Darts Commentator Quotes

In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.

My name is Apollo, not sir.” His eyes darted over my body, leaving an unspoken comment of the utmost impropriety. “Unless you like calling me sir, then I’m perfectly content with it.

Terre en vacance d'oeuvres d'art. Je méprise ceux qui ne savent reconnaître la beauté que transcrite déjà et toute interprétée. Le peuple arabe a ceci d'admirable que, son art, il le vit, il le chante et le dissipe au jour le jour; il ne le fixe point et ne l'embaume en aucune oeuvre. C'est la cause et l'effet de l'absence de grands artistes. J'ai toujours cru les grands artistes ceux qui osent donner droit de beauté à des choses si naturelles qu'elles font dire après à qui les voit : 'Comment n'avais-je pas compris jusqu'alors que cela était aussi beau?...

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

Dale, a Plutonian Dreg Bug, the kind with seventeen eyes and a bad temper, got nailed in one of his eyes by a wild dart. Fight broke out when he punched Earl in the nose. Earl’s nose is very sensitive, hell it’s how he sees, sort of. Earl plopped down on the floor crying when a Flying Mugwhap flew over and ate Dale’s eye. Dale grabbed the Mugwhap and squeezed a good deal of the life out of it before the bouncer stopped him. Karen, the bouncer, is a reticulated Hive Mother, and a mean mother when she’s pissed off. She walked over and flicked Dale upside his head. That flick knocked Dale out cold, and cost him two more eyes when he hit the wall. She helped Earl up and bought him a drink. A nasty drink by all the comments I’ve heard. Something between varnish and the stuff people get in the corners of their mouths with a nice aftertaste of silver polish. Earl seemed to like it though.

We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.

I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.” Again Cass felt certain he was lying to her. Could he have had something to do with the body stashed in the contessa’s family tomb? Cass didn’t think so. He was a bit too relaxed for having just killed a woman. Behind him, in the darkness, Cass again thought she saw movement. Her breath caught in her throat, but it was just one of the stray cats, darting out in front of a crypt. If Falco noticed her look of alarm, he didn’t comment on it. “Why not? Normally it’s quiet,” he said, grinning at Cass. “No wild women running about. My roommate and I were drinking at Il Mar e la Spada and got into a fight as usual. Tonight I decided to avoid the inevitable thrashing.” He coughed. “His, not mine.” Il Mar e la Spada. San Domenico’s finest--and only--taverna. Cass had never been inside the decrepit old place. “Come on,” Falco said. “I’ll see you safely home to your fancy sheets. I’d say you need your beauty sleep, but it looks like you’ve been getting plenty.” He took Cass’s hand in one of his own, his warm touch like a bolt of lightning, causing her to jump.

In earnest, I shall echo your earlier proclamation, my friend, and state that in my mind the acquaintance of not only Cyprian Wythe, but any lover of King George is a grave displeasure.” Thomas raised his glass. “Hear, hear, my friend.” “Then I am surprised that you are able to abide my presence.” Kitty’s stiff response blasted a hole through Nathaniel’s middle and the resulting silence choked the merriment from their little circle like thick black smoke. He looked up only to be censured from the shock that drained the light from her eyes. Her lips pressed tight, turning them colorless.  The blood drained from his face. Idiot!  He couldn’t bring himself to look away from her wounded expression, aching for words that would soothe the pain he’d inflicted. The pleasant tune from the quartet and the quiet hum of voices continued around them, each guest blissfully unaware of his thoughtless remark. Thomas reached out to her, his brow pinching. “Kitty, you must know our comments are no reflection on you.” “Are they not?” She handed her glass to Eliza. “If you’ll excuse me, I shall take my leave so as not to injure you with my presence any longer.” Kitty brushed between them before facing them one last time. “Forgive me, Eliza.” She darted from the room, holding her skirts as she wove through the tangle of party-goers toward the exit. The hollow chill her absence created smacked Nathaniel on the back of the head like an irritated father. He exchanged a narrow glance with Thomas before slamming his eyes shut. How could he be so foolish? How could he have allowed himself to say something so hurtful to someone so gracious? The temperature of the room went hot, then instantly cold. So much for your famous charm, Nathaniel. You’ve proven your lack of it with amazing skill. “I’m

Pas si vite ! Vous avez piqué ma curiosité. Je veux savoir quel homme a conquis le cœur de la charmante experte en objets d’art. Comment c’est arrivé ? Il vous a abordée ? Ou c’est l’inverse ? Quelle question ! Évidemment que c’est lui. Qu’est-ce qu’il vous a dit

Do you want to know a secret?” she breathed, her voice lowering seductively. “What?” I asked, wanting to hear anything and everything she might ever want to tell me. She leaned a little closer and her long hair tickled my skin. “I think,” she breathed slowly. “That I’m going to puke.” She leapt off of me so quickly that the bed bounced beneath me as she darted to the en-suite. My dick was straining so hard against my fly that I thought it might actually burst and I had to rearrange myself before I could follow her. By the time I got there she’d already emptied her stomach contents into the toilet and she flushed it before stumbling towards the basin where she washed her mouth out. She proceeded to steal my toothbrush like a goddamn animal and I leaned against the doorframe as I watched her, trying not to look at her ass too much as she bent forward over the basin but I was clearly failing at that. I should have been pissed at her for intruding on my space like this but somehow I didn’t mind at all. When she’d finished, she sauntered back towards me, pushing a hand into her hair as she fought to walk in a straight line. She failed. I caught her as she almost face planted into the tiles and hooked her into my arms before returning her to the bed again. She tugged me down too and I was past the point of protesting. The moment her head hit the pillow her eyes fell shut but she turned towards me, draping an arm across my waist. I flicked the lights off and the room was only illuminated by the fire which was burning low in the grate. “You’re unbelievable, you know that,” she mumbled. “In what way?” I asked, wondering if she just might be about to admit that she felt this heat between us too. She shifted nearer to me and I pulled her close as she laid her head on my chest. My heart was hammering wildly and I couldn’t quite believe the strange turn of events that had led us here. For the longest moment she didn’t speak and I began to wonder if she’d fallen asleep but then she carried on. “You have the biggest goddamn jacuzzi I’ve ever seen in your bathroom,” she said and I couldn’t help but laugh at the way that conversation had gone. “Do you like it?” I asked. “No. It’s just unbelievable. Like you. You’re just... such... a dick.” Her breathing grew heavier and I was sure she’d passed out again. A smile pulled at my lips in response to her comment. It might have been nice for my ego if she’d started declaring how attractive she found me, but in all honesty she just wouldn’t have been herself without her smart mouth. And I was beginning to realise that I might like that, and a few other things about her, just a bit too much. (Darius POV)

It smells really good in here.” The words spewed from me before I had the decency to filter my habitually troublesome mouth and I felt my eyes widen in horror. “If I recall correctly, it’s the smell of sin, right?” My gaze darted to his and for a second I saw humour dancing in his eyes. My cheeks flushed as I realised he must have heard my comment when we first met. And he remembered it.

You said yourself that Thomas was like family, so why? What could he possibly have to gain?” He shook his head, gritting his teeth. He’d been hoping to avoid this part. No wonder he’d stuck to women with low expectations for the last three years. “I haven’t always been a nice guy, Maddie.” “Yeah, yeah.” She waved her hand in dismissal. “What’s your theory?” “I don’t have to theorize,” he said, shrugging. “I know why.” “So?” “I slept with his wife.” She froze, blinking at him like a deer caught in headlights. “How stupid could you be?” For the first time in three years, he laughed about it. “Pretty fucking stupid, Princess.” She wrinkled her nose, her gaze darting away as she ran a hand through her hair. “Why would you pick her, out of all women in Chicago?” How could he explain to a good, Catholic girl who’d only had sex with one guy her whole life that sometimes you’re just an idiot? That’s how things had been in his world. He’d moved in a circle of entitled, privileged people who took what they wanted, and he’d been one of them. Consequences hadn’t even been part of the equation. “I didn’t pick her. It was more like she fell into my lap and I didn’t say no.” She rolled her eyes. “Give me a break. You weren’t eighteen. You’ll need to do better than that.” He thought about Charlie’s comment earlier about his preference for unavailable women. He blew out a breath. “I worked sixty to seventy hours a week. It didn’t leave a lot of time for relationships. Sara was his second wife and not much older than I was. I took her home one night after a benefit we both attended and it just . . . happened.” It

exposer /ɛkspoze/ I. vtr 1. (montrer) to exhibit [œuvre d'art]; to display, to put [sth] on display [marchandise]; to expose [condamné] • ~ qch aux regards or à la vue de tous | to put sth on public view ou display 2. (décrire) to state [faits]; to outline [idée, plan]; to list [griefs]; to explain [situation]; to expound [argument]; (Littérat) to set out [sujet]; (Mus) to introduce [thème] • ~ sa thèse à qn | to outline one's theory to sb • ~ ses observations sur qch | to give one's comments on sth 3. to expose 4. (mettre en danger) to risk [vie, réputation]; to stake [fortune] • ~ un enfant | (Antiq) to expose a child; (Jur) to abandon a child 5. (soumettre à) to expose (à "to") • ne reste pas exposé au soleil (conseil général) stay out of the sun; (mets-toi à l'ombre) don't stay in the sun • ‘ne pas ~ à la chaleur’ | ‘keep away from direct heat’ • être exposé à une maladie | to be exposed to a disease

You’re going to break your idiot neck one day, or someone’s going to break it for you.” My dad. He was probably right. They were all right. But when the thing is right there in front of me, and I can kick it, grab it, shout it out, jump into it, paint it, launch it, or light it on fire, it’s like I’m a puppet on a string, powerless to resist. I don’t think; I do. It can be little things, like throwing darts at a pool float to test my sister’s swimming skills, or spitting back at the llamas at the zoo. It can be more creative—a helium balloon, a fishhook, and Uncle Mark’s toupee. It can even be the smart-alecky comments that got me voted Most Likely to Wind Up in Jail in my middle school the last two years running.

We develop what some social scientists have termed “ambient awareness” of the lives of those in our social graphs and intuit, Jedi-like, when they’ve been absent from the network. Our vision becomes geared toward looking at how many likes or comments a post has received, and when we open the app or log onto the network’s Web site, our eyes dart toward the spot (the upper righthand corner, in Facebook’s case) where our notifications appear as a number, vermilion bright.

Quant à Panofsky, il s’en tire mieux, en apparence, parce qu’il assortit son analyse d’essence d’attendus historiques. Si l’œuvre d’art est bien, comme il le dit, « ce qui demande à être perçu esthétiquement », et si tout objet, naturel aussi bien qu’artificiel, peut être appréhendé selon une intention esthétique, c’est-à-dire dans sa forme plutôt que dans sa fonction, comment échapper à la conclusion que c’est l’intention esthétique qui fait l’objet esthétique ? Et comment rendre opératoire une telle définition ? N’observe-t-on pas qu’il est à peu près impossible de déterminer à quel moment un objet ouvré devient une œuvre d’art, à partir de quand, par exemple, une lettre devient « littéraire », c’est-à-dire à quel moment la forme l’emporte sur la fonction