Dark Occult Quotes

Think about it this way—if we die together, you won’t have to mourn me.

It started to feel like this thing happening to me was an invisible wall between us, a barrier none of us wanted to acknowledge but that was continuously pushing us apart. I started to feel like an outsider even among my closest friends.

Don't call anyone a devil, because within you, you can experience hell and the devil, and the devil is nothing, but you!

A Witch is a person who has honestly explored their light and has evolved to celebrate their darkness.

Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

Like the moon shining bright Up high with all its grace, I can only show you at night And hide half of my face.

All cats are gray in the dark. And besides, her actions have less to do with her, and everything to do with you.

Beth looks to Steven, "You should have stayed in Hell.

Remember that the Tarot is a great and sacred arcanum - its abuse is an obscenity in the inner and a folly in the outer. It is intended for quite other purposes than to determine when the tall dark man will meet the fair rich widow.

Light and Darkness. One cannot exist without the other. There is no true Master, without the power of balance. ☥

Steven looked at Walter with fear in his eyes and tried to speak, but nothing came out. It was as if the breath was pulled from his lungs all within an instant.

Fear is dangerous, not the tarot. The tarot represents the spectrum of the human condition, the good, the evil, the light, and the dark. Do not fear the darker aspects of the human condition. Understand them. The tarot is a storybook about life, about the greatness of human accomplishment, and also the ugliness we are each capable of.

But let me ask you this: what do you think would have happened that night in the woods had I not come? You claim to want to save her now when I was the one that has saved her…from you.

I just worry you may pay too much attention to what you’re running from to see what you’re running to.

We live among ruins in a World in which ‘god is dead’ as Nietzsche stated. The ideals of today are comfort, expediency, surface knowledge, disregard for one’s ancestral heritage and traditions, catering to the lowest standards of taste and intelligence, apotheosis of the pathetic, hoarding of material objects and possessions, disrespect for all that is inherently higher and better — in other words a complete inversion of true values and ideals, the raising of the victory flag of ignorance and the banner of degeneracy. In such a time, social decadence is so widespread that it appears as a natural component of all political institutions. The crises that dominate the daily lives of our societies are part of a secret occult war to remove the support of spiritual and traditional values in order to turn man into a passive instrument of dark powers. The common ground of both Capitalism and Socialism is a materialistic view of life and being. Materialism in its war with the Spirit has taken on many forms; some have promoted its goals with great subtlety, whilst others have done so with an alarming lack of subtlety, but all have added, in greater or lesser measure, to the growing misery of Mankind. The forms which have done the most damage in our time may be enumerated as: Freemasonry, Liberalism, Nihilism, Capitalism, Socialism, Marxism, Imperialism, Anarchism, Modernism and the New Age.

To face a real daemon, you must first look inwards and conquer your own darkness. ☥

Feast upon your enemies to give you life. This, too, shall give me mine as I savor the destruction of flesh and blood off the children of the Light. Their souls will cry out to me, my own soul singing with its tune until one day the true power of my Realm will exist in all dimensions.

Darkness can inspire light, and light can inspire darkness, its just a difference of distant of these two contrasting forces.

I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair. Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.

You need to tell me because I swear that I must be going mad. It will give me a sense of sanity if you felt the same.

I don’t think we know what kind of enemy we are really dealing with.

These walls breathe with a consciousness fueled by the powers of the Empians.

Witchcraft involves being willing to understand and embrace your true self. It is about exploring your light and learning to celebrate your darkness.

I tell you, Richard, if you ever get ready to sell your soul, don’t bother to sell it to another human being. It’s bad business to even consider such a thing.

In darkness lies a mystery that has the power to shine brighter than true light. ☥

You may think you're not blind, but can you see in the dark? ☥

While youth has its advantages, you are green to the ways of business.

The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.

When she was a young girl, you remarked how beautiful she was, how special she was. Why couldn’t you say by the way, she’s to lead an army of men to those monsters? And that she is being set up as bait!

I'm not sure if I visited someone in the spirit world or if someone visited me. But I know I saw the scariest person in my life. And she’s after me.

It was surely one thing to respect the Dark Arts as a dangerous enemy, another to speak of them with a loving caress in his voice?

You didn’t tell me because you were afraid it would damage our relationship. It’s ironic. Your lie of omission did far more damage than the truth ever could.” 

Our work is to integrate and eventually transcend darkness and light altogether by holding them equally in a state of interconnection.

The paint on the two-story brick building blistered in the heat like sunburnt skin.” 

The cool enchantment of evening has arrived after the prostrating heat of summer's day and we lie quietly in anticipation of Your luminous appearance - Mysterious Selene, Whose Lunar Orb relieves the dark of night.

Explore your light and celebrate your darkness.

in heavenly realms of hellas dwelt two very different sons of zeus: one, handsome strong and born to dare --a fighter to his eyelashes-- the other,cunning ugly lame; but as you'll shortly comprehend a marvellous artificer now Ugly was the husband of (as happens every now and then upon a merely human plane) someone completely beautiful; and Beautiful,who(truth to sing) could never quite tell right from wrong, took brother Fearless by the eyes and did the deed of joy with him then Cunning forged a web so subtle air is comparatively crude; an indestructible occult supersnare of resistless metal: and(stealing toward the blissful pair) skilfully wafted over them- selves this implacable unthing next,our illustrious scientist petitions the celestial host to scrutinize his handiwork: they(summoned by that savage yell from shining realms of regions dark) laugh long at Beautiful and Brave --wildly who rage,vainly who strive; and being finally released flee one another like the pest thus did immortal jealousy quell divine generosity, thus reason vanquished instinct and matter became the slave of mind; thus virtue triumphed over vice and beauty bowed to ugliness and logic thwarted life:and thus-- but look around you,friends and foes my tragic tale concludes herewith: soldier,beware of mrs smith

Daydream, which is to thought as the nebula is to the star, borders on sleep, and is concerned with it as its frontier. An atmosphere inhabited by living transparencies: there's a beginning of the unknown. But beyond it the Possible opens out, immense. Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.

Keda's oldness was the work of fate, alchemy. An occult agedness. A transparent darkness. A broken and mysterious grove. A tragedy, a glory, a decay. - Titus Groan

Fear the unknowledgeable, not the Wisdom, The dark has many secrets

I promise to tell you everything you want, but first I want something from you in return. What do you want? Olivia asked. I want a kiss, William said. You and I, we're making a deal of sorts...a bargain that we will keep each other's secrets...

Behind the veil of all the hieratic and mystical allegories of ancient doctrines, behind the darkness and strange ordeals of all initiations, under the seal of all sacred writings, in the ruins of Nineveh or Thebes, on the crumbling stones of old temples and on the blackened visage of the Assyrian or Egyptian sphinx, in the monstrous or marvelous paintings which interpret to the faithful of India the inspired pages of the Vedas, in the cryptic emblems of our old books on alchemy, in the ceremonies practiced at reception by all secret societies, there are found indications of a doctrine which is everywhere the same and everywhere carefully concealed.

Under the mystichood ofNameless Bride, we grope in Her Sacred Darkness for plasmatic encounter, the fifth ionized state of matter. Our mundane sight of differentation and separation recedes into the magickal Abyss of Blackness where all is touch. We feel each other as tactile presences whose extended dimension stretches to the stars only to coalesce beyond galactic expanses in the white and worm-holes of Her ever spiraling Gown of Worlds beyond Worlds. Let us feel Her concrescence as we stroke each unique form in the unfathomable dimensions of Her perfect formfulness - ever-changing, ever-new, ever-variable in the rainbow myriads of infinite spasms of delight.

And now we come to the Heart of our Designe: the art of Shaddowes you must know well, Walter, and you must be instructed how to Cast them with due Care. It is only the Darknesse that can give trew Forme to our Work and trew Perspective to our Fabrick, for there is no Light without Darknesse and no Substance without Shaddowe (and I turn this Thought over in my Mind: what Life is there which is not a Portmanteau of Shaddowes and Chimeras?). I build in the Day to bring News of the Night and of Sorrowe, I continued, and then I broke off for Walter's sake.

At that instant the hag's noisy breathing stopped and with it all other sound. Her eyes opened, showing only whites - milky ovals infinitely eerie in the dark root-tangle of her sharp features and stringy hair. The gray tip of her tongue traveled like a large maggot around her lips.

Clarke, in the deep folds of dream, was conscious that the path from his father’s house had led him into an undiscovered country, and he was wondering at the strangeness of it all, when suddenly, in place of the hum and murmur of the summer, an infinite silence seemed to fall on all things, and the wood was hushed, and for a moment in time he stood face to face there with a presence, that was neither man nor beast, neither the living nor the dead, but all things mingled, the form of all things but devoid of all form. And in that moment, the sacrament of body and soul was dissolved, and a voice seemed to cry “Let us go hence,” and then the darkness of darkness beyond the stars, the darkness of everlasting.

On the Samael Qlipha, the magician makes a pact with the dark forces and realizes the invitation of Friedrich Neitzsche to re-evaluate old values. Insanity becomes wisdom; death becomes life. Samael is the 'Poison of God.' Here is where illusions are poisoned, and all categories and conceptions are deconstructed until nothing is left. The dark side of the astral plane could be compared to a chalice filled with poison or an intoxicating fluid. While Gamaliel is the chalice, Samael is the elixir and the following lower Qlipha, A'arab Zaraq, is where the magician experiences the effect.

A Witch is a woman who emerges from deep within herself. She is a woman who has honestly explored her light and learned to celebrate her darkness. She is a woman who is able to fall in love with the magnificent possibilities of her power. She is a woman who radiates mystery. She is magnetic. She is a witch.

Loudmouth turned his head and pointed at me, with wide eyes that weren’t ready for an afterlife.

Sooner or later, each of us reaches that point where the evil ghost that's been stalking us since childhood is trying to murder everyone we care about

Find us a hotel. Something NOT HAUNTED. Can't emphasize this enough.

I bought flowers this morning: needed some light but got darkness that grew blacker towards the evening.

...Newspapers, popular fiction, and magazines churned out words by the million, and the worn coins of everyday speech were less and less able to communicate anything more than the most commonplace meanings....

I am not a stage magician who does sleight of hand. I am a practitioner of - allow me to spell it - m-a-g-i-c-k. Magick. Occult knowledge and powers. Gained by way of tapping into the very wellspring of the universe.

...that Figure so impressd it self upon my Mind that I have been in a manner walking towards it all my Life. Then I peered into Wendel Dietterlin his Architectura, and there were unveiled to me the several Orders: of the Tuscan, which is now mine own, I was then mov'd by its Strangeness and Awefulness; the obscured Shapes, the Shaddowes and the massie Openings so in-chanted my Spirit that when looking on them I imagined my self to be lock'd in some dark and Enclosed space. The heavinesse of Stone did so oppress me that I was close to Extinction, and I fancied that I could see in the Engraver's lines the sides of Demons, crumbled Walls, and half-humane Creatures rising from the Dust. There was some thing that waited for me there, already in Ruines.

The only clear pattern I’ve seen is that, whether the hunting party is led by a pagan god, a demon, or a ghost, it’s always bad luck to see it. Some say it’s an omen of death.” “Oh, I’m so glad we saw it, then.” Stacey shook her head and went back to work.

... the reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron.

Drawing from the costumed and goth-infused death metal found in the icy Netherlands, doom metal down-tuned all the guitars, drew inspiration from the drones of Tibetan monks and Hindu ragas, and created a new mythology of metal, one that embraced decay and darkness as an essential part of the human condition.

We have not fully recovered from the Dark Ages: the insecurity that excites greed, the fear that fosters cruelty, the poverty that breeds filth and ignorance, the filth that generates disease, the ignorance that begets credulity, superstition, occultism—these still survive amongst us; and the dogmatism that festers into intolerance and Inquisitions only awaits opportunity or permission to oppress, kill, ravage, and destroy. In this sense modernity is a cloak put upon medievalism, which secretly remains; and in every generation civilization is the laborious product and precarious obligating privilege of an engulfed minority. The

Then there was the attraction—the thrill—of all things mysterious, dark, hidden, and occult. Especially for young people trapped and being propagandized in the stupefying depths of modern education, the unknown and the unknowable offered the possibility of discovering the meaning of life that they had thus far been told did not exist.

Malina and Parsons are of particular interest in this book’s research, as Ghislaine Maxwell’s brother-in-law Roger Malina’s father was this very man—Frank Malina—one of the original “Rocketmen” from the “Suicide Squad” and a good friend of Jack Parsons, whose own iconoclastic interests in turn involved devotion to the dark teachings of Aleister

Lei, disse, era cattolico, vero? No. Anglicano? No. Sono esistenzialista. Davvero? Ma, uh… io parlavo di… religione. Lo so. Anch’io. Be’, ma… non credo di aver mai sentito parlare di questa setta. È nuova? Non proprio. Chi l’ha fondata? Un danese, un certo Kierkegaard. E credono nel potere di redenzione di Gesù Cristo? Kierkegaard di sicuro ci credeva.

In 1593, soon after Marlowe’s murder, a troop of English actors brought a production of the Tragical History of Doctor Faustus to Germany. Through some metamorphosis, the tragedy became a comedy, and the comedy was then transformed into a puppet show. It was more than likely in this form that the young Goethe first came upon what would become his most famous work.

He senses something wrong. He sees nothing, hears nothing, yet feels surrounded, then enveloped, by a presence of undiluted evil. He is immobilized. Then a savage merging of oblivion and agony, as if buried alive in a living expanse of living, malignant soil invading the self, violating him, becoming him. Every fiber, every atom, strains with the effort to expel it, to escape.

To Spell A Sentence by Stewart Stafford Spell conjured and created, A magnum opus bittersweet, The sinister minister at work, His face reddened from heat. A leading light's shady grasp, Blood pacts with monstrosities, Freefalling drunk into darkness, On trade winds of pomposity. Battering ram breaches discovery, A beaming grin breaks the sweat, Dark entities screech their claim, Swept down to Hell as a new pet. © Stewart Stafford, 2022. All rights reserved.

WE DO OUR TWENTY minutes of meditation a day in the hope that, properly stilled, our minds will stop just reflecting back to us the confusion and multiplicity of our world but will turn to a silvery mist like Alice’s looking glass that we can step through into a world where the beauty that sleeps in us will come awake at last. We send scientific expeditions to Loch Ness because if the dark and monstrous side of fairy tales can be proved to exist, who can be sure that the blessed side doesn’t exist, too? I suspect that the whole obsession of our time with the monstrous in general—with the occult and the demonic, with exorcism and black magic and the great white shark—is at its heart only the shadow side of our longing for the beatific, and we are like the knight in Ingmar Bergman’s film The Seventh Seal, who tells the young witch about to be burned at the stake that he wants to meet the devil her master, and when she asks him why, he says, “I want to ask him about God. He, if anyone, must know.

Having a naturally resilent mind and being armed with a deep-rooted scepticism, I managed to shake my spirit free of these dark imaginings and, after reading certain occult works, I persuaded myself that I was being persecuted by elemental and elementary spirits, incubi, lamias, who were trying with all their might to prevent me from finishing my great work on alchemy. In accordance with the instructions of the initiated, I obtained a Dalmatian dagger and felt myself well armed against evil spirits.

Ouija Board Web by Stewart Stafford Someone's been in my room, Helped themselves to my beer. Bottled my portal to escape, And left behind a sober fear. I guess I'll climb the silence, To the mirror, if I'm still here, Tap out a drowning rhythm, To send an S.O.S. so clear. A phantom knocking from within, Coins rub my spirit board away, Voices say breathe out and in, Darkest night blurs into day. Moth to the flame in a spider web, Mummified to twist in the draught, Here comes the eight-eyed sentinel, To finish its ice-cold Arachnid craft. © 2025, Stewart Stafford. All rights reserved.

Dissonance is produced by any landscape that enchants in the present but has been a site of violence in the past. But to read such a place only for its dark histories is to disallow its possibilities for future life, to deny reparation or hope – and this is another kind of oppression. If there is a way of seeing such landscapes, it might be thought of as ‘occulting’: the nautical term for a light that flashes on and off, and in which the periods of illumination are longer than the periods of darkness. The Slovenian karst is an ‘occulting’ landscape in this sense, defined by the complex interplay of light and dark, of past pain and present beauty. I have walked through numerous occulting landscapes over the years: from the cleared valleys of northern Scotland, where the scattered stones of abandoned houses are oversung by skylarks; to the Guadarrama mountains north of Madrid, where a savage partisan war was fought among ancient pines, under the gaze of vultures; and to the disputed valleys of the Palestinian West Bank, where dog foxes slip through barbed wire. All of these landscapes offer the reassurance of nature’s return; all incite the discord of profound suffering coexisting with generous life.

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of a black sea of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of disassociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. —HOWARD PHILLIPS LOVECRAFT, The

A witch needs only the right look, the right stuff, the right feelings. I look at the part: like a Hollywood witch, dark-haired and pale-skinned (because of my European ancestry). And I'm into the Instagram-witch lifestyle: black dresses, lavender baths, affirmations about being worthy of things. But I don't like calling myself a witch. I don't want to be seen as following a fad, and I don't want the white witches I resemble to take my presence in their spaces as permission for theft. Really, I just want a version of the occult that isn't built on plunder, but I suspect that if we could excise the stolen pieces, there would be nothing left.

This mundus tenebrosus, this shaddowy world of Mankind, is sunk into Night; there is not a Field without its Spirits, nor a City without its Daemons, and the Lunaticks speak Prophesies while the Wise men fall into the Pitte. We are all in the Dark, one with another. And, as the Inke stains the Paper on which it is spilt and slowly spreads to Blot out the Characters, so the Contagion of darkness and malefaction grows apace until all becomes unrecognizable. Thus it was with the Witches who were tryed by Swimming not long before, since once the Prosecution had commenced no Stop could be put to the raving Women who came forward: the number of Afflicted and Accused began to encrease and, upon Examination, more confess'd themselves guilty of Crimes than were suspected of. And so it went, till the Evil revealed was so great that it threatened to bring all into Confusion. And yet in the way of that Philosophie much cryed up in London and elsewhere, there are those like Sir Chris. who speak only of what is Rational and what is Demonstrated, of Propriety and Plainness. Religion Not Mysterious is their Motto, but if they would wish the Godhead to be Reasonable why was it that when Adam heard that Voice in the Garden he was afraid unto Death? The Mysteries must become easy and familiar, it is said, and it has now reached such a Pitch that there are those who wish to bring their mathematicall Calculations into Morality, viz. the Quantity of Publick Good produced by any Agent is a compound Ratio of his Benevolence and Abilities, and such like Excrement. They build Edifices which they call Systems by laying their Foundacions in the Air and, when they think they are come to sollid Ground, the Building disappears and the Architects tumble down from the Clowds. Men that are fixed upon matter, experiment, secondary causes and the like have forgot there is such a thing in the World which they cannot see nor touch nor measure: it is the Praecipice into which they will surely fall.

Posed In Vein by Stewart Stafford O Stephanie! In your cruciform puppetry, Bloody veins stretched out wiry To relive in a bondage diary. Subject mapped as inked skin she wears, Decorating, desecrating olden snares. Each needle kiss, a line defined, A pinprick story rushes her mind. By candlelight, in her coven deep, Secrets webbed flies must keep, Spelled out straight in her hexing book, Consort Lenore gives a cryptic look. They tug the strings, the marionette, Caught in her captor's welcome net. In artificial light, a social moth's mien, A wrought, posed, fetishistic scene. The knots are tight, the ropes defined; Bodily and in private mind. This mutual art, a supplicant's plea, Cut into her Kinbaku diary. © 2025, Stewart Stafford. All rights reserved.

From strange alter-egos, to the occult concept of androgyny, and of course including references to Aleister Crowley and his Thelema, David Bowie did decades ago what pop stars are doing now. “Bowie’s alter-ego named Ziggy Stardust was a representation of the “illuminated man” who has reached the highest level of initiation: androgyny. There was also a lot of one eye things going on. Drawing the Kabbalistic Tree of Life The difference between Bowie and today’s pop stars is that he was rather open regarding the occult influence in his act and music. In a 1995 interview, Bowie stated: “My overriding interest was in cabbala and Crowleyism. That whole dark and rather fearsome never-world of the wrong side of the brain.” In his 1971 song Quicksand, Bowie sang: “I’m closer to the Golden Dawn Immersed in Crowley’s uniform of imagery” (Golden Dawn is the name of a Secret Society that had Crowley as member). These are only some examples of the occult influence on Bowie’s work and an entire book could be written on the subject. Since the main antagonist of Labyrinth is a sorcerer who also happens to enjoy singing impromptu pop songs, David Bowie was a perfect fit for the role.

Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.

with the KABIRI. And we have shown that the latter were the same as the Manus, the Rishis and our Dhyan Chohans, who incarnated in the Elect of the Third and Fourth Races. Thus, while in Theogony the Kabiri-Titans were seven great gods: cosmically and astronomically the Titans were called Atlantes, because, perhaps, as Faber says, they were connected (a) with At-al-as "the divine Sun," and (b) with tit "the deluge." But this, if true, is only the exoteric version. Esoterically, the meaning of their symbols depends on the appellation, or title, used. The seven mysterious, awe-inspiring great gods—the Dioscuri,[420] the deities surrounded with the darkness of occult nature—become the Idei (or Idaeic finger) with the adept-healer by metals. The true etymology of the name lares (now signifying "ghosts") must be sought in the Etruscan word "lars," "conductor," "leader." Sanchoniathon translates the word Aletae as fire worshippers, and Tabor believes it derived from Al-Orit, "the god of fire." Both are right, as in both cases it is a reference to the Sun (the highest God), toward whom the planetary gods "gravitate" (astronomically and allegorically) and whom they worship. As Lares, they are truly the Solar Deities, though Faber's etymology, who says that "lar" is a contraction of "El-Ar," the solar deity, is not very correct. They are the "lares," the conductors and leaders of men. As Aletae, they were the seven planets -- astronomically; and as Lares, the regents of the same, our protectors and rulers—mystically. For purposes of exoteric or phallic worship, as also cosmically, they were the Kabiri, their attributes being recognised in these two capacities by the name of the temples to which they respectively belonged, and those of their priests. They all belonged, however, to the Septenary creative and informing groups of Dhyan Chohans. The Sabeans, who worshipped the "regents of the Seven planets" as the Hindus do their Rishis, held Seth and his son Hermes (Enoch or Enos) as the highest among the planetary gods. Seth and Enos were borrowed from the Sabeans and then disfigured by the Jews (exoterically); but the truth can still be traced about them even in Genesis.[421] Seth is the "progenitor" of those early men of the Third Race in whom the "Planetary" angels had incarnated—a Dhyan Chohan himself, who belonged to the informing gods; and Enos (Hanoch or Enoch) or Hermes, was said to be his son—because it was a generic name for all the early Seers ("Enoichion"). Thence the worship. The Arabic writer Soyuti says that the earliest records mention Seth, or Set, as the founder of Sabeanism; and therefore that the pyramids which embody the planetary system were regarded as the place of sepulchre of both Seth and Idris (Hermes or Enoch), (See Vyse, "Operations," Vol. II., p. 358); that thither Sabeans proceeded on pilgrimage, and chanted prayers seven times a day, turning to the North (the Mount Meru, Kaph, Olympus, etc., etc.) (See Palgrave, Vol. II., p. 264). Abd Allatif says curious things about the Sabeans and their books. So does Eddin Ahmed Ben Yahya, who wrote 200 years later. While the latter maintains "that each pyramid was consecrated to a star" (a star regent rather), Abd Allatif assures us "that he had read in Sabean books that one pyramid was the tomb of Agathodaemon and the other of Hermes" (Vyse, Vol. II., p. 342). "Agathodaemon was none other than Seth, and, according to some writers, Hermes was his son," adds Mr. Staniland Wake in "The Great Pyramid," p. 57. Thus, while in Samothrace and the oldest

The Midnight Game The "Midnight Game" is an old pagan ritual, used mainly as punishment for those who have broken the laws of the pagan religion in question.  While it was mainly used as a scare tactic to not disobey the gods, there is still a very existent chance of death to those who play the Midnight Game.  There is an even higher chance of permanent mental scarring. It is highly recommended that you DO NOT PLAY THE MIDNIGHT GAME.   However, for those few thrill seekers searching for a rush, or for those delving into obscure occult rituals, these are simple instructions on how to play. Do so at your own risk...   WARNING: I have played this game. People have died. Do not play this game. He will always be watching.   Instructions   PREREQUISITES:   It must be exactly 12:00 AM when you begin performing the ritual. Otherwise, it will not work.   MATERIALS:   You will need a candle, a piece of paper, a writing implement, matches or a lighter, salt, a wooden door, and at least one drop of your own blood. If you are playing with multiple people, they will need their own of the aforementioned materials and they will have to perform the steps below accordingly.   STEP 1:   Write your full name (first, middle, and last)on the piece of paper. Put at least one drop of blood on the paper. Allow it to soak into the paper.   STEP 2:   Turn off all of the lights in the place you are doing this. Go to your wooden door, and place the paper with your name on it in front of the door. Now, take out the candle and light it. Place it on top of the paper.   STEP 3:   Knock on the door twenty-two times. The hour must be 12:00 AM upon the final knock. Then, open the door, blow out the candle, and close the door. You have just allowed the "Midnight Man" to enter your house.   STEP 4:   Immediately relite your candle.   This is where the game begins. You must now lurk around your now completely dark house, with the lit candle in your hand. Your goal is to avoid the Midnight Man at all costs, until 3:33 AM. Should your candle ever go out, that means the Midnight Man is near you. You must relight your candle in the next ten seconds.   If you are not successful in doing this, you must then immediately surround yourself with a circle of salt. If you are unsuccessful in both of your actions, the Midnight Man will create a hallucination of your greatest fear, and rip out your organs one by one. You will feel it, but you will be unable to react.   If you are successful in creating the circle of salt, you must remain in there until 3:33 AM.   If you are successful in relighting your candle, you may proceed with the game. You must continue to 3:33 AM, without being attacked by the Midnight Man, or being trapped inside the circle of salt, to win the Midnight Game. The Midnight Man will leave your house at 3:33 AM, and you will be safe to proceed with your morning.   ADDITION:   Indications that you are near the Midnight Man will include sudden drop in temperature, seeing a pure black, humanoid figure through the darkness, and hearing very soft whispering coming from an indiscernible source. If you experience any of these, it is advised that you leave the area to avoid the Midnight Man.   DO NOT turn any of the lights on during the Midnight Game.   DO NOT use a flashlight during the Midnight Game.   DO NOT go to sleep during the Midnight Game.   DO NOT attempt to use another person's blood on your name.   DO NOT use a lighter as a substitute for a candle. It will not work.   AND DEFINITELY DO NOT attempt to provoke the Midnight Man in ANY WAY.   Even when the game is over, he will always be watching

Science fiction authors have made contributions to science, such as Arthur C. Clarke and his invention of geosynchronous satellite, among other ideas. Fantasy and horror authors make (unconscious) contributions to occultism and magic by identifying information at deep levels of the human psyche. By focusing on fear and horror, these authors directly address our most hidden nature, which is another way of saying that they open a Gate into the Mauve Zone.

What difference is there, after all, between the narrative we find in fiction and that which we find in the myths and legends that make up scriptures and Tantras? If a story works - if it conveys a truth, elicits an emotional response, tells us something we did not know before and allows us to own that something - then it has much the same function as a scriptural text. The first dramas were religious in nature; the first theatrical performances were rituals.

Finally, be strong in the Lord and in the strength of his might. Put on the whole armor of God, that you may be able to stand against the schemes of the devil. For we do not wrestle against flesh and blood, but against the rulers [archons] against the authorities [exousia], against the cosmic powers [kosmokrators] over this present darkness, against the spiritual forces of evil

but one shudders to imagine the dark utility such rarified relics might attain in the capable hands of a studied dark magus. It hardly seems surprising that, at least as far as the public is

The thesis that we need to address the dangerous implications of the UFO and alien abduction phenomenon as a “psychic and symbolic reality,” as well as a “control system which acts on humans and uses humans,” contradicts certain trends in contemporary spiritual and New Age thought. These days, we find a strong tendency in many spiritual communities to focus single-mindedly on the power of positivity and affirmations of the light, based on ideas such as “The Law of Manifestation” or “The Secret.” The underlying belief is that each of us creates our own reality through our thoughts and intentions. Therefore, if we simply avoid anything dark or malevolent, nothing negative will be able to enter our field. But unfortunately, reality is not that simple, and this approach is a blatant form of spiritual bypassing. Paul Levy explores the idea that modern Anglo-European culture is infected by what the Algonquins call “wetiko,” a cannibalistic spirit driven by greed, excess, and selfish consumption. “Spiritual/New Age practitioners who endlessly affirm the light while ignoring the shadow” fall “under the spell of wetiko,” he writes. By seeking to turn away from and hide their darkness, these practitioners unwittingly reinforce “the very evil from which they are fleeing. Looking away from darkness, thus keeping it unconscious, is what evil depends upon for its existence. If we unconsciously react … to evil by turning a blind eye toward it – “seeing no evil” – we are investing the darkness with power over us.” The alternative is to permeate evil with awareness, “stalking” the shadow so we can catch and assimilate it. Carl Jung wrote, “One does not become enlightened by imagining figures of light, but by making the darkness conscious.” If the thesis developed in this essay has validity, then New Age spiritual practitioners will have to overcome their bypassing and confront the dark side of the psyche, reckoning with the occult control system. At the same time, political and ecological activists will need to interrogate their inveterate bias toward a purely materialist analysis, to acknowledge the existence of occult, hyper-dimensional, forces at work behind the scenes, influencing the course of events. And conspiracy theorists who believe in an incredibly evil, highly organized and intelligent cabal of human controllers working to bring about a New World Order surveillance society of enslavement will have to recognize that the controllers operating behind the scenes are not humans at all. Here and there, the Bible gets this right - as in Ephesians: “For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.” If we aren’t aiming at the proper targets, we will never hit the mark.

The connection between the changing role of the police in American society and efforts to control culturally subversive groups is illustrated in the backgrounds of some of the most well-known of the “occult cops.” Debbie Nathan and Michael Snedecker’s examination of these usually low-ranking detectives found that many of them “had spied on groups opposing racism or the Vietnam War in the late 1960s.” Before morphing into “occult experts” they traveled the “small town lecture circuit” warning mainly white, middle-class audiences about the danger of “Moonies” and other alternative religious movements. The role of the police in the satanic panic of the 1980s appears to be symptomatic of a much larger problem. Rather than asking its police to prevent and prosecute crimes against person and property, white America asked it to crusade against evil, to slay monsters and demons. In an urban America prostrated by the growing economic inequality of the 1980s and the consequent deadly mix of entrepreneurialism and despair that constituted the crack epidemic, politicians gravitated to the “tough on crime” rhetoric that became such an important part of the successful campaigns of Reagan, Bush, and Clinton. Meanwhile, the leadership of the evangelical and Charismatic worlds adopted a very similar rhetoric in which their followers were asked to engage in an unrelenting war on the forces of darkness threatening their homes, children, churches, and communities.

Your body is like a credit card. Some external energies do unauthorized transactions on it. You never even suspect it because you think everything happening in your body is done by you.

The next song began to play right as a chill went up my spine. The cabin seemed inconsequential in the night, as if its bare wooden walls and large windows could do nothing to hold back the dark. Instead of me observing from the inside, I felt like something out there was looking in. Observing me.

Titus Crow is an occult investigator, a psychic sleuth, an agent for Good in the detection and destruction of Evil. During WWII, as a young man, he worked for the War Department; his work in London was concerned with cracking Nazi codes and advising on Hitler’s predilection for the occult: those dark forces which Der Führer attempted to enlist in his campaign for world domination. Following the end of the war, and from then on right through a very active life which encompassed many “hobbies,” he fought Satan wherever he found him and with whichever tools of his trade were available to him at the time. Crow became, in fact, a world-acknowledged master in such subjects as magic, specifically the so-called “Black Books” of various necromancers and wizards, and their doubtful arts; in archaeology, paleontology, cryptography, antiques and antiquities in general; in obscure or avant-garde works of art—with particular reference to such as Aubrey Beardsley, Chandler Davies, Hieronymous Bosch, Richard Upton Pickman, etc.—in the dimly forgotten or neglected mythologies of Earth’s prime, and in anthropology in general, to mention but a handful.

more liberal and rationalist expression of Satanism, in which Satan is nothing more than a literary archetype used to promote a materialist philosophy that espouses egalitarianism, social justice, and the separation of church and state. Above all, this new version of the occult is militantly secularist, animated by hostility to the presence of religion in the public square, and especially to the presence of Christianity.

The argument, as we have seen, is an old one. Today it is disguised by the outward trappings of tongue-in-cheek occultism, or therapeutic witchcraft, or climate change activism, or a fervent belief in “the science,” or some form of transgenderism or transhumanism. But the substance of these belief systems has an ancient pedigree that stretches all the way back to the Garden and the serpent and the Fall, when a very real, literal Satan made his famous claim about the tree and the fruit that would echo down the eons: “You will not die. You will be like God.” And if man can become like God, then what is to say man cannot become God—or at least a god?

According to Stein, Hitler studied ancient Rome, German mythology, Eastern religions, yoga, magic, reincarnation, and astrology. ..... Stein believed that Hitler had chosen the easier but dishonorable way to occult enlightenment, having chosen the agency of drugs rather than the slower path of yoga and meditation. Ultimately, however, both roads lead to the same dark involvement.

There is also an incredible fixation with the paranormal, occultism, magic, sorcery, and spiritualism – all common themes which are very intriguing to children and adults as well. For example, there are The Lord of the Rings Trilogy, Harry Potter, and so on. It is the good magic against the bad magic. It is the classic struggle of good versus evil, but look a little closer and you will find that the good is not good at all. It is what is called white magic. White magic is nothing more than evil dressed up as an angel of light. Isaiah says, “Woe to those who call evil good, and good evil; who put darkness for light, and light for darkness” (Isaiah 5:20, NKJV).

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King James is more famous today for his version of the Bible than for his belief in diabolical practices. But in 1597, more than a decade before the King James Bible was published, he wrote a treatise on demons and sorcery called Daemonologie, In Forme of a Dialogue. The king was obsessed with the occult, and with witches in particular, having flushed out a coven of at least 70 in 1590, when he was still known as King James VI of Scotland. The witches were tortured using devices like the “breast ripper”—which is exactly as horrific as it sounds—until they confessed. Eventually, some 4,000 people were burned at the stake in Scotland’s witch trials. In Daemonologie, the king wrote of his belief in cruentation as a way to mete out justice: In a secret murther, if the deade carcase be at any time thereafter handled by the murtherer, it will gush out of bloud, as if the bloud were crying out to the heaven for revenge of the murtherer, God having appoynted that secret super-naturall signe for tryall of that secret unnatural crime.*

Song of the Dark Man is an important text, one that fills a notable gap in the annals of “occult” research. It provides a dedicated focus on a key, one may even say foundational, subject: the “Dark Man” of the Witches’ Sabbath—a being of myth but also a shapeshifter, one who is prone to stepping out of the world of folklore and taking on an all too real presence in the lives of those who encounter him.