Erich Paul Remarque Quotes

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And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are!
Erich Maria Remarque (All Quiet on the Western Front)
It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.” - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
Our knowledge of life is limited to death.” - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
Suddenly my mother seizes hold of my hand and asks falteringly: 'Was it very bad out there, Paul?' Mother, what should I answer to that! You would not understand, you could never realize it. And you shall never realize it.
Erich Maria Remarque (All Quiet on the Western Front)
I like being alone best, with no one to disturb me. Because everyone always comes round to the same topic of conversation, how badly things are going, how well they are going, one thinks this way, the next person the other way – and they quickly get on to the things that make up their own worlds. I’m sure that I was just like them myself, before; but now I can’t find any real point of contact. - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
I know nothing about them except that they are prisoners-of-war, and that is precisely what shakes me. Their lives are anonymous and blameless; if I knew more about them, what they are called, how they live, what their hopes and fears are, then my feelings might have a focus and could turn into sympathy. But at the moment all I sense in them is the pain of the dumb animal, the fearful melancholy of life and the pitilessness of men. - Paul Buemer
Erich Maria Remarque (All Quiet on the Western Front (Dead Reckoning))
I didn’t know then what the war was really like – we had only been in quiet sectors. Now I can see that I have become more brittle without realizing it. I can’t come to terms with things here any more, it’s another world. Some people ask questions, others don’t, and you can see that they are pleased with themselves for not asking; quite often they even say with an understanding look on their faces that it’s impossible to talk about it all. They make a big thing of it. - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
All this is good, and I love it. But I can’t get on with the people. The only one who doesn’t ask me questions is my mother. With my father it is different. He’d like me to tell him a bit about what it is like out there: what he wants is both touching and silly, and I have no real relationship with him any more. What he would really like best is a constant flow of stories. I can see that he has no idea that these things can’t be put into words, although I’d like to do something to please him. But it would be dangerous for me to try and put it all into words, and I’m worried that it might get out of hand and I couldn’t control it any more. Where would we be if everybody knew exactly what was going on out there? - Paul Bäumer
Erich Maria Remarque (All Quiet on the Western Front)
They just talk too much. They have problems, goals, desires that I can’t see in the same way as they do. Sometimes I sit with one of them in the little garden of the pub and try to get the point across that this is everything – just sitting in the quiet. Of course they understand, they agree, they think the same way, but it’s only talk, only talk, that’s the point – they do feel it, but always only with half of their being, a part of them is always thinking of something else. They are so fragmented, no one feels it with his whole life; anyway, it is impossible for me to put what I mean into proper words. When I take a look at them, in their rooms, in their offices, in their jobs, then I find it all irresistibly attractive, and I want to be part of it too, and forget the war. But at the same time it repulses me, it is so restricted, how can that fill a whole life, it deserves to be smashed to bits, how can things be like that when shrapnel is whizzing over the trenches out there and the Verey lights are going up, the wounded are being dragged back on tarpaulins and the lads are taking cover in the trenches? - Paul Baumer
Erich Maria Remarque (All Quiet on the Western Front)
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
In All Quiet on the Western Front,8 a novel about the war experiences of frontline soldiers by the German writer Erich Maria Remarque, the book’s protagonist, Paul Bäumer, spoke for an entire generation: “I am aware that I, without realizing it, have lost my feelings—I don’t belong here anymore, I live in an alien world. I prefer to be left alone, not disturbed by anybody. They talk too much—I can’t relate to them—they are only busy with superficial things.”9 Published in 1929,
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)