“
I can't help but smile as I swipe a lone tear trailing down my cheek. How can I not be crazy in love with this guy? Time away from him didn't change anything. I can't deny him another chance. That would be denying myself.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block
“
Try Not to bleed so much on the thorns," he said as I jabbed myself in the palm and hissed in pain. "Right Now, anyone could follow us, and you are leaving a very easy trail."
Right, 'cause I'm bleeding all over the place for shits and giggles." A Bramble caught my hair, and I yanked it free with a painful tearing sound.
-Grimalkin and Meghan
”
”
Julie Kagawa
“
While you were busy trying to prove God stands behind you, God was before me lighting the trail, so he could lead us both.
”
”
Shannon L. Alder
“
I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.
”
”
Kerry Cohen (Loose Girl: A Memoir of Promiscuity)
“
He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
I love you," she whispered.
Richard pulled her tight against him. His fingers traced a trail down the bumps of her spine.
"I feel so frustrated that there aren't any better words than "I love you,"" he said. "It doesn't seem enough for the way I feel about you. I'm sorry there aren't any better words to tell you."
"They are words enough for me."
"Then, I love you, Kahlan. A thousand times, a million times, I love you. Forever.
”
”
Terry Goodkind (Stone of Tears (Sword of Truth, #2))
“
Andrew..,' I shake my head, tears rolling my cheeks, '... it was always you," I whisper harshly. 'Even with Ian, I felt something was missing. I told you, that night in the field; I told you that...,' My voice trails. I smile and say, 'you are my partner in crime. I've known that for a long time.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Another revelation: how much laughter is a part of grief. Laughter is tightly braided into our family argot, and now we laugh remembering my father, but somewhere in the background there is a haze of disbelief. The laughter trails off. The laughter becomes tears and becomes sadness and becomes rage. I am unprepared for my wretched, roaring rage. In the face of this inferno that is sorrow, I am callow and unformed.
”
”
Chimamanda Ngozi Adichie (Notes on Grief)
“
All I know of Inviernos is bloodshed and cruelty and rage and..." Her voice trails off as tears fill her eyes.
"And me," Storm says softly. "You know me.
”
”
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
“
Remember you are water. Of course you leave salt trails. Of course you are crying. Flow. P.S. If there happens to be a multitude of griefs upon you, individual and collective, or fast and slow, or small and large, add equal parts of these considerations: that the broken heart can cover more territory. that perhaps love can only be as large as grief demands. that grief is the growing up of the heart that bursts boundaries like an old skin or a finished life. that grief is gratitude. that water seeks scale, that even your tears seek the recognition of community. that the heart is a front line and the fight is to feel in a world of distraction. that death might be the only freedom. that your grief is a worthwhile use of your time. that your body will feel only as much as it is able to. that the ones you grieve may be grieving you. that the sacred comes from the limitations. that you are excellent at loving.
”
”
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
“
He wrapped his hand around hers, pressed a kiss to the heart of her palm, and held her gaze. “I’ve got a one-room cabin, a few horses, and a dream that’s so small it won’t even cover your palm. But it sure seems a lot bigger when you’re beside me.”
The moonlight streaming through the window shimmered off the tears trailing along her cheeks. “I’ve always wanted a dream that I could hold in the palm of my hand,” she said quietly.
-Houston and Amelia
”
”
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
We cried. The bones and dust of our fathers cried with us.
”
”
Sharon Ewell Foster (Abraham's Well)
“
We're on a Trail / a Trail of Tears / There's Dip on MY Chin / and We're Gonna Die Here.
”
”
John Green (An Abundance of Katherines)
“
I love you, Mary," he says, and that is when I let the tears come. The great heaving sobs of terror and pain that shake my body until I can do nothing but grab on to Travis to anchor me to this spot. He pulls me toward him and I curl around his body as I weep. I fall into darkness with his fingers trailing through my har, my cheeks still wet and my body heaving.
”
”
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
“
When I was a child, an angel came to say,
A true friend is coming my warrior to sweep you away,
It won’t be easy the path because it leads through hell,
But if you’re faithful, it will be the greatest story to tell,
You will move God’s daughters to a place of hope,
Your story will teach everyone there is nothing they can’t cope,
You will suffer a lot, but not one tear will you waste,
Because for all that you do for me, you will be graced,
For I am bringing you someone that wants to travel your trail,
Someone you already met when you passed through heaven’s veil,
A warrior, a friend that whispers your heart’s song,
Someone that will run with you and pull your spirit along,
Don’t you see the timing was love's fated throw,
Because I put you both there to help one another grow,
I am the writer of all great stories your chapters were written by me,
You suffered, you cried because I needed you to see,
That your faith in my ending goes far beyond two,
It was going to change more hearts than both of you knew,
So hush my child and wait for my loving hand,
The last chapter is not written and still in the sand,
It is up to you to finish, before the tide washes it away,
All that is in your heart, I’ve put there for you to say,
This is not about winning, loss or pain,
I made you the way you are because true love stories are insane,
I wrote you in heaven as I sat on its sandy shore,
You know with all of my heart I loved you both more,
There is no better ending two people seeing each other's heart,
Together your spirits will never drift apart,
Because two kindred spirits is what I made you to be,
The waves and beach crashing together because of-- ME.
”
”
Shannon L. Alder
“
Though cast away am I from the heart of my city, black tears dribble from mine eyes at the sight of the fearful trail blazing towards her gates!
”
”
Gene Luen Yang (Avatar: The Last Airbender - The Promise, Part 3 (The Promise, #3))
“
The crazy thing is, I had all of these plans,” he whispered. “What we were going to do. All the places I was going to take you. I really wanted you to meet Harry.” The window breathed in afternoon light. I felt his hand trail down the length of my arm. “We’ll be okay,” Liam said. “We just can’t let them separate us.”
“They won’t,” I whispered. “I was thinking…I know this is going to sound so corny, but…if there’s one good thing that came out of all this, it was that I got to meet you. I would go through it all again—” Tears pricked my eyes. “I would, as long as it meant I’d met you.”
“You really think that?” Liam sat up and pressed his lips against my hair. “’Cause, frankly, the way I see it, you and me? Inevitable.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
...and when the twilight of that ride is finally upon us, we will look at the trail we have taken and at the signs of our passage. And though our tears will be many, we will know that great lives have been lived, and that our memories will forever bind us together.
”
”
John Shors (Beside a Burning Sea)
“
If we just keep walking in one direction," Colin said, "we'll find civilization." Meanwhile, Hassan was singing a song entitled: "We're on a Trail/ a Trail of Tears/ There's Dip on My Chin/ and We're Gonna Die Here.
”
”
John Green (An Abundance of Katherines)
“
My future stretched before me, lonely and bleak—a lifetime of servitude without hope of betterment. An unwanted tear welled up in the corner of my eye. I had learned to swallow them, inhaling sharply or blinking them away. But as I was alone, I let it trail down my cheek.
”
”
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
“
You may not have loved me,' I whisper, my tears dropping onto his face and trailing down the smile lines around his mouth. 'But I loved you, and my love was never a lie.
”
”
Jessica S. Olson (Sing Me Forgotten)
“
He wiped his thumb across the trail of her tears. “If I could, I would get the whole world for you.
”
”
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
“
A kiss about apple pie à la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Dangerous Angels: Five Weetzie Bat Books)
“
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
It just wasn’t supposed to end like this.” She looks at me with red-rimmed eyes and yellow skin. Colors should be a good thing, but now, they’re marks, omens of bad tidings. “I was supposed to grow up, go to college, get a job,” she continues in that gut-clenching croak. “Meet my dream guy, marry, have k-kids. You were going to live next door and we would grow old in the same nursing home. Chuck oatmeal at each other and watch soap operas all day in our rocking chairs. That was my daydream. My perfect life. I don’t want to keep asking myself why until the end, but … ” A lone tear trails down her sunken cheek. This time I don’t reach out to wipe the water away; I let it go. Down, down, until it drips off the side of her jaw. This is humanity. This is life and death in one room.
”
”
Kelsey Sutton (Some Quiet Place (The Other Plane, #1))
“
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
”
”
Mindy McGinnis (The Female of the Species)
“
The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
In this way, racism is rendered as the innocent daughter of Mother Nature, and one is left to deplore the Middle Passage or the Trail of Tears the way one deplores an earthquake, a tornado, or any other phenomenon that can be cast as beyond the handiwork of men.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
Oohrah, kiddo,” Chester said quietly. Ty smiled and squeezed his eyes shut as tears trailed down his face. “Oohrah, Gunny.
”
”
Abigail Roux (Crash & Burn (Cut & Run, #9))
“
so I don’t give up hope. That would be against my nature. I am descended from people who survived the Trail of Tears.
”
”
Margaret Verble (Stealing)
“
The difference between the right word and the almost right word is the difference between the lightening bug and the lightening
~Mark Twain
”
”
Virginia C. Ferguson (Tula's Path: A Cherokee Trail of Tears Story)
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
But on the whole the impression was neither of tragedy nor of comedy. There was no describing it. It was manifold and various; there were tears and laughter, happiness and woe; it was tedious and interesting and indifferent; it was as you saw it: it was tumultuous and passionate; it was grave; it was sad and comic; it was trivial; it was simple and complex; joy was there and despair; the love of mothers for their children, and of men for women; lust trailed itself through the rooms with leaden feet, punishing the guilty and the innocent, helpless wives and wretched children; drink seized men and women and cost its inevitable price; death sighed in these rooms; and the beginning of life, filling some poor girl with terror and shame, was diagnosed there. There was neither good nor bad there. There were just facts. It was life.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Be the man who has the spirit of a ruthless tiger, ravaging every dusty corner of my soul.
Be the man for whom I will tame myself voluntarily..
Be the man who can make me forget my birth date in moments of utter dellusion.
Be the man whose arms are my harbor, whose lips are my shore, and whose name is my only salvation.
Be the man who erases my past and draws my future with trails of roses and kisses.
Be the man who makes me sigh behind the windows of Poetry, longing to be written.
Be the man whose cigarette's ashes are confounded with mine.
Be the man whose voice moves mountains inside me.
Be the man whose eyes devour the innocence within me with every piercing glance.
Be the man for whom I will transform exceptions into rules.
Be the man who will dare to tear this poem from my hands.
The man who will rewrite with the uncertainty of the futur every single one of my verses.
”
”
Malak El Halabi
“
Not a single word existed that could describe all that she was feeling. And she felt everything all at once: happiness, contentment, completion, adoration, even sadness. But the thing that resonated most within her? She felt wanted. She trembled from the scope of emotion. Silent tears trailed her cheeks.
”
”
Karen Cimms (At This Moment (Of Love and Madness, #1))
“
Americans believe in the reality of “race” as a defined, indubitable feature of the natural world. Racism—the need to ascribe bone-deep features to people and then humiliate, reduce, and destroy them—inevitably follows from this inalterable condition. In this way, racism is rendered as the innocent daughter of Mother Nature, and one is left to deplore the Middle Passage or the Trail of Tears the way one deplores an earthquake, a tornado, or any other phenomenon that can be cast as beyond the handiwork of men.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
She was sobering up. She stared silently out the window, trying not to think of the trail of fatherless children and the childrenless father they were leaving in their wake. In her mind it looked like a trail of viscous, salty tears being dragged along behind the black hack. The excitement had left her by then.
”
”
Douglas Stuart (Shuggie Bain)
“
Humphrey will go into a black neighborhood in Milwaukee and drench the streets with tears while deploring “the enduring tragedy” that life in Nixon’s America has visited on “these beautiful little children”—and then act hurt and dismayed when a reporter who covered his Florida campaign reminds him that “In Miami you were talking just a shade to the Left of George Wallace and somewhere to the Right of Mussolini.” Hubert
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
Playing with your mind, that’s what she’s about.” Carrick waved a hand, then tossed the little star that clung to his fingertips out over the water, where it trailed silver light. “Cooking you a meal, making everything, herself included, pretty for you. A more devious female I’ve never known. You’re well shed of her.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
You aren't like your mom."
"I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right."
"So." I'm cautious,hardly daring to believe. "You're moving to California?"
"I have to."
"Right." I swallow hard. "Because of your mom."
"Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night."
His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding-
"You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much."
I'm holding my breath.I can't talk,but my eyes are filling with tears.
He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-"
He starts to stand,but I grab his arm. "No!"
His body freezes. "I'm so sorry," he says. "I never mean to hurt you."
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne."
"Say my name again," he whispers.
I close my eyes and lean forward. "Etienne."
He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?"
Our foreheads touch. "Yes?"
"Will you please tell me you love me? I'm dying here."
And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too.
And in between kisses,I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I lay the chrysanthemum across the stone, letting my fingers trail across the
cut of his name and
ignoring the tears that never seem far from my eyes these days. Even three
months later, I have
nightmares about him. Not his death, though I still have day-mares about
that. My nightmares are much
worse.
“Don’t worry,” I say. “I’ll watch the world while you sleep.
”
”
Mary Elizabeth Summer (Trust Me, I'm Lying (Trust Me, #1))
“
The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight.
She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room.
"That was my heart breaking," he said, his voice ragged.
She felt as though her own heart might shatter as she took a step toward him. "Austin—"
"Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me."
She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted."
"I do know how to love, Loree. I just don't know how to keep a woman loving me."
"I'll always love you, Austin," she said trailing kisses over his face. "Always."
She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you."
-Austin and Loree
”
”
Lorraine Heath (Texas Splendor (Texas Trilogy, #3))
“
He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.
”
”
Annie Proulx (Close Range: Wyoming Stories)
“
Don't cry, my love.' She carefully wiped his tears with her fingers. 'I'm all right.
She gave him a wobbly smile.
His eyes went wide and as blue as a clear sky after a storm.
'How is this...' he trailed off.
It was a little endearing to watch. His sulky mouth gently parted as he seemed to forget how to speak.
'I already told you. You are the love of my life.
You are mine, Jacks of the Hollow. And you're not going to be the end of me.'
'But you were dying.'
'No,' she said, a little embarrassed. 'I just forgot to breathe.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
You should never sit around waiting for life to start because it’s leaving you with every second.”
“You should explore the world,” I said, tears springing to my eyes for no rational reason. “Do dangerous thing. Ignore the fuck out of conventional wisdom. Walk on fire. Treat everyone with kindness because people are the only things worth holding on to. Live without regrets because there is no time for that shit. Never forget the way home, and leave a trail of breadcrumbs if you have to. Love, and get your heart broken, and say fuck it, and love again and then again.
”
”
Kate Canterbary (The Spire (The Walshes, #6))
“
I was in the army.... We went to fight a bad white man, or so the whites told us. We had meetings that were called orientation and education. There were films. It was to show us how this bad white man was doing terrible things in his country. Everybody was angry after the films, and eager to fight. Except me. I was only there because the army paid more than an Indian can earn anywhere else. So I was not angry, but puzzled. There was nothing that this white leader did that the white leaders in this country do not also do. They told us about a place named Lidice. It was much like Wounded Knee. They told us of families moved thousands of miles to be destroyed. It was much like the Trail of Tears. They told us of how this man ruled his nation, so that none dared disobey him. It was much like the way white men work in corporations in New York City, as Sam has described it to me. I asked another soldier about this, a black white man. He was easier to talk to than the regular white man. I asked him what he thought of the orientation and education. He said it was shit, and he spoke from the heart! I thought about it a long time, and I knew he was right. The orientation and education was shit.
”
”
Robert Shea (The Eye in the Pyramid (Illuminatus, #1))
“
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
”
”
Delia Owens (Where the Crawdads Sing)
“
Poppy lowered her head and bit her lip. “That’s the room where he…” she whispered. Her eyes filled with tears. “What? Where he does what…” I trailed off, realizing what she was trying to say. My blood froze inside my veins. The room where he rapes us. He and Rose were in there now. She went so willingly, no hesitation, no sign of horror in her eyes. “I need to go home,” I whispered to myself more than to them. “You need to stop this, Lily. There is no going home. The sooner you accept that the easier it will be. Trust me. Please?” Poppy said. All I could hear was the sound of my frantic pulse smashing in my ears. Shit. “No.” I sat down and tried to absorb everything. Rose was being raped in a room just feet from me. But was she? Did she want to now? Surely she couldn’t be that brainwashed that she wanted him. I gulped and felt a tear trickle down my cheek. “Lily?
”
”
Natasha Preston (The Cellar)
“
Whatever else she’d been on the verge of saying lodged in her throat as if her mind had suddenly registered what he'd meant. A solitary tear crested and trailed unchecked down her cheek. Oh, hell. At that moment, he'd give his life to take away the pain in her eyes. Her knees wobbled.
“Come here.” He made the request, but she didn't move. And it took every last drop of patience he could muster not to drag her into him by force. But Eve was not a damsel in distress who needed a hero to save her.
Not that she'd admit, anyway.
”
”
Jessica Lee (Undying Desire (The Enclave, #3))
“
the Trail of Tears: a cheerful gesture of casual genocide.
”
”
Neil Gaiman (American Gods)
“
Painting the words of my soul
Across the skies
Under the stones
Leaving a trail for you to see
Calling out loud, “Here I am! Can you see me?”
Anxiously waiting; hoping to be heard
Meaning what I say; every single word
Painting the words of my truth
Beginning with me, and
Ending with you
Leaving a trail for you to see
Loudly painting, “Here I am! Can you see me?
”
”
N'Zuri Za Austin
“
Jak’ri stared at her. “There are no Gathendiens on Purvel, Ava.” The Lasarans and their Aldebarian Alliance allies had decimated the Gathendien military and driven whatever remained to the outer reaches of the galaxy a long time ago.
His heart clenched when a tear spilled over her lashes and trailed down one cheek.
Her throat worked in a swallow. “That’s why I don’t think I’m on Purvel.”
Jak’ri just stared at her, uncomprehending.
She motioned to the vast blue ocean beyond the cliff. “I don’t think this is real.” Another tear slipped down her cheek. “And I really want this to be real, Jak’ri.” Easing forward, she slid her arms around him, pressed her face to his neck, and hugged him tight. “I wish this were real,” she said brokenly. “I wish you were real.”
Sliding an arm around her, he cradled her close as he kept them afloat. “I am real, Ava. I’m right here, holding you.” He pressed a kiss to her hair. “It’ll be all right. I won’t let anyone hurt you again.”
Squeezing him tighter, she whispered, “I wish this were real.”
And the despair in her sweet voice made him want to weep, too.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
A little bit of hatred can spoil a score of years
And blur the eyes that ought to smile with many needless tears.
A little bit of thoughtlessness and anger for a day
Can rob a home of all its joy and drive delight away..
A little bit of shouting in a sharp and vicious tone
Can leave a sting that will be felt when many years have flown.
And just one hasty moment of ill temper can offend
And leave an inner injury the years may never mend.
It takes no mental fiber to say harsh and bitter things;
It doesn't call for courage to employ a lash that stings.
And cruel words and bitter any fool can think to say,
But the hurt they leave behind them takes years to wipe away.
Just a little bit of hatred robs a home of all delight,
And leaves a winding trail of wrong that time may never right.
For only those are happy and keep their peace of mind,
Who guard themselves from hatred and words that are unkind!
”
”
Edgar A. Guest
“
Dad and I leave town in the early dark. It's the second Sunday of the holidays, and we pack up the old blue car with enough clothes for summer and hit the road. It's so early he's wiping hills of sand piled in the corners of his eyes. I wipe a few tears from mine. Tears don't pile, though. They grip and cling and slide in salty trails that I taste until the edge of the city.
”
”
Cath Crowley (A Little Wanting Song)
“
And then I thought of my loneliness, my approaching death, how nobody knew me, how nobody cared. I thought of my parents, long dead, and how little love they'd given me. I thought of Walter, of his nauseatingly gentle caresses. Even when he meant to be tender, he was condescending and controlling. I'd never been loved properly. Nobody had ever said, "You are wonderful, even your bitterness and neurotic energy are wonderful. Even your suspiciousness, your rigidity, your graying, thinning, hair, your wrinkled thighs?" I'd been young and beautiful once, and even then nobody had kissed me and said, "How young and beautiful you are”, not unless they wanted something from me. And that was Walter. Always wanting something, some permission to be boastful, some permission to have power. I cried and cried, thinking of the love I could have had, had I never met that awful, deleterious, pompous man. I let tears drip from my eyes, my head bent toward the gravel, and as they splatted they made a little trail behind me. Maybe Charlie would pass by later and follow the trail. Poor Charlie. He was the only one on Earth who loved me, and even he had left. My head began to throb. I got dizzy again.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
She cried and her tears fell in the wrong direction. Not down over the light of her cheeks to the corners of her mouth, but away from the edges of her eyes to her ears and into the nest of her hair on the bed. She
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
On May 28, 1830, President Andrew Jackson unlawfully signed the Indian Removal Act to force move southeastern peoples from our homelands to the West. We were rounded up with what we could carry. We were forced to leave behind houses, printing presses, stores, cattle, schools, pianos, ceremonial grounds, tribal towns, churches. We witnessed immigrants walking into our homes with their guns, Bibles, household goods and families, taking what had been ours, as we were surrounded by soldiers and driven away like livestock at gunpoint.
There were many trails of tears of tribal nations all over North America of indigenous peoples who were forcibly removed from their homelands by government forces.
The indigenous peoples who are making their way up from the southern hemisphere are a continuation of the Trail of Tears.
May we all find the way home.
”
”
Joy Harjo (An American Sunrise)
“
But then, not long after, in another article, Loftus writes, "We live in a strange and precarious time that resembles at its heart the hysteria and superstitious fervor of the witch trials." She took rifle lessons and to this day keeps the firing instruction sheets and targets posted above her desk. In 1996, when Psychology Today interviewed her, she burst into tears twice within the first twenty minutes, labile, lubricated, theatrical, still whip smart, talking about the blurry boundaries between fact and fiction while she herself lived in another blurry boundary, between conviction and compulsion, passion and hyperbole. "The witch hunts," she said, but the analogy is wrong, and provides us with perhaps a more accurate window into Loftus's stretched psyche than into our own times, for the witch hunts were predicated on utter nonsense, and the abuse scandals were predicated on something all too real, which Loftus seemed to forget: Women are abused. Memories do matter. Talking to her, feeling her high-flying energy the zeal that burns up the center of her life, you have to wonder, why. You are forced to ask the very kind of question Loftus most abhors: did something bad happen to her? For she herself seems driven by dissociated demons, and so I ask. What happened to you? Turns out, a lot.
(refers to Dr. Elizabeth F. Loftus)
”
”
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
“
His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole, his eyebrows were thin and arched like a woman's, his nose was undamaged, there was a slight tear at the lobe of one ear, his clean black hair was swept upward into a cowlick at the rear of the skull, his forehead was lightly freckled, his fingernails were clean, the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him. He lay face-up in the center of the trail, a slim, dead, almost dainty young man.
”
”
Tim O'Brien (The Things They Carried)
“
Ah, Grace and Aislinn arguing. It’s like old times again,” a male voice said, sounding vaguely muffled. “Could someone take this blasted thing off so that I can see?”
Once again, my magic was thumping and bumping inside me, so I knew whatever was speaking, it wasn’t human. Still, when Aislinn crossed over to the thing hanging on the wall and ripped down the canvas, I was taken aback by what I saw.
It wasn’t a painting after all; it was a mirror, reflecting the dingy, gloomy room. It was weird seeing the tableau we made. Mom stood with her hand still on my elbow, her expression wary. Aislinn was looking at the mirror with something like disgust, while Izzy had gone even paler, and Finley was scowling. As for me, I was shocked by my reflection. I was thinner than I remembered being, and my skin was dirty, tears leaving trails on my dusty cheeks. And the hair…you know what? Let’s not even go there.
But my looking like Little Orphan Sophie wasn’t what had my powers going nuts. It was the guy.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name.
Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers.
And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply.
And Grom accepts it with grace.
“I looked for you,” she shouts, even though he’s inches from her.
Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.”
“Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control.
“As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her.
Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.”
He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.”
This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years.
Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
My father..."
Dr. Gray could hear the pain in Adam's voice as it trailed off.
"I know - - again, we don't have to talk about it. But as a doctor, let me just say this: for all the ties of blood and birth that I see about me, each and every day, and the babies delivered, and the tears of the parents, I only ever remember the love. You were loved, Adam - - you are loved. Your father loved you, and you cherish his memory, and that is all that really counts. And you get to safeguard that memory however you choose.
”
”
Natalie Jenner (The Jane Austen Society)
“
You’re back and forth with me, with your actions, with your emotions. You act like you don’t remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You’re mad then you’re not.” I don’t stop to take a breath or let him speak before finally raising the hand he’s holding and letting it go. “You’re holding my hand, then . . .” I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor.
”
”
Kim Karr (Connected (Connections, #1))
“
If you never knew
the worlds in my mind
your sense of loss
would be small pity
and we’ll forget this on the trail.
Take what you’re given
and turn away the screwed face.
I do not deserve it,
no matter how narrow the strand
of your private shore.
If you will do your best
I’ll meet your eye.
It’s the clutch of arrows in hand
that I do not trust
bent to the smile hitching my way.
We aren’t meeting in sorrow
or some other suture
bridging scars.
We haven’t danced the same
thin ice
and my sympathy for your troubles
I give freely without thought
of reciprocity or scales on balance.
It’s the decent thing, that’s all.
Even if that thing
is a stranger to so many.
But there will be secrets
you never knew
and I would not choose any other way.
All my arrows are buried and
the sandy reach is broad
and all that’s private
cools pinned on the altar.
Even the drips are gone,
that child of wants
with a mind full of worlds
and his reddened tears.
The days I feel mortal I so hate.
The days in my worlds,
are where I live for ever,
and should dawn ever arrive
I will to its light awaken
as one reborn.
Poet’s Night iii.iv
The Malazan Book of the Fallen
Fisher kel Tath
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
Open your eyes. Your tears cut a trail. Your scars build a ladder that takes you to a place that you could not have gotten to any other way. Take a look around, remember every second, every breath, every choked scream. Scar tissue is stronger than regular tissue. Realize the strength. Move on.
”
”
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
“
I’d imagined endless meditations upon sunsets or while staring out across pristine mountain lakes. I’d thought I’d weep tears of cathartic sorrow and restorative joy each day of my journey. Instead, I only moaned, and not because my heart ached. It was because my feet did and my back did and so did the still-open wounds all around my hips.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Only the shallowest person believes that they can attain true happiness by maximizing their wealth at any cost. In absence of morality, ethics, and a sustainable philosophy to guide us in an ethical search for happiness, we will always perceive life’s random countervailing forces of adversity and unpleasantness as inflicting a great personal injustice upon us. Through application of a deeply embedded personal philosophy, we can push back against the negative implications of a life of suffering. We can use a philosophical stance to gain the perspective needed to say 'yes' to all of life, both its rosy path of ineffable joys and a blackened trail of tears. We must learn to accept life as it truly is and not waste precious time in wistfulness.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I've walked a long trail,
a long trail of years
flushed with tears.
Tears of remembrance.
Years of driven labor
have not driven
the ancestral thoughts
out of me.
My memory of teaching—
surrounded by children,
singing songs of our people,
the stories of our history—
lives always with me...
Song shields our hearts from abuse,
draws us together,
strengthens our lives.
”
”
Ashley Bryan (Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan)
“
Vi, are you all right?” Jay asked, right beside her now, pulling her off the ground.
Tears burned her eyes, and it wasn’t just from the painful sting radiating up through her hands and knees. Humiliation threatened to overcome the hurt.
Jay hauled her up. She could smell his musky scent in his sweatshirt, and she tried to hold her breath against it. This was bad . . . this was a bad, bad place for her to be.
“Are you hurt?” He pulled her away just enough so he could look down at her.
She bit her lip, trying to will the tears away. She blinked and looked back at him. “I’m okay,” she responded, but her voice broke, making her words sound puny, pathetic even.
He cringed as he bent down and looked at the angry red scrapes on both her knees. He reached out to lightly brush away some of the dirt from them, but she knew that he was afraid of hurting her, so he barely touched them. “We’d better get you back so we can clean those up.” He straightened, and then surprised her by picking her up as he started to carry her along the trail.
She struggled against him. “I can walk!” she protested, feeling even more like a baby as he held her in his arms.
He looked down at her in disbelief. “Are you sure? ‘Cause I think I just saw you trying, and it didn’t work out so well for you.” He didn’t seem inclined to let her down just yet; he just kept walking.
She laughed but insisted again through her teary giggles, “Seriously, put me down! I feel stupid enough already—I don’t need you treating me like an invalid.”
He slowed down unsurely before setting Violet on her own two feet. Internally she cursed herself for being so stubborn, and she wished that he’d put up more of a fight. Why couldn’t he have insisted on carrying her all the way home?
Instead, he reached out and grabbed her hand. “If it’s all right with you, I think I’ll keep ahold of you anyway. I don’t want to be responsible for letting you fall again.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
sprint, woodwinds fluttering behind. More instruments join in. Flutes? Harps? The song races, seems to loop back over itself. “Werner?” Jutta whispers. He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life. The room seems to fall into a slow spin. His sister says his name more urgently, and he presses the earphone to her ear. “Music,” she says. He holds the pin as stock-still as he can. The signal is weak enough that, though the earphone is six inches away, he can’t hear any trace of the song. But he watches his sister’s face, motionless except for her eyelids, and in the kitchen Frau Elena holds her flour-whitened hands in the air and cocks her head, studying Werner, and two older boys rush in and stop, sensing some change in the air, and the little radio with its four terminals and trailing aerial sits motionless on the floor between them all like a miracle.
”
”
Anthony Doerr (All the Light We Cannot See)
“
She lost too much blood. I couldn’t stop it. I’m a damn Healer and I couldn’t even save her. I buried her in the backyard with our baby. She was right. It was a girl. My heart stops. Time slows. “I buried her in the backyard with our baby.” I shake my head, ignoring the hand Kai places on my knee. “I… I don’t understand. Father said she died of illness when I was a baby but…” I trail off, tearing through the pages until I find the next entry. I wasn’t planning on writing in here after Alice. I wasn’t even planning on having an “after Alice,” but I woke to a bang on my door last night. Yet when I opened the door, no one was there. That is, until I looked down. And there she was. A baby girl. Someone left her on my doorstep. She can’t be more than a few weeks old with a head full of silver hair and deep blue eyes. She’s beautiful. Alice would tear up at the sight of her. I’m going to be a father. This is what Alice would have wanted. She already had a name picked out anyway. A tear splatters onto the parchment, drowning the ink. I think Kai might be saying something, but I can hear nothing past the ringing in my ears. My head is spinning, heart pounding, breath catching in my throat because I can’t seem to swallow it. I can’t breathe. I can’t—
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
Some kisses pronounced themselvesthe judgment of conviction love,Some kisses are given with an eyeSome kisses are given with the memory.There are silent kisses, kisses noblesThere enigmatic kisses, sincereSome kisses are given only soulsThere forbidden kisses, true.Some kisses calcined and hurt,Some kisses captivate sensesThere mysterious kisses that have leftthousand wandering and lost dreams.There problematic kisses enclosinga key that no one has decipheredSome kisses engender tragedyfew have defoliated roses brooch.There perfumed kisses, warm kissesthrobbing in intimate longings,Some kisses on the lips leave tracesas a field of sun between two ice.Some kisses seem liliesby sublime, naive and pure,There treacherous and cowardly kisses,There cursed and perjured kisses.Judas kisses Jesus and leaves printin the face of God, felony,while Magdalena with kissesfortifies pious agony.From then kisses throbslove, betrayal and pain,in human weddings they seemthe breeze playing with flowers.There are kisses that produce ravingsloving hot and mad passion,you know them well are my kissesinvented by me, for your mouth.Flame kisses printed on trailThey take the grooves of a forbidden love,kisses storm, wild kissesour lips only been tested.Do you remember the first ...? Indefinable;Your face covered with blushes luridand in the throes of terrible emotion,Your eyes were filled with tears.Do you remember that one evening in excess crazyI saw you jealous imagining grievances,He flunked you in my arms ... a kiss vibrated,and then ... did you see? Blood on my lips.I taught you to kiss: cold kissesThey are impassive rock heart,I taught you how to kiss with my kissesinvented by me, for your mouth
”
”
Gabriela Mistral
“
He unfastened his pants and shrugged off his shirt, baring his beautiful chest, the ripple of his abs, and the soft trail of hair leading below. "I was saving the best for last." He ground his palm over his erection.
"Tease." She couldn't tear her eyes away. "Take it all off."
"You're not in a position to make demands." But he didn't make her wait. Instead he lowered his zipper and pulled out his cock. Thick and hard, he was more than ready for her.
"Do you want this, sweetheart?"
She wasn't complaining about the term of endearment now. "Very much."
He gave a casual shrug that belied the evidence of his desire. "Maybe when I've finished my search."
"What else..." Her voice trailed off when he lay between her legs, slid off her panties, and placed her feet on his shoulders.
"The best things are found in the most secret places." He lowered his head. His tongue did the most wicked things that had her arching and twisting on the bed.
"Jay..." It was a plea. It was a demand.
"That's Mr. Dayal to you." Without warning, he slid two fingers deep inside her, his firm steady strokes making all her nerve endings fire at once. His tongue found her sensitive clit and her inner walls tightened around his fingers. She soared and peaked, her orgasm crashing through her body in a tidal wave of sensation.
Dazed, languid on the bed, she watched him shrug off his trousers and roll on a condom. "Did you find what you were looking for?"
"Not yet." He lifted her legs, spread them wide, opening her for him as he positioned himself between her thighs.
"You're very good at your job." Now that her body was sated, she was generous with her praise.
"And you are a beautiful, sexy temptress who is about to be fucked by a man who wants her so desperately he's willing to do anything to have her.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
On October 1, 1838, the first detachment set out in what was to be known as the Trail of Tears. As they moved westward, they began to die—of sickness, of drought, of the heat, of exposure. There were 645 wagons, and people marching alongside. Survivors, years later, told of halting at the edge of the Mississippi in the middle of winter, the river running full of ice, “hundreds of sick and dying penned up in wagons or stretched upon the ground.” Grant Foreman, the leading authority on Indian removal, estimates that during confinement in the stockade or on the march westward four thousand Cherokees died. In December 1838, President Van Buren spoke to Congress: It affords sincere pleasure to apprise the Congress of the entire removal of the Cherokee Nation of Indians to their new homes west of the Mississippi. The measures authorized by Congress at its last session have had the happiest effects.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
On the contrary, I have seen big winners, individuals who have overcome themselves and have crossed the finish line in tears, their strength gone, but not from physical exhaustion—though that is also there—but because they have achieved what they thought was only the fruit of dreams. I have seen people sit on the ground after crossing the finish line of the Ultra-Trail du Mont-Blanc, and sit there for hours with blank looks, smiling broadly to themselves, still not believing that what they have achieved isn’t a hallucination. Fully aware that when they wake up, they will be able to say that they did it, that they succeeded, that they vanquished their fears and transformed their dreams into something real. I have seen individuals who, though they have come in after the leaders have had time to shower, eat lunch, and even take a good siesta, feel that they are the winners. They wouldn’t change that feeling for anything in the world. And I envy them, because, in essence, isn’t this a part of why we run? To find out whether we can overcome our fears, that the tape we smash when we cross the line isn’t only the one the volunteers are holding, but also the one we have set in our minds? Isn’t victory being able to push our bodies and minds to their limits and, in doing so, discovering that they have led us to find ourselves anew and to create new dreams?
”
”
Kilian Jornet (Run or Die)
“
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers.
'The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away.
Small, smooth fingers pouring gold over gaping wounds.
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the craks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that nake incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes,
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won ' t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Draggd the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes,
And now you're back. And so is the Universe, And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
An inexhaustible capacity to engage in sin is what makes human beings capable of living a virtuous life. To err is human; to seek penance is humankind’s unique act of salvation. Whenever a person fails, it is often their overwhelming sense of anguish that drives them forward to make a second attempt that is far more bighearted than they originally envisioned. The need for redemption drives us to try again despite our backside enduring the terrible weight of our greatest catastrophes. There is no person as magnanimous as a person whom finally encountered tremendous success after previously enduring a tear-filled trail of hardships and repeated setbacks. In an effort to redeem our lost dignity, in an effort to regain self-respect, we find our true selves. By working independently to better ourselves and struggling to fulfill our cherished values, we save ourselves while coincidentally uplifting all of humanity.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
It wanted me,” she says, her tone too even. “Me alone.”
I turn her in my arms to face her. “You’re safe now.”
“I am the key.” She shakes her head. “If I deny it, there will be more and more of this...until eventually, both kingdoms will die.”
“Amalia…”
“I love you,” she says, meeting my eyes, not caring who hears her. “Rhys, I love you desperately. Whether you love me or not. But what can I do? If I’m with you, everything will be destroyed. And it will be my fault.”
“Give me time,” I whisper. “Please.”
“We don’t have time.”
“Then give me minutes,” I whisper, holding her close.
“Rhys,” she says, her voice breaking.
“I love you, Amalia. And I swear to you—I make a solemn vow—I will see us through this together.”
“You love me?” she whispers, tears once more trailing down her cheeks.
“I do.”
And then, not caring who sees, I capture her face in my hands and press my lips to hers, sealing the vow I made back in Saulette. Amalia cries against me, grasping hold of my shoulders and pulling me close.
I lean into her, swearing to myself I will make good on my promise. Her tears wet my face, but she meets me without hesitation—trusting me, as I’ve asked her to do so many times.
And dawn breaks.
”
”
Shari L. Tapscott (Sea of Starlight (The Riven Kingdoms, #2))
“
I think you’re a reward for my patience. I’ve never had anyone there for me, not like this. I feel a sort of peace I’ve never had before.” Tears trail down my cheeks. “You changed my luck, Dame. And for the first time in my life, I feel like if I ever need rescuing, I’ll have somebody there to help save me.”
Any brick or mortar I have left surrounding my heart disintegrates with his confession. He gives me all his trust, and I take it, and in return, I give him mine. Because he is worth it. “I will, Lucas. If you ever need saving, I’ll be there. I promise.”
He presses his forehead to mine. “I’m counting on it.
”
”
Kate Stewart (Method)
“
She swung her legs around his waist and crossed her ankles behind his back. “I like the way your mind works,” she panted before losing herself in the sensation of his hardness rubbing against her core. Lief took the few steps across the room to the bed in record time and flung her down on the covers. He leaned back to tear his clothes off. “My mind hardly works at all when you are near.” She chuckled leaning back on her elbows, enjoying the view of naked flesh being revealed. She rose up on her knees and traced the ridges on his chest and abdomen. As her fingers trailed down toward his proud shaft, he captured her wrists.
“Be careful.” He smiled down at her. “I’m loaded and might go off any minute.”
She laughed. “You’ve been watching too many old Western movies with Harold.
”
”
Asa Maria Bradley (Viking Warrior Rising (Norse Warrior Protectors #1; Viking Warriors, #1))
“
I pull back and tell him, “You’re amazing.”
He gives me a soft smirk. “That is the general consensus.”
I smile. “And I love you.”
He sets my feet on the floor but keeps his arms around my waist. “Good. Then you’re going to let me put three locks on the door of whatever apartment you decide to move into. And a chain. And a dead bolt.”
I smile wider. “Okay.”
Drew slowly steps forward, backing me up toward the bed.
“And you’re not going to bitch when I have a security system installed.”
“Wouldn’t dream of it.”
We take another step together, almost like we’re dancing.
“I’m thinking about buying you one of those ‘I’ve fallen and I can’t get up’ necklaces too.”
My eyes squint as I pretend to think about the idea. “We’ll talk about it.”
“And . . . you’re going to let me walk you home from work every night.”
“Yes.”
The back of my legs make contact with the bed frame.
“I’m also going to come to every doctor’s appointment with you.”
“I didn’t for a second imagine you wouldn’t.”
Drew cups my face in his hands. “And one day, I’m going to ask you to marry me. And you’re going to know it’s not because you’re pregnant, or because of some misguided attempt to keep you.”
Tears spring into my eyes as we gaze at each other.
In a rough voice, he continues, “You’re going to know I’m asking because nothing would make me prouder than to be able to say, ‘This is my wife, Kate.’ And when I do ask, you’re going to say yes.”
When I nod, one tear trails down my cheek. Drew wipes it away with his thumb as I promise, “It’s a sure thing.”
And then he’s kissing me, with all the passion and desire he’s held in check the last two days. Drew cradles my head as we fall on the bed together.
”
”
Emma Chase (Twisted (Tangled, #2))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Instead, I gave them the only salute I could think of.
Two middle fingers. Held high for emphasis.
The six fiery orbs winked out at once. Hopefully, they’d died from affront.
Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?”
“Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.”
Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me.
“Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!”
I flinched, surprised by his reaction. Ben, cracking up at a time like this?
He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more.
In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed.
Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.”
Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb.
I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells.
Did he just . . . what did he mean when . . .
Oh crap.
Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks.
I shifted uncomfortably in my seat. Shifted again. Debated going over the side.
Did he really mean to say he . . . loved me? Like, for real?
The awkward moment stretched longer than any event in human history.
He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.”
Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out.
Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time.
Is that what I want? For Ben to walk it back?
A part of me was astounded by the chaos a single four-word utterance could create.
Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system.
“I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort.
Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
”
”
Kathy Reichs (Terminal (Virals, #5))
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
“Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?”
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked.
“M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer.
“Maybrick?” he asked patiently.
“No, th-the other one.”
“Stubbins.”
“Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
“How often?” she heard him ask. “More than once?”
“I…i-it’s not important now.”
“How often, Evie?”
Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.”
“Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.”
“I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.”
Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Alliance (Sonata) "
Of dusty glances fallen to the ground
or of soundless leaves burying themselves.
Of metals without light, with the emptiness,
with the absence of the suddenly dead day.
At the tip of the hands the dazzlement of butterflies,
the upflight of butterflies whose light has no end.
You kept the trail of light, of broken beings
that the abandoned sun, sinking, casts at the churches.
Stained with glances, dealing with bees,
your substance fleeing from unexpected flame
precedes and follows the day and its family of gold.
The spying days cross in secret
but they fall within your voice of light.
Oh mistress of love, in your rest
I established my dream, my silent attitude.
With your body of timid number, suddenly extended
to the quantities that define the earth,
behind the struggle of the days white with space
and cold with slow deaths and withered stimuli,
I feel your lap burn and your kisses travel
shaping fresh swallows in my sleep.
At times the destiny of your tears ascends
like age to my forehead, there
the waves are crashing, smashing themselves to death:
their movement is moist, drifting, ultimate.
”
”
Pablo Neruda (The Poetry of Pablo Neruda)
“
You never asked about your present.'
'I assumed I wasn't getting one from you.'
He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?'
She shrugged. 'I just did.'
He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him.
Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.'
He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring.
'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.'
Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?'
'Touch the top. Just a tap.'
Throwing a puzzled glance at him, she did so.
Music exploded into the room.
Nesta leaped back, a hand at her chest as he laughed.
But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again.
'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.'
'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled.
His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...'
He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room.
He had done all of this for her. Had found a way for her to have music- always.
'Nesta,' he breathed.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Last Thoughts On Woody Guthrie
When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm taking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
...
”
”
Bob Dylan
“
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth.
There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake!
And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light!
Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight.
But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight.
("Adam")
”
”
Andrei Bely (Silver Age of Russian Culture (An Anthology))
“
Romance of the sleepwalker"
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea
and the horse on the mountain.
With her waist that’s made of shadow
dreaming on the high veranda,
green the flesh, and green the tresses,
with eyes of frozen silver.
Green, as I love you, greenly.
Beneath the moon of the gypsies
silent things are looking at her
things she cannot see.
Green, as I love you, greenly.
Great stars of white hoarfrost
come with the fish of shadow
opening the road of morning.
The fig tree’s rubbing on the dawn wind
with the rasping of its branches,
and the mountain cunning cat,
bristles with its sour agaves.
Who is coming? And from where...?
She waits on the high veranda,
green the flesh and green the tresses,
dreaming of the bitter ocean.
- 'Brother, friend, I want to barter
your house for my stallion,
sell my saddle for your mirror,
change my dagger for your blanket.
Brother mine, I come here bleeding
from the mountain pass of Cabra.’
- ‘If I could, my young friend,
then maybe we’d strike a bargain,
but I am no longer I,
nor is this house, of mine, mine.’
- ‘Brother, friend, I want to die now,
in the fitness of my own bed,
made of iron, if it can be,
with its sheets of finest cambric.
Can you see the wound I carry
from my throat to my heart?’
- ‘Three hundred red roses
your white shirt now carries.
Your blood stinks and oozes,
all around your scarlet sashes.
But I am no longer I,
nor is this house of mine, mine.’
- ‘Let me then, at least, climb up there,
up towards the high verandas.
Let me climb, let me climb there,
up towards the green verandas.
High verandas of the moonlight,
where I hear the sound of waters.’
Now they climb, the two companions,
up there to the high veranda,
letting fall a trail of blood drops,
letting fall a trail of tears.
On the morning rooftops,
trembled, the small tin lanterns.
A thousand tambourines of crystal
wounded the light of daybreak.
Green, as I love you, greenly.
Green the wind, and green the branches.
They climbed up, the two companions.
In the mouth, the dark breezes
left there a strange flavour,
of gall, and mint, and sweet basil.
- ‘Brother, friend! Where is she, tell me,
where is she, your bitter beauty?
How often, she waited for you!
How often, she would have waited,
cool the face, and dark the tresses,
on this green veranda!’
Over the cistern’s surface
the gypsy girl was rocking.
Green the bed is, green the tresses,
with eyes of frozen silver.
An ice-ray made of moonlight
holding her above the water.
How intimate the night became,
like a little, hidden plaza.
Drunken Civil Guards were beating,
beating, beating on the door frame.
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea,
and the horse on the mountain.
”
”
Federico García Lorca (Collected Poems)
“
They made it to Cyra’s room. She dropped Akos at the edge of her bed, then stormed around the room, gathering towels, ice, painkiller. Frantically, tears running down her face. The room still smelled malty from the potion he’d brewed earlier.
“Cyra. Did she tell him anything?”
“No. She’s a good liar,” she replied as she fought to uncork the vial of painkiller with trembling hands. “You’ll never be safe again. You know that? Neither of us will.”
She got the stopper out, and touched it to his mouth, though he could easily have grabbed it himself. He didn’t point that out, just parted his lips to swallow it.
“I was never safe. You were never safe.” He didn’t understand why she was so rattled. It wasn’t like Ryzek doing something terrible was a new thing. “I don’t understand why he made a point to use me--”
Her legs brushed his as she came to stand between his knees. They were almost the same height this way, with him perched on her high bed. And she was close, like she sometimes was when they fought, laughing in his face because she’d knocked him down, but that was different. Completely different.
She wasn’t laughing. She smelled familiar, like the herbs she burned to clear the room of food smells, like the spray she used in her hair to smooth its tangles. She brought a hand to his shoulder, than trailed trembling fingers along his collarbone, down his sternum. Pressed a gentle hand to his chest. Didn’t look at his face.
“You,” she whispered, “are the only person he could possibly hold over me now.”
She touched his chin to steady it as she kissed him. Her mouth was warm, and wet with tears. Her teeth scored his bottom lip as she pulled away.
Akos didn’t breathe. He wasn’t sure he could remember how.
“Don’t worry,” she said softly. “I won’t do that again.”
She backed away, and shut herself in the bathroom.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears.
Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister.
Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line.
“I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.”
She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.”
“How?”
Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?”
“How are you getting home? Did you park on the street or something?”
Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.”
“Don’t you have a car?”
She steels her spine. “No. I don’t.”
I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work.
“Okay, well then what about an Uber or something?”
Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.”
I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.”
She laughs and starts to step back. “It’s not your concern. Don’t worry about me.”
Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her.
Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full.
“Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.”
Her soft feminine laugh echoes around the lobby.
“Thank you, but I’d rather walk.”
What she really means is, Thank you, but I’d rather die.
“It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.”
Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.”
She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way.
“Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up.
“You’re clocked out, aren’t you? Call me Matt.”
“Doctor,” she says pointedly. “Please give me my backpack before I call security.”
I laugh because really, she’s hilarious. No one has ever threatened to call security on me before.
“It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?”
It weighs nothing.
“My lunchbox. A water bottle. Some empty Tupperware.”
Tupperware.
I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her?
“Did you bring more banana bread?”
She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.”
“I didn’t get any last time either,” I point out.
She snorts. “Yeah well, I don’t feel bad about that.”
I face forward again so she can’t see my smile.
”
”
R.S. Grey (Hotshot Doc)