Dark Muse Quotes

We've searched our database for all the quotes and captions related to Dark Muse. Here they are! All 100 of them:

The Laughing Heart your life is your life don’t let it be clubbed into dank submission. be on the watch. there are ways out. there is a light somewhere. it may not be much light but it beats the darkness. be on the watch. the gods will offer you chances. know them. take them. you can’t beat death but you can beat death in life, sometimes. and the more often you learn to do it, the more light there will be. your life is your life. know it while you have it. you are marvelous the gods wait to delight in you.
Charles Bukowski (Betting on the Muse: Poems & Stories)
I sung of Chaos and Eternal Night, Taught by the heav'nly Muse to venture down The dark descent, and up to reascend...
John Milton (Paradise Lost)
Lex malla, lex nulla,” said Julian with a regretful wave of his hand. It was the Blackthorn family motto: A bad law is no law. “I wonder what other family mottoes are,” Emma mused. “Do you know any?” “The Lightwood family motto is ‘We mean well.’ ” “Very funny.” Julian looked over at her. “No, really, it actually is.” “Seriously? So what’s the Herondale family motto? ‘Chiseled but angsty’?” He shrugged. ‘If you don’t know what your last name is, it’s probably Herondale’?” Emma burst out laughing. “What about Carstairs?” she asked, tapping Cortana. “ ‘We have a sword’? ‘Blunt instruments are for losers’?” “Morgenstern,” offered Julian. “ ‘When in doubt, start a war’?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
You are my fantasy on a cold dark night, my muse during the light of day and the one wish my soul would make
Grace Willows
A king of a kingdom no one fucking knows about! I'm the tree in the forest that silently falls--when no one is around to be crushed! [Lothaire, Enemy of Old]
Kresley Cole (Shadow's Claim (Immortals After Dark, #12; The Dacians, #1))
There were hints of sunrise on the rim of the sky, yet it was still dark, and the traces of morning color were like goldfish swimming in ink.
Truman Capote (The Muses Are Heard)
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
He had, in his hearts, declared war on the dark child, but Lazlo was no warrior, and his hearts had no talent for hate.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
I do not write about love as if I have invented it. I write about love because thoughts of you inspire self-forgetfulness. And because writing about you gives birth to a star. These stars sit inside me where there was once darkness.
Kamand Kojouri
For an instant, at least, they seemed one and the same, as though all anguish exists in the same deep well, no matter what loss or misfortune leads us to it. We might be at odds, hate each other, and desired each others destruction, but in our despair, we are lost in the same darkness, breathing the same air as we choke on our grief.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
You’re too beautiful to be worshiped in the dark.
Lisa Kessler (Dance of the Heart (Muse Chronicles, #6))
When there is silence, Give your voice. When there is darkness, Shine your light. When there is desperation, Offer hope.
Tim Fargo
Don't you go to the movies?" "Mostly just to eat popcorn in the dark.
Charles Bukowski (Betting on the Muse: Poems & Stories)
We might be at odds, hate each other, and desire each other’s destruction, but in our despair, we are lost in the same darkness, breathing the same air as we choke on our grief.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
You cannot love a person fully without knowing the darkness etched into their soul.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Fear and anger, Yoda had often warned him, were slaves to the dark side. Vaguely, Luke wondered which side curiosity served.
Timothy Zahn (Heir to the Empire (Star Wars: The Thrawn Trilogy, #1))
What about Ianthe—and Jurian?” Rhysand’s powerful chest heaved beneath my hand as he blew out a breath. “Reports are murky on both. Jurian, it seems, has returned to the hand that feeds him. Ianthe …” Rhys lifted his brows. “I assume her hand is courtesy of you, and not the commanders.” “She fell,” I said sweetly. “Must have been some fall,” he mused, a dark smile dancing on those lips as he drifted even closer,
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
That is what you meant to me: a light that shone through the darkness.” (Your smile, p. 56)
Chimnese Davids (Muses of Wandering Passions)
I sung of chaos and eternal night, Taught by the heav'nly Muse to venture down the dark decent, and up to reascend...
John Milton (Paradise Lost)
The wellspring,” mused Kaz, “where all sins are washed clean.” “Or where they drown you and make you confess,” Wylan said. Jesper snorted. “Wylan, your thoughts have taken a very dark turn. I fear the Dregs may be a bad influence.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine Muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets, something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay. Whatever it is you are struggling to remember, it is not poised on the tip of your tongue, not even lurking in some obscure corner of your spleen. It has floated away down a dark mythological river whose name begins with an L as far as you can recall, well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle. No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.
Billy Collins
Wow," Puck mused, standing beside me. "The River of Dreams." ... Moons, comets and constellations rippled on the surface, and other, stranger things floated upon the misty black waters. Petals and book pages, butterfly wings and silver medals. The hilt of a sword stuck out of the water at an odd angle, the silver blade tangled with ribbons and spiderwebs. A coffin bobbed to the surface, covered in dead lilies, before sinking into the depths once more. The debris of human imaginations, floating through the dark waters of dream and nightmare.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Lia pulled back, moonlight dancing in her dark eyes. “If you’re trying to make me go easy on you, it won’t work.” Cooper's teeth brushed her lower lip. “No way. Just getting an early taste of my prize.” She grinned. “I feel like I’ve already won.” He kissed her once more, whispering, “I know I have.
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
Maybe she was a little dark but she sort of sparkled with it. Jacob about Muse
Z.A. Maxfield (Jacob's Ladder (St. Nacho's #3))
Saturated Arrogance ...imprisoned muses cried to be free she took away their quills and said do not bother me...
Muse (Enigmatic Evolution)
I begin to think,' said Estella, in a musing way, after another moment of calm wonder, 'that I almost understand how this comes about. If you had brought up your adopted daughter wholly in the dark confinement of these rooms, and had never let her know that there was such a thing as the daylight by which she has never once seen your face―if you had done that, and then, for a purpose, had wanted her to understand the daylight and know all about it, you would have been disappointed and angry? . . .' Or,' said Estella, '―which is a nearer case―if you had taught her, from the dawn of her intelligence, with your utmost energy and might, that there was such a thing as daylight, but that it was made to be her enemy and destroyer, and she must always turn against it, for it had blighted you and would else blight her―if you had done this, and then, for a purpose, had wanted her to take naturally to the daylight and she could not do it, you would have been disappointed and angry? . . .' So,' said Estella, 'I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me.
Charles Dickens (Great Expectations)
He is happy whom the Muses love. For though a man has sorrow and grief in his soul, yet when the servant of the Muses sings, at once he forgets his dark thoughts and remembers not his troubles. Such is the holy gift of the Muses to men.
Hesiod
You're not crazy." She was serious, no hint of a smile. He cocked a brow. "And how do you know that?" "I cut hair for a living." Her dark eyes glinted with playfulness, easing some of his jacked-up nerve. "I see crazy all the time. You're not it.
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
Those seraphim who escaped into the neighbor world Eretz managed to hold the portal closed, and they held it to this day, pouring their strength into shoring up their sky to keep the darkness at bay. A bold young queen in that distant world was even now training a legion of angels and chimaera to battle the darkness and hopefully destroy it. But that’s another story.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
I am told not to let the tone of this narrative become too dark. A certain 400-pound muse will park his 150-pound ass on me by way of editorial comment, and there is always the threat of his urine-filled cat.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
She was remembering His gaze, those deep pools of blue, crystalline in nature, peering deep into her soul. She remembered the first night she had looked into that darkness – no, into that light in his eyes – they were level and straight, kind and compassionate, without any ado, Her hands in His, offerings of comfort and concern for Her station, the concern she felt for those close to Her, each to their own heaven or hell, and the law of attraction began to build.
Frank L. DeSilva (Tales of Love and LIght Here, Now, and All Ways)
How would you... like my legs?” “Out of my way.
Lucian Bane (Dark Muse Rider)
Saturated Arrogance ...she rebuked those about her in darkness did she dwell a pathetic history all mortal man would tell..
Muse (Enigmatic Evolution)
Rebuke Obstinate regression bringing untold paths of deep dark foreboding depression...
Muse (Enigmatic Evolution)
And I found my muse. She is my moonlight when my world gets too dark.
Greer Rivers (Phantom (Tattered Curtain, #1))
Poetry Is The Language Of Mysticism & Discourse. It Is The Whisper In The Dark, The Shadow In The Light. Poetry Is An Incantation From The Depths Of Your Very Soul.
R.M. Engelhardt (The Resurrection Waltz Poems R.M. Engelhardt)
It's the lovely bad things that steal into our thoughts in the middle of the night and tempt us across the line between good and evil. These torturously beautiful sins that provide our deepest, most deviant desires. It feeds us in the dark, stoking a frail flame into an inferno we can no longer resist. She is my flame. And I am all but pleading for my muse to burn me alive.
Trisha Wolfe (Lovely Bad Things (Hollow's Row, #1))
Fundamentalism is rooted in arrogance. It thrives in fear and control and darkness.
Michael Gungor (The Crowd, The Critic And The Muse: A Book For Creators)
We must bring our own light to the darkness.”  ― Charles Bukowksi
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
You think this is funny?” I snorted. “You would. Your sense of humor is so dark, even the lesser demons don’t get you.
Pippa DaCosta (Darkest Before Dawn (The Veil, #3))
Depths of Friendship ...under fathoms deep of dark and bitter cold an eerie oscillation reverberated brash and bold...
Muse (Enigmatic Evolution)
Starlight beats when heart twinkles Youthful sky beyond cloudy wrinkles Muse of glory to flame the night Verse inscribed as written light
Munia Khan
Life doesn't end, you just run out of road.
Stewart Stafford
Looking upwards, she speculates still more ambitiously upon the nature of the moon, and if the stars are blazing jellies; looking downwards she wonders if the fishes know that the sea is salt; opines that our heads are full of fairies, 'dear to God as we are'; muses whether there are not other worlds than ours, and reflects that the next ship may bring us word of a new one. In short, 'we are in utter darkness'. Meanwhile, what a rapture is thought!
Virginia Woolf (The Common Reader)
He grins. “Sweetheart, you wouldn’t know what to do with my dick even if you tried.” “I most certainly would!” I blurt out, unable to help myself. I regret my words immediately. There’s one hell of a long, mortifying second as he slowly raises his dark brow, a twinkle in his eye. “Oh really?” he muses, smile dancing on his lips.
Karina Halle (The Offer)
Here you are. Still standing. Fierce with the reality of love and loss. Wearing the truth of our hearts on your tattered sleeves. And yes, this one very nearly took you out. And yes, there were days when the darkness was heavy and the climb out of that rabbit hole required you to mine your depths for strength you didn’t even know you had. But here you are. Broken open by hope. Cracked wide by loss. Full of longing and grief and the burn of that phoenix fire. Warrior painted with ashes. Embers from the blaze still clinging to your newborn skin, leaving you forever marked with scars of rebirth. And just look at you. Heart broken but still beating. Arms empty but still open. Face raised to the sky and giving thanks for the light, even when it hurts your eyes. My god, you are beautiful.
Jeanette LeBlanc
He became a dark paramour, her muse, and she knew that muses had a tendency to kill those they inspired. She could feel him seeping into her, like the chill. She knew she would never be rid of him now. She was his forever, and she didn't even know what he was thinking of.
Jennifer Megan Varnadore
[You for] the fragrant-blossomed Muses’ lovely gifts [be zealous,] girls, [and the] clear melodious lyre: [but my once tender] body old age now [has seized;] my hair’s turned [white] instead of dark; my heart’s grown heavy, my knees will not support me, that once on a time were fleet for the dance as fawns. This state I oft bemoan; but what’s to do? Not to grow old, being human, there’s no way. Tithonus once, the tale was, rose-armed Dawn, love-smitten, carried off to the world’s end, handsome and young then, yet in time grey age o’ertook him, husband of immortal wife.
Sappho
Would that prove to you that this marriage is real?” he asks, his thumb smoothing back and forth over my mangled flesh. “If I took you again? Was the first taste of ruin not enough for you? Do you still crave my darkness, little one?
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Does this make me your muse?” His voice was a low, luscious tone that rippled through her… “In a way, I guess it does.” She took a step back, she needed air. Being around him, so close, made it too difficult to breathe. “Maybe you’ll be mine.
Lisa Carlisle (Dark Muse (Chateau Seductions, #2))
The Mania Speaks You clumsy bootlegger. Little daffodil. I watered you with an ocean and you plucked one little vein? Downed a couple bottles of pills and got yourself carted off to the ER? I gifted you the will of gunpowder, a matchstick tongue, and all you managed was a shredded sweater and a police warning? You should be legend by now. Girl in an orange jumpsuit, a headline. I built you from the purest napalm, fed you wine and bourbon. Preened you in the dark, hammered lullabies into your thin skull. I painted over the walls, wrote the poems. I shook your goddamn boots. Now you want out? Think you’ll wrestle me out of you with prescriptions? A good man’s good love and some breathing exercises? You think I can’t tame that? I always come home. Always. Ravenous. Loaded. You know better than anybody: I’m bigger than God.
Jeanann Verlee (Said The Manic To The Muse)
Live for the gifts the fragrant-breasted Muses send, for the clear, the singing, lyre, my children. Old age freezes my body, once so lithe, rinses the darkness from my hair, now white. My heart’s heavy, my knees no longer keep me up through the dance they used to prance like fawns in. Oh, I grumble about it, but for what? Nothing can stop a person’s growing old. They say that Tithonus was swept away in Dawn’s passionate, rose-flushed arms to live forever, but he lost his looks, his youth, failing husband of an immortal bride.
Sappho
She reached up to caress his cheek, breathing him in. “I don’t want to disappoint you.” He shook his head, pressing a kiss to her palm. “Impossible.” He carefully removed her glasses and then folded them and set them on the nightstand. “You know that even if we fumble through this, fall off the bed, and pull a muscle, it won’t matter. I’ll still want you as much as I do right now. Probably even more because I’ll want to be sure we try again until we get it right.” Her heart fluttered as she tried to process the acceptance he offered. “Why?” His gaze held hers. “Because from the moment I met you, I felt whole. And with every second I spent with you on the jobsite and at rehab for your ankle after the fire, the more I was yours.” Her lips parted, but she couldn’t find words. His voice dropped to a whisper. “Until the other night, I didn’t think you even noticed me.” “You could have anyone. I just figured…” “You’re the only one.” He shook his head slowly. “I would die for you, Clio. And it has nothing to do with my birthmark and everything to do with you. Your laughter heals the darkness in me, and your wisdom guides everyone around you.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
you cannot love a person fully without knowing the darkness etched into their soul i want to know his so well it becomes my darkness too.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Where did the fiction go? When did we begin to write off literature when its contents contained a character who remained true to themselves? It’s not my job as an author to create a character everyone likes, one who personifies perfection. However…it is my job to be true to the character’s personality, even when their attributes are dark, demented, and contrary to all we believe, or have been taught is right. It is my job to show the reader, the good, bad, and the ugly of the protagonist’s true nature that resides within them. It is not my job to create a character everyone loves, adores, agrees, and sides with. True literature remains true to the characters within the pages they inhabit; even when the readers may not understand or agree with their integrity or lack thereof. As an author I share a bond with each and every character within the books I write. Though they are figments of my imagination, they are alive, and to them I will always remain true; even when the reader may, or may not understand. ©2015 Suzanne Steele
Suzanne Steele
And so the Dark Angel once more embeds herself in Jeremiah’s’ mind. If not for the gardener he might believe each appearance an apparition for she does not belong amongst the sombre apothecaries and their fledgling apprentices, musing on herbs as if they are already in phials and not aligned for appreciating beauty. No, such a woman - any woman for that matter - did not belong in the Physic Gardens; though with this particular woman, Jeremiah cannot discern quite where she belonged. 
Kate Rose (The Angel and the Apothecary)
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
Jeanette LeBlanc
Pretty?" mused Katerina. "I suppose so. She has unusual looks. True beauty, I think, requires a touch of cruelty. That seems to be missing." "Good," muttered Cassie under her breath. Richard shot her a warning look.
Gabriella Poole (Secret Lives (Darke Academy, #1))
When it came down to it, she decided, she believed in a few important things. In humanity before Dogma. In religion of human kindness. In Poetry. In Sex. In being clear enough to ask for what she wanted, and detaching from ego enough to hear the answer. In the power of yoga. In being embodied. In owning her reality without apology. In embracing it all, the fuck-ups and the bliss. In the absolute necessity of dark chocolate to her continued existence. In the power of a hard swallow of whiskey to make everything clear. That most of the time we all do the very best we can. But most of all, she believed that nothing is fixed and unchanging, Not even the things she believed the most. That belief, it turns out, is the one that felt the most like freedom.
Jeanette LeBlanc
The spell is at its strongest in the center of the room,” I added. “So whatever you want to hold, you wanna put it as close to dead center as you can.” “You must’ve been awesome at Memory as a kid,” Archer mused. I shrugged. “When you’re perusing a book full of the most powerful dark magic ever, you pay attention.” Our gazes fell to the center of the room, where there was nothing but one of the cellar’s bazillion shelves. And under that shelf, drag marks in the dirt. We both moved to either end of the shelf. It took a minute (and a couple of impolite words from both of us), but we managed to move it several feet over. Then we stood there, breathing hard and sweating a little, and stared at the trap door in the floor. “Whatever’s down there,” Archer said after a moment, “it’s hard core enough that Casnoff went to all this trouble to hold it. Are you sure you want to do this, Mercer?” “Of course I don’t,” I said, grabbing the iron ring affixed to the trap door. “But I’m gonna.” I yanked at the ring, and the door came up easily. Cool air, smelling faintly of dirt and decay, wafted up. A metal ladder was bolted to the side of the opening, and I counted ten rungs before it disappeared into the blackness below. Archer made a move to stop into the hole, but I stopped him. “I’ll go down first. You’ll just look up my skirt if I go after you.” “Sophie-“ But it was too late. Trying to shake the feeling that I was stepping into a grave, I grabbed the ladder and started to climb down.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
But gradually it comes over us, what then are we being denied? What is it that we are coming to want so persistently that unless we get it instantly we must seek elsewhere? It is solitude. There is no privacy here. Always the door opens and some one comes in. All is shared, made visible, audible, dramatic. Meanwhile, as if tired with company, the mind steals off to muse in solitude; to think, not to act; to comment, not to share; to explore its own darkness, not the bright-lit-up surface of others.
Virginia Woolf (The Common Reader)
Can I see it yet?” Gina shook her head with wide eyes. “Not until it’s done. I hate letting anyone see my work until it’s finished. “Why?” A curious glint twinkled from his eyes. “Uh, uh. I don’t know,” she stammered. “It’s not ready to be seen. Naked, I guess. Unfinished.” “I let you hear a few chords of my music. Unfinished.” His voice dropped to a dangerously sexy tone. “Naked.
Lisa Carlisle (Dark Muse (Chateau Seductions, #2))
Like our IQ, talent is a gift from our ancestors. If we're lucky, we inherit it. In the fortunate talented few, the dark dimension of their natures will first resist the labor that creativity demands, but once they commit to the task, their talented side stirs to action and rewards them with astonishing feats. These flashes of creative genius seem to arrive from out of the blue for the obvious reason: They come from the unconscious mind. In short, if the Muse exists, she does not whisper to the untalented.
Steven Pressfield (The War of Art)
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
Standing in the doorway, wearing only a white towel latched under his pelvic muscles. Tommy Bianchi is dripping wet. My mouth turns bone dry. Lord Jesus. Whoever made his image needs a big fucking bonus. Inked body. Olive skin. Defined muscles. Miles and miles of protruding veins. Dusting of dark body hair. And that’s without adding in his six-foot three stature. Yeah, I checked his wiki page last night to see what details his fangirls knew about him. He isn’t hard on the eyes. It doesn’t hurt to look at all that wet skin. Not at all. I can see why he’s been voted People’s Sexiest Man Alive.
V. Theia (Manhattan Muse (From Manhattan #8))
In The Bible Fraud, Tony Bushby, musing on the origins of Christianity, wrote the following appropriate passage: The scriptural and historical data...shows that the New Testament was never an authentic record, but was, in its entirety, a corpus of corrupted documents specifically constructed to induce a particular belief
Michael Tsarion (The Irish Origins of Civilization, Volume Two: Akhenaton, the Cult of Aton & Dark Side of the Sun)
How far can a person hear? Malorie needs the children to hear into the trees, into the wind, into the dirt banks that lead to an entire world of living creatures. The river is an amphitheater, Malorie muses, paddling. But it's also a grave. The children must listen. Malorie cannot stave off the visions of hands emerging from the darkness, clutching the heads of the children, deliberately untying that which protects them. Breathing hard and sweating, Malorie prays a person can hear all the way to safety.
Josh Malerman
I'd loved for five long years, where pain had mingled with kisses and Michael's hugs suffocated me so much that I wasn't sure I could wriggle away enough to gasp for air. It was purple love, ugly and endearing, passionate and bruising like the tiny plum marks one left from sucking on a lover's neck. After loving like that, one needed a break....
Kenya Wright (The Muse (Dark Art Mystery, #1))
No—I’ve got it,” Jill announced, interrupting my musing. “He’s a vampire.” I laughed again, feeling there was no end to the outrageous, ridiculous excuses we were coming up with. “Seriously, it makes sense. He’s always tired and pale, and keeps himself away from people so he won’t bite them....Maybe that’s what he’s doing when he disappears. Getting his fix of blood.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
On the raptors kept for falconry: "They talk every night, deep into the darkness. They say about how they were taken, about what they can remember about their homes, about their lineage and the great deeds of their ancestors, about their training and what they've learned and will learn. It is military conversation, really, like what you might have in the mess of a crack cavalry regiment: tactics, small arms, maintenance, betting, famous hunts, wine, women, and song. Another subject they have is food. It is a depressing thought," he continued, "but of course they are mainly trained by hunger. They are a hungry lot, poor chaps, thinking of the best restaurants where they used to go, and how they had champagne and caviar and gypsy music. Of course, they all come from noble blood." "What a shame that they should be kept prisoners and hungry." "Well, they do not really understand that they are prisoners any more than the cavalry officers do. They look on themselves as being 'dedicated to their profession,' like an order of knighthood or something of that sort. You see, the member of the Muse [where Raptors are kept for falconry] is restricted to the Raptors, and that does help a lot. They know that none of the lower classes can get in. Their screened perches do not carry Blackbirds or such trash as that. And then, as for the hungry part, they're far from starving or that kind of hunger: they're in training, you know! And like everybody in strict training, they think about food.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
C. S. Lewis’s musings before his conversion: My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust? If the whole show was bad from A to Z, so to speak, why did I, who was supposed to be part of the show, find myself in such violent reaction against it? A man feels wet when he falls into water, because man is not a water animal; a fish would not feel wet. Of course I could have given up my idea of justice by saying it was nothing but a private idea of my own. But if I did that, my argument against God collapsed too—for the argument depended on saying that the world was really unjust, not simply that it did not happen to please my fancies. Thus in the very act of trying to prove that God did not exist—in other words, that the whole of reality was senseless—I found I was forced to assume that one part of reality—namely my idea of justice—was full of sense. Consequently atheism turns out to be too simple. If the whole universe has no meaning, we should never have found out that it has no meaning; just as, if there were no light in the universe and therefore no creatures with eyes, we should never have known that it was dark. Dark would be a word without meaning.2
Ravi Zacharias (Who Made God?: And Answers to Over 100 Other Tough Questions of Faith)
Are you both drunk?” I headed up the ladder and propped myself on a swing with no problem. “Correction, dear brother.” Hex held one finger in the air. “We’re exquisitely tipsy. There’s a difference. Drunkenness is done at a shady bar, in ugly clothing, surrounded by the mundane. While exquisite tipsiness is performed in an art setting among geniuses.” “Thanks so much for the distinction.” I rolled my eyes.
Kenya Wright (The Muse (Dark Art Mystery, #1))
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
The weeks up there were almost the most beautiful in my life. I breathed the pure, clear air, drank the icy water from streams and watched the herds of goats grazing on the steep slopes, guarded by dark-haired, musing goatherds. At times I heard storms resound through the valley and saw mists and clouds at unusually close quarters. In the clefts of rocks I observed the small, delicate, bright coloured flowers and the many wonderful mosses, and on clear days I used to like to walk uphill for an hour until I could see the clearly outlined distant peaks of high mountains, their blue silhouettes, and white, sparkling snow fields across the other side of the hill.
Hermann Hesse (Gertrude)
You cannot look at me like that, piccola, or I am sure to go up in flames." Desari allowed her fingers to tangle in his golden mane. "Thank you for thinking of my family when I could not." Her voice was a whisper of seduction, sliding over his hot skin. Just the sound of it made every muscle in his body clench. Julian made another effort to breathe. Air.It was all around him, yet he couldn't seem to drag enough into his lungs. He took her hand in his and carried it to the warmth of his mouth. "We need to find a safe subject, cara mia, or I will not make it through these next few minutes." Desaris soft laughter was like music in the wind. She perched on a large tree trunk that lay across the forest floor. The breeze tugged at her long hair so that it shifted around her like a veil, one moment hiding the temptation of bare, gleaming skin, the next revealing it. "A safe subject," she mused aloud. "What would that be?" The air slammed out of his lungs once again at the sight of her. She looked so much a part of her surroundings. Wild. Sexy. Provocative. "You might try closing your shirt." His voice sounded hoarse and desperate even to his own ears.
Christine Feehan (Dark Challenge (Dark, #5))
I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.
Debatrayee Banerjee
How far can a person hear? Malorie needs the children to hear into the trees, into the wind, into the dirt banks that lead to an entire world of living creatures. The river is an amphitheater, Malorie muses, paddling. But it’s also a grave. The children must listen. Malorie cannot stave off the visions of hands emerging from the darkness, clutching the heads of the children, deliberately untying that which protects them. Breathing hard and sweating, Malorie prays a person can hear all the way to safety.
Josh Malerman (Bird Box (Bird Box #1))
We were convinced of the inherent madness of codified inequity. All cooperation involves some measure of surrender. And coercion. But the alternative, being anarchy, is itself no worthy virtue. It is but an excuse for selfish aggression, and all that seeks justification from taking that stance is, each and every time, cold-hearted. Anarchists live in fear and long for death, because they despair of seeing in others the very virtues they lack in themselves. In this manner, they take pleasure in sowing destruction, if only to match their inner landscape of ruin. [...] We rejected civilization, but so too we rejected anarchy for its petty belligerence and the weakness of thought it announced. By these decisions, we made ourselves lost and bereft of purpose.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy, #1))
And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear." "Trepidation," she corrected, nibbling at the pad of his thumb. "Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer. "You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important." "I will try to make you happy, Savannah," he promised gravely. Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy." He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul. For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away. If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones. Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.
Christine Feehan (Dark Magic (Dark, #4))
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
the dark lady who inspired Shakespeare’s sonnets, the lady of Arosa may remain forever mysterious.” (Unfortunately, because Schrödinger had so many girlfriends and lovers in his life, as well as illegitimate children, it is impossible to determine precisely who served as the muse for this historic equation.) Over the next several months, in a remarkable series of papers, Schrödinger showed that the mysterious rules found by Niels Bohr for the hydrogen atom were simple consequences of his equation. For the first time, physicists had a detailed picture of the interior of the atom, by which one could, in principle, calculate the properties of more complex atoms, even molecules. Within months, the new quantum theory became a steamroller, obliterating many of the most puzzling questions about the atomic world, answering the greatest mysteries that had stumped scientists since the Greeks. The
Michio Kaku (Einstein's Cosmos: How Albert Einstein's Vision Transformed Our Understanding of Space and Time)
Getting into fights with people makes my heart race. Not getting into fights with people makes my heart race. Even sleeping makes my heart race! I'm lying in bed when the thumping arrives, like a foreign invader. It's a horrible dark mass, like the monolith in 2001, self-organized but completely unknowable, and it enters my body and releases adrenaline. Like a black hole, it sucks in any benign thoughts that might be scrolling across my brain and attaches visceral panic to them. For instance, during the day I might have mused, Hey, I should pack more fresh fruit in Bee's lunch. That night, with the arrival of The Thumper, it becomes, I'VE GOT TO PACK MORE FRESH FRUIT IN BEE'S LUNCH!!! I can feel the irrationality and anxiety draining my store of energy like a battery-operated racecar grinding away in the corner. This is energy I will need to get through the next day. But I just lie in bed and watch it burn, and with it any hope for a productive tomorrow. There go the dishes, there goes the grocery store, there goes exercise, there goes bringing in the garbage cans. There goes basic human kindness. I wake up in a sweat so through I sleep with a pitcher of water by the bed or I might die of dehydration.
Maria Semple (Where'd You Go, Bernadette)
Four billion people on this earth, but my imagination is the way it's always been: bad with large numbers. It is still moved by particularity. It flits about the darkness like a flashlight beam, disclosing only random faces, while the rest go blindly by, unthought of, unpitied. Not even a Dante could have stopped that. So what do you do when you're not, even with all the muses on your side? Non omnis moriar—a premature worry. Yet am I fully alive, and is that enough? It never has been, and even less so now. I select by rejecting, for there's no other way, but what I reject, is more numerous, more dense, more intrusive than ever. At the cost of untold losses—a poem, a sigh. I reply with a whisper to a thunderous calling. How much I am silent about I can't say. A mouse at the foot of mother mountain. Life lasts as long as a few lines of claws in the sand. My dreams—even they are not as populous as they should be. There is more solitude in them than crowds or clamor. Sometimes someone long dead will drop by for a bit. A single hand turns a knob. Annexes of echo overgrow the empty house. I run from the threshold down into the quiet valley seemingly no one's—an anachronism by now. Where does all this space still in me come from— that I don't know.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
The rock spun out of his hand so fast, she heard it buzz through the air. It skimmed across the water, hop after hop like a leapfrog racing across the water. It went on and on until it had crossed the lake and had hopped onto the opposite shore. “Well,” he mused softly, a masculine taunt in his voice, “I would say that about wraps things up. Twenty-two skips all the way to the other side.” He sounded very complacent. “I believe you get to be my slave and brush my hair for me at each rising.” Francesca shook her head. “What I believe is, you rigged this wager. You did something to win.” “It is called practice. I have spent much time skipping rocks across the lake.” Francesca laughed softly. “You are not telling the truth, Gabriel. I don’t believe you ever skipped a rock in your life until now. You tricked me.” “You think?” He asked it innocently. Too innocently. “You know you did. Just to win a silly bet. I can’t believe you.” He reached out to tuck a wayward strand of hair behind her ear, making her heart leap wildly. “It was not just a silly bet, honey, it was a way to get you to brush my hair. No one has ever done such a thing for me and I think I crave attention.” He rubbed the bridge of his nose again and grinned at her almost boyishly. “I asked Lucian to do so once and he threatened to beat me to a bloody pulp.” He shrugged his broad shoulders. “Some things are just not worth it, you know.
Christine Feehan (Dark Legend (Dark, #7))
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
A Night Piece The sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene
William Wordsworth
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door. “You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.” “Unlock this thing and get me out of here!” she squeaked. He chuckled. “Coward.” He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye. Cecily blew him a kiss as Colby gunned the engine down the busy street. “You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added. “He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?” She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years. “He won’t like it,” he said. She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.” “I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.” “Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly. He glanced at her rigid profile. “He won’t marry her.” She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.” “In psychology,” Colby mused. “She’s been going around with Tate for several months.” “He goes around with a lot of women. He won’t marry any of them.” “Well, he certainly won’t marry me,” she assured him. “I’m white.” “More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.” She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
Diana Palmer (Paper Rose (Hutton & Co. #2))
And you might also remember you are the greatest healer among us. That is unchallenged by anyone." "I am the greatest killer, also unchallenged." He tried to give her truth again. She touched his hard mouth. "I will hunt with you then,lifemate." His heart slammed against his ribs. Her smile was mysterious, scretive, and so beautiful,it broke his heart. "What is behind this smile,bebe." His hand caught and spanned her throat, his thumb brushing her lips in a gentle caress. "What do you know that I do not?" His mind slipped into hers, a sensuous thrust, the ultimate intimacy, not unlike the way his tongue sometimes dueled with her-or his body took possession of hers. She was familiar with his touch in her mind. She knew he tried to keep its invasiveness to a minimum. He allowed her to set the bounderies and never pushed beyond any barrier she erected, even though he could do so easily. Both of them needed the intimate union of their minds merging, Savannah as much as Gregori. And her newfound knowledge of him was secure behind a miniature barricade she had hastily erected. Wide-eyed and innocent, she looked at him. His thumb pressed into her lower lip, half mesmerized by the satin perfection of it. "You will never hunt vampires, ma cherie, not ever.And if I were ever to catch you attempting such a thing,there would be hell to pay." She didn't look scared. Rather, amusement crept into the deep blue of her eyes. "Surely you aren't threatening me,Dark One, bogey man of the Carpathians." She laughed softly, a sound that feathered down his spine and somehow took away the sting of that centuries-old designation. "Stop looking so serious, Gregori-you haven't lost your reputation entirely. Everyone else is still terrified of the big bad wolf." His eyebrows shot up. She was teasing him. About his dark reputation, of all things. Her gaze was clear and sparkling, hinting at mischeif. Savannah wasn't railing against her fate, of being tied to him, a monster. She was too filled with life and laughter, with joy. He felt it in her mind, in her heart, in her very soul. He wished it could somehow rub off on him,make him a more compatible lifemate for her. "You are the only one who needs to worry about the big bad wolf, mon amour," he threatened with mock gravity. She leaned over to stare up into his eyes, a smile curving her soft mouth. "You cracked a joke, Gregori. We're making progress.Why,we're practically friends." "Practically?" he echoed gently. "Getting there fast," she told him firmly with her chin up,daring him to contradict her. "Can one be friends with a monster?" He said casually, as if he were simply musing out loud,but there was a shadow in his silver eyes. "I was being childish, Gregori, when I made such an accusation," she said softly, her eyes meeting his squarely.
Christine Feehan (Dark Magic (Dark, #4))
Seen Tate lately?” Colby asked carelessly. She stiffened. “No.” He looked down at her with a wry grin. “It was a boring banquet, anyway. You made all the news shows that night, and I hear one of the bigger late-night television hosts did a monologue about it!” “Go ahead,” she invited with a gesture. “Rub it in.” “I can’t help myself,” he said with an involuntary chuckle. “I believe it’s the first time in American political history that an ex-CIA agent was baptized with a tureen of crab bisque right in the middle of a televised political affair.” Colby had to work hard not to crack a smile. He sipped his coffee instead. Before he met Cecily, he couldn’t have imagined any woman doing that to tall, handsome, elegant Tate Winthrop. “Matt Holden seems to have forgiven you,” he added. She smiled wickedly. “He loved it,” she said. “Just between you and me, he thrives on publicity.” Colby’s dark eyes went to Holden. “You might also have been invited because he likes embarrassing Tate,” he mused. “Talk about natural enemies!
Diana Palmer (Paper Rose (Hutton & Co. #2))
At least she was good at archaeology, she mused, even if she was a dismal failure as a woman in Tate’s eyes. “She’s been broody ever since we got here,” Leta said with pursed lips as she glanced from Tate to Cecily. “You two had a blowup, huh?” she asked, pretending innocence. Tate drew in a short breath. “She poured crab bisque on me in front of television cameras.” Cecily drew herself up to her full height. “Pity it wasn’t flaming shish kebab!” she returned fiercely. Leta moved between them. “The Sioux wars are over,” she announced. “That’s what you think,” Cecily muttered, glaring around her at the tall man. Tate’s dark eyes began to twinkle. He’d missed her in his life. Even in a temper, she was refreshing, invigorating. She averted her eyes to the large grass circle outlined by thick corded string. All around it were make-shift shelters on poles, some with canvas tops, with bales of hay to make seats for spectators. The first competition of the day was over and the winners were being announced. A woman-only dance came next, and Leta grimaced as she glanced from one warring face to the other. If she left, there was no telling what might happen. “That’s me,” she said reluctantly, adjusting the number on her back. “Got to run. Wish me luck.” “You know I do,” Cecily said, smiling at her. “Don’t disgrace us,” Tate added with laughter in his eyes. Leta made a face at him, but smiled. “No fighting,” she said, shaking a finger at them as she went to join the other competitors. Tate’s granitelike face had softened as he watched his mother. Whatever his faults, he was a good son.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
How do you remain an individual when you are also part of so powerfully driven a pair?” “Irrational or justified, it is what it is.” Gideon was realizing the logic of that for himself even as he spoke the words. “Perhaps, in time, it will be less acute. I have no desire to rob you of your individuality, nor do I wish to lose my own. It is difficult for me as well . . . I have been so solitary throughout my lifetime, and now, to be suddenly given such riveting company . . . I fear I cannot do you the justice you deserve. And for you it will be worse; with the influx of power you are beginning to experience it will be taxing, to say the least.” “I know.” Legna reached up and splayed her palms over the dark silk covering his chest. “I suppose at some point, if I start to go crazy, you are going to have to knock me out or tie me up or something.” “Hmm. The latter has possibilities,” he mused with a growling smile that erased the tension in his face. Legna laughed, giving him a shove. “Gideon, you are nothing but an ancient pervert,” she teased him. “And this is an issue because . . . ?” “You are horrible!” She pushed away from him, gaining her feet. He reached to take her hand, pulling her closer once more and continuing to do so until she had nowhere else to go but his lap. She took the seat, her voluminous skirts spreading over them both. “I will forgive you, this time,” she conceded. “Thank you,” he said with honest graciousness. “Now, my beauty, tell me what you would like to do to get to know me better. I find myself looking forward to your discoveries.” “Well, I did not think of anything specific. I imagined time would fill itself.” “That is dangerously liberal, sweet. If you leave it up to the natural course of things, I can tell you exactly what we will end up doing.” Legna giggled, blushing because she realized he was right. Even just sitting in his lap and talking as she was, she could feel the mutual awareness that sparked between them, constantly simmering and waiting for just a little more heat to bring them up to the boiling point. “Very well, I am open to suggestions,” she invited. “Again, too liberal,” he teased, his eyes twinkling with mischievous starlight. “You are incorrigible. I never realized you were a sex fiend, Gideon.” “I am now,” he amended, drawing a finger down the slope of her nose.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
No regrets?” he murmured to Hunt as they strode down the hall, while Shaw and St. Vincent followed at a more leisurely pace. Hunt glanced at him with a questioning smile. He was a big, dark-haired man, with the same sense of uncompromising masculinity and the same avid interest in hunting and sportsmanship that Marcus possessed. “About what?” “Being led around by the nose by your wife.” That drew a wry grin from Hunt, and he shook his head. “If my wife does lead me around, Westcliff, it’s by an altogether different body part. And no, I have no regrets whatsoever.” “I suppose there’s a certain convenience in being married,” Marcus mused aloud. “Having a woman close at hand to satisfy your needs, not to mention the fact that a wife is undoubtedly more economical than a mistress. There is, moreover, the begetting of heirs to consider…” Hunt laughed at his effort to cast the issue in a practical light. “I didn’t marry Annabelle for convenience. And although I haven’t tabulated any numbers, I can assure you that she is not cheaper than a mistress. As for the begetting of heirs, that was the farthest thing from my mind when I proposed to her.” “Then why did you?” “I would tell you, but not long ago you said that you hoped I wouldn’t start—how did you put it?—‘pollinate the air with maudlin sentiment.’” “You believe yourself to be in love with her.” “No,” Hunt countered in a relaxed manner, “I am in love with her.” Marcus lifted his shoulders in a brief shrug. “If believing that makes marriage more palatable to you, so be it.” “Good God, Westcliff…” Hunt murmured, a curious smile on his face, “haven’t you ever been in love?” “Of course. Obviously I have found that some women are preferable to others in terms of disposition and physical appearance—” “No, no, no…I’m not referring to finding someone who is ‘preferable.’ I mean completely being absorbed by a woman who fills you with desperation, longing, ecstasy…” Marcus threw him a disparaging glance. “I haven’t time for that nonsense.” Hunt annoyed him by laughing.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me—the Muses of Olympus, daughters of Zeus who holds the aegis: 'Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things'.
Hesiod (Theogony / Works and Days)
Where did the dagger come from?” Azriel’s hazel eyes held nothing but cool wariness. “Why do you want to know?” “Because the Starsword”—she motioned to the blade he had down his back—“sings to it. I know you’re feeling it, too.” Let it be out in the open. “It’s driving you nuts, right?” Bryce pushed. “And it gets worse when I’m near.” Azriel’s face again revealed nothing. “It is,” Nesta answered for him. “I’ve never seen him so fidgety.” Azriel glowered at his friend. But he admitted, “They seem to want to be near each other.” Bryce nodded. “When I landed on that lawn, they instantly reacted when they were close together.” “Like calls to like,” Nesta mused. “Plenty of magical things react to one another.” “This was unique. It felt like … like an answer. My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?” She jerked her chin to Azriel, to the dagger at his side. “Ore from a fallen meteorite?” Azriel’s silence was confirmation enough. “I told you guys back in that dungeon,” Bryce went on. “There’s literally a prophecy in my world about my sword and a dagger reuniting our people. When knife and sword are reunited, so shall our people be.” Nesta frowned deeply. “And you truly think this is that particular dagger?” “It checks too many boxes not to be.” Bryce lifted a still-bloody hand, and she didn’t miss the way they both tensed. But she furled her fingers and said, “I can feel them. It gets stronger the closer I get to them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
Hymn to Mercury : Continued 71. Sudden he changed his plan, and with strange skill Subdued the strong Latonian, by the might Of winning music, to his mightier will; His left hand held the lyre, and in his right The plectrum struck the chords—unconquerable Up from beneath his hand in circling flight The gathering music rose—and sweet as Love The penetrating notes did live and move 72. Within the heart of great Apollo—he Listened with all his soul, and laughed for pleasure. Close to his side stood harping fearlessly The unabashed boy; and to the measure Of the sweet lyre, there followed loud and free His joyous voice; for he unlocked the treasure Of his deep song, illustrating the birth Of the bright Gods, and the dark desert Earth: 73. And how to the Immortals every one A portion was assigned of all that is; But chief Mnemosyne did Maia's son Clothe in the light of his loud melodies;— And, as each God was born or had begun, He in their order due and fit degrees Sung of his birth and being—and did move Apollo to unutterable love. 74. These words were winged with his swift delight: 'You heifer-stealing schemer, well do you Deserve that fifty oxen should requite Such minstrelsies as I have heard even now. Comrade of feasts, little contriving wight, One of your secrets I would gladly know, Whether the glorious power you now show forth Was folded up within you at your birth, 75. 'Or whether mortal taught or God inspired The power of unpremeditated song? Many divinest sounds have I admired, The Olympian Gods and mortal men among; But such a strain of wondrous, strange, untired, And soul-awakening music, sweet and strong, Yet did I never hear except from thee, Offspring of May, impostor Mercury! 76. 'What Muse, what skill, what unimagined use, What exercise of subtlest art, has given Thy songs such power?—for those who hear may choose From three, the choicest of the gifts of Heaven, Delight, and love, and sleep,—sweet sleep, whose dews Are sweeter than the balmy tears of even:— And I, who speak this praise, am that Apollo Whom the Olympian Muses ever follow: 77. 'And their delight is dance, and the blithe noise Of song and overflowing poesy; And sweet, even as desire, the liquid voice Of pipes, that fills the clear air thrillingly; But never did my inmost soul rejoice In this dear work of youthful revelry As now. I wonder at thee, son of Jove; Thy harpings and thy song are soft as love. 78. 'Now since thou hast, although so very small, Science of arts so glorious, thus I swear,— And let this cornel javelin, keen and tall, Witness between us what I promise here,— That I will lead thee to the Olympian Hall, Honoured and mighty, with thy mother dear, And many glorious gifts in joy will give thee, And even at the end will ne'er deceive thee.' 79. To whom thus Mercury with prudent speech:— 'Wisely hast thou inquired of my skill: I envy thee no thing I know to teach Even this day:—for both in word and will I would be gentle with thee; thou canst reach All things in thy wise spirit, and thy sill Is highest in Heaven among the sons of Jove, Who loves thee in the fulness of his love. 80. 'The Counsellor Supreme has given to thee Divinest gifts, out of the amplitude Of his profuse exhaustless treasury; By thee, 'tis said, the depths are understood Of his far voice; by thee the mystery Of all oracular fates,—and the dread mood Of the diviner is breathed up; even I— A child—perceive thy might and majesty.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)