Admission Of Mistakes Quotes

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If you make a mistake, admit it. Any attempt at cover-up will ultimately backfire. At some level the patient will sense you are acting in bad faith, and therapy will suffer. Furthermore, an open admission of error is good model-setting for patients and another sign that they matter to you.
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
Divinity for the sake of the simple-minded is beautiful. Those theological assertions you write, say, or live by that you later feel foolish about, it means God still lives in you enough to tell you that they were indeed foolish. By mistakes you know you are alive.
Criss Jami (Salomé: In Every Inch In Every Mile)
I don't believe in twisting yourself into knots of excuses and explanations over the food you make. When one's hostess starts in with self-deprecations such as "Oh, I don't know how to cook...," or "Poor little me...," or "This may taste awful...," it is so dreadful to have to reassure her that everything is delicious and fine, whether it is or not. Besides, such admissions only draw attention to one's shortcomings (or self-perceived shortcomings), and make the other person think, "Yes, you're right, this really is an awful meal!" Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed -- eh bien, tant pis! Usually one's cooking is better than one thinks it is. And if the food is truly vile, as my ersatz eggs Florentine surely were, then the cook must simply grit her teeth and bear it with a smile -- and learn from her mistakes.
Julia Child (My Life in France)
Most people, if they know they have done wrong, foolishly suppose they can conceal their error by defending it, and finding a justification for it; but in my belief there is only one medicine for an evil deed, and that is for the guilty man to admit his guilt and show that he is sorry for it. Such an admission will make the consequences easier for the victim to bear, and the guilty man himself, by plainly showing his distress at former transgressions, will find good grounds of hope for avoiding similar transgressions in the future.
Arrian (The Campaigns of Alexander)
It is usually imagined that a thief, a murderer, a spy, a prostitute, acknowledging his profession as evil, is ashamed of it. But the contrary is true. People whom fate and their sin-mistakes have placed in a certain position, however false that position may be, form a view of life in general which makes their position seem good and admissible. In order to keep up their view of life, these people instinctively keep to the circle of those people who share their views of life and their own place in it. This surprises us, where the persons concerned are thieves, bragging about their dexterity, prostitutes vaunting their depravity, or murderers boasting of their cruelty. This surprises us only because the circle, the atmosphere in which these people live, is limited, and we are outside it. But can we not observe the same phenomenon which the rich boast of their wealth, i.e., robbery; the commanders in the army pride themselves on their victories, i.e., murder; and those in high places vaunt their power, i.e., violence? We do not see the perversion in the views of life held by these people, only because the circle formed by them is more extensive, and we ourselves are moving inside of it.
Leo Tolstoy (Resurrection)
It is your life – you have to be respectful towards it. It is your life – you have to trust it and you have to go with it, wherever it leads. Even if you have to go astray, go. There is nothing wrong in going astray, because only those who go astray come back. Even if you have to commit an error, do it – because only by mistakes do we learn, and there is no other way to learn. Those people who never commit mistakes never learn anything, they never grow. All growth needs the courage to commit mistakes. From this moment only do that which you like to do, whatsoever the cost.
Osho (For madmen only: Price of admission: your mind)
—— The key to strong peer-to-peer interaction is a high level of trust. This is trust in the sense of safe vulnerability. The leaders need to create an environment where individuals get to know each other as people and gather insight into their personal story and working style. This needs to be supported by the leader’s role-modelling behaviour around admission of mistakes and weaknesses and fears . . . This is essential for safe conflict and safe confrontation, where the most important interaction often occurs.
James Kerr (Legacy)
We want to hear, we long to hear, “I screwed up. I will do my best to ensure that it will not happen again.” Most of us are not impressed when a leader offers the form of Kennedy’s admission without its essence, as in Ronald Reagan’s response to the Iran-Contra scandal, which may be summarized as “I didn’t do anything wrong myself, but it happened on my watch, so, well, I guess I’ll take responsibility.”3 That doesn’t cut it.
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
tempted to make the same mistake. Every flaw or shortcoming is really someone else’s fault. We would have been all right if not for what they did to us or said to us or didn’t do or didn’t say. At our core we believe that we are good, and that given the right environment, resources, and support, we can make it. But the road to freedom, for addicts and for the rest of us who sin in a less obviously compulsive way, begins with the same admission: I am powerless. I cannot change myself. I cannot make myself better. I can’t starve my cravings enough to kill them. I can’t please God on my own.
Glenn Packiam (Secondhand Jesus)
Students should not be recommended to attend the Church schools, colleges, or university unless they agree to support the Latter-day Saint standards on these campuses. All prospective students should be interviewed carefully for worthiness and willingness to observe the code of honor and the dress and grooming standards explained on the interview form. The code of honor and the dress and grooming standards have the full support of the First Presidency and the Council of the Twelve. In view of all that is expected of students in the Church Educational System, it is a mistake to recommend an individual for admission who would detract from the special environment that thousands of others create and rely upon. [Ensign, Mar. 1980, 79]
First Presidency of the Church of Jesus Christ of Latter-day Saints
Self-Love Self-love is the quality that determines how much we can be friends with ourselves and, day to day, remain on our own side. When we meet a stranger who has things we don’t, how quickly do we feel ourselves pitiful, and how long can we remain assured by the decency of what we have and are? When another person frustrates or humiliates us, can we let the insult go, able to perceive the senseless malice beneath the attack, or are we left brooding and devastated, implicitly identifying with the verdict of our enemies? How much can the disapproval or neglect of public opinion be offset by the memory of the steady attention of significant people in the past? In relationships, do we have enough self-love to leave an abusive union? Or are we so down on ourselves that we carry an implicit belief that harm is all we deserve? In a different vein, how good are we at apologizing to a lover for things that may be our fault? How rigidly self-righteous do we need to be? Can we dare to admit mistakes or does an admission of guilt or error bring us too close to our background sense of nullity? In the bedroom, how clean and natural or alternatively disgusting and unacceptable do our desires feel? Might they be a little odd, but not for that matter bad or dark, since they emanate from within us and we are not wretches? At work, do we have a reasonable, well-grounded sense of our worth and so feel able to ask for (and properly expect to get) the rewards we are due? Can we resist the need to please others indiscriminately? Are we sufficiently aware of our genuine contribution to be able to say no when we need to?
The School of Life (The School of Life: An Emotional Education)
Denial is unconscious, or it wouldn’t work: if you know you’re closing your eyes to the truth, some part of you knows what the truth is and denial can’t perform its protective function. One thing we all struggle to protect is a positive self-image. The more important the aspect of your self-image that’s challenged by the truth, the more likely you are to go into denial. If you have a strong sense of self-worth and competence, your self-image can take hits but remain largely intact; if you’re beset by self-doubt (a hallmark of self-righteous AFC thinking), however, any acknowledgment of failure can be devastating and any admission of error painful to the point of being unthinkable. Self-justification and denial arise from the dissonance between believing you’re competent, and making a mistake, which clashes with that image.
Rollo Tomassi (The Rational Male)
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
When you said our engagement is subject to your family’s approval,” he ventured, “I hope you don’t expect it to be unanimous.” “I would like it to be. But it’s not a requirement.” “Good,” he said. “Because even if I manage to talk Trenear into it, debating with West will be like tilting at windmills.” She looked up at him alertly. “Was Don Quixote one of the books you read?” “To my regret, yes.” “You didn’t like it?” Tom gave her a sardonic glance. “A story about a middle-aged lunatic who vandalizes private property? Hardly. Although I agree with Cervantes’ point that chivalry is no different from insanity.” “That’s not at all what he was saying.” Cassandra regarded him ruefully. “I’m beginning to suspect you’ve missed the point of every novel you’ve read so far.” “Most of them are pointless. Like the one about the French bread thief who violated his parole—” “Les Misérables?” “Yes. It took Victor Hugo fourteen hundred pages to say, ‘Never let your daughter marry a radical French law student.’ Which everyone already knows.” Her brows lifted. “Is that the lesson you took from the novel?” “No, of course not,” he said promptly, reading her expression. “The lesson of Les Misérables is …” Tom paused cagily before taking his best guess. “… ‘It’s usually a mistake to forgive your enemies.’” “Not even close.” Amusement lurked at the corners of her mouth. “I have my work cut out for me, it seems.” “Yes,” Tom said, encouraged by the remark. “Take me on. Influence me for the better. It will be a public service.” “Hush,” Cassandra begged, touching his lips with her fingers, “before I change my mind.” “You can’t,” Tom said, knowing he was taking the words more seriously than she’d intended. But the very idea was like an ice pick to the heart. “That is, don’t. Please. Because I …” He couldn’t break their shared gaze. Her blue eyes, as dark as a cloudless midnight, seemed to stare right inside him, gently and inexorably prying out the truth. “… need you,” he finally muttered. Shame caused his face to sting as if from spark burns. He couldn’t believe what he’d just said, how weak and unmanly it had sounded. But the strange thing was … Cassandra didn’t seem to think less of him for it. In fact, she was looking at him with more certainty now, nodding slightly, as if his mortifying admission had just cemented the bargain. Not for the first time, Tom reflected there was no understanding women. 
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Months later, Time magazine would run its now infamous article bragging about how it had been done. Without irony or shame, the magazine reported that “[t]here was a conspiracy unfolding behind the scenes” creating “an extraordinary shadow effort” by a “well-funded cabal of powerful people” to oppose Trump.112 Corporate CEOs, organized labor, left-wing activists, and Democrats all worked together in secret to secure a Biden victory. For Trump, these groups represented a powerful Washington and Democratic establishment that saw an unremarkable career politician like Biden as merely a vessel for protecting their self-interests. Accordingly, when Trump was asked whom he blames for the rigging of the 2020 election, he quickly responded, “Least of all Biden.” Time would, of course, disingenuously frame this effort as an attempt to “oppose Trump’s assault on democracy,” even as Time reporter Molly Ball noted this shadow campaign “touched every aspect of the election. They got states to change voting systems and laws and helped secure hundreds of millions in public and private funding.” The funding enabled the country’s sudden rush to mail-in balloting, which Ball described as “a revolution in how people vote.”113 The funding from Democratic donors to public election administrators was revolutionary. The Democrats’ network of nonprofit activist groups embedded into the nation’s electoral structure through generous grants from Democratic donors. They helped accomplish the Democrats’ vote-by-mail strategy from the inside of the election process. It was as if the Dallas Cowboys were paying the National Football League’s referee staff and conducting all of their support operations. No one would feel confident in games won by the Cowboys in such a scenario. Ball also reported that this shadowy cabal “successfully pressured social media companies to take a harder line against disinformation and used data-driven strategies to fight viral smears.” And yet, Time magazine made this characterization months after it was revealed that the New York Post’s reporting on Hunter Biden’s corrupt deal-making with Chinese and other foreign officials—deals that alleged direct involvement from Joe Biden, resulting in the reporting’s being overtly censored by social media—was substantially true. Twitter CEO Jack Dorsey would eventually tell Congress that censoring the New York Post and locking it out of its Twitter account over the story was “a mistake.” And the Hunter Biden story was hardly the only egregious mistake, to say nothing of the media’s willful dishonesty, in the 2020 election. Republicans read the Time article with horror and as an admission of guilt. It confirmed many voters’ suspicions that the election wasn’t entirely fair. Trump knew the article helped his case, calling it “the only good article I’ve read in Time magazine in a long time—that was actually just a piece of the truth because it was much deeper than that.
Mollie Ziegler Hemingway (Rigged: How the Media, Big Tech, and the Democrats Seized Our Elections)
To be fair, if we had married then, who knows what would have become of us? I doubt I would have liked your running about the country as a spy, leaving me alone for weeks at a time. And I daresay you would have had trouble concentrating on your work for worrying about me.” His grateful smile showed that he appreciated her attempt to mitigate his betrayal. “Of course, later you could have…well…come after me. Once you established your business. While I was still un-betrothed. Why didn’t you?” “I don’t suppose you would accept rampant idiocy as a reason?” “I would…if I really thought it were the reason.” When he stiffened, she added archly, “You aren’t generally an idiot. Daft and a tad overbearing, yes, but not an idiot.” A sigh escaped him. He leaned past her to pull the curtain open just enough so he could keep an eye on the street. When it looked as if he might not answer, she added, “Tristan thinks you didn’t come after me because you were afraid that I couldn’t love you.” He cast her a startled glance. “You told Tristan the truth about us?” She winced. “And Lisette and Max. Sorry. Tristan sort of…forced it out of me.” “Well, that explains why Max and Lisette were willing to bring you here in the midst of such a crucial investigation. They’ve been pressing me for a long time to give you another chance. Because they thought you betrayed me.” Grabbing her hands, he gazed down at them with a haunted look. “And I suppose there’s some truth to my brother’s words. But I also didn’t come after you because that would have been a tacit admission that I’d made a mistake. That in so doing, I’d ruined our lives. I was afraid if I admitted I’d been wrong, then it had all been for nothing. I’d sacrificed my happiness--your happiness--for nothing.” “Oh, Dom,” she whispered and squeezed his hands. “A part of me also thought if I didn’t approach you at all, there was still a chance we could be together again. But if I asked and you said no--or worse yet, said that you no longer cared about me--it would be over for good. As long as I didn’t ask, there was always hope. And hope is what kept me going.” A muscle flexed in his jaw. “Until you got engaged. That quashed my hope. It was what I’d told myself I wanted for you. Because it proved that I’d been right to put you aside.” He lifted his gaze to hers. “Unfortunately, being right was cold comfort when it meant I’d lost you for good. By the time you came to me that day at Rathmoor Park, I was in a very dark state. I was resigning myself to a lifetime of loneliness, of wanting you and not having you.” “You would have let me marry Edwin?” she said incredulously. “Even though you still loved me?” “You were still going to marry him, weren’t you?” he countered. “Knowing that you still loved me.” “True.” She attempted a smile. “I would have done it just to bedevil you.” “No doubt,” he said dryly. “But it would have been a mistake, and I’d have been miserable.” He pressed a kiss to their joined hands. “Then I suppose we should really thank Nancy for her shenanigans. Or else we’d still be separate and miserable.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Resistant people, on the other hand, are exhausting. They hate to admit their mistakes and will more easily pass the blame than admit a fault. Resistance is basically pride, which shows itself as insecurity. These people do not want to appear weak, so they would rather exasperate others than get to the peace that comes from admission. Resistance will fight rather than resolve, blame rather than admit, and run away rather than run toward reconciliation.
Jeremie Kubicek (The 5 Gears: How to Be Present and Productive When There is Never Enough Time)
But now, after the news of Barthelme’s death, this simple fact of presence or absence, which I had begun to recognize in a small way already, now became the single most important supplemental piece of information I felt I could know about a writer: more important than his age when he wrote a particular work, or his nationality, his sex (forgive the pronoun), political leanings, even whether he did or did not have, in someone’s opinion, any talent. Is he alive or dead? — just tell me that. The intellectual surface we offer to the dead has undergone a subtle change of texture and chemistry; a thousand particulars of delight and fellow-feeling and forbearance begin reformulating themselves the moment they cross the bar. The living are always potentially thinking about and doing just what we are doing: being pulled through a touchless car wash, watching a pony chew a carrot, noticing that orange scaffolding has gone up around some prominent church. The conclusions they draw we know to be conclusions drawn from how things are now. Indeed, for me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo. The dead can be helpful, needless to say, but we can only guess sloppily about how they would react to this emergent particle of time, which is all the time we have. And when we do guess, we are unfair to them. Even when, as with Barthelme, the dead have died unexpectedly and relatively young, we give them their moment of solemnity and then quickly begin patronizing them biographically, talking about how they “delighted in” x or “poked fun at” y — phrases that by their very singsong cuteness betray how alien and childlike the shades now are to us. Posthumously their motives become ludicrously simple, their delights primitive and unvarying: all their emotions wear stage makeup, and we almost never flip their books across the room out of impatience with something they’ve said. We can’t really understand them anymore. Readers of the living are always, whether they know it or not, to some degree seeing the work through the living writer’s own eyes; feeling for him when he flubs, folding into their reactions to his early work constant subauditional speculations as to whether the writer himself would at this moment wince or nod with approval at some passage in it. But the dead can’t suffer embarrassment by some admission or mistake they have made. We sense this imperviousness and adjust our sympathies accordingly. Yet in other ways the dead gain by death. The level of autobiographical fidelity in their work is somehow less important, or, rather, extreme fidelity does not seem to harm, as it does with the living, our appreciation for the work. The living are “just” writing about their own lives; the dead are writing about their irretrievable lives, wow wow wow. Egotism, monomania, the delusional traits of Blake or Smart or that guy who painted the electrically schizophrenic cats are all engaging qualities in the dead.
Nicholson Baker (U and I)
when you destroy somebody, you are destroying yourself meanwhile. Maybe right now you are not alert, but one day you will find that the same ditch that you have dug for others has proved your own grave. So it is always very very essential to feel, to know, to be certain.
Osho (For madmen only: Price of admission: your mind)
The ironic thing about his admission was that all this time I’d been saying we had nothing in common and what we did have was the one thing I wouldn’t wish on anybody. But it was the key to making me open up more, which I seldom did, and that was a mistake I worked on trying to correct. We carried our stories so tight that we become suffocated with them, and more often than not, the person right beside us is suffering in the same silence we are.
Claire Contreras (The Player)
decadence: the last trumpet should have sounded the moment it was written.’16 If Pater was the godfather of the Nineties, then undoubtedly its most precocious child and greatest visual genius was Aubrey Beardsley (1872–98), and The Yellow Book, the artistic quarterly which he helped to found with his friend Henry Harland, its Scripture. When he took a bundle of drawings to Burne-Jones’s studio in Fulham, the older artist told Beardsley, then aged eighteen, ‘Nature has given you every gift which is necessary to become a great artist. I seldom or never advise anyone to take up art as a profession, but in your case I can do nothing else.’17 Whistler, whose relations with Beardsley were much edgier, made a generous admission in 1896 when he saw Beardsley’s brilliantly clever illustrations to Pope’s Rape of the Lock – ‘Aubrey, I have made a very great mistake – you are a very great artist’ – a tribute which reduced the consumptive (and not always sober) genius to tears. Art historians can spot the influences on Beardsley’s work – some William Morris here, some Japanese prints there. Beardsley’s drawings, however, do not merely illustrate, they define their age, as with his design for a prospectus of The Yellow Book, showing an expensively dressed, semi-oriental courtesan perusing a brightly lit bookstall late at night while from within the shop the elderly pierrot gazes at her furiously, quizzically.
A.N. Wilson (The Victorians)
health intervention and a support system that’s sustainable for you. But this could change everything. Think about Wylie.” “You want me to say I tried to kill myself?” she asked, her words broken with emotion. “I don’t think I can do that. I can’t go there and lie.” “You can’t say it’s a lie,” he cut in. “You admit you don’t remember what happened that night. If the prosecutor can’t find any evidence of habitual drug use, then what other explanation is there? They’ll know they can’t prove their case, and they’ll back the charges down. Isn’t that worth it?” “Worth saying I’m suicidal?” Tara cupped her hands over her mouth, the word seeming too bitter and unsavory to let out again. “Better than being a drug addict,” he argued, his voice raising a few octaves. “You have no idea how lucky you are that Willow stumbled upon this. Just think about it for a minute before you shoot it down completely.” She bit at her lip to force herself to do what Reid was asking. “What would we do next if I say what you want me to say?” A smile accompanied by a look of relief cascaded over Reid’s face. “We’re about to enter the discovery stage of the trial now that the arraignment is over. That means the prosecutor has to share information and evidence they’ve gathered.” “Everything?” she asked, feeling like she was about to be stripped bare and paraded through the court when the day came. “By law it’s any information reasonably calculated to lead to admissible evidence. We’ll get a good idea of what they intend to do in court, who they’ll call as witnesses. Once we have that information I think we should present this new evidence and petition the court to reduce the charges.” “Sorry to interrupt,” a small and unfamiliar voice called from behind Tara. “This was just delivered,” a girl said as she handed an envelope over to Tara who took it, assuming this was some kind of mistake. “It’s for me?” she asked, but the girl was gone before she had the question fully formed. “That’s my assistant, Elise. She’s kind of skittish. Apparently I don’t give off a real warm and fuzzy feel as a boss. She’s always afraid to knock on the door.” When Tara read her name across the front of the envelope she flipped it and peeled it open. “It’s a request for me to relinquish my legal rights as a parent and allow the adoption of Wylie by the Oldens. They have a lawyer.” She handed the paper over to Reid and hoped he’d tell her to rip this up and forget about it. It wasn’t time for that yet. She wasn’t ready. “Damn,” he muttered, slapping the document down on his desk.
Danielle Stewart (Three Seconds to Rush (Piper Anderson Legacy Mystery, #1))