Dc Movie Quotes

The publishers of Superman comic books, National Periodical Publications [later DC Comics], killed my days, murdered my nights, choked my happiness, strangled my career. I consider National's executives economic murderers, money-mad monsters. I, Jerry Siegel, the co-originator of Superman, put a curse of the Superman movie!

It didn't matter. Carson wasn’t the one for me. He wasn’t even the one for right now. My life would hopefully have its great love story but this wasn't it. It would happen in D.C. in the next four years or it would happen in Africa, if I ever got there, or in Sienna or, for all I knew, Kentucky or Timbuktu. Life was long. And people only really had great love affairs in high school in the movies. And maybe during world wars. But this was not a movie and not a war, even if it sometimes felt that way. It was only high school and it was almost over with anyway.

Batman was the only D.C. title in the bunch, and just barely. He had liked the movies more than the books, but there was something about the character that he just couldn’t dismiss. Maybe it was the fact that Batman was just a man with a neat suit. No super powers, no glowing rocks, no fast-motion – just a man with a mission. Man with a mission.

A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.

I want more with you, Emmy. I want to come home to you every night and I want to take you out to dinner in the city. I want to hold your hand on the sidewalk and I want to kiss you in the rain. I want all that shit they talk about in the movies. I’m going to be honest with you, though. I don’t have a fucking clue how to be in a relationship or how to be a boyfriend, but I’m going to learn. I’m going to try, and you’re the only person I’d ever want to try with. This isn’t just sex to me, and it hasn’t been for a while. If keeping it casual is the only way I get to keep you, then so be it. But I think you want something more too.

L.A. Burning is a great ride, a blast of adrenaline, a lightning-paced insider's tour of the movie business with a memorable heroine in the driver's seat. Cody Bonner is a true original--we're rooting for her from page one, and she holds us in suspense to the very end. Excellent. --JOSEPH FINDER, New York Times bestselling author of House on Fire. Some books stay with you long after you finish them, and I can’t get Cody Bonner’s voice out of my head. Tough, resourceful, and hell-bent on revenge for the death of her twin sister, she leads us on a thrilling yet heartbreaking journey through some of LA’s most glittering—and meanest—streets. Unforgettable, original, and highly recommended. —HILARY DAVIDSON, bestselling author of Her Last Breath

Riley: I have to ask you something. Heroine: Shoot… Riley: Bear with me. I can’t believe that we haven’t discussed this yet so I’m a little nervous. Heroine: Now I’m nervous. Riley: You have nothing to worry about. Your life will continue just fine. It’s mine that might come crashing down here. Riley: How do you feel about comics and superheroes? Heroine: DC or Marvel? Heroine: Nevermind, that’s a terrible question. I’d never want to choose. I love the ensembles. The Avengers, the X-Men, the Justice League. Heroine: But I haven’t read any in 20 years. I’ve caught up with the movies as they’ve been released, though. Most of them have been really good. Heroine: Are you still with me? Riley: Yes. Sorry. I just spontaneously orgasmed. Heroine: What? Riley: Nothing. But I’ll talk to you later. Something just popped up.

Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department. I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed. When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town. Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.

Ominously, food production is beginning to flatten out, both in world grain production and in food harvested from the oceans. The UK government’s chief scientist warned of a perfect storm of exploding population and falling food and energy supplies by 2030. The world will have to produce 70 percent more food by 2050 to feed an extra 2.3 billion people, the UN’s Food and Agriculture Organization has said, or else face disaster. These projections may underestimate the true scope of the problem. With hundreds of millions of people from China and India entering the middle class, they will want to enjoy the same luxuries that they have seen in Hollywood movies—such as two cars, spacious suburban homes, hamburgers and French fries, etc.—and may strain the world’s resources. In fact, Lester Brown, one of the world’s leading environmentalists and founder of the World Watch Institute in Washington, D.C., confided to me that the world may not be able to handle the strain of providing a middle-class lifestyle to so many hundreds of millions of people.

University, where she is an adjunct professor of education and serves on the Veterans Committee, among about a thousand other things. That’s heroism. I have taken the kernel of her story and do what I do, which is dramatize, romanticize, exaggerate, and open fire. Hence, Game of Snipers. Now, on to apologies, excuses, and evasions. Let me offer the first to Tel Aviv; Dearborn, Michigan; Greenville, Ohio; Wichita, Kansas; Rock Springs, Wyoming; and Anacostia, D.C. I generally go to places I write about to check the lay of streets, the fall of shadows, the color of police cars, and the taste of local beer. At seventy-three, such ordeals-by-airport are no longer fun, not even the beer part; I only go where there’s beaches. For this book, I worked from maps and Google, and any geographical mistakes emerge out of that practice. Is the cathedral three hundred yards from the courthouse in Wichita? Hmm, seems about right, and that’s good enough for me on this. On the other hand, I finally got Bob’s wife’s name correct. It’s Julie, right? I’ve called her Jen more than once, but I’m pretty sure Jen was Bud Pewtie’s wife in Dirty White Boys. For some reason, this mistake seemed to trigger certain Amazon reviewers into psychotic episodes. Folks, calm down, have a drink, hug someone soft. It’ll be all right. As for the shooting, my account of the difficulties of hitting at over a mile is more or less accurate (snipers have done it at least eight times). I have simplified, because it is so arcane it would put all but the most dedicated in a coma. I have also been quite accurate about the ballistics app FirstShot, because I made it up and can make it do anything I want. The other shot, the three hundred, benefits from the wisdom of Craig Boddington, the great hunter and writer, who looked it over and sent me a detailed email, from which I have borrowed much. Naturally, any errors are mine, not Craig’s. I met Craig when shooting something (on film!) for another boon companion, Michael Bane, and his Outdoor Channel Gun Stories crew. For some reason, he finds it amusing when I start jabbering away and likes to turn the camera on. Don’t ask me why. On the same trip, I also met the great firearms historian and all-around movie guy (he knows more than I do) Garry James, who has become

Clanton and, given the circumstances, seemed far too close to home. Stella was halfway through her sophomore year and eager to move on. She loved Hollins but longed for the anonymity of a big city. At college, everyone knew her and now knew about her father. She wanted strangers in her life, people who didn’t know or care where she was from. On the romantic front, there wasn’t much activity. Over the Thanksgiving break she’d met a boy in D.C. and they had gone dancing twice and to the movies once. He was a student at Georgetown, had a nice family and all, appeared to be well groomed and mannered, and he was writing her letters, but there was really no spark. She’d string him along for another month or so, then break his heart. Joel reported even more tepid progress. A few dates here and there but none worth talking about. He claimed he really wasn’t in the market, what with three years of law school on the horizon. He had always vowed to remain single until his thirtieth birthday.

Compared to all this, Ronstadt and Browne were still trying to graduate from the kids' table. Ronstadt had released her first album for Geffen, Don't Cry Now, in September 1973. Browne followed a few weeks later, in October, with his second album, For Everyman. Both albums sold respectably, but neither cracked the Top 40 on the Billboard album chart. And while Geffen had great expectations for both artists, in early 1974 each was still building an audience. Their tour itinerary reflected their transitional position. It brought them to big venues in Detroit, Boston, Philadelphia, and Washington, DC, but also took them far from the bright lights to small community theaters and college campuses in Oxnard, San Luis Obispo, New Haven, and Cortland, New York. At either end, there wasn't much glamour in the experience. They had moved up from the lowest rung on the touring ladder, when they had lugged their gear in and out of station wagons, but had progressed only to a Continental Trailways bus without beds that both bands crammed into for the late-night drives between shows. "The first thing that happened is we were driving all night, and the next morning we were exhausted," Browne remembered. "Like, no one slept a wink. We were sitting up all night on a bus."' "Touring was misery," Ronstadt said, looking back. "Touring is just hard. You don't get to meet anybody. You are always in a bubble . . . You saw the world outside the bus window, and you did the sound check every day."9 The performances were uneven, too. "While Browne is much more assured and confident on stage than he was a year or two ago, he's still very much like a smart kid with a grown-up gift for songwriting," sniffed Judith Sims of Rolling Stone. She treated Ronstadt even more dismissively, describing her as peddling "country schmaltz."' The young rock journalist Cameron Crowe, catching the tour a few days later in Berkeley, described Browne's set as "painfully mediocre."" But Ronstadt and Browne found their footing as they progressed, each alternating lead billing depending on who had sold more records in each market. By the time the cavalcade rolled into Carnegie Hall, the reception for Browne and Ronstadt was strong enough that the promoters added a second show. In February 1974, Jackson Browne and Linda Ronstadt were still at the edge of the stardom they would soon achieve.

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-read wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Stevie. Curly hair and amazing ass. Won’t sleep with me, but I hope she changes her mind.”  Scrolling to the Denver tab, she clicks on it. “Stevie. Has an attitude. Likes basketball and is down to eat burgers.” She exits out, finding Washington DC next. “Stevie,” she continues. “Best sex of my life.”  She keeps going to Calgary. “Stevie. Snuck her into my hotel room to watch movies with me all night.” San Jose. “Stevie. Insane blowjob in the shower. Wore my T-shirt to bed.” Next, she finds Vancouver. “Stevie. Came to my game. My favorite person to hang out with.

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-red wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Laura Waters Hinson, an award-winning documentary filmmaker based in Washington, D.C., described it to me: If you think about the fact that 95 percent of all movies you see are created through a male lens—that’s a staggering thought. The vast majority of the media that we consume, that is shaping our souls in a lot of ways, is created by men. And I love men! But no wonder so much of it is violent or sexualized. This

A celeb is only a celeb if you remember them. It’s like we disappear if no one is paying any attention. We think we have all the power, but it’s actually the public who decides, just like with politicians. Except it’s really the record and movie execs and probably a few guys in a room in Washington, D.C., who control the purse strings and give the public the next number-one Billboard singer and movie star and president, but they make it seem like the public chose it so no one gets too upset.

The Western mind is highly geared up for believing immensely dumb things thanks to the astonishing prevalence of 'superhero' culture – a literally spectacular vehicle for the most delusional magical thinking, entirely religious in its fundamental nature since it is so reliant on an assortment of weird messiahs with their various super powers coming to save humanity. What is entirely absent from superhero movies is ordinary people with agency, capable of changing the world themselves without any superheroes, which is to say without divine intervention.

Superheroes are just Jesus Christ with a penchant for extreme violence (i.e., Jesus Christ perfected by the Second Amendment!). To enjoy a superhero movie, you already need to be ninety percent Christian in your basic worldview.

you’re a fan of Marvel or DC or Fast & Furious or the Planet of the Apes, you’ve got to be a fan of the movies.

she decided. “You know it.” Jeffords said, “I thought my destiny was to be shish kebab.” Now that his ordeal and the escape therefrom were over, and he'd cleaned himself up as best he could with no change of clothing, he no longer looked so much terrified as worn down by a long-term but not quite terminal disease. His eyes were wide, and shadowed all around with light gray, like dustings from a tombstone. His lips were pale, mouth wider than before in an unconscious rictus, and twitching from time to time. The tops of his ears seemed to lean closer to his head. His hands moved constantly, and Meehan didn't look forward to watching him try to eat an omelet. To calm him, if possible, Meehan said, “Well, it's over.” “I don't know about that,” Jeffords said. “I had to make contact with Bruce, of course, tell Bruce to get the word to the president and to stomp on Arthur hard, because everybody in DC”—lowering his voice, looking guiltily around like a conspirator in a silent movie—“is very worried about this situation. This could blow up in everybody's faces, this could be worse than Watergate, worse than Iran-Contra, worse than the little blue dress.” Meehan said, “You people kinda specialize in farce down there in DC, don't you?” “Not on purpose,” Jeffords said. “No, I didn't say you did anything on purpose, down there in DC,” Meehan agreed. “But when you say everybody in DC is worried about this operation, just how many people is everybody? How many people are looking over my shoulder here? The Joint Chiefs of Staff ? The attorney general? The surgeon general?

Fate does not make mistakes

And monkey's brains, though popular in Cantonese cuisine, are not often to be found in Washington, DC.

Joker Tattoos: Who Gets The Last Laugh? Every few years, interest in DC’s iconic character ‘Joker’ resurfaces. Sometimes it’s a new movie or comic that finds its way into the public sphere, shedding new light upon the twisted psyche of a character that has terrified Gotham and fans alike. Most recently, Joaquin Phoenix’s take on the role has gotten people talking – a lot! Other times, it might just be a guy in a clown suit terrorizing local towns, causing media outlets to run wild with theories on whether The Joker is a bad influence on the youth.