Dances With Wolves Love Quotes

We've searched our database for all the quotes and captions related to Dances With Wolves Love. Here they are! All 19 of them:

Buy a gift for a dog, and you'll be amazed at the way it will dance and swerve its tail, but if don't have anything to offer to it, it won't even recognize your arrival; such are the attributes of fake friends.
Michael Bassey Johnson
To love means to embrace and at the same time to withstand many endings, and many many beginnings—all in the same relationship.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
He had fallen in love with this wild, beautiful country and everything it contained. It was the kind of love people dream of having with other people: selfless and free of doubt, reverent and everlasting.
Michael Blake (Dances with Wolves)
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track. My thoughts were flashes in between the downbeats. beat: my hand pressed on Cole's stomach beat: our hips crushed together beat: Cole's laugh beat: we were one person Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies. When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart. "You're an addiction," I told him. "You should know.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Call it inevitable, call it the doomed fate of love. Call it karmic, fucked up, the dance of the wolves. Live it, love it, call it life. Call it Led Zeppelin. Yeah, yeah. Really, I don’t really, really don’t fucking care.
Rebecca Godfrey (The Torn Skirt)
I will howl with the wolves, soar above the eagles and roam wild with the Mustang. I will breathe life into the sunrise atop a mountain, bathe naked in the streams, dance in the sunset and love beneath the stars, travelling far and wide, seeking new experiences with those who dare to run with the wind, dare to touch the storm that is me...
Virginia Alison
My own mother warned me I would have no life with a Suli, that she and my father would turn their backs on us. But I didn’t care. I was in love. We met by moonlight. We danced to the music his brothers played. I thought love would be our armor, wings to fly with, a shield against the world.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I have waltzed with wolves and howled at the moon. But my heart will always remember the slow-dance that ended much too soon.
Alfa Holden (Abandoned Breaths)
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
Jeanette LeBlanc
The body is a multilingual being. It speaks through its colour and its temperature, the flush of recognition, the glow of love, the ash of pain, the heat of arousal, the coldness of non-conviction. It speaks through its constant tiny dance, sometimes swaying, sometimes a-jitter, sometimes trembling. It speaks through the leaping of the heart, the falling of the spirit, the pit at the centre, and rising hope. The body remembers, the bones remember, the joints remember, even the little finger remembers. Memory is lodged in pictures and feelings in the cells themselves. Like a sponge filled with water, anywhere the flesh is pressed, wrung, even touched lightly, a memory may flow out in a stream.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Lieutenant Dunbar had fallen in love. He had fallen in love with this wild, beautiful country and everything it contained. It was the kind of love people dream of having with other people: selfless and free of doubt, reverent and everlasting. His
Michael Blake (Dances With Wolves (Dances With Wolves Series Book 1))
The Lakota unburdened themselves of hair, of fingers, cut into their flesh to temporarily escape the grief of a loved one’s death. I saw this on A Man Called Horse and in Dances with Wolves. But as far as I knew, no one in my immediate family had ever done this. My mother was worth far more than a hank of hair. She was worth my spine. My eyes. My womb.
Tiffany Midge (Bury My Heart at Chuck E. Cheese's)
When women do not speak, when not enough people speak, the voice of the Wild Woman becomes silent, and therefore the world becomes silent of the natural and wild too. Silent, eventually, of wolf and bear and raptors. Silent of singings and dancing's and creations. Silent of loving, repairing, and holding. Bereft of clear air and water and the voices of consciousness.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
in this moment of orangutans, wolves, and scavengers, of high heat redesigning the north & south poles and the wanderings of new tribes in limousines, with the confirmations of liars, thieves, and get-over artists, in the wilderness of pennsylvania avenue, standing rock, misspelled executive orders on yellow paper with crooked signatures. where are the kind language makers among us? at a time of extreme climate damage, deciphering fake news, alternative truths, and me-ism you saw the twenty-first century and left us not on your own accord or permission. you have fought and fought most of the twentieth century creating an army of poets who learned and loved language and stories of complicated rivers, seas, and oceans. where is the kind green nourishment of kale and wheatgrass? you thought, wrote, and lived poetry, knew that terror is also language based on denial, first-ism, and rich cowards. you were honey and yes to us, never ran from Black as in bones, Africa, blood and questioning yesterdays and tomorrows. we never saw you dance but you had rhythm, you were a warrior before the war, creating earth language, uncommon signs and melodies, and did not sing the songs of career slaves. keenly aware of tubman, douglass, wells-barnett, du bois, and the oversized consciousness and commitment of never-quit people religiously taking note of the bloodlust enemies of kindness we hear your last words: america if you see me as your enemy you have no friends.
Haki R. Madhubuti
the re-creator; all of these in cycle. Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many many endings, and many many beginnings—all in the same relationship. The process is complicated by the fact that much of our overcivilized culture has a difficult time tolerating the transformative. But there are better attitudes with which to embrace the Life/Death/Life nature. Throughout the world, though it is called by different names, many see this nature as un baile con La Muerte, a dance with death; Death as a dancer, with Life as its dance partner.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
We are the wolves, the hunted and the hounds. In the face of religion, we stand our ground. For too long we've been told what we should believe, But our hearts and our souls will never deceive. We reject the dogma and the fear they instill. We refuse to be bound by their holy will. We embrace our freedom, our love, and our truth. And we'll fight till the end, for the right to choose. We'll howl at the moon, and dance in the night. We'll live our lives, without fear or fright. We'll break the chains, and shatter the mold. For we are the wolves, fierce and bold. So let them come, with their crosses and their swords, We'll stand our ground, and we'll face their hoards. For we are the wolves, the hunters of our fate, and we'll never bow down, to their religious hate.
D. L. Lewis
L’Énigme was a princess exiled for falling in love with a British nobleman; a demoness let loose upon the streets of Paris. L’Énigme was a heartless temptress who danced because the snap of some poor man’s heart between her teeth was far better than any coin.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
The body is a multilingual being. It speaks through its color and its temperature, the flush of recognition, the glow of love, the ash of pain, the heat of arousal, the coldness of nonconviction. It speaks through its constant tiny dance, sometimes swaying, sometimes a-jitter, sometimes trembling. It speaks through the leaping of the heart, the falling of the spirit, the pit at the center, and rising hope.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
Poem - Freedom XCIII From the divine orgy The suicidal came But what gods would Be? If not ashes From a forgotten Fenix “I believed in the love Of a fallen angel And as an ashen maggot Which crawls on Christ’s Dirty wounds He stabbed me But the Devil laughed And danced by my side He showed me his helping hand So I could live another day Depression probed me On the house’s dark corners And every time The Devil slept She would come to torment me I screamed and cried in despair But no god could hear me (…) The anxiety would proclaim curses That not even Judas would dare; Bent in my knees With antidepressants in my hands I threw myself at an abysm of a Insanity overdose I crossed the same path as Christ Where he carried the human’s cross And I found him hanged In a tree of lies With a note at his feet- Dance with me And I’ll give you the strength to keep going- Believe in the beast which lives Inside the men And light in you the morning star’s light I got up Drowning in my own blood And proclaimed My scream of freedom- of love! I only want orgies! – From gods I only want the human corruption The deaf depression Which crawled in my disgusting dreams As I proclaimed In front of the mirror of life My desire to live And without noticing She put a rope around my neck… I feel my body struggling In a deep despair Today I die! But I’ll tell Christ That his sons did not honored his suicide Today! I die for myself When the pigs grunt And the wolves howl I’ll be free from life! Which I was condemned to live - Gerson De Rodrigues
Gerson De Rodrigues (Poesias & Maldições Vol.1)