And The Moon Asked Me Quotes

At night, I open the window and ask the moon to come and press its face against mine. Breathe into me. Close the language-door and open the love-window. The moon won't use the door, only the window.

They say true love only comes around once and you have to hold out and be strong until then. I have been waiting. I have been searching. I am a man under the moon, walking the streets of earth until dawn. There's got to be someone for me. It's not too much to ask. Just someone to be with. Someone to love. Someone to give everything to. Someone.

On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.

The moon asked me to meet her in a field tonight. I think she has amorous ideas.

His skin was a pretty colour, it made me jealous. Jacob noticed my scrutiny. What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my implusive observation the wrong way. But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." Well, then, thanks. Sort of." I grinned. "You're sort of welcome.

This is so cool!" Nico said, jumping up and down in the driver's seat. "Is this really the sun? I thought Helios and Selene were the sun and moon gods. How come sometimes it's them and sometimes it's you and Artemis?" "Downsizing," Apollo said. "The Romans started it. They couldn't afford all those temple sacrifices, so they laid off Helios and Selene and folded their duties into our job descriptions. My sis got the moon. I got the sun. It was pretty annoying at first, but at least I got this cool car." "But how does it work?" Nico asked. "I thought the sun was a big fiery ball of gas!" Apollo chuckled and ruffled Nico's hair. "That rumor probably got started because Artemis used to call me a big fiery ball of gas.

if you gave me half a moon of a chance i would kiss the incisors out of your mouth, clean and hold them in my own, like chippings from an old mug then pray my tongue into a bowl of holy water and ask god to never leave you thirsty.

I will go,” he said. “I will go to Troy.” The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again. He was watching me, his eyes as deep as earth. “Will you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. “Yes,” I whispered. “Yes.” Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us. Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.

Every time he looked at me I felt like I'd touched my tongue to the tip of a battery. In art class I'd watch him lean back and listen and I was nothing but zing and tingle. After a while, the tingle turned to electricity, and when he asked me out my whole body amped to a level where technically I should have been dead. I had nothing in common with a sheddy like him, but a girl doesn't think straight when she's that close to electrocution.

Thankfully I had to stand solitary for only one long moment before Jay came back feeling over-the-moon happy. I let his emotion drench me. “What were you and Kaidan Rowe talking ’bout?” Jay asked me. “Man, y’all looked like you were gonna rip each other’s clothes off!” I gasped and smacked his arm, but he didn’t flinch. “We did not.” My eyes darted over to Kaidan for a fraction of a second, and though he was too far away to have heard, the wink he sent me brought another flush to my skin.

Like This If anyone asks you how the perfect satisfaction of all our sexual wanting will look, lift your face and say, Like this. When someone mentions the gracefulness of the nightsky, climb up on the roof and dance and say, Like this. If anyone wants to know what "spirit" is, or what "God’s fragrance" means, lean your head toward him or her. Keep your face there close. Like this. When someone quotes the old poetic image about clouds gradually uncovering the moon, slowly loosen knot by knot the strings of your robe. Like this. If anyone wonders how Jesus raised the dead, don’t try to explain the miracle. Kiss me on the lips. Like this. Like this. When someone asks what it means to "die for love," point here. If someone asks how tall I am, frown and measure with your fingers the space between the creases on your forehead. This tall. The soul sometimes leaves the body, the returns. When someone doesn’t believe that, walk back into my house. Like this. When lovers moan, they’re telling our story. Like this. I am a sky where spirits live. Stare into this deepening blue, while the breeze says a secret. Like this. When someone asks what there is to do, light the candle in his hand. Like this. How did Joseph’s scent come to Jacob? Huuuuu. How did Jacob’s sight return? Huuuu. A little wind cleans the eyes. Like this. When Shams comes back from Tabriz, he’ll put just his head around the edge of the door to surprise us Like this.

No, no, no, no! Come, let's away to prison: We two alone will sing like birds i' the cage: When thou dost ask me blessing, I'll kneel down, And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, Who loses and who wins; who's in, who's out; And take upon's the mystery of things, As if we were God's spies: and we'll wear out, In a wall'd prison, packs and sects of great ones, That ebb and flow by the moon.

Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.

I find many adults are put off when young children pose scientific questions. Why is the Moon round? the children ask. Why is grass green? What is a dream? How deep can you dig a hole? When is the world’s birthday? Why do we have toes? Too many teachers and parents answer with irritation or ridicule, or quickly move on to something else: ‘What did you expect the Moon to be, square?’ Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science. Why adults should pretend to omniscience before 6-year-olds, I can’t for the life of me understand. What’s wrong with admitting that we don’t know something? Is our self-esteem so fragile?

Arcadia,” Lon’s voice said from my phone. “Who is this?” I teased. “You can’t take my son on a date.” “I didn’t ask him. He asked me.” “He stole my cell and called without permission.” “Sounds like a personal problem to me.” A low growling noise came out of the phone.

... I ask, 'Do you think Dylan's telling the truth?' Daisy checks her face in a little mirror, then hands it to Jazz. 'You want me to find out?' 'Let's not ruin it by calling them liars.' '...I won't ruin it. I've got this special way of getting the truth out of Dylan.' 'How?' I ask. 'I kick him in the balls.' 'That's pretty special.

You know the legend. Stab them in the heart and they’ll die. (Ravyn) Call me Buffy. I’m even blond, but don’t ask me to wear a halter top. Or corset. (Susan)

There is some kiss we want with our whole lives, the touch of spirit on the body. Seawater begs the pearl to break its shell. and the lily, how passionately it needs some wild darling! At night, I open the window and ask the moon to come and press its face against mine. Breathe into me. Close the language door and open the lovers window. The moon won’t use the door, only the window.

Oh, baby, don’t ask me that question. I know exactly who and what I am…and more to the point, what I’m capable of. How dare you bring your prissy little ass into one of my clubs and pull this shit. You’re lucky you’re still breathing. (Savitar)

Emma Forest?" Jazz asks. "His ex is the girl with the big...?" "That's the one," Daisy tells her. Jazz looks at her chest. I pat her shoulder. "Guys care about personality too." "Girls like me started that rumor.

Does the sun ask itself, “Am I good? Am I worthwhile? Is there enough of me?” No, it burns and it shines. Does the sun ask itself, “What does the moon think of me? How does Mars feel about me today?” No it burns, it shines. Does the sun ask itself, “Am I as big as other suns in other galaxies?” No, it burns, it shines.

Your Catfish Friend If I were to live my life in catfish forms in scaffolds of skin and whiskers at the bottom of a pond and you were to come by one evening when the moon was shining down into my dark home and stand there at the edge of my affection and think, “It's beautiful here by this pond. I wish somebody loved me,” I'd love you and be your catfish friend and drive such lonely thoughts from your mind and suddenly you would be at peace, and ask yourself, “I wonder if there are any catfish in this pond? It seems like a perfect place for them.

After that day when I saw the elephant, I let myself see more and believe more. It was a game I played with myself. When I told Alma the things I saw she would laugh and tell me she loved my imagination. For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love, both sides were heads: I knew I couldn't lose.

I drank some too-hot coffee and scowled at him, annoyed although I couldn't remember why. The light from the lounge was leaking in, highlighting his spiky blond hair. I decided that must be it. "You really hate my hair, don't you?" he asked, a smile flickering over his lips so fast I might have imagined it. "Yeah" "Why?" I reached out to touch it, and was surprised as always to find it mostly soft. Just a little stiff in places from whatever product he used on it. It felt weird, imagining Pritkin having anything in his hair but sweat. But he must have; nobody's did that all on its own. "It's like...angry hair," I said, trying to pat it down and failing miserably. He caught my wrist. "Most people would say that suits me." "I'm not most people." "I know.

What are my options?" "You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination." "Fine,"I said. "You take my hand and back up toward the bed." "Excellent choice. What then?" "You sit down, and pull me down with you." "Where are you?" he asked. "You pull me onto your lap." "Where are your legs?" "Around your waist." "Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"... "What do you usually wear to bed?" I asked. Noah said nothing. I opened my eyes to an arched brow and a devious grin. Oh my God. "Close. Your. Eyes," he said. I did. "Now, where were we?" "I was straddling you," I said. "Right. And I'm wearing..." "Drawstring pants." "Those are quite thin, you know." I'm aware. ... "Right," he said. "So what are you wearing?" "I don't know. A space suit. Who cares?" "I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you." "What did you have in mind?" "Don't tempt me. Now, what are you wearing?" "A hoodie and drawstring pants too, I guess." "Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie." "A tank top, I guess." "What color?" "White tank. Black hoodie. Gray pants. I'm ready to move on now." I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?" Yes. "Over me," he said. Fuck. "The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-

…the excitement of doing something for the first time had passed. I laid there in the back seat looking at the moon. It was unobscured by clouds except for a few wisps here and there. (Mitch) put his arms around me, and we looked at the moon together. You think we’ll have a lot of moons like this, this month? Mitch asked. “I hope so,” I said. We turned to each other and laughed. He didn’t try to fuck me after that. We just talked for a while about music, school, our brothers, and Janice, of course. And then he drove me home.

He was so much in love with me that I could have asked him for the moon and stars, and he would have gathered them for me.

I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea. "May I join you?" I asked softly. He didn’t bother opening his eyes. "If you like." The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music. "You haven’t played your guitar in a long time. I miss it," I said when the song was finished. Ren turned away. "I fear there is no music left in me.

Paint the stars and the moon back into my night sky and tell me it is okay to cry without asking why.

You need demarcation." "Demarcation?" I asked. "It means a clear separation between two things," he told me. "A solid end before a clean beginning. No murky borders. Clarity.

Oh! Do you have a pocketknife?" He narrowed his eyes at me. "Pocketknife?" "Don't men your age always have pocketknives?" I asked in a high-pitched voice. "My age? I'm not a fucking grandfather," he snapped.

She asked me what made me do such a thing. That is an awkward question because I often can't tell what makes me do things. Sometimes I do them just to find out what I feel like doing them. And sometimes I do them because I want to have some exciting things to tell my grandchildren.

If you asked me to fly to the moon and bring it back to you, I'd find a way

Ask me when your belly is full like the moon, and our love has stretched your body with my child, leaving your skin, once flawless, now silvered, traced, scarred, I will worship you. My eyes will never stray. My heart will never wander, gladly leashed to you all my days. I am fixed on you.

I think I'll go over and introduce myself to that little red-haired girl. I think I'll introduce myself, and then ask her to come over and sit next to me. I think I'll ask her to sit next to me here, and then I think I'll tell her how much I've always admired her... I think I'll flap my arms, and fly to the moon.

You'll never have to beg me for anything, my love. If you ask me for the moon, I'll fetch it for you.

Can you believe me, though?” he asks quietly. “That the worst thing I ever did was for the best reason I ever had?

Why are you such a manwhoring asshole?” I asked, my face inches from his. “Why are you such a cockblocking priss?” he asked, and when I opened my mouth to tell him exactly what I thought, the fucker kissed me. Kissed me. Placed his lips on mine and kissed me. Under the moon and the stars, with the sounds of the waves crashing and the crickets cricketing.

Whom have you fallen in love with?' I ask. 'Well, there was you,' the prince says. 'When we were children.' 'Me?' I ask incredulously. 'You didn't know?' He appears to be merry in the face of my astonishment. 'Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.' I cannot help snorting at the sheer absurdity of his statement. He puts a hand to my heart. 'Ah, and now you laugh. It is my curse to adore cruel women.

Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure. "Kiss you now?" he asked. I couldn't speak; a wilted no was my reply. His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.

Option three: Edward loved me. The bond forged between us was not one that could be broken by absence, distance, or time. And no matter how much more special or beautiful or brillant or perfect than me he might me, he was as irreversibly altered as I was. As I would always belong to him, so would he always be mine. Was that what I'd been trying to tell myself? "Oh!" "Bella?" "Oh. Okay. I see." "Your epithany?" he asked, his voice uneven and strained. "You love me," I marveled. The sense of conviction and rightness washed through me again. Though his eyes were still anxious, the crooked smile I loved best flashed across his face. "Truly, I do.

I can't believe you're still mad at me," Ed says. "You grabbed my arse." "You broke my nose." "You broke his nose?" Jazz asks. "You grabbed her arse?" "It was two years ago-" "Two years, four months, and eight days," I tell him. "-and I was fifteen, and I slipped and she broke my nose." "Wait a minute. How do you slip onto someone's arse?" Jazz asks. "I meant slipped up. I slipped up and she broke my nose." "You're lucky that's all I broke," I say. "You're lucky I didn't call the police." Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks. Ed closes his eyes silently and bangs his head on the wall.

Through Rohan over fen and field where the long grass grows The West Wind goes walking, and about the walls it goes. What news from the West, oh wandering wind, do you bring to me tonight? Have you seen Boromir the Tall by moon or by starlight? ‘I saw him ride over seven streams, over waters wide and grey; I saw him walk in empty lands, until he passed away Into the shadows of the North. I saw him then no more. The North Wind may have heard the horn of the son of Denethor.’ Oh, Boromir! From the high walls westward I looked afar. But you came not from the empty lands where no men are. From the mouth of the sea the South Wind flies, From the sand hills and the stones; The wailing of the gulls it bears, and at the gate it moans What news from the South, oh sighing wind, do you bring to me at eve? Where now is Boromir the Fair? He tarries and I grieve. ‘Ask me not where he doth dwell--so many bones there lie On the white shores and on the black shores under the stormy sky; So many have passed down Anduin to find the flowing sea. Ask of the North Wind news of them the North Wind sends to me!’ Oh Boromir! Beyond the gate the Seaward road runs South, But you came not with the wailing gulls from the grey seas mouth. From the Gate of Kings the North Wind rides, And past the roaring falls And loud and cold about the Tower its loud horn calls. What news from the North, oh mighty wind, do you bring to me today? What news of Boromir the Bold? For he is long away. ‘Beneath Amon Hen I heard his cry. There many foes he fought His cloven shield, his broken sword, they to the water brought. His head so proud, his face so fair, his limbs they laid to rest; And Rauros, Golden Rauros Falls, bore him upon its breast.’ Oh Boromir! The Tower of Guard shall ever northward gaze To Rauros, Golden Rauros Falls until the end of days.

On the girl’s brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars a s beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, ‘I survived’. In a few breaths’ time I will speak some sad words to you. But you must hear them as we have agreed to see scars now. Sad words are just another beauty. A sad story means the storyteller is alive. The next thing you know, something fine will happen to her, something marvellous, and then she will turn round and smile.

Do you ever get the urge to get in your car and keep driving?" I ask, focused on the water shimmering in the light of the moon. "How'd you know when to stop?" Cole challenged, sitting next to me so our arms barely touched. "I guess when you find something worth stopping for.

Why are you being so nice to me?' I asked her. 'You know,' she said, 'when you say stuff like that I just want to slap you.' 'What?' 'You heard me.' She picked up her beer and took a swallow, still watching me. Then she said, 'Colie, you should never be surprised when people treat you with respect. You should expect it.' I shook my head. 'You don’t know-' I began. But, as usual, she didn’t let me finish. 'Yes,' she said simply. 'I do know. I’ve watched you, Colie. You walk around like a dog waiting to be kicked, and when someone does, you pout and cry like you didn’t deserve it.' 'No one deserves to be kicked,' I said. 'I disagree,' she said flatly. 'You do if you don’t think you’re worth any better.

To the train yard,' she says and pushes on the pedals. We don't move. `Anytime,' I tell her. `You know. While we're still young and beautiful.' She pushes hard again. `You weigh a tonne.' `You need me to drive?' `I need momentum, that's all. Get off.' `You're very charming, but you must hear that all the time.' `Get off,' she says.`I'll ride and you run after me and jump on the bike.' `Do many guys ask you out twice?' `Only the ones with balls.

The Clock on the Morning Lenape Building Must Clocks be circles? Time is not a circle. Suppose the Mother of All Minutes started right here, on the sidewalk in front of the Morning Lenape Building, and the parade of minutes that followed--each of them, say, one inch long-- headed out that way, down Bridge Street. Where would Now be? This minute? Out past the moon? Jupiter? The nearest star? Who came up with minutes, anyway? Who needs them? Name one good thing a minute's ever done. They shorten fun and measure misery. Get rid of them, I say. Down with minutes! And while you're at it--take hours with you too. Don't get me started on them. Clocks--that's the problem. Every clock is a nest of minutes and hours. Clocks strap us into their shape. Instead of heading for the nearest star, all we do is corkscrew. Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and round from number to number, dice the time of our lives into tiny bits until the bits are all we know and the only question we care to ask is "What time is it?" As if minutes could tell. As if Arnold could look up at this clock on the Lenape Building and read: 15 Minutes till Found. As if Charlie's time is not forever stuck on Half Past Grace. As if a swarm of stinging minutes waits for Betty Lou to step outside. As if love does not tell all the time the Huffelmeyers need to know.

Bellissima, I'd stop time for you. I'd give you the moon and the stars; I'd learn to defy gravity. There's nothing I wouldn't do, nobody I wouldn't kill, if you asked me to. If you needed me to

How did you meet him?" I asked her. She smiled. "Here, actually. During a dinner rush. He was sitting at the counter and Isabel knocked a cup of coffee in his lap." "Ouch," I said. "No kidding. She was so slammed she just kept moving, so I cleaned it up and made all the apologies. He said it was okay,, no problem, and I laughed and said pretty girls get away with anything." She looked down, twisting her ring a bit so the diamond sat in the centre of her finger, "And he smiled, and looked at Isabel, and said she wasn't his type." There was a faint cheer from the stadium, and I saw a ball whiz over the far fence and out of sight. "And so," she went on, "I said, "Oh really? What is your type, exactly?" and he looked up at me and said, "You.

On Drinking Alone by Moonlight Here are flowers and here is wine, But where’s a friend with me to join Hand in hand and heart to heart In one full cup before we part? Rather than to drink alone, I’ll make bold to ask the moon To condescend to lend her face The hour and the scene to grace. Lo, she answers, and she brings My shadow on her silver wings; That makes three, and we shall be. I ween, a merry company The modest moon declines the cup, But shadow promptly takes it up, And when I dance my shadow fleet Keeps measure with my flying feet. But though the moon declines to tipple She dances in yon shining ripple, And when I sing, my festive song, The echoes of the moon prolong. Say, when shall we next meet together? Surely not in cloudy weather, For you my boon companions dear Come only when the sky is clear.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

Children are infinitely credulous. My Lisa was a dull child, but even so she came up with things that pleased and startled me. 'Are there dragons?' she asked. I said that there were not. 'Have there ever been?' I said all the evidence was to the contrary. 'But if there is a word dragon,' she said, 'then once there must have been dragons.

All those films in which the woman doesn't get her man, those films of yearning unsatisfied, hearts unappeased. You like them; I've liked them too. But I'll tell you what: try belonging body and soul to a man who will never belong to you; see how well you like those films then. "Don't ask for the moon-we have the stars!" ... "Pardon me saying so, but fuck the fucking stars!

This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.

Garion,' she said very calmly, 'the universe knew your name before that moon up there was spun out of the emptiness. Whole constellations have been waiting for you since the beginning of time.' I didn't want them to, Aunt Pol.' There are those of us who aren't given that option, Garion. There are things that gave to be done and certain people who have to do them. It's as simple as that.' He smiled rather sadly at her flawless face and gently touched the snowy white lock at her brow. Then, for the last time in his life, he asked the question that had been on his lips since he was a tiny boy. 'Why me, Aunt Pol? Why me?' Can you possibly think of anyone else you'd trust to deal with these matters, Garion?' He had not really been prepared for that question. It came at him in stark simplicity. Now at last he fully understood. 'No,' he sighed, 'I suppose not. Somehow it seems a little unfair, though. I wasn't even consulted.' Neither was I, Garion,' she answered. 'But we didn't have to be consulted, did we? The knowledge of what we have to do is born into us.

He took one long stride and caught me in another vice-tight bear hug. "You really, honestly don't mind that I morph into a giant dog?" he asked, his voice joyful in my ear. "No," I gasped. "Can't―breathe―Jake!" He let me go, but took both my hands. "I'm not a killer, Bella." I studied his face, and it was clear that this was the truth. Relief pulsed through me. "Really?" I asked. "Really," he promised solemnly. I threw my arms around him. It reminded me of that first day with the motorcycles―he was bigger, tough, and I felt even more like a child now. Like that other time, he stroked my hair. "Sorry I called you a hypocrite," he apologized. "Sorry I called you a murderer." He laughed.

He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.

See you tomorrow,” he said, instead. “All right.” Then, impulsively, I asked, “Do you have a place to sleep tonight?” “Sure,” he said with a smile, and started off as if he had somewhere to be. I could have bitten off my tongue because I pushed him into a lie. Once he started lying to me, it would be harder to get him to trust me with the truth. I don’t know why it works that way, but it does—at least in my experience.

Is it really sick for me to be happy right now?" I asked. My voice broke twice. He didn't push me away. He pulled me tight against his ice-hard chest, so tight it was hard to breathe, even with my lungs securely intact. "I know exactly what you mean," he whispered. "But we have lot of reasons to be happy. For one, we're alive." "Yes," I agreed. "That's a good one." "And together," he breathed. His breath was so sweet it made my head swim.

I fantasized about having a mother who was also raised on Sesame Street, Happy Meals, and John Hughes movies. Maybe she could ask me white mom questions like “How are you feeling?” or say white mom things like “I love you to the moon and back.” We would share the same first language. She could help me pick out a dress that I actually liked, instead of the dress that was most discounted. We would understand each other and not fight as much.

Most eyes have more than one color, but usually they're related. Blue eyes may have two shades of blue, or blue and gray, or blue and green, or even a fleck or two of brown. Most people don't notice that. When I first went to get my state ID card, the form asked for eye color. I tried to write in all the colors in my own eyes, but the space wasnt big enough. They told me to put 'brown'. I put 'brown', but that is not the only color in my eyes. It is just the color that people see because they do not really look atr other people's eyes.

Amongst the flowers I am alone with my pot of wine drinking by myself; then lifting my cup I asked the moon to drink with me, its reflection and mine in the wine cup, just the three of us; then I sigh for the moon cannot drink, and my shadow goes emptily along with me never saying a word; with no other friends here, I can but use these two for company; in the time of happiness, I too must be happy with all around me; I sit and sing and it is as if the moon accompanies me; then if I dance, it is my shadow that dances along with me; while still not drunk, I am glad to make the moon and my shadow into friends, but then when I have drunk too much, we all part; yet these are friends I can always count on these who have no emotion whatsoever; I hope that one day we three will meet again, deep in the Milky Way.

When I parked in front of Charlie's house, he reached over to take my face in his hands. He handled me very carefully, pressing just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was especially breakable. Which was exactly the case--compared with him, at least. "You should be in a good mood, today of all days," he whispered. His sweet breath fanned across my face. "And if I don't want to be in a good mood?" I asked, my breathing uneven. His golden eyes smoldered. "Too bad." My head was already spinning by the time he leaned closer and pressed his icy lips against mine. As he intended, no doubt, I forgot all about my worries, and concentrated on remembering how to inhale and exhale.

How’d this happen?” Melody asked in a stunned whisper. She never expected to fall in love and certainly not this swiftly or with this much finality. “We just met.” “I don’t believe that,” Clay argued as he turned her palm over in his and traced the lines of it with the pad of his finger. “I’m pretty sure we’ve known each other forever. Seeing you the first time was like coming home, and there ain’t been anything to happen since that’s disabused me of the notion.” “Yeah,” Melody agreed, the bright skyline blurring to a sea of vibrant color. She remembered seeing Clay in Hal’s Diner the first time. Alone and eating his turkey, she’d been compelled to reach out to him. “Do you really believe in soul mates?” “I do now.

The stars could have burned out around us, the moon could have fallen from the sky, and I wouldn't have known it. Not when he leaned indecently close and pressed his cheek against mine to murmur, "Tell me a secret." I wanted him to tell me how he stopped time like that. How he read my mind. I wanted to admit I wondered if thoughts of me troubled him when he lay awake at night. But I could make none of that come to my lips.... Instead... I whispered back, "I've seen the future." He didn't laugh. He didn't mock, not like he had done at Privalovna's performance. In the middle of our waltz, he stopped, nose to nose with me. He uncovered me with a look that somehow bared him, too. And his question told me everything - that he stopped time because he needed me, that he read my mind because we were one. That I troubled his nights, indeed, because what he asked revealed it all. "Am I with you there?

Norman picked up a sketch, glanced at it, then put it back down on the table. "I saw Bea Williamson this morning," he said in a low voice. "Lurking about looking for cut glass." "Oh, of course," Mira said with a sigh. "Did she have it with her?" Norman nodded solemnly. "Yep. I swear, I think it's almost gotten ... bigger." Mira shook her head. "Not possible." "I'm serious," Norman said. "It's way big." I kept waiting for someone to expand on this, but since neither of them seemed about to, I asked, "What are you talking about?" They looked at each other. Then, Mira took a breath. "Bea Williamson's baby," she said quietly, as if someone could hear us, "has the biggest head you have ever seen." Norman nodded, seconding this. "A baby?" I said. "A big-headed baby," Mira corrected me. "You should see the cranium on this kid. It's mind-boggling.

What others?” I asked, as Jonas began examining Pritkin’s little boxes and tins. “Hm? Oh, the other two gods, of course,” he said absently. “Ah, Nuwara Eliya. Yes, very nice.” “Nuwara Eliya is a god?” I asked, confused. He regarded me strangely. “No. It’s a town in Sri Lanka.” I looked at him. “Where they grow tea. Very good tea, too.” Pritkin put a heavy hand on my shoulder, which was just as well. It probably wouldn’t have looked good to choke the head of the Silver Circle to death right before the coronation. Then again, my reputation was shot to hell anyway....

Robin was a great kid. Smarter than her father at eight years old. She liked the oddest things. Like the instructions for a toy more than the toy itself. The credits of a movie instead of the movie. The way something was written. An expression on my face. Once she told me I looked like the sun to her, because of my hair. I asked her if I shined like the sun, and she told me, ‘No, Daddy, you shine more like the moon, when it’s dark outside.

The Poet Asks His Love to Write" Visceral love, living death, in vain, I wait your written word, and consider, with the flower that withers, I wish to lose you, if I have to live without self. The air is undying: the inert rock neither knows shadow, nor evades it. And the heart, inside, has no use for the honeyed frost the moon pours. But I endured you: ripped open my veins, a tiger, a dove, over your waist, in a duel of teeth and lilies. So fill my madness with speech, or let me live in my calm night of the soul, darkened for ever.

Jacob really did look older than sixteen--not quite forty, but maybe older than me. Quil didn't have too much on him in the muscle department, for all that Jacob claimed to be a skeleton. The muscles were the long wiry kind, but they were definitely there under the smooth skin. His skin was such a pretty color, it made me jealous. Jacob noticed my scrutiny. "What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realized before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my impulsive observation the wrong way. But Jacob just rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." "Well, then, thanks. Sort of." I grinned. "You're sort of welcome.

Once you have given up the ghost, everything follows with dead certainty, even in the midst of chaos. From the beginning it was never anything but chaos: it was a fluid which enveloped me, which I breathed in through the gills. In the substrata, where the moon shone steady and opaque, it was smooth and fecundating; above it was a jangle and a discord. In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender because I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I had not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped anyone expecting that it would do me any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted: it was something to make me puke. I had no more need of God than He had of me, and if there were one, I often said to myself, I would meet Him calmly and spit in His face.

Because the night you asked me, the small scar of the quarter moon had healed - the moon was whole again; because life seemed so short; because life stretched out before me like the halls of a nightmare; because I knew exactly what I wanted; because I knew exactly nothing; because I shed my childhood with my clothes - they both had years of wear in them; because your eyes were darker than my father's; because my father said I could do better; because I wanted badly to say no; because Stanly Kowalski shouted "Stella...;" because you were a door I could slam shut; because endings are written before beginnings; because I knew that after twenty years you'd bring the plants inside for winter and make a jungle we'd sleep in naked; because I had free will; because everything is ordained; I said yes.

The ocean was back in the pond, and the only knowledge I was left with, as if I had woken from a dream on a summer's day, was that it had not been long ago since I had known everything. I looked at Lettie in the moonlight. "Is that how it is for you? I asked. "Is what how it is for me?" "Do you still know everything, all the time?" ...She wrinkled her nose. "Everybody did. I told you. It's nothing special, knowing how things work. And you really do have to give it all up if you want to play." "To play what?" "This," she said. She waved at the house and the sky and the impossible full moon and the skeins and the shawls and clusters of bright stars.

I’d like for you to tell me who you are.” The man blinked. “David Dryden.” I just looked at him. “Your one o’clock?” “My one o’clock what?” “Date,” the third vamp said, grinning. “For what?” I asked, confused. “Well, you know.” The mage looked a little awkward suddenly. “The usual.” “I think we’ve got a contender here, boys,” the brunet said. “Smooth operator,” the second vamp agreed.

Ed looks at me like he wishes I'd disappear and if I had the choice I'd grant that wish; I'd turn into smoke and blow away. I want to sit on the other side of the table from him so he doesn't think I'm interested, but there's no room on the other side so I sit as far away from him as I can and try to have an out-of-body experience. This couldn't get more awkward if we all tried. "How about we get some air?" Leo asks Jazz, and they walk outside. Daisy follows them and Dylan follows her. Okay, it could get more awkward if we all tried.

She was smart like that, and lucky like that, and people loved the hell out of her. They didn’t love the hell out of me; they ran the hell away from me. It wasn’t like I was a bad person or anything, I just … had a lot of accidents. I didn’t mean accidents like I ate glue and then peed myself on a regular basis. I just tripped more than usual, and accidently set things on fire more than what would be considered ‘normal’. I got kicked out of the village school only one moon-cycle before graduation for accidently making one of the teachers bald. How do you accidently make someone bald? That’s a good question. All you really need is a bucket of warm tar to accidently toss onto the back of their head. How do you get a bucket of warm tar? You don’t go looking for it or anything—or at least I didn’t. It was just sitting on the road outside the school and I thought I should carry it inside to ask what it was.

Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.

Have you brought the moon to me?" she asked. "Not yet," said the Court Jester, "but I will get it for you right away. How big do you think it is?" "It is just a little smaller than my thumbnail," she said, "for when I hold my thumbnail up at the moon, it just covers it." "And how far away is it? asked the Court Jester. "It is not as high as the big tree outside my window," said the Princess, "for sometimes it gets caught in the top branches." It will be very easy to get the moon for you," said the Court Jester. "I will climb the tree tonight when it gets caught in the top branches and bring it to you." The he thought of something else. "What is the moon make of, Princess?" he asked. "Oh," she said, "it's made of gold, of course, silly.

The moral of the story is that once upon a time I wanted the whole world from everyone I met - sun moon stars, give me the whole thing, I want it now, I want it in perfect MLA style. And now? Now I know that the best you can ask of people is that they just - I don't know - that they just show up, do their part, treat people nicely, pay their taxes. Contribute something halfway decent to society. I'm not necessarily talking about contributing a dissertation, either. I'm talking about pulling you own weight and figuring out what it is you love and then doing it. Not just talking about it or waiting for someone else to do it for you, but actually honest-to-God doing the thing you're meant to do.

Dorothy's coming up. I think she's tight." "That's great." I picked up my bathrobe. "I was afraid I was going to have to get some sleep." She was bending over looking for her slippers. "Don't be such an old fluff. You can sleep all day." She found her slippers and stood up in them. "Is she really as afraid of her mother as she says?" "If she's got any sense. Mimi's poison." Nora screwed up her dark eyes at me and asked slowly: "What are you holding out on me?" "Oh, dear," I said, " I was hoping I wouldn't have to tell you. Dorothy is really my daughter. I didn't know what I was doing, Nora. It was spring in Venice and I was so young and there was a moon over the..." "Be funny. Don't you want something to eat?

Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.

Like the night before, I found her naked and sitting on the edge of her bed. Unaware I was there, she continued to massage her legs, their blue-green veins twisting beneath her skin. I wasn't as afraid seeing her body this second night. In the folds and creases, I saw her history. Her skin was the diary of her soul. All the springs she had watched the flowers bloom. The summers she had stood before the moon and kissed its face. The autumns she had grown wiser. The winters that had frozen the initials of her name. Each wrinkle was a record of this and of every hour, minute, and second she had lived. All her secrets were written in her skin. The things she had asked God for. The things she had cursed the devil about. In such age before me, I saw only beauty.

What can it matter to you? You just drift along. You don't give a good godamm about the universal consequences that can flow from our most trifling acts, our most unforeseen thoughts . . . It's no skin off your ass . . . You're caulked . . . hermetically sealed . . . Nothing means anything to you . . . Am I right? Nothing. Eat! Drink! Sleep! Up there as cozy as you please . . . All warm and comfy on my couch . . . You've got everything you want . . . You wallow in well-being . . . the earth rolls on . . . How? Why? A staggering miracle . . . how it moves . . . the profound mystery of it . . . toward an infinite unforeseeable goal . . . in the sky all scintillating with comets . . . all unknown . . . from one rotation to the next . . . Each second is the culmination and also the prelude of an eternity of other miracles . . . of impenetrable wonders, thousands of them, Ferdinand! Millions! billions of trillions of years! . . . And you? What are you doing in the midst of this cosmologonic whirl? this vast sidereal wonder? Just tell me that! You eat! You fill your belly! You sleep! You don't give a damn . . . That's right! Salad! Swiss cheese! Sapience! Turnips! Everything! You wallow in your own muck! You'll loll around, befouled! Glutted! Satisfied! You don't ask for anything more! You pass through the stars . . . as if they were raindrops in May! . . . God, you amaze me, Ferdinand! Do you really think this can go on forever? . . ." I didn't say a word . . . I had no set opinion about the stars or the moon, but I had one about him, the bastard. And the stinker knew it.

She points at two big steps on the back of her bike. "You have training... somethings? What are they?" "Feet platforms. My dad made them for my cousin to use. Step on." "But I don't have a cool helmet with a lightning bolt." "Your head is hard enough." "Funny." I steady myself without touching her. "To the train yard," she says and pushes on the pedals. We don't move. "Anytime," I tell her. 'You know. While we're still young and beautiful." She pushes hard again. "You weight a ton." "You need me to drive?" "I need momentum, that's all. Get off." "You're very charming, but you must hear that all the time." "Get off," she says. "I'll ride, and you run after me and jump on the bike." "Do many guys ask you out twice?" "Only the ones with balls.

To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!

Going Gone Over stone walls and barns, miles from the black-eyed Susans, over circus tents and moon rockets you are going, going. You who have inhabited me in the deepest and most broken place, are going, going. An old woman calls up to you from her deathbed deep in sores, asking, "What do you keep of her?" She is the crone in the fables. She is the fool at the supper and you, sir, are the traveler. Although you are in a hurry you stop to open a small basket and under layers of petticoats you show her the tiger-striped eyes that you have lately plucked, you show her specialty, the lips, those two small bundles, you show her the two hands that grip her fiercely, one being mine, one being yours. Torn right off at the wrist bone when you started in your impossible going, gone. Then you place the basket in the old woman's hollow lap and as a last act she fondles these artifacts like a child's head and murmurs, "Precious. Precious." And you are glad you have given them to this one for she too is making a trip.

Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.

For his part, Temeraire had been following this exchange with cocked head and increasing confusion; now he said, "I do not understand in the least, why ought it make any difference at all? Lily is female, and she can fight just as well as I can, or almost," he amended, with a touch of superiority. Riley, still dissatisfied even after Laurence's reassurance looked after this remark very much as though he had been asked to justify the tide, or the phase of the moon; Laurence was by long experience better prepared for Temeraire's radical notions, and said, "Women are generally smaller and weaker than men, Temeraire, less able to endure the privations of service." "I have never noticed that Captain Harcourt is much smaller than any of the rest of you," Temeraire said' well he might not, speaking from a height of some thirty feet and a weight topping eighteen tons. "Besides, I am smaller than Maximus, and Messoria is smaller than me; but that does not mean we cannot still fight." "It is different for dragons than for people," Laurence said. "Among other things, women must bear children, and care for them through childhood, where your kind lay eggs and hatch ready to look to your own needs. Temeraire blinked at this intelligence. "You do not hatch out of eggs?" he asked, in deep fascination. "How then--" "I beg your pardon, I think I see Purbeck looking for me," Riley said, very hastily, and escaped at a speed remarkable, Laurence thought somewhat resentfully, in a man who had lately consumed nearly a quarter his own weight in food. "I cannot really undertake to explain the process to you; I have no children of my own," Laurence said.

You told her I was gay." "Yes, but see--" "And she BELIEVED you!" he asked with horror. "Yes, of course. Why would she think I'd lie about something like that?" she asked with exasperation. "Julius," Marguerite chastised gently when his father muffled a guffaw. "Sorry, darling, but he gave me such grief over wooing you that I can't help but think this is funny," Julius said, slipping his arm around Marguerite. "It isn't funny," Christian growled. "She told my lifemate I'm gay." Zanipolo gave a bark of laughter. "And she BELIEVED it." Christian scowled at the man, considering violence until Gia said, "Actually, at first I just said my cugino was gay and didn't tell her which one. She thought it must be you before I said it was Christian.." "What?" Zanipolo cried. "Why would she think that? Do I look gay?" Christian growled impatiently, and turned on Gia. "I don't see how her thinking I am gay is supposed to help." "Is it my hair that made her pick me for the gay one, do you think?" Zanipolo asked suddenly. "Maybe I should cut it." "It could be," Santo said, eyeing him consideringly. "Nah. Christian has long hair too," Raffeale pointed out.

Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.

Give me, you said, on our very first night, the forest. I rose from the bed and went out, and when I returned, you listened, enthralled, to the shadowy story I told. Give me the river, you asked the next night, then I’ll love you forever. I slipped from your arms and was gone, and when I came back, you listened, at dawn, to the glittering story I told. Give me, you said, the gold from the sun. A third time, I got up and dressed, and when I came home, you sprawled on my breast, for the dazzling story I told. Give me, the hedgerows, give me the fields, I slid from the warmth of our sheets, and when I returned, to kiss you from sleep, you stirred at the story I told. give me the silvery cold, of the moon. I pulled on my boots and my coat, but when i came back, moonlight on your throat outshone the story I told Give me, you howled on our sixth night together, the wind in the trees. You turned to the wall as I left, and when I came home, I saw you were deaf to the blustering story I told. Give me the sky, all the space it can hold. I left you, the last night we loved, and when I returned, you were gone with the gold, and the silver, the river, the forest, the fields, and this is the story I’ve told. "Give

Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.

once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.

So . . . ,” she says, following him to the chalkboard. “You got a Visiting. An actual Visiting—Natasha Grimm-Pitch was here.” Baz glances back over his shoulder. “You sound impressed, Bunce.” “I am,” Penelope says. “Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says. “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.” “That’s lovely,” Baz says, and I’m terrified because I think he means it. “I’m going to make time stop when I propose to Micah,” she says. “The little American? With the thick glasses?” “Not so little anymore.” “Interesting.” Baz rubs his chin. “My mother hung the moon.” “She was a legend,” Penelope beams. “I thought your parents hated the Pitches,” I say. They both look at me like I’ve just stuck my hand in the soup bowl. “That’s politics,” Penelope says. “We’re talking about magic.” “Obviously,” I say. “What was I thinking.” “Obviously,” Baz says. “You weren’t.” “What’s happening right now?” I say. “What are we even doing?” Penelope folds her arms and squints at the chalkboard. “We,” she declares, “are finding out who killed Natasha Grimm-Pitch.” “The legend,” Baz says. Penelope gives him a soft look, the kind she usually saves for me. “So she can rest in peace.

Winter? Everything all right?” “I can’t go there,” Winter said. “Why not?” Qibli asked, startled. “It’s cursed.” Winter waved a talon at the sharp-edged shapes of the mountains. “No IceWing has ever returned from those mountains alive. They’re a legend as old as Darkstalker in our tribe.” “With a poetically ominous-sounding name, I bet,” said Qibli. “Peaks of Doom? Mountain Range of Certain Death?” Winter frowned at him. “We call them Darkstalker’s Teeth,” he said with immense dignity. “Seriously?” Qibli cried. “SERIOUSLY? A mountain range called Darkstalker’s Teeth, and you never thought maybe the old Night Kingdom was on the other side?” “It’s not like I think about it very often!” Winter objected. “And no, honestly, we all assumed he went around cursing random parts of Pyrrhia as traps for IceWings to fall into.” “What are we waiting for?” Anemone demanded, flying back to them. “Winter thinks the mountains are going to eat him,” Qibli answered. “I DO NOT,” Winter protested. “But I do think they’re going to kill me, yes.” “Um, a whole horde of dragons just flew over them a few days ago.” Anemone flicked her tail at the evening sky, dimming to purple. “And they’re all fine.” “Because they’re not IceWings,” Winter pointed out. “The mountains only eat IceWings,” Qibli explained with a straight face. “STOP THAT,” Winter hissed at him. “It’s a REAL CURSE.” “If it’s real, then it’s not a curse, it’s a spell,” Qibli said practically. “And if it’s a spell, then Darkstalker cast it, in which case the earring will protect you.” Winter touched his ear doubtfully. One piece of jewelry against centuries of nightmare stories … Qibli could practically see Winter’s courage trying to stamp out his childhood fears. “You’ll make it through,” he said. “Remember, Moon is on the other side.” He knew that would work, because it was working for him. Winter gave him a puzzled look, as though he would never understand Qibli. “Yes,” he said. “All right. Let’s fly.” “Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinally,” Anemone grouched, wheeling about in the sky. As

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

I leaned against the SUV he was working on. “So….” “So?” he asked, looking back down at the tablet. “How rich are we?” He snorted. “Get back to work.” And I was going to do just that, except that Kelly Bennett decided to appear right at that moment. Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV. Everyone stopped what they were doing to look at me. “Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.” “What are you doing?” Gordo asked slowly. I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.” He turned toward the front of the garage. “Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.” “I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?” “Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.” “Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.” Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.

At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap

Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves. On this obligation they don’t always make good. However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive. By this is implied that our worldview has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects. They, however, are not necessarily in themselves objects as modern rationality defines objects. For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever — by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of noncaring lies upon this painfully free consciousness. It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.