D Spade Quotes

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Spade-“If you’d refrain from slamming my face any more into this dirty rock floor, I’ll do whatever you like,” was his even reply. “Fancy letting my head go?” Cat-“Sure,” I said with an unpleasant snicker, not relinquishing an ounce of pressure. “How about I let you floss with my jugular as well? I don’t think so.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
She'd suggested that he observe other teens for social cues, and he'd done the job in spades. Yesterday after spending the afternoon with the track team, Aelyx had smacked her on the back and yelled, "Good hustle!" after she jogged up the front porch steps.
Melissa Landers (Alienated (Alienated, #1))
You'll always love him" he said, as if he'd read her mind. "That doesn't die just because he did, or because you now love me. Your love for him is part of who you are. It's a beautiful part, Denise. Don't be sad of it, and I will never be jealous of it". Denise's eyes overflowed again. Spade was right.
Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
Brigid O'Shaughnessy: “I haven't lived a good life. I've been bad, worse than you could know.” Sam Spade “You know, that's good, because if you actually were as innocent as you pretend to be, we'd never get anywhere
Dashiell Hammett (The Maltese Falcon)
How very kind of her, ' I said. 'I must remember to send her a card.' I'd send her a card alright. It would be the Ace of Spades, and I'd mail it anonymously from somewhere other than Bishop's Lacey.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
I'm glad you're still upright, Charles, and the only reason you are is because she didn't have any silver. She'd have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards." "That's uncalled for!" I said, insulted at the suggestion that I was homicidal. "Right." Bones let that go. "Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I've been telling you about. You can see for yourself that everything I've said is... an understatement.
Jeaniene Frost
I'd always been leery of Eric, but I'd appreciated his mischief, his single-mindedness, and his flair. If you could a vampire had jois de vivre, Eric had it in spades. -Sookie
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Yes!" He says. "Fear is an excellent motivator. I find that it really brings out the true ingenuity of a creature.
M.D. Elster (Four Kings)
You know, I used to sweat sometimes when I was digging. My rheumatism would pull at my leg, and I would damn myself for a slave. And now, do you know, I'd like to spade and spade. It's beautiful work. A man is free when he is using a spade. And besides, who is going to prune my trees when I am gone?
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Well if you would like to climb your pretty ass up on the kitchen table, I’d be more than obliged to eat you.” -Daxton, In spades The only one thing that I knew for sure, I was drawn to Daxton much like a moth to a flame and I welcomed the burn. -Avalynn, In Spades
K. Pinson (In Spades (Mirrored, #1))
You hunt... Your fellow creatures?" I ask, still in disbelief. "Of course. A hunt is only as interesting as the prey is clever!
M.D. Elster (Four Kings)
Haste and panic were poor traveling companions, and this trip he'd reaped the consequences in spades.
Laura Frantz (Love's Reckoning (The Ballantyne Legacy, #1))
You'd never get Burle to behave decently. When a man sank as low as that, the only thing to do was to throw a spadeful of mud over him and get rid of him like the rotting carcass of some poisonous beast. And even if you shoved his nose in his own shit, he'd only start again the next day and end up stealing a few sous to buy sticks of barley sugar for lice-ridden little beggar-girls.
Émile Zola (The Attack on the Mill and Other Stories)
I can see him now in his cart pulled by two deer, followed by a couple of servants. Once carried enough wine to kill Liu Ling, and the other carried a spade to bury him on the spot – so much for Confucian ceremony. When I came to call, he’d greet me stark naked and I can still hear him scream, “The universe is my dwelling place and my house is my only clothes! Why are you entering into my pants?
Barry Hughart
Ago era Robb, Bran, Rickon, sua madre, suo padre e anche Sansa. Ago erano le pareti grigie di Grande Inverno e le risate della sua gente. Ago erano le nevicate estive, le storie della vecchia Nan, era l'albero-cuore con le sue foglie rosse e il terribile volto scolpito nel legno, era l'odore caldo di terra dei giardini coperti, il vento del Nord che faceva sbattere le imposte della sua stanza. Ago era il sorriso di Jon Snow. "Mi spettinava e mi chiamava sorellina" ricordò, e d'un tratto le si riempirono gli occhi di lacrime.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
America's industrial success produced a roll call of financial magnificence: Rockefellers, Morgans, Astors, Mellons, Fricks, Carnegies, Goulds, du Ponts, Belmonts, Harrimans, Huntingtons, Vanderbilts, and many more based in dynastic wealth of essentially inexhaustible proportions. John D. Rockefeller made $1 billion a year, measured in today's money, and paid no income tax. No one did, for income tax did not yet exist in America. Congress tried to introduce an income tax of 2 percent on earnings of $4,000 in 1894, but the Supreme Court ruled it unconstitutional. Income tax wouldn't become a regular part of American Life until 1914. People would never be this rich again. Spending all this wealth became for many a more or less full-time occupation. A kind of desperate, vulgar edge became attached to almost everything they did. At one New York dinner party, guests found the table heaped with sand and at each place a little gold spade; upon a signal, they were invited to dig in and search for diamonds and other costly glitter buried within. At another party - possibly the most preposterous ever staged - several dozen horses with padded hooves were led into the ballroom of Sherry's, a vast and esteemed eating establishment, and tethered around the tables so that the guests, dressed as cowboys and cowgirls, could enjoy the novel and sublimely pointless pleasure of dining in a New York ballroom on horseback.
Bill Bryson (At Home: A Short History of Private Life)
Charlotte smiled. She collected rumors the way some girls liked to accumulate dolls, recording the juicier details into a small notebook she kept. (Rumors were the only commodity that Lowood had in spades.) If the rumor were good enough, perhaps she'd compose a story about it later, to tell to her sisters at bedtime. But the death of Mr. Brocklehurst was much better than mere gossip passed around by a gaggle of teenage girls. It was a genuine, bona fide mystery. The very best kind of story.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
He'd folded the card into a shape that clearly resembled a lizard, with one spade as its eye.
Virna DePaul (This Magic Moment (Bedding the Bachelors, #1; Dalton Brothers, #1))
The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.
Ethel Waters
All my life, I’d felt incomplete—trapped inside a fleshy shell, not knowing how to escape. It turns out, all I needed was one singular…spark.
Carly Spade (Apollo (Contemporary Mythos, #2))
Sempre,sempre le strade vanno avanti, su rocce e sotto piante, a costeggiare antri che di ogni luce son mancanti, lungo ruscelli che non vanno al mare, sopra la neve che d'inverno cade, in mezzo ai fiori felici dell'estate, sopra la pietra e prati di rugiade sotto montagne di lune inondate. Sempre,sempre le strade vanno avanti sotto le nubi e la volta stellata, ma i piedi incerti,nel cammino erranti volgono infine alla dimora amata. Gli occhi che han visto spade e fiamme ardenti ed in sale di pietra orrori ignoti, guardano infine i pascoli ridenti e gli alberi ed i colli tanto noti
J.R.R. Tolkien
My heart beats double time. The look in his eyes as he gazes down at me is everything I could have asked for. Everything I’d given up hoping I’d ever get from this man. And now here he is, giving it to me in spades.
Kylie Scott (Lies)
The advisors, on the other hand, were like older brothers and sisters. My favorite was Bill Symes, who'd been a founding member of Fellowship in 1967. He was in his early twenties now and studying religion at Webster University. He had shoulders like a two-oxen yoke, a ponytail as thick as a pony's tail, and feet requiring the largest size of Earth Shoes. He was a good musician, a passionate attacker of steel acoustical guitar strings. He liked to walk into Burger King and loudly order two Whoppers with no meat. If he was losing a Spades game, he would take a card out of his hand, tell the other players, "Play this suit!" and then lick the card and stick it to his forehead facing out. In discussions, he liked to lean into other people's space and bark at them. He said, "You better deal with that!" He said, "Sounds to me like you've got a problem that you're not talking about!" He said, "You know what? I don't think you believe one word of what you just said to me!" He said, "Any resistance will be met with an aggressive response!" If you hesitated when he moved to hug you, he backed away and spread his arms wide and goggled at you with raised eyebrows, as if to say, "Hello? Are you going to hug me, or what?" If he wasn't playing guitar he was reading Jung, and if he wasn't reading Jung he was birdwatching, and if he wasn't birdwatching he was practicing tai chi, and if you came up to him during his practice and asked him how he would defend himself if you tried to mug him with a gun, he would demonstrate, in dreamy Eastern motion, how to remove a wallet from a back pocket and hand it over. Listening to the radio in his VW Bug, he might suddenly cry out, "I want to hear... 'La Grange' by ZZ Top!" and slap the dashboard. The radio would then play "La Grange.
Jonathan Franzen (The Discomfort Zone: A Personal History)
Belle Robinson, you have a problem. I’d ask your boyfriend and his bestie, Chiamaka, what they were doing this summer. Hint, it involves no clothes and a lot of heavy petting. Looks like Chi might have someone to take to the Snowflake Ball after
Faridah Àbíké-Íyímídé (Ace of Spades)
My shriek was hidden by the cries of the vultures who had been waiting unnoticed in the trees until this very moment, but now they looked as if they’d conspired against me and held out just long enough for me to pull the thin paper from her hand.
J.H. Spade (Primeval Sacrifice (Immortal Shadow #1; Blood Thirst Affair #0))
perfectly. Maybe the piece I’d failed to connect was the one where I thought that Jamie was any different from Ava or Ruby. That he ever really loved me or valued our friendship. Nothing he ever told me was true. I was stupid not to have realized that sooner, blinded by the idea that
Faridah Àbíké-Íyímídé (Ace of Spades)
I knew I wasn't second best for Tim (just as I knew that in real life, Jolene's flaming locks and eyes of emerald green stood no change against the aces of spades that was Dolly Parton's chest), but it took some believing, because I'd been second best to my sister for most of my life. That shakes your faith in yourself.
Anna Maxted (A Tale of Two Sisters)
Who came up with the password Quasimodo?” Spade muttered as he got out of his car. “Hello, Spade,” I called out, shaking the debris off the rake I’d made from thin strips of metal and a truck axle. Spade stared up at me, revulsion and disbelief competing on his handsome face. “Lucifer’s hairy ball sack. You’ve become a Morlock.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
A Spade brother: A Lord is placed strategically out into the world. But no Lord is safe from their own if they break their oath. If you don’t believe in hell, the Spade brothers will change your mind. They are a special kind of Lord. They will sit on their thrones and watch you burn to death for eternity with the fire they started.
Shantel Tessier (Carnage (L.O.R.D.S., #5))
Daniel had known Zephyr since she was seven. He used to sit in the living room while she and Trixie performed the cheerleading moves they'd made up during an afternoon of play or lip-synched to the radio, or presented tumbling routines. He could practically still hear them doing a hand-clapping game: "The spades go eeny-meeny pop zoombini.
Jodi Picoult (The Tenth Circle)
Was I bothered by what had just happened? Sure. Was I feeling a little Sam Spade-ish? You're damn right I was. The tingly-fuzzy feeling was telling me that I hadn't hit either of the men with a fatal shot and that I'd handled the situation perfectly. "It was kind of bad-ass," Albert mumbled. I could only grin at that. I'd just been thinking the same thing. “You’re
Wayne Lemmons (Not This Thursday)
Because it’s true: more than the highlights, the bright events, it was in the small and the daily where she’d found life. The hundreds of times she’d dug in the soil of her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell, delineated the warmth she’d found in that house in the cherry orchard.
Lauren Groff (Fates and Furies)
Tool lists from the fourteenth century indicate that pitchforks, spades, axes, plows, and harrows, which have teeth to break up soil, were widely used. Both plows and harrows could be pushed or pulled by peasants. However, during the Renaissance an increasing number of farms used horses for such tasks, as well as for pulling carts that would take surplus food to market in nearby towns.
Patricia D. Netzley (Life During Renaissance (The Way People Lived))
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
Lauren Groff (Fates and Furies)
She wasn’t going to let them make her cry. She’d cried enough self-pitying tears in her life to drown a goat, and all it had gotten her was a big fat nothing. She made herself take a deep breath, but it didn’t help break the traffic jam in her throat. Might as well call a spade a spade. That traffic jam came from shame. There was a big difference between knowing people still hated your guts and seeing it in their faces.
Susan Elizabeth Phillips (Ain't She Sweet?)
If her father didn't think it proper to teach a girl about horse breeding and economics, she'd simply teach herself. Books didn't care if she wore skirts instead of trousers. Their knowledge belonged to anyone with the courage to open their covers. And she had courage in spades. The size of the tome or the length of the words didn't dissuade her. She pursued them all, though the treatises on commerce quickly grew tedious. The books on animal husbandry, however, fascinated her and beckoned her back again and again. God's creation was a marvelous machine, each cog and gear accomplishing a unique purpose within its own sphere that then affected the health and function of the overall animal. Those early forays into her father's study had lit a fire within her to understand the workings not only of four-legged creatures, but two-legged ones as well.
Karen Witemeyer (At Love's Command (Hanger's Horsemen, #1))
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
When I was a young man, I loved to write poems And I called a spade a spade And the only only thing that made me sing Was to lift the masks at the masquerade. I took them off my own face, I took them off others too And the only only wrong in all my song Was the view that I knew what was true. Now I am older and tireder too And the tasks with the masks are quite trying. I’d gladly gladly stop if I only only knew A better way to keep from lying, And not get nervous and blue When I said something quite untrue: I looked all around and all over To find something else to do: I tried to be less romantic I tried to be less starry-eyed too: But I only got mixed up and frantic Forgetting what was false and what was true. But tonight I am going to the masked ball, Because it has occurred to me That the masks are more true than the faces: —Perhaps this too is poetry? I no longer yearn to be naïve and stern And masked balls fascinate me: Now that I know that most falsehoods are true Perhaps I can join the charade? This is, at any rate, my new and true view: Let live and believe, I say. The only only thing is to believe in everything: It’s more fun and safer that way!
Delmore Schwartz
Zen often compares the mind to a mirror free from stains. To be simple, therefore, according to Zen, will be to keep this mirror always bright and pure and ready to reflect simply and absolutely whatever comes before it. The result will be to acknowledge a spade to be a spade and at the same time not to be a spade. To recognize the first only is a common-sense view, and there is no Zen until the second is also admitted along with the first. The common-sense view is flat and tame, whereas that of Zen is always original and stimulating. Each time Zen is asserted things get vitalized; there is an act of creation.
D.T. Suzuki (An Introduction to Zen Buddhism)
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
Queer Squatters of Apple Island! Queer of Spades! he thought. (His friend the old widower he’d known since the war had told him about the article in the paper and the postcards in the general store.) That’s right; I am queer, from queer folk, queer stock. The very queerest. Here we are, stuck on an island, a hollow, a swamp, the desert, no sooner settled than banished again. You bet I’m queer. I’m no landlord nor lawyer, no duke nor lord of the looms. I’m no cap doffer, no knee bender, no flattering stooge. I draw no writs; I pass no judgments. I set no seals. I tip no scales. No, not me; I’m queer. I’m queer for my self, for my selfhood, queer for this queer self I find myself to be, queer with strange appetites,
Paul Harding (This Other Eden)
Only then did Shukhov catch on to what was up. He glanced at Kilgas. He'd understood, too. The roofing felt. Der had spotted it on the windows. Shukhov feared nothing for himself. His squad leader would never give him away. He was afraid for Tiurin. To the squad Tiurin was a father, for them he was a pawn. Up in the North they readily gave squad, leaders a second term for a thing like this. Ugh, what a face Tiurin made. He threw down his trowel and took a step toward Der. Der looked around. Pavlo lifted his spade. He hadn't grabbed it for nothing. And Senka, for all his deafness, had understood. He came up, hands on hips. And Senka was built solid. Der blinked, gave a sort of twitch, and looked around for a way of escape. Tiurin leaned up against him and said quite softly, though distinctly enough for everyone to hear: "Your time for giving terms has passed, you bastard. If you say one word, you blood-sucker, it'll be your last day on earth. Remember that." Tiurin shook, shook uncontrollably. Hatchet-faced Pavlo looked Der straight in the eyes. A look as sharp as a razor. "Now, men, take it easy." Der turned pale and edged away from the ramp. Without another word Tiurin straightened his hat, picked up his trowel, and walked back to his wall. Pavlo, very slowly, went down the ramp with his spade. Slo-o-owly. Der was as scared to stay as to leave. He took shelter behind Kilgas and stood there. Kilgas went on laying blocks, the way they count out pills at a drugstore--like a doctor, measuring everything so carefully--his back to Der, as if he didn't even know he was there. Der stole up to Tiurin. Where was all his arrogance? "But what shall I tell the superintendent, Tiurin?". Tiurin went on working. He said, without turning his head: "You will tell him it was like that when we arnved. We came and that's how it was." Der waited a little longer. They weren't going to bump him off now, he saw. He took a few steps and puthis hands in his pockets. "Hey, S 854," he muttered. "Why are you using such a thin layer of mortar?" He had to get back at someone. He couldn't find fault with Shukhov for his joints or for the straightness of his line, so he decided he was laying the mortar too thin.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
Elle’s chin lifted. “I just told you how you could put your hands on me. One night. None of this dating bullshit.” A harsh noise came out of my throat, because the woman could be infuriating. I’d never thrown out an offer like this and having it pitched back in my face sucked ass. “Tell me why. What’s your hang up, woman? I get that I’m fucked up in a helluva lot of ways, but I’m not a bad guy. I don’t even deserve a shot?” The ice in her expression melted a degree. “It’s not you—” My laugh was gravelly. “Let me guess, it’s you?” That ice? It was back, in spades. She pivoted for the door, but I moved faster. I trapped her against it, a hand pressed to the wood on either side of her fiery red hair. “You’re going to tell me why before you leave this room.” “You’re not a bad guy? Just the kind that traps women against their will in a room they want to leave?” I smiled. “Not women—just you.” This time it was Elle who growled. She shoved against my chest, but I was an immovable rock where she was concerned. I didn’t budge. “You’re a caveman too, just like your brother, aren’t you? I’ve heard the stories. Is this a genetic issue?
Meghan March (Beneath These Chains (Beneath, #3))
Then one night he brought home a beautiful red-haired woman and took her into our bed with me. She was a high-class call girl employed by the well-known Madame Claude. It never occurred to me to object. I took my cues from him and threw myself into the threesome with the skill and enthusiasm of the actress that I am. If this was what he wanted, this was what I would give him—in spades. As feminist poet Robin Morgan wrote in Saturday’s Child on the subject of threesomes, “If I was facing the avant-garde version of keeping up with the Joneses, by god I’d show ’em.” Sometimes there were three of us, sometimes more. Sometimes it was even I who did the soliciting. So adept was I at burying my real feelings and compartmentalizing myself that I eventually had myself convinced I enjoyed it. I’ll tell you what I did enjoy: the mornings after, when Vadim was gone and the woman and I would linger over our coffee and talk. For me it was a way to bring some humanity to the relationship, an antidote to objectification. I would ask her about herself, trying to understand her history and why she had agreed to share our bed (questions I never asked myself!) and, in the case of the call girls, what had brought her to make those choices. I was shocked by the cruelty and abuse many had suffered, saw how abuse had made them feel that sex was the only commodity they had to offer. But many were smart and could have succeeded in other careers. The hours spent with those women informed my later Oscar-winning performance of the call girl Bree Daniel in Klute. Many of those women have since died from drug overdose or suicide. A few went on to marry high-level corporate leaders; some married into nobility. One, who remains a friend, recently told me that Vadim was jealous of her friendship with me, that he had said to her once, “You think Jane’s smart, but she’s not, she’s dumb.” Vadim often felt a need to denigrate my intelligence, as if it would take up his space. I would think that a man would want people to know he was married to a smart woman—unless he was insecure about his own intelligence. Or unless he didn’t really love her.
Jane Fonda (My Life So Far)
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman
FALLAS, IL PROCURATORE DI STATO Io, che brandivo il flagello, che spaccavo le bilance, che percuotevo con fruste e spade; io, che odiavo i contravventori della legge; io, il legalista, inesorabile e amaro, che spinsi i giurati a impiccare quel pazzo di Barry Holden, divenni come uno ucciso da una luce troppo abbagliante, e mi svegliai in faccia a una Verità dalla fronte sanguigna; forcipi d'acciaio maneggiati malamente da un dottore contro la testa del mio bimbo che nasceva lo resero idiota. Per curarlo e accudirlo mi diedi a libri di scienza. Ecco come il mondo di coloro che hanno mente malata divenne il mio compito e tutto il mio mondo. Povero ragazzo distrutto! Tu fosti, alla fine, il vasaio, ed io, in tutti i miei atti di carità, il vaso sotto le tue mani.
Edgar Lee Masters (Spoon River Anthology)
«Oh, a momenti dimenticavo...» le disse. «Tutte le grandi spade hanno un nome.» «Come Ghiaccio» convenne Arya studiando la sua lama. «E questa? Ce l'ha, un nome? Dimmelo, Jon!» «Non indovini?» fece lui con un sorriso ironico. «Qual è la tua cosa preferita?» Arya apparve perplessa, ma non durò che un batter d'occhi perché era rapida, molto rapida. Dissero in coro anche questo: «Ago!». Il ricordo della loro ultima risata insieme riscaldò Jon Snow per tutta la lunga cavalcata averso settentrione.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The sound of the gunshot in that narrow tunnel was like being inside a thunderbolt. I held my eyes closed, my fingers still clinging to the barrel. "Ow!" the Mad Hatter shouted a distance ahead. "That thing is loud!" I opened my eyes. Nine of Spades lay in front of me. He didn't move. "Heh. You've got quite a roar, little lion. I've never seen a lion's roar do that, but I've never seen an elephant fit in a tin can either.
David D. Hammons
She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.
Shannon Hale (Austenland (Austenland, #1))
Roger’s eyes metronomed over the girl, restless, lingering longest on the spade of her crotch, nearly visible under her cheap black robes. The girl was thin. Chopstick thin without the barest netting of fat. I remember thinking, with some kind of sororal regret, that she’d shrivel in a few years. Just like I had. Not that it mattered. Not that this mattered. When we wrapped up this project, I was gone. Back to New York and its skyscrapers and its smiling, shining, successful, dead-eyed hopefuls.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
A psychopath has charm in spades, and this is attractive to a weaker man; he may look up to him. In this case they usually go along with them and get dragged into their world without really understanding the reason.
D.K. Hood (Her Broken Wings (Detectives Kane and Alton, #8))
Cole nodded curtly, wasting no time on platitudes. “I wish to join Dan in publicly calling for international unity at this important time, and I’d like to both applaud and thank him for sharing the official ELF position on that issue. Division does no one any favours, and William Godfrey’s exclusion policy is a crime against humanity which could lead to catastrophic armed conflict if his irresponsible politicking doesn’t end. I hereby call on the likes of Slater, Hearst, and any other GCC national leaders who can find a backbone somewhere to finally call a spade a spade and to call William Godfrey out as the reckless lunatic he is. If the GCC is to continue to exist, its members quite simply must oust the man who is driving them over a cliff because he’s too busy admiring his own reflection in the rear-view mirror to watch the road ahead.
Craig A. Falconer (The Final Call (Not Alone #3; The Contact Trilogy #3))
Respect the suit and its cards beyond all others. Keep the secrets of the suit and all its cards. Once a Spade, always a Spade. Always be ready to help a fellow card. Never aid a Club suit card.
Angela Marsons (Dying Truth (D.I. Kim Stone, #8))
During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership. Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.
Paul Hartford (Waiter to the Rich and Shameless: Confessions of a Five-Star Beverly Hills Server)
I’d tell her to come over at 10 A.M. and she’d roll in at 10:45 with a Starbucks going “The fucking 405 was nuts today!” I would sit there thinking, Well, this isn’t new information. No one ever says, “If you want to save time, take the 405. Best-kept secret in L.A. Shhhh.
David Spade (Almost Interesting)
Yes, my lord, and riding on sleek steel rails in a well-sprung carriage would be the height of comfort. So smooth!” said Moist. “Perhaps people could even sleep in a suitable carriage, if there was such a thing?” he added. He was surprised that he’d said this out loud, but, after all, he was a man who saw possibilities, and now he was seeing them in spades. And he saw the face of Lord Vetinari brighten considerably.
Terry Pratchett (Raising Steam (Discworld, #40))
amount to a fart in a cyclone. His parents and their parson had tried to sell him the same message, binding him to a hardscrabble farm and a church built on strict “thou shalt nots.” Ridgway had kicked over the traces, gone out on his own and proved them wrong. In spades. Once he was rich as Croesus—no, scratch that; richer than Croesus or the Lord Himself—small minds kept after him in other ways. They told him that he should concentrate on oil and gas, stick with the things he knew, where he had proven his ability. Don’t branch out into other fields and least of all space exploration. What did any Texas oil man with a sixth-grade education know about the friggin’ moon and stars beyond it? Next to nothing, granted. But he had money to burn, enough to buy the brains that did know all about the universe and rockets, astrophysics, interplanetary travel—name your poison. And he knew some other things, as well. Ridgway knew that his country had been losing ground for decades—hell, for generations. Ever since the last world war, when Roosevelt and Truman let Joe Stalin gobble up half of the world without a fight. The great U.S. of A. had been declining ever since, with racial integration and affirmative action, gay rights and abortion, losing wars all over Asia and the Middle East. He’d done his best to save America, bankrolling groups that stood against the long slide into socialism’s Sodom and Gomorrah, but he’d finally admitted to himself that they were beaten. His United States, the one he loved, was circling the drain. And it was time to start from scratch. He’d be goddamned if some inept redneck would spoil it now. You want a job done right, a small voice in his head reminded him, do it yourself. San Antonio CONGRESS HAD CREATED the National Nuclear Security Administration in 2000, following the scandal that had enveloped Dr. Wen Ho Lee and the Los Alamos National Laboratory. Lee had been accused of passing secrets about America’s nuclear arsenal to the People’s Republic of China, pleading guilty on one of fifty-nine charges, then turned around
Don Pendleton (Patriot Strike (Executioner Book 425))
He could mentally picture, in great detail, some of the grand, intricately detailed pastries and cakes Lani had constructed at Gateau. Her inspired creations had drawn raves. She hadn't been a Beard nominee during her first year of eligibility for nothing. She'd worked tirelessly to perfect even the tiniest detail, not because the client- or an awards committee- would have noticed, but because it mattered to her that each effort be her best. In fact, it was her work ethic and dedication that had first caught his attention. She wasn't a grandstander, like most with her natural ability, behaving in whatever manner it took to stick out and be noticed. She let her work speak for her. And speak it did. It fairly shouted, in fact. Once he'd noticed, he couldn't help being further captivated by how different her demeanor was from most budding chefs. Bravado, with a healthy dose of self-confidence bordering on arrogance, was a trademark of the profession. Some would say it was a requirement. Leilani's quiet charm, and what he'd come to describe as her relentless calm and ruthless optimism had made an indelible mark on him. She wasn't like any baker he'd ever met, much less any top-notch chef. She cared, she labored- hard- and she lived, breathed, ate, and slept food, as any great chef did. But she was never frantic, never obsessed, never... overwrought, as most great chefs were. That teetering-off-the-cliff verve was the atmosphere he'd lived in, thrived on, almost his entire life. Leilani had that same core passion in spades, but it resided in a special place inside her. She simply allowed it to flow outward, like a quietly rippling stream, steady and true. As even the gentlest flowing stream could wear away the sturdiest stone, so had Leilani worn down any resistance he'd tried to build up against her steady charm... and she'd done it without even trying.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
Truly love is the strongest intoxicant of them all, the drink of deepest oblivion. Else how could I have forgiven him so quickly for what he’d done? No. Love is the spade with which we bury, deep inside our being, the things that we cannot bear to remember, cannot bear anyone else to know. But some of them remain. And they rise to the surface when we least expect them.
Chitra Banerjee Divakaruni (The Forest of Enchantments)
We both laugh, but when she gets closer and his eyes drift over her long, tanned legs, the laugh clogs in my throat. “For real, Matty, I’m gonna fuck you up you keep looking at her like that.” Our eyes connect again and I can’t even hold on to my ire, not with him. Second to Amir, he’s been my ace boom since diaper days. I’d trust him with my life. Growing up in these streets, I’ve had to more than once. Bristol reaches us at the table and stands beside me. I capture her hand and bring it to my lips. “You wanna sit?” I ask her. She looks at the full card table, smiling at the other three guys playing Spades with me. “There’s nowhere to sit.” “As long as I got a lap,” I say, patting my leg, “you got a place to sit.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
With legal spade the gospel field he delves, Who thus drives sinners in unto themselves; Halving the truth that should be all reveal'd, The sweetest part of Christ is oft conceal'd, We bid men turn from sin, but seldom say, Behold the Lamb that takes all sin away! Christ, by the gospel rightly understood, Not only treats a peace, but makes it good. Those suitors therefore of the bride, who hope, By force to drag her with the legal rope, Nor use the drawing cord of conqu'ring grace, Pursue with flaming zeal a fruitless chase; In vain lame doings urge, with solemn awe, To bribe the fury of the fiery law: With equal success to the fool that aims By paper walls to bound devouring flames.
Ralph Erskine (Gospel Sonnets: Or Spiritual Songs in Six Parts)
Flip religion, it was so far out, you couldn’t blame anybody for believing anything…Guys stuck the ace of spades in their helmet bands, they picked relics off of an enemy they’d killed, a little transfer of power; they carried around five-pound Bibles from home, crosses, St. Christophers, mezuzahs, locks of hair, girlfriends’ underwear, snaps of their families, their wives, their dogs, their cows, their cars, pictures of John Kennedy, Lyndon Johnson, Martin Luther King, Huey Newton, the Pope, Che Guevara, the Beatles, Jimi Hendrix, wiggier than cargo cultists. One man was carrying an oatmeal cookie through his tour, wrapped up in foil and plastic and three pair of socks. He took a lot of shit about it. (“When you go to sleep we’re gonna eat your fucking cookie’), but his wife had baked it and mailed it to him, he wasn’t kidding.
Michael Herr (Dispatches)
She didn’t know it yet, but every laugh , every smile, and every fucking blush she wasted on Thor’s stick figure, she’d have to pay back in spades. Or maybe in spanks.
Clara Elroy (Lick of Fire (City of Stars, #3))
We were a deck of cards, a club, a heart, a diamond and a spade, all of us made for dealing in death. I had my Joker, my Jack, my King, and my scruffy little pooch of an Ace. Somehow, I’d become the Queen of all that, and together we made a full house, even if it didn’t look like anyone else’s version, even if it was a jumble of suits and colours. It didn’t make us any less real.
Caroline Peckham (Society of Psychos (Dead Men Walking, #2))
He sank the spade into the soft earth, barely holding it together as he went through the motions of digging his sister’s grave. It was only when he realized just how perfect the spot was that he broke down, sobbing against the pain in his shoulders and back, in his hands and his heart. The sunrise would peek over that valley only a few hours after Misty was in the ground, burning away the hazy purple mist of the night. It would be what she’d see every morning until the end of time.  •
Ania Ahlborn (Brother)
Jack once joked that music to me is like nicotine to a heavy smoker. I’m not a smoker, so I can’t exactly say if that’s true, but sometimes I feel like I’d die without music.
Faridah Àbíké-Íyímídé (Ace of Spades)
I’m one of three kids. All dudes. Bryan, Andy, and David. B.A.D., as my mom joked. (She’s not a pro comedian so I didn’t expect an LOL out of that.)
David Spade (Almost Interesting)
If the deception before D-Day was composed of subtle hints and nudges, the second phase was spoon-fed to the Germans with a spade.
Ben Macintyre (Double Cross: The True Story of the D-Day Spies)
You, Kit Bishop, deserve the real fucking deal. The best kind of love. The constant, unwavering, selfless, for better or worse, never goes away and they'd do anything to see you smile kind of love. And one day, someone is going to come along and give it to you in spades. They're gonna crash right into you and never let go.
Ashley Jade (Bluff (Complicated Parts, #2))
Vorrei pure - lasciami dire - vorrei con te sottobraccio attraversare le grandi vie della città in un tramonto di novembre, quando il cielo è di puro cristallo. Quando i fantasmi della vita corrono sopra le cupole e sfiorano la gente nera, in fondo alla fossa delle strade, già colme di inquietudini. Quando memorie di età beate e nuovi presagi passano sopra la terra, lasciando dietro di se una specie di musica. Con la candida superbia dei bambini guarderemo le facce degli altri, migliaia e migliaia, che a fiumi ci trascorrono accanto. Noi manderemo senza saperlo luce di gioia e tutti saran costretti a guardarci, non per invidia e malanimo; bensì sorridendo un poco, con sentimento di bontà, per via della sera che guarisce le debolezze dell'uomo. Ma tu - lo capisco bene - invece di guardare il cielo di cristallo e gli aerei colonnati battuti dall'estremo sole, vorrai fermarti a guardare le vetrine, gli ori, le ricchezze, le sete, quelle cose meschine. E non ti accorgerai quindi dei fantasmi, né dei presentimenti che passano, né ti sentirai, come me, chiamata a sorte orgogliosa. Né udresti quella specie di musica, né capiresti perché la gente ci guardi con occhi buoni. Tu penseresti al tuo povero domani e inutilmente sopra di te le statue d'oro sulle guglie alzeranno le spade agli ultimi raggi. Ed io sarei solo. E' inutile. Forse tutte queste sono sciocchezze, e tu migliore di me, non presumendo tanto dalla vita. Forse hai ragione tu e sarebbe stupido tentare. Ma almeno, questo sì almeno, vorrei rivederti. Sia quel che sia, noi staremo insieme in qualche modo, e troveremo la gioia. Non importa se di giorno o di notte, d'estate o d'autunno, in un paese sconosciuto, in una casa disadorna, in una squallida locanda. Mi basterà averti vicina. Io non starò qui ad ascoltare - ti prometto - gli scricchiolii misteriosi del tetto, né guarderò le nubi, né darò retta alle musiche o al vento. Rinuncerò a queste cose inutili, che pure io amo. Avrò pazienza se non capirai ciò che ti dico, se parlerai di fatti a me strani, se ti lamenterai dei vestiti vecchi e dei soldi. Non ci saranno la cosiddetta poesia, le comuni speranze, le mestizie così amiche all'amore. Ma io ti avrò vicina. E riusciremo, vedrai, a essere abbastanza felici, con molta semplicità, uomo e donna solamente, come suole accadere in ogni parte del mondo.
Dino Buzzati (La boutique del mistero)
You’re the only person I’d allow to kill me. But deep down, I know that’s not what you want to do, is it, my love?
Kyra Irene (Spades (The Suit's Series Book 1))
She makes me strong.” I shoot him once more in the leg. I don’t know how I missed it before, but it’s true. I have someone to protect now, and that makes me strong. The love I have for her is something I’d start a war for.
Kyra Irene (Spades (The Suit's Series Book 1))
Darling, may I hold your hand? Am I asking too much? Maybe it’s reckless to love, When my heart is made of glass. But if I am to fall, Oh, let it be with you, For I know you’d handle it with care.” He continued, pouring his heart out in the solitude of the sleeping mansion. “Darling, you are the sun when it’s raining, The light when I’m fading, The glimpse of a life I could live. You are the promise of change, Of a soul uncaged, And, darling, I’m dreaming Of a life with you now. Oh, darling, I’m dreaming, Of a life with you now.
Brittany M. Willows (Bloody Spade)
Dad couldn’t even defend me when his family would say racist things to me when I was a child. He’d just watch silently as Grandma would mock me and the way I looked. Said nothing when his family no longer wanted Mom and me to visit. Why would he defend me now?
Faridah Àbíké-Íyímídé (Ace of Spades)
Eve taught me to look at the overall picture, to read the cards as art and intuition as much as a science. Women were more in touch with that innate sense than men. Women resonated with the cards. Rather than read the cards in order, I let the entire pattern seep in. I understood the 8 of Clubs and the Ace of Spades. The Queen of Diamonds, I sensed, would be a real person to provide the essentials of life. Then my heart sank when I saw the two Jacks, the Pretenders, the Liars who would upset my balance on the one hand, and try to exert power over me on the other. They framed the 2 of hearts. The Jacks would jeopardize my love life. I’d have to be wary in that domain. It had been quite a while since I had taken a lover. With this news, I would wait. I’d return to New York City, and meet two people who would be my Ace and my Queen. I took the calendar from the wall near the telephone, and sat down on Nestor’s chair. I stared at it, unbelieving; it had been six months since Nestor’s passing. I had spent half a year sorting through Nestor’s things, working, making no new friends, and taking no lovers. I had performed my duties, including marking the calendar mechanically. I operated in a daze. Several people had asked me if they could help. I didn’t understand, but now I knew. I had lost all sense of time and of myself, and I needed to rejoin life. My nineteenth birthday was just six months away. I would stay in Key West until then. In the interim, I would decide what I wanted to keep from Nestor’s legacy and, as he wished, place the rest.
Robin Ader (Lovers' Tarot)
And it infuriated her, too. She’d been just like Freddie. And she couldn’t see where Jake’s lack of motivation came from. Both she and Steve had the work ethic in spades, but Jake just stood at the foot of the ladder, looking up and shrugging at the idea of climbing.
Fiona Barton (The Child)
Jimmy’s goal since childhood, he explained to Siegel, had been to join the cast of Saturday Night Live. He was endearing. After a two-hour call, Siegel offered to represent him. She had one question, however. “Why don’t you stay and graduate?” Jimmy was a semester shy of a degree. Siegel suggested that they get started in the summer, so he’d have a bachelor’s degree to fall back on, just in case. “No, no,” Jimmy insisted. “I need to get on Saturday Night Live, and you’re going to make it happen, because you know Adam Sandler! I don’t want to do anything else.” Siegel knew this was a long shot—and a long-term endeavor—especially for an out-of-town kid with zero acting credits. But for some reason, she couldn’t turn him down; she had never met someone as focused and passionate about a single dream as this grinning bumpkin from the tiny town of Saugerties, New York. And though his skills were rough, given some time in the industry, she thought he might just make it. “OK, let’s do this,” she said. So, in January 1996 Jimmy quit college and moved to Los Angeles. For six months, Siegel booked him gigs on small, local stand-up comedy stages. Then, without warning, SNL put a call out for auditions; three cast members would be leaving the show. Having worked with one of the departing actors, David Spade, Siegel pulled a few strings and arranged a Hail Mary for the young Jimmy Fallon: an audition at The Comic Strip. SO HERE HE WAS. Fresh-faced, sweating in his light shirt, holding his Troll doll. In front of Lorne Michaels and a phalanx of Hollywood shakers. When Jimmy ended his three-minute bit, the audience clapped politely. True to his reputation, Michaels didn’t laugh. Not once. Jimmy went home and awaited word. Finally, the results came: SNL had invited Tracy Morgan, Ana Gasteyer, and Chris Kattan, each of whom had hustled in the comedy scene for years, to join the cast. Jimmy—the newbie whose well-connected manager had finagled an invite—was crushed. “Was he completely raw? A hundred percent,” Siegel says. But, the SNL people said, “Let’s keep an eye on him.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
She looked up at me like she’d been looking at me all night—with big, hazel doe eyes, and the single thought I’d been trying to avoid since I first laid eyes on her came back in spades. Her, submitting. Under me, over me, on her knees, I didn’t care. I’d imagined a hundred ways to take her, and all of them involved the same thing. Dominating the fuck out of her nervous energy and innocence.
Sybil Bartel (Ruthless (The Alpha Bodyguard Series, #4))
A couple of salmon steaks I'd bought for a shocking amount of money at the Turkish grocery near my office sat on the counter, waiting to be broiled and napped in Sauce à la Moutarde, which is a sort of fake (Julia calls it "mock," but let's call a spade a spade, shall we?) hollandaise sauce, with some mustard stirred in for interest. Slumped beside the fish was a bag of slightly wilted Belgian endive, which I was just going to be braising in butter. Not exactly a demanding menu. Not exactly Foies de Volaille en Aspic, just to cite one example of how I could be living my life more aggressively and bravely and generally being a better person.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
Cortana. Il nome significava semplicemente “spada corta”, ma per Emma non lo era. Lunga quanto il suo avambraccio, di metallo lucente, portava incise parole che non mancavano mai di farle correre brividi lungo la schiena: Il mio nome è Cortana e condivido l’acciaio e la tempra di Gioiosa e Durlindana. Suo padre le aveva spiegato il significato di quella frase quando, a dieci anni, le aveva messo per la prima volta l’arma fra le mani. “Capisci cosa significa quella scritta?” Lei aveva scosso la testa. “Acciaio” le era chiaro, ovviamente, ma “tempra”? Per un uomo significava avere carattere, ma una spada che carattere poteva mai avere? “Hai già sentito parlare della famiglia Wayland” aveva aggiunto lui. “Erano famosi fabbricanti d’armi, prima che le Sorelle di Ferro iniziassero a forgiare tutte le spade degli Shadowhunters. Wayland il Fabbro realizzò Excalibur e Gioiosa, quelle di Artù e di Lancillotto, così come Durlindana, la spada dell’eroe Orlando. E fecero anche Cortana, partendo dallo stesso acciaio. L’acciaio deve sempre essere temprato, cioè sottoposto a un calore quasi in grado di fondere o distruggere il metallo, in modo da renderlo più resistente.” A quel punto le aveva dato un bacio sulla testa. “I Carstairs custodiscono questa spada da generazioni. L’iscrizione ci ricorda che gli Shadowhunters sono le armi dell’Angelo. Tempraci nel fuoco, e diventiamo più forti. Pur soffrendo, sopravviviamo.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
whose monicker or hoodlum nickname was Holyjoe because he had read the entire Bible and could even quote parts of it. Besides, he looked right and sounded right and had once taken a prison course in psychology, and for three years on the legit had sold vacuum cleaners.” Well, I went on from there, and by the time I’d given them the whole thing, chapter and verse in clubs, diamonds, hearts and spades, they were charged up like cadmium-nickel batteries and went out into the town, among their fellow citizens, spreading the word; from door to door, on the phone, in one ear and out another mouth, it spread like the most-recently-invented Cambodian or Laotian flu, and in half an hour I was out there with them—and we were charging down the street.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
Do I get conjugal visits?” I ask, my mind going to a specific woman who is brunette with blue eyes. She’s the twin sister of Adam—another Spade brother—and everything I want. And one day, I’ll get her.
Shantel Tessier (Carnage (L.O.R.D.S., #5))
I was born a Spade brother, but I will die a husband and a father. And when I am buried in our cemetery and arrive at the gates of hell, I’ll smile because I’ll already know what to expect from the devil. A very short life with my family is worth an eternity of damnation.
Shantel Tessier (Carnage (L.O.R.D.S., #5))
Rule one: Wealth is power. If you don’t have it, keep your head down. I thought I’d gotten that one down to a science over the past twelve years. Rule two: Knowledge is too—now that power I had in spades. But with knowledge comes the responsibility to know when to keep your mouth shut and when not to (see rule one). I chose not to and I chose wrong.
Joelle Wellington (Their Vicious Games)
I was obsessing over her pussy. Her voice. Scent. The way I’d felt when I was in her presence.
Marni Mann (The Rebel (Spade Hotel #2))