“
I can't help but smile as I swipe a lone tear trailing down my cheek. How can I not be crazy in love with this guy? Time away from him didn't change anything. I can't deny him another chance. That would be denying myself.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block
“
Try Not to bleed so much on the thorns," he said as I jabbed myself in the palm and hissed in pain. "Right Now, anyone could follow us, and you are leaving a very easy trail."
Right, 'cause I'm bleeding all over the place for shits and giggles." A Bramble caught my hair, and I yanked it free with a painful tearing sound.
-Grimalkin and Meghan
”
”
Julie Kagawa
“
While you were busy trying to prove God stands behind you, God was before me lighting the trail, so he could lead us both.
”
”
Shannon L. Alder
“
I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.
”
”
Kerry Cohen (Loose Girl: A Memoir of Promiscuity)
“
He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
I love you," she whispered.
Richard pulled her tight against him. His fingers traced a trail down the bumps of her spine.
"I feel so frustrated that there aren't any better words than "I love you,"" he said. "It doesn't seem enough for the way I feel about you. I'm sorry there aren't any better words to tell you."
"They are words enough for me."
"Then, I love you, Kahlan. A thousand times, a million times, I love you. Forever.
”
”
Terry Goodkind (Stone of Tears (Sword of Truth, #2))
“
Andrew..,' I shake my head, tears rolling my cheeks, '... it was always you," I whisper harshly. 'Even with Ian, I felt something was missing. I told you, that night in the field; I told you that...,' My voice trails. I smile and say, 'you are my partner in crime. I've known that for a long time.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Another revelation: how much laughter is a part of grief. Laughter is tightly braided into our family argot, and now we laugh remembering my father, but somewhere in the background there is a haze of disbelief. The laughter trails off. The laughter becomes tears and becomes sadness and becomes rage. I am unprepared for my wretched, roaring rage. In the face of this inferno that is sorrow, I am callow and unformed.
”
”
Chimamanda Ngozi Adichie (Notes on Grief)
“
All I know of Inviernos is bloodshed and cruelty and rage and..." Her voice trails off as tears fill her eyes.
"And me," Storm says softly. "You know me.
”
”
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
“
Remember you are water. Of course you leave salt trails. Of course you are crying. Flow. P.S. If there happens to be a multitude of griefs upon you, individual and collective, or fast and slow, or small and large, add equal parts of these considerations: that the broken heart can cover more territory. that perhaps love can only be as large as grief demands. that grief is the growing up of the heart that bursts boundaries like an old skin or a finished life. that grief is gratitude. that water seeks scale, that even your tears seek the recognition of community. that the heart is a front line and the fight is to feel in a world of distraction. that death might be the only freedom. that your grief is a worthwhile use of your time. that your body will feel only as much as it is able to. that the ones you grieve may be grieving you. that the sacred comes from the limitations. that you are excellent at loving.
”
”
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
“
He wrapped his hand around hers, pressed a kiss to the heart of her palm, and held her gaze. “I’ve got a one-room cabin, a few horses, and a dream that’s so small it won’t even cover your palm. But it sure seems a lot bigger when you’re beside me.”
The moonlight streaming through the window shimmered off the tears trailing along her cheeks. “I’ve always wanted a dream that I could hold in the palm of my hand,” she said quietly.
-Houston and Amelia
”
”
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
We're on a Trail / a Trail of Tears / There's Dip on MY Chin / and We're Gonna Die Here.
”
”
John Green (An Abundance of Katherines)
“
We cried. The bones and dust of our fathers cried with us.
”
”
Sharon Ewell Foster (Abraham's Well)
“
I love you, Mary," he says, and that is when I let the tears come. The great heaving sobs of terror and pain that shake my body until I can do nothing but grab on to Travis to anchor me to this spot. He pulls me toward him and I curl around his body as I weep. I fall into darkness with his fingers trailing through my har, my cheeks still wet and my body heaving.
”
”
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
“
When I was a child, an angel came to say,
A true friend is coming my warrior to sweep you away,
It won’t be easy the path because it leads through hell,
But if you’re faithful, it will be the greatest story to tell,
You will move God’s daughters to a place of hope,
Your story will teach everyone there is nothing they can’t cope,
You will suffer a lot, but not one tear will you waste,
Because for all that you do for me, you will be graced,
For I am bringing you someone that wants to travel your trail,
Someone you already met when you passed through heaven’s veil,
A warrior, a friend that whispers your heart’s song,
Someone that will run with you and pull your spirit along,
Don’t you see the timing was love's fated throw,
Because I put you both there to help one another grow,
I am the writer of all great stories your chapters were written by me,
You suffered, you cried because I needed you to see,
That your faith in my ending goes far beyond two,
It was going to change more hearts than both of you knew,
So hush my child and wait for my loving hand,
The last chapter is not written and still in the sand,
It is up to you to finish, before the tide washes it away,
All that is in your heart, I’ve put there for you to say,
This is not about winning, loss or pain,
I made you the way you are because true love stories are insane,
I wrote you in heaven as I sat on its sandy shore,
You know with all of my heart I loved you both more,
There is no better ending two people seeing each other's heart,
Together your spirits will never drift apart,
Because two kindred spirits is what I made you to be,
The waves and beach crashing together because of-- ME.
”
”
Shannon L. Alder
“
My future stretched before me, lonely and bleak—a lifetime of servitude without hope of betterment. An unwanted tear welled up in the corner of my eye. I had learned to swallow them, inhaling sharply or blinking them away. But as I was alone, I let it trail down my cheek.
”
”
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
“
Don't cry, my love.' She carefully wiped his tears with her fingers. 'I'm all right.
She gave him a wobbly smile.
His eyes went wide and as blue as a clear sky after a storm.
'How is this...' he trailed off.
It was a little endearing to watch. His sulky mouth gently parted as he seemed to forget how to speak.
'I already told you. You are the love of my life.
You are mine, Jacks of the Hollow. And you're not going to be the end of me.'
'But you were dying.'
'No,' she said, a little embarrassed. 'I just forgot to breathe.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
The crazy thing is, I had all of these plans,” he whispered. “What we were going to do. All the places I was going to take you. I really wanted you to meet Harry.” The window breathed in afternoon light. I felt his hand trail down the length of my arm. “We’ll be okay,” Liam said. “We just can’t let them separate us.”
“They won’t,” I whispered. “I was thinking…I know this is going to sound so corny, but…if there’s one good thing that came out of all this, it was that I got to meet you. I would go through it all again—” Tears pricked my eyes. “I would, as long as it meant I’d met you.”
“You really think that?” Liam sat up and pressed his lips against my hair. “’Cause, frankly, the way I see it, you and me? Inevitable.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Though cast away am I from the heart of my city, black tears dribble from mine eyes at the sight of the fearful trail blazing towards her gates!
”
”
Gene Luen Yang (Avatar: The Last Airbender - The Promise, Part 3 (The Promise, #3))
“
A kiss about apple pie à la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Dangerous Angels: Five Weetzie Bat Books – The Complete NPR Best-Ever Teen Series of Love and Magical Realism in LA)
“
...and when the twilight of that ride is finally upon us, we will look at the trail we have taken and at the signs of our passage. And though our tears will be many, we will know that great lives have been lived, and that our memories will forever bind us together.
”
”
John Shors (Beside a Burning Sea)
“
If we just keep walking in one direction," Colin said, "we'll find civilization." Meanwhile, Hassan was singing a song entitled: "We're on a Trail/ a Trail of Tears/ There's Dip on My Chin/ and We're Gonna Die Here.
”
”
John Green (An Abundance of Katherines)
“
He wiped his thumb across the trail of her tears. “If I could, I would get the whole world for you.
”
”
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
“
You may not have loved me,' I whisper, my tears dropping onto his face and trailing down the smile lines around his mouth. 'But I loved you, and my love was never a lie.
”
”
Jessica S. Olson (Sing Me Forgotten)
“
so I don’t give up hope. That would be against my nature. I am descended from people who survived the Trail of Tears.
”
”
Margaret Verble (Stealing)
“
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I lay the chrysanthemum across the stone, letting my fingers trail across the
cut of his name and
ignoring the tears that never seem far from my eyes these days. Even three
months later, I have
nightmares about him. Not his death, though I still have day-mares about
that. My nightmares are much
worse.
“Don’t worry,” I say. “I’ll watch the world while you sleep.
”
”
Mary Elizabeth Summer (Trust Me, I'm Lying (Trust Me, #1))
“
Dear Jack:
I have no idea who he was. But he saved me. From you.
I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him.
And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay.
'Yes. I mean, I think so,' I told him.
But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose.
The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911.
He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner.
'I'm so sorry,' he just kept saying.
And suddenly I felt sorry too.
Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave.
'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever.
A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked.
The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.'
When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak.
That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure.
So far, it hasn't done the trick.
Never your Jill,
Rachael
”
”
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
“
It just wasn’t supposed to end like this.” She looks at me with red-rimmed eyes and yellow skin. Colors should be a good thing, but now, they’re marks, omens of bad tidings. “I was supposed to grow up, go to college, get a job,” she continues in that gut-clenching croak. “Meet my dream guy, marry, have k-kids. You were going to live next door and we would grow old in the same nursing home. Chuck oatmeal at each other and watch soap operas all day in our rocking chairs. That was my daydream. My perfect life. I don’t want to keep asking myself why until the end, but … ” A lone tear trails down her sunken cheek. This time I don’t reach out to wipe the water away; I let it go. Down, down, until it drips off the side of her jaw. This is humanity. This is life and death in one room.
”
”
Kelsey Sutton (Some Quiet Place (The Other Plane, #1))
“
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
”
”
Mindy McGinnis (The Female of the Species)
“
But on the whole the impression was neither of tragedy nor of comedy. There was no describing it. It was manifold and various; there were tears and laughter, happiness and woe; it was tedious and interesting and indifferent; it was as you saw it: it was tumultuous and passionate; it was grave; it was sad and comic; it was trivial; it was simple and complex; joy was there and despair; the love of mothers for their children, and of men for women; lust trailed itself through the rooms with leaden feet, punishing the guilty and the innocent, helpless wives and wretched children; drink seized men and women and cost its inevitable price; death sighed in these rooms; and the beginning of life, filling some poor girl with terror and shame, was diagnosed there. There was neither good nor bad there. There were just facts. It was life.
”
”
W. Somerset Maugham (Of Human Bondage)
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
In this way, racism is rendered as the innocent daughter of Mother Nature, and one is left to deplore the Middle Passage or the Trail of Tears the way one deplores an earthquake, a tornado, or any other phenomenon that can be cast as beyond the handiwork of men.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
Oohrah, kiddo,” Chester said quietly. Ty smiled and squeezed his eyes shut as tears trailed down his face. “Oohrah, Gunny.
”
”
Abigail Roux (Crash & Burn (Cut & Run, #9))
“
The difference between the right word and the almost right word is the difference between the lightening bug and the lightening
~Mark Twain
”
”
Virginia C. Ferguson (Tula's Path: A Cherokee Trail of Tears Story)
“
Be the man who has the spirit of a ruthless tiger, ravaging every dusty corner of my soul.
Be the man for whom I will tame myself voluntarily..
Be the man who can make me forget my birth date in moments of utter dellusion.
Be the man whose arms are my harbor, whose lips are my shore, and whose name is my only salvation.
Be the man who erases my past and draws my future with trails of roses and kisses.
Be the man who makes me sigh behind the windows of Poetry, longing to be written.
Be the man whose cigarette's ashes are confounded with mine.
Be the man whose voice moves mountains inside me.
Be the man whose eyes devour the innocence within me with every piercing glance.
Be the man for whom I will transform exceptions into rules.
Be the man who will dare to tear this poem from my hands.
The man who will rewrite with the uncertainty of the futur every single one of my verses.
”
”
Malak El Halabi
“
Not a single word existed that could describe all that she was feeling. And she felt everything all at once: happiness, contentment, completion, adoration, even sadness. But the thing that resonated most within her? She felt wanted. She trembled from the scope of emotion. Silent tears trailed her cheeks.
”
”
Karen Cimms (At This Moment (Of Love and Madness, #1))
“
Americans believe in the reality of “race” as a defined, indubitable feature of the natural world. Racism—the need to ascribe bone-deep features to people and then humiliate, reduce, and destroy them—inevitably follows from this inalterable condition. In this way, racism is rendered as the innocent daughter of Mother Nature, and one is left to deplore the Middle Passage or the Trail of Tears the way one deplores an earthquake, a tornado, or any other phenomenon that can be cast as beyond the handiwork of men.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
She was sobering up. She stared silently out the window, trying not to think of the trail of fatherless children and the childrenless father they were leaving in their wake. In her mind it looked like a trail of viscous, salty tears being dragged along behind the black hack. The excitement had left her by then.
”
”
Douglas Stuart (Shuggie Bain)
“
Humphrey will go into a black neighborhood in Milwaukee and drench the streets with tears while deploring “the enduring tragedy” that life in Nixon’s America has visited on “these beautiful little children”—and then act hurt and dismayed when a reporter who covered his Florida campaign reminds him that “In Miami you were talking just a shade to the Left of George Wallace and somewhere to the Right of Mussolini.” Hubert
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
Playing with your mind, that’s what she’s about.” Carrick waved a hand, then tossed the little star that clung to his fingertips out over the water, where it trailed silver light. “Cooking you a meal, making everything, herself included, pretty for you. A more devious female I’ve never known. You’re well shed of her.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
There's a feeling you get driving down to Casper at night from the north, and not only there, other places where you come through hours of darkness unrelieved by any lights except the crawling wink of some faraway ranch truck. You come down a grade and all at once the shining town lies below you, slung out like all western towns, and with the curved bulk of mountain behind it. The lights trail away to the east in a brief and stubby cluster of yellow that butts hard up against the dark. And if you've ever been to the lonely coast you've seen how the shore rock drops off into the black water and how the light on the point is final. Beyond are the old rollers coming on for millions of years. It is like that here at night but instead of the rollers it's the wind. But the water was here once. You think about the sea that covered this place hundreds of millions of years ago, the slow evaporation, mud turned to stone. There's nothing calm in those thoughts. It isn't finished, it can still tear apart. Nothing is finished. You take your chances.
”
”
Annie Proulx (Close Range: Wyoming Stories)
“
You aren't like your mom."
"I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right."
"So." I'm cautious,hardly daring to believe. "You're moving to California?"
"I have to."
"Right." I swallow hard. "Because of your mom."
"Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night."
His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding-
"You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much."
I'm holding my breath.I can't talk,but my eyes are filling with tears.
He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-"
He starts to stand,but I grab his arm. "No!"
His body freezes. "I'm so sorry," he says. "I never mean to hurt you."
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne."
"Say my name again," he whispers.
I close my eyes and lean forward. "Etienne."
He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?"
Our foreheads touch. "Yes?"
"Will you please tell me you love me? I'm dying here."
And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too.
And in between kisses,I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight.
She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room.
"That was my heart breaking," he said, his voice ragged.
She felt as though her own heart might shatter as she took a step toward him. "Austin—"
"Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me."
She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted."
"I do know how to love, Loree. I just don't know how to keep a woman loving me."
"I'll always love you, Austin," she said trailing kisses over his face. "Always."
She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you."
-Austin and Loree
”
”
Lorraine Heath (Texas Splendor (Texas Trilogy, #3))
“
He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.
”
”
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
“
I know Mark doesn’t particularly care for alcohol, but he now tells me he’s collecting either sherry or port, I never know the difference, and what matters to him isn’t the alcohol itself but that it’s from when Andrew Jackson was president. So I ask him who Andrew Jackson is and why he likes him so much. Mark explains that Jackson’s the greatest president America has ever had, that he was ruthless, a populist and an individualist, and that he “got stuff done.” He also spilled a lot of blood expanding the territory of the United States, sent five Native tribes out onto the Trail of Tears, but Mark doesn’t mention that.
”
”
Sarah Wynn-Williams (Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism)
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
You should never sit around waiting for life to start because it’s leaving you with every second.”
“You should explore the world,” I said, tears springing to my eyes for no rational reason. “Do dangerous thing. Ignore the fuck out of conventional wisdom. Walk on fire. Treat everyone with kindness because people are the only things worth holding on to. Live without regrets because there is no time for that shit. Never forget the way home, and leave a trail of breadcrumbs if you have to. Love, and get your heart broken, and say fuck it, and love again and then again.
”
”
Kate Canterbary (The Spire (The Walshes, #6))
“
Open your eyes. Your tears cut a trail. Your scars build a ladder that takes you to a place that you could not have gotten to any other way. Take a look around, remember every second, every breath, every choked scream. Scar tissue is stronger than regular tissue. Realize the strength. Move on.
”
”
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
“
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
”
”
Delia Owens (Where the Crawdads Sing)
“
I was in the army.... We went to fight a bad white man, or so the whites told us. We had meetings that were called orientation and education. There were films. It was to show us how this bad white man was doing terrible things in his country. Everybody was angry after the films, and eager to fight. Except me. I was only there because the army paid more than an Indian can earn anywhere else. So I was not angry, but puzzled. There was nothing that this white leader did that the white leaders in this country do not also do. They told us about a place named Lidice. It was much like Wounded Knee. They told us of families moved thousands of miles to be destroyed. It was much like the Trail of Tears. They told us of how this man ruled his nation, so that none dared disobey him. It was much like the way white men work in corporations in New York City, as Sam has described it to me. I asked another soldier about this, a black white man. He was easier to talk to than the regular white man. I asked him what he thought of the orientation and education. He said it was shit, and he spoke from the heart! I thought about it a long time, and I knew he was right. The orientation and education was shit.
”
”
Robert Shea (The Eye in the Pyramid (Illuminatus, #1))
“
Whatever else she’d been on the verge of saying lodged in her throat as if her mind had suddenly registered what he'd meant. A solitary tear crested and trailed unchecked down her cheek. Oh, hell. At that moment, he'd give his life to take away the pain in her eyes. Her knees wobbled.
“Come here.” He made the request, but she didn't move. And it took every last drop of patience he could muster not to drag her into him by force. But Eve was not a damsel in distress who needed a hero to save her.
Not that she'd admit, anyway.
”
”
Jessica Lee (Undying Desire (The Enclave, #3))
“
was Jesus guiding Thomas Jefferson and Andrew Jackson in the White House, or was he picking cotton in Mississippi and walking the Trail of Tears?
”
”
Brian Zahnd (Postcards from Babylon: The Church In American Exile)
“
Nature’s beauty often brings me to tears, but every now and then, she can also scare the shit out of me.
”
”
Andrea Lankford (Trail of the Lost: The Relentless Search to Bring Home the Missing Hikers of the Pacific Crest Trail)
“
They rounded up the Indians in camps, the women and children and whatever they could carry on their backs, and marched them west of the Mississippi. The Trail of Tears and Death,
”
”
Colson Whitehead (The Underground Railroad)
“
the Trail of Tears: a cheerful gesture of casual genocide.
”
”
Neil Gaiman (American Gods)
“
If your success is as a result of a trail of tears & hurt you left in anothers life, Karmas' watching.
”
”
Jaelle Siang'a
“
A lone tear trailed down Mrs. Culpepper’s cheek, and then a shadow smile for the little swamp truant escaping again.
”
”
Delia Owens (Where the Crawdads Sing)
“
The soul would have no rainbow if the eye had no tears. —Tribe Unknown
”
”
Erin O'Quinn (Bighorn (Wildernes Trail, #1))
“
I can’t do this,” he kept repeating through his tears. “I can’t live without Mom. I can’t. I can’t. I can’t.” “We have to,” I replied, though I couldn’t believe it myself.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
my gold trailing behind me like a gleaming beast slithering along the floor. But the true beast about to tear through this place is me.
”
”
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
“
Painting the words of my soul
Across the skies
Under the stones
Leaving a trail for you to see
Calling out loud, “Here I am! Can you see me?”
Anxiously waiting; hoping to be heard
Meaning what I say; every single word
Painting the words of my truth
Beginning with me, and
Ending with you
Leaving a trail for you to see
Loudly painting, “Here I am! Can you see me?
”
”
N'Zuri Za Austin
“
His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole, his eyebrows were thin and arched like a woman's, his nose was undamaged, there was a slight tear at the lobe of one ear, his clean black hair was swept upward into a cowlick at the rear of the skull, his forehead was lightly freckled, his fingernails were clean, the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him. He lay face-up in the center of the trail, a slim, dead, almost dainty young man.
”
”
Tim O'Brien (The Things They Carried)
“
Jak’ri stared at her. “There are no Gathendiens on Purvel, Ava.” The Lasarans and their Aldebarian Alliance allies had decimated the Gathendien military and driven whatever remained to the outer reaches of the galaxy a long time ago.
His heart clenched when a tear spilled over her lashes and trailed down one cheek.
Her throat worked in a swallow. “That’s why I don’t think I’m on Purvel.”
Jak’ri just stared at her, uncomprehending.
She motioned to the vast blue ocean beyond the cliff. “I don’t think this is real.” Another tear slipped down her cheek. “And I really want this to be real, Jak’ri.” Easing forward, she slid her arms around him, pressed her face to his neck, and hugged him tight. “I wish this were real,” she said brokenly. “I wish you were real.”
Sliding an arm around her, he cradled her close as he kept them afloat. “I am real, Ava. I’m right here, holding you.” He pressed a kiss to her hair. “It’ll be all right. I won’t let anyone hurt you again.”
Squeezing him tighter, she whispered, “I wish this were real.”
And the despair in her sweet voice made him want to weep, too.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
A little bit of hatred can spoil a score of years
And blur the eyes that ought to smile with many needless tears.
A little bit of thoughtlessness and anger for a day
Can rob a home of all its joy and drive delight away..
A little bit of shouting in a sharp and vicious tone
Can leave a sting that will be felt when many years have flown.
And just one hasty moment of ill temper can offend
And leave an inner injury the years may never mend.
It takes no mental fiber to say harsh and bitter things;
It doesn't call for courage to employ a lash that stings.
And cruel words and bitter any fool can think to say,
But the hurt they leave behind them takes years to wipe away.
Just a little bit of hatred robs a home of all delight,
And leaves a winding trail of wrong that time may never right.
For only those are happy and keep their peace of mind,
Who guard themselves from hatred and words that are unkind!
”
”
Edgar A. Guest
“
Dad and I leave town in the early dark. It's the second Sunday of the holidays, and we pack up the old blue car with enough clothes for summer and hit the road. It's so early he's wiping hills of sand piled in the corners of his eyes. I wipe a few tears from mine. Tears don't pile, though. They grip and cling and slide in salty trails that I taste until the edge of the city.
”
”
Cath Crowley (A Little Wanting Song)
“
dripped down her neck and stained the collar of her shirt. It was a mirror to the wash of blood pouring from her scalp, blinding her left eye and trailing down her cheek like macabre tears.
”
”
Kayti Nika Raet (Monster: A YA Post-Apocalyptic Dystopian Thriller (The Outsider Chronicles Book 4))
“
And then I thought of my loneliness, my approaching death, how nobody knew me, how nobody cared. I thought of my parents, long dead, and how little love they'd given me. I thought of Walter, of his nauseatingly gentle caresses. Even when he meant to be tender, he was condescending and controlling. I'd never been loved properly. Nobody had ever said, "You are wonderful, even your bitterness and neurotic energy are wonderful. Even your suspiciousness, your rigidity, your graying, thinning, hair, your wrinkled thighs?" I'd been young and beautiful once, and even then nobody had kissed me and said, "How young and beautiful you are”, not unless they wanted something from me. And that was Walter. Always wanting something, some permission to be boastful, some permission to have power. I cried and cried, thinking of the love I could have had, had I never met that awful, deleterious, pompous man. I let tears drip from my eyes, my head bent toward the gravel, and as they splatted they made a little trail behind me. Maybe Charlie would pass by later and follow the trail. Poor Charlie. He was the only one on Earth who loved me, and even he had left. My head began to throb. I got dizzy again.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
McGovern has made it painfully clear that he wants more than just the nomination; he has every intention of tearing the Democratic Party completely apart and re-building it according to his own blueprint…
”
”
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
“
She lost too much blood. I couldn’t stop it. I’m a damn Healer and I couldn’t even save her. I buried her in the backyard with our baby. She was right. It was a girl. My heart stops. Time slows. “I buried her in the backyard with our baby.” I shake my head, ignoring the hand Kai places on my knee. “I… I don’t understand. Father said she died of illness when I was a baby but…” I trail off, tearing through the pages until I find the next entry. I wasn’t planning on writing in here after Alice. I wasn’t even planning on having an “after Alice,” but I woke to a bang on my door last night. Yet when I opened the door, no one was there. That is, until I looked down. And there she was. A baby girl. Someone left her on my doorstep. She can’t be more than a few weeks old with a head full of silver hair and deep blue eyes. She’s beautiful. Alice would tear up at the sight of her. I’m going to be a father. This is what Alice would have wanted. She already had a name picked out anyway. A tear splatters onto the parchment, drowning the ink. I think Kai might be saying something, but I can hear nothing past the ringing in my ears. My head is spinning, heart pounding, breath catching in my throat because I can’t seem to swallow it. I can’t breathe. I can’t—
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
She cried and her tears fell in the wrong direction. Not down over the light of her cheeks to the corners of her mouth, but away from the edges of her eyes to her ears and into the nest of her hair on the bed. She
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
On May 28, 1830, President Andrew Jackson unlawfully signed the Indian Removal Act to force move southeastern peoples from our homelands to the West. We were rounded up with what we could carry. We were forced to leave behind houses, printing presses, stores, cattle, schools, pianos, ceremonial grounds, tribal towns, churches. We witnessed immigrants walking into our homes with their guns, Bibles, household goods and families, taking what had been ours, as we were surrounded by soldiers and driven away like livestock at gunpoint.
There were many trails of tears of tribal nations all over North America of indigenous peoples who were forcibly removed from their homelands by government forces.
The indigenous peoples who are making their way up from the southern hemisphere are a continuation of the Trail of Tears.
May we all find the way home.
”
”
Joy Harjo (An American Sunrise)
“
Poppy lowered her head and bit her lip. “That’s the room where he…” she whispered. Her eyes filled with tears. “What? Where he does what…” I trailed off, realizing what she was trying to say. My blood froze inside my veins. The room where he rapes us. He and Rose were in there now. She went so willingly, no hesitation, no sign of horror in her eyes. “I need to go home,” I whispered to myself more than to them. “You need to stop this, Lily. There is no going home. The sooner you accept that the easier it will be. Trust me. Please?” Poppy said. All I could hear was the sound of my frantic pulse smashing in my ears. Shit. “No.” I sat down and tried to absorb everything. Rose was being raped in a room just feet from me. But was she? Did she want to now? Surely she couldn’t be that brainwashed that she wanted him. I gulped and felt a tear trickle down my cheek. “Lily?
”
”
Natasha Preston (The Cellar)
“
But then, not long after, in another article, Loftus writes, "We live in a strange and precarious time that resembles at its heart the hysteria and superstitious fervor of the witch trials." She took rifle lessons and to this day keeps the firing instruction sheets and targets posted above her desk. In 1996, when Psychology Today interviewed her, she burst into tears twice within the first twenty minutes, labile, lubricated, theatrical, still whip smart, talking about the blurry boundaries between fact and fiction while she herself lived in another blurry boundary, between conviction and compulsion, passion and hyperbole. "The witch hunts," she said, but the analogy is wrong, and provides us with perhaps a more accurate window into Loftus's stretched psyche than into our own times, for the witch hunts were predicated on utter nonsense, and the abuse scandals were predicated on something all too real, which Loftus seemed to forget: Women are abused. Memories do matter. Talking to her, feeling her high-flying energy the zeal that burns up the center of her life, you have to wonder, why. You are forced to ask the very kind of question Loftus most abhors: did something bad happen to her? For she herself seems driven by dissociated demons, and so I ask. What happened to you? Turns out, a lot.
(refers to Dr. Elizabeth F. Loftus)
”
”
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
“
Thou doth not know the tragedy of a tale between two hearts till the tears of a forgotten love dissolve into the scars of yearning and seep through the cracks of the broken, leaving behind a trail of crimson for all but one to see.
”
”
Raneem Kayyali
“
My beloved is mine and I am his,” I quote the song over a salty trail of tears, brokenly, truthfully. “Kenan, I’m yours.” He swells and hardens inside me at the passionate words I pour over him like oil anointing the head of a king.
”
”
Kennedy Ryan (Hook Shot (Hoops, #3))
“
sprint, woodwinds fluttering behind. More instruments join in. Flutes? Harps? The song races, seems to loop back over itself. “Werner?” Jutta whispers. He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life. The room seems to fall into a slow spin. His sister says his name more urgently, and he presses the earphone to her ear. “Music,” she says. He holds the pin as stock-still as he can. The signal is weak enough that, though the earphone is six inches away, he can’t hear any trace of the song. But he watches his sister’s face, motionless except for her eyelids, and in the kitchen Frau Elena holds her flour-whitened hands in the air and cocks her head, studying Werner, and two older boys rush in and stop, sensing some change in the air, and the little radio with its four terminals and trailing aerial sits motionless on the floor between them all like a miracle.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Ah, Grace and Aislinn arguing. It’s like old times again,” a male voice said, sounding vaguely muffled. “Could someone take this blasted thing off so that I can see?”
Once again, my magic was thumping and bumping inside me, so I knew whatever was speaking, it wasn’t human. Still, when Aislinn crossed over to the thing hanging on the wall and ripped down the canvas, I was taken aback by what I saw.
It wasn’t a painting after all; it was a mirror, reflecting the dingy, gloomy room. It was weird seeing the tableau we made. Mom stood with her hand still on my elbow, her expression wary. Aislinn was looking at the mirror with something like disgust, while Izzy had gone even paler, and Finley was scowling. As for me, I was shocked by my reflection. I was thinner than I remembered being, and my skin was dirty, tears leaving trails on my dusty cheeks. And the hair…you know what? Let’s not even go there.
But my looking like Little Orphan Sophie wasn’t what had my powers going nuts. It was the guy.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
My father..."
Dr. Gray could hear the pain in Adam's voice as it trailed off.
"I know - - again, we don't have to talk about it. But as a doctor, let me just say this: for all the ties of blood and birth that I see about me, each and every day, and the babies delivered, and the tears of the parents, I only ever remember the love. You were loved, Adam - - you are loved. Your father loved you, and you cherish his memory, and that is all that really counts. And you get to safeguard that memory however you choose.
”
”
Natalie Jenner (The Jane Austen Society (Jane Austen Society, #1))
“
Eyes blurred, she drove away. Alone, buzzing down the asphalt trail to Kayenta, heart beating, her pistons leaping madly up and down, Bonnie Abbzug relapsed into the sweet luxury of tears. Hard to see the road. She turned on the windshield wipers but that didn't help much.
”
”
Edward Abbey (The Monkey Wrench Gang (Monkey Wrench Gang, #1))
“
Eliza.” He spoke quiet, still gripping her shoulders. “I don’t know why, but I believe God has led you into my life.” His throat swelled and tears trailed down his face and dripped from his chin. “If you live, I promise to make up for all the ways I’ve failed you.” Clenching
”
”
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
“
She was sobering up. She stared silently out the window, trying not to think of the trail of fatherless children and the childrenless father they were leaving in their wake. In her mind it looked like a trail of viscous, salty tears being dragged along behind the black hack.
”
”
Douglas Stuart (Shuggie Bain)
“
He felt something trickle down his face and he wiped it away irritably. When he looked at the back of his hand, he found trails of red. He had never cried in his life; in fact, he could not cry with no tear ducts. But now, at last, he was. He was crying tears of blood. For her.
”
”
Phillip W. Simpson
“
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name.
Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers.
And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply.
And Grom accepts it with grace.
“I looked for you,” she shouts, even though he’s inches from her.
Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.”
“Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control.
“As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her.
Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.”
He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.”
This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years.
Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
You’re back and forth with me, with your actions, with your emotions. You act like you don’t remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You’re mad then you’re not.” I don’t stop to take a breath or let him speak before finally raising the hand he’s holding and letting it go. “You’re holding my hand, then . . .” I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor.
”
”
Kim Karr (Connected (Connections, #1))
“
If you never knew
the worlds in my mind
your sense of loss
would be small pity
and we’ll forget this on the trail.
Take what you’re given
and turn away the screwed face.
I do not deserve it,
no matter how narrow the strand
of your private shore.
If you will do your best
I’ll meet your eye.
It’s the clutch of arrows in hand
that I do not trust
bent to the smile hitching my way.
We aren’t meeting in sorrow
or some other suture
bridging scars.
We haven’t danced the same
thin ice
and my sympathy for your troubles
I give freely without thought
of reciprocity or scales on balance.
It’s the decent thing, that’s all.
Even if that thing
is a stranger to so many.
But there will be secrets
you never knew
and I would not choose any other way.
All my arrows are buried and
the sandy reach is broad
and all that’s private
cools pinned on the altar.
Even the drips are gone,
that child of wants
with a mind full of worlds
and his reddened tears.
The days I feel mortal I so hate.
The days in my worlds,
are where I live for ever,
and should dawn ever arrive
I will to its light awaken
as one reborn.
Poet’s Night iii.iv
The Malazan Book of the Fallen
Fisher kel Tath
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
U.S. troops forced every one of them they could find and catch to walk over a thousand miles to the new Indian Territories in what would one day be Oklahoma, down the Trail of Tears: a cheerful gesture of casual genocide. Thousands of men, women, and children died on the way. When you’ve won, you’ve won,
”
”
Neil Gaiman (American Gods)
“
An inexhaustible capacity to engage in sin is what makes human beings capable of living a virtuous life. To err is human; to seek penance is humankind’s unique act of salvation. Whenever a person fails, it is often their overwhelming sense of anguish that drives them forward to make a second attempt that is far more bighearted than they originally envisioned. The need for redemption drives us to try again despite our backside enduring the terrible weight of our greatest catastrophes. There is no person as magnanimous as a person whom finally encountered tremendous success after previously enduring a tear-filled trail of hardships and repeated setbacks. In an effort to redeem our lost dignity, in an effort to regain self-respect, we find our true selves. By working independently to better ourselves and struggling to fulfill our cherished values, we save ourselves while coincidentally uplifting all of humanity.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
A small covey gathered around Chase’s parents. Patti Love wept. Sarah Singletary scowled like everybody else but discovered that she was greatly relieved. Miss Pansy hoped no one saw her jaw relax. A lone tear trailed down Mrs. Culpepper’s cheek, and then a shadow smile for the little swamp truant escaping again.
”
”
Delia Owens (Where the Crawdads Sing)
“
Another revelation: how much laughter is a part of grief. Laughter is tightly braided into our family argot, and now we laugh remembering my father, but somewhere in the background there is a haze of disbelief. The laughter trails off. The laughter becomes tears and becomes sadness and becomes rage. I am unprepared
”
”
Chimamanda Ngozi Adichie (Notes on Grief)
“
He turned back to Ronan and said, voice quite calm. "You were right. I was wrong. I fucked up. I fucked it all up. Here is the situation. Bryde said I wasn't keeping you from danger, I was keeping you from being dangerous. I don't think--No. I was. That is true. What he said was true. I have been holding you back your entire life because I was afraid. I have been scared shitless every time you fell asleep since I was a kid, and I have been stopping you whenever I can. Not anymore. I am going to New York and I'm going to get a sweetmetal strong enough to wake you up."
Ronan did not move a millimeter, but one of the trails of salt water down his cheek glistened a little as one more tear was added to it.
"Find whoever killed him, Ronan," Declan told him. "Find whoever killed Matthew and make sure they are never happy ever again."
He and his brother never hugged, but Declan put his hand on Ronan's warm skull for a second.
Declan said, "Be dangerous.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
Yeah, I was going to follow her. Staying away from her was not an option. I would have to staple myself to the damn seat to stop myself from running after her. Tearing out of the lot, I trailed them for a few miles, hiding myself behind a few other cars. Fran dropped her off at a grocery store. Psycho me followed her in.
”
”
Christine Zolendz (Brutally Beautiful (Beautiful, #1))
“
It had begun to occur to me that perhaps it was okay that I hadn’t spent my days on the trail pondering the sorrows of my life, that perhaps by being forced to focus on my physical suffering some of my emotional suffering would fade away. By the end of that second week, I realized that since I’d begun my hike, I hadn’t shed a single tear.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Some kisses pronounced themselvesthe judgment of conviction love,Some kisses are given with an eyeSome kisses are given with the memory.There are silent kisses, kisses noblesThere enigmatic kisses, sincereSome kisses are given only soulsThere forbidden kisses, true.Some kisses calcined and hurt,Some kisses captivate sensesThere mysterious kisses that have leftthousand wandering and lost dreams.There problematic kisses enclosinga key that no one has decipheredSome kisses engender tragedyfew have defoliated roses brooch.There perfumed kisses, warm kissesthrobbing in intimate longings,Some kisses on the lips leave tracesas a field of sun between two ice.Some kisses seem liliesby sublime, naive and pure,There treacherous and cowardly kisses,There cursed and perjured kisses.Judas kisses Jesus and leaves printin the face of God, felony,while Magdalena with kissesfortifies pious agony.From then kisses throbslove, betrayal and pain,in human weddings they seemthe breeze playing with flowers.There are kisses that produce ravingsloving hot and mad passion,you know them well are my kissesinvented by me, for your mouth.Flame kisses printed on trailThey take the grooves of a forbidden love,kisses storm, wild kissesour lips only been tested.Do you remember the first ...? Indefinable;Your face covered with blushes luridand in the throes of terrible emotion,Your eyes were filled with tears.Do you remember that one evening in excess crazyI saw you jealous imagining grievances,He flunked you in my arms ... a kiss vibrated,and then ... did you see? Blood on my lips.I taught you to kiss: cold kissesThey are impassive rock heart,I taught you how to kiss with my kissesinvented by me, for your mouth
”
”
Gabriela Mistral
“
I’d imagined endless meditations upon sunsets or while staring out across pristine mountain lakes. I’d thought I’d weep tears of cathartic sorrow and restorative joy each day of my journey. Instead, I only moaned, and not because my heart ached. It was because my feet did and my back did and so did the still-open wounds all around my hips.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers.
'The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away.
Small, smooth fingers pouring gold over gaping wounds.
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the craks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that nake incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes,
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won ' t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Draggd the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes,
And now you're back. And so is the Universe, And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
All scars tell a story, beautiful girl,” he said, releasing me to trace the marks on my stomach. “Yours are tellin’ me how healthy and f*ckin’ perfect my kid is gonna be.”
A tear slid out of the corner of my eye. “Shut up,” I whispered.
“And mine,” he said softly, grabbing my hand, trailing my palm across his cheek and then his chest. “Tell the story of how I found you.
”
”
Madeline Sheehan (Unbeautifully (Undeniable, #2))
“
Only the shallowest person believes that they can attain true happiness by maximizing their wealth at any cost. In absence of morality, ethics, and a sustainable philosophy to guide us in an ethical search for happiness, we will always perceive life’s random countervailing forces of adversity and unpleasantness as inflicting a great personal injustice upon us. Through application of a deeply embedded personal philosophy, we can push back against the negative implications of a life of suffering. We can use a philosophical stance to gain the perspective needed to say 'yes' to all of life, both its rosy path of ineffable joys and a blackened trail of tears. We must learn to accept life as it truly is and not waste precious time in wistfulness.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I've walked a long trail,
a long trail of years
flushed with tears.
Tears of remembrance.
Years of driven labor
have not driven
the ancestral thoughts
out of me.
My memory of teaching—
surrounded by children,
singing songs of our people,
the stories of our history—
lives always with me...
Song shields our hearts from abuse,
draws us together,
strengthens our lives.
”
”
Ashley Bryan (Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan)
“
Vi, are you all right?” Jay asked, right beside her now, pulling her off the ground.
Tears burned her eyes, and it wasn’t just from the painful sting radiating up through her hands and knees. Humiliation threatened to overcome the hurt.
Jay hauled her up. She could smell his musky scent in his sweatshirt, and she tried to hold her breath against it. This was bad . . . this was a bad, bad place for her to be.
“Are you hurt?” He pulled her away just enough so he could look down at her.
She bit her lip, trying to will the tears away. She blinked and looked back at him. “I’m okay,” she responded, but her voice broke, making her words sound puny, pathetic even.
He cringed as he bent down and looked at the angry red scrapes on both her knees. He reached out to lightly brush away some of the dirt from them, but she knew that he was afraid of hurting her, so he barely touched them. “We’d better get you back so we can clean those up.” He straightened, and then surprised her by picking her up as he started to carry her along the trail.
She struggled against him. “I can walk!” she protested, feeling even more like a baby as he held her in his arms.
He looked down at her in disbelief. “Are you sure? ‘Cause I think I just saw you trying, and it didn’t work out so well for you.” He didn’t seem inclined to let her down just yet; he just kept walking.
She laughed but insisted again through her teary giggles, “Seriously, put me down! I feel stupid enough already—I don’t need you treating me like an invalid.”
He slowed down unsurely before setting Violet on her own two feet. Internally she cursed herself for being so stubborn, and she wished that he’d put up more of a fight. Why couldn’t he have insisted on carrying her all the way home?
Instead, he reached out and grabbed her hand. “If it’s all right with you, I think I’ll keep ahold of you anyway. I don’t want to be responsible for letting you fall again.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I'm just so tired. I'm so, so tired all the time.' A tear slips down her face, all the way down till it drops off her chin, and she doesn't brush its trail away.
And I remember being in that jungle, lost in the darkest, wildest part of it, where fearsome beasts and carnivorous plants lurk between every tree. All I could do was lie down on the wet leaves. Bugs crawled up my legs, and I couldn't care enough to brush them off.
”
”
Emery Lord (When We Collided)
“
He unfastened his pants and shrugged off his shirt, baring his beautiful chest, the ripple of his abs, and the soft trail of hair leading below. "I was saving the best for last." He ground his palm over his erection.
"Tease." She couldn't tear her eyes away. "Take it all off."
"You're not in a position to make demands." But he didn't make her wait. Instead he lowered his zipper and pulled out his cock. Thick and hard, he was more than ready for her.
"Do you want this, sweetheart?"
She wasn't complaining about the term of endearment now. "Very much."
He gave a casual shrug that belied the evidence of his desire. "Maybe when I've finished my search."
"What else..." Her voice trailed off when he lay between her legs, slid off her panties, and placed her feet on his shoulders.
"The best things are found in the most secret places." He lowered his head. His tongue did the most wicked things that had her arching and twisting on the bed.
"Jay..." It was a plea. It was a demand.
"That's Mr. Dayal to you." Without warning, he slid two fingers deep inside her, his firm steady strokes making all her nerve endings fire at once. His tongue found her sensitive clit and her inner walls tightened around his fingers. She soared and peaked, her orgasm crashing through her body in a tidal wave of sensation.
Dazed, languid on the bed, she watched him shrug off his trousers and roll on a condom. "Did you find what you were looking for?"
"Not yet." He lifted her legs, spread them wide, opening her for him as he positioned himself between her thighs.
"You're very good at your job." Now that her body was sated, she was generous with her praise.
"And you are a beautiful, sexy temptress who is about to be fucked by a man who wants her so desperately he's willing to do anything to have her.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
On October 1, 1838, the first detachment set out in what was to be known as the Trail of Tears. As they moved westward, they began to die—of sickness, of drought, of the heat, of exposure. There were 645 wagons, and people marching alongside. Survivors, years later, told of halting at the edge of the Mississippi in the middle of winter, the river running full of ice, “hundreds of sick and dying penned up in wagons or stretched upon the ground.” Grant Foreman, the leading authority on Indian removal, estimates that during confinement in the stockade or on the march westward four thousand Cherokees died. In December 1838, President Van Buren spoke to Congress: It affords sincere pleasure to apprise the Congress of the entire removal of the Cherokee Nation of Indians to their new homes west of the Mississippi. The measures authorized by Congress at its last session have had the happiest effects.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
Lenz on the way home finds himself under huge hydrolystic compulsion to have Green right there by his side—or basically anyone who can’t get away or won’t go away—right there with him, and to share with Green or any compliant ear pretty much every experience and thought he’s ever had, to give each datum of the case of R. Lenz shape and visible breath as his whole life (and then some) tear-asses across his mind’s arctic horizon, trailing phosphenes. He
”
”
David Foster Wallace (Infinite Jest)
“
On the contrary, I have seen big winners, individuals who have overcome themselves and have crossed the finish line in tears, their strength gone, but not from physical exhaustion—though that is also there—but because they have achieved what they thought was only the fruit of dreams. I have seen people sit on the ground after crossing the finish line of the Ultra-Trail du Mont-Blanc, and sit there for hours with blank looks, smiling broadly to themselves, still not believing that what they have achieved isn’t a hallucination. Fully aware that when they wake up, they will be able to say that they did it, that they succeeded, that they vanquished their fears and transformed their dreams into something real. I have seen individuals who, though they have come in after the leaders have had time to shower, eat lunch, and even take a good siesta, feel that they are the winners. They wouldn’t change that feeling for anything in the world. And I envy them, because, in essence, isn’t this a part of why we run? To find out whether we can overcome our fears, that the tape we smash when we cross the line isn’t only the one the volunteers are holding, but also the one we have set in our minds? Isn’t victory being able to push our bodies and minds to their limits and, in doing so, discovering that they have led us to find ourselves anew and to create new dreams?
”
”
Kilian Jornet (Run or Die)
“
Finally, rocking the whole harbour and carrying to every city windows; besetting kitchens with dinner on the stove, and shoddy hotel bedrooms where sheets are never changed, and desks waiting for children to come home, and schools and tennis courts and graveyards; plunging everything into a moment of grief and ruthlessly tearing even the hearts of the uninvolved, the Rakuyo's horn screamed out one last enormous farewell. Trailing white smoke, she sailed straight out to sea.
”
”
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
“
Angel of Gaiety, have you tasted grief?
Shame and remorse and sobs and weary spite?
And the vague terrors of the fearful night
That crush the heart up like a crumpled leaf?
Angel of Gaity, have you tasted grief?
Angel of kindness have you tasted hate?
With hands clenched in the dark, and tears of gall,
When Vengeance beats her hellish battle-call,
And makes herself captain of our fate,
Angel of kindness, have you tasted hate?
Angel of health, did you ever know pain.
which like an exile trails his tired footfalls
”
”
Charles Baudelaire
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
When I was teaching in Padua, my sister died. I've told you that. I went into the Scrovegni Chapel there to look at the Giottos and I felt nothing. But I made myself look. He painted that chapel in 1305. Dante visited him. And in the scene of the Slaughter of the Innocents is one of the first realistic depictions of human tears. How they leave a trail down the cheek and hang for a moment on the jaw before falling. Someone noticed, seven hundred years ago. Someone knew my pain. That's what you do. Pay attention. It's not for yourself. It's for someone seven hundred years from now.
”
”
Andrew Sean Greer (Less Is Lost (Arthur Less, #2))
“
You never asked about your present.'
'I assumed I wasn't getting one from you.'
He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?'
She shrugged. 'I just did.'
He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him.
Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.'
He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring.
'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.'
Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?'
'Touch the top. Just a tap.'
Throwing a puzzled glance at him, she did so.
Music exploded into the room.
Nesta leaped back, a hand at her chest as he laughed.
But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again.
'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.'
'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled.
His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...'
He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room.
He had done all of this for her. Had found a way for her to have music- always.
'Nesta,' he breathed.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
I think you’re a reward for my patience. I’ve never had anyone there for me, not like this. I feel a sort of peace I’ve never had before.” Tears trail down my cheeks. “You changed my luck, Dame. And for the first time in my life, I feel like if I ever need rescuing, I’ll have somebody there to help save me.”
Any brick or mortar I have left surrounding my heart disintegrates with his confession. He gives me all his trust, and I take it, and in return, I give him mine. Because he is worth it. “I will, Lucas. If you ever need saving, I’ll be there. I promise.”
He presses his forehead to mine. “I’m counting on it.
”
”
Kate Stewart (Method)
“
She’d almost told him she loved him. So many times, she’d been on the edge of letting the words spill out, but her past had kept her cautious. And now she was glad, very glad, she hadn’t. Let him go back to a woman who didn’t care. [She] didn’t care either. What ran down her cheeks and tasted of salt wasn’t tears but good cleansing sweat. It poured from every part of her body. When she finally stood and ran outside, she trailed steam like a thing that had been through fire. As she dropped into the hole she’d cleared of ice, the bitterly cold water of the lake squeezed her hard, wrung her out, and left her wonderfully empty.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
On our third day at Gooden-Baden, as I lay abed waiting for my morning tea tray to arrive, Edward went for a soak in the medicinal tar pits. He never came back. All they found was his Bavarian hunting hat, floating on the surface of the tar, with those jaunty feathers sticking up and a sweet little sprig of edelweiss pinned to the hatband. A sticky trail of bubbles and a ruined hat. That was what was left of my husband. The hat was new, too; he had only just purchased it in the gift shop. . . .” The widow was overcome by emotion and had to pause. “Poor hat,” said Beowulf with feeling, perhaps missing the deeper meaning of the widow’s tears.
”
”
Maryrose Wood (The Unseen Guest (The Incorrigible Children of Ashton Place, #3))
“
He was thinking about men like his Uncle Ted, a Cornishman to his bones, who lived and would die in St. Mawes, part of the fabric of the place, remembered as long as there were locals, beaming out of fading photographs of the Life Boat on pub walls. When Ted died—and Strike hoped it would be twenty, thirty years hence—they would mourn him as the unknown Barrovian Grammar boy was being mourned: with drink, with tears, but in celebration that he had been given to them. What had dark, hulking Brockbank, child rapist, and fox-haired Laing, wife-torturer, left behind in the towns of their birth? Shudders of relief that they had gone, fear that they had returned, a trail of broken people and bad memories.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
As they’re walking on the beach, in the dark sky above the person’s life is played out for them to see. As each scene is played, like a movie reel, the person notices that two sets of footprints were left in the sand behind them. And as they continued, every new scene brought with it a trail of their footprints.”
Poppy’s attention honed in on our footprints. “When all the scenes had been played, the person looks back on the trail of footprints and notices something strange. They notice that during the saddest, or most despairing times of their life, there was only one set of footprints. For happier times there was always two sets.”
My eyebrows furrowed, wondering where the story was headed. Poppy lifted her chin and blinked in the bright glare of the sun. With watery eyes, she looked at me and continued. “The person is really troubled by this. The Lord said that, when a person dedicates their life to Him, He would walk with them through all the ups and downs. The person then asked the Lord: why, at the worst points of their life, did He abandon them? Why did He leave?”
An expression of deep comfort washed over Poppy’s face. “And what?” I prompted. “What does the Lord say?”
A single tear fell from her eye. “He tells the person that He had walked with them their whole life through. But, He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
We are all gastropods, soft, sticky creatures pulling ourselves along the earth from which we came and leaving a trail of silvery drool behind. But the snail, a worm that eternally slides along the horizon, lifts into the air, from its soft bivalve back, the geometrical wonder of its spiral shell, seemingly unrelated to the body that produced it in fear and loneliness. We secrete our shell in the sweat and mucous of our skin, in the transparent, scaly flesh of the foot we use to drag ourselves along. Through an alchemical transmutation, our drool turns to ivory and the spasms of our flesh into an undisturbed stillness. We curl around our central pilaster of rose-colored kaolin, we add, in our desperate drive to persist, spiral after spiral, each one wider, asymptotic, and translucid, until the miracle comes to pass: the revolting worm—existing in the life it lives, fermenting in its sins, irrigated by hormones and blood and sperm and lymph—rots and dies, leaving behind the ceramic filigree of its shell, a triumph of symmetry, the deathless icon in the platonic world of the mind. We all secrete, as we live, poems and pictures, ideas and hope, glistening palaces of music and faith, shells which begin by protecting our soft abdomen but after our disappearance live in the golden air of pure forms. Geometry always appears out of the amorphous, serenity out of pain and torture, just as dry tears leave behind the most wondrous crystals of salt.
”
”
Mircea Cărtărescu (Solenoid)
“
I love you,” I whispered brokenly against his lips. Tears leaked out at the corners of my eyes. He pushed the hair off my face, clearing me for his view. Our noses touched, we were so close. His fingers trailed over my face, drying the tears from my cheeks as quickly as they fell.
“Don’t cry, baby. I love you. I love you, Emerson.” He pronounced the words slowly, like he was savoring them. Or maybe he just wanted me to absorb them. Maybe he wanted them to sink in so that I would feel them as clearly and completely as I felt his hands on my face, his lips against mine . . . his heartbeat vibrating from his chest into my body.
So that I would believe in them. Believe in him.
And I did. I felt them. I believed in them.
I believed in us.
”
”
Sophie Jordan (Tease (The Ivy Chronicles, #2))
“
She swung her legs around his waist and crossed her ankles behind his back. “I like the way your mind works,” she panted before losing herself in the sensation of his hardness rubbing against her core. Lief took the few steps across the room to the bed in record time and flung her down on the covers. He leaned back to tear his clothes off. “My mind hardly works at all when you are near.” She chuckled leaning back on her elbows, enjoying the view of naked flesh being revealed. She rose up on her knees and traced the ridges on his chest and abdomen. As her fingers trailed down toward his proud shaft, he captured her wrists.
“Be careful.” He smiled down at her. “I’m loaded and might go off any minute.”
She laughed. “You’ve been watching too many old Western movies with Harold.
”
”
Asa Maria Bradley (Viking Warrior Rising (Norse Warrior Protectors #1; Viking Warriors, #1))
“
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn't know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn't crying because I was happy. I wasn't crying because I was sad. I wasn't crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too.
I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I pull back and tell him, “You’re amazing.”
He gives me a soft smirk. “That is the general consensus.”
I smile. “And I love you.”
He sets my feet on the floor but keeps his arms around my waist. “Good. Then you’re going to let me put three locks on the door of whatever apartment you decide to move into. And a chain. And a dead bolt.”
I smile wider. “Okay.”
Drew slowly steps forward, backing me up toward the bed.
“And you’re not going to bitch when I have a security system installed.”
“Wouldn’t dream of it.”
We take another step together, almost like we’re dancing.
“I’m thinking about buying you one of those ‘I’ve fallen and I can’t get up’ necklaces too.”
My eyes squint as I pretend to think about the idea. “We’ll talk about it.”
“And . . . you’re going to let me walk you home from work every night.”
“Yes.”
The back of my legs make contact with the bed frame.
“I’m also going to come to every doctor’s appointment with you.”
“I didn’t for a second imagine you wouldn’t.”
Drew cups my face in his hands. “And one day, I’m going to ask you to marry me. And you’re going to know it’s not because you’re pregnant, or because of some misguided attempt to keep you.”
Tears spring into my eyes as we gaze at each other.
In a rough voice, he continues, “You’re going to know I’m asking because nothing would make me prouder than to be able to say, ‘This is my wife, Kate.’ And when I do ask, you’re going to say yes.”
When I nod, one tear trails down my cheek. Drew wipes it away with his thumb as I promise, “It’s a sure thing.”
And then he’s kissing me, with all the passion and desire he’s held in check the last two days. Drew cradles my head as we fall on the bed together.
”
”
Emma Chase (Twisted (Tangled, #2))
“
It amazed me every time. Again and again and again . Of all the wild things, his failure to love me the way he should have had always been the wildest thing of all. But on the night as I gazed out over the darkening land fifty-some nights out on the PCT, it occurred to me that I didn't have to be amazed by him anymore. There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn't know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn't crying because I was happy. I wasn't crying because I was sad. I wasn't crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9.760 days that had come before them too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Blood and Roses was a trading game, along the lines of Monopoly. The Blood side played with human atrocities for the counters, atrocities on a large scale: individual rapes and murders didn’t count, there had to have been a large number of people wiped out. Massacres, genocides, that sort of thing. The Roses side played with human achievements. Artworks, scientific breakthroughs, stellar works of architecture, helpful inventions. Monuments to the soul’s magnificence, they were called in the game. There were sidebar buttons, so that if you didn’t know what Crime and Punishment was, or the Theory of Relativity, or the Trail of Tears, or Madame Bovary, or the Hundred Years’ War, or The Flight into Egypt, you could double-click and get an illustrated rundown, in two choices: R for children, PON for Profanity, Obscenity, and Nudity. That was the thing about history, said Crake: it had lots of all three. You
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
But on that night as I gazed out over the darkening land fifty-some nights out on the PCT, it occurred to me that I didn't have to be amazed by him anymore.
There were so many other amazing things in this world.
They opened up inside of me like a river. Like I didn't know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment i was crying my first tears on the PCT. I cried and I cried and I cried. I wasn't crying because I was happy. I wasn't crying because I was sad. I wasn't crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too.
I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Elysian Mates are the most unpredictable of all the Star Bonds,” Zenith started. “An Elysian Mate is your absolute perfect match. Your other half, your soul mate, your twin flame, your one true love. It has many names. But in Solaria we call it this. Your Elysian Mate is Star Bound to you somewhere in this world. And if you come into contact with each other, the Zodiac will draw you together like two ends of a rope bound to a turning wheel. And the more time you spend together, the more you will be pulled magnetically and inescapably toward one another. But...” She trailed off and my heart pounded harder as the sky turned blood red above us. Two stars sailed across the heavens from opposing ends of the ceiling, tearing toward each other on a collision course. “The stars will test you. The longer you are in each other’s company, the more volatile the universe will become. And if you pass all of the tests the stars throw at you, you will be presented with your Divine Moment.
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Instead, I gave them the only salute I could think of.
Two middle fingers. Held high for emphasis.
The six fiery orbs winked out at once. Hopefully, they’d died from affront.
Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?”
“Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.”
Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me.
“Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!”
I flinched, surprised by his reaction. Ben, cracking up at a time like this?
He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more.
In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed.
Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.”
Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb.
I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells.
Did he just . . . what did he mean when . . .
Oh crap.
Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks.
I shifted uncomfortably in my seat. Shifted again. Debated going over the side.
Did he really mean to say he . . . loved me? Like, for real?
The awkward moment stretched longer than any event in human history.
He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.”
Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out.
Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time.
Is that what I want? For Ben to walk it back?
A part of me was astounded by the chaos a single four-word utterance could create.
Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system.
“I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort.
Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Trail of Tears, “these forced migrations” whose “fearful evils…are impossible to imagine…. I have witnessed evils,” Tocqueville admits a couple of paragraphs later, “I would find it impossible to relate.”* Regarding the plight of Indians in the United States, words practically fail Tocqueville. As for black people, they seem less fated for extinction than Native Americans, but their situation is nevertheless dire: black people, enslaved or free, “only constitute an unhappy remnant, a poor little wandering tribe, lost in the midst of an immense nation which owns all the land.” Such an assessment seems strange, if not ridiculous, to the twenty-first-century ear, since “this poor little wandering tribe” comprised more than two million people, more than 18 percent of the total population. Tocqueville very clearly realizes that slavery damages southern white people as well as the southern economy. Because of slavery, southern white people’s customs and character compare poorly with those of other Americans.
”
”
Nell Irvin Painter (The History of White People)
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
“Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?”
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked.
“M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer.
“Maybrick?” he asked patiently.
“No, th-the other one.”
“Stubbins.”
“Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
“How often?” she heard him ask. “More than once?”
“I…i-it’s not important now.”
“How often, Evie?”
Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.”
“Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.”
“I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.”
Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Alliance (Sonata)"
Of dusty gazes fallen down to the soil
or leaves without sound and entombing.
Of metals without light, with the void,
with the absence of the dead day of coup.
At the top of the hands the dazzle of butterflies,
the start of butterflies whose light has no end.
You were keeping the trail of light, of broken beings
that the sun abandoned, getting dark, throws to the churches.
Stained with glances, with the aim of bees,
your material of unexpected flame fleeing
coming before and after the day and to your family of gold.
The days stalked they cross the secrecy
but fall inside of your voice of light.
Oh proprietress of love, on your rest
I founded my dream, my silent attitude.
With your body of shy number, extended suddenly
until quantities that define the earth,
behind the fight of the white days of space
and chills of slow deaths and withered stimuli,
I feel burn your lap and move your kisses
making fresh swallows in my dream.
Sometimes the fate of your tears amounts
as the age up to my forehead, there
they are striking the waves, being destroyed of death:
its’ movement is damp, depressed, final.
”
”
Pablo Neruda (Residence on Earth)
“
Alliance (Sonata) "
Of dusty glances fallen to the ground
or of soundless leaves burying themselves.
Of metals without light, with the emptiness,
with the absence of the suddenly dead day.
At the tip of the hands the dazzlement of butterflies,
the upflight of butterflies whose light has no end.
You kept the trail of light, of broken beings
that the abandoned sun, sinking, casts at the churches.
Stained with glances, dealing with bees,
your substance fleeing from unexpected flame
precedes and follows the day and its family of gold.
The spying days cross in secret
but they fall within your voice of light.
Oh mistress of love, in your rest
I established my dream, my silent attitude.
With your body of timid number, suddenly extended
to the quantities that define the earth,
behind the struggle of the days white with space
and cold with slow deaths and withered stimuli,
I feel your lap burn and your kisses travel
shaping fresh swallows in my sleep.
At times the destiny of your tears ascends
like age to my forehead, there
the waves are crashing, smashing themselves to death:
their movement is moist, drifting, ultimate.
”
”
Pablo Neruda (The Poetry of Pablo Neruda)
“
It wanted me,” she says, her tone too even. “Me alone.”
I turn her in my arms to face her. “You’re safe now.”
“I am the key.” She shakes her head. “If I deny it, there will be more and more of this...until eventually, both kingdoms will die.”
“Amalia…”
“I love you,” she says, meeting my eyes, not caring who hears her. “Rhys, I love you desperately. Whether you love me or not. But what can I do? If I’m with you, everything will be destroyed. And it will be my fault.”
“Give me time,” I whisper. “Please.”
“We don’t have time.”
“Then give me minutes,” I whisper, holding her close.
“Rhys,” she says, her voice breaking.
“I love you, Amalia. And I swear to you—I make a solemn vow—I will see us through this together.”
“You love me?” she whispers, tears once more trailing down her cheeks.
“I do.”
And then, not caring who sees, I capture her face in my hands and press my lips to hers, sealing the vow I made back in Saulette. Amalia cries against me, grasping hold of my shoulders and pulling me close.
I lean into her, swearing to myself I will make good on my promise. Her tears wet my face, but she meets me without hesitation—trusting me, as I’ve asked her to do so many times.
And dawn breaks.
”
”
Shari L. Tapscott (Sea of Starlight (The Riven Kingdoms, #2))
“
Last Thoughts On Woody Guthrie
When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm taking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
...
”
”
Bob Dylan
“
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth.
There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake!
And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light!
Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight.
But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight.
("Adam")
”
”
Andrei Bely (Silver Age of Russian Culture (An Anthology))
“
The Cherokees left the beautiful mountainous land of their ancestors. They were forced to live far away, in the West, which many of them felt was the home of evil spirits. Perhaps evil spirits did dwell in the new land, for the Cherokees were never the same again after they had left their mountains.
Now, no man alive in Georgia remembers the Cherokee Nation. The growing capital city of the Nation has been destroyed. There are no Cherokee women and girls left to pick the berries which grow along the creeks of the Georgia mountains. The deer which graze on the mountainsides are no more hunted by Cherokee men and boys. All that is left are names.
Some of the towns and rivers in North Georgia have names which sound like music and make one think of the time when Cherokees ruled this land. There is a small town named Hiawassee and another named Ellijay. Such names sound like the wind whispering in the mountain pines. Other towns are called Rising Fawn and Talking Rock and Ball Ground.
There are the rivers with strange names such as Chattahoochee, Oostenaula, Coosa, Chatooga and Etowah. Nacoochee is the name of a beautiful valley and Chattanooga the name of a great city.
There are Cherokee names, given to these places a thousand years before the white man came to America.
Now the Cherokees have gone. Only the names remain.
”
”
Alex W. Bealer (Only the Names Remain: The Cherokees and The Trail of Tears)
“
Romance of the sleepwalker"
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea
and the horse on the mountain.
With her waist that’s made of shadow
dreaming on the high veranda,
green the flesh, and green the tresses,
with eyes of frozen silver.
Green, as I love you, greenly.
Beneath the moon of the gypsies
silent things are looking at her
things she cannot see.
Green, as I love you, greenly.
Great stars of white hoarfrost
come with the fish of shadow
opening the road of morning.
The fig tree’s rubbing on the dawn wind
with the rasping of its branches,
and the mountain cunning cat,
bristles with its sour agaves.
Who is coming? And from where...?
She waits on the high veranda,
green the flesh and green the tresses,
dreaming of the bitter ocean.
- 'Brother, friend, I want to barter
your house for my stallion,
sell my saddle for your mirror,
change my dagger for your blanket.
Brother mine, I come here bleeding
from the mountain pass of Cabra.’
- ‘If I could, my young friend,
then maybe we’d strike a bargain,
but I am no longer I,
nor is this house, of mine, mine.’
- ‘Brother, friend, I want to die now,
in the fitness of my own bed,
made of iron, if it can be,
with its sheets of finest cambric.
Can you see the wound I carry
from my throat to my heart?’
- ‘Three hundred red roses
your white shirt now carries.
Your blood stinks and oozes,
all around your scarlet sashes.
But I am no longer I,
nor is this house of mine, mine.’
- ‘Let me then, at least, climb up there,
up towards the high verandas.
Let me climb, let me climb there,
up towards the green verandas.
High verandas of the moonlight,
where I hear the sound of waters.’
Now they climb, the two companions,
up there to the high veranda,
letting fall a trail of blood drops,
letting fall a trail of tears.
On the morning rooftops,
trembled, the small tin lanterns.
A thousand tambourines of crystal
wounded the light of daybreak.
Green, as I love you, greenly.
Green the wind, and green the branches.
They climbed up, the two companions.
In the mouth, the dark breezes
left there a strange flavour,
of gall, and mint, and sweet basil.
- ‘Brother, friend! Where is she, tell me,
where is she, your bitter beauty?
How often, she waited for you!
How often, she would have waited,
cool the face, and dark the tresses,
on this green veranda!’
Over the cistern’s surface
the gypsy girl was rocking.
Green the bed is, green the tresses,
with eyes of frozen silver.
An ice-ray made of moonlight
holding her above the water.
How intimate the night became,
like a little, hidden plaza.
Drunken Civil Guards were beating,
beating, beating on the door frame.
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea,
and the horse on the mountain.
”
”
Federico García Lorca (Collected Poems)
“
Gravity's Rainbow"
Come on with me through ruined liplock
Across Tangian deserts we'll flock
Madcap Medusa flank my foghorn
We'll change four seasons with our first born.
All ships of sense on hyper ocean
All kinds of chaos still in motion
My culture vulture such a dab hand
I'll steal you from the year 4000
Come with me, come with me
We'll travel to infinity
Come with me, come with me
We'll travel to infinity
I'll always be there
Uh-oh my future love
I'll always be there
For you, my future love
Your tears leave trails of Tick fall blur room
Autonoma the room is bloom groom
Those crippled lines that I can't get to
You'd slip through time but I won't let you
Come with me, come with me
We'll travel to infinity
Come with me, come with me
We'll travel to infinity
I'll always be there
Uh-oh my future love
I'll always be there
For you, my future love
Come with me, come with me
We'll travel to infinity
Come with me, come with me
We'll travel to infinity
I'll always be there
Uh-oh my future love
I'll always be there
For you, my future love
Come with me, come with me
We'll travel to infinity
Come with me, come with me
We'll travel to infinity
I'll always be there
Uh-oh my future love
I'll always be there
For you, my future love
Come with me, come with me
We'll travel to infinity
Come with me, come with me
We'll travel to infinity
I'll always be there
Uh-oh my future love
I'll always be there
For you, my future love
”
”
The Klaxons
“
As they’re walking on the beach, in the dark sky above the person’s life is played out for them to see. As each scene is played, like a movie reel, the person notices that two sets of footprints were left in the sand behind them. And as they continued, every new scene brought with it a trail of their footprints.” Poppy’s attention honed in on our footprints. “When all the scenes had been played, the person looks back on the trail of footprints and notices something strange. They notice that during the saddest, or most despairing times of their life, there was only one set of footprints. For happier times there was always two sets.” My eyebrows furrowed, wondering where the story was headed. Poppy lifted her chin and blinked in the bright glare of the sun. With watery eyes, she looked at me and continued. “The person is really troubled by this. The Lord said that, when a person dedicates their life to Him, He would walk with them through all the ups and downs. The person then asked the Lord: why, at the worst points of their life, did He abandon them? Why did He leave?” An expression of deep comfort washed over Poppy’s face. “And what?” I prompted. “What does the Lord say?” A single tear fell from her eye. “He tells the person that He had walked with them their whole life through. But, He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
[E]ven on the issues that are put up to democratic vote, we are saddled with a two-party system in which the liberal democratic party might be one of the most criminal orginizations in modern history. If you think I am exaggerating, consider that it's the democrats who: Fought the civil war on the side of slavery, created Jim Crow segregation after they lost that war, dropped the only nuclear weapons on a civilian population in history, stole a third of Mexico's land, and forced the Cherokee and other tribes on the infamous Trail of Tears, killed millions in the wars of Korea and South East Asia, doubled the country's prison population under Bill Clinton, deported over 2 million immigrants under Barrack, you get the picture. The point is not that there's anything better about Republicans: Many of whom probably look at the list above and sigh with envy, but that both major US parties are completely devoted to the priorities of the tiny class that runs this country. Each party may be paid to look out for a particular industry, republicans get lots of oil money, while democrats are preferred by the tech industry. But sometimes they propose different strategies to achieve the same ends: such as whether the United States should destroy Middle-Eastern countries with or without the approval of the United Nations. More often, their differences are even less substantial and are almost entirely about how to get a different voting block to support the same policies.
”
”
Danny Katch (Socialism…Seriously: A Brief Guide to Human Liberation)
“
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear.
"They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green.
"Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine."
He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
Turn wheresoe'er I may,
By night or day.
The things which I have seen I now can see no more.[...]Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life's Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home[...]And O, ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquished one delight
To live beneath your more habitual sway.
I love the Brooks which down their channels fret,
Even more than when I tripped lightly as they;
The innocent brightness of a new-born Day
Is lovely yet;
The Clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o'er man's mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
”
”
William Wordsworth
“
One red feather for celebration. No one yet has seen it but me. When Miss Dickinson says, “Hope is the thing with feathers,” I always think of something round—a ball from one of the games I will never play—stuck all around like a clove-orange sachet with red feathers. I have pictured it many times—Hope!—wondering how I would catch such a thing one-handed, if it did come floating down to me from the sky. Now I find it has fallen already, and a piece of it is here beside our latrine, one red plume. In celebration I stooped down to pick it up. Down in the damp grass I saw the red shaft of another one, and I reached for it. Following the trail I found first the red and then the gray: clusters of long wing feathers still attached to gristle and skin, splayed like fingers. Downy pale breast feathers in tufted mounds. Methuselah. At last it is Independence Day for Methuselan and the Congo. O Lord of the feathers, deliver me this day. After a lifetime caged away from flight and truth, comes freedom. After long seasons of slow preparation for an innocent death, the world is theirs at last. From the carnivores that would tear me, breast from wishbone. Set upon by the civet cat, the spy, the eye, the hunger of a superior need, Methuselah is free of his captivity at last. This is what he leaves to the world: gray and scarlet feathers strewn over the damp grass. Only this and nothing more, the tell-tale heart, tale of the carnivore. None of what he was taught in the house of the master. Only feathers, without the ball of Hope inside. Feathers at last at last and no words at all.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
“Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
In silence Peter and I make our way back to my room. We turn left, and a group of people stands at the other end of the hallway. It is the longest of the corridors we will travel through, but that distance shrinks when I see him.
Held at either arm by a Dauntless traitor, a gun aimed at the back of his skull.
Tobias, blood trailing down the side of his face and marking his white shirt with red; Tobias, fellow Divergent, standing in the mouth of this furnace in which I will burn.
Peter’s hands clamp around my shoulders, holding me in place.
“Tobias,” I say, and it sounds like a gasp.
The Dauntless traitor with the gun presses Tobias toward me. Peter tries to push me forward too, but my feet remain planted. I came here so that no one else would die. I came here to protect as many people as I could. And I care more about Tobias’s safety than anyone else’s. So why am I here, if he’s here? What’s the point?
“What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale.
“What did you do?” This time the question tears from my throat like a growl.
I throw myself toward him, struggling against Peter’s grip, though his hands chafe.
“What did you do?” I scream.
“You die, I die too.” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.”
He disappears around the corner. The last I see of him and the Dauntless traitors leading him is the gleam of the gun barrel and blood on the back of his earlobe from an injury I didn’t see before.
All the life goes out of me as soon as he’s gone. I stop struggling and let Peter’s hands push me toward my cell.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
They made it to Cyra’s room. She dropped Akos at the edge of her bed, then stormed around the room, gathering towels, ice, painkiller. Frantically, tears running down her face. The room still smelled malty from the potion he’d brewed earlier.
“Cyra. Did she tell him anything?”
“No. She’s a good liar,” she replied as she fought to uncork the vial of painkiller with trembling hands. “You’ll never be safe again. You know that? Neither of us will.”
She got the stopper out, and touched it to his mouth, though he could easily have grabbed it himself. He didn’t point that out, just parted his lips to swallow it.
“I was never safe. You were never safe.” He didn’t understand why she was so rattled. It wasn’t like Ryzek doing something terrible was a new thing. “I don’t understand why he made a point to use me--”
Her legs brushed his as she came to stand between his knees. They were almost the same height this way, with him perched on her high bed. And she was close, like she sometimes was when they fought, laughing in his face because she’d knocked him down, but that was different. Completely different.
She wasn’t laughing. She smelled familiar, like the herbs she burned to clear the room of food smells, like the spray she used in her hair to smooth its tangles. She brought a hand to his shoulder, than trailed trembling fingers along his collarbone, down his sternum. Pressed a gentle hand to his chest. Didn’t look at his face.
“You,” she whispered, “are the only person he could possibly hold over me now.”
She touched his chin to steady it as she kissed him. Her mouth was warm, and wet with tears. Her teeth scored his bottom lip as she pulled away.
Akos didn’t breathe. He wasn’t sure he could remember how.
“Don’t worry,” she said softly. “I won’t do that again.”
She backed away, and shut herself in the bathroom.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Chase shoved one of the ultrasound pictures in Bree’s face, “Then what the hell is this?” I stepped up next to her, took the photo out of his hand and spoke softly, trying to hide my shaking. “It’s mine Chase.” You could have heard a pin drop. Chase’s face had softened as soon as he’d seen me, but turned into one of shock when he registered what I’d said. After a few minutes, a grin that reached his eyes spread across his face as he searched mine. His eyes slowly trailed down to my stomach and grew wide, “You’re pregnant Princess?” “Yes.” I whispered. He lifted his head to smile at me and dropped it again, gaze fixed on my bump. This time no one stopped me when I let my hand fall to cover it lovingly. “Is it – is it mine?” “Of course it is.” “We’re going to have a baby?” “Yes.” “This is our baby?” He reached for the photo in my hand. I smiled, “Yes.” His expression was so beautiful, tears instantly poured down my cheeks. “We’re having a baby.” I laughed through my tears and nodded my head. Chase ran a hand through his hair and huffed out a laugh. He looked from the picture to my stomach once more, “I love you so much.” he breathed and closed the distance between us, crushing his lips to mine. I didn’t care that his family was watching, I threw my arms around his neck and let him lift me off the ground. After I was good and kissed, he set me back down and dropped to his knees. Running his hand over my gummy bear bump, he lifted my shirt and kissed my bare stomach twice. A sob broke out of my chest and I looked at Claire who was freely crying and leaning into Robert. Even Bree was wiping a few tears away. Chase stood back up and cupped my face in his hands, “Why didn’t you tell me?” “I was scared,” I shrugged, “I still am.” “You don’t have to be scared,” he whispered and kissed my nose, “I’ll take care of us.” I
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
As they’re walking on the beach, in the dark sky above the person’s life is played out for them to see. As each scene is played, like a movie reel, the person notices that two sets of footprints were left in the sand behind them. And as they continued, every new scene brought with it a trail of their footprints.” Poppy’s attention honed in on our footprints. “When all the scenes had been played, the person looks back on the trail of footprints and notices something strange. They notice that during the saddest, or most despairing times of their life, there was only one set of footprints. For happier times there was always two sets.” My eyebrows furrowed, wondering where the story was headed. Poppy lifted her chin and blinked in the bright glare of the sun. With watery eyes, she looked at me and continued. “The person is really troubled by this. The Lord said that, when a person dedicates their life to Him, He would walk with them through all the ups and downs. The person then asked the Lord: why, at the worst points of their life, did He abandon them? Why did He leave?” An expression of deep comfort washed over Poppy’s face. “And what?” I prompted. “What does the Lord say?” A single tear fell from her eye. “He tells the person that He had walked with them their whole life through. But, He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.” Poppy sniffed and said, “I don’t care if you’re not religious, Rune. The poem is not only for the faithful. We all have people who carry us through the worst of times, the saddest of times, the times that seem impossible to break free from. In one way or another, whether it’s through the Lord or a loved one or both, when we feel like we can’t walk on anymore, someone swoops in to help us … someone carries us through.” Poppy rested her head on my chest, wrapping herself
”
”
Tillie Cole (A Thousand Boy Kisses)
“
Reaching into his sporran, he pulled out a small bundle wrapped in fine linen. “I want to give ye somethin’, somethin’I want ye to wear this day.”Carefully, he unfolded the linen and held his hand out to her.
Josephine’s eyes widened with curiosity and joy. “’Tis beautiful, Graeme!”
“It be a brooch that each MacAulay lad receives when he turns six and ten. I want ye to have it.”
Josephine carefully took it and studied it closely. Made of pewter, in the center of the brooch were two hands, one decidedly masculine, the other feminine. The masculine hand held the feminine hand in his palm. In the center of her palm was a tiny ruby. To one side, the circle had been engraved to look like stars twinkling near a crescent moon. On the other were the words aeterna devotione. Eternal devotion.
Tears filled her eyes as she looked into his. “Ye want me to have this?”
“Aye, I do, Joie,”he said as he placed a kiss on her forehead. “Me great-great-great grandfather presented a brooch just like this to his wife, me great-great-great grandmum. But no’until the first anniversary of their weddin’day. ’Twas a symbol of the great love they had found with one another. ’Tis tradition for the MacAulay men to only give their brooch to a woman who has stolen their heart, a woman they love and trust above all else.”
Tears trailed down her cheeks, her heart beating so rapidly she was certain it would burst through her breastbone at any moment.
“I do no’quite understand how it happened, or how it happened so quickly, Joie, but it has. Amorem in corde meo ut arctius coccino colloeandus arctius ideo astra,”Graeme said first in Latin and then again in Gaelic, “Toisc go bhfuil do ghrá eitseáilte isteach i mo chroí i corcairdhearg, mar sin tá sé eitseáilte amonst na réaltaí.”He placed a tender kiss on her cheek. “As yer love be etched into me heart in crimson, so it be etched amongst the stars,”he told her. “As me grandda said those words to me grandmum all those many years ago, I say them to ye.
”
”
Suzan Tisdale (Isle of the Blessed)
“
What’s that you’ve got crumpled up in your pocket?”
My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.”
“Give it to me and I’ll recycle it right now,” he says, holding out his hand.
“No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me.
I pant, “Give it back, Peter!”
Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp.
I try to grab harder, but it’s too late. He has it.
Peter holds the envelope above my head and tears it open and begins to read. It’s torturous standing there in front of him, waiting--for what, I don’t know. More humiliation? I should probably just go. He’s such a slow reader.
When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?”
“Because, I don’t know, you didn’t seem so glad to see me…” My voice trails off lamely.
“It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.”
I suck in my breath. “Oh!”
“Oh.” He pulls me by the lapels of my coat, closer to him, close enough to kiss. He’s so close I can see the puffs his breath makes. So close I could count his eyelashes if I wanted. In a low voice he says, “So then…you still like me?”
“Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up.
Peter gives me a look like Get real, you know you like me. I do, I do.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
My blood froze as a creeping, leeching cold lurched by. I couldn't see anything, just a vague shimmering in the corner of my vision, but my horse stiffened beneath me. I willed my face in to blackness. Even the balmy spring woods seemed to recoil, to wither and freeze.
The cold thing whispered past, circling. I could see nothing, but I could feel it. And in the back of my mind, an ancient hollow voice whispered:
I will grind your bones between my claws; I will drink your marrow; I will feast on your flesh. I am what you fear; I am what you dread... Look at me. Look at me.
I tried to swallow, but my throat had closed up. I kept my eyes on the trees, on the canopy, on anything but the cold mass circling us again and again.
Look at me.
I wanted to look- I needed to see what it was.
Look at me.
I stared at the coarse trunk of a distant elm, thinking of pleasant things. Like hot bread and full bellies-
I will fill my belly with you. I will devour you. Look at me.
A starry, unclouded night sky, peaceful and glittering and endless Summer sunrise. A refreshing bath in a forest pool. Meetings with Issac, losing myself for an hour or two in his body, in our shared breaths.
It was all around us, so cold that my teeth chattered. Look at me.
I stared and stared at the ever-nearing tree trunk, not daring to blink. My eyes strained, filling with tears, and I let them fall, refusing to acknowledge the thing that lurked around us.
Look at me.
And just as I thought I would give in, when my eyes so much from not looking, the cold disappeared in to the brush, leaving a trail of still, recoiling plants behind. Only after Lucien exhaled and our horses shook their heads did I dare sag in my seat. Even the crocuses seemed to straighten.
'What was that?' I asked, brushing the tears from my face.
Lucien's face was still pale. 'You don't want to know.'
'Please. Was it that... Suriel you mentioned?'
Lucien's russet eye was dark as he answered hoarsely. 'No. It was a creature that should not be in these lands. We call it the Bogge. You can not hunt it, and you cannot kill it. Even with your beloved ash arrows.'
'Why can't I look at it?'
'Because when you look at it- when you acknowledge it- that's when it becomes real. That's when it can kill you.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears.
Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister.
Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line.
“I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Among the many people Chris met while doing charity work was Randy Cupp, who invited him and Bubba out to shoot with him come deer season. When Chris passed away, Randy made it clear to me that the offer not only still stood, but that he would love to give Bubba a chance to kill his first buck.
With deer season upon us, the kids and I decided to take him up on the offer. Angel, Bubba, and I went out to his property on a beautiful morning. Setting out for the blind, I felt Chris’s presence, as if he were scouting along with us. We settled into our spots and waited.
A big buck came across in front of us a short time later. It was an easy shot--except that Bubba had neglected to put his ear protection in. He scrambled to get it in, but by the time he was ready, the animal had bounded off. Deer--and opportunities--are like that.
We waited some more.
Another buck came out from the trees not five minutes later. And this one was not only in range, but it was bigger than the first: a thirteen pointer.
Chris must have scared that thing up.
“That’s the one,” said Randy as the animal pranced forward.
Bubba took a shot.
The deer scooted off as the gunshot echoed. My son thought he’d missed, but Randy was sure he’d hit him. At first, we didn’t see a blood trail--a bad sign, since a wounded animal generally leaves an easily spotted trail. But a few steps later, we found the body prone in the woods. Bubba had killed him with a shot to the lungs.
Like father, like son.
While Bubba left to dress the carcass, I went back to the blind with Angel to wait for another. She was excited that she might get a deer just like her brother. But when a buck walked within range, tears came to her eyes.
“I can’t do it,” she said, putting down her gun.
“It’s okay,” I told her.
“I just can’t.”
“Do you want me to?” I asked.
She nodded.
I took aim. Even though I was married to a hard-core hunter, I had never shot a deer before. I lined up the scope, walking him into the crosshairs. A slow breath, and I squeezed the trigger. The shot surprised me--just as Chris said it should.
The deer fell. He was good meat; we eat what we kill, another of Chris’s golden rules.
“You know, Angel, you’re going to be my hunting partner forever,” I told her later. “You’re just so calm and observant. And good luck.”
We plan to do that soon. She’ll be armed with a high-powered camera, rather than a rifle.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
I stand so abruptly that Leiza startles.
“If Violet wants to find me, I’ll be outside chopping wood,” I tell her, causing her to choke back a sound that suspiciously resembles a smothered laugh.
When I eye her, she’s the picture of seriousness, nodding once again. “Of course, Alpha,” she says so graciously.
Tearing my shirt over my head, I toss it to the ground. Leiza’s phone rings, and she puts it aside.
“A vampire is calling me. That can’t be good,” she says as she meets my eyes, almost asking for permission to answer Shera’s call.
“They’re trying to reach me. Not you. They can kiss my ass. I need a minute to deal with this.”
“I thought you were tired and going to get some sleep,” Leiza states, and then swallows down whatever else is on the tip of her tongue.
“I’m no longer tired,” I point out dryly.
Another nod from Leiza, and I walk out shirtless to go chop some fucking wood for the fireplace Violet rarely ever uses.
There’s an axe wedged into one of the piles of wood near the chopping block, making this simpler than expected, so I get to work.
Before I can even make one small pile, Damien is wheeling into the driveway, barely putting the brake on, before he hops out.
His eyes narrow on me, and then his brow furrows. It’s when his lips start to twitch that I bristle, feeling a little too transparent.
“Didn’t realize you’d gotten this pathetic, mongrel,” he drawls. “And here I thought our calls were being ignored so you could have Violet to yourself.”
“I’m holding an axe,” I warn him.
“Not a Van Helsing axe,” he volleys with a growing grin.
The side door swings open for Violet as she walks out, eyeing me first from my spot near the sidewalk by the street, and then Damien next.
“What’re you doing shirtless?” she asks, looking back over at me. “It’s like ten degrees out here. People are going to think that’s weird.”
Damien restrains a smile.
“You were almost out of wood,” I tell her, gesturing to the…fucking full wood chamber on the side of her house.
I couldn’t squeeze another piece in there if I wanted to.
Violet glances from it, to me, to Damien, and then to the wood again.
“Tiara keeps it filled, and we hardly use it, since the heat is on…” She lets her words trail off, clearly confused.
Damien outright grins. “Just what are you doing, exactly?” Damien muses.
Tossing the axe to the ground, I glare over at him. “Why are you here?
”
”
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
“
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared.
A knock on the bathroom door startles me.
“Jemma? You okay in there?”
“I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old.
“Do you want a candle or something? Maybe a hurricane lamp?”
“No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead.
“It’s going to be okay, Jem. We’ll get through this.”
I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice?
“I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.”
I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub.
It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me.
The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door.
“Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.”
I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time…
I let the thought trail off, not wanting to examine it further.
“Thank you,” he says softly. “I owe you one.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
55. We should, therefore, have a guardian, as it were, to pluck us continually by the ear and dispel rumours and protest against popular enthusiasms. For you are mistaken if you suppose that our faults are inborn in us; they have come from without, have been heaped upon us. Hence, by receiving frequent admonitions, we can reject the opinions which din about our ears. 56. Nature does not ally us with any vice; she produced us in health and freedom. She put before our eyes no object which might stir in us the itch of greed. She placed gold and silver beneath our feet, and bade those feet stamp down and crush everything that causes us to be stamped down and crushed. Nature elevated our gaze towards the sky and willed that we should look upward to behold her glorious and wonderful works. She gave us the rising and the setting sun, the whirling course of the on-rushing world which discloses the things of earth by day and the heavenly bodies by night, the movements of the stars, which are slow if you compare them with the universe, but most rapid if you reflect on the size of the orbits which they describe with unslackened speed; she showed us the successive eclipses of sun and moon, and other phenomena, wonderful because they occur regularly or because, through sudden causes they help into view – such as nightly trails of fire, or flashes in the open heavens unaccompanied by stroke or sound of thunder, or columns and beams and the various phenomena of flames. 57. She ordained that all these bodies should proceed above our heads; but gold and silver, with the iron which, because of the gold and silver, never brings peace, she has hidden away, as if they were dangerous things to trust to our keeping. It is we ourselves that have dragged them into the light of day to the end that we might fight over them; it is we ourselves who, tearing away the superincumbent earth, have dug out the causes and tools of our own destruction; it is we ourselves who have attributed our own misdeeds to Fortune, and do not blush to regard as the loftiest objects those which once lay in the depths of earth. 58. Do you wish to know how false is the gleam that has deceived your eyes? There is really nothing fouler or more involved in darkness than these things of earth, sunk and covered for so long a time in the mud where they belong. Of course they are foul; they have been hauled out through a long and murky mine-shaft. There is nothing uglier than these metals during the process of refinement and separation from the ore. Furthermore, watch the very workmen who must handle and sift the barren grade of dirt, the sort which comes from the bottom; see how soot-besmeared they are! 59. And yet the stuff they handle soils the soul more than the body, and there is more foulness in the owner than in the workman.
”
”
Seneca (Letters from a Stoic)
“
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
”
”
Thomas Pynchon (Gravity's Rainbow)
“
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparking sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love’s happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life’s high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman’s soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father’s eyes.
But long before I ever heard your name,
Always the undertone’s unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night–
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up– go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darking trees for us,
Yet where we walked the city’s street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel’s wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (The Collected Poems)
“
All beauty calls you to me, and you seem”
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of the sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparkling sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love's happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life's high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman's soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father's eyes.
But long before I ever heard your name,
Always the undertone's unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night--
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up--go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darkling trees for us,
Yet where we walked the city's street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel's wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (Rivers to the Sea)
“
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s.
He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink.
When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch.
Wendy.
Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both.
He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake.
Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief.
“Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!”
She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him.
He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is.
Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there.
His voice is a whisper, one that pleads. “Wendy?
”
”
Amanda M. Lyons (Wendy Won't Go)
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
"Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?"
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked.
"M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer.
"Maybrick?" he asked patiently.
"No, th-the other one."
"Stubbins."
"Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
"How often?" she heard him ask. "More than once?"
"I... i-it's not important now."
"How often, Evie?"
Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip."
"Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb."
"I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them."
Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that."
The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---"
There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.”
She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.”
“How?”
Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?”
“How are you getting home? Did you park on the street or something?”
Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.”
“Don’t you have a car?”
She steels her spine. “No. I don’t.”
I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work.
“Okay, well then what about an Uber or something?”
Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.”
I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.”
She laughs and starts to step back. “It’s not your concern. Don’t worry about me.”
Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her.
Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full.
“Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.”
Her soft feminine laugh echoes around the lobby.
“Thank you, but I’d rather walk.”
What she really means is, Thank you, but I’d rather die.
“It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.”
Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.”
She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way.
“Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up.
“You’re clocked out, aren’t you? Call me Matt.”
“Doctor,” she says pointedly. “Please give me my backpack before I call security.”
I laugh because really, she’s hilarious. No one has ever threatened to call security on me before.
“It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?”
It weighs nothing.
“My lunchbox. A water bottle. Some empty Tupperware.”
Tupperware.
I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her?
“Did you bring more banana bread?”
She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.”
“I didn’t get any last time either,” I point out.
She snorts. “Yeah well, I don’t feel bad about that.”
I face forward again so she can’t see my smile.
”
”
R.S. Grey (Hotshot Doc)
“
{Excerpt from a message from one of the Cherokee chiefs - Onitositaii, commonly known as Old Tassle}
... 'If, therefore, a bare march, or reconnoitering a country is sufficient reason to ground a claim to it, we shall insist upon transposing the demand, and your relinquishing your settlements on the western waters and removing one hundred miles back towards the east, whither some of our warriors advanced against you in the course of last year's campaign.
Let us examine the facts of your present eruption into our country, and we shall discover your pretentions on that ground. What did you do? You marched into our territories with a superior force; our vigilance gave us no timely notice of your manouvres [sic]; your numbers far exceeded us, and we fled to the stronghold of our extensive woods, there to secure our women and children.
Thus, you marched into our towns; they were left to your mercy; you killed a few scattered and defenseless individuals, spread fire and desolation wherever you pleased, and returned again to your own habitations. If you meant this, indeed, as a conquest you omitted the most essential point; you should have fortified the junction of the Holstein and Tennessee rivers, and have thereby conquered all the waters above you. But, as all are fair advantages during the existence of a state of war, it is now too late for us to suffer for your mishap of generalship!
Again, were we to inquire by what law or authority you set up a claim, I answer, none! Your laws extend not into our country, nor ever did. You talk of the law of nature and the law of nations, and they are both against you.
Indeed, much has been advanced on the want of what you term civilization among the Indians; and many proposals have been made to us to adopt your laws, your religion, your manners, and your customs. But, we confess that we do not yet see the propriety, or practicability of such a reformation, and should be better pleased with beholding the good effect of these doctrines in your own practices than with hearing you talk about them, or reading your papers to us upon such subjects.
You say: Why do not the Indians till the ground and live as we do? May we not, with equal propriety, ask, Why the white people do not hunt and live as we do? You profess to think it no injustice to warn us not to kill our deer and other game for the mere love of waste; but it is very criminal in our young men if they chance to kill a cow or a hog for their sustenance when they happen to be in your lands. We wish, however, to be at peace with you, and to do as we would be done by. We do not quarrel with you for killing an occasional buffalo, bear or deer on our lands when you need one to eat; but you go much farther; your people hunt to gain a livelihood by it; they kill all our game; our young men resent the injury, and it is followed by bloodshed and war.
This is not a mere affected injury; it is a grievance which we equitably complain of and it demands a permanent redress.
The Great God of Nature has placed us in different situations. It is true that he has endowed you with many superior advantages; but he has not created us to be your slaves. We are a separate people! He has given each their lands, under distinct considerations and circumstances: he has stocked yours with cows, ours with buffaloe; yours with hogs, ours with bear; yours with sheep, ours with deer. He has indeed given you an advantage in this, that your cattle are tame and domestic while ours are wild and demand not only a larger space for range, but art to hunt and kill them; they are, nevertheless, as much our property as other animals are yours, and ought not to be taken away without consent, or for something equivalent.'
Those were the words of the Indians. But they were no binding on these whites, who were living beyond words, claims ...
”
”
John Ehle (Trail of Tears: The Rise and Fall of the Cherokee Nation)
“
Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand.
Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King...
So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it.
The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help?
There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow.
The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals....
Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale.
That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out.
With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt:
“Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots!
“We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans!
“How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...
”
”
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
“
Why do you put up with…” She trailed off without finishing, as though she couldn’t find the right words.
… “Because I think you’re worth knowing.”
Tessa’s hand spasmed in mine, and the beginnings of tears gathered in her eyes.
“I want to know you, too… I’m scared.”
The simple truth. It was a powerful blow. “We’ll just take it one step at a time. If anything’s too much, you just let me know.
”
”
Catherine Cowles (Beautifully Broken Life (Sutter Lake, #2))
“
Asleep at the wheel nearly
dead I think
and feeling nothing on my skin
but the dark eyes of the antelopes
all around me in the Wyoming night
watching me pass—a small animal
growling down the highway
with both eyes aglow.
To keep awake
I force my head out the window
as into a guillotine
the black sleet-filled air
slipping under each eyelid
like a child’s thin silver spoon.
Looking back into the car
through the ice and tears
I do not recognize that body sleeping there.
I no longer know that leg pressed hard
to the gas, the blue coat or scarf or
the hand reaching out to the wheel.
Folks, you know I am doing my best—
pushing hard toward you
through this winter sky
but reduced to this—
just this head out a window
streaming through space like a bearded rock,
a hunk of pocked iron with melting eyes.
A trail of fiery mist
is growing out of the back of my head
and stretches now for miles across the night.
The odds, I know, are a thousand to one
I'll burn up before touching earth
but if somehow I do make it home
smashing across the farmyard
and lighting up the sky
I will throw a red glow across the barn's silver roof
and crash into the rough wood of your back door
smaller than a grain of sand
making its one childlike knock.
The porch light will hesitate
then snap on, as it always does
when a car comes up the lane
late at night.
The two sleepy old faces
will come to the door
in their long soft robes—
will stand there bewildered
rubbing their eyes
looking around and wondering
who it was at their door
no sooner come than gone
a cinder in the eye.
”
”
Anthony Sobin
“
Human history is rife with examples of inconceivable violence, and as Americans, we like to think of our country as being far beyond the guillotines of medieval Europe or the reign of the Huns. And yet it was here that "Native Americans were occasionally skinned and made into bridle reins," wrote the scholar Charles Mills. Andrew Jackson, the U.S. president who oversaw the forced removal of indigenous people from their ancestral homelands during the Trails of Tears, used bridle reins of indigenous flesh when he went horseback riding. And it was here that, into the 20th century, African-Americans were burned alive at the stake, as 17 year old Jesse Washington was in Waco, Texas, in 1916 before a crowd of thousands.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
My Order emerged,” he breathed and the terror in his voice told me all I needed to about what had happened.
“You’re not a Dragon?” I asked, my own voice cracking with fear for him. Father would have been more than furious to discover that his son was anything other than a full blooded Dragon Shifter. It was a matter of pride and respect; he ridiculed families with mixed blood, he believed wholeheartedly in the superiority of our kind. One of his sons being anything other was totally unthinkable.
Xavier shook his head slowly, trying to withdraw his hand from mine as footsteps sounded on the stairs behind me but I refused to release him.
“It doesn’t change anything for me,” I growled. “You’re still my brother, I don’t care if you’re a Werewolf or a Vampire or a-”
“So he told you, did he?” Father’s cold voice came from the doorway behind me and the hairs along the back of my neck stood to attention in warning.
Xavier snatched his hand out of mine, blinking away the evidence of the tears which hadn’t even fallen. I stood before him, placing myself between him and Father.
“It doesn’t matter,” I said firmly, though the simmering rage in my father’s eyes told a very different story. “I’m the oldest. I’m the first in line anyway, Xavier never wanted to challenge me for that role so-”
“Yes, I still have my Heir but I’ve lost the spare. Did he tell you exactly what Order he is?” Father snarled, his eyes changing to their Dragon form and a trail of smoke leaving his nostrils. He was so angry about this that he was battling against the urge to shift. I didn’t think I’d ever seen him look so close to the edge before.
“Not yet. But surely it’s not the end of the world if-”
“Shift,” Father commanded, his gaze passing me to land on my brother.
Xavier got out of his chair and backed up, shaking his head in panic. His skin looked odd though, like there was light shining from within it, trying to break free.
“I told you, I’ll get control of it; I won’t shift ever,” he said anxiously. “No one will ever find out that I’m-”
“SHIFT!” Father bellowed, using fear to force the change on him.
Xavier cried out in panic as the light beneath his skin grew to a powerful glow and he bucked forward as his Order form took over.
I backed up as his form changed, giving him room to become-
“Fucking hell,” I breathed, my eyes widening in panic.
“My thoughts precisely,” Father hissed venomously.
Xavier had transformed into a lilac Pegasus complete with golden horn and rainbow patterned wings. His coat shone with glitter in the light of my magical orbs and his wide, horsey eyes looked back at us fearfully.
I stared at him with my mouth hanging open, scrambling for something, anything to say.
“I... didn’t know we had any recessive Pegasus genes in the bloodline...maybe he's linked to the constellation,” I muttered, unsure what else I could say.
Father hated the weaker, more common Orders. He was a Dragon through and through; he loved power, invoking fear and breathing fire. A Pegasus was about as far as you could get to the opposite end of the Order spectrum. They were flying horses who pooped glitter, granted wishes and were... cute. Xavier hadn’t even been lucky enough to have a dark coloured coat, it was lilac. Lilac!
(DARIUS POV)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
I screamed a battle cry like a damn Viking warrior as I flung my palms out, aiming for the nightmare creature and sending blue and red fire to consume it on blazing wings. The Nymph shrieked as it burned before bursting apart, leaving a trail of black smoke hanging in the air where it had been.
Diego’s eyes were wild with panic as he stared between the black smoke and me.
“Shift!” I commanded, my voice unintentionally thick with Coercion as my worry for my friends compelled me to make sure they got to safety.
Sofia’s eyes widened a moment before a pale pink Pegasus burst from the confines of her skin once more. I skidded to a halt in the mud beside her, reaching down to heave Diego back to his feet. He swayed unsteadily and I shoved him towards Sofia without wasting time on being gentle.
“Climb on,” I said. “And fly as far from here as you can get!”
I tried to turn away as Diego clambered onto her back but he caught my wrist.
“Come with us, chica, it's not safe for you here either-”
“I’m not leaving Darcy,” I replied dismissively, pulling my arm back. “But the two of you need to go.”
Sofia flapped her sparkling wings as my Coercion gripped her and my heart twisted at the concern in their eyes.
“Don’t worry about me,” I added as they took flight. I watched for a moment as they sped towards the sky then turned back to my hunt for Darcy.
Darius roared behind me as his flames took out another Nymph but a second leapt around the blaze and onto his back. I sucked in a sharp breath, drawing on the well of power within me as I started running back towards him.
Darius spun around, the razor sharp spines on his tail swiping within inches of my face as he tried to dislodge the creature but it clambered all the way up until it was lodged between his wings. He swung his head around, snapping at it as he tried to rip it off of him but he couldn’t twist his head into that position.
The Nymph released its rattling breath and my knees buckled as it weakened me.
I staggered forward, my hand landing on Darius’s front leg as I tried to steady myself.
The Nymph shrieked excitedly and drove its probes into the flesh between Darius’s shoulder blades. A roar filled with pure agony escaped him and he fell forward onto his chest as pain wracked through his body.
Where my hand still rested against him it was like I could feel that pain within myself. I felt like I was tearing in two, my soul ripping free of my body and the deepest sense of dread filled me.
Darius swung his head around to look at me, one huge, golden eye reflecting back the image of a girl who was breaking in half.
He snarled at me, striking his nose against my chest to knock me back a step. As I stumbled away from him, he struck me again, a deep growl echoing from his throat as he urged me to run.
I stared at him in shock for a moment and he trembled as more pain tore through him.
“So fucking bossy,” I snapped, shoving his big Dragon face aside as I moved closer to him instead. “You probably are stubborn enough to die here rather than let me help you.”
Darius growled at me but I ignored him as I leapt up onto his leg and started climbing up the side of his big ass Dragon body.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
His chest is warm against my back as he pulls me tight against him. “You’re safe, Rae,” he says, close to my ear.
“Don’t be kind to me,” I say as the tears threaten again.
“Perhaps it’s about time someone was.”
His words soothe me. “You’re secretly a good man, aren’t you?”
Lips brush the side of my neck, the trail of them makes me shiver. “Maybe only for you.
”
”
Scarlett Cole (The Bonds We Break (Iron Outlaws MC, #4))
“
People who’ve spent time on high country trails know the heartbreak of a false summit. When all you want is for the incline to stop kicking your ass, it tricks you into thinking you’ve made it, only to reveal that you aren’t even close! But you don’t have to be a trail rat to know that feeling. In life, there are plenty of false summits. Maybe you think you’ve rocked an assignment at work or school, only to have your teacher or supervisor rip it to pieces or tell you to start over again. False summits can come in the gym when you’re doing a hard circuit workout and think you’ve hit the last set, only to hear from your coach or trainer—or from a quick glance at your own notes—that you have to go back through the entire circuit one last time. We all take a punch like that every once in a while, but those who tend to crane their necks looking for the crest of the mountain as they beg for their suffering to end are the ones who get smashed the most by any false summit. We have to learn to stop looking for a sign that the hard time will end. When the distance is unknown, it is even more critical that you stay locked in so the unknown factor doesn’t steal your focus. The end will come when it comes, and anticipation will only distract you from completing the task in front of you to the best of your ability. Remember, the struggle is the whole journey. That’s why you’re out there. It’s why you signed up for this race, or that class, or took the damn job. There is great beauty when you are involved in something that is so hard most people want it to end. When Hell Week ended, most of the guys who survived cheered, wept tears of joy, high-fived, or hugged one another. I got the Hell Week blues because I’d been immersed in the beauty of grinding through it and the personal growth that came with it.
”
”
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
“
I know the secrets you hide behind those pretty blue lenses, and one day you will trust enough to reveal yourself to me fully.” “Why would you want to…?” Her voice trailed lazily while his lips brushed her skin. “So, you can be accepted and free.” It had to be difficult for him to say, but hearing his honest expression left her winded and tearful.
”
”
E.V. Drake (The Scribemaster Chronicles)
“
The team hesitated at first and then slowly began ascending the pass. There wasn’t a trail and I knew there were some deep crevasses ahead. But I trusted Bear. The wind was increasing in velocity, and to make matters worse, it was getting dark. We were bucking hurricane force gusts that seemed to tear right through me. Several long hours went by and the ground started to level. We were almost on the summit. When I dragged my watch out of my pocket, I was stunned. We had been struggling for six hours.
Finally, the wind died a little as we crested the pass and I stopped the team. I quickly limped up to Bear. His face was covered with snow and ice and his eyes were completely closed. I peeled his ice mask off and his eyes opened. He seemed to smile. He had led us up that mountain pass and through the blizzard with his eyes closed.
”
”
Joe G. Henderson (Malamute Man: Crossing Alaska's Badlands)
“
Once upon a time… I watch as the flames crawl across the pages of the pink bound book, obliterating the tiny words until that very first sentence goes up in flames and smoke. One by one, I toss all my childhood fairy tale books into the fire and watch them get eaten by the orange flames. Tears spill down my hot cheeks, and strong arms embrace me from behind, pulling me back against his chest before I can fling myself into the fire to save my precious books. Those worn pages, and the stories they hold, once saved my life. It’s more than just the books, though. I want to feel the searing burn of flesh like he did. I want the smoke to seep into my lungs and suffocate me like it did to him. “Let it all go.” His warm lips brush against my ear as he pulls us backward, his arms tightening around me. He always knows what I’m thinking, what I need to hear or feel from him—often before I do. He understands the aches of my heart and the memories that lurk and claw at my soul. He’s the only one who knows how to chase it all away. When the last page has burned, and there’s nothing left but ash and memories, we turn away. He drapes his arm across my shoulder, presses his lips to the top of my head, and leads us from the fire as wisps of smoke trail after us like ghosts not wanting to be left behind. This is where it ends. Exactly where we began.
”
”
Carian Cole (Tied (All Torn Up #2))
“
He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm tress speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about the spotlights fanning the sky and the swollen sea selling like tears all over your legs.
”
”
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
“
As principal chief Chad Smith told me, many people saying they are Cherokee likely have some ancestry. However, their ancestors ‘expatriated from the nation’ and renounced their tribal ties by failing to travel west on the Trail of Tears. The cost of that decision is that their descendants cannot now claim citizenship. Cherokee Nation Supreme Court justice Troy Wayne Poteete further emphasizes the often emotion, group kindship nation of the issue, fine details often missed by non-Indians claiming Indian status. ‘Our issue is no our ancestors had so little to pass on to us. We lost 90 percent of what we had. What they were able to pass on to us was a unique legal status, as well as a distinct culture and heritage.
”
”
Mark Edwin Miller (Claiming Tribal Identity: The Five Tribes and the Politics of Federal Acknowledgment)
“
It passed laws forbidding any Indian to engage “12in digging for gold in said land, and taking therefrom great amounts of value, thereby appropriating riches to themselves which of right equally belong to every other citizen of the state.” They passed a law that further denied Indians rights in a court, declaring that an Indian cannot testify at a trial involving white men; that no Indian testimony was valid without at least two white witnesses; that no Indian contract was valid without at least two witnesses. They voted through a bill making it unlawful “13for any person or body of persons … to prevent, or deter any Indian, head man, chief, or warrior of said Nation … from selling or ceding to the United States, for the use of Georgia, the whole or any part of said territory.” The penalty was a sentence in the Georgia penitentiary, at hard labor, for up to four years. They passed a bill making it illegal for any person or body of persons to prevent, by force or threat, Cherokees from agreeing to emigrate or from moving to the West. They passed in this same bill a provision outlawing all meetings of the Cherokee council and all political assemblies of Indians in Georgia, except for purposes of ceding land.
”
”
John Ehle (Trail of Tears: The Rise and Fall of the Cherokee Nation)
“
When the cat finished, she looked up at the red-washed sky above and the glittering stars beyond the Wall and a single tear ran down her cheek, leaving a trail of silver, caught by the last moments of evening light.
”
”
Garth Nix (Abhorsen (Abhorsen, #3))
“
When Winona whispered her memories to me in later years, she said that Whitestone Hill was the day the world ended. I never asked what she meant, how the world could be gone when the sun was still in the sky and my parents alive. I felt such a question would diminish her pain, which was clear to see from the stain of ancient tears trailing her indigo eyes.
”
”
Mona Susan Power (A Council of Dolls)
“
Ever wondered what it's truly like to walk in the footsteps of success? Follow their journey, and you'll discover a trail marked by daring ventures down unconventional paths, heavy footprints left on squelchy ground from rain of tears and sweat, where the destination is uncertain, but the possibilities are endless.
”
”
Erwin D. Maramat
“
Setting the card aside, I gingerly look inside the basket. Tears blur my vision as I pull out a fuzzy blanket, warm socks, a heating pad, trail mix, herbal tea, more chocolate than I could eat in a week, and . . . Heat rushes to my face. Oh my goodness. Archer Sullivan made me a PMS-care basket.
”
”
Latisha Sexton (Single Dad Center (Dating A Denver Dragon #4))
“
I wasn’t fixed, mended and repaired. I wasn’t born-again freshly with no scars or gifted with a winner’s medal. I was simply… forgiven. By the forests, the people, and by the trail that had absorbed my tears of joy and sorrow for over 2,000 miles.
”
”
Gail Muller (Unlost: A journey of self-discovery and the healing power of the wild outdoors)
“
I think I’m just exhausted.” “Don’t,” he warns. “Don’t what?” “Don’t pull away from me or tell me this is just exhaustion. I saw you when I pulled up, and it’s not about being tired. I saw your face as you talked about someone hurting Olivia. I know there’s something hurting you and can see it play across your face when you don’t think anyone is watching.” He shifts closer, and his hand moves to my cheek, rubbing away the trail of tears. “I see everything, even when I wish I didn’t. So, don’t lie to me.” My throat is tight as I look at him. “You see me?” “Everywhere I look.
”
”
Corinne Michaels (Forbidden Hearts (Whitlock Family, #1))
“
With words spent, sensing Lizzie trailing behind my horse, I heeled for speed, passing beyond the mules and my brothers, hoping they wouldn’t see my unmanly tears. I flew past them before the drops hit the ground, hoping, for a moment longer, to delay wet wings, grounding us, drowning us in swaths of inevitable rain.
”
”
Heather Miller (Yellow Bird's Song)
“
Right after church, my great Aunt Theresa comes to visit. She drives one of those long white Cadillacs which is so old that I can hear the muffler long before I spot the car. Whenever it sounds like a log truck is tearing
down our drive, nine times out of ten it’s my great Aunt Theresa.
Out of all of Grandpa’s sisters, she is the only one I can remember. Not because she always stores a pinch of snuff between her cheek and gum and not because a puff of brown dust escapes her mouth every time she speaks. It’s because my great Aunt Theresa is a twiddler. She’s constantly twiddling with something—a strand of hair, her nails, an earlobe, a sock, the bottom of her shoe.
But in the past five years, she’s developed a new twiddling habit—trailing her fingers up and down pillowcase fabric. In fact, she stores pillowcases everywhere, like in the trunk of her car or in the oversized purse always swinging from her hip. Where most people can’t go five minutes without their phone, Aunt Theresa can’t go five minutes without her pillowcase.
”
”
McCaid Paul (Sweet Tea & Snap Peas)
“
The shindig lasted into the wee hours. Food tables a disaster zone. Liquor flowing like a faucet. Skee-Balls flying off the table and ping-pong balls being crushed. Then it was time for the hugs and tears. Serge held each of his neighbors by the shoulders, promising never to forget them and that yes, someday he would return. Then it was that moment. Serge and Coleman waved back at everyone gathered outside the condo as they climbed into the Galaxie, speeding off through Key Largo, then onto the “Eighteen-Mile” into Florida City and Homestead, and another long run up Krome Avenue through the endless agricultural expanses with those massive sprinkler machines. Their windows were down, whipping their hair with brisk atmosphere. In the crisp pre-dawn blackness of four a.m., they pulled up to a stoplight at the intersection with the Tamiami Trail. No cars. To the right, the Dade Corners truck stop and airboat culture store. Ahead to the left, the still ridiculously out-of-place Miccosukee casino. The traffic light was unusually long, as was usual, and the cool breeze continued blowing through the open windows. They were at one of those few Florida places that could genuinely be described by any
”
”
Tim Dorsey (The Maltese Iguana (Serge A. Storms #26))
“
He looked up and their eyes locked. She could feel his exhaustion, the ache that spread through his body, but even more, she could feel the relief that coursed through him at the sight of her. Because it was the same emotion she felt. With a sudden surge of his tail and a flash of fluke, he sped toward her at twice the speed. She barely had time to open her arms before he thudded into her. Hard enough that bubbles erupted from the seal around the rebreather, and her chest ached with the impact. She wrapped her arms and legs around him, holding on as he didn’t slow down. He just struck her with all the force of a hurricane and carried her away from the others without a word. “Daios!” Arges shouted, and she knew that Maketes was trying to follow them. None of them could keep up with her undine, though. A burst of energy and power renewed his speed, and soon enough, the others were just specks in the distance. He was shaking, she realized. Quaking against her chest until she felt as rattled as he was. Tears pricked her eyes, and she held onto him tightly, rubbing her palms up and down his back because she didn’t know what else to do. What to say. Instead, she just held him to her heart and let him hold her against his. At one point in their mad dash, he reached up and ripped the rebreather off of her face. Before she could even protest, he’d connected that tentacle to her throat, and she felt him breathing for her. Perhaps a little too fast, and certainly ragged. But it was there. “Just need to feel you,” he growled against her ear, the tones so low that they practically vibrated through her. She went limp in his arms. How could she do anything else? She’d been so worried, so frantic, that he might be harmed. Which he was. He’d arrived with banners of blood trailing after his body and yet still he carried her through the sea. Perhaps to somewhere he considered safe. Anya
”
”
Emma Hamm (Song of the Abyss (Deep Waters, #2))
“
Oh remember the Red River Valley and the cowboy who loved you so true …,’ ” I sang, my voice trailing off, not knowing the rest of the words. Images of Kyle’s little face and hands came to me, reverberations of his flawless voice. I wondered if I would ever be a mother and what kind of “horrible situation” Kyle’s mother was in, where his father might be and where mine was. What is he doing right this minute? I’d thought occasionally throughout my life, but I was never able to imagine it. I didn’t know my own father’s life. He was there, but invisible, a shadow beast in the woods; a fire so far away it’s nothing but smoke. That was my father: the man who hadn’t fathered me. It amazed me every time. Again and again and again. Of all the wild things, his failure to love me the way he should have had always been the wildest thing of all. But on that night as I gazed out over the darkening land fifty-some nights out on the PCT, it occurred to me that I didn’t have to be amazed by him anymore. There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn’t feel like a big fat idiot anymore. And I didn’t feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Three and a half hours and a lot of curse words and tears later, my hands still ached, my elbows did too, and every step I took hurt the joints in my knees and the painfully stretched skin covering them. If I didn’t have black pants on, I was sure I’d look like I’d gotten into a fight with a bear cub and lost. Bad.
Feeling defeated but trying my best not to, I sucked in one breath after another, forcing my feet to keep fucking going until I made it to the stupid-ass parking lot.
I’d gone through periods of pure rage toward everything on the way down. Over the trail in the first place. Over doing this. Over the sun being out. At my mom for bamboozling me. I’d even been pissed off at my boots and would have taken them off and thrown them into the trees, but that was considered littering and there were too many rocks.
It was the boots’ fault for being slippery, the sons of bitches. I was donating them the first chance I got, I’d decided at least ten times. Maybe I’d burn them.
Okay, I wouldn’t because it was bad for the environment and there was still a fire ban in effect, but whatever.
Pieces of shit.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
Let me put your bag in the house, and then we can leave for dinner,” Rhodes kept going, before angling his body toward me.
They were going to a dinner I hadn’t been invited to. I could read a cue. “In that case, it was nice meeting you, Mr. Randall. I will—”
Rhodes’s hand landed on my shoulder, the side of his pinky landing on my bare collarbone just a little bit. “Come with us.”
I jerked my head up to meet his gray eyes. He had his serious face on, and I was pretty sure he’d used his Navy Voice, but I hadn’t been paying enough attention because I’d been distracted by his finger. “I’m sure you three want to spend some quality time together….” I trailed off, cautiously, not sure if he wanted me to go or… not?
“Come with us, Ora.” It was Amos who piped up. But he wasn’t the one I was worried about.
Rhodes’s big hand gave my shoulder a gentle squeeze, and I was fairly certain his gaze softened, because his voice definitely did. “Come with us.”
“Are you asking me or telling me?” I whispered. “Because you’re whispering, but you’re still using your bossy voice.”
His mouth twisted, and he lowered his voice to reply, “Both?”
I grinned. I mean, okay. I wasn’t at a good part in my book yet, and I hadn’t eaten dinner either. “Okay then. Sure, if none of you care.”
“Nope,” Am muttered.
“Not at all,” Mr. Randall answered, still eyeballing me speculatively.
“I’ll wait out here then while you put his things up,” I said.
“I’ll come along. I’d like to wash my hands before we leave,” Randall said with a sniff.
Rhodes gave me another squeeze before he stepped aside and headed toward the back of his father’s Mercedes. In no time at all, he had pulled a suitcase out of the back, and he and his dad were heading inside the house. Amos stayed outside with me, and the second that door closed, I said, “I’m so sorry, Am. I just heard him being so rude, and you guys were trying to be polite, and I could tell your dad was about to lose his shit, and I just wanted to help.”
The kid stepped forward and wrapped his arms around me, hesitated for a second, then patted me on the back awkwardly. “Thanks, Ora.”
He hugged me. He’d fucking hugged me. It felt like my birthday.
I hugged him back real tight and tried not to let him see the tear in my eye so I wouldn’t ruin it. “Thanks for what? Your dad is going to kill me.”
I felt him laugh against me before he dropped his arms and took a big step back, his cheeks a little flushed. But he was smiling that sweet, shy smile he rarely shared. “He’s not.”
“I’m 50 percent sure it might happen,” I claimed. “He’s going to bury me somewhere no one will ever find me, and I know he could do it because I’m sure he has a bunch of spots picked out where, if it ever came down to it, he could pull it off.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
Almost as soon as he was inaugurated, Jackson waged war against the Cherokee people with such savagery (he recommended, amongst other things, that Cherokee women and children should be killed as part of policy of extermination) that he was given the nickname “Indian Killer” in the U.S. administration. His policy proved popular with the American people, and he was re-elected to serve a second term as president in 1832.
”
”
Hourly History (Trail of Tears: A History from Beginning to End (Native American History))
“
The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
RABBIT INVENTS THE SAXOPHONE When one of the last trails of tears wound through New Orleans Rabbit, that ragged trickster, decided he wanted To be a musician. He was tired of walking. And they had all the fun. They got all the women, they were surrounded By fans who gave them smokes, drinks, and he could have All kinds of friends to do his bidding. But, Rabbit hadn’t proved to be musical. When he led at stomp dance no one would follow. No shell shaker would shake shells for him. He was never invited to lead, even when the young ones Were called up to practice. The first thing a musician needs is a band, he said to his friends. The hottest new music was being made at Congo Square— So many tribes were jamming there: African, Native, and a few remnant French. Making a new music of melody, love and beat. Rabbit climbed up to the stage but had nothing to offer. Just his strut, charming banter, and what looked like a long stick Down the tight leg of pants. Musicians are musicians, no trick will get by.
”
”
Joy Harjo (An American Sunrise)
“
a frozen pizza cooking in the oven, filling the kitchen with the tantalizing smell of melted cheese and sizzling pepperoni. Six beers cool in the fridge. A map of Glacier National Park is spread on the table, accompanied by sheets of paper filled with scribbled notes and calculations. Sitting around all day is not healthy for any human, but it is certainly not healthy for thru-hikers. After spending the day brainstorming possibilities, sharing ideas, and speaking our desire to finish the hike, Koozie and I decide to get all logistics down on paper. During our most recent conversation, we were both moved to tears expressing how important hiking this trail is and what it means for us. Working for 5 months toward this goal, only to be halted 75 miles from the finish, is an insult to the previous 2,460 miles hiked and every sacrifice made to get to this point. Our determination is not to be doubted, but our finish-vision can easily get us into trouble that would be better to avoid.
”
”
Brian Cornell (Divided: A Walk on the Continental Divide Trail)
“
We tried to pretend war wasn't going to happen.
Though they began building their houses all around us
and demanding more.
They started teaching our children their god's story,
A story in which we'd always be slaves.
”
”
Joy Harjo (An American Sunrise)