D Day Remembrance Quotes

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When I look back at myself at age twenty, what I remember most is being alone and lonely. I had no girlfriend to warm my body or my soul, no friends I could open up to. No clue what I should do every day, no vision for the future. For the most part, I remained hidden away, deep within myself. Sometimes, I'd go a week without talking to anybody.
Haruki Murakami (Yesterday)
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
When someone dies they can be any age you remember can't they ' she asked. As I tried to think of a reply she continued 'You probably think about the grown-up Tess because you were still close to her. But when I woke up I thought of her when she was three wearing a fairy skirt I'd got her in the Woolworth's and a policeman's helmet. Her wand was a wooden spoon. On the bus yesterday I imagined holding her when she was two days old. I felt the warmth of her. I remembered all her fingers clasped around my finger so tiny they didn't even meet. I remembered the shape of her head and stroking the nape of her neck till she slept. I remembered her smell. She smelled of innocence. Other times she's thirteen and so pretty that I worry for her everytime I see a man look at her. All of those Tesses is my daughter.
Rosamund Lupton (Sister)
Ever since the first day I’d seen Drew, none of my thoughts made sense. My entire world had turned upside-down, and I had no explanation why.
Michelle Madow (Remembrance (Transcend Time, #1))
he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
Sixty-five years ago [written 2009], in a brief lull between storms in a remarkably stormy June, even by the standards of Channel weather, the heirs of Harold and the kinsmen of the Conqueror came to Normandy. They were supported by the remnants of their first, North American, empire, the two great nations that they had planted in the New World in the time of Good Queen Bess and James 6th and 1st: the Americans, who had rebelled in the name of the rights of Englishmen, and the Canadians, who had stood loyal in the name of the Crown. … The honours of these regiments are ancient and moving: Minden and Malplaquet, Mysore, Badajoz, Waterloo, Inkerman, Gallipoli, the Somme, Imjin. None shines more brightly than Normandy 1944. The paths of glory may lead but to the grave; yet all, even golden boys and girls, must come to dust. It is a better path to the grave than any of the others, not because glory is something to seek, but because, not once or twice in our long island story, the way of duty has been the path to glory; and duty is to be done. …Let us now praise famous men, and our fathers that begat us.
G.M.W. Wemyss
Not the slow Hearse, where nod the sable plumes,      The Parian Statue, bending o'er the Urn,      The dark robe floating, the dejection worn      On the dropt eye, and lip no smile illumes; Not all this pomp of sorrow, that presumes      It pays Affection's debt, is due concern      To the FOR EVER ABSENT, tho' it mourn Fashion's allotted time. If Time consumes, While Life is ours, the precious vestal-flame      Memory shou'd hourly feed;—if, thro' each day,      She with whate'er we see, hear, think, or say, Blend not the image of the vanish'd Frame,      O! can the alien Heart expect to prove, In worlds of light and life, a reunited love!
Anna Seward (Original sonnets on various subjects; and odes paraphrased from Horace)
It was a paradox of life behind walls, that where any day could end in blood, every morning contrived to start exactly the same. A man woke and, for two beats of his heart, didn’t know where he was or what he’d become. Those few seconds were magic, a warm flicker before reality walked across his chest, the black dog of remembrance trailing at its feet.
John Hart (Redemption Road)
Piano Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past.
D.H. Lawrence
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
If Father Dominic died, I would have lost the best mentor I'd ever had, and, absurdly enough, one of the best friends I'd ever had, as well. If someone had told me that the first day I'd walked into his office so many years ago, I'd never have believed it. What could an agnostic girl from Brooklyn and an elderly Catholic priest from California possibly have in common? The ability to help wayward spirits find their way home, it turned out ... even if, as Father Dom had pointed out, we hadn't always agreed on our methodology.
Meg Cabot (Remembrance (The Mediator, #7))
First let me thank all of you for your honesty,” Chang Weisi said, and then turned to Zhang Beihai. “Excellent, Comrade Zhang. Tell us, on what do you base your confidence?” Zhang Beihai stood up, but Chang Weisi motioned for him to sit down. “This is not a formal meeting,” he said. “It’s just a heart-to-heart chat.” Still standing at attention, Zhang Beihai said, “Commander, I can’t answer your question sufficiently in just a few words, because building faith is a long and complicated process. First of all, I’d like to make note of the mistaken thinking among the troops at the present time. We all know that prior to the Trisolar Crisis, we had been advocating for the examination of the future of war from scientific and rational perspectives, and a powerful inertia has sustained this mentality to the present day. This is particularly the case in the present space force, where it has been exacerbated by the influx of a large number of academics and scientists. If we use this mentality to contemplate an interstellar war four centuries in the future, we’ll never be able to establish faith in a victory.” “What Comrade Zhang Beihai says is peculiar,” a colonel said. “Is steadfast faith not built upon science and reason? No faith is solid that is not founded on objective fact.” “Then let’s take another look at science and reason. Our own science and reason, remember. The Trisolarans’ advanced development tells us that our science is no more than a child collecting shells on the beach who hasn’t even seen the ocean of truth. The facts we see under the guidance of our science and reason may not be the true, objective facts. And since that’s the case, we need to learn how to selectively ignore them. We should see how things change as they develop, and we shouldn’t write off the future through technological determinism and mechanical materialism.” “Excellent,” Chang Weisi said, and nodded at him to continue. “We must establish faith in victory, a faith that is the foundation of military duty and dignity! When the Chinese military once faced a powerful enemy under extremely poor conditions, it established a firm faith in victory through a sense of responsibility to the people and the motherland. I believe that today, a sense of responsibility to the human race and to Earth civilization can encourage the same faith.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
ADOWN  (ADO'WN)   prep.Down; towards the ground; from a higher situation towards a lower. In this remembrance Emily ere dayArose, and dress’d herself in rich array;Fresh as the month, and as the morning fair,Adown her shoulders fell her length of hair.Dryd.Fables.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
(Battle with Maleger) As pale and wan as ashes was his looke, His bodie leane and meagre as a rake, And skin all withered like a dryed rooke, Thereto as cold and drery as a Snake, That seem’d to tremble euermore, and quake: All in a canuas thin he was bedight, And girded with a belt of twisted brake, Vpon his head he wore an Helmet light, Made of a dead mans skull, that seem’d a ghastly sight. Maleger was his name, and after him, There follow’d fast at hand two wicked Hags, With hoarie lockes all loose, and visage grim; Their feet vnshod, their bodies wrapt in rags, And both as swift on foot, as chased Stags; And yet the one her other legge had lame, Which with a staffe, all full of litle snags She did support, and Impotence her name: But th’other was Impatience, arm’d with raging flame. So braue returning, with his brandisht blade, He to the Carle himselfe againe addrest, And strooke at him so sternely, that he made An open passage through his riuen brest, That halfe the Steele behind his back did rest; Which drawing backe, he looked euermore When the hart bloud should gush out of his chest, Or his dead corse should fall vpon the flore; But his dead corse vpon the flore fell nathemore. Ne drop of bloud appeared shed to bee, All were the wounde so wide and wonderous, That through his carkasse one might plainely see: Halfe in a maze with horror hideous, And halfe in rage, to be deluded thus, Againe through both the sides he strooke him quight, That made his spright to grone full piteous: Yet nathemore forth fled his groning spright, But freshly as at first, prepard himselfe to fight. His wonder farre exceeded reasons reach, That he began to doubt his dazeled sight, And oft of error did himselfe appeach: Flesh without bloud, a person without spright, Wounds without hurt, a bodie without might, That could doe harme, yet could not harmed bee, That could not die, yet seem’d a mortall wight, That was most strong in most infirmitee; Like did he neuer heare, like did he neuer see. His owne good sword Mordure, that neuer fayld At need, till now, he lightly threw away, And his bright shield, that nought him now auayld, And with his naked hands him forcibly assayld. He then remembred well, that had bene sayd, How th’Earth his mother was, and first him bore; She eke so often, as his life decayd, Did life with vsury to him restore, And raysd him vp much stronger then before, So soone as he vnto her wombe did fall; Therefore to ground he would him cast no more, Ne him commit to graue terrestriall, But beare him farre from hope of succour vsuall. Vpon his shoulders carried him perforse Aboue three furlongs, taking his full course, Vntill he came vnto a standing lake; Him thereinto he threw without remorse, Ne stird, till hope of life did him forsake; So end of that Carles dayes, and his owne paines did make.
Edmund Spenser (The Faerie Queene)
A fete in the streets--what good was it? What good was waving a flag and pointing fingers into the air, when they'd lost so much? Too much. They would erect stone plinths to lay wreaths on for the men, and surely more bronze forms to the commanders. Where would they build the remembrances to the valor of the women who had died, who had protected, who had sacrificed? It was not just a generation of men who was lost or changed. It was all.
Lori Rader-Day (Death at Greenway)
No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.” His words were very enlightening to me. Later, after I thought about it a bit, I realized that it wasn’t Buddhist philosophy at all, but was more akin to some modern physics theories. The abbot also told me he wasn’t going to discuss Buddhism with me. His reason was the same as my high school teacher’s: With my sort, he’d just be wasting his time. That first night, I couldn’t sleep in the tiny room in the temple. I didn’t realize that this refuge from the world would be so uncomfortable. My blanket and sheet both became damp in the mountain fog, and the bed was so hard. In order to make myself sleep, I tried to follow the abbot’s advice and fill myself with “emptiness.” In my mind, the first “emptiness” I created was the infinity of space. There was nothing in it, not even light. But soon I knew that this empty universe could not make me feel peace. Instead, it filled me with a nameless anxiety, like a drowning man wanting to grab on to anything at hand. So I created a sphere in this infinite space for myself: not too big, though possessing mass. My mental state didn’t improve, however. The sphere floated in the middle of “emptiness”—in infinite space, anywhere could be the middle. The universe had nothing that could act on it, and it could act on nothing. It hung there, never moving, never changing, like a perfect interpretation for death. I created a second sphere whose mass was equal to the first one’s. Both had perfectly reflective surfaces. They reflected each other’s images, displaying the only existence in the universe other than itself. But the situation didn’t improve much. If the spheres had no initial movement—that is, if I didn’t push them at first—they would be quickly pulled together by their own gravitational attraction. Then the two spheres would stay together and hang there without moving, a symbol for death. If they did have initial movement and didn’t collide, then they would revolve around each other under the influence of gravity. No matter what the initial conditions, the revolutions would eventually stabilize and become unchanging: the dance of death. I then introduced a third sphere, and to my astonishment, the situation changed completely. Like I said, any geometric figure turns into numbers in the depths of my mind. The sphereless, one-sphere, and two-sphere universes all showed up as a single equation or a few equations, like a few lonesome leaves in late fall. But this third sphere gave “emptiness” life. The three spheres, given initial movements, went through complex, seemingly never-repeating movements. The descriptive equations rained down in a thunderstorm without end. Just like that, I fell asleep. The three spheres continued to dance in my dream, a patternless, never-repeating dance. Yet, in the depths of my mind, the dance did possess a rhythm; it was just that its period of repetition was infinitely long. This mesmerized me. I wanted to describe the whole period, or at least a part of it. The next day I kept on thinking about the three spheres dancing in “emptiness.” My attention had never been so completely engaged. It got to the point where one of the monks asked the abbot whether I was having mental health issues. The abbot laughed and said, “Don’t worry. He has found emptiness.” Yes, I had found emptiness. Now I could be at peace in a bustling city. Even in the midst of a noisy crowd, my heart would be completely tranquil.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))