D Fawn Quotes

We've searched our database for all the quotes and captions related to D Fawn. Here they are! All 60 of them:

What about your crepe?" "Stuff It." "She's crazy about you," Mavis commented. "It's almost embarrassing, the way she fawns.
J.D. Robb (Immortal in Death (In Death, #3))
You're always begging things to love you," he said, "as if you were a beggar for love. Even the flowers, you have to fawn on them--
D.H. Lawrence (Sons and Lovers)
Spending all this time fretting and fawning over a bloke just wasn't her. If this was what infatuation did to a girl she'd take herself off to a convent in the morning.
Kady Cross (The Girl with the Iron Touch (Steampunk Chronicles, #3))
She has enough men fawning over her," I said. "They come and go like . . ." I strained to think of an analogy and failed. "I’d rather be her friend." "You would rather be close to her heart," Wilem said without any particular inflection. "You would rather be joyfully held in the circle of her arms. But you fear she will reject you. You fear she would laugh and you would look the fool." Wilem shrugged easily. "You are hardly the first to feel this way. There is no shame in it." That struck uncomfortably close to the mark, and for a long moment I couldn’t think of anything to say in reply. "I hope," I admitted quietly. "But I don’t want to assume. I’ve seen what happens to the men that assume too much and cling to her.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
You're always begging things to love you as if you were a beggar for love. Even the flowers, you have to fawn on them -- You don't want to love -- your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere.
D.H. Lawrence (Sons and Lovers)
Four of Dan's sisters had made it. They wore white sundresses they'd altered so three spelled out FOX. The fourth sported a fox paw that was already starting to lose a toe pad. They practically crushed Dan, smothering her with a group hug before fawning over her.
Nora Sakavic (The King's Men (All for the Game, #3))
In that conversation with Richard, Kris did precisely what she'd done before offering her tennis quitting advice from years before. She paid attention. Instead of getting swept up in a reaction--regardless of how legitimate it would have been--she unseated herself and chose to focus on what Richard was saying. That kind of awareness is rare. It's rare in a person and even more so with a couple.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Emily, do not sleep!’ Emily’s eyes flashed open. Fawn was twisted around on the stallion’s back and shaking her. ‘I – I’m awake. Thanks. I’m just so tired.’ ‘Hey, Em,’ Joel called, struggling to be heard over the whooshing of the Solar Stream. ‘Sing along with me.’ His deep voice rose clear and loud: ‘Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. If one of those bottles should happen to fall, there’d be ninety-eight bottles of beer on the wall . . .’ Joel looked back at Paelen. ‘C’mon, it’s easy. Sing to keep Emily awake!’ ‘Wait,’ Paelen cried. He flew closer to Joel to be heard. ‘Why are there ninety-nine bottles of beer on a wall? What wall? And what caused one to fall?’ ‘It doesn’t matter – just shut up and sing!’ Joel ordered.
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
Wherever the family was, these two dogs, both six-year-old shepherd mixes, took up their posts at the central coming-and-going point. Gil called them concierge dogs. And it's true, they were inquisitive and accommodating. But they were not fawning or overly playful. They were watchful and thoughtful. Irene thought they had gravitas. Weighty demeanors. She thought of them as diplomats. She had noticed that when Gil was about to lose his temper one of the dogs always appeared and did something to divert his attention. Sometimes they acted like fools, but it was brilliant acting. Once, when he was furious about a bill for the late fees for a lost video, one of the dogs had walked right up to Gil and lifted his leg over his shoe. Gil was shouting at Florian when the piss splattered down, and she'd felt a sudden jolt of pride in the dog.
Louise Erdrich (Shadow Tag)
I know I’m bigger than most, far bigger than most. But I don’t care what anyone says, no man can deny the ultimate satisfaction when a girl fawns over it. Especially the girl you’re madly fucking in love with.
H.D. Carlton (Shallow River)
And for fuck’s sake, don’t fall for the first tight-bodied fangirl who fawns over you,” she teased. “I’d haunt you for the rest of your life.” Somehow, I managed a smile. “Would you?” “I’d make a bitch of a ghost.
Karla Sorensen (Forbidden (Ward Sisters, #4))
No, you wont,” Sarah grinned. “That means you’d have to actually see him partially naked, and you’d vomit before you could fi nish the job.” “True,” Travia amended. “Hey!” “Um, can we stop talking about my little brother’s balls and shit?” Eiríkr asked with a disgusted grin.
Fawn Routson (Sak'art'velos Ukdavi: (Of the Immortal))
  Hee boulder now, uncall'd before her stood;   But as in gaze admiring: Oft he bowd   His turret Crest, and sleek enamel'd Neck,   Fawning, and lick'd the ground whereon she trod.
John Milton (Paradise Lost)
Lucy Gray Oft I had heard of Lucy Gray, And when I cross'd the Wild, I chanc'd to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wild Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. "To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow." "That, Father! will I gladly do; 'Tis scarcely afternoon— The Minster-clock has just struck two, And yonder is the Moon." At this the Father rais'd his hook And snapp'd a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse, the powd'ry snow That rises up like smoke. The storm came on before its time, She wander'd up and down, And many a hill did Lucy climb But never reach'd the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlook'd the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turn'd, and cry'd "In Heaven we all shall meet!" When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They track'd the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they cross'd, The marks were still the same; They track'd them on, nor ever lost, And to the Bridge they came. They follow'd from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
William Wordsworth (The Works of William Wordsworth)
Alone and in the silence, I sensed the purpleness - the formless, subtle personality of the things that owned this planet. There was a friendliness, I thought, but a repulsive friendliness, the fawning friendliness of some monstrous beast. And I was afraid.
Clifford D. Simak (All Flesh is Grass)
The memory threatens to let loose the beast that wants to fawn over her, demand things from her. Our tryst had been in the low light of the moon, and the accent lighting directed on the pieces of my hoard on display. I’d missed details about the woman carrying our young in the darkness.
Lillian Lark (Hoarded by the Dragon (Monstrous Matches, #4))
Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell. Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.
Delia Owens (Where the Crawdads Sing)
The language I have learn'd these forty years, My native English, now I must forego: And now my tongue's use is to me no more Than an unstringed viol or a harp, Or like a cunning instrument cased up, Or, being open, put into his hands That knows no touch to tune the harmony: Within my mouth you have engaol'd my tongue, Doubly portcullis'd with my teeth and lips; And dull unfeeling barren ignorance Is made my gaoler to attend on me. I am too old to fawn upon a nurse, Too far in years to be a pupil now: What is thy sentence then but speechless death, Which robs my tongue from breathing native breath?
William Shakespeare
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity’s Rainbow)
A heavy sentence, my most sovereign liege, And all unlook'd for from your Highness' mouth. A dearer merit, not so deep a maim As to be cast forth in the common air, Have I deserved at your Highness' hands. The language I have learnt these forty years, My native English, now I must forgo; And now my tongue's use is to me no more Than an unstringed viol or a harp; Or like a cunning instrument cas'd up Or, being open, put into his hands That knows no touch to tune the harmony. Within my mouth you have engaol'd my tongue, Doubly portcullis'd with my teeth and lips; And dull, unfeeling, barren ignorance Is made my gaoler to attend on me. I am too old to fawn upon a nurse, Too far in years to be a pupil now. What is thy sentence, then, but speechless death, Which robs my tongue from breathing native breath?
William Shakespeare (Richard II)
Did you bring money with you, or shall we play for markers?" She flipped the stack of cards to the table with a professional twist of her wrist. "I don't play for less than a guinea a hand." His lips twitched. "The question is not if I have money. The question is, do you?" "I don't need funds, as I don't plan on losing," she said, her gaze mocking. For a moment, he thought he'd heard her incorrectly. Slowly, he said, "I beg your pardon, but are you saying you could beat me at a game of chance?" A dismissive smile rested on her lips. "Please, Dougal, let's speak frankly," she drawled softly. "Naturally, I expect to win; I was taught by a master." Dougal was entranced. He'd been challenged to many things before, but no one had so blatantly dismissed his chances of winning. "A giunea a hand?" "At least." "I didn't realize I'd need a note from my banker, or I'd have brought one with me." Her eyes sparkled with pure mischief, which inflamed him more. "If you've no money with you, then perhaps there are other things we can play for." The words hung in the room, as thick as the smoke that seeped from the fireplace. Like a blinding bolt of light from a storm-black sky, everything fell into place. This was why she and her minions had worked so hard to convince him that the house was worthless. If he thought it of low value, he'd be eager to wager the deed. Of all the devious plots! Yet Dougal found himself fighting a grin. He'd been feted and petted, fawned upon and sought out, but until now, no one had gone to such lengths to fleece him. Dugal couldn't look away from Sophia. He knew his own worth; women had paid attention to him for so long that he took it for granted. He'd dallied and toyed, taken and enjoyed. But never, in all of his years, had he so desired any woman as he did this one. The irony of it was that she desired him,too-but only for the contents of his pocket. Dougal didn't know whether to laugh or fume. He should be insulted, but instead he found himself watching her with new appreciation.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host)
The thing about Dostoevsky's characters is that they are alive. By which I don't just mean that they're successfully realized or developed or "rounded". The best of them live inside us, forever, once we've met them. Recall the proud and pathetic Raskolnikov, the naive Devushkin, the beautiful and damned Nastasya of The Idiot, the fawning Lebyedev and spiderish Ippolit of the same novel; C&P's ingenious maverick detective Porfiry Petrovich (without whom there would probably be no commercial crime fiction w/ eccentrically brilliant cops); Marmeladov, the hideous and pitiful sot; or the vain and noble roulette addict Aleksey Ivanovich of The Gambler; the gold-hearted prostitutes Sonya and Liza; the cynically innocent Aglaia; or the unbelievably repellent Smerdyakov, that living engine of slimy resentment in whom I personally see parts of myself I can barely stand to look at; or the idealized and all too-human Myshkin and Alyosha, the doomed human Christ and triumphant child-pilgrim, respectively. These and so many other FMD creatures are alive-retain what Frank calls their "immense vitality"-not because they're just skillfully drawn types or facets of human beings but because, acting withing plausible and morally compelling plots, they dramatize the profoundest parts of all humans, the parts most conflicted, most serious-the ones with the most at stake. Plus, without ever ceasing to be 3-D individuals, Dostoevsky's characters manage to embody whole ideologies and philosophies of life: Raskolnikov the rational egoism of the 1860's intelligentsia, Myshkin mystical Christian love, the Underground Man the influence of European positivism on the Russian character, Ippolit the individual will raging against death's inevitability, Aleksey the perversion of Slavophilic pride in the face of European decadence, and so on and so forth....
David Foster Wallace (Consider the Lobster and Other Essays)
Her eyes were the brown of a fawn's coat. And he could have sworn something sparked in them as she met his gaze. 'Who are you?' He knew without demanding clarification that she was aware of what he was to her. 'I am Lucien. Seventh son of the High Lord of the Autumn Court.' And a whole lot of nothing. ... For a long moment, Elain's face did not shift, but those eyes seemed to focus a bit more. 'Lucien,' she said at last, and he clenched his teacup to keep from shuddering at the sound of his name on her mouth. 'From my sister's stories. Her friend.' 'Yes.' But Elain blinked slowly. 'You were in Hybern.' 'Yes.' It was all he could say. 'You betrayed us.' He wished she'd shoved him out the window behind her. 'It- it was a mistake.' Her eyes were frank and cold. 'I was to be married in a few days.' He fought against the bristling rage, the irrational urge to find the male who'd claimed her and shred him apart. The words were a rasp as he instead said, 'I know. I'm sorry.' She did not love him, want him, need him. Another male's bride. A mortal man's wife. Or she would have been. She looked away- toward the windows. 'I can hear your heart,' she said quietly. He wasn't sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth. 'When I sleep,' she murmured, 'I can hear your heart beating through the stone.' She angled her head, as if the city view held some answer. 'Can you hear mine?' He wasn't sure if she truly meant to address him, but he said, 'No, lady. I cannot.' Her too-thin shoulders seemed to curve inward. 'No one ever does. No one ever looked- not really.' A bramble of words. Her voice strained to a whisper. 'He did. He saw me. He will not now.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The thing about Dostoevsky's characters is that they are alive. By which I don't just mean that they're successfully realized or developed or "rounded". The best of them live inside us, forever, once we've met them. Recall the proud and pathetic Raskolnikov, the naive Devushkin, the beautiful and damned Nastasya of The Idiot, the fawning Lebyedev and spiderish Ippolit of the same novel; C&P's ingenious maverick detective Porfiry Petrovich (without whom there would probably be no commercial crime fiction w/ eccentrically brilliant cops); Marmeladov, the hideous and pitiful sot; or the vain and noble roulette addict Aleksey Ivanovich of The Gambler; the gold-hearted prostitutes Sonya and Liza; the cynically innocent Aglaia; or the unbelievably repellent Smerdyakov, that living engine of slimy resentment in whom I personally see parts of myself I can barely stand to look at; or the idealized and all too-human Myshkin and Alyosha, the doomed human Christ and triumphant child-pilgrim, respectively. These and so many other FMD creatures are alive-retain what Frank calls their "immense vitality"-not because they're just skillfully drawn types or facets of human beings but because, acting within plausible and morally compelling plots, they dramatize the profoundest parts of all humans, the parts most conflicted, most serious-the ones with the most at stake. Plus, without ever ceasing to be 3-D individuals, Dostoevsky's characters manage to embody whole ideologies and philosophies of life: Raskolnikov the rational egoism of the 1860's intelligentsia, Myshkin mystical Christian love, the Underground Man the influence of European positivism on the Russian character, Ippolit the individual will raging against death's inevitability, Aleksey the perversion of Slavophilic pride in the face of European decadence, and so on and so forth....
David Foster Wallace (Consider the Lobster and Other Essays)
Phoebe entered the room and stopped with a head-to-toe quiver, like an arrow striking a target, at the sight of a half-naked West Ravenel. He was facing away from her, standing barefoot at an old-fashioned washstand as he blotted his neck and chest with a length of toweling. The robe had been tossed to a chair, leaving him dressed only in a pair of trousers that rode dangerously low on his hips. Henry had always seemed so much smaller without his clothes, vulnerable without the protection of civilized layers. But this man, all rippling muscle and bronzed skin and coiled energy, appeared twice as large. The room scarcely seemed able to contain him. He was big-boned and lean, his back flexing as he lifted a goblet of water and drank thirstily. Phoebe's helpless gaze followed the long groove of his spine down to his hips. The loose edge of a pair of fawn-colored trousers, untethered by braces, dipped low enough to reveal a shocking absence of undergarments. How could a gentleman go without wearing drawers? It was the most indecent thing she'd ever seen. The inside of her head was scalded by her own thoughts.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
For a moment, the fog remained unmoved. It sat around, swirling in place, very clearly listening but showing no sign of offering answers. Then, just as Nausicaä began to contemplate conjuring a few more fireballs, the fog began to thin. Little by little it drained from the air until, finally, all that was left was a vaguely damp, translucent haze. She could only stare at what was revealed. “Huh,” she breathed when speech at last overcame her surprise. “This is…new.” It wasn’t just the changelings that had gathered. They were present, of course—one mere step away. Nausicaä briefly took in the unmistakable pale green tint of his fawn-brown skin and the snaking twists of ivy that grew from the sharp flares of his little shoulders. But there were others. There were so many others. In all of Nausicaä’s very long life, she had never encountered so many of magic’s children in one place. The crowd of them stretched far in almost every direction, faces of all shapes and sizes peeking out of the foliage and trees. There were centaurs, goblins, brownies, imps and sprites. There were redcaps, with their crimson-stained hats and vicious scythes, which glinted in the moonlight. There were kelpies dripping sodden weeds, lilies strangled in their manes. Littered throughout the branches above were crows that weren’t really crows at all, but sluagh—wandering souls of the violent dead who preyed on those soon to die. There were larger things too. Unnameable things. Things that had undoubtedly been calling this forest their home long before Nausicaä had ever been born. She narrowed her eyes at the distance—something massive as a mobile hill stood still as silence too far away for mortal eyes to see. Their form was not unlike an overlarge, poisonous tree frog, all vibrant blues and yellows and greens, a crown of velvet antlers on their head and hundreds of glittering black eyes on their face. A freaking Forest Guardian, she would hazard a guess, not that she’d ever seen one to say for sure. “Uh…okay, well, weird time to have a company meeting, but you do you, I guess. I’m going to…go. Gar, maybe it’s best you stick with these guys until I square things up with my Reaper. Thanks for lifting the fog, forest brats! Good luck with…whatever this is. May the force be with you.” She turned back around. There weren’t any faeries in front of her, either—just trees and misty gloom and a darkness unnatural even for this time of night. And, of course, the glass-chime tinkling of magic, which now sounded to her a bit distressed.
Ashley Shuttleworth (A Dark and Hollow Star (The Hollow Star Saga, #1))
Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Staring numbly into the bath, she wondered how the water could possibly look the same as when she’d first entered. With the amount of tears she’d shed, it should have been overflowing and salty as any sea.
Fawn Bonning (King Kynneth (The Atriian Trilogy #3))
By the time that Donald J. Trump was elected to the Presidency, the elections which chose the President had transformed from referendums about who would best administer the international slave trade into contests about who’d get the chance to reduce illiterate Muslims into pulpy masses of intestines. The people who’d voted for Trump went nuts because they’d won and had no idea what to do with their impossible victory. The country’s political liberals went nuts because Trump put them in the position of facing an undeniable and yet unpalatable truth. This was the truth that the political liberals could not deny and could not face: beyond making English Comp courses at community colleges very annoying, forty years of rhetorical progress had achieved little, and it turned out that feeling good about gay marriage did not alleviate the taint of being warmongers whose taxes had killed more Muslims than the Black Death. You can’t make evil disappear by being a reasonably nice person who mouths platitudes at dinner parties. Social media confessions do not alleviate suffering. You can’t talk the world into being a decent place while sacrificing nothing. The socialists didn’t go nuts. They were the people who’d thought about the complex problems facing the nation and decided that an honest solution to these problems could be achieved with applied Leftism. But don’t get your hopes up. Despite being correct in their thinking, the socialists were the most annoying people in America. When they spoke, it was like bamboo slivers shoved under a fingernail. I don’t know why. It was the single biggest American tragedy of the last one hundred years. Here was the difference between the priestly castes, many of whom had opinions on deadline for money, and everyone else: sane people shut the fuck up, nodded their heads, and did what they needed to survive in a toxic political landscape. In an era when public discourse was the bought-and-paid property of roughly twenty companies, and the airing of an opinion could subject a person to unfathomable amounts of abuse and recrimination, the only reasonable option was to be quiet. So when you next fawn over someone’s brave public thoughts, repeat the following: The contours of discourse are so horrendous that one thing has become certain. Any individual offering up a public opinion necessarily must be either hopelessly stupid or insane. I am engaging with a product of madness and idiocy.
Jarett Kobek (Only Americans Burn in Hell)
But let’s be clear: the madness of everyday life was its own issue. It didn’t have any relationship to whether or not Christianity was bullshit. Obviously, Christianity was total bullshit. It was the most insane bullshit! But it was impossible to make an argument against superstition and magical nonsense, and have it stick, when that argument was delivered from a society where every citizen was a magician. And yes, reader, that includes you. You too are a magician. Your life is dominated by one of the oldest and most perverse forms of magic, one with less interior cohesion than the Christian faith, and you invest its empty symbolism with a level of belief that far outpaces that of any Christian. Here are some strips of paper and bits of metal! Watch as I transform these strips of paper and bits of metal into: (a) sex (b) food (c) clothing (d) shelter (e) transportation that allows me to acquire strips of paper and bits of money (f) intoxicants that distract me from my endless pursuit of strips of paper and bits of metal (g) leisure items that distract me from my endless pursuit of strips of paper and bits of metal (h) pointless vacations to exotic locales where I will replicate the brutish behavior that I display in my point of origin as a brief respite from my endless pursuit of strips of paper and bits of metal (i) unfair social advantages that allow my rotten children to undertake their own moronic pursuits of strips of paper and bits of metal. Humiliate yourself for strips of paper. Murder for the strips of paper. Humiliate others for the strips of paper. Worship the people who’ve accumulated such vast quantities of strips of paper that their strips of paper no longer have any physical existence and are now represented by binary notation. Treat the vast accumulators like gods. Free blowies for the moldering corpse of Steve Jobs! Fawning profile pieces for Jay-Z! The Presidency for billionaire socialite and real-estate developer Donald J. Trump! Kill! Kill! Kill! Work! Work! Work! Die! Die! Die! Go on. Pretend this is not the most magical thing that has ever happened. Historical arguments against Christianity tended to be delivered in tones of pearl-clutching horror, usually by subpar British intellectuals pimping their accent in America, a country where sounding like an Oxbridge twat conferred an unearned credibility. Yes, the Crusades were horrible. Yes, the Inquisition was awful. Yes, they shouldn’t have burned witches in Salem. Yes, there is an unfathomable amount of sexually abused walking wounded. Yes, every Christian country has oriented itself around the rich and done nothing but abuse the fuck out of its poor. But it’s not like the secular conversion of the industrialized world has alleviated any of the horror. Read the news. Murder, rape, murder, rape, murder, rape, murder, rape, murder, rape, murder, rape...Despair. All secularism has done, really, is remove a yoke from the rich. They’d always been horrible, but at least when they still paid lip service to Christian virtues, they could be shamed into philanthropy. Now they use market forces to slide the whole thing into feudalism. New York University built a campus [in Abu Dhabi] with slave labor! In the Twenty-First Century AD! And has suffered no rebuke! Applications are at an all-time high! The historical arguments against Christianity are as facile as reviews on Goodreads.com, and come down to this: Why do you organize around bad people who tell you that a Skyman wants you to be good? To which the rejoinder is: yes, the clergy sucks, but who cares how normal people are delivered into goodness?
Jarett Kobek (Only Americans Burn in Hell)
You are one who is accustomed to ladies fawning and falling down for you,” she said quietly to herself. “You turn forth a grin and a laugh to ease the truth of your coldness.” His face froze in an unmoving mask. “Mayhap the world does not see past that. They see what you ask them to see.” Just as she naively had allowed herself to see in the library. Yet, that was not his fault. It was hers for wanting to see diamonds in the dust. “They see your smile. They hear your teasing words. They are so focused on those smiles that they do not realize…” At his narrowing eyes, she blinked and let her words die. She’d said too much, to a man who truly was nothing but a stranger. A stranger whose kiss still burns on my lips. “They see what?” he bit out. Gone was that smooth edge to his words. “The façade.” She knew because she was a woman who’d donned the same, stifling mask these five years. A harsh light glinted in his eyes. “You do not know anything of it.” “Oh, I suspect I know more than you’d care to think.
Christi Caldwell (The Lure of a Rake (The Heart of a Duke, #9))
Endiro Giansante, owner of Fawn Street Florists, descended from the store's attic where he was drying pink larkspur to find his new deliveryman, Ludis Lanka, standing near the register holding two ten-dollar bills upright in his hand. "A man came in, you were upstairs, so I took the order," he beamed proudly. "Ludis, you're a nice fellow but you're never to deal with a customer. Unless they're Latvian," he added with a smile, "in which case I'd ask you to translate." By way of confession, Ludis added, "He gave me a two-dollar tip, and reached to his pocket as if he might have to split it with Endiro. "No, keep the two dollars, but you're a delivery boy, not a salesman. Delivery man," he corrected himself, for Ludis was surely in his twenties or early thirties. He'd only been working there a few days, answering a sign in the window. God knows how the sweet fellow would survive on what he paid him, thought Endiro. He must surely live with relatives. "Es biju citur," said Ludis, which means "I was elsewhere." Not quite apropos but it was the first Latvian phrase Cliff had learned at McMasters and he'd been told he'd pronounced it well.
Rupert Holmes (Murder Your Employer (The McMasters Guide to Homicide, #1))
She wore a fawn-colored skirt, sandals, and a white blouse like cake frosting.
John D. MacDonald (Dead Low Tide)
Manson had broken the shell, the picture-perfect Jessica Martin I’d built for the world to fawn over. The Jess that remained was too exhausted to know who she was now.
Harley Laroux (The Dare (Losers, #0.5))
We were on a swing through the Midwest, and Brian’s asthma had got him and he was in hospital in Chicago. And, hey, when a guy’s sick, you double for him. But then we saw pictures of him zooming around Chicago, hanging at a party with so-and-so, fawning over stars with a silly little bow around his neck. We’d done three, four gigs without him. That’s double duty for me, pal. There’s only five of us, and the whole point of the band is that it’s a two-guitar band. And suddenly there’s only one guitar. I’ve got to figure out whole new ways to play all of these songs. I’ve got to perform Brian’s part as well. I learned a lot about how to do two parts at once, or how to distill the essence of what his part was and still play what I had to play, and throw in a few licks, but it was damn hard work. And I never got a thank-you from him, ever, for covering his arse. He didn’t give a shit. “I was out of it.” That’s all I would get. All right, are you gonna give me your pay? That’s when I had it in for Brian. One can get very sarcastic on the road and quite vicious. “Just shut up, you little creep. Preferred it when you weren’t here.” He had this way of ranting on, saying things that would just grate. “When I played with so-and-so…” He was totally starstruck. “I saw Bob Dylan yesterday. He doesn’t like you.” But he had no idea how obnoxious he was being. So it would start off, “Oh, shut up, Brian.” Or we’d imitate the way he cringed his head into his nonexistent neck. And then it went to baiting him in a
Keith Richards (Life)
Cameron,” Abby said in a whisper. “There are deer in the yard!” “Really?” he asked. “Why are you whispering? Can they hear you?” “I don’t want to scare them off. Oh, I wish you were here. There’s a baby. And a couple of deer look ready to pop. Not as ready as I look, but wild animals probably don’t get this big.” He laughed into the phone. “I told you, you’re perfect.” “If you’d been home another half hour, you’d have seen them. Cameron, there are six of them.” “Any bucks?” “Just the mamas. And one baby.” “That’s a fawn,” he said. “It looks like it’s barely born. He’s wobbling on his legs. Oh, I wish you could see him.” He
Robyn Carr (Paradise Valley)
I don’t want to go. I’ll just go back to the apartment.” “What? Rachel, why?” Candice cleared her throat and straightened her spine. “Rachel can’t stand Blake.” Eli laughed softly. “Right. You only had the biggest crush on him growing up.” My eyebrows shot up. “You knew about that?” “Who didn’t know about that? You weren’t exactly subtle about your feelings for him.” His expression darkened suddenly. “I could’ve killed him for that.” Wait . . . What?! “Killed him for what? For me having a crush on him? It’s not like it was his fault.” Oh my God, was I really sitting here defending Blake West for anything? “No,” he snorted. “I was making fun of him because he never dated or hooked up with anyone. He told me he was just waiting for you to get older, that he was going to marry you someday. I thought he was joking at first, but I was wrong. Do you remember when Blake got in that fight and his nose got broken?” When Candice and I both nodded, he continued. “That was because of that. Dad had to pull me off him.” “You beat him up because he wanted to be with me?” I wanted to pull Eli away and tell him everything that had happened. Candice didn’t believe me, but Eli would. “Of course I did. You were like my sister, but it wasn’t just that. You were only twelve at the time and he was . . . what, seventeen? It was fucking disgusting.” So that was why Blake had started ignoring me. I’ll never forget the way he looked after that fight. I had run up to him wanting to take care of him and began fawning all over him. He’d pushed me away and started dating Jenn not long after. I still saw him all the time since he was always with Eli, but it was like I didn’t exist to him anymore after that. I’d been hurt, but not discouraged in my quest to win his affection. Chills spread through my body. Eli’s words made everything that had happened with Blake so much worse. And the fact that Jenn had been an older version of me was now incredibly disturbing. “Um . . . well. Things changed. I grew up. And I don’t like the person he’s become.” Candice
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
creamy poppy seed and she loved the strawberry-spinach salad’s crunchy sweetness. She enjoyed a few bites uninterrupted, grateful she could eat at all with Byron nearby. His knee rubbed against hers and the bite of spinach stuck in her throat. She swallowed then glanced up. Their gazes met and tangled, an entire conversation passed between them, almost without her permission. The earnestness and warmth of his look was a dagger through her abdomen. How could she still love him so much? She knew who he was, what he was. He wasn’t future husband material and never would be. When he was eighty he’d still be smoking hot and still have women crawling all over him. The waitress came to request their drink orders. She nodded to Marissa’s request of a lemon for her water and fawned all over Byron as he ordered lemonade. “She’s
Cami Checketts (The Disenchanted One (Cami's Billionaire Bride Pact #8))
I can make you a promise, Eve Windham. Several promises, in fact.” “Just not vows, please. I cannot abide the thought of vows.” “If we marry, we will consummate the union for legal purposes and to put the compulsory obligations behind us. Thereafter, I will not press you for your attentions until such time as you indicate you are willing to be intimate with me in a marital sense.” She peered over at him. His cheeks were the same color now. “You would leave me in peace after one night?” “Not entirely. For appearances, we will live together as man and wife, share chambers, and go down to breakfast together. We will dote and fawn in public and make calf eyes at each other across the ballrooms, but I will not importune you.” The small, guttering flame of hope burned a trifle brighter. His plan had potential to avoid disaster. She did not know what motivated his foolish generosity, but the plain fact was, after the wedding night, he might not want to have anything to do with her. “And if I never indicate that I’m interested in my conjugal duties?” “Never is a long time, and I am a very determined man who is quite attracted to you. Also a man in need of heirs, and I am confident you’ll not deny me those.” The flame nearly went out. Of course he’d need heirs. “Unfair, Lucas.” Except, he was compromising, while Eve was practically loading four sets of dueling pistols and aiming them at Deene’s chest. “You have an heir.” “Who is unmarried, older than me, and for reasons not relevant to the current discussion, not a good candidate for marriage. The succession is my obligation, Eve, and I’ve avoided it long enough.” She had at least ten childbearing years left, possibly twenty. That was a long time to muddle through with a man who had been nothing but considerate toward her. And an impossibly long time to mourn him, should the worst occur. “On the conditions you’ve stated—that following the wedding night you will not exercise your rights unless and until I’m comfortable with the notion, we can be married, but, Lucas, when you hate the choice you’ve made—when you hate me—don’t say I didn’t warn you.” “I will not hate you, I will not hate my choice. That I do vow.” His
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
She met those pine-green eyes, and he opened his mouth again, but she made a small noise. “Before we say anything else …” She glanced at the door. “I need you to help me get to the bathing room. Or else I’m going to wet myself.” Rowan burst out laughing. She glared at him again as she sat up, the movement agonizing, exhausting. She was naked save for the clean undergarments someone had stuffed her into, but she supposed she was decent enough. He’d seen every part of her, anyway. Rowan was still chuckling as he helped her up, letting her lean against him as her legs—useless, wobbling like a newborn fawn—tried to work. It took her so long to go three steps that she didn’t object when he swept her up and carried her to the bathing room. She growled when he tried to set her on the toilet itself, and he left with his hands upraised, his eyes dancing as if to say Can you blame me for trying? You might very well fall into it instead.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
In my late teens and college years, after I’d had my heart broken again and again, Zack became a kind of symbol. He represented all my relationship mistakes, all my misreadings and misconceptions. He played guitar, so he was an artist. He was an artist, so he was sensitive. He was sensitive, so he had to be kind. I think of it whenever I see a young woman fawning all over a nerdy guy, some comedian or actor, thinking he couldn’t ever be cruel because he’s funny and he wears glasses. He’s not conventionally hot, so he’s not full of himself, so he’ll be a good boyfriend, right? I have Zack to thank for showing me that it often isn’t the case. Guys like that always seem to think they’re Duckie from Pretty in Pink when they’re actually Steff.
Mara Wilson (Where Am I Now?)
Make up your mind to resolve all issues and challenges before the end of the day. For whatever cannot be resolved, either agree to disagree, forgive each other and let it go, or write up a new “work order” for the next day. D
Fawn Weaver (The Argument-Free Marriage: 28 Days to Creating the Marriage You've Always Wanted with the Spouse You Already Have)
She overslept, was rude to her barista at Starbucks, and had an inexplicable craving for Baskin Robbins. She moped. She pouted. And even though she’d hexed a man to fawn over her, repeatedly going, “Hey, you look familiar, can I buy you a drink?” with no recollection of the ten previous times he’d done it, she found no pleasure in the hijinks. She was in a funk. It bothered her.
Daniel Younger (The Wrath of Con)
Turning back the way she'd been heading, she scanned the surrounding area, her gaze halting on a sweet little baby deer moving toward her on wobbly legs. "Ohhh," she almost moaned, enchanted at the sight. It was obviously very young, and not yet used to walking, or perhaps not strong enough. Rather than his legs being directly under him, they were spread out somewhat and he was staggering like a drunken fool. "Oh, ye sweet thing," Claray cooed when it made its way directly to her and into her skirts.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
Even in the face of overwhelming evidence, people have a tendency not to accept, but rather, reject the truth, in preference for whatever they’d like, or prefer, that it is.
Penn Fawn
But before the air could burst from my lungs, the wind git knocked out of me. Oomph! I fell to the ground, my skirt falling softly over my head. Mirabella had intercepted my eye-cry for help. She'd chewed through her restraints and tackled me from behind, barking at unseen cougars, trying to shield me with her tiny body. "Caramba!" Sister Maria squealed, dropping the flashlight. The music ground to a halt. And I have never loved someone so much, before or since, as I loved my littlest sister at that moment. I wanted to roll over and lick her ears, I wanted to kill a dozen spotted fawns and let her eat first.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
No publisher. No agent. They had told him that sales had not been good. Markets had changed. Same old shit. Well, fuck them. Fuck them all. Something different was needed, apparently. Something original but easily pigeon-holed. Books by celebrities were very popular. Models, second-rate comedians, has-been soap stars (those that weren’t trying to make it in the music business), even footballers were writing books. Any talentless cunt with enough money to pay a ghost-writer and a good editor was capable of churning out a book and earning shit-loads of cash for it. And then there were the household names who milked their own brand of repetitious bullshit while fawning publishers knelt at their feet to push ever-larger cheques into their grasping hands. Add to these the comfortable middle-class writers who lectured on real life from the security of knowing it was a world they would never have to inhabit. People with millions in the bank who crowed that money wasn’t everything, who complained about invasion of privacy during their six-page interviews, who were proud of how they’d been single mothers or record-shop employees or advertising men before they’d made it big. And who whined about how hard they’d had to work to get published when all it took was a generous publisher and an even more generous publicity department. Ward despised them all. Even when he’d been successful he’d despised them. The whole fucking business stank. It stank of cowardice. Of duplicity. Of betrayal.
Shaun Hutson (Hybrid (Heathen, #2))
Dear reader, I guess there’s a chance – just the tiniest chance – that I might hunt you down. Beforehand I’d always let such a frivolous impulse fade but these days – and I am not proud of this – the pictures lurking in the corners of my mind are gaining in colour, detail and intensity. I fight them, I really do, but the scenario seems to have a life of its own, slowly taking shape and maybe dreaming of the day it gets unleashed into the real world. Becomes flesh and blood, if you like. And despite my very best efforts at restraint, I’m afraid I’ve already started... planning. You know, plotting a bit. Gathering details about your movements and habits. That sort of thing. And if I’m pushed, I might admit to lingering on the finer points of your demise, perhaps even gorging on the sight of your stricken face as I finally take centre stage in your life. You see, I guess I’m just tired of your lack of appreciation. Let’s face it, I’m not exactly the first name on your Christmas card list. I’m still waiting for you to swing by for a cuppa and a few kind words. Hey, a simple email would have been enough. Don’t you know how precious a bit of encouragement can be? And here’s the rub: for as long as I can remember I have been on my knees in front of you only to be treated like the invisible man. You’ve repeatedly ignored my imploring face and open arms, although occasionally you’ve stopped and dallied, causing my heart to skitter wildly. I can’t begin to tell you how much it means to be noticed. It’s so... nourishing. After all, a flower can’t bloom in the dark. But then it dawns on me that you’re not committed to our fledgling relationship. In fact, it’s just a flirtation and soon you’ll be skipping on your merry way. Whatever trifling affection you have shown, it’s clear you’ll never bang the drum for little old me. And don’t think I don’t know about the others. The ones you fawn over. Just tell me – why are you so in thrall with their rampant mediocrity? Hell, maybe they’ve somehow infected you, skewed your take on things and made you unable to sort the wheat from the chaff. Perhaps I should offer condolences but the fact remains that kneeling before you with my heart in my hands only seems to result in you jumping into bed with them. Do you not understand how much love I’ve lavished on you? Call me tetchy, but some days you simply seem unworthy of my great sacrifice. But let’s not get ahead of ourselves. All is not lost. For here we are again meeting as equals and this time I know I have your attention. I can only hope you have lost the desire to bait me, or God forbid, spit in my face. So help me. Accept my tender embrace. Or one day, dear reader, you might find the invisible man taking shape right in front of your disbelieving eyes. And you’d only have yourself to blame.
Dave Franklin (The Goodreads Killer)
My voice fell to a faint whisper as my eyes met his. Even though I’d sat with him in church for almost two months, I’d never noticed the flecks of green that swam in his hazel eyes, the fullness of his lips beneath the line of fawn-colored hair above them.
Anne Mateer (At Every Turn)
You’d never think he could be so violent, would you?’ Lizzie tittered. ‘I must admit, he had such charm about him, no one would have guessed. But he had a really dark side. He kept it well hidden. It was so much fun having him fawn all over me. I pick them out, you see, the lost souls.’ Teagan said nothing, too scared to speak, even if she could think of something to say. Listening to Lizzie, it seemed as if she was enjoying telling her what she had done. She didn’t seem to care who she hurt. She began to lose hope of ever getting away. But she wouldn’t give up, because she knew Grace wouldn’t, either. ‘You won’t win,’ she told her. ‘Grace will find me and you’ll be locked up and—’ ‘I have to get to number five! Don’t you understand?’ Teagan screamed. ‘Be quiet!’ Lizzie sliced a hand across her face. Teagan cried out again. Still bound together, her hands were caught between them. She couldn’t help herself in any way. She really was going to die. SEVENTY-SIX Teagan’s scream travelled through the air towards them. Every hair on Grace’s body stood on end as it pierced her ears. Please don’t let me be too late. ‘This way!’ Frankie shouted and she followed him. Rounding a corner, she saw two people pointing in the direction of the clock tower. In the distance were Teagan and the woman Grace now knew was Lizzie Shelby. Lizzie had a knife in her hand. They were going to be too late. ‘We
Mel Sherratt (Tick Tock (DS Grace Allendale #2))
THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . .
Thomas Pynchon (Against the Day)
Given what she’d seen of his personality so far, she had to guess his dick was huge. Why else would people fawn over him and then hold onto grudges? A mystery for another lifetime, or never.
Melissa Blue (Grumpy Jake)
HELPING KIDS MANAGE EMOTIONAL FLASHBACKS This list is for social workers, teachers, relatives, neighbors and friends to help children from traumatizing families. It is adapted from the steps at the beginning of this chapter. Depending on the age of the child, some steps will be more appropriate than others. Even if you are not in a position to help other kids, please read this list at least once for the benefit of your own inner child. Help the child develop an awareness of flashbacks [inside “owies”]: “When have you felt like this before? Is this how it feels when someone is being mean to you?” Demonstrate that “Feeling in danger does not always mean you are in danger.” Teach that some places are safer than others. Use a soft, easy tone of voice: “Maybe you can relax a little with me.” “You’re safe here with me.” “No one can hurt you here.” Model that there are adults interested in his care and protection. Aim to become the child’s first safe relationship. Connect the child with other safe nurturing adults, groups, or clubs. Speak soothingly and reassuringly to the child. Balance “Love & Limits:” 5 positives for each negative. Set limits kindly. Guide the child’s mind back into her body to reduce hyper-vigilance and hyperarousal. a. Teach systemic relaxation of all major muscle groups b. Teach deep, slow diaphragmatic breathing c. Encourage slowing down to reduce fear-increasing rushing d. Teach calming centering practices like drawing, Aikido, Tai Chi, yoga, stretching e. Identify and encourage retreat to safe places Teach “use-your-words.” In some families it’s dangerous to talk. Verbal ventilation releases pain and fear, and restores coping skills. Facilitate grieving the death of feeling safe. Abuse and neglect beget sadness and anger. Crying releases fear. Venting anger in a way that doesn’t hurt the person or others creates a sense of safety. Shrink the Inner Critic. Make the brain more user-friendly. Heighten awareness of negative self-talk and fear-based fantasizing. Teach thought-stopping and thought substitution: Help the child build a memorized list of his qualities, assets, successes, resources. Help the child identify her 4F type & its positive side. Use metaphors, songs, cartoons or movie characters. Fight: Power Rangers; Flight: Roadrunner, Bob the Builder; Freeze: Avatar; Fawn: Grover. Educate about the right/need to have boundaries, to say no, to protest unfairness, to seek the protection of responsible adults. Identify and avoid dangerous people, places and activities. [Superman avoids Kryptonite. Shaq and Derek Jeter don’t do drugs.] Deconstruct eternity thinking. Create vivid pictures of attainable futures that are safer, friendlier, and more prosperous. Cite examples of comparable success stories.
Pete Walker (Complex PTSD: From Surviving to Thriving)
The budget examiner's fawning attitude as he tried to cosy up to her flipped the moment that Rika brushed his hand away....She had no doubt that if something similar had happened previously, she'd have been blunged into violent self-loathing for days, having given him the opportunity to act as he did.
Asako Yuzuki (Butter)
Abused children often find a way to live through abuse and cope with the aftermath of these experiences. This may result in common trauma responses: fight, flight, freeze, or fawn. In adulthood, these trauma responses may continue to resurface as a way of coping with intrusive memories or feelings of shame, guilt, or anger related to the abuse.
Stacey R. Pinatelli (Hope and Healing for Survivors: A Workbook for Women Who Have Experienced Childhood Sexual Abuse)
Macon Saint was the devil. Anyone with a lick of sense knew it. Unfortunately, when it came to Macon, none of my fellow classmates at Shermont High School seemed to possess the sense that God gave them. No, they'd all fawn over him as though her were a god. I suspected that was the true mark of the devil: turning people into starry-eyed fools when they ought to know better. Not that I could blame them. Beauty made fools of us all. Macon had the face of an angel--- so beautiful you wondered if it truly had been sculpted by the hand of God, black hair so thick and glossy it might well have had a halo floating over it.
Kristen Callihan (Dear Enemy)
Aren't you a cutie," Evie said, picking up the fawn-colored dog. His dominant breed was clearly pug, but he was mixed with something else. "Hey, Odessa, any idea what the pug is mixed with? Looks like maybe a beagle?" Evie called. "That's what Doc thinks he's mixed with too," Odessa answered as she came into the room. "He was surrendered by his owner last week. The guy got him from a breeder as a gift for his girlfriend, but she wanted a miniature purebred pug and the breeder wouldn't give him a refund." She rubbed the dog behind the ear. "This one is a sweetie." "Does he have a name?" Evie asked. "He didn't come with one. He looks like an Oliver to me. Or maybe a Sam." "You know I hate when dogs have people names," Evie said. As she scratched the top of his head, she took in his coloring. His light brown coat reminded her of Butterball, the Pomeranian she'd rescued in the eighth grade. But the dark brown face and ears were hallmarks of a pug. "This brown spot on the top of his head is pretty unique," Evie said. "What if we call him Waffles?" Odessa plopped a hand on her hip. "So you'd rather name a dog after breakfast than after one of the greatest singers of all time, Sam Cooke?" "No offense to Sam Cooke, but Waffles is the perfect name for this cutie." Evie pointed to him. "Check out the shape of the dark brown spot on his head. It looks like a splash of syrup. "You're a cute little stack of waffles, aren't you?" She rubbed her nose to his as she continued the head scratch.
Farrah Rochon (Pugs and Kisses (Doggone Delightful, #2))
Great. Of course, the one person she misses just happens to be the woman currently holding my family hostage at gunpoint. My family who’s probably fawning over her and telling her what a great daughter she’d make instead of me.
Jesse Q. Sutanto (Dial A for Aunties (Aunties, #1))
Mor swore. And I looked at Rhys, my own heart breaking, about to demand why he hadn’t pushed, why he hadn’t said more— But his eyes were on the chair where the golden queen had been seated. Beneath it, somehow hidden by her voluminous skirts while she’d sat, was a box. A box … that she must have removed from wherever she was hiding it when she’d leaned down to pick up her handkerchief. Rhys had known it. Had stopped speaking to get them out as fast as possible. How and where she’d smuggled in that lead box was the least of my concerns. Not as the voice of the second and final piece of the Book filled the room, sang to me. Life and death and rebirth Sun and moon and dark Rot and bloom and bones Hello, sweet thing. Hello, lady of night, princess of decay. Hello, fanged beast and trembling fawn. Love me, touch me, sing me. Madness. Where the first half had been cold cunning, this box … this was chaos, and disorder, and lawlessness, joy and despair.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))