“
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth.
With hope at least,
Will Herondale
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Then you shouldn't have thrown her away when she was your wife. Now she ain't. Now she's somethin' to me and I don't let men I don't like get close to her and I gotta tell you man, I do not like you.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer
“
Show me the heroes that the youth of your country look up to, and I will tell you the future of your country.
”
”
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
“
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
“
When I think of you and me and what we shared, I know it would be easy for others to dismiss our time together as simply a by-product of the days and nights we spent by the sea, a "fling" that, in the long run, would mean absolutely nothing. Thats why I don't tell people about us. They wouldn't understand, and I don't feel the need to explain, simply becasue I know in my heart how real it was... how real this is. When I think of you I cant help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again
”
”
Nicholas Sparks (Dear John)
“
I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.
”
”
Henry Miller (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
“
Oh," I whispered.
"Fuck, I'm not even close."
"To what?"
"The heart of you. You run so fuckin' deep, I'll never get there."
God.
"Lookin' forward to a lifetime of diggin', babe."
God!
"Now you're being sweet," I accused, my voice wobbly.
"Used to it yet?"
"No."
"You got a lifetime to get there too."
Seriously.
I could take no more.
"Shut up."
"I will, you kiss me."
"Rush and/or Tabby might be here any minute."
"I didn't tell you to go down on me.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
So many people will tell you ”no”, and you need to find something you believe in so hard that you just smile and tell them ”watch me”. Learn to take rejection as motivation to prove people wrong. Be unstoppable. Refuse to give up, no matter what. It’s the best skill you can ever learn.
”
”
Charlotte Eriksson
“
Tell yourself the truth! That you’ve wasted enough time, and that you have other dreams that will take courage to realize, so you don’t die a fucking pussy.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
If every life is a river, then it's little wonder that we do not even notice the changes that occur until we are far out in the darkest sea. One day you look around and nothing is familiar, not even your own face.
My name once meant daughter, grandaughter, friend, sister, beloved. Now those words mean only what their letters spell out; Star in the night sky. Truth in the darkness.
I have crossed over to a place where I never thought I'd be. I am someone I would have never imagined. A secret. A dream. I am this, body and soul. Burn me. Drown me. Tell me lies. I will still be who I am.
”
”
Alice Hoffman (Incantation)
“
I had a dream about you. We were in the gold room
where everyone finally gets what they want.
You said Tell me about your books, your visions made
of flesh and light and I said This is the Moon. This is
the Sun. Let me name the stars for you. Let me take you
there. The splash of my tongue melting you like a sugar
cube…We were in the gold room where everyone
finally gets what they want, so I said What do you
want, sweetheart? and you said Kiss me. Here I am
leaving you clues. I am singing now while Rome
burns. We are all just trying to be holy. My applejack,
my silent night, just mash your lips against me.
We are all going forward. None of us are going back.
”
”
Richard Siken
“
Is that why you've been pushing me away? Because of how you look? [...] I waited for you my whole life. Yearned for you my whole life. After Tersa told me you were coming, I spent seven hundred years searching for you[....] I never gave a damn what you looked like--tall, short, fat, thin, plain, beautiful, ugly. Why would I care about what you looked like? The flesh was the shell that housed the glory[....] Even if I couldn't be your physical lover, there are other ways to be a lover and I know them all. So don't stand there and tell me how you feel depends on how you look!
”
”
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
“
Okay, we didn’t work, and all
memories to tell you the truth aren’t good.
But sometimes there were good times.
Love was good. I loved your crooked sleep
beside me and never dreamed afraid.
There should be stars for great wars
like ours.
”
”
Sandra Cisneros
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
Listen carefully to me, darling, because I'm giving you fair warning that I won't let you do this to us. You gave me your love, and I will not let you take it away. The harder you try, the harder I'll fight you. I'll haunt your dreams at night, exactly the way you have haunted mine every night I was away from you. You'll lie awake in bed at night, wanting me, and you'll know I'm lying awake wanting you. And when you can't stand it anymore you'll come back to me and I'll be there waiting for you. I'll cry in your arms, and I'll tell you I'm sorry for everything I have done and you'll help me find a way to forgive myself.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I imagined them all thinking it was worth it. Telling me how much they loved me. All my life, when I thought of my future, that was what I pictured. Not a career. The things I thought would come with it. Happiness, love, safety. And that dream had been enough for a long time. What was school if not a chance to earn your worth? To prove, again and again, that you were measurably good. One more deal I struck with a disinterested universe: If I'm good enough, I'll be happy. I'll be loved. I'll be safe.
”
”
Emily Henry (Happy Place)
“
I only have have one question, scraping the inside of me. Answer it, and I will stumble back into her shadow, shut my mouth, never ask again. I've tried to ignore it, but it won't go away. It haunts my dreams, chases me through every single day, and I don't have the strength to turn around, face it down. So please tell me and I swear I'll never ask again. It's in your power to make it go away, and all you have to do is tell me why you love her more.
”
”
Ellen Hopkins (Tricks)
“
My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma -- tell me at once. Say 'No,' if it is to be said." She could really say nothing. "You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma," he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing. "If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it. Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover. But you understand me. Yes, you see, you understand my feelings and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
Why do you tell me you love me only when you're drunk or dreaming? she asked. I have awful timing, said Simon
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I'll be your best friend, darlin', if you tell me your name.
I'll be your sunshine when you grow tired of the rain.
You can walk away and I'm sure I'll be all right.
But just so you know, you'll be in my dreams tonight...
”
”
Brittainy C. Cherry (Loving Mr. Daniels)
“
God beckons storm clouds and they come. He tells the wind to blow and the rain to fall, and they obey immediately. He speaks to the mountains, 'You go there,' and He says to the seas, 'You stop here, and they do it. Everything in all creation responds in obedience to the Creator...until we get to you and me. We have the audacity to look God in the face and say, 'No.
”
”
David Platt (Radical: Taking Back Your Faith from the American Dream)
“
Don't tell me anymore. You should have your dream, as the old woman told you to. I understand how you feel, but if you put those feelings into words they will turn into lies. (from Thailand)
”
”
Haruki Murakami (After the Quake)
“
Lily and James only made you Secret-Keeper because I suggested it,” Black hissed, so venomously that Pettigrew took a step backward. “I thought it was the perfect plan... a bluff... Voldemort would be sure to come after me, would never dream they’d use a weak, talentless thing like you... It must have been the finest moment of your miserable life, telling Voldemort you could hand him the Potters.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Tell me, if I take you to my room and put you in my bed, what do you think would happen?"
"I can draw you a diagram. Hint: I'm slot B, and you're tab A.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I want you to tell me about every person you've ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn't think you’d live through. Tell me what the word “home” means to you and tell me in a way that I’ll know your mothers name just by the way you describe your bed room when you were 8. See, I wanna know the first time you felt the weight of hate and if that day still trembles beneath your bones. Do you kiss your friends on the cheek? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name. And if you often lie awake at night and imagine your mothers joy when she spoke it for the very first time. I want you tell me all the ways you've been unkind. Tell me all the ways you've been cruel.Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me, how would you explain the miracle of my life to me? And for all the times you've knelt before the temple of yourself, have the prayers you've asked come true? And if they didn't did you feel denied? And if you felt denied, denied by who[m]? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see in the mirror on a day a day you’re feeling bad. I wanna know the first person who ever taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment, will you remember how to laugh? Have you ever been a song? See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving. And if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes through other people’s wounds. And if you dream sometimes that this life is just a balloon that if you wanted to you could pop—but you never would because you’d never want it to stop.
”
”
Andrea Gibson
“
Does he tell you that you’re all
he thinks about? Does he tell you that he lives for you?
That he breathes for you? That he dreams of you every
damn moment, awake and asleep? Does he tell you any
of that?’ He pauses to look at me and I try to keep a blank
face. ‘No, I didn’t think so,’ he says quietly.
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
Nix to Declan:
Begin transcript—
Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck.
This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me!
Now, down to business—
Squirrel!
Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute!
Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. …
Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie?
That’s right. The Enemy of Old can be very useful to you. So use him already.
P.S. Your middle name’s about to be spelled r-e-g-r-e-t.
And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. …
[Muffled] Who’s mummy’s wittle echolocator? That’s right—you are!
—End transcript
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Oh, beloved, and there is nothing but shadows
where you accompany me in your dreams
and tell me the hour of light.
”
”
Pablo Neruda (100 Love Sonnets)
“
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
”
”
Hilary Swank
“
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers.
Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun?
I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without.
I want to be someone you can’t live without.
”
”
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
“
I left you sweet and smiling in this goddamed bed and I don’t see you or hear your voice for four days? Then I walk into your office and you give me attitude and tell me to kiss your ass because you’re in a pissy mood about some shit you refuse to share? No. You gotta know, darlin’, that shit don’t play with me.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
As Gansey led the way out, Noah said to Ronan, “I know why you’re mad.”
Ronan sneered at him, but his pulse heaved. “Tell me then, prophet.”
Noah said, “It’s not my job to tell other people’s secrets.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
When his thumb hovered over the red button, she stared at him aghast. “You’re truly going to … torture me?”
He cast her a puzzled look. “Why wouldn’t I torture you?”
Because you used to love me, used to cherish me. “I thought we had a moment yesterday? Didn’t you like seeing me in lingerie?”
In a monotone voice, he said, “Why did the charge throwers have no ill effect on you?”
He’s truly going to do it? Then fuck him. DEFCON. “Chase, I’ve tussled with vibrators stronger than your charge throwers.”
No reaction. “You consumed energy. And channeled it at will. How?”
All Valkyrie consumed it—they were each connected through a grid of mystical energy—but Regin was the only one she knew of who could radiate it through her body. She’d inherited the talent from her birth mother. “So how does one get started as a magister? College or trade school?”
“I don’t have the time or patience for games. Now, tell me, why do you … glow?”
“I touched a radioactive alien cock once.”
He pressed the button.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.
”
”
Louis C.K.
“
Dead. It was me who was with her, me who found her. Felt her throat, no pulse. I gotta tell you, Red, there is nothin', not one thing in the world worse than puttin' your hand to the throat of someone you love and...feelin'...nothin'.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
You're trying to find it. You're probably trying to find- the reason that you live- all by yourself. Because...because, in reality, there aren't any people who are born with reasons to live. I think that...that everyone has to find their reason to live. A reason to live. A reason to say that it's okay to be here. A reason for being. Everyone must find out and then decide. Maybe in a dream, or in a job, or in a person. "The reason" you find might be unclear, uncertain, and unstable. Even though you may lose it, I want to have a reason for as long as I live. I also want one. And then, if it's possible, I want to find it in somebody's heart. I want to be able to live for someone. I hope that someday, someone would tell me, 'You can think of it that way.' At times I want to give up, but I try my best. That's why...that's why it's okay, for sure, to be shameless. Because if you lead a bold life, someday you might meet someone with whom you'll want to eat takoyaki together.
”
”
Natsuki Takaya
“
You'll tell me a story and I'll spare you ? You think I don't see what you're doing ? I've read Arabian Nights."
"Call me Scheherazade, baby ! Actually, she's one tricksy bitch. Who, by the way, still owes me twenty gold pieces and a pound of sesame.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I couldn't tell fact from fiction,
Or if the dream was true
My only sure prediction
In this world was you.
I'd touch your features inchly. Beard love and dared the cost, The sented spiel reeled me unreal And I found my senses lost.
”
”
Maya Angelou
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
Perhaps you are just close to what you have been waiting for all along and ideas start formulating in your mind and advising you to "give up". Tell them "not me".
”
”
Israelmore Ayivor (Dream big!: See your bigger picture!)
“
I give you my promise to be by your side forevermore. I promise to love, to honor, and to listen as you tell me your thoughts, your hopes, your fears and your dreams. I promise to love you deeply and truly because it is your heart that moves me, your head that challenges me, your humor that delights me and your hands I wish to hold until the end of my days
”
”
Kristen Proby (Safe with Me (With Me in Seattle, #5))
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
A fine shiver coursed over my skin. “Seth?” “Yeah?” “You were in my dream.” One amber-colored eye opened. “Please tell me we were naked.” I rolled my eyes. “You’re such a perv.” He sighed mournfully as he wiggled closer. “I’ll take that as a no.” “You’d be correct.” Unable to fall back to sleep, I started chewing on my lip. So many worries surfaced at once that my brain spun.
”
”
Jennifer L. Armentrout (Deity (Covenant, #3))
“
Once I'm free, we're going to find out exactly how much pain you can endure while remaining conscious. I won't stop until you tell me where my ring is." He leaned in to say at his ear, "I'll be sure to make you feel your loss.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Tell me, daughter Juliet, How stands your dispositions to be married"
It is an honor that I dream not of
”
”
William Shakespeare
“
I don't believe in God. Can you understand that? Look around you man. Cant you see? The clamor and din of those in torment has to be the sound most pleasing to his ear. And I loathe these discussions. The argument of the village atheist whose single passion is to revile endlessly that which he denies the existence of in the first place. Your fellowship is a fellowship of pain and nothing more. And if that pain were actually collective instead of simply reiterative then the sheer weight of it would drag the world from the walls of the universe and send it crashing and burning through whatever night it might yet be capable of engendering until it was not even ash. And justice? Brotherhood? Eternal life? Good god, man. Show me a religion that prepares one for death. For nothingness. There's a church I might enter. Yours prepares one only for more life. For dreams and illusions and lies. If you could banish the fear of death from men's hearts they wouldnt live a day. Who would want this nightmare if not for fear of the next? The shadow of the axe hangs over every joy. Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and everything that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes. I do. And what I see sickens me. Do you understand me? Can you understand me?
”
”
Cormac McCarthy (The Sunset Limited)
“
I wanted to hurt you
but the victory is that I could not stomach it. We have
swallowed him up, they said. It’s beautiful. It really is.
I had a dream about you. We were in the gold room
where everyone finally gets what they want.
You said Tell me about your books, your visions made
of flesh and light and I said This is the Moon. This is
the Sun. Let me name the stars for you. Let me take you
there. The splash of my tongue melting you like a sugar
cube… We were in the gold room where everyone
finally gets what they want, so I said What do you
want, sweetheart? and you said Kiss me. Here I am
leaving you clues. I am singing now while Rome
burns. We are all just trying to be holy. My applejack,
my silent night, just mash your lips against me.
We are all going forward. None of us are going back.
”
”
Richard Siken
“
Nix and Lothaire:
When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from Nïx.
A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile.
The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldn’t look away.
“The Accession grinds on, does it not?” Lothaire said.
“Just like old times.” Nïx winked. “Alas, Dorada will come for you once she rises again.”
“I’ll be ready.” He narrowed his red eyes. “You’ve likely foreseen this moment. Tell me, are we to fight now? As in the past?”
“You defy foresight, Lothaire.”
“That’s only fair, Phenïx, since you’ve long defied insight.” Phenïx?
Nïx canted her head. “What does your Endgame tell you?”
“That white queen will never take black king.” He gave her a formal bow. “Until our next match.”
“There won’t be a next match, vampire.”
His brow creased into a frown, the Enemy of Old disappeared.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
But if it is love, real love, then I want them to find each other. Because I believe that love is an overwhelming, all-consuming force, and when it's genuine you can't really ignore it. No matter how long it takes. It knocks down your door by force. It keeps you awake at night. It plagues your thoughts and burn your soul. If it is love, they won't need me at all. By telling my daughter that the man of her dreams loves her too, would I not be getting in the way? Meddling with fate?
”
”
Jessica Thompson (This is a Love Story)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
I know exactly how you feel," Schmendrick said eagerly. The unicorn looked at him out of dark, endless eyes, and he smiled nervously and looked at his hands. "It's a rare man who is taken for what he truly is," he said. "There is much misjudgment in the world. Now I knew you for a unicorn when I first saw you, and I know that I am your friend. Yet you take me for a clown, or a clod, or a betrayer, and so must I be if you see me so. The magic on you is only magic and will vanish as soon as you are free, but the enchantment of error that you put on me I must wear forever in your eyes. We are not always what we seem, and hardly ever what we dream. Still I have read, or heard it sung, that unicorns when time was young, could tell the difference 'twixt the two - the false shining and the true, the lips' laugh and the heart's rue.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Tell me you don't love me."
Laurel's mouth moved, but she said nothing.
"Tell me," he said, his voice sharp and demanding. "Tell me David is all you need or want in your life." His face was closer to her, his soft breath caressing her face. "That you never think of me when you're kissing him. That you don't dream about me the way I dream about you.Tell me you don't love me."
She looked up at him,desperation consuming her. Her mouth felt dry, parched, and the words she tried to force out wouldn't come.
"You can't even say it," he said, his arms pulling her in now instead of holding her steady. "Then love me, Laurel. Just love me!
”
”
Aprilynne Pike (Spells (Wings, #2))
“
Declan and Regin:
"You'll tell me a story and I'll spare you? You think I don't see what you're doing? I've read Arabian Nights."
"Call me Scheherazade, baby! Actually, she's one tricksy bitch. Who, by the way, still owes me twenty gold pieces and a pound of sesame.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
You're absolved," I tell him.
He brings his eyes back up to mine. There's no fucking way he knows what that word means. That's a word I dream someone will say to me.
So I put it in his language. "You're free.
”
”
Hannah Moskowitz (Teeth)
“
Wild Geese"
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
”
”
Mary Oliver (Dream Work)
“
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and we’d all die within seconds.”
“Sounds like a nice guy.”
“He specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? It’s all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
”
”
John Green (The Fault in Our Stars)
“
You tell me there is no fighting or hatred or desire in the Town. That is a beautiful dream, and I do want your happiness. But the absence of fighting or hatred or desire also means the opposites do not exist either. No joy, no communion, no love. Only where there is disillusionment and depression and sorrow does happiness arise; without despair or loss, there is no hope.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
Mentor’s Official and Complete Procedural Handbook on Initial Succubus Intake and Probationary Period (Abridged).
“Abridged?” I spun toward Jerome. “Tell me you’re getting back at me for the time I accused you of wearing Old Spice.”
“That one’s still coming,” said the demon. “This one’s for real.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
But you know what else never happened to me?"
"Tell me," he ordered, still...freaking...grinning.
"Seeing him just a day later in a clinch with a brunette."
"You knew me, you'd know she didn't have staying power and you'd know you do."
"And how's that?" I snapped.
"She's dark, you're red. I'll fuck dark, I'll fuck sun but only red has staying power. Considered sun once. Lost her. Now it's you.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Tell me, darling, do you think of me often?” His voice is a murmur, as if his lips were pressed against my ear. I shiver, knowing exactly what that feels like. If he knows I’m here then why hasn’t he— “Do I haunt your dreams, plague your thoughts, like you do mine?
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
THE INVITATION
by Oriah Mountain Dreamer
It doesn't interest me what you do for a living.
I want to know what you ache for, and if you
dare to dream of meeting your heart's longing.
It doesn't interest me how old you are.
I want to know if you will risk looking like a fool
for love,
for your dreams,
for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow,
if you have been opened by life's betrayals
or have become shriveled and closed from fear of future pain.
I want to know if you can sit with pain,
mine or your own,
without moving to hide it,
or fade it,
or fix it.
I want to know if you can be with joy,
mine or your own,
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us to be careful,
to be realistic,
to remember
the limitations of being human.
It doesn't interest me if the story you are telling
me is true.
I want to know if you can disappoint another to be true to yourself;
if you can bear the accusation of betrayal
and not betray your own soul;
if you can be faithless and therefore
trustworthy.
I want to know if you can see beauty even when it's not pretty,
every day,
and if you can source your own life from its presence.
I want to know if you can live with failure,
yours or mine,
and still stand on the
edge of the lake
and shout to the silver of the full moon, "yes!"
It doesn't interest me who you know, or how you came to be here.
I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied.
I want to know what sustains you,
from the inside,
when all else falls away.
I want to know if you can be alone
with your and if you truly like the company you keep
in the empty moments.
”
”
Oriah Mountain Dreamer
“
I don’t play with cheaters and I don’t care if you are three seconds older than me, you don’t tell me what to do. I’m not your bitch, boy.
Then stop acting like one. Whoever heard of Fear being a cry-baby.
The same people who made Dread a cheater. (Phobos)
Oh, go cry to mama, you nancy-boy. (Deimos)
”
”
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
“
Then don't. I can't help you. They say that women dream of danger to those in their care and men of danger to themselves. But I don't dream at all. You say you can't? Then don't do it. That's all. Because I am done with my own whorish heart and I have been for a long time. You talk about taking a stand but there is no stand to take. My heart was ripped out of me the night he was born so don't ask for sorrow now. There is none. Maybe you'll be good at this. I doubt it, but who knows. The one thing I can tell you is that you won't survive for yourself. I know because I would have never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and sheild it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.
”
”
Cormac McCarthy (The Road)
“
I met a girl in a U-Haul.
A beautiful girl
And I fell for her.
I fell hard.
Unfortunately, sometimes life gets in the way.
Life definitely got in my way.
It got all up in my damn way,
Life blocked the door with a stack of wooden 2x4's
nailed together and attached to a fifteen inch concrete wall
behind a row of solid steel bars, bolted to a titanium frame that
no matter how hard I shoved against it-
It
wouldn't
budge.
Sometimes life doesn't budge.
It just gets all up in your damn way.
It blocked my plans, my dreams, my desires, my wishes,
my wants, my needs.
It blocked out that beautiful girl
That I fell so hard for.
Life tries to tell you what's best for you
What should be most important to you
What should come in first
Or second
Or third.
I tried so hard to keep it all organized, alphabetized,
stacked in chronological order, everything in its perfect space,
its perfect place.
I thought that's what life wanted me to do.
This is what life needed for me to do.
Right?
Keep it all in sequence?
Sometimes, life gets in your way.
It gets all up in your damn way.
But it doesn't get all up in your damn way because it
wants you to just give up and let it take control. Life doesn't get
all up in your damn way because it just wants you to hand it all
over and be carried along.
Life wants you to fight it.
It wants you to grab an axe and hack through the wood.
It wants you to get a sledgehammer and break through
the concrete.
It wants you to grab a torch and burn through the metal
and steel until you can reach through and grab it.
Life wants you to grab all the organized, the
alphabetized, the chronological, the sequenced. It wants you to
mix it all together,
stir it up,
blend it.
Life doesn't want you to let it tell you that your little
brother should be the only thing that comes first.
Life doesn't want you to let it tell you that your career
and your education should be the only thing that comes in
second.
And life definitely doesn't want me
To just let it tell me
that the girl I met,
The beautiful, strong, amazing, resilient girl
That I fell so hard for
Should only come in third.
Life knows.
Life is trying to tell me
That the girl I love,
The girl I fell
So hard for?
There's room for her in first.
I'm putting her first.
”
”
Colleen Hoover
“
You're hair was softer than I expected it to be, more beautiful when it's down than I expected it to be. You're sweeter than I expected you to be, funnier, more loyal and I expected all that to be phenomenal so, I gotta tell you, baby, it pleases me no fuckin' end to learn the reality is off-the-charts. Better than that, when you get pissed, I gotta fight against goin' hard. When you smile, I gotta fight against goin' hard. And when you look deep into my eyes and see whatever the fuck you see and I know how much you like it because it's written all over your face, I gotta fight against goin' hard. But even with the promise of that, finally havin' you is another reality that's off-the-charts.
”
”
Kristen Ashley (Law Man (Dream Man, #3))
“
Words have less substance than air. Don't tell me about your zealous dreams, your firm convictions, your profound love―show me.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
Once I had an odd dream. A person I don’t remember was telling me in my sleep that unless one is properly buried or cremated with rituals, the soul remains tethered to the body. So, you are conscious of everything, even when you die. You hear everything. You see everything. You see your own dead body from above, and only when the funeral is over, you detach from it and make the transition to a fresh one.
”
”
Abhaidev (The World's Most Frustrated Man)
“
God spreads the heavens above us like great wings
And gives a little round of deeds and days,
And then come the wrecked angels and set snares,
And bait them with light hopes and heavy dreams,
Until the heart is puffed with pride and goes
Half shuddering and half joyous from God's peace;
And it was some wrecked angel, blind with tears,
Who flattered Edane's heart with merry words.
Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.
Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll
But your white spirit still walk by my spirit.
When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time?
The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
When the wind has laughed and murmured and sung,
The lonely of heart is withered away.
”
”
W.B. Yeats (The Land of Heart's Desire)
“
My father used to tell me that stories offer the listener a chance to escape but, more importantly, he said, they provide people with a chance to maximize their minds. Suspend ordinary constraints, allow the imagination to be freed, and we are charged with the capability of heighetned thought.
Learn to use your eyes as if they are your ears, he said, and you become connected with the ancient heritage of man, a dream world for the waking mind.
”
”
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
“
My “Best Woman” speech
Good evening everyone, my name is Rosie and as you can see Alex has
decided to go down the non-traditional route of asking me to be his best
woman for the day. Except we all know that today that title does not belong
to me. It belongs to Sally, for she is clearly his best woman.
I could call myself the “best friend” but I think we all know that today
that title no longer refers to me either. That title too belongs to Sally.
But what doesn’t belong to Sally is a lifetime of memories of Alex the
child, Alex the teenager, and Alex the almost-a-man that I’m sure he would
rather forget but that I will now fill you all in on. (Hopefully they all will
laugh.)
I have known Alex since he was five years old. I arrived on my first day
of school teary-eyed and red-nosed and a half an hour late. (I am almost sure
Alex will shout out “What’s new?”) I was ordered to sit down at the back of
the class beside a smelly, snotty-nosed, messy-haired little boy who had the
biggest sulk on his face and who refused to look at me or talk to me. I hated
this little boy.
I know that he hated me too, him kicking me in the shins under the table
and telling the teacher that I was copying his schoolwork was a telltale sign.
We sat beside each other every day for twelve years moaning about school,
moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths
on a Monday morning.
Now Alex has that life and I’m so proud of him. I’m so happy that he’s
found his best woman and his best friend in perfect little brainy and annoying
Sally.
I ask you all to raise your glasses and toast my best friend Alex and his
new best friend, best woman, and wife, Sally, and to wish them luck and
happiness and divorce in the future.
To Alex and Sally!
”
”
Cecelia Ahern (Love, Rosie)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
A thousand years or more ago,
When I was newly sewn,
There lived four wizards of renown,
Whose name are still well-known:
Bold Gryffindor from wild moor,
Fair Ravlenclaw from glen,
Sweet Hufflepuff from valley broad,
Shrewd Slytherin from fen.
They share a wish, a hope, a dream,
They hatched a daring plan,
To educate young sorcerers,
Thus Hogwarts school began.
Now each of these four founders
Formed their own house, for each
Did value different virtues,
In the ones they had to teach.
By Gryffindor, the bravest were
Prized far beyond the rest;
For Ravenclaw, the cleverest
Would always be the best;
For Hufflepuff, hardworkers were
Most worthy of admission;
And power-hungry Slytherin
Loved those of great ambition.
While still alive they did divide
Their favourates from the throng,
Yet how to pick the worthy ones
When they were dead and gone?
'Twas Gryffindor who found the way,
He whipped me off his head
The founders put some brains in me
So I could choose instead!
Now slip me snug around your ears,
I've never yet been wrong,
I'll have alook inside your mind
And tell where you belong!
”
”
J.K. Rowling
“
He used to tell me there were no bad dreams. Just dreams. That when we call them good or bad, we give importance to them. I know that doesn't make it better, Mac. I know it's easy to talk like that when you're awake. But the fact is, dreams catch us with our armor off.
”
”
Victoria Schwab (The Unbound (The Archived, #2))
“
And I'm so sick of 17
Where's my fucking teenage dream?
If someone tells me one more time
"Enjoy your youth, " I'm gonna cry
”
”
Olivia Rodrigo
“
Who has a right to tell me I have no gift, no talent, no passion ...' he murmured. 'Why do people say those things to you when youre young? Doesn't seem fair, does it?'
'No, darling, it's not fair,'she said. 'But the mystery is why you listen.
”
”
Anne Rice (The Wolf Gift (The Wolf Gift Chronicles, #1))
“
Coupla weeks ago, you gave me a fuckin’ sweet nightie and words I loved hearing.”
I felt my entire body go still as I held his eyes.
“Forgot to mention I feel the same,” he stated and my insides hollowed out.
“What?” I breathed.
“Put down the rice and come here, baby, I wanna tell you I love you when you’re in my
arms.”
I didn’t move. I stared at him, my internal organs gone but still, my body managed to
produce tears which gathered in my eyes and then promptly and silently slid down my
cheeks.
”
”
Kristen Ashley (Wild Man (Dream Man, #2))
“
Whenever you’re ready. As often as you like,” Cooper vowed. “You can always tell me what you want out of life and I’ll always be first pick on your heist team ready to help you get it.”
“As often as I like?”
“Dreams change. People change. Please just don’t stop giving me the chance to change with you.
”
”
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
“
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done.
And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
“
Happiness is never giving up on your dreams. They told me that I would never get to tell my story but I am stronger than I knew. Their voices were poison. I wasn’t going to let them steal my joy. There was no way in hell I was going to let them write my beginning or ending. The chapters in my life are going to be told by the person who lived it, and that’s me.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
We tell people to follow their dreams, but you can only dream of what you can imagine, and, depending on where you come from, your imagination can be quite limited. The highest rung of what's possible is far beyond the world you can see. My mother showed me what was possible. The thing that always amazed me about her life is that one showed her. No one showed her. She did on her own. She found her way through sheer force of will.
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood)
“
That's why I don't tell people about us. They wouldn't understand, and 1 don't feel the need to explain, simply because I know in my heart how real it was. When I think of you, I can't help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again.
”
”
Nicholas Sparks (Dear John)
“
Technical advisor. Since you know our enemies so well, we’re going to pick your brain. (Jericho)
I’ll tell you what you want to know. There's no need to torture me for it. (Asmodeus)
Pick your brain is an idiomatic expression, Asmodeus. It means we’ll have you tell us things. We’re not actually going in there to mess with your head. (Delphine)
Oh, thank the Source. I can’t stand it when someone opens my skull. It really hurts. (Asmodeus)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
my final piece
We’re born into the world
As just one small piece to the puzzle
That makes up an entire life.
It’s up to us throughout our years,
to find all of our pieces that fit.
The pieces that connect who we are
To who we were
To who we’ll one day be.
Sometimes pieces will almost fit.
They’ll feel right.
We’ll carry them around for a while,
Hoping they’ll change shape.
Hoping they’ll conform to our puzzle.
But they won’t.
We’ll eventually have to let them go.
To find the puzzle that is their home.
Sometimes pieces won’t fit at all.
No matter how much we want them to.
We’ll shove them.
We’ll bend them.
We’ll break them.
But what isn’t meant to be,
won’t be.
Those are the hardest pieces of all to
accept.
The pieces of our puzzle
That just don’t belong.
But occasionally . . .
Not very often at all,
If we’re lucky,
If we pay enough attention,
We’ll find a
perfect match.
The pieces of the puzzle that slide right in
The pieces that hug the contours of our own
pieces.
The pieces that lock to us.
The pieces that we lock to.
The pieces that fit so well, we can’t tell
where our piece begins
And that piece ends.
Those pieces we call
Friends.
True loves.
Dreams.
Passions.
Beliefs.
Talents.
They’re all the pieces that complete our
puzzles.
They line the edges,
Frame the corners,
Fill the centers,
Those pieces are the pieces that make us
who we are.
Who we were.
Who we’ll one day be.
Up until today,
When I looked at my own puzzle,
I would see a finished piece.
I had the edges lined,
The corners framed,
The center filled.
It felt like it was complete.
All the pieces were there.
I had everything I wanted.
Everything I needed.
Everything I dreamt of.
But up until today,
I realized I had collected all
but one piece.
The most vital piece.
The piece that completes the picture.
The piece that completes my whole life.
I held this girl in my arms
She wrapped her tiny fingers around mine.
It was then that I realized
She was the fusion.
The glue.
The cement that bound all my pieces
together.
The piece that seals my puzzle.
The piece that completes my life.
The element that makes me who I am.
Who I was.
Who I’ll one day be.
You, baby girl.
You’re my final piece.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
A man worth being with is one…
That never lies to you
Is kind to people that have hurt him
A person that respects another’s life
That has manners and shows people respect
That goes out of his way to help people
That feels every person, no matter how difficult, deserves compassion
Who believes you are the most beautiful person he has ever met
Who brags about your accomplishments with pride
Who talks to you about anything and everything because no bad news will make him love you less
That is a peacemaker
That will see you through illness
Who keeps his promises
Who doesn’t blame others, but finds the good in them
That raises you up and motivates you to reach for the stars
That doesn’t need fame, money or anything materialistic to be happy
That is gentle and patient with children
Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow
Who lives what he says he believes in
Who doesn’t hold a grudge or hold onto the past
Who doesn’t ask his family members to deliberately hurt people that have hurt him
Who will run with your dreams
That makes you laugh at the world and yourself
Who forgives and is quick to apologize
Who doesn’t betray you by having inappropriate conversations with other women
Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep
Who takes his children’s spiritual life very seriously and teaches by example
Who never seeks revenge or would ever put another person down
Who communicates to solve problems
Who doesn’t play games or passive aggressively ignores people to hurt them
Who is real and doesn’t pretend to be something he is not
Who has the power to free you from yourself through his positive outlook
Who has a deep respect for women and treats them like a daughter of God
Who doesn’t have an ego or believes he is better than anyone
Who is labeled constantly by people as the nicest person they have ever met
Who works hard to provide for the family
Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs
Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family
Who is morally free from sin
Who sees your potential to be great
Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you
Who is a gentleman
Who is honest and lives with integrity
Who never discusses your private business with anyone
Who will protect his family
Who forgives, forgets, repairs and restores
When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
”
”
Shannon L. Alder
“
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.”
“Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death."
“Don’t talk to me about being a brat,” I shot back. “You’re as selfish and
self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.”
“Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.”
“Good. I hope you mean it this time.”
His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had.
I won’t be coming back.
And for the first time ever, I had a feeling he really wouldn’t be.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I know your smell. I know your skin. Your hair. It’s all familiar. I have it all memorized. And I dream of you—of this. So many dreams, all so different, we must have done it a million times, in a million different ways. Tell me what you’re hiding from me, let’s get this over with, and then let’s do it a million more times.
”
”
Ali Hazelwood (Hot for Slayer)
“
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much.
The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted:
Deep in the meadow, under the willow
A bed of grass, a soft green pillow
Lay down your head, and close your eyes
And when again they open, the sun will rise
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet snd tomorrow brings them true
Here is the place where I love you.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Dear Camryn,
I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go.
I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever.
I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-)
But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did.
I’m so sorry, baby…
I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud.
I hope you’ll never forget me.
One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did.
Love Always,
Andrew Parrish
”
”
J.A. Redmerski
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears.
"This is your dream, remember? Tell me who I am," he said smiling, absently coiling a tendril of her long brown hair around a finger.
She narrowed her eyes at him. "If this is my dream, oneiroi, then answer my question. Who are you?"
He was hearing her true voice: that of a natural ruler. She watched him smile at her fearlessness, even as he loomed over her. He leaned down and whispered in her ear, "I am your lord husband.
”
”
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
“
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate.
"I'm here to tell you I'm suing you," he announced.
Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate.
Tate stared at Brad then he said, "Come again?"
"I'm suing you," Brad repeated.
"For what?" Tate asked.
"Alienation of affection," Brad answered.
Without hesitation, Tate threw his head back and burst out laughing.
Then he looked at me and remarked, "You're right, babe, this is fun."
Ignoring Tate's comment, Brad declared, "You stole my wife."
Tate looked back at Brad. "Yeah, bud, I did."
Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses."
"Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine."
Sorry, it's just too long; I have to cut it off. But it continues…like that:
"This is the good life?" (Brad)
"Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?"
I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong.
"Jesus, you're disgusting," Brad muttered, calling up revulsion to save face.
"She does that to me," Tate continued.
"Fuck off," Brad snapped.
"All the fuckin' time," Tate pushed.
"Fuck off," Brad repeated.
"It's fuckin' magnificent," Tate declared.
"Thanks, honey," I whispered and grinned at him when his eyes came to me.
I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face.
Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
The Bargainer pauses, glancing up at me. “I love you, Callie, down to every last feather and scale. I love your darkness, I love your mind, I love your humor and your most coveted dreams. And I love how you love me—wholly, deeply, passionately. “You’re not normal; you’ll never be normal. I’m so sorry to tell you that. You are so blindingly extraordinary that it physically hurts me
”
”
Laura Thalassa (Dark Harmony (The Bargainer, #3))
“
Don’t say Dick Gansey, man. Do not say it. He is never going to be with you. And don’t me tell you don’t swing that way, man. I’m in your head.”
“That’s not what Gansey is to me,” Ronan said.
“You didn’t say you don’t swing that way.”
Ronan was silent. Thunder growled under his feet. “No, I didn’t.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Tell me what it is that you are hiding behind your eyes.
Tell me of the pain, so I can make it go away.
Tell me what it is that you are missing in your life.
I want to be the angel who takes care of your soul.
Finally I’m alive in your love.
There is so much tenderness in your heart.
There is so much spirit in your smile.
But it is your innocence mixed with mischievousness that I love.
I am with you to protect you for the rest of my life.
Finally I’m alive in your love.
Do not let anything dilute your smile ever again.
To see you happy I would do anything, mi amor.
You are the woman that I dream of late into the night.
It is because of your smile that my life has meaning once again.
Finally I’m alive in your love.
And every day my love grows stronger for you.
And the sadness that I once carried is forever gone.
I thank destiny and God for putting you in my life.
Since you came into my world, my dreams have all woken up.
Finally I’m alive in your love.
”
”
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
“
I think that’s the hardest thing about bipolar disorder. You don’t know if you will wake up in the morning and spike a manic episode or if you won’t want to get out bed because you’re in a depressive episode that makes you want to go back to sleep and never see the light of day again. The moment I tell someone I am bipolar, they are shocked. You know, the whole ‘I never would have known because you don’t act like it’s a thing.' It always makes me laugh. ‘What does bipolar look like to you, sir?’ - that’s what I want to say to them.
”
”
Emma Thomas (Live for Me)
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
Are you going to put on your old cheer uniform?”
Ryan was a little too excited by the thought of me in a costume, so I squashed that idea, and fast.
“In your dreams.”
“Not exactly.” Ryan grinned wickedly. “In my dreams you’re usually dressed like Wonder Woman.”
Ugh. I wondered how long it would take for him to start in on the superhero crap. Obviously, not long. I was not amused, but Ryan seemed to think
himself hilarious. I could also tell by the look on his face that he was quite confident he’d have me in costume one day. “Never gonna happen,” I
assured him. “Ever.”
And of course he responded with that classic, cocky smile. “Just like you were never gonna be my girlfriend, right?
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Dragos angled his head and watched her leave. He still didn't like that image of her walking away. Someday you will trust me. Then you will tell me what more there was to the dream and why you were so shaken. You will not be afraid of me and you will tell me all your secrets. And then you will be mine.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
You can do better than that." He loops his arms around my waist and pulls me to him.
"Where are your gloves?"
"Better than that too." He drops a kiss on my collarbone. "Good to see you, Cass. I dreamed about you, Cass...Feel free to improvise."
"Aren't you supposed to be wearing those work gloves? When you're working? Because otherwise your poor hands won't..."
Gah. I sound like Mom, or the school nurse.
I'm no good at this.
Luckily, Cass is good enough for both of us. "I missed you, Gwen. It's good to see you, Gwen. I dreamed about you, Gwen. Yeah, haven't gotten around to the gloves. More important things to focus on. Want me to tell you what they are?
”
”
Huntley Fitzpatrick (What I Thought Was True)
“
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes:
Tell me, what is it you plan to do with your one wild and precious life?
I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real.
Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.)
It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years.
The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment.
Hello there, dream.
Also, don’t be realistic. The word “realistic” is poison. Who decides?
And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real.
The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?”
Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch.
You can let life happen to you, or you can happen to life. It’s harder, but so much better.
”
”
Laini Taylor
“
If you can't put magnolia on a wall then there are always a million other colors you can use, if you can't pay your phone bill then just write letters telling them. I'm not playing down the importance of these things, yes you need money for food, yes you need food to survive, but you also need sleep to have energy, to smile to be happy, and to be happy so you can laugh, just so you don't keel over with a heart attack. People forget they have options. And they forget that those things really don't matter. They should concentrate on what they have and not what they don't have. And by the way, wishing and dreaming doesn't mean concentrating on what you don't have, it's positive thinking that encourages hoping and believing, not whining and moaning.
”
”
Cecelia Ahern (If You Could See Me Now)
“
What is it, love?" I whispered. "Jamie, I do love you."
"I know it," he said quietly. "I do know it, my own. Let me tell ye in your sleep how much I love you. For there's no so much I can be saying to ye while ye wake, but the same poor words, again and again. While ye sleep in my arms, I can say things to ye that would be daft and silly waking, and your dreams will know the truth of them. Go back to sleep, mo duinne .
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
You see, you have feelings. You can appreciate the inner me. Like right now I feel a closeness between us that Ive never felt with anyone before … anyone. Yeah, I know what you mean. Thats how I feel. I don’t know if I can put it into words, but— Thats just it, it doesnt need words. Thats the whole point. Like whats the use of all those words when the feelings arent behind them. Theyre just words. Like I can look at a painting and tell it, youre beautiful. What does it mean to the painting? But Im not a painting. Im not two dimensional. Im a person. Even a Botticelli doesnt breathe and have feelings. Its beautiful, but its still a painting. No matter how beautiful the outside may be, the inside still has feelings and needs that just words dont fulfill.
”
”
Hubert Selby Jr. (Requiem for a Dream)
“
Juliette-Julietter, love, wake up-wake up"
...
Warner's hands cup my face. The warmth of his skin helps calm me somehow, and I finally feel my heart rate begin to slow. "Look at me." he says.
I force myself to meet his eyes, shaking as I catch my breath.
"It's okay," he whispers, still holding my cheeks. "It was just a bad dream. Try closing your mouth," he says, "and breathing through your nose." He nods. "There you go. Easy. You're okay." His voice is so soft, so melodic, so inexplicably tender.
...
"I won't let you go until you are ready," he tells me. "Don't worry take your time.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
I imagined downtime, thoughtful gifts for my parents, the family vacations we’d never taken, their mortgage paid off. I imagined all their hard work finally repaid, all their sacrifices not only compensated but rewarded.
I imagined them thinking it was all worth it. Telling me how much they loved me.
All my life, when I thought of my future, that was what I pictured. Not a career. The things I thought would come with it.
Happiness, love, safety.
And that dream had been enough for a long time. What was school if not a chance to earn your worth?
”
”
Emily Henry (Happy Place)
“
I had a dream about you. It's been a while since I could remember any of my dreams, and still, this one has left me with such strong impression. Even now, when I am fully awake, your face flashes before my eyes. It's a face I can totally relate to, as if it wasn't any more yours than it is mine. Terrifying thing, you know? I can't say I've felt that sort of intimacy with anyone. For a moment you knew all my secrets, without me even having to tell them. For a moment I even knew them myself…
While I was looking into your eyes, I suddenly started to realize things about myself that were unspoken for years, like fragments of my inner life that were deeply repressed. It’s hard to distinguish if they were buried inside because dealing with them was such a dirty work, or if leaving them unnamed meant that it was not possible to define them precisely enough, so they would keep their true meaning. Perhaps, all this life that I've known so far was in fact no more but a dream about living. The only thing that has kept me in touch with reality was you…
I know it comes as a surprise, and you may be wondering why it took me so long to come clean. You also may be wondering how come you've never noticed before. I've tricked you on purpose, yes, and you must realize it really has nothing to do with you. It’s always been me. This is why, seeing you in my dream like that, came out as a shock. You also must forgive me. You must forgive me because I know how it looks like, that everything we ever shared was a lie, and it wasn't…
I am more of an illusionist that a deceiver, but it all comes from being in fact, a very private person. Even if it was true that you knew me better than anyone, I’d never admit it. I’d rather dig my own heart out, with a rotten spoon, than admitting it. I may let people in my own little world occasionally, but I would never let them be aware of it. I don’t throw my intimacy in front of others, especially when I care. The more I care, the less I give away, and this is something for you to understand, and grant me your forgiveness. I didn't play my tricks on you in order to deceive you, but rather to save myself, and maybe even deceive myself as well. I’ve had hidden my feelings for you so deeply that I've learned to live with them, as if any other casualty. I have done wrong to myself as much as I did to you, and I don’t know if I can forgive myself. So now I wonder, could you forgive me without feeling sorry for me? I certainly don’t deserve your pity. Especially not now that I am awake.
”
”
Aleksandra Ninković (Dreaming is for lovers)
“
Now I'm dreaming, will I ever find you now?
I walk in circles but I'll never figure out
What I mean to you, do I belong
I try to fight this but I know I'm not that strong
And I feel so helpless here
Watch my eyes are filled with fear
Tell me do you feel the same
Hold me in your arms again
I need your love
I need your time
When everything's wrong
You make it right
I feel so high
I come alive
I need to be free with you tonight
I need your love
”
”
Ellie Goulding
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
Promise you will tell me all of your dreams, my love.” She didn’t pull out of his embrace. “My dreams?” “I intend to make them come true.” He kissed her forehead. “Every”—he shifted and kissed her cheek—“single”—he pressed a quick kiss to her lips—“dream.” “And if I told you that you already have?” He smiled. “Then you shall simply have to dream up more.
”
”
Sarah M. Eden (As You Are (The Jonquil Brothers #3))
“
Everyone who’s ever been jealous because it’s my face in the magazines and not theirs. Every person who can’t believe or accept that someone can reach my level of success without being a total prick. Trust me, it’s not the lies that hurt people. It’s the willingness of everyone else to believe them. And then there are those who come out of the woodwork to back your accuser because it gives them the spotlight for three seconds. They can’t stand the fact that you’ve risen above your past and that they have no excuse for never rising above theirs. In their minds, you need to be taken down a notch and they need to be raised a few, off the lies they tell about you. Because in the end, they know you, they’ve seen the real you, and by backing your accusers, they make other people think that maybe they were close to you – at least that’s what they claim. It’s a sick world and I’m disgusted with it. (Aiden)
”
”
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
“
I want you to close your eyes and think about why you're here tonight. Don't tell me 'revenge' because you've already gotten it just by being here tonight. This isn't about Riko anymore. This isn't about the Ravens. This is about everything it took you to get to this point, everything it cost you, and everyone who laughed when you dared to dream of something big and bright. You're here tonight because you refused to give up and refused to give in. You're here where they all said you'd never be, and no one can say you haven't earned the right to play this game. All eyes are on you. It's time to show them what you're made of. There's no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you've got. Pull out all the stops and lay it all on the line. Fight because you don't know how to die quietly. Win because you don't know how to lose. This king's ruled long enough—it's time to tear his castle down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
My God, are you even real?” she whispered. Holding her gaze, a sad smile lifted his mouth. “I think I am.” “You make me feel like I’m in a dream,” Emily confessed, wrapping her arms around his neck. “Like I’m sleepwalking and I don’t even know it.” ... “I’m able to close my eyes and just… trust you. You’re the color on my blank canvas, the light in my dark, the air in my lungs, and I almost let you go. I almost erased us from ever happening. I can’t imagine not having you here with me. Please tell me you know how much I love you, Gavin. I need to hear it right now. Please.
”
”
Gail McHugh (Pulse (Collide, #2))
“
Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
I am sorry for your girl, Ned. Truly. About the wolf, I mean. My son was lying, I’d stake my soul on it. My son … you love your children, don’t you?”
“With all my heart,” Ned said.
“Let me tell you a secret, Ned. More than once, I have dreamed of giving up the crown. Take ship for the Free Cities with my horse and my hammer, spend my time warring and whoring, that’s what I was made for. The sellsword king, how the singers would love me. You know what stops me? The thought of Joffrey on the throne, with Cersei standing behind him whispering in his ear. My son. How could I have made a son like that, Ned?”
“He’s only a boy,” Ned said awkwardly. He had small liking for Prince Joffrey, but he could hear the pain in Robert’s voice. “Have you forgotten how wild you were at his age?”
“It would not trouble me if the boy was wild, Ned. You don’t know him as I do.” He sighed and shook his head. “Ah, perhaps you are right. Jon despaired of me often enough, yet I grew into a good king.” Robert looked at Ned and scowled at his silence. “You might speak up and agree now, you know.”
“Your Grace …” Ned began, carefully.
Robert slapped Ned on the back. “Ah, say that I’m a better king than Aerys and be done with it. You never could lie for love nor honor, Ned Stark. I’m still young, and now that you’re here with me, things will be different. We’ll make this a reign to sing of, and damn the Lannisters to seven hells.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Not to be rude, but what the hell? I live for it. You can’t start running your mouth about what you’ve seen here tonight. (ZT)
Great threat you’ve going there big ZT. News flash, I didn’t want to see anything. Your people dragged me into this against my will, not the other way around, and who am I going to tell anyway? The last thing I want is to be dragged off and committed because I saw...something that no rational human being has ever seen before. (Geary)
I don’t think you understand what’s going on here, do you? (ZT)
Not a clue and, no offense, I like it that way. Clueless rules. (Geary)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two.
Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland.
And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I dont believe in God. Can you understand that? Look around you man. Cant you see? The clamour and din of those in torment has to be the sound most pleasing to his ear. And I loathe these discussions. The argument of the village atheist whose single passion is to revile endlessly that which he denies the existence of in the first place. Your fellowship is a fellowship of pain and nothing more. And if that pain were actually collective instead of simply reiterative then the sheer weight of it would drag the world from the walls of the universe and send it crashing and burning through whatever night it might yet be capable of engendering until it was not even ash. And justice? Brotherhood? Eternal life? Good god, man. Show me a religion that prepares one for death. For nothingness. There's a church I might enter. Yours prepares one only for more life. For dreams and illusions and lies. If you could banish the fear of death from men's hearts they wouldnt live a day. Who would want this nightmare if not for fear of the next? The shadow of the axe hangs over every joy. Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and every thing that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes, I do. And what I see sickens me. Do you understand me? Can you understand me?
”
”
Cormac McCarthy (The Sunset Limited)
“
First of all, you don’t want me to get too hungry. Ever. I’m an ever worse bastard than normal and having starved for centuries, I’m not about to deprive myself again when I don’t have to. Second, let me tell you something about your ‘friends.’ Deimos held me down while I was branded and then took me to the human realm where I was left with nothing. No clothes, no money. Not a damn thing to call my own. Hence the aforementioned starvation. A hundred years later, M’Ordant dumped my inside a Spartan prison camp and told the commander I was a traitor to their people. You don’t really want to know what the Spartans did to people they thought betrayed them. D’Alerian had me put inside a Turkish prison in the fifteenth century where I was impaled after being tortured for three weeks. So you’ll have to excuse me if I have a hard time feeling too sorry for them right now. At least no one’s shoving a sharp spike up their asses. (Jericho)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
Ty,
I’ve thought so many times about what I would say to you if you reappeared suddenly. If I was walking along the street and you popped out of thin air, walking along beside me like you always used to, with your hands in your pockets and your head tilted back.
Mom used to say you walked celestially, looking upat the sky as if you were scanning the clouds for angels. Do you remember that?
In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this:
When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can’t tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise.
I know you’re not exactly the Ty I had in this world, my brilliant, beautiful brother. But I know from Julian that you are beautiful and brilliant too. I know that you are loved. I hope that you are happy. Please be happy. You deserve it so much.
I want to ask if you remember the way we used to whisper words to each other in the dark: star, twin, glass. But I’ll never know your answer. So I’ll whisper to myself as I fold this letter up and slide it into the envelope, hoping against hope it will somehow reach you. I whisper your name, Ty. I whisper the most important thing:
I love you. I love you. I love you.
Livvy
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Under-slept employees are not, therefore, going to drive your business forward with productive innovation. Like a group of people riding stationary exercise bikes, everyone looks like they are pedaling, but the scenery never changes. The irony that employees miss is that when you are not getting enough sleep, you work less productively and thus need to work longer to accomplish a goal. This means you often must work longer and later into the evening, arrive home later, go to bed later, and need to wake up earlier, creating a negative feedback loop. Why try to boil a pot of water on medium heat when you could do so in half the time on high? People often tell me that they do not have enough time to sleep because they have so much work to do. Without wanting to be combative in any way whatsoever, I respond by informing them that perhaps the reason they still have so much to do at the end of the day is precisely because they do not get enough sleep at night.
”
”
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
“
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."
[The notes of this paradoxalist do not end here, however. He could not
refrain from going on with them, but it seems to us that we may stop
here.]
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
Back then, and even now, I wonder: Am I “empowered”? If you have to hide your hypersensitivity, are you really a “strong woman”? Sometimes another voice enters my head, shooing these thoughts aside. This one tells me that the only really good performance is one where you make yourself vulnerable while pushing beyond your familiar comfort zone. I liken it to having an intense, hyper-real dream, where you step off a cliff but don’t fall to your death.
”
”
Kim Gordon (Girl in a Band)
“
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded.
"And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient.
"That isn't me," he replied.
"Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me."
"Shambles and Sunny?" he asked.
"Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?"
He moved forward an inch and I again fought the urge to retreat.
"Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful.
This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'.
"I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?"
I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still.
Then he said in that soft voice, "I'm sorry, Ace."
"Me too," I replied instantly being clear I didn't accept his apology...
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
I drove by all the places we used to hang out getting wasted
I thought about our last kiss, how it felt the way you tasted
And even though your friends tell me you're doing fine
Are you somewhere feeling lonely even though he's right beside you?
When he says those words that hurt you, do you read the ones I wrote you?
Sometimes I start to wonder, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
The pictures that you sent me they're still living in my phone
I'll admit I like to see them, I'll admit I feel alone
And all my friends keep asking why I'm not around
It hurts to know you're happy, yeah, it hurts that you've moved on
It's hard to hear your name when I haven't seen you in so long
It's like we never happened, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
If today I woke up with you right beside me
Like all of this was just some twisted dream
I'd hold you closer than I ever did before
And you'd never slip away
And you'd never hear me say
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
No, I'm really not fine at all
Tell me this is just a dream
'Cause I'm really not fine at all
”
”
5 Seconds of Summer
“
A Dream Pang
I HAD withdrawn in forest, and my song
Was swallowed up in leaves that blew alway;
And to the forest edge you came one day
(This was my dream) and looked and pondered long,
But did not enter, though the wish was strong:
You shook your pensive head as who should say,
‘I dare not—too far in his footsteps stray—
He must seek me would he undo the wrong.
Not far, but near, I stood and saw it all
Behind low boughs the trees let down outside
And the sweet pang it cost me not to call
And tell you that I saw does still abide.
But ’tis not true that thus I dwelt aloof,
For the wood wakes, and you are here for proof.
”
”
Robert Frost (A Boy's Will)
“
All night, a man called out “God! God!”
Until his lips were bleeding.
Then the Adversary of mankind said, “Hey! Mr Gullible!
… How come you’ve been calling all night
And never once heard God say, “Here, I AM”?
You call out so earnestly and, in reply, what?
I’ll tell you what. Nothing!”
The man suddenly felt empty and abandoned.
Depressed, he threw himself on the ground
And fell into a deep sleep.
In a dream, he met an angel, who asked,
“Why are you regretting calling out to God?”
The man said, “ I called and called
But God never replied, “Here I AM.”
The Angel explained, “God has said,
“Your calling my name is My reply.
Your longing for Me is My message to you.
All your attempts to reach Me
Are in reality My attempts to reach you.
Your fear and love are a noose to catch Me.
In the silence surrounding every call of “God”
Waits a thousand replies of “Here I AM.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs."
"That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats."
Templeton's eyes were blazing.
" Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me."
"It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..."
"That's enough!" cried Templeton. "Don't tell me anymore I'm going!
”
”
E.B. White (Charlotte’s Web)
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
GONE TO STATIC
it sounds better than it is,
this business of surviving,
making it through
the wrong place
at the wrong time
and living
to tell.
when the talk shows and movie credits
wear off, it's just me and my dumb
luck. this morning
I had that dream again:
the one where I'm dead.
I wake up and nothing's
much different. everything's gone
sepia, a dirty bourbon glass
by the bed, you're
still dead.
I could stumble
to the shower,
scrub the luck of breath off my skin
but it's futile.
the killer always wins.
it's just a matter
of time.
and I have
time. I have grief and liquor to
fill it. tonight, the liquor and I are
talking to you. the liquor says, 'remember'
and I fill in the rest, your hands, your smile.
all those times. remember.
tonight the liquor and I
are telling you about our day.
we made it out of bed. we miss you.
we were surprised by the blood between
our legs. we miss you. we made it to the video
store, missing you. we stopped
at the liquor store
hoping the bourbon would stop
the missing. there's always more
bourbon, more missing
tonight, when we got home,
there was a stray cat
at the door.
she came in.
she screams to be touched.
she screams
when I touch her.
she's right
at home.
not me.
the whisky is open
the vcr is on.
I'm running
the film backwards
and one by one
you come back to me,
all of you.
your pulses stutter to a begin
your eyes go from fixed to blink
the knives come out of your chests, the chainsaws
roar out
from your legs
your wounds seal over
your t-cells multiply, your tumors shrink
the maniac killer
disappears
it's just you and me
and the bourbon and the movie
flickering together
and the air breathes us and I
am home, I am
lucky
I am right
before everything
goes black
”
”
Daphne Gottlieb (Final Girl)
“
Her hand tightened around the handle of the serving spoon.
"Don't do it," he warned.
"Do what?"
"Throw the spoon."
"I wouldn't dream of it," she said tightly.
He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it."
Sophie's hand was gripping the spoon so hard it shook.
Benedict was chuckling so hard his bed shook.
Sophie stood,still holding the spoon.
Benedict smiled. "Are you planning to take that with you?"
Remember your place, Sophie was screaming at herself. Remember your place.
"Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise."
Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head.
Benedict raised his brows approvingly. "That was very mature of you."
Sophie turned around slowly. "Are you this charming with everyone or only me?"
"Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett."
"This is the best?" she asked with obvious disbelief.
"I'm afraid so.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
You see, King, we have a legend - I used to believe that it was all fairy-tale rubbish and empty smoke. It is a legend about how such things as war and death and despair were common in our country at one time. These terrible words, which we have long since stopped using in our language, can be read in collections of our old tales, and they sound awful to us and even a little ridiculous. Today I've learned that these tales are all true... But now tell me, don't you have in your soul a sort of intimation that you're not doing the right thing? Don't you have a yearning for bright, serene gods, for sensible and cheerful leaders and mentors? Don't you ever dream in your sleep about another, more beautiful life where nobody is envious of others, where reason and order prevails, where people treat other people only with cheerfulness and considerations?
”
”
Hermann Hesse (The Fairy Tales of Hermann Hesse)
“
Say to my friends, when they look upon me, dead,
Weeping for me and mourning me in sorrow,
‘Do not believe that this corpse you see is myself,
In the name of God, I tell you, it is not I,
I am a spirit, and this is naught but flesh,
It was my abode and my garment for a time.
I am a treasure, by a talisman kept hid,
Fashioned of dust, which served me as a shrine,
I am a pearl, which has left it’s shell deserted,
I am a bird, and this body was my cage,
Whence I have now flown forth and it is left as a token,
Praise to God, who hath now set me free,
And prepared for me my place in the highest of the Heavens,
Until today I was dead, though alive in your midst.
Now I live in truth, with the grave – clothes discarded.
Today I hold converse with the Saints above,
With no veil between, I see God face to face.
I look upon “Loh-i-Mahfuz” and there in I read,
Whatever was and is, and all that is to be.
Let my house fall in ruins, lay my cage in the ground,
Cast away the talisman, it is a token no more,
Lay aside my cloak, it was but my outer garment.
Place them all in the grave, let them be forgotten,
I have passed on my way and you are left behind,
Your place of abode was no dwelling place for me.
Think not that death is death, nay, it is life,
A life that surpasses all we could dream of here,
While in this world, here we are granted sleep,
Death is but sleep, sleep that shall be prolonged
Be not frightened when death draweth nigh,
It is but the departure for this blessed home,
Think of the mercy and love of your Lord,
Give thanks for His Grace and come without fear.
What I am now, even so shall you be,
For I know that you are even as I am,
The souls of all men come forth from God,
The bodies of all are compounded alike,
Good and evil, alike it was ours.
I give you now a message of good cheer
May God’s peace and joy forever more be yours.
”
”
Abu Hamid al-Ghazali
“
Reality's where other people are," Ronan replied. He stretched out his arms. "What's here, K? Nothing! No one!"
"Just us."
There was a heavy understanding in that statement, amplified by the dream. I know what you are, Kavinsky had said.
"That's not enough," Ronan replied.
"Don't say Dick Gansey, man. Do not say it. He is never going to be with you. And don't tell me you don't swing that way, man. I'm in your head."
"That's not what Gansey is to me," Ronan said.
"You didn't say you don't swing that way."
Ronan was silent. Thunder growled under his feet. "No, I didn't.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
People ask me, 'Who is your hero?'
My answer, my true answer, is that I am my hero, the me I aspire to be, the very best at everything I put my hand to, treating people with dignity and respect because it's the right thing to do, surmounting obstacles with justice and empathy and compassion. I don't need anyone else to live my life for me, to mold me, to tell me what is or isn't possible. I don't need a path to follow.
I create my own path. I live up to my own dreams. I demand greatness of mind, body, and spirit, not someone else's, but my own.
I am my own hero. Are you yours?
”
”
Chris Kluwe (Beautifully Unique Sparkleponies: On Myths, Morons, Free Speech, Football, and Assorted Absurdities)
“
I started to tell the story, but everything had happened so quickly that it was hard to remember – it was like a terrible dream, the kind you can only remember parts of. By the time I’d finally managed to put all the facts together, my glass was empty and my head was sore. ‘The thing is,’ I told her, ‘I spend each day waiting, hoping for it to get better, but it just… it never does. And it’s hard, you know? I wish I knew what to do.’ Katie laid a hand on mine. ‘Well, for one thing, I think you need to look after yourself.’ ‘Me?’ I said. ‘No, no, I’m okay. Really I am.’ ‘You’re not. Look at yourself. Look at the weight you’re carrying. You’re exhausted.’ ‘Well…’ I looked down at my glass, breathing deeply to stop the tears from falling. ‘It’s hard to know what to do about that.
”
”
Andy Marr (Hunger for Life)
“
You told me to get on my knees before you and apologize,” he said. “This is me saying I’m sorry, for all that I have done to you, for all the heartache I have caused, for giving you no choice but to resort to the most wildest of plans to ease the pain I wrought. I don’t deserve your forgiveness, but this one thing I seek, so that I may remain near you.”
I must have stared at him for a long, excruciating moment, because he whispered my name. I shifted across the mattress, sitting on the edge of the bed before him, my feet touching the floor. I was afraid to speak—even his name might break me—and I took his face in my hands.
Phelan’s arms came around me. “Tell me what you want me to do,” he said. “Tell me to leave, and I will.”
My fingers slid into his hair. “Stay,” I whispered.
”
”
Rebecca Ross (Dreams Lie Beneath)
“
Gawk? What is gawk?" he asked.
"You tell me. You're the one that does it." I said...
"My definition of gawking would be..." He paused as if to hold back what he was going to say. But he couldn't any longer. "...when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it's as if she is looking deep inside your soul. And she can see all of the hatred you're consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way... a way you could only dream of.
”
”
E.M. Jade (Captivated (Affliction, #1))
“
If writers write not just with paper and ink or a word processor but with their own life's blood, then I think something like this is perhaps always the case. A book you write out of the depths of who you are, like a dream you dream out of those same depths, is entirely your own creation. All the words your characters speak are words that you alone have put into their mouths, just as every situation they become involved in is one that you alone have concocted for them. But it seems to me that nonetheless that a book you write, like a dream you dream, can have more healing and truth and wisdom in it at least for yourself than you feel in any way responsible for.
”
”
Frederick Buechner (Telling Secrets: A Celebrated Author's Candid Memoir of a Father's Suicide and Its Influence on a Son and Minister)
“
MY FIVE DOS FOR GETTING BACK INTO THE GAME:
1. Do expect defeat. It’s a given when the stakes are high and the competition is working ferociously to beat you. If you’re surprised when it happens, you’re dreaming; dreamers don’t last long.
2. Do force yourself to stop looking backward and dwelling on the professional “train wreck” you have just been in. It’s mental quicksand.
3. Do allow yourself appropriate recovery—grieving—time. You’ve been knocked senseless; give yourself a little time to recuperate. A keyword here is “little.” Don’t let it drag on.
4. Do tell yourself, “I am going to stand and fight again,” with the knowledge that often when things are at their worst you’re closer than you can imagine to success. Our Super Bowl victory arrived less than sixteen months after my “train wreck” in Miami.
5. Do begin planning for your next serious encounter. The smallest steps—plans—move you forward on the road to recovery. Focus on the fix.
MY FIVE DON’TS:
1. Don’t ask, “Why me?”
2. Don’t expect sympathy.
3. Don’t bellyache.
4. Don’t keep accepting condolences.
5. Don’t blame others.
”
”
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
“
You look so beautiful
No one but me knows you're insane
I feel so damn pathetic
My friends just don't get it
Cause you've got me under oath
Before you I was in a fucking rut
One day you are in the past
That night I ask you back
It started out just harmless fun
Now you've got me thinking you are the one
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
You've got me feeling strange
Cause I love to hate you so damn much
But I can't think of leaving
Cause you're what keeps me breathing
It started out just harmless fun
Now you've got me thinking you are the one
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
”
”
Calum Hood
“
But they don't deserve to be winning!"
"And who does in this world, Roland? Only the gifted and the beautiful and the brave? What about the rest of us, Champ? What about the wretched, for example? What about the weak and the lowly and the desperate and the fearful and the deprived, to name but a few who come to mind? What about losers? What about failures? What about the ordinary fucking outcasts of this world - who happen to comprise ninety percent of the human race! Don't they have dreams, Agni? Don't they have hopes? Just who told you clean-cut bastards own the world anyway? Who put you clean-cut bastards in charge, that's what I'd like to know! Oh, let me tell you something. All-American Adonis : you fair-haired sons of bitches have had your day. It's all over, Agni. We're not playing according to your clean-cut rules anymore - we're playing according to our own! The Revolution has begun! Henceforth the Mundys are the master race! Long live Glorious Mundy!
”
”
Philip Roth (The Great American Novel)
“
My dearest,
I write this letter by candlelight as you lie sleeping. And though I can't hear the soft sounds of your slumber, I know you are there, and soon I will be lying next to you again as I always have. And I will feel your warmth and your comfort, and your breaths will slowly guide me to the place where I dream of you and the wonderful man you are. I see the flame beside me and it reminds me of another fire, (with me in your soft clothes and you in your jeans) of me and you. I knew then we would always be together. My heart had been captured, and I knew inside that it had always been yours. Who was I to question a love that rode on shooting stars and roared like crashing waves? For that is what is was between us then and that is what it is today. You are my best friend as well as my lover, and I do not know which side of you I enjoy the most. I treasure each side, just as I have treasured our life together. You have something inside you, something beautiful and strong. Kindness, that's what I see when I look at you, that's what everyone sees. Kindness. You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever seen. We have lived a lifetime most couples never know, and yet, when I look at you, I am frightened by the knowledge that all this will be ending soon. (For we both know my prognosis and what it will mean to us.) I see your tears and I worry more about you than I do about me, because I fear the pain I know you will go through. There are no words to express my sorrow for this, and I am at a loss for words. So I love you so deeply, so incredibly much. Know that I love you, that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you. I love you. I love you now as I write this, and I love you now as you read this. And I am so sorry if I am not able to tell you. I love you deeply. You are, and always have been, my dream.
”
”
Nicholas Sparks
“
My father who got cages instead of compassion.
My father whose whole story no one of us will ever know.
What did it do to him, all those years locked away, all that time in chains, all those days upon days without human touch except touch meant to harm - hand behind your back, N****r. Get on the fucking wall, N****r! Lift your sac, N****r. Don't look at me like that or I will f*****g kill your Black ass.
It would be easy to speculate about the impact of years of cocaine use on my father's heart, but I suspect that it will tell us less than if we could measure the cumulative effects of hatred, racism and indignity. What is the impact of years of strip searches, of being bent over, the years before that when you were a child and knew that no dream you had for yourself was taken seriously by anyone, that you were not someone who would be fully invested in by a nation that treated you as expendable?
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
Certainly not! I didn't build a machine to solve ridiculous crossword puzzles! That's hack work, not Great Art! Just give it a topic, any topic, as difficult as you like..."
Klapaucius thought, and thought some more. Finally he nodded and said:
"Very well. Let's have a love poem, lyrical, pastoral, and expressed in the language of pure mathematics. Tensor algebra mainly, with a little topology and higher calculus, if need be. But with feeling, you understand, and in the cybernetic spirit."
"Love and tensor algebra?" Have you taken leave of your senses?" Trurl began, but stopped, for his electronic bard was already declaiming:
Come, let us hasten to a higher plane,
Where dyads tread the fairy fields of Venn,
Their indices bedecked from one to n,
Commingled in an endless Markov chain!
Come, every frustum longs to be a cone,
And every vector dreams of matrices.
Hark to the gentle gradient of the breeze:
It whispers of a more ergodic zone.
In Reimann, Hilbert or in Banach space
Let superscripts and subscripts go their ways.
Our asymptotes no longer out of phase,
We shall encounter, counting, face to face.
I'll grant thee random access to my heart,
Thou'lt tell me all the constants of thy love;
And so we two shall all love's lemmas prove,
And in bound partition never part.
For what did Cauchy know, or Christoffel,
Or Fourier, or any Boole or Euler,
Wielding their compasses, their pens and rulers,
Of thy supernal sinusoidal spell?
Cancel me not--for what then shall remain?
Abscissas, some mantissas, modules, modes,
A root or two, a torus and a node:
The inverse of my verse, a null domain.
Ellipse of bliss, converge, O lips divine!
The product of our scalars is defined!
Cyberiad draws nigh, and the skew mind
Cuts capers like a happy haversine.
I see the eigenvalue in thine eye,
I hear the tender tensor in thy sigh.
Bernoulli would have been content to die,
Had he but known such a^2 cos 2 phi!
”
”
Stanisław Lem (The Cyberiad)
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
The God of your understanding, has chosen you and you've agreed
To be here in this space and time to do something, that only you can do
Now I won't stand here to try and tell you what it is
But deep, inside yourself
As you take time to uncover, and ask yourself some vital questions
Like - what is it that brings me peace, what is it that brings me joy?
What do I love doing?
What am I willing to become highly skilled at doing?
What part can I play for the betterment of the society
And the world in which I want to live?
When you begin to ask yourself those real questions
And it doesn't have to be done in a formal way
It can be done just like we're speaking, right now
Ask yourself the question
Look at how you see yourself in just a year from now
And then go forward
And if you have children or even if you don't have children
Now begin to, look at your future beyond
The space and time that you are
Now visualize exactly, the way that you desire to live
Don't be afraid to, dream
”
”
KRS-One
“
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction.
So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof.
You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy.
We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
”
”
Malcolm X
“
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
”
”
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
“
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
”
”
Carlos Castaneda (The Active Side of Infinity)
“
Because...” he used to cradle his daughter in his arms every morning and often they would exchange soft nuances “...if you can dream it, if you can see it in your visions at night, if you can feel it in your soul, it’s yours! And it never really belonged to anyone else, in the first place! It was always yours!” Viera returned her scroll to the drawer and closed it, she kissed the compass around her neck and climbed into her bed under the warm quilts, the candle flame crackled and the memories of her father’s arms around her embraced her there in bed and his deep, hoarse voice resounded in her ears; “... and if you chance upon a treasure that is yours and it happens to be in the possession of someone else, it’s not very wrong to take what is yours, to take what you dreamed, what you saw in your visions at night, what you felt visit you in your spirit! Sure, it’s not lawful, but aye aye my little one, listen to me when I tell you that the best things in life are not under the laws of any sort! For which law created love? Which law created courage? The best things, the real things, are the things that are not measured by any man’s laws! Fear is the only thing that any law has ever created! And what kind of pirates would we all be if we were afraid of any of our fears, even a little!
”
”
C. JoyBell C.
“
What dreams have they forced you to defer?
Did you want to be a pilot and fly planes?
Did they say you wouldn't make it in the Ivy League?
Did you want to be a poet and write your poems in the stars like the ones that came before?
Maybe the darkness inside stole your dreams?
Left you broken and buried
In a womb of despair
Did you have the rise up out of the dirt, too,
Learn to cultivate the light again, too?
Did you ever think you would watch your parents crawling around on the floor, chasing the white ghost?
Did you ever think would be next?
What kind of dreams you got festering, burning inside you?
How many nights you had to sit on the ceiling,
Waiting for dem dreams?
Chasing dem dreams
Hoping they wouldn't steal dem dreams?
Tell me 'bout dem dreams
Tell me what dey was
What dreams have they forced you to defer?
And what do you plan to do about it?
”
”
Echo Brown (Black Girl Unlimited)
“
You are the king no doubt, but in one respect,
at least, I am your equal: the right to reply.
I claim that privilege too.
I am not your slave. I serve Apollo.
I don't need Creon to speak for me in public.
So,
you mock my blindness? Let me tell you this.
You with your precious eyes,
you're blind to the corruption in your life,
to the house you live in, those you live with-
who are your parents? Do you know? All unknowing
you are the scourge of your own flesh and blood,
the dead below the earth and the living here above,
and the double lash of your mother and your father's curse
will whip you from this land one day, their footfall
treading you down in terror, darkness shrouding
your eyes that now can see the light!
Soon, soon,
you'll scream aloud - what haven won't reverberate?
What rock of Cithaeron won't scream back in echo?
That day you learn the truth about your marriage,
the wedding-march that sang you into your halls,
the lusty voyage home to the fatal harbor!
And a crowd of other horrors you'd never dream
will level you with yourself and all your children.
There. Now smear us with insults - Creon, myself
and every word I've said. No man will ever
be rooted from the earth as brutally as you.
”
”
Robert Fagles (The Oedipus Cycle: Oedipus Rex / Oedipus at Colonus / Antigone)
“
What I'd saved: lost. Worse: I lost it. Can't even tell myself that I sort of lost it that lost I keep it still. I lost the saved.
I've lost. I'm lost.
This is pain, one dies of or kills. Kill it and one kills oneself.
Splashes of bloody skin all over my notebooks.
I haven't forgotten a dream, as it is written happens in the realm of dreams. One forgets a dream, then one forgets one has forgotten, nothing dies of this.
I've lost The Dream.
I cannot tell a soul. I will not enter alive into the beyond. I search for an explanation. To the labyrinth I descend with the chapeau. Maleficent remains but remains, therefore blessed. If I could ask my friend. No one else. He and only he knows the extraordinary value of what is lost, greater by far that the value of what one keeps. Suddenly I'm only this torch consuming itself. What to do? I had the papers, I took them from myself, I threw them in the Trash, I threw out my own being, I had the memory of the future at the window I broke me, I tore up the secret into a thousand pieces, I tweezed the sublime out of me, I had god I squashed him with a hat,
this is not the first time I take myself to the labyrinth but this is the first time I go down into the labyrinth. I went right by the very trash bin of my being, how can you do away with your own eyes, I did it, who knows how
”
”
Hélène Cixous
“
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
”
”
Kakuzō Okakura (The Book of Tea)
“
My heart is a traitor,” the boy said to the alchemist, when they had paused to rest the horses. “It doesn’t want me to go on.” “That makes sense,” the alchemist answered. “Naturally it’s afraid that, in pursuing your dream, you might lose everything you’ve won.” “Well, then, why should I listen to my heart?” “Because you will never again be able to keep it quiet. Even if you pretend not to have heard what it tells you, it will always be there inside you, repeating to you what you’re thinking about life and about the world.” “You mean I should listen, even if it’s treasonous?” “Treason is a blow that comes unexpectedly. If you know your heart well, it will never be able to do that to you. Because you’ll know its dreams and wishes, and will know how to deal with them. “You will never be able to escape from your heart. So it’s better to listen to what it has to say. That way, you’ll never have to fear an unanticipated blow.
”
”
Paulo Coelho (The Alchemist)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
If your soulmate can't teach you a few things then what is the point of having one? I don't need someone to tell me I am right. I don't need someone to tell me I didn't screw up. I don't need someone to not push me to reach for my dreams. I don't need someone to not take an interest in making me better. I need a team mate, a best friend and someone that allows me enough room to have off days. I am allowed to be as silly, corny, upset at times, excited, scared and a million emotions, but still loved. I need someone that will be that way for me, also. I don't want perfection. I don't want to build my world around what other people think. I want to build it around positive experiences, spiritual growth, and adventure. That requires something deeper than just acting the way someone requires. It means finding someone imperfect that I have the ability to help and someone that sees my imperfectness and is willing to help me. If a soulmate is anything, it better be useful. Otherwise, it is simply a made up fantasy that has no place in God's plan for me.
”
”
Shannon L. Alder
“
On the Necessity of Sadness"
Let me tell you about longing.
Let me presume that I have something
new to say about it, that this room,
naked, its walls pining for clocks,
has something new to say
about absence. Somewhere
the crunch of an apple, fading
sunflowers on a quilt, a window
looking out to a landscape
with a single tree. And you
sitting under it. Let go,
said you to me in a dream,
but by the time the wind
carried your voice to me,
I was already walking through
the yawning door, towards
the small, necessary sadnesses
of waking. I wish
I could hold you now,
but that is a line that has
no place in a poem, like the swollen
sheen of the moon tonight,
or the word absence, or you,
or longing. Let me tell you about
longing. In a distant country
two lovers are on a bench, and pigeons,
unafraid, are perching beside them.
She places a hand on his knee
and says, say to me
the truest thing you can.
I am closing my eyes now.
You are far away.
”
”
Mikael de Lara Co
“
I walked across an empty land
I knew the pathway like the back of my hand
I felt the earth beneath my feet
Sat by the river and it made me complete
Oh simple thing where have you gone
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin
I came across a fallen tree
I felt the branches of it looking at me
Is this the place we used to love?
Is this the place that I've been dreaming of?
Oh simple thing where have you gone
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin
And if you have a minute why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So why don't we go
Somewhere only we know?
[break]
Oh simple thing where have you gone
I'm getting old and I need something to rely on
So tell me when you're gonna let me in
I'm getting tired and I need somewhere to begin
So if you have a minute why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So why don't we go
So why don't we go
This could be the end of everything
So why don't we go
Somewhere only we know?
”
”
Bil Keane
“
America, how’s your marriage? Your two-hundred-fifty-year-old promise to stay together in sickness and in health? First thirteen states, then more and more, until fifty of you had taken the vow. Like so many marriages, I know, it was not for love; I know it was for tax reasons, but soon you all found yourselves financially entwined, with shared debts and land purchases and grandiose visions of the future, yet somehow, from the beginning, essentially at odds. Ancient grudges. That split you had—that still stings, doesn’t it? Who betrayed whom, in the end? I hear you tried getting sober. That didn’t last, did it? So how’s it going, America? Do you ever dream of each being on your own again? Never having to be part of someone else’s family squabble? Never having to share a penny? Never having to bear with someone else’s gun hobby, or car obsession, or nutrition craze? Tell me honestly, because I have contemplated marriage and wonder: If it can’t work for you, can it work for any of us?
”
”
Andrew Sean Greer (Less Is Lost)
“
Mercer,” Rick said.
“I am your friend,” the old man said. “But you must go on as if I did not exist. Can you understand that?” He spread empty hands.
“No,” Rick said. “I can’t understand that. I need help.”
“How can I save you,” the old man said, “if I can’t save myself?” He smiled. “Don’t you see? There is no salvation.”
“Then what’s this for?” Rick demanded. “What are you for?”
“To show you,” Wilbur Mercer said, “that you aren’t alone. I am here with you and always will be. Go and do your task, even though you know it’s wrong.”
“Why?” Rick said. “Why should I do it? I’ll quit my job and emigrate.”
The old man said, “You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe.”
“That’s all you can tell me?” Rick said.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
”
”
Andrea Gibson
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
”
Jenny Downham
“
I want you to forget what i told you earlier, I... I couldn’t love someone like you. I hate you. I thought it the second i saw you in the park. You were just poison! Drinking beer in the morning, quoting some stupid Tanka to me! You listening to other people talking all day just so you never have to reveal a thing about yourself! You knew who I was, I was just a kid! What were you thinking what’s wrong with you?! If I’d know who you were I wouldn’t have told you a thing about me or my dreams. You don’t think I can do it! You don’t think I’ll ever amount to anything! What is that why you didn’t say anything to me? You thought maybe you'd humor the little kid? Indulge his fantasies for a little while! Just string him along? Just say it I’ll never measure up to my dreams! You knew from the beginning you could have just admitted it! But you played along. So tell me god damn it! Tell me that little kids should run along to school! Tell me that you hate me! Say it! Come on listener say something for a change! You loser! Its because you act like that. You never say what's important! You act like it's none of your business! You've been living your whole life alone!
”
”
Makoto Shinkai
“
Ripened Fruit
Do you remember how you came into existence?
You may not remember
because you arrived a little drunk.
Let me give you a hint:
Let go off your mind and then be mindful.
Close your ears and listen!
It is difficult to speak to your unripeness.
You may still be in your springtime,
unaware that autumn exists.
This world is a tree to which we cling----
we, the half-ripe fruit upon it.
The immature fruit clings tightly to the branch
because, not yet ripe, it's unfit for the palace.
When fruits become ripe, sweet, and juicy,
then, biting their lips,
they loosen their hold.
When the mouth has been sweetened by felicity,
the kingdom of the world loses it's appeal.
To be tightly attached to the world is immaturity.
As long as you're an embryo,
all you think about is sipping blood.
There's more to be said,
but let the Holy Spirit tell it.
You may even tell it to your own ear.
Neither I, nor some other "I," needs to tell you,
you who are also I.
Just as when you fall asleep,
you leave the presence of yourself
to enter another presence of yourself.
You hear something from yourself
and imagine that someone else
has secretly spoken to you in a dream.
But you are not a single "you,"
my friend----you are the wide sky and the deep sea.
Your awesome "You," which is nine hundredfold,
is where a hundred of your you's will drown.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you.
I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling
The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it
Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time?
Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you
And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you
Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm
Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed
Burden me with your secrets / so I can carry the weight you're so fearful of letting go
To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body
Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook
I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes
Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell
Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood
She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
”
”
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
“
I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.”
His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.”
“We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.
”
”
Gene Wolfe (The Shadow of the Torturer)
“
It’s that I no longer know where I am. I seem to move around perfectly easily among people, to have perfectly normal relations with them. Is it possible, I ask myself, that all of them are participants in a crime of stupefying proportions? Am I fantasizing it all? I must be mad! Yet every day I see the evidences. The very people I suspect produce the evidence, exhibit it, offer it to me. Corpses. Fragments of corpses that they have bought for money.
It is as if I were to visit friends, and to make some polite remark about the lamp in their living room, and they were to say, “Yes, it’s nice, isn’t it? Polish-Jewish skin it’s made of, we find that’s best, the skins of young Polish-Jewish virgins.” And then I go to the bathroom and the soap wrapper says, “Treblinka – 100% human stereate.” Am I dreaming, I say to myself? What kind of house is this?
Yet I’m not dreaming. I look into your eyes, into Norma’s, into the children’s, and I see only kindness, human kindness. Calm down, I tell myself, you are making a mountain out of a molehill. This is life. Everyone else comes to terms with it, why can't you? Why can't you?
”
”
J.M. Coetzee (Elizabeth Costello)
“
I had a chat with May and I had a sweet talk with April but the lovely conversation that left me to ponder was the long talk I had with June. Mathematics came to tell me that May is 3, June is 4 and April is 5. ‘ This should have been the counting order’ Mathematics said to me, and added, if you add 3 and 5 you shall surely get 8 and if you find the mid of 8 you will get 4 which is June. Ask June why the disorder! So I quickly called June and asked, why have you change the order? June said, ‘my brother, in this era, you should least give men things which are in order. Let them ponder and put things in order and they will learn something better’. I had to ponder and wonder. Then June added, those who will ponder to know why I have change the order to be at the mid of the other shall get to the mid of the other and wonder why they are at the mid of the other and end the other in wonder but, those who would never see why they must ponder when they get to the mid of the other to know why I am there shall end the other in disorder. They shall end the other and wander in the end! I was quick to ask June, which other? June calmly said, the twelve disciples of the year. Disciples’? I asked. June quickly said, I mean months! In your journey of life, take a break as you journey and ponder over the journey; June concluded!
”
”
Ernest Agyemang Yeboah
“
I can do anything I believe I can do! I’ve got it, and every day I get more of it. I have talent, skills, and ability. I set goals and I reach them. I know what I want out of life. I go after it and I get it. People like me, and I feel good about myself. I have a sense of pride in who I am, and I believe in myself. Nothing seems to stop me. I have a lot of determination. I turn problems into advantages. I find possibilities in things that other people never give a chance. I have a lot of energy—I am very alive! I enjoy life and I can tell it and so can others. I keep myself up, looking ahead, and liking it. I know that I can accomplish anything I choose, and I refuse to let anything negative hold me back or stand in my way. I am not afraid of anything or anyone. I have strength, power, conviction, and confidence! I like challenges and I meet them head on, face to face—today especially! I am on top of the world and I’m going for it. I have a clear picture in my mind of what I want. I can see it in front of me. I know what I want and I know how to get it. I know that it’s all up to me and I know I can do it. Roadblocks don’t bother me. They just mean that I am alive and running, and I’m not going to stand still for anything. I trust myself I’ve got what it takes—plenty of it—and I know how to use it. Today, more than ever. Today I am unstoppable! I’ve got myself together and I’m getting more together every day. And today—look out world, here I come! Limitations? I don’t even recognize them as limitations. There is no challenge I can’t conquer; there is no wall I can’t climb over. There is no problem I can’t defeat, or turn around and make it work for me. I stand tall! I am honest and sincere. I like to deal with people and they like me. I think well; I think clearly. I am organized; I am in control of myself, and everything about me. I call my shots, and no one has to call them for me. I never blame anyone else for the circumstances of my life. I accept my failings and move past them as easily as I accept the rewards for my victories. I never demand perfection of myself, but I expect the very best of what I have to give—and that’s what I get! I never give myself excuses. I get things done on time and in the right way. Today I have the inner strength to do more than ever. I am an exceptional human being. My goals and my incredible belief in myself turn my goals into reality. I have the power to live my dreams. I believe in them like I believe in myself. And that belief is so strong that there is nothing that diminishes my undefeatable spirit.
”
”
Shad Helmstetter (What To Say When You Talk To Your Self)
“
Sometimes,’ she said, ‘I think I must have invented him.’
I know all I want to about your child,’ Chauvin said harshly.
Anne Desbaresdes moaned again, louder than before. Again she put her hand on the table. His eyes followed her movement and finally, painfully, he understood and lifted his own leaden hand and placed it on hers. Their hands were so cold they were touching only in intention, an illusion, in order for this to be fulfilled, for the sole reason that it should be fulfilled, none other, it was no longer possible. And yet, with their hands frozen in this funereal pose, Anne Desbaresdes stopped moaning.
One last time,’ she begged, ‘tell me about it one last time.’
Chauvin hesitated, his eyes somewhere else, still fixed on the back wall. Then he decided to tell her about it as if it were a memory.
He had never dreamed, before meeting her, that he would one day want anything so badly.’
And she acquiesced completely?’
Wonderfully.’
Anne Desbaresdes looked at Chauvin absently. Her voice became thin, almost childlike.
I'd like to understand why his desire to have it happen one day was so wonderful?’
Chauvin still avoided looking at her. Her voice was steady, wooden, the voice of a deaf person.
There's no use trying to understand. It's beyond understanding.’
You mean there are some things like that that can't be gone into?’
I think so.’
Anne Desbaresdes' expression became dull, almost stupid. Her lips had turned pale, they were gray and trembled as though she were on the verge of tears.
She does nothing t try and stop him?’ she whispered.
No. Have a little more wine.’
She sipped her wine. He also drank, and his lips on the glass were also trembling.
Time,’ he said
Does it take a long time, a very long time?’
Yes, a very long time. But I don't know anything.’ He lowered his voice. ‘Like you, I don't know anything. Nothing at all.’
Anne Desbaresdes forced back her tears. Her voice was normal, momentarily awake.
She will never speak again,’ she said.
”
”
Marguerite Duras
“
Everyday I rewrite her name across my ribcage
so that those who wish to break my heart
will know who to answer to later
She has no idea that I’ve taught my tongue to make pennies,
and every time our mouths are to meet
I will slip coins to the back of her throat and make wishes
I wish
that someday
my head on her belly might be like home
like doubt to doubt resuscitation
because time is supposed to mean more than skin
She doesn’t know that I have taught my arms to close around her clocks
so they can withstand the fallout from her Autumn
She is so explosive,
volcanoes watch her and learn
terrorists want to strap her to their chests
because she is a cause worth dying for
Maybe someday
time will teach me to pick up her pieces
put her back together
and remind her to click her heels
but she doesn’t need a wizard to tell her that I was here all along
Lady
let us catch the next tornado home
let us plant cantaloupe trees in our backyard
then maybe together we will realize that we don’t like cantaloupe
and they don’t grow on trees
we can laugh about it
then we can plant things we’ve never heard of
I’ve never heard of a woman
who can make flawed look so beautiful
the way you do
The word smitten is to how I feel about you
what a kiss is to romance
so maybe my lips to yours could be the penance to this confession
because I am the only one preaching your defunct religion
sitting alone at your altar, praising you out of faith
I cannot do this hard-knock life alone
You are all the softness a rock dreams of being
the mistakes the rain makes at picnics
when Mother Nature bears witness in much better places
So yes
I will gladly take on your ocean
just to swim beneath you
so I can kiss the bends of your knees
in appreciation for the work they do
keeping your head above water
”
”
Mike McGee
“
Kevin's expression was indecipherable. Whatever it was, it didn't look particularly happy.
"This is going to be a very long season."
"I told you I wasn't ready."
"You also said you wouldn't play with me, but here you are. [...] If you won't play with me, you'll play for me," Kevin said. "You're never going to get there on your own, so give your game to me."
"Where is there?" Neil asked.
[...] Kevin reached up and covered Neil's eyes with his free hand.
"Forget the stadium," Kevin said. "Forget the Foxes and your useless high school team and your family. See it the only way it really matters, where Exy is the only road to take. What do you see?"
[...] That thought was sombering, as it put him right back to square one and the fact that Neil Josten was a fleeting existence. It was cruel to even dream he could stay like this, but Kevin had escaped, hadn't he? Somehow he'd left that bloody room behind at Edgar Allan and become this, and Neil wanted the same so bad he could taste it.
"You," Neil said at last.
[...] "Tell me I can have your game."
[...] "Take it."
"Neil understands," Kevin said, dropping his hand and sending Andrew a pointed look.
"Congratulations are in order, I suppose! Since I have non to give, I will tell the others to respond appropriately." Andrew pushed himself to his feet and swallowed more whiskey on the way up. "[...] As it is, I might puke from all the fanaticism going around.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
By the way, what is a dream?” I asked after some hesitation. YoonGi answered in his drawling voice. “I told you I don't have one.” “No, I mean... .” I hesitated and continued. “I was wondering what a dream is. What do people mean by a dream?” He looked at me and then turned his gaze towards the sky, frowning. “Something you want to achieve? I guess.”
HoSeok took over, waving his mobile phone at us. “The dictionary definitions are first, ‘an imaginary series of events you experience while you are asleep’; second, ‘a situation or an ideal you hope to realize’; and third, ‘false expectations or thoughts that are almost unlikely or completely unlikely to turn into reality’.”
“Isn't the third definition odd? How can something that is unlikely to turn into reality be called a dream?” HoSeok responded. “People sometimes tell you to wake up from your dream. So, if you're dreaming of turning back and going home before we get to the rock, wake up from your dream!”
Some of us laughed out loud, but the rest showed no reaction, probably because they had no more energy left. “That's weird. How can something that you want to achieve most in your life and something that is unlikely to come true both be called a dream?” YoonGi said, giggling. “Maybe it means that people are that desperate. They just can't give up on their dreams even though they know they won't come true. Don't ever try to have a dream.” I looked at him in surprise.“How come?” YoonGi had started biting his nails and, feeling conscious of my glance, he put his hands in his pockets. “Because it's tough having one.
”
”
Big Hit Entertainment (花樣年華 HYYH The Notes 1 (The Most Beautiful Moment in Life, #1))
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.'
You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.
”
”
Terri Windling (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
“
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing.
It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy.
I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer (The Invitation)
“
Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice.
‘Well, Merry! Thank goodness I have found you!’
He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes.
‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again.
‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’
‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’
Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’
‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’
‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’
‘Are you going to bury me?’ said Merry.
‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
I don’t believe you,’ he says. He takes a step towards me, fluster-ing me with his nearness, with his smell, which shouldn’t be so damn familiar after so much time and which shouldn’t still affect me the way it does. ‘I think you still love me,’ he says, ‘even though you don’t want to.’I glare at him, fury battling my instincts. ‘Because that kind of love, Jessa,’ Kit continues, ‘doesn’t just disappear. It doesn’t just fade. I still love you. I’ll always love you. And I think you feel the same way about me. And hell, I know I don’t deserve it. I know all I deserve is your hatred. But if there’s a chance, a single chance that you might still love me, then I’m not going to throw it away. Because I’ve been through hell and you’re the only reason I’m still standing.’ He pauses. ‘So tell me the truth. Do you love him?’I don’t answer. ‘Does he know you like I do? Does he know exactly how you like your eggs in the morning – just a little bit runny?’ he asks. ‘Does he know that you’re allergic to roses? Does he know that when your nostrils flare like that it’s because you’re trying to stop from crying and that when you say “yeah, sure” it usually means “no”?’ He takes a step nearer. ‘Does he make you see stars?’ he asks in a low voice. ‘Does he call you his north star? Because that’s what you are to me. You’re the reason I made it home.’ I squeeze my eyes shut. ‘Does he know exactly where to kiss you?’ Kit mur-murs and startles me by brushing his hand just beneath my ear. ‘Just here?’ My eyes flash open as I suppress a shudder. ‘Does he know exactly how to touch you?’ he asks, his gaze falling to my mouth. ‘Does he tell you that you’re all he thinks about? Does he tell you that he lives for you? That he breathes for you? That he dreams of you every damn moment, awake and asleep? Does he tell you any of that?’ He pauses to look at me and I try to keep a blank face. ‘No, I didn’t think so,’ he says quietly
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger.
Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.”
She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.”
“Look at you,” I said. "You’re tottering like a drunk. You can’t ride.”
“I can and I will."
“What’s your hurry, Your Highness?” Sven asked.
She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever?
Her expression sobered. “Please, Rafe, you have to trust me on this.”
“What did you see?” I asked.
“It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.”
“Didn’t she say that to you a dozen times?”
“At least,” she answered, but her stance remained determined.
All this rush over don’t tarry?
Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too.
I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.
”
”
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
“
So you make a deal with the gods. You do these dances and they'll send rain and good crops and the whole works? And nothing bad will ever happen. Right.'…
"'No, it's not like that. It's not making a deal, bad things can still happen, but you want to try not to CAUSE them to happen. It has to do with keeping things in balance…. Really, it's like the spirits have made a deal with US…. We're on our own. The spirits have been good enough to let us live here and use the utilities, and we're saying: We know how nice you're being. We appreciate the rain, we appreciate the sun, we appreciate the deer we took. Sorry if we messed up anything. You've gone to a lot of trouble, and we'll try to be good guests.'…
"'Like a note you'd send somebody after you stayed in their house?'
"'Exactly like that. "Thanks for letting me sleep on your couch. I took some beer out of the refrigerator, and I broke a coffee cup. Sorry, I hope it wasn't your favorite one."'…
"It's a good idea,' I said. 'Especially since we're still here sleeping on God's couch. We're permanent houseguests.'
"'Yep, we are. Better remember how to put everything back how we found it.'
It was a new angle on religion, for me. I felt a little embarrassed for my blunt interrogation. And the more I thought about it, even more embarrassed for my bluntly utilitarian culture. 'The way they tell it to us Anglos, God put the earth here for us to use, westward-ho. Like a special little playground.'
"Loyd said, 'Well, that explains a lot.'…
"'But where do you go when you've pissed in every corner of your playground?'...
"To people who think of themselves as God's houseguests, American enterprise must seem arrogant beyond belief. Or stupid. A nation of amnesiacs, proceeding as if there were no other day but today. Assuming the land could also forget what had been done to it.
”
”
Barbara Kingsolver (Animal Dreams)
“
Every moment for all the generations was leading to you here on my lap, your head against your granddaddy’s chest, already four years old. Hair smelling like coconut oil. Something beneath that, though. Little-girl sweat—almost sour, but then just when I think that’s what it is, it turns, sweetens somehow. Makes me want to sit here forever breathing in your scalp. When did your arms get so long? Your feet so big? These footie pajamas with reindeer all over them remind me of the ones your mama used to wear. She used to fall asleep on my lap just like this. Back at the other house. Oh time time time time. Where’d you go where’d you go? My legs hurt tonight. Another place too—deep in my back somewhere, there’s a dull, aching pain. I try not to think about it. Old people used to always say, You only as old as you feel. Here I am closer to fifty than forty, but I feel older than that most days. Feel like the world is trying to pull me down back into it. Like God went ahead and said, I’ve changed my mind about you, Po’Boy. A bath with Epsom salts helps some evenings. Ginger tea keeps Sabe’s good cooking in my belly. Sitting here holding you at the end of the day—that’s . . . well, I’m not going to lie and say this isn’t the best thing that ever happened to my life because it is. Look at you laughing in your sleep. Got me wondering what you’re dreaming about. What’s making you laugh like that? Tell your granddaddy what’s playing in your pretty brown head, my little Melody. Name like a song. Like you were born and it was cause for the world to sing. You know how much your old granddaddy loves when you sing him silly songs? Sabe says she’s gonna have to get some earplugs if she has to hear one more verse of “Elmo’s World” or that song about how to grow a garden. But me, I can listen to your voice forever. Can’t hear you singing enough.
”
”
Jacqueline Woodson (Red at the Bone)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)
“
When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"'
This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.'
Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village.
After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure.
'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.'
'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.'
We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama.
Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .'
'Before we were born!'
'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!'
'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." '
'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.'
We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed.
'I, of course, addressed your father as Mister Binewski.
”
”
Katherine Dunn (Geek Love)
“
You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
”
”
Philip Roth (American Pastoral)
“
Oak puts a hand on my arm. I startle.
'You all right?' he asks.
'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.'
Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind.
But then, he had sisters who were stolen. Perhaps they had cried, too.
'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.'
He nods, just a little, as though more movement might break the spell of my speaking.
'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.'
'You will have this every day if you cease you're crying,' he said.
'But I couldn't stop.
'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't.
'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did.
'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that.
'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good.
'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice.
'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three.
'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.'
His eyes shone with horror.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules, only outcomes.
What precipitates outcomes? Vicious acts & virtuous acts.
What precipitates acts? Belief.
Belief is both prize & battlefield, within the mind & in the mind's mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the 'natural' (oh, weaselly word!) order of things?
Why? Because of this: -- one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction.
Is this the entropy written in our nature?
If we believe that humanity may transcend tooth & claw, if we believe divers [sic] races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Tortuous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword.
A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living. Upon my return to San Francisco, I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere.
I hear my father-in-law's response. 'Oho, fine, Whiggish sentiments, Adam. But don't tell me about justice! Ride to Tennessee on an ass & convince the red-necks that they are merely white-washed negroes & their negroes are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & grey in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!'
Yet what is any ocean but a multitude of drops?
”
”
David Mitchell (Cloud Atlas)
“
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?”
Still no response.
“Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.”
Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate.
And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood.
That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle.
“You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!”
A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?”
He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . .
His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman.
Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.”
And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink.
“What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?”
Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable.
She grimaced, then said, “I’ll be fine.”
Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?”
She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.”
“Are you faint? Dizzy? Weak?”
She shook her head. “Just in pain. What are you doing here?”
He smiled through his tears. “I came to find you.”
“You did?” she whispered.
He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.”
Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart.
Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air.
"Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures."
Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go."
She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go."
"I will. Someday. Lord willing," he said casually.
"Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go."
Their eyes locked in silent communion.
"God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him."
Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall."
Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him."
"Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back."
"I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it.
"Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me."
Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept.
Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go?
Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips.
They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go.
They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door.
Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever."
He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
”
”
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.)
The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning...
I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy.
I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more.
This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less.
These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
”
”
Charles Dickens