Dangers Of One Sided Story Quotes

There's got to be a nasty or dangerous side to anything enjoyable or there's something wrong, something suspicious and hidden. If everything seems perfect, it means you're one of the Eloi and a Morlock is watching you with a napkin tucked under its chin.

Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.

Tristan: Shut up. The one problem with the story is that Aurora gets to tell her side, and sometimes it makes me look like a bad guy. Which I’m not. I know we made things worse, put her in danger, but remember, I tried to keep her out of this whole mess.

Love is wonderful, magical, and beautiful, but it can also be maddening, damaging, and dangerous,: she said. "It blinds us more than anything. It makes us selfish, it makes us feel like nothing else matters, and it tricks us into thinking the rest of the world doesn't exist - but it does exist. Whether you're on the high or low side of love, the world always moves on." "So you're saying love is a weakness?" Arthur asked. "That depends on you," Mother Goose said. "There's a reason we've got hearts and brains - we're supposed to listen to them both. A good man follows his heart, but a wise man follows his heart without ignoring his brain. Finding the right balance is one of the hardest parts of life.

Then the creatures of the high air answered to the battle, foretelling the destruction that would be done that day; and the sea chattered of the losses, and the waves gave heavy shouts keening them, and the water-beasts roared to one another, and the rough hills creaked with the danger of the battle, and the woods trembled mourning the heroes, and the grey stones cried out at their deeds, and the wind sobbed telling them, and the earth shook, foretelling the slaughter; and the cries of the grey armies put a cloak over the sun, and the clouds were dark; and the hounds and the whelps and the crows, and the witches of the valley, and the powers of the air, and the wolves of the forests, howled from every quarter and on every side of the armies, urging them against one another.

My car was not gross; it was occupied, cluttered, cramped. It became an extension of my bedroom, and thus an extension of myself. I had two bumper stickers on the back: REPUBLICANS FOR VOLDEMORT and the symbol for the Equal Rights Campaign. On the back side windows were OBAMA ’08 signs that my parents made me take down because they “dangerously blocked my sight lines.” The trunk housed my guitar but was also the library, filled with textbooks and novels, the giant tattered copy of The Complete Works of William Shakespeare and all one hundred chapters of Harry Potter on tape.

They’d been shielded from every imaginable threat since birth, bound in car seats, topped with bicycle helmets, and slathered in 35 SPF sunscreen to protect their fair skin, and yet I knew, deep down, I was helpless to protect them from the unimaginable dangers, the ones where young women ended up as body dumps by the side of the road.

If I have some delightful hours, it is when they are asleep and I am no longer needed to rock the one or soothe the other with stories. When I have them sleeping by my side, I say to myself, “Nothing can go wrong now.” The fact is, my sweet, every mother spends her time, so soon as her children are out of her sight, in imagining dangers for them.

There is a persistent belief amongst abled people that a cure is what disabled people should want. To abandon our disabled selves and bodies and assimilate into a perhaps unachievable abled skin. Pushback to this idea often comes in the form of the social model of disability, which states that we are disabled by society and lack of access rather than by our bodies. For many, the social model can be liberating: by locating the cause of our problems outside our bodies, we can begin to love ourselves again. Tackling systemic ableism may feel like tilting at windmills, but it is still easier to address than some kind of failing within ourselves. There is a criticism of the social model of disability, located in the idea that some disabled people may want a cure. Particularly with matters like chronic pain/chronic illness, a cure is seen as something that can itself be liberating: a way to simply be in one’s body without feeling pain, for example. There is a danger in the cure mentality, as it can be a slippery slope toward eugenics when it is applied by abled people. Many in the Deaf and autistic communities do not want a cure and feel that those who advocate for a cure are advocating that they not exist anymore. Sometimes it comes down to how we see our individual disabilities: Are they an intrinsic part of who we are? Or are they an identity that comes with a side of agony we would gladly give up? How do we feel when abled people start advocating for “cures”—which may come in the form of eliminating our people entirely—rather than when the desire for a cure comes from disabled advocates?

When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp . . . Fascinating to me because they were about things remote, and almost ethereal. Then I grew older and began to read about adventures in which I didn’t know that I was supposed to be on the side of those savages who were encountered by the good white man. I instinctively took sides with the white people. They were fine! They were excellent. They were intelligent. The others were not . . . they were stupid and ugly. That was the way I was introduced to the danger of not having your own stories. There is that great proverb—that until the lions have their own historians, the history of the hunt will always glorify the hunter. That did not come to me until much later. Once I realized that, I had to be a writer. I had to be that historian. It’s not one man’s job. It’s not one person’s job. But it is something we have to do, so that the story of the hunt will also reflect the agony, the travail—the bravery, even, of the lions.” —Chinua Achebe

However, although The Da Vinci Code did a whole heap of things defectively, it did one thing stupefyingly well - the plot. It was as though Brown had jettisoned all traces of style and credibility from his novel because he had realised, in a flash of Leonardo-like scientific insight, that style and credibility were the very properties preventing his theoretical story-balloon from taking flight. So they had been tossed over the side, along with beauty, truth and five hundred years of literary progress.

I’ve lived on both sides of the abuse. I wear bruises on both sides of my fist. I have wept “what am I doing” and I have cried “why did they do that”. The child of an alcoholic and the alcoholic of a child. It’s strange how broken spirits, broken hearts, and broken homes walk hand-in-hand. How they leave a clear trail of shattered to follow. We are all picking out sins of the father like shrapnel left over from the day we were born. Bang. Welcome to life. Try not to step on a landmine before you get to twenty. Here are your parents. They hate you. Sorry that you won the race. Me? I’ve got a piece of broken mirror lodged dangerously close to my heart. I never know which twist in the story will be the one to open up my insides and help me drown in my own soul. People asked me where I picked up the wisdom. I don’t know that any of this actually is made of wisdom. There’s just too much fluff and well-meaning for my taste. For me, the path was always made of pain. I haven’t found feel better or act right yet... not for myself. I’m not the best one to help anybody else find it... that’s for certain... but I know every road that leads to resentment. I’ve walked them more times than I can count. I can’t tell you how to get where you’re going, but I can give you a roadmap that highlights the places I wish I never went. The first place on the list sits pretty damn close to home. There’s a town called Grief & Regret just north of Salvation, USA. I’m putting do not enter signs on every road that goes there.

What do you think of your kingdom?" "It's beautiful," I said. And very empty. Where is everyone? "It might even be dangerous to live in such luxury and repose." "This is no place of repose." Amar glanced outside where a sliver of moon glimmered behind clouds. “I am at the mercy of the moon to reveal the secrets of this kingdom. Until then, you must practice what it means to rule. I will test you, as this palace will, in its own way.” I straightened in my seat. “On what?” “Familiarity, you might say.” His voice was low. “All the usual aspects of ruling. I’ll test your fangs and claws and bloodlust.” He stopped to trace the inside of my wrist, and my pulse leapt to meet his touch. I scowled and grabbed my hand back. Treacherous blood. “I’ll test your eyes and ears and thoughts.” “Not geography, then?” I asked, half joking. “It’s useless here.” He shrugged. “You’ll see.” “History?” “Written by the victors,” he said with a dismissive wave of his hand. “I’m not interested in one-sided tales.” “Legends? Folktales?” This time, Amar grinned. “Perhaps. Do you have a favorite tale?” My throat tightened and I thought of Gauri standing outside my door and demanding a story. “Many…And you?” “All of them. Except for tragedies. I cannot abide those.” In the harem, all the wives preferred tragedies. They wanted stories of star-crossed lovers. They wanted betrayal and declarations of love that ended with the speaker dying at their feet. “You don’t find them romantic?” “No,” he said, an edge to his voice. “There is no romance in real grief. Only longing and fury.” He rose to his feet. “Tomorrow, you can tour the palace fully. It’s yours now.

It seemed a church committee needed an architect to build a bridge “over a very dangerous and rapid river.” Designer after designer failed, until one boasted—to the horror of his priggish benefactors—“I could build a bridge to the infernal regions, if necessary.” The chairman assured his shocked colleagues: “he is so honest a man and so good an architect that if he states soberly and positively that he can build a bridge to Hades—why, I believe it. But,” he admitted, “I have my doubts about the abutment on the infernal side!” Henry Villard could not help noticing “Lincoln’s facial contortions” as he reached the story’s moral: “So,” he concluded, when “politicians said they could harmonize the Northern and Southern wings of the democracy, why, I believed them. But I had my doubts about the abutment on the Southern side.

And . . . I owe you.” Selene didn’t explain because she knew he’d think she was referring to when Meghan saved her life. That was fine with her. Telling him exactly how she owed him would strip her open too bare and she wasn’t willing to let anyone see that vulnerable side of her. “Telling the truth again.” He frowned now, true confusion in his gaze. Whether from her words or the fact that she was letting him in on this op. “You plan to try to bring me in after the op?” “No.” That was actually the truth. Wesley, however, was a different story. But she refused to let her mind go there, knowing Levi would pick up on it. Levi started to respond when a burst of gunfire from the pool area made them both turn at the noise. Selene automatically moved off the bench, crouching down behind it and to her surprise Levi moved in front of her, blocking her even though they were too far away to be in any danger from what she could hear. “This is what happens when you get a bunch of criminals under the same roof,” he muttered. She snorted in agreement. “I’m leaving using the beach. You’re free to join me.” There hadn’t been any more gunfire so likely the guards had the situation under control but she wasn’t heading back up there. She’d already had her meeting so she had no reason to return. Now he snorted as he turned to face her, still crouching low. He slid his long, callused hands down her bare arms. This time she couldn’t hide the shiver. “Oh, I’m joining you,” he murmured, a seductive note in his voice. But the timing was all wrong. For once she wished she understood the opposite sex more. What was he doing? She’d already told him he could come on the op with her. Her nipples tightened and her body hummed with a strange anticipation as he lightly held her wrists in both hands, his thumbs rubbing her inner wrist in small circles. She started to pull back and he let go of one of her wrists. As she pushed out a sigh of relief, the feel of cold steel skimmed her skin just as the soft snick of handcuffs clicked into place.

they catch us, we’re going right back into the cell.” Roark went silent, and then dragged a chair out from the table. “Sit,” he ordered gently, moving away from it and taking the one on the opposite side. I sat down after a fraction of a second, and then looked at him expectantly. “It’s good that you’re thinking of us as a ‘we,’” he said, “because at this point we are, and we’re all in it together.” “Yes, but to what end? What purpose? What is your ultimate goal here?” I knew I came off as a bit angry, but the truth was I was frustrated. My patience was almost gone, and I was scared and tired—a dangerous combination that always led to emotional outbursts. For his part, Roark didn’t seem to mind my anger. In fact, his face looked almost vacant, lost in thought, and a bit sad. I leaned forward, concerned, but then his eyes flicked over to me and he began to speak. “Her name was Selka,” he said, and then paused. I bit back a sigh and leaned back. Why did everyone want to do this kind of storytelling with me, during which I had to participate and ask questions to coax the story forward? Why couldn’t anyone just be direct? “She was my wife,” he continued, just as I was about to ask the question, and I quickly closed my mouth, my frustration fading somewhat as I remembered Grey’s words. “She wasn’t

In the very midst of this panic came the news that the steamer Central America, formerly the George Law, with six hundred passengers and about sixteen hundred thousand dollars of treasure, coming from Aspinwall, had foundered at sea, off the coast of Georgia, and that about sixty of the passengers had been providentially picked up by a Swedish bark, and brought into Savannah. The absolute loss of this treasure went to swell the confusion and panic of the day. A few days after, I was standing in the vestibule of the Metropolitan Hotel, and heard the captain of the Swedish bark tell his singular story of the rescue of these passengers. He was a short, sailor-like-looking man, with a strong German or Swedish accent. He said that he was sailing from some port in Honduras for Sweden, running down the Gulf Stream off Savannah. The weather had been heavy for some days, and, about nightfall, as he paced his deck, he observed a man-of-war hawk circle about his vessel, gradually lowering, until the bird was as it were aiming at him. He jerked out a belaying pin, struck at the bird, missed it, when the hawk again rose high in the air, and a second time began to descend, contract his circle, and make at him again. The second time he hit the bird, and struck it to the deck. . . . This strange fact made him uneasy, and he thought it betokened danger; he went to the binnacle, saw the course he was steering, and without any particular reason he ordered the steersman to alter the course one point to the east. After this it became quite dark, and he continued to promenade the deck, and had settled into a drowsy state, when as in a dream he thought he heard voices all round his ship. Waking up, he ran to the side of the ship, saw something struggling in the water, and heard clearly cries for help. Instantly heaving his ship to, and lowering all his boats, he managed to pick up sixty or more persons who were floating about on skylights, doors, spare, and whatever fragments remained of the Central America. Had he not changed the course of his vessel by reason of the mysterious conduct of that man-of-war hawk, not a soul would probably have survived the night.

[...]Many of those friends were self-declared socialists - Wester socialists, that is. They spoke about Rosa Luxemburg, Leon Trotsky, Salvador Allende or Ernesto 'Che' Guevara as secular saints. It occurred to me that they were like my father in this aspect: the only revolutionaries they considered worthy of admiration had been murdered.[...]ut they did not think that my stories from the eighties were in any way significant to their political beliefs. Sometimes, my appropriating the label of socialist to describe both my experiences and their commitments was considered a dangerous provocation. [...] 'What you had was not really socialism.' they would say, barely concealing their irritation. My stories about socialism in Albania and references to all the other socialist countries against which our socialism had measured itself were, at best, tolerated as the embarrassing remarks of a foreigner still learning to integrate. The Soviet Union, China, the German Democratic Republic, Yugoslavia, Vietnam, Cuba; there was nothing socialist about them either. They were seen as the deserving losers of a historical battle that the real, authentic bearers of that title had yet to join. My friends' socialism was clear, bright and in the future. Mine was messy, bloody and of the past. And yet, the future that they sought, and that which socialist states had once embodied, found inspiration in the same books, the same critiques of society, the same historical characters. But to my surprise, they treated this as an unfortunate coincidence. Everything that went wrong on my side of the world could be explained by the cruelty of our leaders, or the uniquely backward nature of our institutions. They believed there was little for them to learn. There was no risk of repeating the same mistakes, no reason to ponder what had been achieved, and why it had been destroyed. Their socialism was characterized by the triumph of freedom and justice; mine by their failure. Their socialism would be brought about by the right people, with the right motives, under the right circumstances, with the right combination of theory and practice. There was only one thing to do about mine: forget it. [...]But if there was one lesson to take away from he history of my family, and of my country, it was that people never make history under circumstances they choose. It is easy to say, 'What you had was not the real thing', applying that to socialism or liberalism, to any complex hybrid of ideas and reality. It releases us from the burden of responsability. We are no longer complicit in moral tragedies create din the name of great ideas, and we don't have to reflect, apologize and learn.

Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.

Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand. Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King... So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it. The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help? There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow. The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals.... Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale. That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out. With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt: “Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots! “We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans! “How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...

Trenton groaned once the beast had finally stilled, and gingerly sat up. He cradled his arm to his side. “I just got these ribs healed.”   Shea shifted next to him, wincing as her palms stung. Blood dotted the skin and tiny specks of dirt and rock decorated them. Her muscles protested as she scrabbled to her feet, her sleeve torn and ripped, along with the knee in her pants.   “I can’t believe that worked,” Wilhelm said as he climbed to his feet next to her.   Neither could Shea.   “You know, when you first assigned me to her care, I thought you were punishing me for some unknown transgression,” Trenton told Fallon as he staggered upright, his face a mask of pain. “Little did I know you were giving me the most dangerous assignment in your army.” “Neither did I,” Fallon said in a rueful voice as he sat up. The bashe’s final convulsion had knocked them all off their feet.   Wilhelm’s smile was faint as he looked at what they’d done. “They’re going to tell stories about this. Our children’s children will speak of this battle one day.

On one side of the tracks was the commercial center: the college, city hall, businesses, white residential neighborhoods-carefully kept that way, first by deliberate redlining and later by Jim Crow... Through the sixties, the city of Commerce was known as a "sundown town"- any Black person found of the streets after dark was in danger of being lynched. The only place where Black citizens were safe from the threat of white violence was also the only place Black people were legally allowed to reside: Norris Community, known fondly by younger generations as "the Hole".

The single-story approach, which leaves room for only one narrative, for only one truth, is very dangerous. As you write, this conflict is between right and right. The whole world, including the Palestinians, should recognize the Jews’ religious, political and peoplehood identity and claim to the land of Israel. But the Jewish people have to differentiate between the land of Israel and the state of Israel. Both sides must open the space for tough, honest discussion. Thank you for writing a book that helps us have that discussion.

George White Rogers’ interview with Captain Wilmott exceeded Rogers’ wildest hopes. He had planned it with care in order to achieve just the right balance of distaste and distress in relating the story. It was a simple one: for weeks, he told Wilmott, he had suspected that George Alagna was quite capable of stirring up trouble. But he would never have suspected the trouble would reach the proportions it had. Now he even had proof: the discovery of the two bottles of dangerous acids. Captain Wilmott was so shaken by the revelation that he accepted without question the chief radio officer’s statement that he had thrown the bottles over the side immediately on discovering them. The story of the bottles reinforced Robert Wilmott’s fears tenfold. “I think the man is crazy!” he ranted to Rogers. “We have always had trouble with that man! In New York he went down the gangway and started a riot when the passengers were getting off because he wanted to get off the ship without having his crew pass stamped by the immigration authorities

The battle within Colditz was now a two-sided conflict between the British and the Germans. There was no longer a danger that an escape plan secretly mounted by one nation might trip up another. Colditz became a British prison: the hierarchy of rank was more pronounced, as was the control exerted by the escape committee, and the opportunity for one-man ventures was reduced. The Dutch Hawaiian band, the French cuisine, and the Polish choir were gone. The informal cultural osmosis between nationalities was over, as was the fruitful Anglo-Dutch partnership and the daily babble of diverse languages in the inner courtyard. Padre Platt noticed that as an all-Anglo prison, the place seemed more cliquey, with “small friendship groups, complete in themselves and almost exclusive.

the occupation years carried one last, special danger for art buyers. No buyer could make a side-by-side comparison of a newfound painting and an established work, because the best pieces from Dutch museums had been hidden away for safekeeping, out of reach. For a con man in the art line, times like these would never come again.

I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.

Oh, time and again, Mrs. Drinker told me that one had to have a doctor and one had to go to a hospital to have a baby. I was finally persuaded to make one concession: the doctor. But go to a hospital--that was ridiculous. Why? What for? I wasn't sick. In Europe you went to a hospital when you were dangerously sick, and many people died there, but babies were born at home. Would they in the hospital allow my husband to sit at my bed-side? Could I hold his hand, look into his eyes? Could my family be in the next room, singing and praying? The answer to all these questions was “nо." All right, that settled it. I tried to explain that a baby had to be born into a home, received by loving hands, not into a hospital, surrounded by ghostly-looking doctors and masked nurses, into the atmosphere of sterilizers and antiseptics. That's why I would ask the doctor to come to our house.

From the Bridge” by Captain Hank Bracker The Hurricane of 1502 In the time before hurricanes were understood or modern methods of detection and tracking were available, people were frequently caught off guard by these monstrous storms. One of these times was on June 29, 1502. What had started as another normal day in the Caribbean turned into the devastation of a fleet of 30 ships, preparing to sail back to Spain laden with gold and other treasures from the New World. Without the benefit of a National Weather Service, mariners had to rely on their own knowledge and understanding of atmospheric conditions and the sea. Sensing that one of these storms was approaching, Columbus sought shelter for his ships near the Capitol city of Santo Domingo along the southern coast of Hispaniola, now known as the Dominican Republic. The following is taken from page 61 of the author’s award winning book, The Exciting Story of Cuba. “Columbus was aware of dangerous weather indicators that were frequently a threat in the Caribbean during the summer months. Although the barometer had not yet been invented, there were definitely other telltale signs of an approaching hurricane. Had the governor listened to Columbus’ advice and given him some leeway, he could have saved the convoy that was being readied for a return trans-Atlantic crossing. Instead, the new inexperienced governor ordered the fleet of over 30 caravels, laden, heavy with gold, to set sail for Spain without delay. As a result, it is estimated that 20 of these ships were sunk by this violent storm, nine ran aground and only the Aguja, which coincidently carried Columbus’ gold, survived and made it back to Spain safely. The ferocity of the storm claimed the lives of five hundred souls, including that of the former governor Francisco de Bobadilla. Many of the caravels that sank during this hurricane were ships that were part of the same convoy that Ovando had traveled with from Spain to the West Indies. However he felt about this tragedy, which could have been prevented, he continued as the third Governor of the Indies until 1509, and became known for his brutal treatment of the Taíno Indians. Columbus’ ships fared somewhat better in that terrible storm, and survived with only minor damage. Heaving in their anchors, Columbus’ small fleet of ships left Hispaniola to explore the western side of the Caribbean.” Hurricanes and Typhoons, remain the most powerful and dangerous storms on our planet. Hurricane Matthew that is now raking the eastern coastline of Florida is no exception. Perhaps the climate change that we are experiencing has intensified these storms and perhaps we should be doing more to stabilize our atmosphere but Earth is our home and the only place where proven life exists. Perhaps the conclusion to this is that we should take the warning signs more seriously and be proactive in protecting our environment! This is not a political issue and will affect us, our children and grandchildren for centuries!

Through all my later literary life I have sought to make it plain, as the result of antecedent years spent in occult research, that the occult sciences—in all their general understanding—are paths of danger when they are not paths of simple make-believe and imposture. The importance of Éliphas Lévi’s account at large of the claims, and of their story throughout the centuries, arises from the fact (a) that he is the authoritative exponent-in-chief of all the alleged sciences; (b) that it is he who, in a sense, restored and placed them under a new and more attractive vesture, before public notice at the middle period of the nineteenth century; (c) that he claimed, as we shall see, the very fullest knowledge concerning them, being that of an adept and master; but (d) that—subject to one qualification, the worth of which will be mentioned—it follows from his long examination that Magic, as understood not in the streets only but in the houses of research concerning it, has no ground in the truth of things, and is of the region of delusion only. It is for this reason that I have translated his History of Magic, as one who reckons a not too gracious task for something which leans toward righteousness, at least in the sense of charity. The world is full at this day of the false claims which arise out of that region, and I have better reasons than most even of my readers can imagine to undeceive those who, having been drawn in such directions, may be still saved from deception. It is well therefore that out of the mouth of the masters we can draw the fullest evidence required for this purpose. In the present prefatory words I propose to shew, firstly, the nature of Éliphas Lévi’s personal claims, so that there may be no misconception as to what they were actually, and as to the kind of voice which is speaking; secondly, his original statement of the claims, nature and value of Transcendental Magic; and, thirdly, his later evidences on its phenomenal or so-called practical side, as established by its own history.

The Horned Master governs the generative powers of the kingdom of the beasts, the raw forces of life, death and renewal which sustains the natural world.” Nigel A Jackson. The Call of the Horned Piper: 38 The Art and Craft of the Witches is found at the crossroad, where this world and the other side meets and all possibility become reality. This simple fact is often forgotten as one rushes to the Sabbath or occupies oneself with formalities of ritual. The cross marks the four quarters, the four elements, the path of Sun, Moon and Stars. The cross was fused or confused with the Greek staurus, meaning ‘rod’, ‘rood’ or ‘pole’. Various forms of phallic worship are simply, veneration for the cosmic point of possibility and becoming. It is at the crossroads we will gain all or lose all and it is natural that it is at the crossroads we gain perspective. The crossroad is a place of choice, the spirit-denizens of the crossroads are said to be tricky and unreliable and it is of course where we find the Devil. One of the most famous legends of recent times concerns the blues-man Robert Johnson (1911– 1938). He claimed that, one night, just before midnight he had gone to the crossroads. He took out his guitar and played, whereupon a big black guy appeared, tuned his guitar, played a song backwards and handed it back.2 This incident altered Johnson’s playing and his finest and most everlasting compositions were the fruit of the few years of life left to him. This legend tells us how he needed to bury himself at the crossroads, offering himself to the powers dwelling there. Business done with the Devil is said to give him the upper hand. The ill omens and malefica associated with such deals is present in Johnson’s story. He got fame and women, but he died less than three years later before he reached thirty. His body was found poisoned at a crossroads, the murderer’s identity a mystery. Around the Mississippi no less than three tombs carry the name of Robert Leroy Johnson. The image of the Devil remains one of threat, blessing, beauty and opportunity. Where we find the Devil we find danger, unpredictability and chaos. If he offers a deal we know we are in for a complicated bargain. The Devil says that change is good, that we need movement in order to progress. His world is about cunning and ordeal entwined like the serpents of past and future on the pole of ascent. It is to the crossroads we go to make decisions. It is at the crossroads we set the course for the journey. It is at the crossroads we confront ourselves and realize our

Say It So You Lift Your Spirits: Even non-Scandinavians and optimists can feel their moods dampen during the dark of night. Luckily there are some easy ways to lift your spirits. Here are three: 1. When describing something in the past, what role do you play in the story? Are more of your most retold stories anchored by a positively or a negatively felt incidents? Those who are most resilient, energetic, caring and involved with others tend to link their stories to redemptive themes. Those who are plagued by down moods often mark their stories with what went wrong and don't include a redeeming detail. These narrative themes affect our choices -- what we think we have to choose from -- and how others see us. 2. We each have many personalities inside us. Some situations enable us to use our best talents and display our best side. Instead of attempting to be a "virtuoso juggler" as many women do, discover the specific situations where you thrive. When you can identify those moments you are better able, like a defensive driver, to see potential danger farther ahead where situations or individuals spark your discomfort or worse. Conversely, knowing where you shine (temperament and talent) means you can make smarter choices about how you work and live -- and with whom. While Marcus Buckingham's book is intended for women, I know three male friends who have found it helpful in how they seek the situations that best serve them -- professionally, personally and socially. 3. We each have a set point along the continuum of pessimistic to optimistic. After winning the lottery or experiencing the death of a loved one, we eventually return to that set point.

There is no story. There is just the truth. Look around you. Everything you see, and far beyond, all of it was once green. Where you see buildings, thousand-year-old trees once stood. Above, where those aircar cables hang? That was once the crisscross of leafy vines. That cracked asphalt that scalds your paws? It was once rich earth, protected by a blanket of grass. And our kind did not look into glass windows to find our skinny reflections; we saw our faces mirrored in fresh streams—not one of them toxic. It was a paradise. Then the men came. They pulled up every plant. They drove off every animal. They paved over each patch of dirt. They built towers higher than the tallest tree trunks. They pumped smoke from factory chimneys, driving away the clouds. They replaced all that was green with shades of gray—steel and iron and concrete. But with time, mutations occur. Nature begins to adapt. If you don’t adapt, you don’t stand a chance in this world. And if you don’t have friends by your side, alerting you to danger and sharing their good food, it’s a very lonely world, indeed. So stick together, little ones. Stay close to your littermates, and help each other adapt. Make the world greener through your dreams. Build your own paradise.

The danger of thinking in dichotomies and placing yourself on one side of them is that you become shaped by what you oppose and hate. You occupy the space left vacant by it, desperate to distinguish yourself from it in what often comes down to what Freud called the narcissism of small differences. If your opponents are for something, then you must be against it; if they reject it, you must embrace it. The relationship becomes symbiotic, and little by little, you become dependent on what you oppose.

Every day of your life, you preach some kind of gospel to yourself. My prayer is that the gospel that is preached to you through every element of the Christmas story, will be the gospel that you preach to yourself as you face the opportunities, responsibilities, temptations, danger, struggles, and blessings of your life as a child of God in this broken world. What do you preach to yourself when you are blessed? A gospel of your glory or of God’s grace? What kind of gospel do you preach to yourself when you are facing the unwanted, the unexpected, the unplanned, the disappointing, and the difficult? Do you preach a Christless gospel that leaves you feeling alone and overwhelmed, or the gospel of his presence, power, promises, and grace? When someone rejects you or mistreats you, what do you preach to yourself? When you are physically sick or feeling weak, what do you preach to yourself? When you are lacking in resources, what gospel do you preach to yourself? May the glorious gospel that is preached to you in the birth of Jesus be the gospel that you preach to yourself day after day until you are on the other side, forever with the One who was born to provide what you would never, ever be able to provide for yourself.

One of the crew shouted, “Man overboard!” Seeing what had happened, I instantly threw the engines into reverse, attempting to stop the vessel’s headway without backing over my floundering steward. As the ship shuttered from the unexpected reverse thrust of her engines, now running full speed astern and fighting the current, I watched helplessly as a large prehistoric reptile slithered into the muddy river. Instinctively he was followed by others. Within an instant they were underwater and out of sight, but I knew they were heading in our direction hoping for a tasty dinner. It took a while for me to actually stop the ship’s headway and start to back down. The bosun already had a ladder over the side and yelled to him to stop trashing around, but Henry was panicking and we all expected him to get pulled under. Henry quickly became aware of the imminent danger he was in and stopped floundering, thus allowing the current to carry him in our direction. Now with the ship stopped, we were at the mercy of the current. Henry, with fear painted on his face, would never be closer to us than now. This was the time for him to swim the last short distance, but his fear and knowing that splashing would attract the crocodiles caused him to freeze. With everyone shouting instructions it became confusing, so calculating the risk, I dove in and with just a few powerful strokes was next to Henry. The water was cool compared to the moist air and I thought it felt refreshing, but the only thing I should have been thinking about was getting the two of us out of there! Reaching out, I grabbed his already torn shirt and in what seemed less than a nanosecond towed him back to the ship. A push by me and a pull by the ship’s bosun landed the hapless steward on the deck like a fish out of water. Not wasting any time, I was up the ladder and onto the main deck in a shot. Looking back I half expected to see the huge mouth and glistening white teeth of a fearsome crocodilian. However, nothing stirred as we drifted with the current. Looking back to the now empty river bank I knew that just beneath the surface, they were in the murky water looking for us. Firing the engines up again, I turned the ship away from the bank and back on course in the channel. Handing the helm over to the Quartermaster, I went below to get changed since we would be approaching the treacherous sand bar in about a half hour.

Murnau now inserts scenes with little direct connection to the story, except symbolically. One involves a scientist who gives a lecture on the Venus flytrap, the “vampire of the vegetable kingdom.” Then Knock, in a jail cell, watches in close-up as a spider devours its prey. Why cannot man likewise be a vampire? Knock senses his Master has arrived, escapes, and scurries about the town with a coffin on his back. As fear of the plague spreads, “the town was looking for a scapegoat,” the titles say, and Knock creeps about on rooftops and is stoned, while the street is filled with dark processions of the coffins of the newly dead. Ellen Hutter learns that the only way to stop a vampire is for a good woman to distract him so that he stays out past the first cock’s crow. Her sacrifice not only saves the city but also reminds us of the buried sexuality in the Dracula story. Bram Stoker wrote with ironclad nineteenth-century Victorian values, inspiring no end of analysis from readers who wonder if the buried message of Dracula might be that unlicensed sex is dangerous to society. The Victorians feared venereal disease the way we fear AIDS, and vampirism may be a metaphor: The predator vampire lives without a mate, stalking his victims or seducing them with promises of bliss—like a rapist or a pickup artist. The cure for vampirism is obviously not a stake through the heart, but nuclear families and bourgeois values. Is Murnau’s Nosferatu scary in the modern sense? Not for me. I admire it more for its artistry and ideas, its atmosphere and images, than for its ability to manipulate my emotions like a skillful modern horror film. It knows none of the later tricks of the trade, like sudden threats that pop in from the side of the screen. But Nosferatu remains effective: It doesn’t scare us, but it haunts us. It shows not that vampires can jump out of shadows, but that evil can grow there, nourished on death. In a sense, Murnau’s film is about all of the things we worry about at three in the morning—cancer, war, disease, madness. It suggests these dark fears in the very style of its visuals. Much of the film is shot in shadow. The corners of the screen are used more than is ordinary; characters lurk or cower there, and it’s a rule of composition that tension is created when the subject of a shot is removed from the center of the frame. Murnau’s special effects add to the disquieting atmosphere: the fast motion of Orlok’s servant,

The Other Side of the Wind is the story of Jake Hannaford, a hard-drinking, big-game-hunting, womanizing, adventure-seeking director who loves to shoot in remote locations around the world and revels in putting himself, his cast, and his crew in dangerous situations. Welles would joke that at least one crew member dies on the set of every Hannaford film. A product of the studio system, Hannaford fell out of favor and retreated to Europe for a few years of self-imposed exile and has finally returned to Los Angeles, seeking end money to complete his artsy, modernist attempt at a sex-infused and violence-laden comeback movie that reflects the style and values of New Hollywood circa 1970. As Welles mentioned in his introduction, the film examines the last day of Hannaford’s life as viewed through the medium of film in

Reading Group Guide  1.   The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage?  2.   How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today?  3.   The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story?  4.   The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages?  5.   Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor?  6.   At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book?  7.   Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other?  8.   Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done?  9.   When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted

Your knuckles hurt from knocking, so now you're slamming the side of your balled up fist on the wood door which rattles dangerously in its frame. You hope the neighbors can't hear as you beat on the door. It’s late, after midnight again, and recently, (you can't recall when) one of the neighbors complained about the noise. She stood outside the door as you lay on the living room floor and joined at the hip. She began yelling profanities through the thin wood. She was sick of listening to you two going at it all the time. You were a couple of “disgusting animals” in her estimation and she was going to call the police if you didn't keep it down from now on. You smile vaguely at the memory while your fist continues to pound the door. You recall how you both started coming simultaneously within only seconds of her banging on the door, how the startling intrusion made the pleasure even more thrilling, forbidden and intense.

To this day, the story of Darien is one that divides Scotland. During the 2014 referendum on independence, it became a metaphor for both sides. For the nationalists, a parable of how England had always sought to sabotage and oppress Scottish hopes; for the unionists, a lesson in the dangers of abandoning stability in favour of unrealistic ambitions. As a tale, it lends itself to metaphor. I mean, it’s the story of a country turning away from a political union with its closest geographical trading partners in favour of a fantasy vision of unfettered global influence promoted by free-trade zealots with dreams of empire, who wrapped their vague plans in the rhetoric of aggrieved patriotism while consistently ignoring expert warnings about the practical reality of the situation. Unfortunately, I can’t think of anything that could be a metaphor for right now.

HELPING KIDS MANAGE EMOTIONAL FLASHBACKS This list is for social workers, teachers, relatives, neighbors and friends to help children from traumatizing families. It is adapted from the steps at the beginning of this chapter. Depending on the age of the child, some steps will be more appropriate than others. Even if you are not in a position to help other kids, please read this list at least once for the benefit of your own inner child. Help the child develop an awareness of flashbacks [inside “owies”]: “When have you felt like this before? Is this how it feels when someone is being mean to you?” Demonstrate that “Feeling in danger does not always mean you are in danger.” Teach that some places are safer than others. Use a soft, easy tone of voice: “Maybe you can relax a little with me.” “You’re safe here with me.” “No one can hurt you here.” Model that there are adults interested in his care and protection. Aim to become the child’s first safe relationship. Connect the child with other safe nurturing adults, groups, or clubs. Speak soothingly and reassuringly to the child. Balance “Love & Limits:” 5 positives for each negative. Set limits kindly. Guide the child’s mind back into her body to reduce hyper-vigilance and hyperarousal. a. Teach systemic relaxation of all major muscle groups b. Teach deep, slow diaphragmatic breathing c. Encourage slowing down to reduce fear-increasing rushing d. Teach calming centering practices like drawing, Aikido, Tai Chi, yoga, stretching e. Identify and encourage retreat to safe places Teach “use-your-words.” In some families it’s dangerous to talk. Verbal ventilation releases pain and fear, and restores coping skills. Facilitate grieving the death of feeling safe. Abuse and neglect beget sadness and anger. Crying releases fear. Venting anger in a way that doesn’t hurt the person or others creates a sense of safety. Shrink the Inner Critic. Make the brain more user-friendly. Heighten awareness of negative self-talk and fear-based fantasizing. Teach thought-stopping and thought substitution: Help the child build a memorized list of his qualities, assets, successes, resources. Help the child identify her 4F type & its positive side. Use metaphors, songs, cartoons or movie characters. Fight: Power Rangers; Flight: Roadrunner, Bob the Builder; Freeze: Avatar; Fawn: Grover. Educate about the right/need to have boundaries, to say no, to protest unfairness, to seek the protection of responsible adults. Identify and avoid dangerous people, places and activities. [Superman avoids Kryptonite. Shaq and Derek Jeter don’t do drugs.] Deconstruct eternity thinking. Create vivid pictures of attainable futures that are safer, friendlier, and more prosperous. Cite examples of comparable success stories.

The moral of all of this is what the social psychologist Mark Lepper calls the minimal sufficiency principle. If the goal is to get kids to internalize desired attitudes and values, then parents should use threats and rewards that are minimally sufficient to get kids to do the desired behaviors, but not so strong that the kids view the threats or rewards as the reason they are acting that way. Minimally sufficient threats and rewards are an effective story-editing technique, convincing kids that they are doing the right thing because they believe in doing the right thing. Although this is great in theory, I have to say that in practice it isn’t always easy to pull off. The problem is that we don’t always know in advance what a minimally sufficient threat or reward will be. How much of a reward is enough to get a preschooler to practice the piano? How much of a threat is sufficient to get a teenager to avoid smoking? Further, there is a danger to erring on the low side. If the threats or rewards are too weak, our kids won’t do what we want them to do. This can backfire, because the kids might become even more enamored of the undesirable behavior. If teens decide to smoke even though their parents would be annoyed, for example, they are likely to infer that smoking must be a really attractive thing. Similarly, if they decide not to practice the piano, even though they could have gotten some candy for doing so, they are likely to infer that piano playing must be really boring. The best approach is to start with threats or rewards that are strong enough to get kids to do the desired behavior, but then, on future occasions, dial them back a bit, making it harder for kids to attribute their actions to the threat or reward. Another possible objection to the minimal sufficiency principle is that it might seem devious or controlling. Is it right to “trick” our kids into thinking they are doing something because they want to? Parents will have to decide this one for themselves, though in my view it is our job to get our kids to internalize desired attitudes and values. The irony is that this can be done more effectively with mild threats and small rewards than with severe threats and large rewards. Isn’t it more controlling to take an overly authoritarian stance, one that will ultimately lead to less internalization of desired attitudes and values?

Countless and inestimable are the chances of war. Those who read the story, and still more those who share the dangers, of a campaign feel that every incident is surrounded with a host of possibilities, any one of which, had it become real, would have changed the whole course of events. The influence of Fortune is powerfully and continually exerted. In the flickering light of conflict the outlines of solid fact throw on every side the vague shadows of possibility. We live in a world of 'ifs.' 'What happened,' is singular; 'what might have happened,' legion. But to try to gauge the influence of this uncertain force were utterly futile, and it is perhaps wise, and indisputably convenient, to assume that the favourable and adverse chances equate, and then eliminate them both from the calculation.

To be one-sided means not to look at problems all-sidedly, for example, to understand only China but not Japan, only the Communist Party but not the Kuomintang, only the proletariat but not the bourgeoisie, only the peasants but not the landlords, only the favourable conditions but not the difficult ones, only the past but not the future, only individual parts but not the whole, only the defects but not the achievements, only the plaintiff's case but not the defendant's, only underground revolutionary work but not open revolutionary work, and so on. In a word, it means not to understand the characteristics of both aspects of a contradiction. This is what we mean by looking at a problem one-sidedly. Or it may be called seeing the part but not the whole, seeing the trees but not the forest. That way it is impossible to kind the method for resolving a contradiction, it is impossible to accomplish the tasks of the revolution, to carry out assignments well or to develop inner-Party ideological struggle correctly. When Sun Wu Tzu said in discussing military science, "Know the enemy and know yourself, and you can fight a hundred battles with no danger of defeat", he was referring to the two sides in a battle. Wei Chengi of the Tang Dynasty also understood the error of one-sidedness when he said, "Listen to both sides and you will be enlightened, heed only one side and you will be benighted." But our comrades often look at problems one-sidedly, and so they often run into snags. In the novel Shui Hu Chuan, Sung Chiang thrice attacked Chu Village. Twice he was defeated because he was ignorant of the local conditions and used the wrong method. Later he changed his method; first he investigated the situation, and he familiarized himself with the maze of roads, then he broke up the alliance between the Li, Hu and Chu Villages and sent his men in disguise into the enemy camp to lie in wait, using a stratagem similar to that of the Trojan Horse in the foreign story. And on the third occasion he won.

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She’s entered a dark place, and you must try to guide her through it,” Shane said. “On the mountain, your mom was facing physical danger, but now she’s facing relentless sorrow—a formidable opponent for even the strongest individuals. This is a defining point in your mom’s life. Either this situation will force her to find the wisdom she seeks, or she’ll fall prey to the darkness.” “That’s why before I crossed over, I left my mom a message in my journal: Everything is a gift, even pain, and with these gifts, we pursue knowledge and eradicate hate. I knew she’d be facing this nightmarish journey, and I hoped it would help give her the strength to overcome the challenges,” Isaac said. “It seems counterintuitive, but sometimes pain can lead people to surprising gifts. I learned this from being a special needs kid. When you’re ridiculed for your disabilities, it causes one to do a lot of soul searching. Physical pain is a warning sign to help prevent someone from injuring themselves, whereas emotional pain can force people out of their comfort zones and cause them to reevaluate their perspectives on issues they’re struggling with. In doing so, they can find valuable insights, clarity of mind, and wisdom. In this way, pain is a bridge to obtaining those gifts. When people are content, they have little reason to reevaluate their perspectives. As a result, they’re less likely to find the priceless gifts that are theirs for the taking. Although this concept is challenging, especially when we’re in the eye of the storm, sometimes we learn the most from difficult journeys. . . . It’s easier to appreciate once the storm has passed, but you already know this.

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Something that I repeat over is resist nothing. Which seems so silly but to me it’s a real key to happiness. Richard Rohr says love is learning to say yes to what is. It is madness, as Eckhart Tolle says to resists what is happening. So there’s an unpleasant thing happening – a flight has been delayed, but the suffering happens when you start constructing a story. And this is where suffering comes. It’s your attachment to how you think things should be. And then you start going: I’m going to miss this thing, or, I’m going to be late to the dinner and damn it, my ticket cost this much. This is the narrative that we build. One of my mantras that I repeat all the livelong isn’t just resist nothing, but it’s yes thank you. And I can’t tell you what a shortcut to peace – real peace, not story peace – I am being peaceful – but actually surrender peace, is “yes, thank you.” So here’s the thought - this guy’s being an asshole to me and I’m clinging onto it. Suffering is like sandpaper and it’s buffing me and it called bullshit on me. And I was like thank you. As soon as you say, yes, thank you, it’s still there, but you’re giving it space. You’re going, all right, what do you got for me? After the show, suddenly I am the coolest person in the world. And I caught myself feeling special, but even more dangerously, feeling worthy of love. And my ego’s going: “that’s right, you love me now, don’t you? HAHAHA!” As Maya Angelou said, you can’t pick it up, you can’t put it down. Don’t take any of it. This is for everybody not just comedians and authors. You need to find a quiet place inside where just the fundamental fact that you are participating in reality is enough value and dignity to draw upon at any moment, and it’s not because you had a good set and now they’re interested in you. And just on the other side of the coin, you’re not unworthy because somebody said you suck. Neither. Both are phenomenon in your consciousness, and you are the quiet thing witnessing. Look at Pete he thinks he’s special. Look at Pete he thinks he’s a piece of shit. Fuck both of that. That’s all just the story. It’s all buying into something that’s causing a lot of suffering. At the end of the day it is very practical to step back and go, who’s noticing this frustration? And when you can rest in that, it doesn’t become about which set of beliefs you have, which church you belong to, which symbol system or god you like to envision. It’s about you experiencing flow and love and peace now. Yes, thank you! Because suffering is the only way we get things done. Richard Rohr says - you only change through suffering, otherwise why would you change? You’re going around being an asshole. And it is working. You need to suffer, something had to happen that needs to be something that takes you out of yourself – something that breaks you out of your identification with the story and your own belief in your worthiness that’s based on other people’s opinion of you. Fuck that shit! 100 years - all new people. You’ve gotta be worth something more than just the thoughts of the mammals that happen to be walking around on this space rock right now. That sucks. That’s a winless game. It’s a waste of time.

Something that I repeat over is resist nothing. Which seems so silly but to me it’s a real key to happiness. Richard Rohr says love is learning to say yes to what is. It is madness, as Eckhart Tolle says to resists what is happening. So there’s an unpleasant thing happening – a flight has been delayed, but the suffering happens when you start constructing a story. And this is where suffering comes. It’s your attachment to how you think things should be. And then you start going: I’m going to miss this thing, or, I’m going to be late to the dinner and damn it, my ticket cost this much. This is the narrative that we build. One of my mantras that I repeat all the livelong isn’t just resist nothing, but it’s yes thank you. And I can’t tell you what a shortcut to peace – real peace, not story peace – I am being peaceful – but actually surrender peace, is “yes, thank you.” So here’s the thought - this guy’s being an asshole to me and I’m clinging onto it. Suffering is like sandpaper and it’s buffing me and it called bullshit on me. And I was like thank you. As soon as you say, yes, thank you, it’s still there, but you’re giving it space. You’re going, all right, what do you got for me? After the show, suddenly I am the coolest person in the world. And I caught myself feeling special, but even more dangerously, feeling worthy of love. And my ego’s going: “that’s right, you love me now, don’t you? HAHAHA!” As Maya Angelou said, you can’t pick it up, you can’t put it down. Don’t take any of it. This is for everybody not just comedians and authors. You need to find a quiet place inside where just the fundamental fact that you are participating in reality is enough value and dignity to draw upon at any moment, and it’s not because you had a good set and now they’re interested in you. And just on the other side of the coin, you’re not unworthy because somebody said you suck. Neither. Both are phenomenon in your consciousness, and you are the quiet thing witnessing. Look at Pete he thinks he’s special. Look at Pete he thinks he’s a piece of shit. Fuck both of that. That’s all just the story. It’s all buying into something that’s causing a lot of suffering. At the end of the day it is very practical to step back and go, who’s noticing this frustration? And when you can rest in that, it doesn’t become about which set of beliefs you have, which church you belong to, which symbol system or god you like to envision. It’s about you experiencing flow and love and peace now. Yes, thank you! Because suffering is the only way we get things done. Richard Rohr says - you only change through suffering, otherwise why would you change? You’re going around being an asshole. And it is working. You need to suffer, something had to happen that needs to be something that takes you out of yourself – something that breaks you out of your identification with the story and your own belief in your worthiness that’s based on other people’s opinion of you. Fuck that shit! 100 years - all new people. You’ve gotta be worth something more than just the thoughts of the mammals that happen to be walking around on this space rock right now. That sucks. That’s a winless game. It’s a waste of time.