Davenport Quotes

We've searched our database for all the quotes and captions related to Davenport. Here they are! All 100 of them:

Money isn't everything...but it ranks right up there with oxygen.
Rita Davenport
Miss Butterworth and the Mad Baron,” Sebastian said approvingly. “Excellent choice.” “You have read this?” Alexei asked. “It’s not as good as Miss Davenport and the Dark Marquis, of course, but worlds better than Miss Sainsbury and the Mysterious Colonel.” Harry found himself rendered speechless. “I’m reading Miss Truesdale and the Silent Gentleman right now.” “Silent?” Harry echoed. “There is a noticeable lack of dialogue,” Sebastian confirmed.
Julia Quinn (What Happens in London (Bevelstoke, #2))
If he’s the stripper, then who are you?” “I’m Cash Davenport. I own the club.
M. Leighton (Down to You (The Bad Boys, #1))
If idiots could fly, the sky would be like an airport.
Laura Davenport
Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.
Billy Collins (Picnic, Lightning)
Time passes, but sometimes it beats the shit out of you as it goes.
John Sandford (Easy Prey (Lucas Davenport, #11))
The poet is at the edge of our consciousness of the world, finding beyond the suspected nothingness which we imagine limits our perception another acre or so of being worth our venturing upon.
Guy Davenport (The Geography of the Imagination: Forty Essays)
It’s the way of the world, man. There are the worker bees, and the manager bees. The worker bees take care of the work, the manager bees take care of themselves.
John Sandford (Field of Prey (Lucas Davenport #24))
Music spirals out of the radios, and it is splendid to drowse on the davenport, to be warm and fed, to feel the sentences hoist her up and carry her somewhere else.
Anthony Doerr (All the Light We Cannot See)
But why, she thought wryly, did a man seem more attractive as he became less available? How humbling to think one had so much in common with a cow stretching its neck through a gate for better grass.
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
But gratitude would not have me love you as I do. Love was inspired by what you are - the good, the bad, and even the foolish, which is what you're being right now.
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
it is splendid to drowse on the davenport, to be warm and fed, to feel the sentences hoist her up and carry her somewhere else.
Anthony Doerr (All the Light We Cannot See)
Winning her would be like coaxing a butterfly to land on his hand. Patience, gentleness, and perhaps a prayer or two would be required.
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
She was kahuna, creating more life around her than was actually there, heightening the momentousness of each living thing by simply gazing upon it.
Kiana Davenport (Shark Dialogues)
They were shot with a shotgun and put in garbage bags and thrown under a bridge," Shrake said. "If it wasn't murder, it was a really weird accident.
John Sandford (Storm Prey (Lucas Davenport, #20))
Life is a good deal more comfortable if one doesn't expect it to be fair.
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
I’m not taking a chance. I feel like I can’t breathe without you. I’m just doing what I need to do to survive. It’s as simple as that.” “Then let me be your air,” he says quietly.
M. Leighton (Everything for Us (The Bad Boys, #3))
The thing about Botox is that when you've had too much, you then have to fake reactions just to look human--and it's impossible to distinguish real fake reactions from fake fake reactions.
John Sandford (Invisible Prey (Lucas Davenport, #17))
Art is always the replacement of indifference by attention.
Guy Davenport
First she got Jesus, probably fifteen years ago, and that didn’t work out, so she tried Scientology, and that didn’t help, but it cost a lot of money, so she tried Buddhism and yoga, and those didn’t work, so she started drinking. I think that helped, because she’s still drinking.
John Sandford (Buried Prey (Lucas Davenport, #21))
Her Pan-Cake makeup was cracking like a dried-out Dakota lake bed.
John Sandford (Rules Of Prey (Lucas Davenport, #1))
When Heraclitus said that everything passes steadily along, he was not inciting us to make the best of the moment, an idea unseemly to his placid mind, but to pay attention to the pace of things. Each has its own rhythm: the nap of a dog, the procession of the equinoxes, the dances of Lydia, the majestically slow beat of the drums at Dodona, the swift runners at Olympia.
Guy Davenport (The Geography of the Imagination: Forty Essays)
If there were honorary degrees for assholes, he’d be a doctor of everything,” Lily said.
John Sandford (Shadow Prey (Lucas Davenport #2))
To have failed is to have striven, to have striven is to have grown.
Maltbie Davenport Babcock
Does Raggedy Ann have a cotton crotch?
John Sandford (Silent Prey (Lucas Davenport, #4))
If you allow an experienced man of the world to introduce you to passion when you want him more than he wants you, he will own your soul, but you will not own his.
Mary Jo Putney (The Bargain (Davenport #0.5; Regency #1))
He was becoming aware that there was no such thing as over-the-top with Lawrence Davenport, as long as you were talking to Lawrence Davenport about Lawrence Davenport.
Jeffrey Archer (A Prisoner of Birth)
For Guy Davenport--whom he told me John Barth once called the last modernist--modernism is 'a renaissance of the archaic'.
Lance Olsen
I'll bring pajamas " she said. "Yeah? You have any idea how old I am?" "Not nearly as old as you're gonna be by midnight.
John Sandford (Chosen Prey (Lucas Davenport, #12))
Somewhere along the line, it occurred to him that he hadn't spoken to Virgil Flowers. He'd probably taken the day off, and knowing Flowers, he'd done it in a boat. The thing about Flowers was, in Lucas's humble opinion, you could send him out for a loaf of bread and he'd find an illegal bread cartel smuggling in heroin-saturated wheat from Afghanistan. Either that, or he'd be fishing in a muskie tournament, on government time. You had to keep an eye on him.
John Sandford (Stolen Prey (Lucas Davenport, #22))
Flowers said, “I got two bottles of water in the car.” “Get them. And get your gun,” Lucas said. “The gun? You think?” “No. I just like to see you wearing the fuckin’ gun for a change,” Lucas said. “C’mon, let’s get moving.
John Sandford (Invisible Prey (Lucas Davenport, #17))
Recognizing who you are is not the subtext of a life. It's the main point.
Kiana Davenport (HOUSE OF SKIN PRIZE-WINNING STORIES)
Even thinking was hard.
John Sandford (Naked Prey (Lucas Davenport, #14))
Never underestimate the value of the ministry you have in the place where God has called you—even if it’s “only” among your family and friends. — Jenni Davenport —
Gary Chapman (Love Is a Verb Devotional: 365 Daily Inspirations to Bring Love Alive)
To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket--spread to camouflage the worn-out Outside--confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!
Ken Kesey (Sometimes a Great Notion)
Money isn't everything, but it's right up there with oxygen.
Rita Davenport
Later it will occur to him that checking your feelings, holding them inside where they burn, is what a leader has to do. Every day.
Stephen Davenport (Saving Miss Oliver's (Miss Oliver's School for Girls, #1))
Sometimes when reading Goethe I have a paralyzing suspicion that he is trying to be funny.
Guy Davenport
Because she may be our Kit, but she was my Vixen. And no one fucks with what’s mine.
Tate James (The Dragon's Wing (Kit Davenport, #2))
Lucas’s position was supine: that is, whenever he heard people arguing about it, he wanted to lie down and take a nap.
John Sandford (Buried Prey (Lucas Davenport, #21))
There is no one so cruel as those closest to you.
L.A. Davenport
I could have picked up a stomach bug or eaten something which didn’t agree with me.” Wyatt’s gaze dropped to my belly and then moved back up to my face to meet mine. “You didn’t catch anything except my baby.” I
Fiona Davenport (Baby, You're Mine (Yeah, Baby, #1))
It took me a couple of months to realize I was in love with her. Well, probably not to realize it. More like to admit it. And when I did, I knew that was why I had chosen to stay away from her. I love her enough to want her to be happy and safe and successful, and all that other shit. I want her to have everything she wants in life. - Nash
M. Leighton (Everything for Us (The Bad Boys, #3))
Mrs Ross adjusted her veil but did not put the flask away... 'Why is this happening to us, Davenport? What does it mean - to kill your children? Kill them and then go in there and sing about it! What does that mean?' She wept-but angrily.
Timothy Findley (The Wars)
Carol Druze Was A Stone Killer.
John Sandford (Eyes of Prey (Lucas Davenport, #3))
Cinnamon Girl" wasn't right for this day, for this time, for what was about to happen. If he were to have music, he thought, maybe Shostakovich, a few measures from the Lyric Waltz in Jazz Suite Number 2. Something sweet, yet pensive, with a taste of tragedy; Qatar was an intellectual, and he knew his music.
John Sandford (Chosen Prey (Lucas Davenport, #12))
The moment the winning bidder takes me is the moment I flip the roles. You can doubt me all you want, but I will not kneel to any man a moment longer. Let them beat me. Let them kill me. I will go down as Everleigh Davenport and no one will take that away from me. Don’t believe me?” She slowly closed the distance between us, “Have me whipped. See if break.
A.A. Dark (24690 (24690 #1))
Some people would say bullshit is the grease that gets people through life,” Weather said. “Other people,” Letty said. “Not me.
John Sandford (The Investigator (Letty Davenport, #1))
Never been there, the Middle East," Qatar said vaguely.
John Sandford (Chosen Prey (Lucas Davenport, #12))
Zach tagged along after her, feeling like a stray mutt panting after a purebred poodle.
Jami Davenport (Down by Contact (Seattle Lumberjacks, #3))
But you like it, don’t you? You like me like this. You want me to take what I need. You want to be free with me, don’t you? - Nash
M. Leighton (Everything for Us (The Bad Boys, #3))
LIKE ANY GOOD MINNESOTAN, Lucas rarely missed the TV weather before going to bed.
John Sandford (Hidden Prey (Lucas Davenport, #15))
Lives do not have plots, only biographies do.
Guy Davenport (The Hunter Gracchus: And Other Papers on Literature and Art)
When we love something we never give up.
Beverley Lee (A Shining in the Shadows (Gabriel Davenport #2))
One of the things that we admire about porcelain is its delicate fragility. We should learn to appreciate the same in people.
L.A. Davenport
Heresy is just philosophy that the establishment doesn’t approve of,
Mary Jo Putney (The Rake (Davenport, #2))
He’d done it again. Screwed up in a social situation and dragged the whole team down with hm. His new team. The ones who were counting on him to be a leader on and off the field. He’d led them, all right, almost into a brawl.
Jami Davenport (Down by Contact (Seattle Lumberjacks, #3))
But the laughter was like a water bug on a pond, skating across the surface of his mind. He was amused and he laughed, but nothing was deeply funny; life was simply stupid most of the time.
John Sandford (Secret Prey (Lucas Davenport, #9))
He only knows great teachers can bore into someone else's mind like this -- only they have this kind of power. Maybe that's why teachers are paid so little: what they earn has more power than money.
Stephen Davenport
The meaning of the world, said Wittgenstein, is outside the world. Events and values are distinguishable only in relation to others. A totality of events and values, the world itself, requires another.
Guy Davenport
You’re saying the media is dangerous, immoral, and antidemocratic?” “Well . . . yes,” Henderson said. “They don’t recognize it in themselves, but they’re basically criminals. In the classic sense of that word.
John Sandford (Silken Prey (Lucas Davenport #23))
With trembling legs, Beth forced herself to stand. The smoke rose, spreading in a slow, measured ebb and flow. It looked like it was breathing. She was beyond fear now, trapped in that primeval place of fight or flight. She
Beverley Lee (The Making of Gabriel Davenport (Gabriel Davenport #1))
If I have an ambition, it’s to leave the world a little better than I found it.
Mary Jo Putney (The Rake (Davenport, #2))
Felt the dark finger of hypocrisy stroking his soul.
John Sandford (Easy Prey (Lucas Davenport, #11))
There are more numb-nuts around here than in the Florida state legislature, which, believe me, was a whole passel of numb-nuts.
John Sandford (The Investigator (Letty Davenport, #1))
The light is dying, as all light must.
Guy Davenport (7 Greeks)
Our business in life is not to get ahead of other people, but to get ahead of ourselves.
Maltbie Davenport Babcock
The birds suffer their suffering each in a lifetime, forgetting it as they go.
Guy Davenport
Intimacy is the ability to be close, to be authentic, and to feel safe as you reveal yourself to another.
Barrie Davenport (Finely Tuned: How To Thrive As A Highly Sensitive Person or Empath)
What is the point of fainting into a man's arms if you are not conscious to enjoy it?
Marie Silk (Davenport House (Davenport House #1))
It is not what happens to you or for you that makes you grateful. It's how you respond to what is happening, that shows your belief about gratitude.
Sumner M. Davenport
Never fear having your ideas stolen. Your creative idea is a image you are painting like a picture on a canvas, they may "steal" your idea, however they cannot steal your paints.
Sumner M. Davenport
—La mayoría de las mujeres son extraordinarias. Compensa el hecho de que la mayoría de los hombres no lo sean —soltó Alys y, al instante, se mordió la lengua". (de "Pecado y virtud")
Mary Jo Putney (The Rake (Davenport, #2))
She felt the truck tip again, and she sucked in her breath. We're going to die right now, aren't we? You might, but we're immortal. She glared at Gideon. What kind of comfort is that?
Stephanie Rowe (Darkness Seduced (Order of the Blade #2))
Something of the previous state, however, survives every change. This is called in the language of cybernetics (which took it form the language of machines) feedback, the advantages of learning from experience and of having developed reflexes.
Guy Davenport
Now the woman, she was another story. Her instinct was strong. She had sensed the darkness. But she was curious. Afraid. Soon she would return, because she had to. All she had to do was lift the lid. It would dispose of her in a little while. Once night had fallen. All it wanted was the child.
Beverley Lee (The Making of Gabriel Davenport (Gabriel Davenport #1))
Rules, whether they govern sexual morality or financial probity, regardless of whether they are justifiable or undesirable, always provoke bold recalcitrants to devise clever, defiant ways to breach them.
Richard Davenport-Hines (An English Affair: Sex, Class and Power in the Age of Profumo)
I could live here,” Del said. “No, you couldn’t. You’d turn into a coot and hang out at the general store, with your fly down,” Lucas said. “You’d be known for goosing middle-aged women. You’d be the town embarrassment.
John Sandford (Field of Prey (Lucas Davenport #24))
Bruiser stared in the mirror hanging in his locker and ran a comb through his blond hair, wishing he had dark hair like Harris, or a mean look like Zach, or even a guy-next-door like Derek. Hell no, he looked like a f***ing movie star and he f***ing hated it. –-Backfield in Motion
Jami Davenport (Backfield in Motion (Seattle Lumberjacks, #4))
We keep waiting for that amazing thing to happen in the future that will be the key to our happiness. But this is it. Right now. Life continues to be a series of right nows. So learn to love right now, and you’ll have an amazing life.
Barrie Davenport
You’re saying the media is dangerous, immoral, and antidemocratic?
John Sandford (Silken Prey (Lucas Davenport #23))
Opportunities do not come with their values stamped upon them. Every one must be challenged. A day dawns, quite like other days; in it, a single hour comes, quite like other hours; but in that day and in that hour the chance of a lifetime faces us
Maltbie Davenport Babcock
Olivia remembered the moment she’d realized that every Black person she knew was touched by the horror of slavery. Sometimes Olivia felt it like a wound hidden deep under smooth skin—one that she didn’t remember receiving but that ached nonetheless.
Krystal Marquis (The Davenports (The Davenports, #1))
NARCISSISTIC PERSONALITY DISORDER: Has excessive feelings of self-importance. Reacts to criticism with rage. Takes advantage of other people. Disregards the feelings of others. Preoccupied with fantasies of success, power, beauty, and intelligence. •   •   •
John Sandford (Silken Prey (Lucas Davenport #23))
The woman types everything into her computer, raising her eyebrows slightly at Devon's middle name. "Devon Sky Davenport," she repeats. "Sky? S-k-y?" "Yes," Devon says, addressing the back of the computer monitor rather than the woman's face directly. "S-k-y. As in"---she swallows---"as in, 'the sky's the limit.'" But Devon doesn't volunteer any further explanation, doesn't explain to the women the story behind the name. That, in fact, "the sky's the limit" is how Devon's mom has always defined Devon and her supposed potential in life. Her mom would say it when Devon brought home a flawless report card or when Devon received a stellar postseason evaluation from her coach or when a complete stranger commented on Devon's exceptional manners or after the Last Loser packed his stuff and walked out. "You'll be Somebody for both of us," her mom would say. Not anymore, Mom. Everything's changed. Now, for me, "the sky" isn't anything but flat and gray and too far away to ever reach. She takes a deep breath. If you were here with me, you'd see it for yourself.
Amy Efaw (After)
Now Flowers was arguing the same thing back to him. If Dannon and Carver had killed Tubbs, Lucas wouldn’t find out about it except by accident. If justice were to be done, it would have to be extrajudicial.
John Sandford (Silken Prey (Lucas Davenport #23))
Man was first a hunter, and an artist: his early vestiges tell us that alone. But he must always have dreamed, and recognized and guessed and supposed, all the skills of the imagination. Language itself is a continuously imaginative act. Rational discourse outside our familiar territory of Greek logic sounds to our ears like the wildest imagination. The Dogon, a people of West Africa, will tell you that a white fox named Ogo frequently weaves himself a hat of string bean hulls, puts it on his impudent head, and dances in the okra to insult and infuriate God Almighty, and that there's nothing we can do about it except abide him in faith and patience. This is not folklore, or quaint custom, but as serious a matter to the Dogon as a filling station to us Americans. The imagination; that is, the way we shape and use the world, indeed the way we see the world, has geographical boundaries like islands, continents, and countries. These boundaries can be crossed. That Dogon fox and his impudent dance came to live with us, but in a different body, and to serve a different mode of the imagination. We call him Brer Rabbit.
Guy Davenport (The Geography of the Imagination: Forty Essays)
The poet and poetess have always had a rough time of it in the Republic. It has ever been their endemic luck to starve, become a Harvard professor, commit suicide, lose their reading glasses before an audience of sophomores, go upon the people a la Barnum, and serve as homework in state universities, where they could in nowise get a position and where their presence usually scatters the English faculty like a truant officer among the Amish.
Guy Davenport (The Geography of the Imagination: Forty Essays)
The day after the assignation with Barstad, the low stacked-heels of Charlotte Neumann, an ordained Episcopalian priest, author of New Art Modalities: Woman/Sin, Sin/Woman, S/in/ister, which, the week before, had broken through the top-10,000 barrier of the Barnes & Noble on-line bestseller list, and who was, not incidentally, the department chairperson, echoed down the hallway and stopped at his door.
John Sandford (Chosen Prey (Lucas Davenport, #12))
DDT stood for Dangerous Darrell Thomas. Thomas had given himself the name when he was riding with a motorcycle club and was interviewed for a public radio magazine. The magazine writer got it wrong, though, and referred to him as TDT--Terrible Darrell Thompson--which lost something of its intent when expressed as initials; and since the writer got the last name wrong, too, Thomas never again trusted the media.
John Sandford (Chosen Prey (Lucas Davenport, #12))
I used to be a Catholic, and when I first started police work, I worried about that. I saw a lot of people dead or dying for no apparent reason . . . not people I killed, just people. Little kids who'd drowned, people dying in auto accidents and with heart attacks and strokes. I saw a lineman burn to death, up on a pole, little bits and pieces, and nobody could help . . . . I watched them go, screaming and crying and sometimes just lying there with their tongues stuck out, heaving, with all the screaming and hollering from friends and relatives . . . and I never saw anyone looking beyond. I think, Michael, I think they just blink out. That's all. I think they go where the words on a computer screen go, when you turn it off. One minute they exist, maybe they're even profound, maybe the result of a great deal of work. The next . . . . Whiff. Gone.
John Sandford (Eyes of Prey (Lucas Davenport, #3))
What Lucas would feel, instead, would be a murderous anger, an iceberg of hate. He would kill anyone who hurt Weather, Sam, or Letty. He’d be cold about it, he’d plan it, but the anger would never go away, and sooner or later, he would find them and kill them.
John Sandford (Invisible Prey (Lucas Davenport, #17))
was going to say anyway. And he got to talk first because he had won the coin toss—heads—a victory over Maura. But at the moment he was wishing he had called tails. As Greg began going over his opening statement for the ninth time, the chairperson of the School Committee said, “For the next item under New Business, we have a proposal about . . . a comic-book club at Ashworth School. Who’s speaking on this?” Greg bounced to his feet and managed to say, “I . . . I am.” The chairperson pointed. “Please come up to the table and talk into the microphone.” Maura thought Greg looked very nice tonight in his blazer and his gray slacks. His black eye was almost gone, and she was pretty sure he had even tried to brush his hair. As Greg went down the center aisle, he got a good look at Mrs. Davenport sitting in the second row with the other principals. She wasn’t smiling.
Andrew Clements (Lunch Money (Rise and Shine))
grew up with guns and I needed them. Most people don’t. All these high-capacity guns flashed by the nutcakes? They’re a disaster. If I had my way, there’d be no guns but single-shot hunting rifles and single-shot shotguns. You could do all the target shooting you want with those. You could hunt to your heart’s content. Of course, you’d actually have to learn how to hunt or how to hit a target, and most of those dimwits don’t want to be bothered.
John Sandford (The Investigator (Letty Davenport, #1))
It is worthwhile adding that the power of the poem to teach not only sensibilities and the subtle movements of the spirit but knowledge, real lasting felt knowledge, is going mostly unnoticed among our scholars. The body of knowledge locked into and releasable from poetry can replace practically any university in the Republic. First things first, then: the primal importance of a poem is what it can add to the individual mind. Poetry is the voice of a poet at its birth, and the voice of a people in its ultimate fulfillment as a successful and useful work of art.
Guy Davenport (The Geography of the Imagination: Forty Essays)
Davenport stood in the middle of it with her arms out from her sides, her fingers spread as the creek churned around her. She was crying now, long sobs that made her whole body shake. I had always thought the world was good, that everyone could find the beauty in themselves. Everyone could honor, and forgive, and live a full and gorgeous life, even when the hands they'd been dealt weren't easy. But what Davenport had been born into had taken so much from her, leaving her with just the wickedest and the worst. Her father had given her life, and then taken every scrap of joy or freedom, and even now that he was dead, all he had left her with was a deep, abiding hatred for what she was. Her power was tremendous, working through her, but it had gone to rot, and without someone to help her and to love her, she did not know how to take it back. "Yes," I said to the fiend, water spilling out of my mouth. "Yes - whatever she needs. Give her whatever she needs.
Brenna Yovanoff (Fiendish)
audience, not interrupting once, only darting a few disbelieving looks at him. ‘God Almighty,’ Painter said when Ryan finished. Davenport just stared poker-faced as he contemplated the possibility of examining a Soviet missile sub from the inside. Jack decided he’d be a formidable opponent over cards. Painter went on, ‘Do you really believe this?’ ‘Yes, sir, I do.’ Ryan poured himself another cup of coffee. He would have preferred a beer to go with his corned beef. It hadn’t been bad at all, and good kosher corned beef was something he’d been unable to find in London. Painter leaned back and looked at Davenport. ‘Charlie, you tell Greer to teach this lad a few lessons – like how a bureaucrat ain’t supposed to stick his neck this far out on the block. Don’t you think this is a little far-fetched?’ ‘Josh, Ryan here’s the guy who did the report last June on Soviet missile-sub patrol patterns.’ ‘Oh? That was a nice piece of work. It confirmed something I’ve been saying for two or three years.’ Painter rose and walked to the corner to look out at the stormy sea. ‘So, what are we supposed to do about all this?
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
What joke?” “The one about the guy who rolls a wheelbarrow full of sawdust out of a construction site every night.” “I don’t know that one,” Cochran said. Lucas said, “The security guy keeps checking and checking and checking the wheelbarrow, thinking the guy had to be stealing something. Never found anything hidden in the sawdust, and nobody cared about the sawdust. Couple of years later, they bump into each other, and the security guy says, ‘Look, it’s all in the past, you can tell me now. I know you were stealing something. What was it?’ And the guy says, ‘Wheelbarrows.
John Sandford (Silken Prey (Lucas Davenport #23))
My ears pricked at a sound from the bathroom, a familiar moan, and I shot up from the bed, racing to the door. Throwing it open, I froze at the sight of Gianna in the shower, with her hand between her legs. Oh, fuck no. Stalking over, I shoved the door open, snatched her wrist away, and used it to drag her up against my body. Bringing her fingers to my mouth, I licked them clean, eliciting another moan. Satisfied that I’d gotten all of her essence, I gripped both of her wrists and anchored them behind her back. “No one makes you come but me,” I snarled. “Not even you. Those sounds, your moans and screams of pleasure, they belong to me, Gianna. They are mine and I will not share them.” I stared at her with a hardened gaze, making sure my warning was clear. “If you need a release, you will come to me, or you will wait. Do you understand?
Fiona Davenport (Devotion (Mafia Ties, #3))
Guy goes to the doc, and he says, ‘Doc, you gotta help me. I got this terrible headache. It feels like somebody is pounding a nail through my forehead. Like I got a big pair of pliers squeezing behind my ears. It’s tension from my job. I can’t stop working right now, but the headache’s killing me. You gotta help.’ So the doc says, ‘You know, I do have a cure. Exactly the same thing happened to me—I was working too much, and I got exactly the same headache. Then one night I was performing oral sex on my wife, and her legs were squeezing my head really tight, really hard, and the pressure must have done something, because the headache was a lot better. So I did this every night for two weeks, and at the end of two weeks, the headache was gone.’ And the guy says, ‘I’m desperate, Doc, I’ll try anything.’ The doc said, ‘Well, then, I’ll see you in two weeks.’ So the guy goes away, and two weeks later he comes back for his appointment and he’s the most cheerful guy in the world. And he says, ‘Doc, you’re a miracle worker. I did just what you told me, and the headache’s gone. Vanished. I feel great. I think it’s got to be the pressure, and—by the way, you’ve got a beautiful home.
John Sandford (Easy Prey (Lucas Davenport, #11))