Cutter's Way Quotes

Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.

It wasn’t that everything was going my way, but I began to believe that the way it was going was perfect. I accepted that where I was in life, was exactly where I was supposed to be.

The truth is, Rosemary, that you are capable of anything. Good or bad. You always have been, and you always will be. Given the right push, you, too, could do horrible things. That darkness exists within all of us. You think every soldier who picked up a cutter gun was a bad person? No. She was just doing what the soldier next to her was doing, who was doing what the soldier next to her was doing, and so on and so on. And I bet most of them — not all, but most — who made it through the war spent a long time after trying to understand what they’d done. Wondering how they ever could have done it in the first place. Wondering when killing became so comfortable.

It was strange that in some sort of Jeffrey Dahmer meets Ghandi way I was able to love myself for hating myself. It seemed like a warped sense of love. But it was love without conditions.

I’ve noticed in my life that the people who act as my angels are not some strange angelic creatures that seem almost untouchable, but are more real than that. They are people who have tasted sorrow, who have felt pain, and in a way, that makes them capable of being an angel. In their darkest moments they have become strong.

When, as happened recently in France, an attempt is made to coerce women out of the burqa rather than creating a situation in which a woman can choose what she wishes to do, it’s not about liberating her, but about unclothing her. It becomes an act of humiliation and cultural imperialism. It’s not about the burqa. It’s about the coercion. Coercing a woman out of a burqa is as bad as coercing her into one. Viewing gender in this way, shorn of social, political and economic context, makes it an issue of identity, a battle of props and costumes. It is what allowed the US government to use western feminist groups as moral cover when it invaded Afghanistan in 2001. Afghan women were (and are) in terrible trouble under the Taliban. But dropping daisy-cutters on them was not going to solve their problems.

I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.

Christy could scarcely take her eyes off Fairlight Spencer. She was beautiful, in a plain, simple way. She had on a worn calico dress, and her feet were bare, despite the cold.

No, that nurse ain't some kinda monster chicken, buddy, what she is is a ball-cutter. I've seen a thousand of 'em, old and young, men and women. Seen 'em all over the country and in the homes- people who try to make you weak so they can get you to toe the line, to follow their rules, to live like they want you to. And the best way to do this, to get you to knuckle under, is to weaken you by gettin' you where it hurts the worst.

He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.

But that’s the thing about mental illness; there’s no such thing as a cookie-cutter diagnosis. We’re all crazy in our own special way. Some of us just have it worse than others.

Life goes different ways for different people. Some people’s lives are formed by a cookie cutter and some are immediately tossed from the kitchen.

It came down to that flexibility of a person’s mind. An ability to withstand horrors and snap back, like a fresh elastic band. A flinty mind shattered. In this way, he was glad not to be an adult. A grown-up’s mind—even one belonging to a decent man like Scoutmaster Tim—lacked that elasticity. The world had been robbed of all its mysteries, and with those mysteries went the horror. Adults didn’t believe in old wives’ tales. You didn’t see adults stepping over sidewalk cracks out of the fear that they might somehow, some way, break their mothers’ backs. They didn’t wish on stars: not with the squinty-eyed fierceness of kids, anyway. You’ll never find an adult who believes that saying “Bloody Mary” three times in front of a mirror in a dark room will summon a dark, blood-hungry entity. Adults were scared of different things: their jobs, their mortgages, whether they hung out with the “right people,” whether they would die unloved. These were pallid compared to the fears of a child—leering clowns under the bed and slimy monsters capering beyond the basement’s light and faceless sucking horrors from beyond the stars. There’s no 12-step or self-help group for dealing with those fears. Or maybe there is: you just grow up. And when you do, you surrender the nimbleness of mind required to believe in such things—but also to cope with them. And so when adults find themselves in a situation where that nimbleness is needed . . . well, they can’t summon it. So they fall to pieces: go insane, panic, suffer heart attacks and aneurysms brought on by fright. Why? They simply don’t believe it could be happening. That’s what’s different about kids: they believe everything can happen, and fully expect it to.

            Tempting as it may be to draw one conclusion or another from my story and universalize it to apply to another's experience, it is not my intention for my book to be seen as some sort of cookie-cutter approach and explanation of mental illness, It is not ab advocacy of any particular form of therapy over another. Nor is it meant to take sides in the legitimate and necessary debate within the mental health profession if which treatments are most effective for this or any other mental illness.             What it is, I hope, is a way for readers to get a true feel for what it's like to be in the grips of mental illness and what it's like to strive for recovery.

Tis the grand stupidity of our kind, dear Cutter, to see all the errors of our ways, yet find in ourselves the inability to do anything about them. We sit, dumbfounded by despair, and for all our ingenuity, our perceptivity, for all our extraordinary capacity to see the truth of things, we hunker down like snails in a flood, sucked tight to our precious pebble, fearing the moment is is dislodged beneath us. Until that terrible calamity, we do nothing but cling. "Can you even imagine a world where all crimes are punished? Where justice is truly blind and holds out no hands happy to yield to the weight of coin and influence? Where one takes responsibility for his or her mistakes, acts of negligence, the deadly consequences of indifference or laziness? Nay, instead we slip and duck, dance and dodge, dance the dodge slip duck dance, feet ablur. Ourselves transformed into shadows that flit in chaotic discord. We are indeed masters of evasion--no doubt originally a survival trait, at least in the physical sense, but to have such instincts applied to the soul is perhaps our most egregious crime against morality. What we will do so that we may continue living with ourselves. In this we might assert that a survival trait can ultimately prove its own antithesis, and in the cancelling out thereof, why, we are left with the blank, dull, vacuous expression that Kruppe sees before him." ~Kruppe,

Granger stood looking at Montag. "Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who cuts lawns and a real gardener is in the touching, he said. The lawn cutter might just as well not have been there at all; the gardener will be there a lifetime.

He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.

I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day — at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.

Ten short years ago, nobody had ever heard of a selfie. But today every decent cell phone has not one but two cameras, so you can take idiotic duck face pictures. And don't forget the billion dollar selfie-stick industry. Capitalism has found a whole new way to turn our vanity into profit.

I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.

What did the others give to each other? Nothingness. Granger stood looking back with Montag. “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.

I’m not going to hide away and leave my friends to the corelings!” she shouted. “We’ll find a way to ward the Holy House, and make our stand here. Together! And if demons should dare come and try to take my children, I have secrets of fire that will burn them from this world!” My children, Leesha thought, in the sudden silence that followed. Am I Bruna now, to think of them so? She looked around, taking in the scared and sooty faces, not a one taking charge, and realized for the first time that as far as everyone was concerned, she was Bruna. She was Herb Gatherer for Cutter's Hollow now. Sometimes that meant bringing healing, and sometimes... Sometimes it meant a dash of pepper in the eyes, or burning a wood demon in your yard.

Yeah, it stings. But at least I feel something. Something besides hungry. Something besides afraid. Weird. I always thought cutters were sick. Sicker than me, even. But with a single swipe I understand why they do it. Why they like it, even though they hate it. I let the water run over the cut, ratchet it hotter, watch the blood slow, stutter, almost halt. I like the way the exposed flesh looks, all pinkish white. It looks new, although I know that isn't right. It's the same age as my skin, as my bones. Me. It's been there with me since the beginning. Been with me through thick. Thin. Daddy. Suddenly, I don't like how it looks at all.

You get dragged down to the bottom so many times that it just seems like that’s the safest place to be. Otherwise, people are kicking you down there. You might as well just stay down there and make a home because it’s safer here… It’s no way to live. So I guess the message in the whole record is just: Fetch the fucking bolt cutters and get yourself out of the situation you’re in, whatever it is that you don’t like. Even if you can’t do it physically.

Once we name something, you said, we can never see it the same way again. All that is unnameable falls away, gets lost, is murdered. You called this the cookie-cutter function of our minds. You said that you knew this not from shunning language but from immersion in it, on the screen, in conversation, onstage, on the page.

He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkempt beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.

The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.

I explained as much as I knew of the seal-cutter’s way of jadoo; but her argument was much more simple: “The magic that is always demanding gifts is no true magic,” said she.

The great cutter Does not cut away.

A bemused smile crossed Cassandra's face as she saw Tom Severin kneeling on the floor with his thighs spread for balance, a steel pipe cutter in one hand. In contrast to his earlier polished elegance, he was in shirtsleeves with the cuffs rolled up over his forearms and the collar unfastened. A well-formed man, wide-shouldered and long in the bone. He was steaming in the residual heat from the range, the cropped hair at the back of his neck damp with sweat, the fine linen of his shirt clinging to a hard-muscled back. Well. This was an eye-opener, in more ways than one.

I marvel at how wildly different each of their stories is. It’s proof that our lives were never meant to be cookie-cutter, culturally constructed carbon copies of some ideal. There is no one way to live, love, raise children, arrange a family, run a school, a community, a nation. The norms were created by somebody, and each of us is somebody. We can make our own normal. We can throw out all the rules and write our own. We can build our lives from the inside out. We can stop asking what the world wants from us and instead ask ourselves what we want for our world. We can stop looking at what’s in front of us long enough to discover what’s inside us. We can remember and unleash the life-changing, relationship-changing, world-changing power of our own imagination. It might take us a lifetime. Luckily, a lifetime is exactly how long we have.

But you can’t have it all, not at once, every duck in a row. Life won’t bend that way, and a belief in the possibility is corrosive… and all the while, the most precious stuff is sprinkled right at your feet, waiting to be held.

Pap said, "Lend me those bolt cutters, Bo" "They're in the back of the Explorer." The old man got out the bolt cutter, walked around and snipped one of the leads to the battery on each of the ATV's. The others stood in the darkness watching him, listening to the snip-snip of the bolt cutter. "Not a bad idea," said Dave. "That way is any of them get past us, he's going to be on foot." "There's that," Tully said. "And then there's the fact that the old man loves bolt cutters...

Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.’ Granger

The last thing this world needs is another self-help or feel-good faith book, seven simple steps to whatever. Just the thought makes my stomach turn. The truth is that life is far too complex to be put in a box, labeled, and have the appropriate manual attached. I wonder, have these people who seem to have all the answers ever really experienced hardship or grief, true joy, or adventure? Have they ever really lived? For those of us who venture outside the cookie cutter lives that many settle for, a superficial, plastic faith with the corresponding instruction booklet will do nothing. When we take the brave step from the comfortable mainstream into the unknown, we quickly discover that we are all just travelers on a journey trying to find our way.

It is only for a week or two that a broken chair or a door off its hinges is recognised for such. Soon, imperceptibly, it changes its character, and becomes the chair which is always left in the corner, the door which does not shut. A pin, fastening a torn valance, rusts itself into the texture of the stuff, is irremovable; the cracked dessert place and the stewpan with a hole in it, set aside until the man who rivets and solders should chance to come that way, become part of the dresser, are taken down and dusted and put back, and when the man arrives no one remembers them as things in need of repair. Five large keys rest inside the best soup-tureen, scrupulously preserved though no one knows what it was they once opened, and the pastry-cutter is there too, little missed, for the teacup without a handle has taken its place.

O M G, Bianca, that is the most beautiful man I’ve ever seen in my life,” Judith gushed as we made our way across the bar. I flushed, but I certainly couldn’t dispute the comment. “That man is downright pretty,” Marnie said. I wrinkled my nose. The word pretty just sounded so feminine to me. And that was so not James. “He’s good in bed, too?” Marnie asked, clearly skeptical. “That just isn’t fair. If I looked like him, I’d never leave my house. I’d just stay home and f**k myself. If you tell me he has a big dick, I might become either a cutter or a lesbian.

When nothing seems to help, I go look at a stone cutter hammering away at his rock. Perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two and I know it was not thus last blow that did it but all that has gone before.

Through streets Cutter had once known now made strange by mortars, with neglected bunting in the colours of factions, with signs proclaiming idiot theories or new churches, new things, new ways of being, split and peeling. The raucousness and vigour were gone from the streets but still sensible in echo, in the buildings themselves: palimpsests of history, epochs, wars, other revolts embedded in their stones.

I’m just saying that sometimes the more you care for something, the more damage you do. Not on purpose, right? You end up hurting the things you love just because you’re trying so hard. That’s what Mom does with me sometimes. She wants me to be so safe that it ends up hurting me in a weird way. But I get it, y’know? It must be the hardest thing in the world, caring for someone. Trying to make sure that person doesn’t come to harm.

You know what my sister said to me once? She said that maybe the best thing about having a child, especially a young one, was that you could love that child shamelessly. She said that you could put everything into that kid, love crazily, give everything in your heart and mind and soul over to that other person. You can’t do that for a husband or a wife, not really. The only other entity you could love that way would be God, if you’re a believer.

When we nurture, we need to do so from the deepest part of ourselves. Trying to fit into a "cookie-cutter" mold of nurturing will only frustrate and be harmful to both ourselves and our loved ones, cheating them of our full nurturing potential. To nurture is to be aware of our most true self and to give from that place. We make challah from a place of commitment to nourish ourselves and our families in a way that goes beyond mere physical feeding and watering.

I think we all need to learn to like ourselves-just the way we are. And if there are moderate ways to improve our looks and if we're doing it for the right reasons (not to impress our friends!), then maybe it's just fine. Beauty is very subjective-meaning that it all depends on your personal taste. I think that's why God made us all different. So instead of turning ourselves into cookie-cutter images of the latest fashion icon, why not take a moment to enjoy our differences?

A higher form of communication, verbal language, is also unavailable or inadequate to describe the intensity of a cutter's inner state. As kids, by and large, self-injurers were not allowed to have or express their own feelings—especially anger. Instead they were forced to carry the feelings of their parents and grew up feeling responsible for their parents' anger, frustration, and unhappiness. They were expected to fill their parents' need for love and gratification, rather than the parents satisfying their children's needs. When a child's feelings and perceptions are actively denied or minimized by her parents, the child's ability to develop a language of feelings is stunted, and she is left with a mute hopelessness about the possibility of communicating in a way that will help her to get critical needs met. Words then seem to take on terrifying proportions; they are both too powerful and completely useless. Emotions are so damned up that sadness seems annihilating, rage often feels murderous.

The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business. He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait. He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third. When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.

My first whore, I’ll talk about later and was more or less my teeth-cutter. But to continue, I sweet talked and Grey Goose-shot my way into a C-note quickie with the hottest one of these babes, and it was the best and most freaky buck-wild sex I'd ever had. This event changed me from being a decent, normal guy into an inveterate whorefucker, and somewhat of an aficionado.  Whores, if chosen right, are the creme de la creme of fucking, as they have practice, study porn tapes for BJ technique and largely like it, and the vast majority I've been with could win the Nobel Prize for sheer amazing fuckery.

Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.

Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.

Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away. The difference between the man who just cuts the lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.

He took a trip ... up to ... Elliott's house, his mansion rather. Awful place, twelve bedrooms and swimming pool and media hall and five car garage, but cheap and shoddy all the same, like the one next door and next door to that. A row of Ikea houses, such wealthy mediocrity. His very own son. His big, bald son. Who could believe it. The bigness, the baldness, the stupidity. In a house designed to bore the daylight out of visitors, no character at all, all blonde wood and fluorescent lighting and clean white machinery. Not to mention his brand new wife, number three, a clean white machine herself. Up from the cookie cutter and into Elliott's life, she might as well have jumped out of the microwave, her skin orange, her teeth pearly white. A trophy wife. But why the word "trophy"? Something to shoot on a safari.

The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the wood-cutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil.

The fact that we’re insignificant, irrelevant. Nothing is expected of us, so better we just hunch down and stay out of sight, stay beneath the notice of things like T’lan Imass, things like gods and goddesses. You and me, Cutter, and Barathol there. And Chaur. We’re the ones who, if we’re lucky, stay alive long enough to clean up the mess, put things back together. To reassert the normal world. That’s what we do, when we can – look at you, you’ve just resurrected a dead boat – you gave it its function again – look at it, Cutter, it finally looks the way it should, and that’s satisfying, isn’t it?’ ‘For Hood’s sake,’ Cutter said, shaking his head, ‘Scillara, we’re not just worker termites clearing a tunnel after a god’s careless footfall. That’s not enough.’ ‘I’m not suggesting it’s enough,’ she said. ‘I’m telling you it’s what we have to start with, when we’re rebuilding – rebuilding villages and rebuilding our lives.

It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.' 'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.' 'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line. 'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.

How Could You Not - for Jane Kenyon It is a day after many days of storms. Having been washed and washed, the air glitters; small heaped cumuli blow across the sky; a shower visible against the firs douses the crocuses. We knew it would happen one day this week. Now, when I learn you have died, I go to the open door and look across at New Hampshire and see that there, too, the sun is bright and clouds are making their shadowy ways along the horizon; and I think: How could it not have been today? In another room, Keri Te Kanawa is singing the Laudate Dominum of Mozart, very faintly, as if in the past, to those who once sat in the steel seat of the old mowing machine, cheerful descendent of the scythe of the grim reaper, and drew the cutter bars little reciprocating triangles through the grass to make the stalks lie down in sunshine. Could you have walked in the dark early this morning and found yourself grown completely tired of the successes and failures of medicine, of your year of pain and despair remitted briefly now and then by hope that had that leaden taste? Did you glimpse in first light the world as you loved it and see that, now, it was not wrong to die and that, on dying, you would leave your beloved in a day like paradise? Near sunrise did you loosen your hold a little? How could you not already have felt blessed for good, having these last days spoken your whole heart to him, who spoke his whole heart to you, so that in the silence he would not feel a single word was missing? How could you not have slipped into a spell, in full daylight, as he lay next to you, with his arms around you, as they have been, it must have seemed, all your life? How could your cheek not press a moment to his cheek, which presses itself to yours from now on? How could you not rise and go, with all that light at the window, those arms around you, and the sound, coming or going, hard to say, of a single-engine plane in the distance that no one else hears?

Bruce Horn: I thought that computers would be hugely flexible and we could be able to do everything and it would be the most mind-blowing experience ever. And instead we froze all of our thinking. We froze all the software and made it kind of industrial and mass-marketed. Computing went in the wrong direction: Computing went to the direction of commercialism and cookie-cutter. Jaron Lanier: My whole field has created shit. And it’s like we’ve thrust all of humanity into this endless life of tedium, and it’s not how it was supposed to be. The way we’ve designed the tools requires that people comply totally with an infinite number of arbitrary actions. We really have turned humanity into lab rats that are trained to run mazes. I really think on just the most fundamental level we are approaching digital technology in the wrong way. Andy van Dam: Ask yourself, what have we got today? We’ve got Microsoft Word and we’ve got PowerPoint and we’ve got Illustrator and we’ve got Photoshop. There’s more functionality and, for my taste, an easier-to-understand user interface than what we had before. But they don’t work together. They don’t play nice together. And most of the time, what you’ve got is an import/export capability, based on bitmaps: the lowest common denominator—dead bits, in effect. What I’m still looking for is a reintegration of these various components so that we can go back to the future and have that broad vision at our fingertips. I don’t see how we are going to get there, frankly. Live bits—where everything interoperates—we’ve lost that. Bruce Horn: We’re waiting for the right thing to happen to have the same type of mind-blowing experience that we were able to show the Apple people at PARC. There’s some work being done, but it’s very tough. And, yeah, I feel somewhat responsible. On the other hand, if somebody like Alan Kay couldn’t make it happen, how can I make it happen?

According to this way of thinking, self-mutilation may be not so much self-punishment as it is a way to punish the rejecting mother—even if the wounds are kept hidden—because an internalized mother remains inside long after the infant recognizes that self and "other" are two separate entities. In fact, because self and other, inside and outside, remain hopelessly confused for cutters, victim and perpetrator can't really be distinguished from each other.

The way people process feelings over the course of a day is such a well-established habit that most of us never realize that that is what we're doing. For cutters, every strong feeling is a new and unpleasant occurrence that cannot be calmly processed. They feel, as psychiatrist Edward Podvoll describes it, that something physical "has to happen". Yet often they cannot account for what led up to this state of impending, inevitable explosion. It is as if emotions are split off from thought, and they are compelled to act in response to a feeling they cannot even name.

she’d told Cutter furiously, in the kind of words she never used, just what she thought of his way with his goods. Cutter had laughed and told her she was doubly pleasing when she was angry—which had, of course, been a grave mistake on his part, for anyone with a modicum of intelligence would have known better than to treat Lady Fire with disrespect in the very presence of her father. Fire had pulled Small quickly to the side, because she’d known what was coming. First Cansrel had caused Cutter to grovel, and apologize, and weep. Then he’d caused him to believe himself to be in agonizing pain from imaginary injuries. Finally he’d switched to the real thing, kicking Cutter calmly in the groin, repeatedly, until Cansrel was satisfied he understood.

It’s a tough thing to describe. Now that I’m away from it, the answers are so simple. Men like Edgerton are obsessives. Notions of right or wrong have this awful way of draining away to irrelevance with men like that. The only things that matter to them are answers. Progress. Unlocking doors. And if you can’t unlock them, you just kick at them until they give.

Everyone knew what those things could do--objetively they did, anyhow. Everyone had *seen* things, clinically, but those things hasn't touched them. Not in any tangible way. So people knew in their brains but not inside their skin, and there *was* a difference.

This new way of consuming information and storytelling online doesn’t bode well for individuals or companies that create mediocre content and cookie-cutter storytelling. The new mentality says that if it’s not good or important, the group won’t share it. Furthermore, it no longer matters who created the content; if it doesn’t satisfy us, we’re not going to share or filter something up the food chain.

In such ways are friendships built. In tiny moments, in secrets shared.

Salmon en Croute In Celtic mythology, the salmon is a magical fish that grants the eater knowledge of all things. Notes: Nonstick spray may be substituted for melted butter. Keep the phyllo covered with plastic wrap and a damp towel until ready to assemble; otherwise, it will dry out. 2 cloves garlic 1 7-oz. jar sun-dried tomatoes in olive oil 3 cups torn fresh basil leaves salt and pepper to taste 1 package 9x14 phyllo dough, thawed 1 cup melted butter 10 4-oz. salmon fillets, skin removed 2 eggs, beaten with ¼ cup water Preheat oven to 425 degrees. In a food processor, blend garlic, tomatoes with oil, basil, and salt and pepper. Set aside. Grease two large cookie sheets. Carefully lay five sheets of phyllo across each cookie sheet, overlapping and brushing each sheet with melted butter. Repeat. Divide salmon evenly between the cookie sheets and place vertically on top of phyllo, leaving a space between each fillet. Divide and spread basil mixture on top of each individual salmon fillet. Cover salmon with five sheets of phyllo, brushing each sheet with butter. Repeat. With a pizza cutter or knife, slice in between each fillet. Using egg wash, fold sides of phyllo together to form individual “packets.” Bake for 15–20 minutes. Serves 10. Lemon Zucchini Bake Use lemon thyme to add a sweet citrus flavor to everything from poultry to vegetables. If you can’t find it in your area, try chopped lemon balm, lemon verbena, or lemon basil. ¼ cup seasoned bread crumbs ¼ cup grated Parmesan cheese 2 teaspoons lemon thyme leaves 2 large zucchinis, thinly sliced 1 large Vidalia onion, thinly sliced 4 tablespoons melted butter Preheat oven to 350 degrees. Mix bread crumbs, cheese, and thyme. In a round casserole dish, layer half of the zucchini and half of the onion slices. Baste with melted butter. Add half of the bread crumb mixture. Repeat layers and bake, covered, for 20 minutes. Serves 4–6. Body Scrub Sugar scrubs are a great way to slough off stress and dead skin. For unique scents, try layering dried herbs like lavender (revitalizing) or peppermint (energizing) with a cup of white sugar and let stand for two weeks before use, shaking periodically. Then blend with a tablespoon of light oil such as sunflower seed. Slough away dead skin in the shower or tub.

America is a nation of mavericks, not sheep. Our founding was defined by breaking the rules, tearing ourselves away from the colonial power of Great Britain, and forging a new country out of a vast wilderness. This could not have been pulled off by people who valued cookie-cutter conformism. Our Founders understood, like many Americans understand today, that bucking tradition is sometimes the only way to get things done.

Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.

The purpose of this hook is not to produce cookie-cutter communicators, all polished and perfect models of the manual. The purpose is to help you, within the framework of your own personality and God-given abilities, exalt the Lord Jesus Christ and communicate His truth in the most effective way. 'lhe person who knows the power of God and is willing to give his or her potential to Him will live in the humble realization that God often allows the person with little natural ability to do His greatest work.

FIRE’S HORSE WAS named Small, and he was another of Cansrel’s gifts. She had chosen him over all the other horses because his coat was dun and drab and because of the quiet way he’d followed her back and forth, the pasture fence between them, the day she’d gone to one of Cutter’s shows to choose. The other horses had either ignored her or become jumpy and agitated around her, pushing against each other and snapping. Small had kept on the outside of the bunch of them, where he was safe from their jostling. He’d trotted along beside Fire, stopping when she stopped, blinking at her hopefully; and whenever she’d walked away from the fence he had stood waiting for her until she came back. “Small, his name is,” Cutter had said, “because his brain’s the size of a pea. Can’t teach him anything. He’s no beauty, either.

Before long I learned that you had spent a lifetime equally devoted to the conviction that words are not good enough. Not only not good enough, but corrosive to all that is good, all that is real, all that is flow. We argued and argued on this account, full of fever, not malice. Once we name something, you said, we can never see it the same way again. All that is unnameable falls away, gets lost, is murdered. You called this the cookie-cutter function of our minds. You said that you knew this not from shunning language but from immersion in it, on the screen, in conversation, onstage, on the page. I argued along the lines of Thomas Jefferson and the churches—for plethora, for kaleidoscopic shifting, for excess. I insisted that words did more than nominate. I read aloud to you the opening of Philosophical Investigations. Slab, I shouted, slab! For a time, I thought I had won.

I didn't text you because I thought you'd probably run in the other direction," I snapped. "Or maybe back to Bloomingdale's for another smooch session with Clare." "Uh-oh. Trouble in paradise." Emma held out her hand, and Gage and Anil each handed her a twenty-dollar bill. "You took bets on us?" I stared at them, aghast. "You gotta admit that you two were always an unlikely couple," Emma said, pocketing the cash. "Bad-boy rogue thief with dubious underworld affiliations and no fixed address. Hardworking cookie-cutter good girl who worked in a candy store, spent her Friday nights watching crime shows with her octogenarian landlady, showed up every Sunday for dinner with the fam, and never refused a meet and greet with a prospective husband because she didn't want to let her parents down." "I organized a heist," I protested. "I was arrested for trying to break into a museum. I robbed a mob boss. I got so drunk I passed out on the floor. I did bad things." "In a good-girl way. No selfishness involved.

She collected injustices, and if she wasn’t getting enough insults, she invented them. She collected them the way she collected her dura dolls and dura horses, and she was as jealous of letting anyone touch them. Once she had an insult, she rubbed it until it shone like jewelry. She polished it into a shape she liked, one that showed the slight to its best advantage, and she committed to a memory jewel she could wear it everywhere.

put it through a chain of compressors or use stems to alter the balance or change the sound in any other way. The engineer and the producer have a vision, they know what they want, and it’s up to the cutter (the mastering engineer) to stay as close to what they provided as possible.

our lives were never meant to be cookie-cutter, culturally constructed carbon copies of some ideal. There is no one way to live, love, raise children, arrange a family, run a school, a community, a nation. The norms were created by somebody, and each of us is somebody.

Ingredients: 2 cups flour (plus extra for dusting work surface) 2 ½ teaspoons baking powder ½ teaspoon salt ½ cup unsalted butter, cut into small pieces with a knife or grated using a box cheese grater or food processor. Leave chilling in fridge until ready for use ½ cup granulated sugar ½ cup buttermilk 1 large egg 1 teaspoon pure vanilla extract Filling: 1 cup raspberries, frozen 1 cup white chocolate chips Egg Wash: 1 egg, beaten 1 tablespoon milk or cream Sugar Topping: Turbino or raw sugar for sprinkling Directions: Preheat oven to 400°F. Line a baking sheet with parchment paper. In a medium bowl, combine flour, baking powder, and salt. Add the chilled butter and mix with your fingers. In a small bowl, add sugar, buttermilk, egg, and vanilla. Mix well. Pour liquid mixture into flour mixture and gently mix until the two are just incorporated (I like to use my hands. I rinse them in very cold water or spray them with cooking spray first. That way, the dough won’t stick to my fingers). If your dough is too dry, add more buttermilk. If too wet, add a bit more flour. Your dough will be sticky. When it’s at the desired consistency, add raspberries and chocolate chips. Some of the raspberries will color your dough pink. That’s okay. Gently fold the berries and chips into your dough. Do not overmix. The more you handle the dough, the tougher your scones. Form dough into a ball. If you have time, chill dough in bowl for 15 minutes before continuing. When ready to bake, turn dough out of bowl onto lightly floured surface. Using your floured hands or lightly floured rolling pin, shape dough into 8-inch circle and use a pizza cutter to form 8 equal-sized wedges. Using a floured spatula, transfer wedges to baking sheet. Scones should be at least 2 inches apart. Brush egg wash over scones and sprinkle with sugar. Bake for 20-25 minutes. Scones should be a light golden brown when properly baked. Let cool. Enjoy with clotted cream or fresh jam. Or both! Read on for a sneak peek of the next Secret, Book, and Scone Society mystery, THE BOOK OF CANDLELIGHT coming soon from Kensington Publishing Corp.

Ulay’s Polaroids of that period often showed him piercing his own flesh in various bloody ways. In one work, he tattooed one of his aphorisms on his arm: ULTIMA RATIO (meaning final argument or last resort, referring to force). Then he cut a square hunk of flesh containing the tattoo out of his arm, slicing so deeply that the muscle and tendon were visible. He framed and preserved the tattooed flesh in formaldehyde. For another image, he held a bloodstained paper towel over a self-inflicted razor wound in his belly. A series of shots showed him slicing his fingertips with a box cutter and painting the white tiles of a bathroom with his own blood. (...)somebody gave Ulay a Newton’s cradle. He was fascinated by the back-and-forth swinging of the shiny metal balls, the little clack they made when they collided, the perfect transfer of energy. “What if we did that?” he said. I immediately understood what he was talking about: a performance where the two of us would collide and bounce off each other. We were naked, standing twenty meters apart. We were in a warehouse on the island of Giudecca, just across the lagoon from Venice. A couple hundred people were watching. Slowly at first, Ulay and I began to run toward each other. The first time, we just brushed past each other as we met; on each successive run, though, we moved faster and faster and made harder contact—until finally Ulay was crashing into me. Once or twice he knocked me over. We had placed microphones near the collision point, to pick up the sounds of flesh slapping flesh. (...) then [Ulay] took out a heavy needle, the kind used to sew leather, attached to some thick white thread, and he sewed his lips shut. This didn’t happen quickly. First he had to penetrate the skin below his lower lip—not easy—and then the skin above his upper lip. Also not easy. Then he pulled the thread tight and tied a knot. And then he and I changed places: Ulay sat down among the audience, and I sat in the chair he had just occupied. “Now,” I told our friends, “you will ask me questions and I will answer as Ulay.

On my next book tour the theme was monkeys, and on the latest one it was items men shove inside themselves and later have to go to the emergency room to have extracted. This started when an ER nurse told me about a patient she’d seen earlier in the week who had pushed a dildo too far up his ass. The door had shut behind it, so he’d tried fishing it out with a coat hanger. When that proved the wrong tool for the job, he’d snipped it with wire cutters, then gone after both the dildo and the cut-off hanger with a sturdier, fresh hanger. You hear this from doctors and nurses all the time: their patients shove light bulbs inside themselves, shampoo bottles, pool balls…and they always concoct some incredible story to explain their predicament. “I tripped” is a big one. And, OK, I’m pretty clumsy. I trip all the time, but never have I gotten back on my feet with a pepper grinder up my ass, not even a little bit. I’m pretty sure I could tumble down all the stairs in the Empire State Building—naked, with a greased-up rolling pin in each hand and a box of candles around my neck—and still end up in the lobby with an empty rectum. Another common excuse is “I accidentally sat on it.” Implied is that you were naked at the time and this can of air freshener that just happened to be coated with Vaseline went all the way up inside

What if forgiveness, rather than being a pansy way of saying it's OK, is actually a way of wielding bolt cutters and snapping the chain that links us?

Rushing to bring a vaccine to market could also cause other sorts of safety problems in its manufacturing. Infamously, this happened in the Cutter Incident during the early launch of the polio vaccine, in 1955. When the polio vaccine was made available, mass vaccination days were organized by local communities. More than 120,000 children received a batch of the vaccine in which the process of inactivating the live virus was incomplete. Within days, there were reports of children developing paralysis, and the mass immunization program was abandoned within a month. Investigation showed that two batches of the vaccine, manufactured by Cutter Laboratories, had the live virus, resulting in symptoms in forty thousand people, permanent paralysis in fifty-one, and death in five; and this does not include cases of the virus spreading to other children.

In that moment, I knew the truth about family. There wasn’t one cookie-cutter way to create love bonds. Families came in all shapes, forms, and sizes. Some were tied together by blood, and others by heartbeats. At the end of the day, it didn’t matter how you came together; it only mattered that you stayed together. That you looked out for one another and loved in an unconditional way.

As for Hank… he was a ball to write, in the way that deplorable fictional characters can be. I always imagined that if Hank had a closet, you’d find a hard hat in there, a white hood, a MAGA cap, and a blister pack of Infowars-branded male enhancement pills.

Rock and roll, Shelley m’man— THAT’s how it eats. That’s the ONLY way it eats.

Women are, all of them, the veritable images of Śakti. In northwest India the bride holds a knife in her hand at the time of marriage; in Bengal, a nut-cutter. The meaning is that the bridegroom, with the help of the bride, who is the embodiment of the Divine Power, will sever the bondage of illusion. This is the ‘heroic’ attitude. I never worshipped the Divine Mother that way. My attitude toward Her is that of a child toward its mother.

Shelley had this way of hiding in a permanent pocket of shadow, that spot at the edge of your vision where your eyes never quite focused.

The answer to the polio mystery, also well known, came from Jonas Salk, who was born in New York City of Russian Jewish immigrant parents and eventually was appointed director of the Virus Research Laboratory at the University of Pittsburgh School of Medicine (by way of New York University and Michigan). His vaccine weakened the poliovirus with formaldehyde and mineral water. It effectively “killed” the poliovirus. But it was recognizable enough for the immune system to pick it up. Ta-da! It cut the risk of infection in half. The country scrambled to produce and disseminate the vaccine as quickly as possible. Alas, this happy ending comes with an asterisk. The first big batch of vaccine wasn’t properly made. Cutter Laboratories in California, one of the main producers of the vaccine, inoculated more than 200,000 children in 1955, and within days there were reports of paralysis. Within a month, the program was discontinued, and investigations revealed that the Cutter vaccine had caused 40,000 cases of polio, leaving 200 children with varying degrees of paralysis and killing 10.

Some parents who send their teenagers to youth group are believers, some are disciples in progress, some are legalists, and some are more prone to licentious lifestyles. Some may even be unbelievers or simply believers who are still young and need to mature in their faith. It’s important to recognize the variety of parents we have and that there’s not a neat, cookie-cutter way to work with all of them.

Are you looking for Home Builders in Chattanooga Custom Home Builder Chattanooga Serving Chattanooga, Lookout Mountain & Surrounding Areas We love to build homes for people. Our approach to each job is as unique as the individual. We truly are a custom home builder Chattanooga and you will never get an A, B or C selection from us. Our homes are as unique as our clients. Our goal in every project is to produce a timeless and personal expression of our client's dreams. We hope to enhance the lives of those who inhabit each home we build. You can structure and make, and manufacture the most superb spot on the planet. In any case, it takes individuals to make the fantasy a reality. This home is drywall complete, now ready for tile, hardwoods, and trim! Cole Construction is building the largest home under construction in Chattanooga! We are excited to be starting interior finishes as the selections vary greatly from shiplap to reclaimed weathered barn wood, rough sawn beams, tile, stone and more. Follow along with us as we detail this beautifully crafted home! Are you following our 5 months build? 100% completely custom, no A, B, or C options. We are aiming to compete with the cookie-cutter residential build timelines while executing completely unique new projects every time. This means new plans, new land, and unknown materials. Chattanooga’s premier custom home builder Chattanooga- Cole Construction has been a leading the way since 2009, specializing in new builds and home remodels." For more info, Please visit our website.

It’s a cookie cutter high school. Except for the putrid color of the walls and the name on the sign, it’s an exact replica of the last one I attended. Margot—she made me drop the aunt part because it makes her feel old—turns down the radio she’s been blaring the entire way here. Thankfully it’s a short ride, because loud sounds make me edgy.

Saeed, he relished the whole game, the way the country flexed his wits and rewarded him; he charmed it, cajoled it, cheated it, felt great tenderness and loyalty toward it. When it came time, he who had jigged open every back door, he who had, with photocopier, Wite-Out, and paper cutter, spectacularly sabotaged the system (one skilled person at the photocopy machine, he assured Biju, could bring America to its knees), he would pledge emotional allegiance to the flag with tears in his eyes and conviction in his voice. The country recognized something in Saeed, he in it, and it was a mutual love affair. Ups and downs, sometimes more sour than sweet, maybe, but nonetheless,

The original flagship for the company was the MS City of New York, commanded by Captain George T. Sullivan, On March 29, 1942, she was attacked off the coast of Cape Hatteras, North Carolina, by the German submarine U-160. The torpedo struck the MS City of New York at the waterline under the ship’s bridge, instantly disabling her. After allowing the survivors to get into lifeboats the submarine sunk the ship. Almost two days after the attack, a destroyer, the USS Roper, rescued 70 survivors, of which 69 survived. An additional 29 others were picked up by USS Acushnet, formerly a seagoing tugboat and revenue cutter, operated by the U.S. Coast Guard. All these survivors were taken to the Naval Base in Norfolk, Virginia. Almost two weeks later, on April 11, 1942, a U.S. Army bomber on its way to Europe spotted a lifeboat drifting in the Gulf Stream. The boat contained six passengers: four women, one man and a young girl plus thirteen crew members. Tragically two of the women died of exposure. The eleven survivors picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers died as well as one armed guard and sixteen crewmen. Photo Caption: the MS City of New York Hot books by Captain Hank Bracker available at Amazon.com “Salty & Saucy Maine,” is a coming of age book that recounts Captain Hank Bracker’s formative years. “Salty & Saucy Maine – Sea Stories from Castine” tells many sea stories of Captain Hank’s years at Maine Maritime Academy and certainly demonstrates that life should be lived to the fullest! In 2020 it became the most talked about book Down East! “The Exciting Story of Cuba -Understanding Cuba’s Present by Knowing Its Past” ISBN-13: 978 1484809457. This multi-award winning history of Cuba is written in an easy-to-read style. Follow in the footsteps of the heroes, beautiful movie stars and sinister villains, who influenced the course of a country that is much bigger than its size! This book is on the shelf as a reference book at the American Embassy in Havana and most American Military and Maritime Academies.

That darkness exists within all of us. You think every soldier who picked up a cutter gun was a bad person? No. She was just doing what the soldier next to her was doing, who was doing what the soldier next to her was doing, and so on and so on. And I bet most of them—not all, but most—who made it through the war spent a long time after trying to understand what they’d done. Wondering how they ever could have done it in the first place. Wondering when killing became so comfortable.

In such ways are friendships built. In tiny moments, in secrets shared. The boys truly believed they would be best friends forever

Some people feel that cheap immigrant labor is bringing down wages, which makes it impossible for Americans to earn a living. A lot of real writers feel the same way about the influx of millions of wannabe writers into their profession.

Before you take anyone's advice, check the sales rank of their own books. If their Amazon sales rank is somewhere around 700,000 or worse, they're barely selling one book per month, if even that. Why would you follow their advice? They have no idea what they're talking about. They're rookies pretending to be experts. It's almost like they're role playing. They're make-believe writers, the way kids are make-believe astronauts or pirates.

A young Jewish man escapes the Holocaust and makes his way to England, where he manages, through sheer entrepreneurial genius, to make a fortune. His old widower father remains behind in the Warsaw ghetto and the young man is able to pay for an incredible, daring, and expensive airlift to rescue him. Once his father is safe in England, the young man tells him he must think of himself as an Englishman. “That is what I am now, Papa,” he explains to the old man. “This land has given me refuge and a haven and I have succeeded here. I am, by God, an Englishman and you must think of yourself as one from now on, too.” He takes his father to Bond Street and has him fitted for and dressed in a brand-new expensive suit in a haberdashery there. Then he takes him to a fancy tonsorial place where the old man is put in the barber chair and the hair cutter begins cutting the old man’s payos, the locks of hair worn by religious Hasidim. The father is suddenly sobbing convulsively and his son, with deep compassion as he watches his father’s hair locks tumble to the floor, sympathetically asks: “What, Papa? Are you crying because you feel you are losing your Jewish identity?” The old man shakes his head, sniffs, and, with another convulsive sob, says: “No, son. I’m crying because we lost India.

I marvel at how wildly different each of their stories is. It’s proof that our lives were never meant to be cookie-cutter, culturally constructed carbon copies of some ideal. There is no one way to live, love, raise children, arrange a family, run a school, a community, a nation. The norms were created by somebody, and each of us is somebody. We can make our own normal. We can throw out all the rules and write our own. We can build our lives from the inside out. We can stop asking what the world wants from us and instead ask ourselves what we want for our world. We can stop looking at what’s in front of us long enough to discover what’s inside us. We can remember and unleash the life-changing, relationship-changing, world-changing power of our own imagination. It might take us a lifetime. Luckily, a lifetime is exactly how long we have.

Every craftsman starts his or her journey with a basic set of good-quality tools. A woodworker might need rules, gauges, a couple of saws, some good planes, fine chisels, drills and braces, mallets, and clamps. These tools will be lovingly chosen, will be built to last, will perform specific jobs with little overlap with other tools, and, perhaps most importantly, will feel right in the budding woodworker's hands. Then begins a process of learning and adaptation. Each tool will have its own personality and quirks, and will need its own special handling. Each must be sharpened in a unique way, or held just so. Over time, each will wear according to use, until the grip looks like a mold of the woodworker's hands and the cutting surface aligns perfectly with the angle at which the tool is held. At this point, the tools become conduits from the craftsman's brain to the finished product—they have become extensions of his or her hands. Over time, the woodworker will add new tools, such as biscuit cutters, laser-guided miter saws, dovetail jigs—all wonderful pieces of technology. But you can bet that he or she will be happiest with one of those original tools in hand, feeling the plane sing as it slides through the wood.

None of it was good enough for James Watson. I want my daughter. And then, when we ride out of there, I want that place burning down behind me. You sound like a cowboy, Leander had scoffed, and it was then, as they'd crossed the state line, that they hit on a plan that appealed to the both of them. "Hose thieves," Watson said, with some satisfaction. Araminta coughed in the driver's seat, but offered no commentary. Leander had grown up taking riding lessons; James had insisted he'd worked as a trail guide in college. ("He had not," Watson said, "worked as a trail guide in college.") They'd stopped at a twenty-four-hour Walmart and changed from their formal wear into flannel shirts and Carhartts and hats to hide their faces. They bought bolt cutters, shovels, fertilizer, two long-handled lighters, and three twenty-five-packs of Saturn Missile Extremely Loud Fireworks. They'd paid for it all in cash. After parking the car in the woods, they'd approached the facility on foot. The "school" was protected by a twelve-food-high fence crowned with barbed wire. Luckily, it wasn't electrified; less luckily, it was surrounded a spot close enough to the stables for their purposes. Then James chose a spot a mile farther along, laid down both bags of fertilizer, and started a massive fire. At the same time, Leander cut a hole in the fence big enough for a palomino, ducked through, and set off his pack of fireworks. They sang like missiles into the sky as he made his way to the stables. James Watson went for his daughter. In short order, the school was surrounded by fire engines and police cars.

The MS City of New York commanded by Captain George T. Sullivan, maintained a regular schedule between New York City and Cape Town, South Africa until the onset of World War II when on March 29, 1942 she was attacked off the coast of Cape Hatteras, North Carolina by the German submarine U-160 commanded by Kapitänleutnant Georg Lassen. The torpedo struck the MS City of New York at the waterline under the ship’s bridge instantly disabling her. Surfacing the U-boat circled the crippled ship making certain that all of the crew had a chance to abandon ship. In all four lifeboats were lowered holding 41 passengers, 70 crewmen and 13 officers. The armed guard stayed behind but considering the fate of those in the lifeboats did not fire on the submarine. At a distance of about 250 yards the submarine fired a round from her deck gun striking the hapless vessel on the starboard side at the waterline, by her number 4 hold. It took 20 minutes for the MS City of New York to sink stern first. The nine members of the armed guard waited until the water reached the ships after deck before jumping into the water. The following day, a U. S. Navy PBY Catalina aircraft was said to have searched the area without finding any survivors. Almost two days after the attack, a destroyer, the USS Roper rescued 70 survivors of which 69 survived. An additional 29 others were picked up by USS Acushnet, formally a seagoing tugboat and revenue cutter, now operated by the U.S. Coast Guard. All of the survivors were taken to the U.S. Naval Base in Norfolk, Virginia. Almost two weeks later, on 11 April, a U.S. Army bomber on its way to Europe, located the forth boat at 38°40N/73°00W having been carried far off shore by the Gulf Stream. The lifeboat contained six passengers, four women, one man and a young girl plus 13 crew members. Two of the women died of exposure. The eleven survivors and two bodies (the mother of the child and the armed guard) were picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers, one armed guard and 16 crewmen died.

I love men. Rather, I love little parts of their bodies, not the perfect parts, but rather their odd features and their unique traits that make of them stand out of this cookie cutter world we live in. Throw a name at me, and I can instantly tell you which feature makes my heart go thumpedy-thump. Cropper Rowe: lucious, mocha brown-colored mole on the back of his neck. Derek: long yet narrow sideburns. Thorsten: thick nose, which he broke skiing. Milo: jet black hair, slicked back to reveal forehead and a small dimple. Vincent: lower jawline as it curves up to his ears and the way his stubble grows on it. Thayer: his waist and how he wears his jeans low enough to expose his appendectomy scar. And I love Eugene's eyes. Not that they are clear blue, but that they have a kind shape. It sounds cliché, but they are soft, and when I look into them, I feel I've known him forever. The sadness still lingers deep inside them, but he smiles a lot. Maybe I'm mistaken and life has been kind to him. Maybe he's the positive kind of fellow for whom smiling comes easily, despite it all.

The only way you’ll ever really know people is to see them in a crisis. People do the worst things to each other, Newton. Just the worst. Friendships, family, love and brotherhood—toss it all out the window

What if forgiveness . . . is actually a way of wielding bolt cutters and snapping the chain that links us? Like, it is saying, what you did was so not OK that I refuse to be connected to it anymore . . . Free people aren’t controlled by the past. Free people laugh more than others. Free people see beauty where others do not. Free people are not easily offended. Free people are unafraid to speak truth to stupid. Free people are not chained to resentment. That’s worth fighting for.18