Curved Path Quotes

The magic of the present moment that is warily stored in the granary of our memory may pop up at any time and usher us along the winding paths of our life, and light up the dead points in the dim curves of our journey. ("Voices of the sea") –

Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.

Whatever happened to our dreams? The infinite possibilities each day holds should stagger the mind. The sheer number of experiences I could have is uncountable, breathtaking, and I'm sitting here refreshing my inbox. We live trapped in loops, reliving a few days over and over, and we envision only a handful of paths laid out ahead of us. We see the same things each day, we respond the same way, we think the same thoughts, each day a slight variation on the last, every moment smoothly following the gentle curves of societal norms. We act like if we just get through today, tomorrow our dreams will come back to us. And no, I don't have all the answers. I don't know how to jolt myself into seeing what each moment could become. But I do know one thing: the solution doesn't involve watering down my every little idea and creative impulse for the sake of someday easing my fit into a mold. It doesn't involve tempering my life to better fit someone's expectations. It doesn't involve constantly holding back for fear of shaking things up. This is very important, so I want to say it as clearly as I can: FUCK. THAT. SHIT.

we must follow our own path, and sometimes that path can be laden with bumps and curves and rivers to cross. but we cannot block the paths of our neighbors, for that is not our place. we can only seek to groom and shape our own.

First, the line of progress is never straight. For a period a movement may follow a straight line and then it encounters obstacles and the path bends. It is like curving around a mountain when you are approaching a city. Often if feels as though you were moving backwards, and you lose sight of your goal: but in fact you are moving ahead, and soon you will see the city again, closer by.

Think of something useless, and that's probably what I'll be doing. Listen, Virginia, we need to love the useless. We need to raise pigeons without a thought of eating them, plant rose bushes without expecting to pick roses, write without aiming at publication. We need to do things without expecting benefits in return. The shortest distance between two points may be a straight line, but it's in the curving paths that the best things are found. . . . We must love the useless, because there is beauty in uselessness.

Nothing irrevocable had yet been spoken, but there was only the barest margin of safety left them, each of them moving delicately along the outskirts of an open question, and, once spoken, such a question-as "Do you love me?" -could never be answered or forgotten. They walked slowly, meditating, wondering, and the path sloped down from their feet and they followed, walking side by side in the most extreme intimacy of expectation; their feinting and hesitation done with, they could only await passively for resolution. Each knew, almost within a breath, what the other was thinking and wanting to say; each of them almost wept for the other. They perceived at the same moment the change in the path and each knew then the other's knowledge of it; Theodora took Eleanor's arm and, afraid to stop, they moved on slowly, close together, and ahead of them the path widened and blackened and curved.

Today words curve around my vision, Stumbling from my parched core To soak again those strands of silence.

Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him--man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to--oh, stop it!

I squatted by the water as it flowed over the tumbled rocks, thought how far they must've come to have settled in the concrete channel, the stream clear and melodious, the smell of fresh water. I didn't want to think about my mother anymore. I'd rather think about the way the willows and the cottonwoods and palms broke their way through the concrete, growing right out of the flood control channel, how the river struggled to re-establish itself. A little silt was carried down, settled. A seed dropped into it, sprouted. Little roots shot downward. The next thing you had trees, shrubs, birds. My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred-year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth-emptied, malarial, into a fan of swamps that met the ocean.

Latia returned, coming around the curve and stepping through the glass. "Yes, it's our path," she reported. "And it seems to be near the ogre fen." "Oh? How do you know?" Esk asked. "Oh, nothing specific. Trees twisted into pretzels, boulders cracked with hairy fist marks on them, dragons slinking about as if terrified of anything on two legs. Perhaps I am mistaken.

Like a constantly rolling sphere, the Cycle of Life did not necessarily follow a straight line; it could curve into a better, brighter Path or a darker, bleaker Path, based on the force of choices made.

The mass of the sun curves space-time in such a way that although the earth follows a straight path in four-dimensional space-time, it appears to us to move along a circular orbit in three-dimensional space.

Now I dream of the soft touch of women, the songs of birds, the smell of soil crumbling between my fingers, and the brilliant green of plants that I diligently nurture. I am looking for land to buy and I will sow it with deer and wild pigs and birds and cottonwoods and sycamores and build a pond and the ducks will come and fish will rise in the early evening light and take the insects into their jaws. There will be paths through this forest and you and I will lose ourselves in the soft curves and folds of the ground. We will come to the water’s edge and lie on the grass and there will be a small, unobtrusive sign that says, THIS IS THE REAL WORLD, MUCHACHOS, AND WE ARE ALL IN IT.—B. TRAVEN. . . .

Nothing in these growth curves tells us what a tree should look like, only what trees have looked like. Every plant must find its own unique path to maturity. There

I'm a seeker who writes about what I find. And maybe, on just the right day, I can help you flatten your learning curve. If I've got anything to say, it's this: you are the authority on you.

Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.

On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial deja vu, like I'm watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana's carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing's too big to avoid. That Leviathan fin, it shivers right through me. It's a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can't remember which: 'There are certain prehistoric things that swim beyond extinction'.

Perhaps you think that there are sacred groves and cities of the gods along the way, temples displaying all the gifts of wealth? Not so: your path is full of lurking perils as well as images of savage beasts. “And if you hold this course unswervingly, you’ll find the horns of Taurus in your way, 110 the Archer and the gaping jaws of Leo, and Scorpio, whose long and curving arms sweep one way, while the curving arms of Cancer sweep broadly in the opposite direction.

XXVII" Naked, you are simple as a hand, smooth, earthy, small...transparent, round. You have moon lines and apple paths; Naked, you are slender as the wheat. Naked, Cuban blue midnight is your color, Naked, I trace the stars and vines in your hair; Naked, you are spacious and yellow As a summer's wholeness in a golden church. Naked, you are tiny as your fingernail; Subtle and curved in the rose-colored dawn And you withdraw to the underground world As if down a long tunnel of clothing and of chores: your clear light dims, gets dressed, drops its leaves, And becomes a naked hand again.

Everything is always in motion. Every day, every moment, your life path is either curving upward, or curving downward. Growing up we heard five times as many nos as yeses. Life has a downward pull. People on the success curve live in responsibility. People on the failure curve live in blame. People on the success curve are pulled by the future. People on the failure curve are pulled by the past. No matter where you are, at any moment you can choose to step onto the success curve.

Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.

...even those who care deeply for us cannot always see our big picture, the Grand Story Line that is destined to unfold before us. They are on their own journeys. And though their paths may run parallel to ours, each is singular in its curves and mileposts, unique in its destination. As much as others want the best for us, they do not necessarily understand God's best. He alone does.

What?" she'd muttered sleepily, pushing hair from her face as she blinked and focused her pretty green eyes his way. "You." Her finger trailed a torturously slow path down his chest, her lips curving lazily when he shuddered with pleasure. "What about me?" "You're my heart," he replied soflty.

An optimist was someone who believed that however complicated or random or odd a stretching curve might seem, if we had enough insight then we could understand the simple guiding principle from which it actually came. The concept then spread from mathematics to mean anyone who believes that such an optimal path can open up in life.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

I hope that our paths would never diverge And that we don't get lost As we keep walking In my silence I sing the songs of your love I shine From the moment I met you

But fuck me, I wanna explore every curve and line and indent on his body. Learn it with my lips and tongue while it follows the paths my hands have already taken.

In general relativity, bodies always follow straight lines in four-dimensional space-time, but they nevertheless appear to us to move along curved paths in our three-dimensional space. (This is rather like watching an airplane flying over hilly ground. Although it follows a straight line in three-dimensional space, its shadow follows a curved path on the two-dimensional ground.)

Our house was a collection of silences, each room a mute, empty frame, each of us three oscillating bodies (Mom, Dad, me) moving around in our own curved functions, from space to space, not making any noise, just waiting, waiting to wait, trying, for some reason, not to disrupt the field of silence, not to perturb the delicate equilibrium of the system. We wandered from room to room, just missing one another, on paths neither chosen by us nor random, but determined by our own particular characteristics, our own properties, unable to deviate, to break from our orbital loops, unable to do something as simple as walking into the next room where our beloved, our father, our mother, our child, our wife, our husband, was sitting, silent, waiting but not realizing it, waiting for someone to say something, anything, wanting to do it, yearning to do it, physically unable to bring ourselves to change our velocities.

A younger brunette woman slides through the small crack before shutting it softly behind her.  I look down at my watch. Who is she and why is she twenty minutes late?  She clutches onto a neon pink Penny skateboard with one golden brown arm as she scans the packed room. I take advantage of her distraction to assess her. She’s beautiful in a way that makes it difficult to refocus my attention on the conversation at the front of the room.  I hate it yet I can’t look away. My eyes trace the curves of her body, drawing a path from her delicate throat to her thick thighs. The speed of my heart picks up.  I clench my hands into two fists, disliking the lack of control I have over my body.  Get ahold of yourself.

I had spent my whole life trying not to be like my mother. I had taken the opposite path and hurried along it, all the time looking over my shoulder instead of ahead, so that I failed to see how the path curved back again in the same direction.

Bailey feels oddly at ease. As though he is closer to the ground, but taller at the same time. His concerns about his future no longer weigh so heavily on him as he exits the tent, turning right down the curving path that winds between the striped tents.

space-time is not flat, as had been previously assumed: it is curved, or ‘warped,’ by the distribution of mass and energy in it. Bodies like the earth are not made to move on curved orbits by a force called gravity; instead, they follow the nearest thing to a straight path in a curved space, which is called a geodesic. A geodesic is the shortest (or longest) path between two nearby points. For example, the surface of the earth is a two-dimensional curved space. A geodesic on the earth is called a great circle, and is the shortest route between two points (Fig. 2.7). As the geodesic is the shortest path between any two airports, this is the route an airline navigator will tell the pilot to fly along. In general relativity, bodies always follow straight lines in four-dimensional space-time, but they nevertheless appear to us to move along curved paths in our three-dimensional space. (This is rather like watching an airplane flying over hilly ground. Although it follows a straight line in three-dimensional space, its shadow follows a curved path on the two-dimensional ground.)

Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it... Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift-wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents. Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.

A trellis filled with roses arched above the patio, leading to a winding garden path made out of stones that Lucy wanted to skip along. Flowers in reds and pinks and whites and purples bloomed from the curved edges of the yard, so beautiful they reminded Lucy of something out of Eliza's paintings.

What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?" As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights. She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order." "Suspension?" He took a step closer and heard her breath catch in her throat. "A little bit stiff." She licked her lips. "I think we're in for a rough ride." "Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears. "A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling." Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation." She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft. "Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.

My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred-year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth-emptied, malarial, into a fan of swamps that met the ocean.

The fundamental theories of modern physics explain the world in jarringly counter-intuitive ways. For example, most non-physicists consider it self-evident that when you hold your arm out horizontally you can feel the force of gravity pulling it downwards. But you cannot. The existence of a force of gravity is, astonishingly, denied by Einstein’s general theory of relativity, one of the two deepest theories of physics. This says that the only force on your arm in that situation is that which you yourself are exerting, upwards, to keep it constantly accelerating away from the straightest possible path in a curved region of spacetime

...you must remember that the political development of the masses proceeds not in a direct line, but in a complicated curve. And is not this, after all, the essential movement of every material process? Objective conditions were powerfully impelling the workers, soldiers and peasants toward the banners of the Bolsheviks, but the masses were entering upon this path in a state of struggle with their own past, with their yesterday’s beliefs, and partly also with their beliefs of today. At a difficult turn, at a moment of failure and disappointment, the old prejudices not yet burnt out would flare up, and the enemy would naturally seize upon these as upon an anchor of salvation.

When you’re walking along a tricky, curving, unknown, surprising, obstacle-strewn path, you’d be a fool to keep your head down and look just at the next step in front of you. You’d be equally a fool just to peer far ahead and never notice what’s immediately under your feet. You need to be watching both the short and the long term—the whole system.

One of the most intriguing ideas in the developmental sciences over the past decades is the phenomenon of the “J-shaped curve.”19 While observing children learning to master new skills in dozens of domains (math, writing, the arts), psychologists noticed a surprising pattern: as a learner struggles to master difficult new challenges, there is often an initial decline in skill. Errors are made on tasks that previously seemed easy, and the learner feels more “stupid” than ever before. This is the dip that forms the middle part of the “J.” But it turns out that the “stupid mistakes,” in retrospect, were nothing more than growth errors. Once the learner gets past the dip, performance rises rapidly to new heights.

Now I dream of the soft touch of women, the songs of birds, the smell of soil crumbling between my fingers, and the brilliant green of plants that I diligently nurture. I am looking for land to buy and I will sow it with deer and wild pigs and birds and cottonwoods and sycamores and build a pond and the ducks will come and fish will rise in the early evening light and take the insects into their jaws. There will be paths through this forest and you and I will lose ourselves in the soft curves and folds of the ground. We will come to the water’s edge and lie on the grass and there will be a small, unobtrusive sign that says, THIS IS THE REAL WORLD, MUCHACHOS, AND WE ARE ALL IN IT.—B. TRAVEN.… Charles BowdenBlood Orchid     

The spiritual path is not a learning curve. It is a refresher course. You were born knowing. Then you were educated out of knowing. Now you need to be reeducated into remembering. The journey of enlightenment is not one of doing. It is of undoing. You must undo the debilitating illusions that have been laid over your majestic self. The goal of living is to become what you already are.

Through the uneven morning mist, she could make out the ruin of the monastery on the northern verge. The broken, roofless walls of outbuildings stretched south of the main ruins in a broken curve. Birches and a few young oaks had grown up where monks had likely once raised vegetables. The rest of the clearing was filled with grass and brambles cut through with newly blazed paths. Four lean-tos had been erected just beyond the stone fence of an overgrown graveyard.

Square astronaut, round hole. It’s the story of my life, really: trying to figure out how to get where I want to go when just getting out the door seems impossible. On paper, my career trajectory looks preordained: engineer, fighter pilot, test pilot, astronaut. Typical path for someone in this line of work, straight as a ruler. But that’s not how it really was. There were hairpin curves and dead ends all the way along. I wasn’t destined to be an astronaut. I had to turn myself into one.

At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.

The weather was dazzling- a sunny Nova Scotia May day. We walked through the huge iron gates into the Public Gardens and ate our sandwiches and apples beside the duck pond. I kicked off my rubber boots and wiggled my toes in the sun as I watched the swans and yellow ducklings. The Gardens were immense, full of massive and intricate flowerbeds, winding paths, and strange exotic trees. There were statues, a splashing fountain, an elaborate round bandstand, and a little river with a curved bridge over it. Lovers strolled arm and arm, and children shrieked with laughter as they chased the pigeons.

Lightning glared in threatful illusions of proximity and quick shapes appeared in the road, leapt from ditch or tree in configurations antic and bizarre. Ghosts of mist rose sadly from the paving and broke in willowy shreds upon the hood, the windshield. One curve more. Behind him the rear window blackened, then the slow inexorable reach of lights crept out and fingered their way across the hillside off to his left, remarking scrub pines, ropes of limestone stretched in a yellow path like rows of somnolent sheep. When he reached the top of the hill the lights dropped away and the siren sounded again.

Nature is cyclical. It curves and revolves, with little use for linear ways… Adrienne Rich’s 1977 poem “Natural Resources” unlocked the title of the book. “My heart is moved by all I cannot save,” she writes. Ours too- and by all that we can. The work at hand is hard and uncertain, yet we find our warrior spirits, charge ahead, and care for one another every step of the way. We will stumble as we chart this unmapped path; let’s forgive our fallibility, safeguard our empathy, and lead with kindness as we go. In more poignant words from Adrienne Rich: There must be those among whom we can sit down and weep, and still be counted as warriors.

Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.

The Labyrinth Zeus himself could not undo the web of stone closing around me, I have forgotten the men I was before; I follow the hated path of monotonous walls that is my destiny. Severe galleries which curve in secret circles to the end of the years. Parapets cracked by the day’s usury. In the pale dust I have discerned signs that frighten me. In the concave evenings the air has carries a roar toward me, or the echo of a desolate howl. I know there is an Other in the shadows, whose fate it is to wear out the long solitudes which weave and unweave this Hades and to long for my blood and devour my death. Each of us seeks the other. If only this were the final day of waiting. - S.K.

Now I dream of the soft touch of women, the songs of birds, the smell of soil crumbling between my fingers, and the brilliant green of plants that I diligently nurture. I am looking for land to buy and I will sow it with deer and wild pigs and birds and cottonwoods and sycamores and build a pond and the ducks will come and fish will rise in the early evening light and take the insects into their jaws. There will be paths through this forest and you and I will lose ourselves in the soft curves and folds of the ground. We will come to the water’s edge and lie on the grass and there will be a small, unobtrusive sign that says, THIS IS THE REAL WORLD, MUCHACHOS, AND WE ARE ALL IN IT.—B. TRAVEN.… Charles Bowden Blood Orchid

We are all damaged now,’ said Arvida, watching the approach. ‘All but you.’ Yesugei sat back against the curve of the hull. ‘No living thing is undamaged.’ ‘Yet you still smile. You still believe.’ ‘So do the rest. They need to remember, that is all. For now, all they see is slow defeat. They forget they have been... magnificent. They fight alone when all others are lost or manning walls far away. They come at enemy out of the glare of the sun. They have made him halt, turn back, come after us. They have forsaken the world they loved, have let it pass into ruin, all for this.’ Yesugei thought of Qin Xa then, from whom there had never been a murmur of unbelief. ‘They will remember, before the end. Other Legions have failed this test – they let their souls change.

The path was a familiar one. Over the years she’d resided in Spindle Cove, Susanna must have walked it thousands of times. She knew each curve of the land, every last mottled depression in the road. More than once, she’d covered this distance in the dark of night with nary a misstep. Today, she stumbled. He was there, catching her elbow in his strong, sure grip. She hadn’t realized he was following so close. Just when she thought she’d regained her balance, his heat and presence unsteadied her all over again. “Are you well?” “Yes. I think so.” In an effort to dispel the awkwardness, she joked, “Mondays are country walks; Tuesdays, sea bathing…” He didn’t laugh. Nor even smile. He released her without comment, moving on ahead to take the lead. His strides were long, but she noticed he was still favoring that right leg. She did what a good healer ought never do. She hoped it hurt.

Nothing irrevocable had yet been spoken, but there was only the barest margin of safety left them; each of them moving delicately along the outskirts of an open question, and, once spoken, such a question-as “Do you love me?”-could never be answered or forgotten. They walked slowly, meditating, wondering, and the path sloped down from their feet and they followed, walking side by side in the most extreme intimacy of expectation; their feinting and hesitation done with, they could only await passively for resolution. Each knew, almost within a breath, what the other was thinking and wanting to say; each of them almost wept for the other. They perceived at the same moment the change in the path and each knew then the other’s knowledge of it; Theodora took Eleanor’s arm and, afraid to stop, they moved on slowly, close together, and ahead of them the path widened and blackened and curved.

The infinite possibilities each day holds should stagger the mind. The sheer number of experiences I could have is uncountable, breathtaking, and I'm sitting here refreshing my inbox. We live trapped in loops, reliving a few days over and over, and we envision only a handful of paths laid out before us. We see the same things every day, we respond the same way, we think the same thoughts, each day a slight variation on the last, every moment smoothly following the gentle curves of societal norms. We act like if we just get through today, tomorrow our dreams will come back to us. And no, I don't have all the answers. I don't know how to jolt myself into seeing what each moment could become. But I do know one thing: the solution doesn't involve watering down my every little idea and creative impulse for the sake of some day easing my fit into a mold. It doesn't involve tempering my life to better fit someone's expectations. It doesn't involve constantly holding back for fear of shaking things up. his is very important, so I want to say it as clearly as I can: FUCK. THAT. SHIT.

His fingers unhooked from hers, following that same path up her arm, and then back down it again. The feeling was so distracting, so good, so sweet against her clammy skin. She didn't choose a piece from her repertoire; Etta gave herself over to the notes that started streaming through her mind, rising from somewhere deep inside of her. The melody of her heart had no name; it was quick, and light. It rolled with the waves, falling as the breath left his chest, rising as he inhaled. It was the rain sliding down the glass; the fog spreading its fingers over the water. The creaking of a ship's great body. The secrets whispered by the wind, and the unseen life that moved below. It was the flame against the candle. Nicholas's arm was a map of hard muscles and delicate sinews, heartbreakingly perfect. She wondered if he could hear her humming the piece against his skin over the droning roars overhead. Maybe. His free hand skimmed up her skin, leaving a trail of sparks in its wake. With the world blacked out around them, she could catalog all over her senses, capture this moment in the warm darkness forever. He brushed back the loose hair across her forehead, cheek, the corner of her lips, her jaw, and she knew it had to be the same for him, that they'd never been so aware of another person in their entire lives. She released his arm, and he drew it up around her, guiding both of them down so they were on their sides, their heads cushioned by the bag, his jacket drawn over them. Etta understood that here, in the darkness, they'd found a place beyond rules; a place that hung somewhere between the past and the future. This was a single moment of possibility. The clattering of the attack from above faded as he rested his forehead against hers, his thumb lightly stroking a bruise on her cheek. She traced his face - the straight nose, the high, proud cheekbones, the full curve of his lips. His hand caught her there, taking it in his own; he pressed a hard, almost despairing kiss to it. But when she tilted her face up, half - desperate with longing, her blood racing, Nicholas pulled back; and although Etta could feel him beside her, his heart pounding, his ragged breath, it was as if he had disappeared into the thundering dark.

Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The

Once I had finished conducting business with Herr Kassl, I went in search of my sister. Käthe was easy to find, even in this sea of faces in the square. Her smiles were the broadest, her blue eyes the brightest, her pink cheeks the rosiest. Even her hair beneath that ridiculous hat shone like a bird of golden plumage. All I had to do was follow the path traced by the eyes of the onlookers in the village, those admiring, appreciative glances that led me straight to my sister at the center. For a moment, I watched her bargain and haggle with the sellers. Käthe was like an actress on the stage, all heightened emotion and intense passion, her gestures affected, her smiles calculated. She fluttered and flirted outrageously, carefully oblivious to the stares she drew like moths to the flame. Both men and women traced the lines of her body, the curve of her cheek, the pout of her lip. Looking at Käthe, it was difficult to forget just how sinful our bodies were, just how prone we were to wickedness. Born unto trouble, as the sparks fly upward, or so saith Job. Clothed in clinging fabrics, with every line of her body exposed, every gasp of pleasure unconcealed, everything about Käthe suggested voluptuousness.

One solution might be to liken the path of the light beam through a changing gravitational field to that of a line drawn on a sphere or on a surface that is warped. In such cases, the shortest line between two points is curved, a geodesic like a great arc or a great circle route on our globe. Perhaps the bending of light meant that the fabric of space, through which the light beam traveled, was curved by gravity. The shortest path through a region of space that is curved by gravity might seem quite different from the straight lines of Euclidean geometry. There was another clue that a new form of geometry might be needed. It became apparent to Einstein when he considered the case of a rotating disk. As a disk whirled around, its circumference would be contracted in the direction of its motion when observed from the reference frame of a person not rotating with it. The diameter of the circle, however, would not undergo any contraction. Thus, the ratio of the disk’s circumference to its diameter would no longer be given by pi. Euclidean geometry wouldn’t apply to such cases. Rotating motion is a form of acceleration, because at every moment a point on the rim is undergoing a change in direction, which means that its velocity (a combination of speed and direction) is undergoing a change. Because non-Euclidean geometry would be necessary to describe this type of acceleration, according to the equivalence principle, it would be needed for gravitation as well.

The next morning was the second time Kate awoke in Rohan's bed since her arrival at the castle. But unlike that first bewildering day, this time, when she opened her eyes to the morning sunlight flooding his chamber, he was the first lovely thing she saw, right there beside her. In no hurry to arise, they stayed peacefully abed together. She passed a dreamy spell stroking her drowsing lover's bare back in tender affection. What a long, majestic line it was that flowed from the bulky ridge of his shoulder down to the sleek, lean curve of his lower back. Of course, he had more scars on him than one body ought to bear, she thought, but he was not inclined to answer her mild inquiries about them. "What happened here?" she murmured, tracing what appeared to be a saber scar along his rib cage. Lying on his stomach, his face resting on his folded arms, he feigned an in-between state of sleepy inattention, though he was clearly enjoying her touch. "Hm?" She saw through his evasion but forgave him with a knowing smile. Whatever trouble he had been in, it hadn't killed him. That was all that mattered. She leaned closer and kissed all his old hurts. Her light kisses soon followed the same path her admiring hands had taken, until at length, he rolled onto his backhand showed her the regal evidence of her effect on him. He drew her closer, wanting to make love again, but she was still sore from her first time and softly pleaded his forbearance. With a husky chuckle at her reluctant denial, he stole a kiss, gave her a ruefully doting look, then arose in all his magnificent naked glory to order a bath for both of them.

Perhaps..." Resuming his rake's persona, investing every movement with languid grace, he shifted forward, closer. Held her gaze. "You could teach me what it is you need." He let his gaze drift from her eyes to her lips. "I've always been considered a fast learner, and if I'm willing to learn, to devote myself to the study of what you truly want..." Her lips parted slightly. He raised his gaze once more to her eyes, to the stormy blue. Read her interest, knew he had her undivided attention. Inwardly smiled. "If I swear I'll do all I can to meet your requirements, shouldn't you accept the...challenge, if you like, to take me as I am and reshape me to your need?" Holding her gaze, resisting the urge to lower his to her tempting lips, he raised a hand, touched the backs of his fingers to her cheek in a tantalizingly light caress. "You could, if you wished, take on the challenge of taming the ton's foremost rake, of making me your devoted slave...but you'd have to work at it, make the effort and take the time to educate me-arrogantly oblivious male that I am-all of which will be much easier, facilitated as it were, by us marrying. After all, nothing worthwhile is ever attained easily or quickly. If I'm willing to give you free rein to mold me to your liking, shouldn't you be willing to engage?" She was thinking, considering he could see it in her eyes. She was following his arguments, her mind following the path he wanted it to take. Shifting his fingers to lightly frame her chin, he held her face steady as if for a kiss. "And just think," he murmured, his eyes still locked with hers, his lips curving in a practiced smile, "of the cachet you'll be able to claim as the lady who captured me.

Newton had bequeathed to Einstein a universe in which time had an absolute existence that tick-tocked along independent of objects and observers, and in which space likewise had an absolute existence. Gravity was thought to be a force that masses exerted on one another rather mysteriously across empty space. Within this framework, objects obeyed mechanical laws that had proved remarkably accurate—almost perfect—in explaining everything from the orbits of the planets, to the diffusion of gases, to the jiggling of molecules, to the propagation of sound (though not light) waves. With his special theory of relativity, Einstein had shown that space and time did not have independent existences, but instead formed a fabric of spacetime. Now, with his general version of the theory, this fabric of spacetime became not merely a container for objects and events. Instead, it had its own dynamics that were determined by, and in turn helped to determine, the motion of objects within it—just as the fabric of a trampoline will curve and ripple as a bowling ball and some billiard balls roll across it, and in turn the dynamic curving and rippling of the trampoline fabric will determine the path of the rolling balls and cause the billiard balls to move toward the bowling ball. The curving and rippling fabric of spacetime explained gravity, its equivalence to acceleration, and, Einstein asserted, the general relativity of all forms of motion.92 In the opinion of Paul Dirac, the Nobel laureate pioneer of quantum mechanics, it was “probably the greatest scientific discovery ever made.” Another of the great giants of twentieth-century physics, Max Born, called it “the greatest feat of human thinking about nature, the most amazing combination of philosophical penetration, physical intuition and mathematical skill.

Just last week I was telling a dear friend how I'd rather not exist in a world where toxic thrives. There are so much enmity plaguing this creed, how we hurt others because we think our idea of faith is supreme, how our interpretation of knowledge is above theirs, how every little whisper we turn into a howl. We forget that only He knows. Our existence are but mysteries; who are we to scar, to burn, to leave marks, to solve this enigma for others, to play God. The Friday prayer sermon just this afternoon, spoke to me in such illuminating affirmations. Knowledge, especially in faith, is akin to Light. Light binds, not divides. We seek light not out of fear of the darkness but at a promise to gain clarity. This is our intimate journey, how we move towards that Light is ours to make. Like a blind man, like moths at night, a child yearning, just do not stand in their paths, my friend. Your forehead kisses the same Earth like they do, your knees bend the same curve, and each night, your spine collapses just the same. Do not be the lips that question an arm sleeved with tattoos or hair uncovered by cloth or sins not yours, instead be lips that observes silence, kindness and always, prayers for all. I hope your heart does not make space for words like "Kafir", "infidel", "shirk" and instead be a room with gardens and an ocean of calmness. Even our Beloved won't be a judge for another being; Let God You seek knowledge not to draw boundaries between yourself and others, you seek for this overwhelming gravity of unknowing needs you to always be finding ways to be closer to Him. You seek knowledge to know Him not to make known to others. You have every right to continue seeking, to have your palms heavenwards every night begging to be illuminated. This is your deeper conversation, go on, just you and God.

There is no need, I think, of further examples to show that the concept of rta is a libido-symbol like sun, wind, etc. Only, rta is less concretistic and contains the abstract element of fixed direction and regularity, the idea of a predetermined, ordered path or process. It is, therefore, a kind of philosophical libido symbol that can be directly compared with the Stoic concept of heimarmene. For the Stoics heimarmene had the significance of creative, primal heat, and at the same time it was a predetermined, regular process (hence its other meaning: “compulsion of the stars”).104 Libido as psychic energy naturally has these attributes too; the concept of energy necessarily includes the idea of a regulated process, since a process always flows from a higher potential to a lower. It is the same with the libido concept, which signifies nothing more than the energy of the life process. Its laws are the laws of vital energy. Libido as an energy concept is a quantitative formula for the phenomena of life, which are naturally of varying intensity. Like physical energy, libido passes through every conceivable transformation; we find ample evidence of this in the fantasies of the unconscious and in myths. These fantasies are primarily self-representations of energic transformation processes, which follow their specific laws and keep to a definite “path.” This path is the line or curve representing the optimal discharge of energy and the corresponding result in work. Hence it is simply the expression of flowing and self-manifesting energy. The path is rta, the right way, the flow of vital energy or libido, the predetermined course along which a constantly self-renewing current is directed. This path is also fate, in so far as a man’s fate depends on his psychology. It is the path of our destiny and of the law of our being.

I will invest my heart's desire and the work of my hands in things that will outlive me. Although it grieves me that houses are burning, I have fallen in love with freedom regardless, and the entitlement of a woman to get a move on, equipped with boots that fit and opinions that might matter. The treasures I carry closest to my heart are things I can't own: the curve of a five-year-old's forehead in profile, and the vulnerable expectation in the hand that reaches for mine as we cross the street. The wake-up call of birds in a forest. The intensity of the light fifteen minutes before the end of day; the color wash of a sunset on mountains; the ripe sphere of that same sun hanging low in a dusty sky in a breathtaking photograph from Afghanistan. In my darkest times I have to walk, sometimes alone, in some green place. Other people must share this ritual. For some I suppose it must be the path through a particular set of city streets, a comforting architecture; for me it's the need to stare at water until my mind comes to rest on nothing at all. Then I can go home. I can clear the brush from a neglected part of the garden, working slowly until it comes to me that here is one small place I can make right for my family. I can plant something as an act of faith in time itself, a vow that we will, sure enough, have a fall and a winter this year, to be followed again by spring. This is not an end in itself, but a beginning. I work until my mind can run a little further on its tether, tugging at this central pole of my sadness, forgetting it for a minute or two while pondering a school meeting next week, the watershed conservation project our neighborhood has undertaken, the farmer's market it organized last year: the good that becomes possible when a small group of thoughtful citizens commit themselves to it...Small change, small wonders - these are the currency of my endurance and ultimately of my life.

Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick

One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?

Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.

I had finally become aware of how much I was capable of, how little I had to lose, and how deep into Douglas's soft sand I had sunk. Magellan's letters, which Douglas had recited, had become part of my being. It was as if I was right there with Magellan, following every curve of his pen as he wrote down his words to his beloved ones confiding his secret. I had become the ink, and the tip was tattooing my path. I was going to follow his dream, but still, I wished I knew why.

The moment we designate the used or maligned as a state with generative capacity, our reality expands. President John F. Kennedy once mentioned an old saying that success has many fathers, but failure is an orphan. 4 Failure is an orphan until we give it a narrative. Then it is palatable because it comes in the context of story, as stars within a beloved constellation. Once we reach a certain height we see how a rise often starts on a seemingly outworn foundation. The gift of failure is a riddle. Like the number zero, it will always be both the void and the start of infinite possibility. The arc is one for which there are few perfect words. Its most succinct summary may come from the wisdom in seventeenth-century poet and samurai Mizuta Masahide’s haiku: “My barn having burned down / I can now see the moon.” When we take the long view, we value the arc of a rise not because of what we have achieved at that height, but because of what it tells us about our capacity, due to how improbable, indefinable, and imperceptible the rise remains. There are advantages to certain opportunities, including their seeming opposite, that make our path as curved and as precise as an arrow’s course.

Catherine drew out an object wrapped in soft cloth. Gently she unwrapped a new pair of spectacles made of silver... gleaming and perfect, the oval lenses sparkling. Marveling at the workmanship, she drew a finger along one of the intricate filigreed earpieces, all the way to the curved tip. "They're so beautiful," she said in wonder. "If they please you, we'll have another pair made in gold. Here, let me help you..." Leo gently drew the old spectacles off her face, seeming to savor the gesture. She put the new ones on. They felt light and secure on the bridge of her nose. As she looked around the room, everything was wonderfully detailed and in focus. In her excitement, she jumped up and hurried to the looking glass that hung over the entryway table. She inspected her own glowing reflection. "How pretty you are," Leo's tall, elegant form appeared behind hers. "I do love spectacles on a woman." Catherine's smiling gaze met his in the silvered glass. "Do you? What an odd preference." "Not at all." His hands came to her shoulders, lightly fondling up to her throat and back again. "They emphasize your beautiful eyes. And they make you look capable of secrets and surprises- which, as much as we know, you are." His voice lowered. "Most of all I love the act of removing them- getting you ready for a tumble in bed." She shivered at his bluntness, her eyes half closing as she felt him pull her back against him. His mouth went to the side of her neck. "You like them?" Leo murmured, kissing her soft skin. "Yes." Her head listed to the side as his tongue traced a subtle path along her throat. "I... I don't know why you went to such trouble. It was very kind." Leo's dark head lifted, and he met her drowsy gaze in the looking glass. His fingers went to the side of her throat, stroking as if to rub the feel of his mouth into her skin. "I wasn't being kind," he murmured, a smile touching his lips. "I merely wanted you to see clearly." I'm beginning to, she was tempted to tell him, but Poppy returned to the apartment before she was able.

Too late, she saw the figure at the bottom of the stairs--the figure starting up as she was running down. Caught by the momentum, she didn’t even have time to shout a warning before the two of them collided full force. “Whoa! You trying to kill me or just yourself?” Miranda reeled from the blow. As a pair of arms steadied her, she staggered back and gazed up at the young man blocking her way. He was easily six feet tall--long and lean in his muddy workboots, worn T-shirt, and jeans low on his hips. The curved hollows of his cheeks were accentuated by strong, high cheekbones, and she could see taut ridges of sinewy muscle along the length of both arms. His skin looked naturally tan. He had thick waves of jet-black hair tousled almost to his shoulders, and his sensuous lips were pressed hard into a frown. He reminded her of some wild gypsy. Once her initial shock had passed, Miranda was furiously annoyed. “What’s wrong with you? It’s not like you didn’t see me coming. Why didn’t you get out of my way?” “And let you fall?” His eyes reflected mock horror. They were the blackest eyes she’d ever seen. “But I’m so much more comfortable to land on than the driveway, yeah?” The driveway, like so many back roads around town, was a narrow, rutted path of crushed oyster shells. Miranda’s anger turned down a notch. “You could’ve warned me,” she muttered. Her heart had stopped pounding, though she still felt seriously shaken. “How long have you been out here?” He wasn’t frowning at her now. His face was calm and expressionless, which was almost more unnerving. “I’m not stalking you, if that’s what you mean.

It was so obvious, I saw her controlling tears and walk down the path in the weakest times of pain. Still when she saw the small kid waving at her from a school bus window, or the old couple realised you as the blossomed flower yesterday but today you are all dry leaf.. the postman delivers a letter on the corner of the road and everything collapses to the ground. When she couldn’t move on with all the people around her, she was selective with the people choose to be around her. She had realised life is too big to think about people who don’t care a laugh. She held her eyes up in the breeze to the chirping birds she could only smile at the nature at her host of tear. When you lose the curve on your lips.. the chaos of life drags you down.. keep smiling!

The scaling curve applies to every blitzscaler, regardless of industry or geography. The same multiple S-curve graph that describes Facebook or Apple also describes Tencent, which launched with QQ, then added a second curve for WeChat after QQ reached maturity in 2010. Just when you’ve finished blitzscaling one business line, you need to blitzscale the next to maintain your company’s upward trajectory. And as blitzscaling continues to spread, established companies with mature business lines should consider turning to intrapreneurs to blitzscale new business units.

Can Poor Drainage Damage your Commercial Property? We work closely with specifies, architects and builders to proffer custom curved drainage solutions for all environments. Our curved drains can be manufactured to any length, width, and depth. These drain systems are intended to be used for path Drain, Tennis Court Drain and another Sports ground Surface Drainage applications.

But like so many things in Japan, behind the façade lay another view. So it was only after I had hiked into the woods far from the bridge that I found a fluttering world of persimmon, ocher, scarlet, and cabernet secreted away in a mossy garden of curving stone paths. When it began to rain, the colors deepened and the leaves, shaped like a baby's hands, spiraled down onto the plush green carpet and sleek dark rocks.

Now step outside spacetime and look in at what happens there. Histories of individuals are paths through the block. If they curve back upon themselves to form closed loops then we would judge time travel to occur. But the paths are what they are. There is no history that is ‘changed’ by doing that. Time travel allows us to be part of the past but not to change the past. The only time-travelling histories that are possible are self-consistent paths. On any closed path there is no well-defined division between the future and the past.

If you spin around and stretch your arm while holding a hammer, you’re exerting centripetal force to make the object follow a curved path. But you’ll feel the hammer pulling your hand from your body. That is centrifugal—a coercion in the opposite direction.

In the twenty-first century, the winners will be those who stay ahead of the change curve, constantly redefining their industries, creating new markets, blazing new trails, reinventing the competitive rules, challenging the status quo. To use Charles Handy’s words, it will be those who ‘invent the world’, not those who respond to it. Of course, it requires far less effort to follow in the tracks of the leader than it does to find your own migration path to the future, and there was a time when this was an option. But not any more. Tomorrow’s global markets will show no mercy to the me-too crowd.

Where am I?" He did not answer immediately. Since entering the room, he had kept his focus locked on her face. But Lily watched as the direction of his gaze slid down her body. His perusal was slow and comprehensive, sliding over her breasts and continuing past the curve of her hips and down her bare legs beyond the short hem of her shift. Though he revealed nothing in his stony expression, there was something in the gleam of his blue-black eyes that brought a delicate quiver to Lily's belly. She glanced at his hands where they fell at his sides. He held them tensely extended, his long fingers spreading wide, before he clenched them into tight fists as he finished his slow review of her body. By the time the path of his perusal made its way back to her face, Lily was breathless and hot with a different kind of fear and... something else. "You are in my bedroom." The intimate depth of his voice struck Lily with an acute force. Her head spun, and her legs collapsed. As she tensed for a collision with the floor, she was swept up in strong arms. The fire raging beneath her skin flared with bright intensity as Lord Harte scooped his arms beneath her legs and around her back to lift her high against his chest. It took only a few short moments for him to set her back on the bed. He released her abruptly to flip the bedcovers over her, then turned and strode away. Lily was left with the striking impressions of his body's warmth, the strength of his arms around her, the woodsy scent of his skin, the brush of his embroidered waistcoat felt through the muslin of her shift, and then the sight of his broad back as he walked away, putting the entire distance of the room between them.

The king and Osric had vanished, gone ahead around the curve, and Hild walked alone-they all walked alone-along the inwardly spiralling path painted with tales, the characters from songs she had heard in hall all her life, songs of music and magic, of heroes and beginnings.

Neither Duncan nor I could see how to solve that problem by pure mathematics, so we used a computer to simulate the morph on networks of large but manageable size, starting from pristine rings with 1,000 nodes and 10 links per node. To chart the structural changes in the middle ground, we graphed both the average path length and the clustering as functions of the proportion of links that were randomly rewired. What we found amazed us. The slightest bit of randomness contracted the network tremendously. The average path length plummeted at first—with only 1 percent rewiring (meaning that only 1 out of every 100 links was randomized), the graph dropped by 85 percent from its original level. Further rewiring had only a minimal effect; the curve leveled off onto a low-lying plateau, indicating that the network had already gotten about as small as it could possibly get, as if it were completely random. Meanwhile, the clustering barely budged. With 1 percent rewiring, the clustering dropped by only 3 percent. Connections were being yanked out of well-ordered neighborhoods, yet the clustering hardly noticed. Only much later in the morph, long after the crash in path length, did clustering begin to drop significantly.

Something drew her attention. Her eyes narrowed as if to bring a distant object into focus. "I have a new sense,” she realized. “I feel myself standing on the surface of a vast library.” She turned in a circle, scanning the featureless blue plain. “I feel the presence of well-ordered data.” She reached out, and to Kona’s surprise, a curving side path appeared in response to her beckoning gesture. Files sprang up on the path, each one a thin, vertical pane large enough to step into. The first file in the stack showed a branching map of the library with all its major sections neatly labeled.

If Lady Beatrice left the ring for her descendant... she would need proof, a way of knowing for certain who that person is. I reach my arms out to my sides and brush my hands against the hedge walls, just as I did two weeks ago with Sebastian. The hedges once again change color, my hands painting them a vivid periwinkle. But this time the dirt path beneath my feet also begins to glow with an ethereal yellow light. I gasp as the light beneath my feet winds forward... leading me. I pick up speed, keeping my hands on either side of the hedge walls as I run, following the twists and turns of the glowing path before me. And at last I am in a place I've never been---a curving corner of the Maze highlighted by a bed of hydrangeas, the only flowers I've encountered within. Dad's words from years ago return to me. "...remember the hydrangeas. When you see them, that means you're close." My breath catches. This must be the Maze's center.

Faintly rattled, Delphine rounded a curve in the path and found herself at the edge of clearing, the trees pulling back from a carpet of verdigris grass. They gave up the wildness of the wood here, tamed into symmetrically intertwined branches whose openings revealed more pale paths into the forest. The diffuse light of the forest concentrated here, as though emanating from hidden gas lamps. Delphine toed the boundary of what she now saw was an enormous fairy ring. A structure of pure white rose from the center of the ring, the beams arching like the bones of a cathedral, the space between filled with delicate filigree of brittle white. Windows like translucent dragonfly wings shone under cornices carved like birds and flowers and trailing vines. A castle, Delphine thought, or a church--- all the same emphasis and gravitas translated here, and something stranger and deeper.

We're one of the three Solar Courts,' he said, motioning for me to sit with a graceful twist of his wrist. 'Our nights are far more beautiful and our sunsets and dawns are exquisite, but we do adhere to the laws of nature.' I slid into the upholstered chair across from him. His tunic was unbuttoned at the neck, revealing a hint of the tanned chest beneath. 'And do the other courts choose not to?' 'The nature of the Seasonal Courts,' he said, 'is linked to their High Lords, whose magic and will keeps them in eternal spring, or winter, or fall, or summer. It has always been like that- some sort of strange stagnation. But the Solar Courts- Day, Dawn, and Night- are of a more... symbolic nature. We might be powerful, but even we cannot alter the sun's path or strength. Tea?' The sunlight danced along the curve of the silver teapot. I kept my eager nod to a restrained dip of my chin. 'But you will find,' Rhysand went on, pouring a cup for me,' that our nights are more spectacular- so spectacular that some in my territory even awaken at sunset and go to bed at dawn, just to live under the starlight.

The path now is steep as hell—the new curve we’re on demands downright disruptive emissions cuts” of as much as 50 percent a decade. As the geophysicist Michael Mann put it, “what would have been a bunny slope was now a double black diamond.” That means, Steffen explained, that “climate action can no longer be orderly, gradual, or even continuous with our expectations

When the curve of their neck suddenly becomes the only path you want to take. When their lips are your longitude and the unique swirl of color in the center of their irises is your latitude. And every part of you knows that as long as they’re breathing you have a reason to stay alive.

After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees.

After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance.

I was standing in a parking lot, the roof above me cracking and splitting apart, the place about to collapse. The roar of a crowd sounded from beyond the building and I ran to a barred window, looking outside where the Lunar Brotherhood were rioting. Ryder was being dragged through them and I fought with the bars to try and get out, my magic failing me as I bellowed his name. They stabbed him, shouting traitor as they made him bleed, dragging him to a huge stone statue of a Centaur rearing up and pointing to the stars. They wound a vine over its outstretched arm and strung Ryder up and the mob worked to rip him to pieces in a bloody execution. “No!” I cried, panic consuming me as I sought out other paths, ways to avoid this fate, but they were closing in, so many of them curving back onto this one. “How do I save him?” I demanded of the stars as I tried to find a way out. “This day will come,” they whispered inside my head. “How do I stop it?” I begged. “You cannot,” they answered. “Please, I’ll do anything,” I said in desperation. “You will see this come to pass, Gabriel Nox, son of fate,” they answered. “I can’t, I won’t let it happen,” I insisted as my heart began to crack in my chest. “How can I make sure he doesn’t die?” “You ask the wrong questions,” they answered, their voices seeming to slip away into the distance. “What’s the right question?” I begged, feeling them leaving me behind with the weight of this unthinkable destiny laid out before me. They disappeared from my mind like a dying wind and my anxiety flared. “How do I save him?” I cried, but they were gone and I stood alone in an endless expanse of white, too bright to see anything beyond it. I squinted against the light, struggling to focus and suddenly the world shifted. I stood at the base of a dark mountain in Alestria and up ahead of me was a hooded figure leading the Black Card behind them up a rocky path. I could sense the very time and date this would happen. It was one week away on the full moon. King was going to hold a ritual larger than they ever had before. And that would be our chance to strike. But if we failed, I didn’t hold out much hope for the people of Solaria.

THERE is a place in front of the Royal Exchange where the wide pavement reaches out like a promontory. It is in the shape of a triangle with a rounded apex. A stream of traffic runs on either side, and other streets send their currents down into the open space before it. Like the spokes of a wheel converging streams of human life flow into this agitated pool. Horses and carriages, carts, vans, omnibuses, cabs, every kind of conveyance cross each other's course in every possible direction. Twisting in and out by the wheels and under the horses' heads, working a devious way, men and women of all conditions wind a path over. They fill the interstices between the carriages and blacken the surface, till the vans almost float on human beings. Now the streams slacken, and now they rush amain, but never cease; dark waves are always rolling down the incline opposite, waves swell out from the side rivers, all London converges into this focus. There is an indistinguishable noise—it is not clatter, hum, or roar, it is not resolvable; made up of a thousand thousand footsteps, from a thousand hoofs, a thousand wheels—of haste, and shuffle, and quick movements, and ponderous loads; no attention can resolve it into a fixed sound. Blue carts and yellow omnibuses, varnished carriages and brown vans, green omnibuses and red cabs, pale loads of yellow straw, rusty-red iron cluking on pointless carts, high white wool- packs, grey horses, bay horses, black teams; sunlight sparkling on brass harness, gleaming from carriage panels; jingle, jingle, jingle! An intermixed and intertangled, ceaselessly changing jingle, too,of colour; flecks of colour champed, as it were, like bits in the horses' teeth, frothed and strewn about, and a surface always of dark-dressed people winding like the curves on fast-flowing water. This is the vortex and whirlpool, the centre of human life today on the earth. Now the tide rises and now it sinks, but the flow of these rivers always continues. Here it seethes and whirls, not for an hour only, but for all present time, hour by hour, day by day, year by year.

A unicorn stepped onto the path. Kiela gasped. Caz breathed, "Whoa." It was like moonlit water, so bright that tears sprang into Kiela's eyes as she looked at it. Shaped like a dreamer's idea of a horse, the unicorn was slender and graceful--- closer to a line drawing than an in-the-flesh creature. Its neck curved like a wave, with its mane as the sea foam. The longer Kiela looked at it, the more she saw that it wasn't as white as the moon, it was iridescent, like mother-of-pearl, with purples and reds and blues that swirled through its silvery white hide. Its horn was a slender spiral of gold. It regarded them with ocean-blue eyes.

What happens to a billiard ball, say, if you shoot it through a wormhole at its slightly younger self, trying to deflect it off course? A physicist at the Russian Space Institute in Moscow named Igor Novikov worked out the math that would govern a trans-temporal, suicidal (or at least self-inhibiting) billiards game (a sort of cross between billiards and Russian roulette), and he discovered something remarkably reassuring: physical law would actually prevent the billiard ball from inhibiting its past self. In fact, a principle of self-consistency would govern a wormhole-riddled universe. Even if an object could enter a wormhole at some time point B and emerge earlier, at some time point A, it could never actually interfere with its own entry into the wormhole at that later time point B.7 Two of Thorne’s students checked and found that Novikov was right: a time-traveling billiard ball cannot take the place of its younger self.8 (According to physicist Nick Herbert, it is analogous to the exclusion principle discovered by Wolfgang Pauli, which prevents any two electrons from occupying the same states simultaneously—a principle that ultimately makes the world built of tiny probabilistic particles solid.9) More recently, the physicist Seth Lloyd designed and actually conducted such an experiment using a photon and what he called a quantum gun—essentially shooting the photon a few billionths of a second back in time to interfere with its past self. He discovered he couldn’t. “No matter how hard the time-traveler tries, she finds her grandfather is a tough guy to kill.”10 This does not mean that time travel is impossible. Quite the contrary. It means that the time-traveling object encounters and interacts with its earlier self in precisely such a way that its later entry into the wormhole is facilitated rather than impeded. In other words, all possible paths of a billiard ball entering a wormhole would, upon exiting the wormhole earlier, nudge itself into the mouth of the wormhole later, thus completing the causal tautology, or what physicists call the closed-timelike curve. These days, quantum physicists like Lloyd use the idiom of postselection, a kind of informational-causal Darwinism that ensures that the only information that survives its journey into the past is information that does not foreclose its origins in the future. It’s not like there’s a Causality Police stepping in now and again to prevent grandfather paradoxes from occurring, or that time travelers need to step gingerly in the past to avoid disturbing things (a common trope in time-travel stories)—although they may in fact find that funny paranormal experiences impede them in ways they hadn’t expected. Guns might misfire at a crucial moment, for instance. (There’s nothing keeping you from trying to kill your grandfather.) But mainly, it is that time travelers from the future who survive their journey into the past are the ones whose actions somehow lead to the identical future from which they will have been sent back. Time loops, in other words.

Every dimension looks at itself through the eyes of other shapes in the Universe. Only in the senses, and through the senses, the joy is born and felt. The Universe's uppermost beauty, depth, knowledge, and potential shine on surfaces. The Universe puts on and changes many clothes, colors, shapes, and scents. Light is the robe of the Universe and is more important than its depth. Its whole nature shines from its face; its mystery seduces us with the smile of beauty; its depth is in the service of beauty. The most profound depth is sad and lonely at the bottom of itself and does not need knowledge, for it is in and of itself omnipotent knowledge and truth. That’s why the Being, in a creative dance with Emptiness, embraces her, To create a smile on her face Which becomes space Giving birth to distances among shapes. Without shapes, there are no distances or Paths, Without the Paths, there is no purpose For the Ultimate Path is the purpose, The Path walks the Way to the Harbor. Space is the Ultimate Curved Path, On the Way from Oneness into Plurality And from Plurality back to Oneness. Plurality is the curved smile of Oneness In myriad colors and shapes On countless paths of the divided One Toward the Ultimate Home of the One Undivided and uncurved Self.