally. He was brisk and sad at the same time. "I hate to get on you for this. I'm not getting on you for this, but I'm just telling you. This is the first... negative thing that happened to you in your life. And you can't be overreacting to it and making big-ass expensive decisions based on it. I'm just saying. People die. Other people do stupid shit. I’m surrounded by family members doing stupid shit. I used to think I had to do shit for them. I still wanna do shit for them. But you gotta live your own life. You gotta take care of your own shit before you get started doing things for errybody else.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
Teenage girls today need strong, positive role models that can show them how to be independent thinkers and confident decision-makers. Dana is proud and self-confident, which is good, but she does not always make wise decisions. Rather than make her a super woman, I balanced her with difficult situations that could have been handled better. Her strength, however, shines through. This way, a young woman can read the book, discuss Dana's actions, and reflect on the decision-making in her own life.
”
”
Sharon M. Draper
“
...Ever since I made the decision to drop a few pounds—way less easy than it sounds, by the way—I’ve become obsessed with my size, and in so doing I’ve inadvertently allowed my inner critic to have a voice. And you know what? She’s a bitch. Like now when I see my underpants in the laundry, I no longer think Soft! Cotton! Sensible! Instead I hear her say Damn, girl, these panties be huge.”
“Your inner critic has terrible grammar.”
“I know, it’s the only way I can take away some of her power over me...
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this.
No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it."
Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once.
"Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you."
"Jack—please."
Riley's voice was broken.
Everything Jack wanted to hear.
"Please?"
Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
”
”
R.J. Scott (The Heart of Texas (Texas, #1))
“
I made a decision early on that I would be a plain girl with tons of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be. I decided early on it was not going to be my looks. I have spent a lifetime coming to terms with this idea and I would say I am about 15 to 20 percent there. Which I think is great progress.
Decide what your currency is early. Let go of what you will never have. People who do this are happier and sexier.
”
”
Amy Poehler (Yes Please)
“
When I try to reconstruct the place that I was, at that point in my life, to figure out how I got there, to that punch, to that bed, to that girl—I can't. I can see where some bad decisions led to some other bad decisions, but I can't get all the way there; it's like I imagine a curve, where I'm dropping lower and lower down, and then I'm off the radar screen, invisible, and then, after some time goes by, the line is rising, visible again, and I don't know what happened in between.
”
”
Kristen Roupenian (You Know You Want This: Cat Person and Other Stories)
“
The most important question for every client is "W X ho are you?" I'm not as interested in an answer as I am in teaching a process that the girl can use for the rest of her life. The process involves looking within to find a true core of self, acknowledging unique gifts, accepting all feelings, not just the socially acceptable ones, and making deep and firm decisions about values and meaning. The process includes knowing the difference between thinking and feeling, between immediate gratification and long-term goals, and between her own voice and the voices of others. The process includes discovering the personal impact of our cultural rules for women. It includes discussion about breaking those rules and formulating new, healthy guidelines for the self. The process teaches girls to chart a course based on the dictates of their true selves. The process is nonlinear, arduous, and discouraging. It is also joyful, creative and full of surprises.
”
”
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls (Ballantine Reader's Circle))
“
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations ....
Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream.
To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to
control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
”
”
Jane Yolen (Once Upon a Time (she said))
“
There’s a reason they call childbirth labor. Making a healthy baby takes effort: It requires foresight and self-denial and courage. It’s expensive and demanding and tiring. You have to learn new things, change many habits, possibly deal with complicated medical situations, make difficult decisions, and undergo stressful ordeals. I had a wisdom tooth pulled without Novocaine while I was pregnant—it hurt a lot and seemed to go on forever. The kindness of the very young dental assistant, holding back my hair as I spat blood into a bowl, will stay with me for the rest of my life. Pregnant women do such things, and much harder things, all the time. For example, they give birth, which is somewhere on the scale between painful and excruciating. Or they have a cesarean, as I did, which is major surgery. None of this is without risk of death or damage or trauma, including psychological trauma. To force girls and women to undergo all this against their will is to annihilate their humanity. When they undertake it by choice, we should all be grateful.
”
”
Katha Pollitt (Pro: Reclaiming Abortion Rights)
“
Maybe this is how it always is. Maybe someone always wants more. Maybe everyone has a time when they realise that they've been accidentally lying when they say I love you, I miss you, you're pretty, you're the prettiest one, I never want you to leave. Maybe this time ends and it all becomes true again, as true as you ever thought it was. Maybe this time does not end. If this time ends, it would be a smart decision to wait it out. If it does not end, then perhaps you should not wait, and you should find another person to whom you can say these things without lying. But perhaps it always happens, no matter which girl or boy you are trying to love, in which case you might as well stay where you are because you would repeat the same process with anyone else.
”
”
Haley Tanner (Vaclav & Lena)
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. “But as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.”
There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke.
His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body.
His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age.
“We did it, didn’t we?” Raven said softly, bringing Gregori back to his body. “She’s a girl.”
Gregori stepped away from Raven, holding on to his composure with his great strength of will.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences."
"It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly."
Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course."
Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself."
"How could anyone resist you?" Phoebe asked, half-mocking, half-sincere.
He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them."
"Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?"
"Is that a question?"
"Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
And so when the generation, which itself desired to level and to be emancipated, to destroy authority and at the same time itself, has, through the scepticism of the principle association, started the hopeless forest fire of abstraction; when as a result of levelling with this scepticism, the generation has rid itself of the individual and of everything organic and concrete, and put in its place 'humanity' and the numerical equality of man and man: when the generation has, for a moment, delighted in this unlimited panorama of abstract infinity, unrelieved by even the smallest eminence, undisturbed by even the slightest interest, a sea of desert; then the time has come for work to begin, for every individual must work for himself, each for himself. No longer can the individual, as in former times, turn to the great for help when he grows confused. That is past; he is either lost in the dizziness of unending abstraction or saved for ever in the reality of religion. Perhaps very many will cry out in despair, but it will not help them--already it is too late...Nor shall any of the unrecognizable presume to help directly or to speak directly or to teach directly at the head of the masses, in order to direct their decisions, instead of giving his negative support and so helping the individual to make the decision which he himself has reached; any other course would be the end of him, because he would be indulging in the short-sighted compassion of man, instead of obeying the order of divinity, of an angry, yet so merciful, divinity. For the development is, in spite of everything, a progress because all the individuals who are saved will receive the specific weight of religion, its essence at first hand, from God himself. Then it will be said: 'behold, all is in readiness, see how the cruelty of abstraction makes the true form of worldliness only too evident, the abyss of eternity opens before you, the sharp scythe of the leveller makes it possible for every one individually to leap over the blade--and behold, it is God who waits. Leap, then, into the arms of God'. But the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' neither can nor dares help man, not even his most faithful disciple, his mother, or the girl for whom he would gladly give his life: they must make the leap themselves, for God's love is not a second-hand gift. And yet the 'unrecognizable' (according to his degree) will have a double work compared with the 'outstanding' man (of the same degree), because he will not only have to work continuously, but at the same time labour to conceal his work.
”
”
Søren Kierkegaard (The Present Age)
“
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?"
"Because we can't handle this on our own. At least I don't think we can."
"You said yourself you already have some Prodigium working with you. Why not go to them?"
"We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me."
Most girls got flowers. I got a dirt put used for demon raising. Nice.
"Thanks," I replied. "But don't you want in on this?"
He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said.
Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo.
And even though I'm a twisty and complicated girl, I knew what my answer had to be.
"It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue.
Not that I could say any of that.
Archer's face was blank as he said, "Cool. Got it."
"Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers.
Still, I was not prepared for the nightmares climbing out of the crater.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
In 1944-1945, Dr Ancel Keys, a specialist in nutrition and the inventor of the K-ration, led a carefully controlled yearlong study of starvation at the University of Minnesota Laboratory of Physiological Hygiene. It was hoped that the results would help relief workers in rehabilitating war refugees and concentration camp victims. The study participants were thirty-two conscientious objectors eager to contribute humanely to the war effort. By the experiment's end, much of their enthusiasm had vanished.
Over a six-month semi-starvation period, they were required to lose an average of twenty-five percent of their body weight." [...] p193
p193-194
"...the men exhibited physical symptoms...their movements slowed, they felt weak and cold, their skin was dry, their hair fell out, they had edema. And the psychological changes were dramatic. "[...]
p194
"The men became apathetic and depressed, and frustrated with their inability to concentrate or perform tasks in their usual manner. Six of the thirty-two were eventually diagnosed with severe "character neurosis," two of them bordering on psychosis. Socially, they ceased to care much about others; they grew intensely selfish and self-absorbed. Personal grooming and hygiene deteriorated, and the men were moody and irritable with one another. The lively and cooperative group spirit that had developed in the three-month control phase of the experiment evaporated. Most participants lost interest in group activities or decisions, saying it was too much trouble to deal with the others; some men became scapegoats or targets of aggression for the rest of the group.
Food - one's own food - became the only thing that mattered. When the men did talk to one another, it was almost always about eating, hunger, weight loss, foods they dreamt of eating. They grew more obsessed with the subject of food, collecting recipes, studying cookbooks, drawing up menus. As time went on, they stretched their meals out longer and longer, sometimes taking two hours to eat small dinners. Keys's research has often been cited often in recent years for this reason: The behavioral changes in the men mirror the actions of present-day dieters, especially of anorexics.
”
”
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
“
In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and on our children. In reality, the feminist movement could be said to be trying to visualize and make way for a world in which abortion would not be necessary; a world free from poverty and rape, in which young girls would grow up with intelligent regard for and knowledge of their bodies and respect for their minds, in which the socialization of women into heterosexual romance and marriage would no longer be the primary lesson of culture; in which single women could raise children with a less crushing cost to themselves, in which female creativity might or might not choose to express itself in motherhood. Yet, when radical feminists and lesbian/feminists begin to speak of such a world, when we begin to sketch the conditions of a life we have collectively envisioned, the first charge we are likely to hear is a charge of violence: that we are “man-haters.” We hear that the women’s movement is provoking men to rape; that it has caused an increase in violent crimes by women; and when we demand the right to rear our children in circumstances where they have a chance for more than mere physical survival, we are called fetus-killers. The beating of women in homes across this country, the rape of daughters by fathers and brothers, the fear of rape that keeps old—as well as young—women off the streets, the casual male violence that can use a car to run two jogging women off a country road, the sadistic exploitation of women’s bodies to furnish a multibillion-dollar empire of pornography, the decision taken by powerful white males that one-quarter of the world’s women shall be sterilized or that certain selected women—poor and Third World—shall be used as subjects for psychosurgery and contraceptive experiments—these ordinary, everyday events inevitably must lead us to ask: who indeed hates whom, who is killing whom, whose interest is served, and whose fantasies expressed, by representing abortion as the selfish, willful, morally contagious expression of woman’s predilection for violence?
”
”
Adrienne Rich (On Lies, Secrets, and Silence: Selected Prose 1966-1978)
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
Emma, I came out here to tell you that you don't have to mate with Grom."
I raise a brow. "Uh, I was never going to mate with Grom."
"What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-"
"I don't have to mate with Grom," I finish for him.
"That's what I just said."
"I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom."
He grins. "Exactly."
"But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?"
He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do."
He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes.
"Thank you," I tell him as he walks around to the driver's side.
"It's a little late to blush," he says, strapping in.
"I don't think I'll ever stop blushing."
"I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet."
I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me?
For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level.
But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his.
I pull back. "Right. Sorry."
He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you."
I laugh, even as a charge runs through my veins. "Yeah. No."
He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up."
"Let me think about it some more," I tell him on the brink of giggling at his expression.
"I'll see what I can do to help you make up your mind."
We stay parked for another fifteen minutes. But at least we're not broken up anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity.
Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue.
‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
”
”
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
“
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work."
A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok.
People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact.
Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety.
So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars.
And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality.
And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent.
The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
”
”
Peter Joseph