Mrs Browns Quotes

We've searched our database for all the quotes and captions related to Mrs Browns. Here they are! All 100 of them:

When God made man she was practicing.
Rita Mae Brown (Cat on the Scent (Mrs. Murphy #7))
Happiness is pretty simple: someone to love, something to do, something to look forward to.
Rita Mae Brown (Hiss of Death (Mrs. Murphy, #19))
[Tyson] looked him over with that massive baby-brown eye. “You are not dead. I like it when you are not dead.” Ella fluttered to the ground and began preening her feathers. “Ella found a dog,” she announced. “A large dog. And a Cyclops.” Was she blushing? Before Percy could decide, his black mastiff pounced on him, knocking Percy to the ground and barking so loudly that even Arion backed up. “Hey, Mrs. O'Leary,” Percy said. “Yeah, I love you, too, girl. Good dog.” Hazel squeaked. “You have a hellhound named Mrs. O'Leary?” “Long story.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Mr. Shepherd, ye cannot stop a bad thought from coming into your head. But ye need not pull up a chair and bide it sit down." - Mrs. Brown
Barbara Kingsolver (The Lacuna)
Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.
James Joyce (Ulysses)
People should think twice before making rude remarks," said Mrs. Lambchop. "And then not make them at all.
Jeff Brown (Flat Stanley (Flat Stanley, #1))
Men are so superior about their Latin," said Mrs. Blair. "But all the same I notice that when you ask them to translate inscriptions in old churches, they can never do it! They hem and haw, and get out of it somehow.
Agatha Christie (The Man in the Brown Suit)
I understand very clearly," Anya replied, a pensive look on her face. Peter's mom continued, "Anya, I suspect you're going through similar feelings. There are so many nice young men vying for your attention, it can get bewildering. I was there, so I know what it's like for you." "Thank you for saying that, Mrs. Brown. I believe I know what they all want, but I'm just not ready to get serious yet.
Dennis K. Hausker (Anya)
In your modesty you seem to consider that writers are of different blood and bone from yourselves; that they know more of Mrs Brown than you do. Never was there a more fatal mistake. It is this division between reader and writer, this humility on your part, these professional airs and graces on ours, that corrupt and emasculate the books which should be the healthy offspring of a close and equal alliance between us.
Virginia Woolf (Mr. Bennett and Mrs. Brown)
Mrs. Forbes said that hating yellow and brown is just being silly. And Siobhan said that she shouldn't say things like that and everyone has favorite colors. And Siobhan was right. But Mrs. Forbes was a bit right, too. Because it is sort of being silly. But in life you have to take lots of decisions and if you don't take decisions you would never do anything because you would spend all your time choosing between things you could do. So it is good to have a reason why you hate some things and you like others. It is like being in a restaurant like when Father takes me out to a Berni Inn sometimes and you look at the menu and you have to choose what you are going to have. But you don't know if you are going to like something because you haven't tasted it yet, so you have favorite foods and you choose these, and you have foods you dno't like and you don't choose these, and then it is simple.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
No one is ever safe. So why not live as much as you can?
Rita Mae Brown (Pay Dirt (Mrs. Murphy, #4))
MRS. BROWNING.
Elizabeth Gaskell (North and South)
Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten.                 And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
As Mrs. Barrett Browning says, ‘The world of books is still the world.
Marie Benedict (Carnegie's Maid)
There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit—the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each windowpane, lifting the mist from the fields, showing the red brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone!
Virginia Woolf (Mrs. Dalloway)
Indeed, for my own part, though I have been repeatedly told by persons for whom I have the greatest respect, that Miss Brown is an insignificant chit, and Mrs. White has nothing but her petit minois chiffonne, and Mrs. Black has not a word to say for herself; yet I know that I have had the most delightful conversations with Mrs. Black (of course, my dear Madam, they are inviolable): I see all the men in a cluster round Mrs. White's chair: all the young fellows battling to dance with Miss Brown; and so I am tempted to think that to be despised by her sex is a very great compliment to a woman.
William Makepeace Thackeray (Vanity Fair)
humans are much more like sheep than cats. They’re easily led and they don’t look where they’re going until it’s too late.
Rita Mae Brown (Wish You Were Here (Mrs. Murphy, #1))
Write about the cow, Mrs. Spaulding's heavy eyelids, the smell of vanilla flavoring in a brown bottle. That's where the magic mountains begin.
Sylvia Plath (The Journals of Sylvia Plath)
. . . Mrs. Lambchop sighed and shook her head. "You're at the office all day, having fun," she said. "You don't realize what I go through with the boys. They're very difficult." Kids are like that," Mr. Lambchop said. "Phases. Be patient, dear.
Jeff Brown (Flat Stanley (Flat Stanley, #1))
Flush has grown an absolute monarch and barks one distracted when he wants a door opened,” Mrs. Browning wrote. “Robert,” she continued, “declares that the said Flush considers him, my husband, to be created for the especial purpose of doing him service, and really it looks rather like it.
Virginia Woolf (Flush)
full bloom, the pastures turning an impossible emerald green, she
Rita Mae Brown (Hiss of Death (Mrs. Murphy, #19))
the times had become more ruthlessly commercial. Even
Rita Mae Brown (Wish You Were Here (Mrs. Murphy, #1))
To work at what you love—a heaping up of joys.
Rita Mae Brown (Murder at Monticello (Mrs. Murphy, #3))
He thought how strange life was. The certainties vanish. What takes their place is resourcefulness and thanking God for life.
Rita Mae Brown (Tail Gait (Mrs. Murphy, #24))
small log cabin once stood near the creek, but as the Jones family’s fortunes
Rita Mae Brown (Rest in Pieces (Mrs. Murphy, #2))
Humans are fundamentally irrational. They use what precious rationality they have justifying their irrational behavior. A
Rita Mae Brown (Murder on the Prowl (Mrs. Murphy, #6))
Cazenovia
Rita Mae Brown (Whisker of Evil (Mrs. Murphy, #12))
PAST CLAWS AND EFFECT
Rita Mae Brown (Whisker of Evil (Mrs. Murphy, #12))
Every place has unsolved crimes because people don’t want to know.
Rita Mae Brown (Cat on the Scent (Mrs. Murphy, #7))
They’re walking around in clothing but they’re still the same animals who lived in caves, feared the dark, and smashed one another over the head for beans.
Rita Mae Brown (Catch as Cat Can (Mrs. Murphy, #10))
Some people grow older and more cynical. Some people become just the opposite. Life hurts without hope, and cynicism, once a luxury, becomes unaffordable.
William Norwich (My Mrs. Brown)
Use it up, wear it out, make it do, or do without.
Rita Mae Brown (Murder on the Prowl (Mrs. Murphy, #6))
He declares his privacy is temporary and justified, and promises to explain before the wedding. That is all that anyone knows for certain, but Mrs MacNab will tell you a great deal more than even she is certain of. You know how the tales grow like grass on such a patch of ignorance as that.
G.K. Chesterton (The Wisdom of Father Brown (Father Brown, #2))
And as they spoke - lo and behold! - there was a knock at the door, and there stood a small, stout figure dressed in rusty black; and she said, 'Good evening, Mr and Mrs Brown, I am Nurse Matilda.
Christianna Brand (Nurse Matilda)
I HAVE SOME QUESTIONS ABOUT KING TRITON. Specifically, King, why are you elderly but with the body of a teenage Beastmaster? How do you maintain those monster pecs? Do they have endocrinologists under the sea? Because I am scheduling you some bloodwork... ...Question: How come, when they turn back into humans at the end of Beauty and the Beast, Chip is a four-year-old boy, but his mother, Mrs. Potts, is like 107? Perhaps you're thinking, "Lindy, you are remembering it wrong. That kindly, white-haired, snowman-shaped Mrs. Doubtfire situation must be Chip's grandmother." Not so, champ! She's his mom. Look it up. She gave birth to him four years ago... As soon as you become a mother, apparently, you are instantly interchangeable with the oldest woman in the world, and / or sixteen ounces of boiling brown water with a hat on it. Take a sec and contrast Mrs. Pott's literally spherical body with the cut-diamond abs of King Triton, father of seven.
Lindy West
I have always believed a window into a person’s true nature is how they treat animals, children, and the elderly. A person who mistreats animals isn’t worth knowing. A person who mistreats children—especially those who abuse and kill them—should be shot without wasting any taxpayer money for a trial and for feeding them in prison. When a perpetrator of heinous crimes can live in a climate-controlled environment and eat three meals a day while good people go hungry, something is very wrong. Americans are paying for serial killers, rapists, and child abusers to live better than they do.
Rita Mae Brown (Cat of the Century (Mrs. Murphy, #18))
You know, it’s hell to work with a cat. They really are smarter than we are. Have you ever gotten anyone to feed you, pay your bills, give you the best chair in the house, tell you how beautiful you are, and groom you daily? Me, neither. Yours,
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
I was amused and surprised by the odd, visceral details that returned to me with each work: Pa bringing the girls real white sugar wrapped in brown paper in Little House in the Big Woods, Sally J. Freeman having a man-o-war wrapped around her foot (who even know what a man-o-war was?), Claudia choosing macaroni at the Automat in From the Mixed Up Files of Mrs. Basil E. Frankweiler. These strong, charged images that have never left me - they're often stronger than memories I have of my old life.
Lizzie Skurnick (Shelf Discovery: The Teen Classics We Never Stopped Reading)
You always was a nice chap," said Mrs. Brown. "On'y I'm so buried under me fat I feel half ashamed to tell you so. Love don't seem dainty on a fat woman. Nothin's going to break up this home not even if you lose yer head, but it'll make it easier if you keep it. On'y leave that child to me. She's got more to come. You think the Grand National's the end of all things, but a child that can do that can do more when she's grown. On'y keep her level, keep her going quiet. We'll live this down presently an' you'll see
Enid Bagnold (National Velvet)
Well, when I think of thirty-five years of your life . . ." Mrs. Goodwater pursed her lips and blinked her eyes, counting. "That's about twelve thousand seven hundred and seventy-five days, or counting three of them per day, twelve thousand-odd commotions, twelve thousand much-ados and twelve thousand calamaties. It's a full rich life you lead, Elmira Brown. Shake hands!" "Get away!" Elmira fended her off.
Ray Bradbury (Dandelion Wine)
Every time you behold the Blue Ridge Mountains, every time you feel a snowflake on your eyelashes, every time you see a frog on a lily pad, every time a friend gives you his hand, Brooks, God loves you. You’re surrounded by His love. We look for it in all the wrong places as we pray for worldly success. We say that must be proof of God’s love. Some people pray not for material success but for an easy life.” He shook his head. “No, even our pains are a sign of His love, for they will lead you to the right path, if you’ll only listen.
Rita Mae Brown (Cat's Eyewitness (Mrs. Murphy, #13))
Nothing sadder on this earth than a human being without a cat. She
Rita Mae Brown (Rest in Pieces (Mrs. Murphy, #2))
the further humans move from nature, the crazier they get. In
Rita Mae Brown (Wish You Were Here (Mrs. Murphy, #1))
Spending is worse than pain, she thought; it lasts longer.
Rita Mae Brown (Rest in Pieces (Mrs. Murphy, #2))
The horrible domestic tradition which made it seemly for a woman of genius to spend her time chasing beetles, scouring saucepans, instead of writing books.
Virginia Woolf (Mr. Bennett and Mrs. Brown)
Elocution,
Rita Mae Brown (Murder at Monticello (Mrs. Murphy, #3))
Dalwhinnie,
Rita Mae Brown (Murder at Monticello (Mrs. Murphy, #3))
Only a human would die for an idea.
Rita Mae Brown (Cat on the Scent (Mrs. Murphy, #7))
Life’s too short to try and understand cold-blooded creatures.
Rita Mae Brown (Cat on the Scent (Mrs. Murphy, #7))
Thank the Lord, Tucker’s a corgi,” Pewter, upset herself, blurted out. “Smart as a cat.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
Friendship distills the sweetness of life.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
All’s well here. Hope your life is full of mice, moles, voles, butterflies, and the occasional inattentive bird. In Catitude, Sneaky Pie
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
While industry and cars cause pollution, removing trees exacerbates the problem.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
To her [Mrs. Quince], food symbolizes the exchange of love. We nourish who we love. [Nell Brown]
Jennifer Ryan
work
Rita Mae Brown (Hiss of Death (Mrs. Murphy, #19))
events.
Rita Mae Brown (Wish You Were Here (Mrs. Murphy, #1))
Sometimes the most powerful understanding comes from someone short, brown feathered and beautiful. "Thank you very much and I do like French fries," said Mrs. Duck politely.
Naomi McDonald (They Sing To Our Souls: The Animals Speak)
The Agency was doubtful, because they had already sent a lot of nurses and nannies and governesses to Mr. and Mrs. Brown's family. 'The person you want,' they said, 'is Nurse Matilda.
Christianna Brand (Nurse Matilda)
Lindsey There is the usual hive of activity in the Brannon household this morning. Mrs Brannon is busy making breakfast for her daughter, Lindsey, making it just as she likes it: two slices of toast with home-made raspberry jam, a hard-boiled egg, shell peeled and the egg cut into slices, a cup of fresh Earl Grey tea with one brown sugar and a touch of milk, with a glass of freshly-squeezed orange juice on the side – oranges bought from the greengrocer down the road. The same breakfast she has lovingly made for her daughter for over forty years.
Ross Lennon (The Long Weekend)
Mina. You’re the one who saved Brody!” Her confusion disappeared and her face lit with happiness. “We have much to thank you for…oh, Brody, watch out!” she practically shouted. Just when Mina had begun to wonder about Mrs. Carmichael’s strange re-enactment, she heard a sickening crunch of metal on metal and turned to see her bike crushed to smithereens beneath the wheels of a black car. “My bike!” Mina groaned. “Brody!” Mrs. Carmichael yelled simultaneously. Mina froze. She didn’t know what was worse—facing her long-time crush with a brown chocolate milk stain on her jacket, or the fact that he had just run over her pathetic bike with his expensive sports car. The driver’s door opened, and Brody jumped out of the car. “Mina, I’m sorry! Are you okay?
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Knitting her reddish-brown hairy stocking, with her head outlined absurdly by the gilt frame, the green shawl which she had tossed over the edge of the frame, and the authenticated masterpiece by Michael Angelo, Mrs. Ramsay smoothed out what had been harsh in her manner a moment before, raised his head, and kissed her little boy on the forehead. "Let us find another picture to cut out," she said.
Virginia Woolf (To the Lighthouse)
There she sits in the corner of the carriage—that carriage which is travelling, not from Richmond to Waterloo, but from one age of English literature to the next, for Mrs. Brown is eternal, Mrs. Brown is human nature, Mrs. Brown changes only on the surface, it is the novelists who get in and out—there she sits and not one of the Edwardian writers has so much as looked at her. They have looked very power- fully, searchingly, and sympathetically out of the window ; at factories, at Utopias, even at the decoration and upholstery of the carriage ; but never at her, never at life, never at human nature.
Virginia Woolf (Mr. Bennett and Mrs. Brown)
Flush valóságos bölcs" - írta nővérének Mrs. Browning; s talán a görögökre gondolt, akik úgy vélték, a boldogság a szenvedések útjának végén vár ránk. Ilyen az igazi filozófus: ruhája nincs ugyan, de nincs bolhája sem.
Virginia Woolf (Flush)
Well?” He thought about it now. “I think a woman’s sphere can be taxing, and perhaps for you, as you indicate, boring. I would hate to think of you being bored! I— I am rather afraid I would bore you. I am not a wealthy or an educated man.” “But you are a brave one. You fought, and I suppose you will again.” Catherine stared intently into his eyes. “Captain Schuyler, if you would let me be me, you would never bore me. I truly do want to ride, dance, laugh, and
Rita Mae Brown (Tail Gait (Mrs. Murphy, #24))
Dancing was a hot affair. I danced twice with Anne Beddingfeld and she had to pretend she liked it. I danced once with Mrs Blair, who didn't trouble to pretend, and I victimized various other damsels who appearance struck me favourably.
Agatha Christie (The Man in the Brown Suit)
The boy waited, played near her, caught several of the little brown butterflies which abounded, and then said as he waited again, “I like going on better than biding still. Will you soon start again?” “I don't know.” “I wish I might go on by myself,” he resumed, fearing, apparently, that he was to be pressed into some unpleasant service. “Do you want me any more, please?” Mrs. Yeobright made no reply. “What shall I tell Mother?” the boy continued. “Tell her you have seen a broken-hearted woman cast off by her son.
Thomas Hardy (Return of the Native)
What did it clarify for you?" Pinky asked. Mrs. Brown laughed. "Told me to keep doing and saying what I dam well please, and not be bamboozled by anyone. Life is too short - no mulling things over for a dozen years or so. What about you?" "I wasn't on the ship
Kate Alcott (The Dressmaker)
Dr. Sampson left a brown bottle labeled "The Mixture." While Mrs. Croxon slept, it took only a moment to exchange the contents with her own Hystericon. Nightshade had been one of Granny's favorite simples; doled out to women troubled by fits or to bring on the Twilight Sleep when in childbed.
Martine Bailey (A Taste for Nightshade)
Nagging is a devastating emotional disease. If you are in doubt about having it, ask your husband. If he should tell you that you are a nag, don’t react by violent denial—that only proves he is right. —Mrs. Dale Carnegie, How to Help Your Husband Get Ahead in His Social and Business Life (1953)
Karma Brown (Recipe for a Perfect Wife)
I have always cultivated a feeling of humane indulgence for foreigners. They do not possess our blessings and advantages, and they are, for the most part, brought up in the blind errors of Popery. It has also always been my precept and practice, as it was my dear husband's precept and practice before me (see Sermon XXIX. in the Collection by the late Rev. Samuel Michelson, M.A.), to do as I would be done by. On both these accounts I will not say that Mrs. Rubelle struck me as being a small, wiry, sly person, of fifty or thereabouts, with a dark brown or Creole complexion and watchful light grey eyes. Nor
Wilkie Collins (The Woman in White)
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird: York Notes for GCSE (New Edition))
They would carry their books to the woods and read aloud to one another. At picnic lunches near Cooper’s Bluff, they recited their favorite poems. “In the early days,” Fanny recalled, “we all delighted in Longfellow and Mrs. Browning and Owen Meredith.” Later, they turned to Swinburne, Kipling, Shelley, and Shakespeare. The Roosevelts
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
Mrs. Whichcoat came in the back door with an empty wire basket. She hung it up in the pantry and took off her brown garden gloves. “All the hens have stopped laying,” she said. “I didn’t get one egg.” There was a note of despair in her voice but no surprise. It was as though she had warned all along that there would be treachery one day in the hen house.
Charles Portis (Norwood)
A small container of Rocky Road lands on the counter next to me. “I figured Rocky Road was appropriate to pave the way to brown town,” she says with a laugh. The man in front of me takes his receipt, and the cashier, a younger woman, reaches for our purchases as soon as Banner starts laughing at her own joke. The cashier’s eyes go wide when she comprehends. “Brown Town? Is that up in the foothills, Logan? I’m not sure I’ve heard of it,” a familiar voice says from behind me. Oh, for Christ’s sake. I turn around to face Mrs. Harris, her hands full with a box of tea and a bottle of melatonin, but when I open my mouth to respond, nothing comes out. Banner smiles sweetly and says, “It’s just south of Pussy Ridge. At least, I’m pretty sure it is.” I choke, and the cashier’s face turns red. “Pussy Ridge. I haven’t heard of that either. I’ll have to ask Mr. Harris to get out the Rand McNally so we can take a drive there this weekend. I do love my weekend drives.” I have no idea how Banner is keeping a straight face, but she replies, “I love a good long ride too. Especially when it gets a little rough.” The older woman smiles. “Me too. Emmy has never been a fan, though. She’s always gotten carsick at the littlest bump.” Banner finally grins. “That explains so much about her.” The cashier’s eyes are tearing up as I shove money at her before I bag the ice cream, Doritos, and lube myself. “See you later, Mrs. Harris. You’ll have to let us know how that drive goes.
Meghan March (Real Good Man (Real Duet, #1))
I was still walking behind Mrs. Haze through the dining room when, beyond it, there came a sudden burst of greenery – “the piazza," sang out my leader, and then, without the least warning, a blue sea-wave swelled under my heart and, from a mat in a pool of sun, half-naked, kneeling, turning about on her knees, there was my Riviera love peering at me over dark glasses. It was the same child-the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair. A polka-dotted black kerchief tied around her chest hid from my aging ape eyes, but not from the gaze of young memory, the juvenile breasts I had fondled one immortal day. And, as if I were the fairy-tale nurse of some little princess (lost, kidnapped, discovered in gypsy rags through which her nakedness smiled at the king and his hounds), I recognized the tiny dark-brown mole on her side. With awe and delight (the king crying for joy, the trumpets blaring, the nurse drunk) I saw again her lovely indrawn abdomen where my southbound mouth had briefly paused; and those puerile hips on which I had kissed the crenulated imprint left by the band of her shorts – that last mad immortal day behind the "Roches Roses." The twenty-five years I had lived since then, tapered to a palpitating point, and vanished.
Vladimir Nabokov
Many of you remember when Dutch Elm disease swept the East Coast. People in big cities saw the trees die but it didn’t register, in any way at all, that this would compromise oxygen. Think of it, that many trees dying in that short a time span means there is less photosynthesis. Less oxygen is being produced. Therefore pollution in the big cities becomes more pronounced. These basics do not occur to people who work in buildings where the windows don’t open.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
My man!” said the stranger, “I can promise you your master will give you a good wigging when he hears that you have sent me away.” “A good—what, sir? “ Brown grew red with indignation; but all the same a chill little doubt stole over him. This personage, who was so very sure of his welcome, might after all turn out to be a person whom he had no right to send away. “I said a wigging, my good man. Perhaps you don’t understand that in England. We do in our place.
Mrs. Oliphant (He That Will Not When He May)
I know you want her to be alive--you feel like you need her to carry on. But the body in the coffin is just that: a body, the shell of the person you love. The essence of Mrs. Quince, the one you know and love, is all around us, in nature and the stars, in every recipe of hers that you cook, and deep inside your heart....No matter how many times we say that someone is dead, the fact is we simply can't imagine a world without them. [Audrey Landon, to Nell Brown]
Jennifer Ryan
Mrs. Brown: Sesin bugüne kadar hayatımda duyduğum en güzel ses, Antonio. Benim sesim ise kasvetli ve boğuk. Pek çok tonunu artık yitirmiş. Bir defa da benim için şarkı söyler misin, Antonio? Antonio: Evet, Mrs. Brown. Mrs. Brown: O zaman şunu da sormak istiyorum sana: Gece ağları atmak üzere denize açıldığında, teknen de bana da bir yer var mı? Antonio: Evet, Mrs. Brown. Mrs. Brown: Ama henüz çok geç sayılmaz, değil mi, Antonio? Biz geri gelirken rüzgâr döner mi dersin? Barda, herkesin gözleri önünde bütün kadehleri kıracağıma, kırılan kadehlerin ses çıkaracağına ve sonra sana döneceğime inanıyor musun? Antonio: Evet, Mrs. Brown. Mrs. Brown: Çıplak ayaklarım yanacak mı? Yüzümü senin gömleğine, tuza, balıkların pullarına gömdüğümde gözyaşlarım akacak mı? Gözyaşlarım akarken dans edebilecek miyim? Antonio: Evet, Mrs. Brown. Mrs. Brown: Peki şarkı söyleyebilecek miyim? Yeniden şarkı söyleyip eski sesimle konuşabileceğim, değil mi Antonio? Antonio: Hayır, Mrs. Brown! Hayır, Mrs. Brown!
Ingeborg Bachmann (Three Radio Plays: A Deal in Dreams; The Cicadas; The Good God of Manhattan. (Studies in Austrian Literature, Culture, and Thought. Translation Series))
Just then, I notice Mrs. Mulgrave giving the younger woman beside her a slight push in my direction. "This is my daughter, Maisie. She will be your maid." "Maisie?" I can't help blurting out in astonishment. I hardly recognize her. The past seven years have transformed Maisie from a plain preteen into a beautiful young adult. I didn't expect her to be so... pretty. She wears a black tee with black pants, but the simple clothing and lack of makeup only enhances her looks. She has heavy-lidded deep brown eyes, clear skin with the hint of a tan, the kind of plush pink lips that housewives in my New York hometown would pay good money for, and long brown hair highlighted with strands of gold. Her only adornments are a thick wristwatch and a rectangular pendant hanging on a chain around her neck. I feel a pang of sympathy as I look from mother to daughter. If Maisie's luck had been different---if she'd been born to parents like the Marinos---she could have had the world at her feet, instead of being shut up in a house working as a maid.
Alexandra Monir (Suspicion)
See the man they are fitting into the bottom slot. He is coughing badly. No, not pneumonia. Not tuberculosis. Nothing so picturesque. Gently, gently, stretcher-bearers… he is about done. He is coughing up clots of pinky-green filth. Only his lungs, Mother and Mrs. Evans-Mawington. He is coughing well to-night. That is gas. You’ve heard of gas. Haven’t you? It burns and shrivels the lungs to… to the mess you see on the ambulance floor there. He’s about the age of Bertie, Mother. Not unlike Bertie, either, with his gentle brown eyes and fair curly hair. Bertie would look up pleading like that in between coughing up his lungs… The son you have so generously given to the War. Cough, cough, little fair-haired boy. Perhaps somewhere your mother is thinking of you… boasting of the life she has so nobly given… the life you thought was your own, but which is hers to squander as she thinks fit. ‘My boy is not a slacker, thank God.’ Cough away, little boy, cough away. What does it matter, providing your mother doesn’t have to face the shame of her son’s cowardice?
Helen Zenna Smith
Maybe that’s too big of a question. Let’s back up. May Ling has been with you for fourteen months now? What have you done, in the time she’s been with you, to connect her to her Chinese culture?” “Well.” Another pause, a very long one this time. Mr. Richardson willed Mrs. McCullough to say something, anything. “Pearl of the Orient is one of our very favorite restaurants. We try to take her there once a month. I think it’s good for her to hear some Chinese, to get it into her ears. To grow up feeling this is natural. And of course I’m sure she’ll love the food once she’s older.” Yawning silence in the courtroom. Mrs. McCullough felt the need to fill it. “Perhaps we could take a Chinese cooking class at the rec center and learn together. When she’s older.” Ed Lim said nothing, and Mrs. McCullough prattled nervously on. “We try to be very sensitive to these issues wherever we can.” Inspiration arrived. “Like for her first birthday, we wanted to get her a teddy bear. One she could keep as an heirloom. There was a brown bear, a polar bear, and a panda, and we thought about it and decided on the panda. We thought perhaps she’d feel more of a connection to it.
Celeste Ng (Little Fires Everywhere)
On the day of the funeral, the president, the First Lady, and Robert Lincoln asked for time alone with Willie. “They desired that there should be no spectator of their last sad moments in that house with their dead child & brother,” Benjamin Brown French told his diary. In the half hour the small family spent in the Green Room, “there came one of the heaviest storms of rain & wind that has visited this city for years, and the terrible storm without seemed almost in unison with the storm of grief within, for Mrs. Lincoln, I was told, was terribly affected at her loss and almost refused to be comforted.
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
It’s not polite to stare. Please stop.” “Never.” Jesse sat in his usual position on the trunk, chin in palm, watching her flip pancakes in the iron skillet. “Then let’s have it out right now.” Plopping onto the stool, Susannah returned his stare. Sunlight echoed off the snow outside and the newly plastered wall, lighting the green and gold sparks in his brown eyes. “Your pancakes are burning, Mrs. Mason,” he said without blinking. “That’s your breakfast, Mr. Mason.” Lunging across the table, Jesse kissed her on the nose. “Ha! You blinked!” “No fair.” Susannah loaded his plate, burnt side up. “Fair or foul, I must have my morning kiss.
Catherine Richmond (Spring for Susannah)
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
In record time, I’m out of the shower, hair dripping, my T-shirt sticking to my still-damp body, running out the door to the SUV in the driveway. My dress and Logan’s tux are waiting for us at the palace, where the glam squad will make me presentable. Harry, a young, carefree security guard with shoulder-length brown hair, argues with Bartholomew, a bulkier bodyguard, in the driveway. “You don’t have it in you, mate.” “Oh, I have it in me—you can believe that.” I have no idea what their pissing contest is about, but I don’t have time for it. “You’re both gonna have my foot in your asses if somebody doesn’t drive me to the palace right now!” I yell. They both look shocked. And then they move their asses. “She’s kind of a violent little thing, isn’t she?” Harry says to Logan as he climbs in the backseat with me. Logan just laughs. And looks at me. “You’re going to make a good mum one day.” I shake my head at him. “That’s what you got out of my statement? Really?” “Sure—you sound just like Tommy’s mum and she’s the best one I know.” And something occurs to me—something we haven’t talked about yet. “Do you want that one day?” I imitate Logan’s accent. “To be a da?” “I do.” His face softens. “As long as you’re the mum, I’d like very much to be the da.” My stomach gets warm and fluttery. “Me too. Should probably make me a Mrs. first, though.” Logan kisses my palm, smiling. “That’s the plan.” Good to know.
Emma Chase (Royally Endowed (Royally, #3))
As Herb sliced his small partridge stuffed with wild rice, the fresh vegetables artfully arranged on his plate by the cook, the conversation flowed. Lucy Fur, standing on her hind legs on the floor, raised a paw, placing it on Herb’s thigh. He cut a small piece of partridge for her, put it on a bread plate, and bent over. No one said a word, since everyone there would have done the same thing. The springer spaniel rejoined them upon hearing the plate scrape the floor. These were animal people. The differences among them were differences of income, age, gender, and the mysteries of personality. But when it came to animals, they were as one. Every single one of them, even Tazio, new to animal ownership, cherished a deep respect for all life.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
On the other hand, the militant left, and many socialist intellectuals such as my old friend Ralph Miliband (whose sons were to become important figures in the offices of Prime Minister Tony Blair and Chancellor Gordon Brown), also wrote off the Labour Party until the moment when it had been captured and was ready to become ‘a real socialist party’, whatever that meant. I outraged some of my friends by pointing out that they were not seriously trying to defeat Mrs Thatcher. Whatever they thought, ‘they acted as though another Labour government like the ones we have had before from time to time since 1945 were not just unsatisfactory, but worse than no Labour government … (i.e.) worse than the only alternative government on offer, namely Mrs Thatcher’s
Eric J. Hobsbawm (Interesting Times: A Twentieth-Century Life)
Our party soon broke up; Mrs. Blair went below to sleep and I went out on deck. Colonel Race followed me. “You’re very elusive, Miss Beddingfeld. I looked for you everywhere last night at the dance.” “I went to bed early,” I explained. “Are you going to run away to-night too? Or are you going to dance with me?” “I shall be very pleased to dance with you,” I murmured shyly. “But Mrs. Blair——” “Our friend, Mrs. Blair, doesn’t care for dancing.” “And you do?” “I care for dancing with you.” “Oh!” I said nervously. I was a little afraid of Colonel Race. Nevertheless I was enjoying myself. This was better than discussing fossilized skulls with stuffy old professors! Colonel Race was really just my ideal of a stern silent Rhodesian. Possibly I might marry him!
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
Arthur finished his doughnut as Mrs. Tibble opened the door and turned on the porch light. She gave Arthur and D.W. a big hug. “See you Saturday to rake leaves,” said Arthur. “You’re still alive!” said Francine. “I can’t believe you went in there alone,” said the Brain. “You’re so brave,” said Sue Ellen. “What’s in the bag?” asked Buster. “Probably eyeballs, hearts and brains!” said Francine. “It’s easy to find out,” said Arthur. “Just close your eyes and reach in unless you’re too scared.” “We’ve been to every house now. Can we take the shortcut home through the cemetery?” asked D.W. “The cemetery! On Halloween! Are you guys crazy?” asked Francine. “Follow me,” said Arthur as he marched ahead. “The cemetery is a great place. People are just dying to get in.
Marc Brown (Arthur's Halloween)
Learn to win a lady's faith Nobly, as the thing is high; Bravely, as for life and death— With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.' MRS. BROWNING. “my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned...” 'There's iron, they say, in all our blood, And a grain or two perhaps is good; But his, he makes me harshly feel, Has got a little too much of steel.' ANON. ‘I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself To soothe and sympathise.' ANON.
Elizabeth Gaskell (North and South)
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
She held the moth to the light. It was nearer brown than yellow,and she remembered having seen some like it in the boxes that afternoon.It was not the one needed to complete the collection,but Elnora might want it,so Mrs. Comstock held on. Then the Almighty was kind,or nature was sufficient,as you look at it,for following the law of its being when disturbed,the moth again threw the spray by which some suppose it attracts its kind,and liberally sprinkled Mrs. Comstock's dress front and arms. From that instant,she became the best moth bait ever invented. Every Polyphemus in range hastened to her,and other fluttering creatures of night followed. The influx came her way. She snatched wildly here and there until she had one in each hand and no place to put them. She could see more coming,and her aching heart,swollen with the strain of long excitement,hurt pitifully.She prayed in broken exclamations that did not always sound reverent,but never was a human soul more intense earnest.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
INTRODUCTION TO GENDER AND SOCIETY The Second Sex by Simone de Beauvoir A classic analysis of the Western conception of the woman. Feminism Is for Everybody by bell hooks A primer about the power and potential of feminist action. We Should All Be Feminists by Chimamanda Ngozi Adichie Feminism redefined for the twenty-first century. QUEER THEORY AND INTERSECTIONAL FEMINISM Gender Trouble by Judith Butler A classic, and groundbreaking, text about gender and the boundaries of identity. Gender Outlaw by Kate Bornstein A 1990s-era memoir of transition and nonbinary identity. This Bridge Called My Back ed. Cherríe Moraga and Gloria Anzaldúa A collection of essays about the intersections between gender, class, sexuality, and race. Sister Outsider by Audre Lorde A landmark collection of essays and speeches by a lauded black lesbian feminist. The Woman Warrior by Maxine Hong Kingston A memoir of growing up as a Chinese American woman. MODERN HISTORY How We Get Free: Black Feminism and the Combahee River Collective ed. Keeanga-Yamahtta Taylor A history of the Combahee River Collective, a group of radical black feminists operating in the 1960s and 1970s. And the Band Played On by Randy Shilts Investigative reportage about the beginning of the AIDS crisis. A Queer History of the United States by Michael Bronski An LGBT history of the United States, from 1492 to the present. CONTEMPORARY QUESTIONS Blurred Lines: Rethinking Sex, Power, and Consent on Campus by Vanessa Grigoriadis An exploration of the effects of the sexual revolution in American colleges. The End of Men: And the Rise of Women by Hanna Rosin A book about the shifting power dynamics between men and women. Bad Feminist by Roxane Gay Essays about the author’s experiences as a woman and our cultural understanding of womanhood. All the Single Ladies by Rebecca Traister An investigation into the lives of twenty-first-century unmarried women. GENDER AND SEXUALITY IN FICTION Rubyfruit Jungle by Rita Mae Brown A groundbreaking lesbian coming-of-age novel, originally published in 1973. Giovanni’s Room by James Baldwin A classic of morality and desire, set in 1950s Paris, about an American man and his relationship with an Italian bartender. Angels in America by Tony Kushner A Pulitzer Prize–winning play about the Reagan-era AIDS epidemic. Oranges Are Not the Only Fruit by Jeanette Winterson A coming-of-age and coming-out novel about a woman growing up in an evangelical household.
Tom Perrotta (Mrs. Fletcher)
Does May Ling have any dolls?” Ed Lim asked. “Of course. Too many.” Mrs. McCullough giggled. “She loves them. Just like every little girl. We buy her dolls, and my sisters buy her dolls, and our friends buy her dolls—” She giggled again, and Mr. Richardson’s jaw tensed. “She must have a dozen or more.” “And what do they look like, these dolls?” Ed Lim persisted. “What do they look like?” Mrs. McCullough’s brow crinkled. “They’re—they’re dolls. Some are babies, and some are little girls—” It was clear she didn’t understand the question. “Some of them take bottles, and some of them, you can change their dresses, and one of them closes her eyes when you lay her down, and most of them, you can style their hair—” “And what color hair do they have?” Mrs. McCullough thought for a moment. “Well—blond, most of them. One has brown hair. Maybe two.” “How about the doll that closes her eyes? What color are her eyes?” “Blue.” Mrs. McCullough crossed her legs, then uncrossed them again. “But that doesn’t mean anything. You look at the toy aisle—most dolls are blond with blue eyes. I mean, that’s just the default.” “The default,” Ed Lim repeated, and Mrs. McCullough had the feeling of being caught out, though she wasn’t sure why.
Celeste Ng (Little Fires Everywhere)
she picked up a jug of distilled water and poured it into a flask, plugging the flask with a stopper outfitted with a tube wriggling from its top. Next, she clipped the flask onto one of two metal stands that stood between two Bunsen burners and struck a strange metal gadget that sparked like flint striking steel. A flame appeared; the water began to heat. Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off. Stuffing the cheesecloth into a larger beaker, she attached it to the second metal stand, clamping the tube coming out of the first flask into the large beaker’s bottom. As the water in the flask started to bubble, Mrs. Sloane, her jaw practically on the floor, watched as the water forced its way up the tube and into the beaker. Soon the smaller flask was almost empty and Elizabeth shut off the Bunsen burner. She stirred the contents of the beaker with a glass rod. Then the brown liquid did the strangest thing: it rose up like a poltergeist and returned to the original flask. “Cream and sugar?” Elizabeth
Bonnie Garmus (Lessons in Chemistry)
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face. “Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser. “No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.” I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street. “No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing. “Good heavens, Diana, why?” “Well . . . I spent last weekend at Balmoral.” “With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne. “No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved. I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?” “Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had. “Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Mrs Vane glanced at her [daughter], and with one of those false theatrical gestures that so often become a mode of second nature to a stage-player, clasped her in her arms. At this moment the door opened, and a young lad with rough brown hair came into the room… Mrs Vane fixed her eyes on him, and intensified the smile. She mentally elevated her son to the dignity of an audience. She felt sure that the tableau was interesting. ‘You might keep some of your kisses for me, Sibyl, I think,’ said the lad, with a good-natured grumble… James Vane looked into his sister’s face with tenderness. ‘I want you to come out with me for a walk, Sibyl. I don’t suppose I shall ever see this horrid London again. I am sure I don’t want to.’ ‘My son, don’t say such dreadful things,’ murmured Mrs Vane, taking up a tawdry theatrical dress, with a sigh, and beginning to patch it. She felt a little disappointed that he had not joined the group. It would have increased the theatrical picturesqueness of the situation… ‘Come, Sibyl,’ said her brother, impatiently. He hated his mother’s affectations… He was conscious also of the shallowness and vanity of his mother’s nature, and in that saw infinite peril for Sibyl and Sibyl’s happiness. Children being by loving their parents; as they grow older they judge them; sometimes they forgive them… After some time, he thrust away his plate, and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up, and went to the door. Then he turned back, and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. ‘Mother, I have something to ask you,’ he said. Her eyes wandered vaguely about the room. She made no answer. ‘Tell me the truth. I have a right to know. Were you married to my father?’ She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed in some measure it was a disappointment to her. The vulgar directness of the question called for a direct answer. The situation had not been gradually led up to. It was crude. It reminded her of a bad rehearsal.
Oscar Wilde (The Picture of Dorian Gray)