Cyberspace Best Quotes

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If you are on social media, and you are not learning, not laughing, not being inspired or not networking, then you are using it wrong.
Germany Kent
Tweet others the way you want to be tweeted.
Germany Kent (You Are What You Tweet: Harness the Power of Twitter to Create a Happier, Healthier Life)
Freedom of Speech doesn't justify online bullying. Words have power, be careful how you use them.
Germany Kent
What you post online speaks VOLUME about who you really are. POST with intention. REPOST with caution.
Germany Kent
If you are in a position where you can reach people, then use your platform to stand up for a cause. HINT: social media is a platform.
Germany Kent
Think before you click. If people do not know you personally and if they cannot see you as you type, what you post online can be taken out of context if you are not careful in the way your message is delivered.
Germany Kent
To be sure, there will always be evil in the world, there will always be criminality, there will always be swindlers who use the fruits of technological progress or the freedom of cyberspace to cheat the community or their neighbor or a stranger. To talk about how to better govern such realms is always, at best, to talk about increasing the odds of restraining more bad behaviors than not—because they will never be eliminated. The
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
To dial up was like watching a rocket launch: first the top light was on, then the second . . . then came the sound of the modem talking to whatever it was talking to . . . sounding like an Atari game’s parody of birdsong or of a clarinet solo, pinging and ponging as more and more of the little lights came on, blinking and then steady, orange and then green . . . the sound building to a crescendo that recalled the noise of TV static, as machines confided who-knows-what secret binary handshakes between them while I listened. Then came a key change. Then the pitch of the static pulse tweaked, now higher, now lower, and then, gloriously, the final light went to green and I was online, in orbit: cyberspace.
Pete Buttigieg (Trust: America's Best Chance)
As frightened as I am by the prospect of this change, I am also thrilled by it. I love what we are, yet I cannot help but hope that we are capable of turning into something better. We humans can be selfish, foolish, shortsighted, even cruel. Just as I can imagine these weaknesses as vestiges of our (almost) discarded animal past, I can imagine our best traits—our kindness, our creativity, our capacity to love—as hints of our future. This is the basis for my hope. I know I am a relic. I am a presymbiotic kind of person, born during the time of our transition. Yet, I feel lucky to have been given a glimpse of our promise. I am overwhelmed when I think of it … by the sweet sad love of what we were, and by the frightening beauty of what we might become. True Nyms and Crypto Anarchy Timothy C.
Vernor Vinge (True Names and the Opening of the Cyberspace Frontier)
Everyone will have a detailed model of themselves, and these models will always be talking to each other. (…) Our model will go to millions of meetings so we don’t have to, and by Saturday we will meet the best candidates at a party organized by OkCupid (…). Our digital half will have a model of the world: not just the world at large, but the world as it relates to us. (…) Tomorrow’s cyberspace will be a vast parallel world that chooses only the most promising things to experience in the real world. It will be like a new global subconscious, the collective id of the human race.” ― Pedro Domingos, The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
It’s getting-up time,” Alessandro declares. “Today is the day.” “What day?” “The release date.” “What are we talking about?” “Daa-add. The new XBOX game. Hunting Old Sammie.” Armand opens his eyes. He looks at his son looking at him. The boy’s eyes are only inches away. “You’re kidding.” “It’s the newest best game. You hunt down terrorists and kill them.” Lifting his voice, “‘Deploy teams of Black Berets into the ancient mountains of Tora Bora. Track implacable terrorists to their cavernous lairs. Rain withering fire down on the homicidal masterminds who planned the horror of September eleven, two-thousand-and-one.’” The kid’s memory is canny. Armand lifts Alex off his chest and sits up. “Who invented it?” “I’m telling you, dad. It’s an XBOX game.” “We can get it today?” “No,” Leah says. “Absolutely not. The last thing he needs is another violent video game.” “Mahhuum!” “How bad can it be?” says Armand. “How would you know? A minute ago you hadn’t heard of it.” “And you had?” “I saw a promo. Helicopter gunships with giant machine guns. Soldiers with flamethrowers, turning bearded men into candles.” “Sounds great.” “Armand, really. How old are you?” “I don’t see what my age has to do with it.” “Dad, it’s totally cool. ‘Uncover mountain strongholds with thermal imaging technology. Call in air-strikes by F-16s. Destroy terrorist cells with laser weaponry. Wage pitched battles against mujahideen. Capture bin Laden alive or kill him on the spot. March down Fifth Avenue with jihadists’ heads on pikes. Make the world safe for democracy.’” Safe for Dick Cheney’s profits, Armand thinks, knowing all about it from his former life, but says nothing. It’s pretty much impossible to explain the complexity of how things work within the greater systemic dysfunction. Instead, he asks the one question that matters. “How much does it cost?” Alessandro’s mouth minces sideways. He holds up fingers, then realizes he needs more than two hands. Armand can see the kid doesn’t want to say. “C’mon. ’Fess up.” Alex sighs. “A one with two zeros.” “One hundred dollars.” Alex’s eyes slide away. Rapid nods, face averted. “Yeah.” “For a video game, Alex.” “Yhep.” “No way.” “Daa-add! It’s the greatest game ever!” The boy is beginning to whine. “Don’t whine,” Armand tells him. “On TV it’s awesome. The army guys are flaming a cave and when the terror guys try to escape, they shoot them.” “Neat.” “Their turbans are on fire.” “Even better.” “Armand,” Leah says. “Dad,” says Alessandro. He will not admit it but Armand is hooked. It would be deeply satisfying in the second-most intimate way imaginable to kill al Qaida terrorists holed up along the Afghanistan-Pakistan border—something the actual U.S. military cannot or will not completely do. But a hundred bucks. It isn’t really the money, although living on interest income Armand has become more frugal. He can boost the C-note but what message would it send? Hunting virtual terrorists in cyberspace is all well and good. But plunking down $100 for a toy seems irresponsible and possibly wrong in a country where tens of thousands are homeless and millions have no health insurance and children continue, incredibly, to go hungry. Fifty million Americans live in poverty and he’s looking to play games.
John Lauricella (Hunting Old Sammie)