Curfew Quotes

We've searched our database for all the quotes and captions related to Curfew. Here they are! All 100 of them:

I bet you never thought the hardest part of finding your ‘saviorʹ would be getting her mom to let her stay out past curfew.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Can you come over to Amberwood? I need you to help me break curfew and escape my dorm.” There were a few moments of silence. “Sage, I’ve been waiting two months to hear you say those words. You want me to bring a ladder?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Well, as much as I love kicking asses and taking names, it's way past curfew for you three"- Arriane
Lauren Kate (Torment (Fallen, #2))
As a matter of fact, I was going to offer you something.” “What did you have in mind?” "A field trip. You interested in doing something dangerous, and possibly illegal?” “Does it involve underage girls, broken curfews and assorted fruit toppings?
Rachel Vincent (If I Die (Soul Screamers, #5))
You’re not going to handle me?” I call after him, shock raising my brows. “Not tonight!” he tosses over his shoulder. I scoff. “What are you waiting for?” “It’s no fun if you expect it,” he answers, striding into the darkness. “Now, get back to bed before your wingleader realizes you’re out after curfew.” “What?” I gawk after him. “You’re my wingleader!
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
It was near curfew time, and I was dropping him off for the night. He shook his head. "Rose, I don't know if you're crazy or not, but I'm actually starting to think you might be the best guardian- or soon-to-be guardian- out there." "Did you just give me a serious compliment?" I asked. He turned his back on me and headed inside his dorm. "Good night.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I remembered suddenly that Aspen had always been this way. He sacrificed sleep for me, he risked getting caught out after curfew for me, he scrounged together pennies for me. Aspen's generosity was harder to see because it wasn't as grand as Maxon's, but the heart behind what he gave was so much bigger.
Kiera Cass (The Elite (The Selection, #2))
And have her back by midnight. " "Is that some powerful Caster hour?" "No. It's her curfew.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Rollover minutes don’t work with curfews.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Okay kids,” Ralphie said, trailing me. “Don’t be too late. Don’t do any drugs, drive smart and even if all the other kids are doing it, think twice. If you’re going to be over your curfew then make sure you call your Daddies or we’ll get worried.
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
The dhampir dorm appeared before me, about half its windows lit. It was near curfew; people were going to bed. I burst in through the doors, feeling like my heart was going to explode from the exertion. The first person I saw was Stan, and I nearly knocked him over. He caught my wrists to steady me. "Rose, wh—" "Strigoi," I gasped out. "There are Strigoi on campus." He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking. More ghost stories. "Rose, I don't know what you're—" "I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria." And like that, Stan was gone.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Though we were curfew-free- I'd told Mom I was spending the night at Mel's after our double date, and Mel had told Mrs. Warren that she'd be home "whenever my happy ass walks through the door"- I was nervous about tonight.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
This is the Malachai? (Jericho) In all his pain in the ass glory. (Acheron) Are we through now, Dad? Can I go play with my friends if I promise to be a good boy? I’ll even try and make it home by curfew. (Nick)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
But it's past curfew. - Lottie That's why they invented sneaking out. - Ellie
Connie Glynn (Undercover Princess)
Stupid Crusaders with their stupid rules. For a homicidal group, they’re appallingly restrictive. No, Meda, you can’t leave campus. No, Meda, you know we have a curfew. No, Meda, you can’t eat that guy.
Eliza Crewe (Crushed (Soul Eaters, #2))
Nick glowered at Ash. "Are we through now, Dad? Can I go play with my friends if I promise to be a good boy? I'll even try and make it home by curfew." Ash laughed evilly. "Oh, absolutely, son. In fact, here come your new playmates now.
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Up until now I've never done anything bad—not that this is bad. I've never even been late for curfew! Compared to most teenagers, I'm a miracle. You're lucky I'm your daughter.
Brynna Gabrielson (Starkissed)
He kissed me as if we had all the time in the world, as if it weren’t cold outside, as if winter weren’t coming, or the dawn, or any of the dangers that waited for us outside this field. I kissed him back as if he were right, as if there were only the two of us, as if the only worry we had were my curfew.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
Mr. Suttree it is our understanding that at curfew rightly decreed by law and in that hour wherein night draws to its proper close and the new day commences and contrary to conduct befitting a person of your station you betook yourself to various low places within the shire of McAnally and there did squander several ensuing years in the company of thieves, derelicts, miscreants, pariahs, poltroons, spalpeens, curmudgeons, clotpolls, murderers, gamblers, bawds, whores, trulls, brigands, topers, tosspots, sots and archsots, lobcocks, smellsmocks, runagates, rakes, and other assorted and felonious debauchees. I was drunk, cried Suttree.
Cormac McCarthy (Suttree)
I call my mom from the car. I tell her that Neutral Milk Hotel is playing at the Hideout and she says, "Who? What? You're hiding out?" And then I hum a few bars of one of their songs and Mom says, "Oh, I know that song. It's on the mix you made me," and I say, "Right," and she says, "Well you have to be back by eleven," and I say, "Mom this is a historical event. History doesn't have a curfew," and she says, "Back by eleven," and I say, "Fine. Jesus," and then she has to go cut cancer out of someone.
John Green (Will Grayson, Will Grayson)
History doesn't have a curfew.
John Green (Will Grayson, Will Grayson)
Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure. But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I’ve been carrying the old anthem in my mouth for so long that there’s no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I’m bloated with language I can’t afford to forget.
Warsan Shire (Teaching My Mother How to Give Birth)
She loves most the wet colours of his neck when he bathes. And his chest with with its sweat which her fingers grip when he is over her, and the dark, tough arms in the darkness of his tent, or one time in her room when light from the valley's city, finally free of curfew, rose among them like twilight and lit the colour of his body.
Michael Ondaatje (The English Patient)
That evening it was announced that curfew would be postponed until midnight, so that the families of those ‘sent for labour’ would have time to bring them blankets, a change of underwear and food for the journey. This ‘magnanimity’ on the part of the Germans was truly touching, and the Jewish police made much of it in an effort to win our confidence. Not until much later did I learn that the thousand men rounded up in the ghetto had been taken straight to the camp at Treblinka, so that the Germans could test the efficiency of the newly built gas chambers and crematorium furnaces.
Władysław Szpilman (The Pianist)
Mom and Dad exchange a nervous glance and have a telepathic conversation about it. I hear every word. Do we let her out? It's past curfew. True, but look at that—at least she asked! I know! I can hardly believe it! She could have sneaked out, but she asked! I know! We're good parents! "What time will you be back?" Dad asks.
Courtney Summers (Cracked Up to Be)
I'm an elephant today. I will need to have lots of room and also a bowl of water on the floor.
Jesse Ball (The Curfew)
On clear nights, when the stars were white on black instead of smoggy gray, we’d lie on the roof together and say cheesy things like, ‘At least they can’t charge us for moonlight.’ Although later they did, by way of imposing a curfew and fining those of us who broke it.
Parker Peevyhouse (Where Futures End)
...love / is turning out the lights when others do, a curfew we / would take / for sails.
Jorie Graham
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
Mothers wash the bloodstained apparel of grooms On stream banks, Bridal wear burns to ash, Bridesmaids cry And the Jhelum flows.
Basharat Peer (Curfewed Night)
Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician. Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there. Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16. A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death. A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you. Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water. And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine.
Suheir Hammad
Newspapers routinely refer to the missing men as ‘disappeared persons’, and their waiting wives are the ‘half-widows’.
Basharat Peer (Curfewed Night)
I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.
Aimé Césaire
Dylan, while he is in the shower and he and Joss are only seperated by the curtain and his invisibility: Dylan: "Maybe if you would come in here and scrub my back it would speed things up." Joss: "I'm not invisible." Dylan: "I know this.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
The curfew tolls the knell of parting day,/ The lowing herd wind slowly o'er the lea,/ The ploughman homeward plods his weary way,/ And leaves the world to darkness and to me./
Thomas Gray
Ellen Degeneres: “There’s a curfew for all the people on American Idol and you didn’t pay attention to it, ever.” Blake: “Yeah, why?” Ellen: “Why? That’s my question.
Blake Lewis
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin. "Echo, stop!" Ashley propelled her self out of the gliter. I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope. Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable? He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends." Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars. I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?" Blinking my self back to life, i answered for them, "My curfew is eleven." "Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
If he acts, if he doesn't, it's meaningless. The whole thing goes forward. No one is important. No one at all.
Jesse Ball (The Curfew)
A field trip. You interested in doing something dangerous, and possibly illegal?" Does it involve underage girls, broken curfews and soorte4d fruit toppings?" I dropped the empty can into the recycling bin and leaned against the kitchen peninsula, grinning like an idiot. "Two of the three. And I could probably scrounge up some strawberry jam, if you're desperate." "I'm never desperate," Tod said, only his voice hadn't come from my phone. I whirled around to see the reaper standing behind me, still holding his cell. "But for the record, I prefer apricot." "Yuck. Nobody likes apricot jam.
Rachel Vincent
Moreover to light a fire is the instinctive and resistant act of man when, at the winter ingress, the curfew is sounded throughout Nature. It indicates a spontaneous, Promethean rebelliousness against the fiat that this recurrent season shall bring foul times, cold darkness, misery and death. Black chaos comes, and the fettered gods of the earth say, Let there be light.
Thomas Hardy (The Return of the Native)
I'm not even sure whether I'm missing my mother, or simply the old routine of my life: a life of school and playdates and rules that kept me safe; boundaries and borders; bath time and curfews. A simple life.
Lauren Oliver (Requiem (Delirium, #3))
That would be the death of anyone - to recognize false hopes with a certainty. One mustn't know that. If it is offered, refuse!
Jesse Ball (The Curfew)
Not that believing such things has anything to do with whether they are true. You see that, don't you?
Jesse Ball (The Curfew)
Dylan: "I'd stolen chocolate from there, back when I was into that kind of thing. Stealing, not chocolate... whatever.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
I wanted every novel I have ever read to end with a true beginning.
Adalet Ağaoğlu (Curfew: A Novel (Modern Middle East Literatures in Translation Series))
By then the streets are empty and quiet, night about to fall, curfew about to come down like a giant warm embrace, keeping us all in our places, keeping us all safe.
Lauren Oliver (Delirium (Delirium, #1))
Curfew was in effect, so of course everyone not human was outside dodging cops.
Kim Harrison (The Undead Pool (The Hollows, #12))
That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows. At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar." "Titanic City" was born. It's the song, they said. No, the sea. The luxury. The ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.
Khaled Hosseini (A Thousand Splendid Suns)
…There are times when something is asked of us, and we find we must do it. There is no calculation involved, no measure of the necessity of the thing itself, the action that must be performed. There is simply an acknowledgment that we will do the thing in question, and then the thing is done, often at considerable personal cost. " "What goes into these decisions? What tiny factors, invisible, in the jutting edges of personality and circumstance, contribute to this inevitability?
Jesse Ball (The Curfew)
Walking in the dark streets of Seoul under the almost full moon. Lost for the last two hours. Finishing a loaf of bread and worried about the curfew. I have not spoken for three days and I am thinking, “Why not just settle for love? Why not just settle for love instead?
Jack Gilbert (Collected Poems of Jack Gilbert)
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright. In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine. Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia. I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war. Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery. I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Can you come over to Amberwood? I need you to help me break curfew and escape my dorm." There were a few moments of silence. "Sage, I've been waiting two months to hear you say those words.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces.
Warsan Shire (Teaching My Mother How to Give Birth)
Tim and Raine are coming in." "Are they insane?" "Apparently.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
If you are lucky enough to have a childhood friend, try your hardest to grow old with them. These friends are a unique, irreplaceable breed. These friends lived through curfews and Polaroid pictures with you. These friends know your parents and siblings because they had to call your house first to speak with you. Your memories are not frozen in time on social media, but live on nonetheless. Most importantly, they remember the person you were before the world got ahold of you, so they have this crazy ability to love you no matter what. They are the living, breathing reflection of where you have been. And so, just when you think you’ve lost yourself for good, they are there to bring you face-to-face with your true self, simply by sharing a cup of coffee with them. As your world grows and becomes larger and more complicated than your backyard, even if you establish a life elsewhere, I hope your childhood friends remain lifelong allies, because mine have saved my life on more than one occasion.
Alicia Cook (Stuff I've Been Feeling Lately)
I wonder of what you must daily endure in America, having no government to protect you, no one to tell you what to do. Is it true you're given no ration card, that you must find food for yourself? Is it true that you labor for no higher purpose than paper money? What is California, this place you come from? I have never seen a picture. What plays over the American loudspeakers, when is your curfew, what is taught at your child-rearing collectives? Where does a woman go with her children on Sunday afternoons, and if a woman loses her husband, how does she know the government will assign her a good replacement? With whom would she curry favor to ensure her children got the best Youth Troop leader?
Adam Johnson (The Orphan Master's Son)
I suddenly felt the way Cinderella might have felt if she hadn’t had that convenient midnight curfew: my feet were hurting, my hair was slipping free from its pins, and my makeup was getting all smudged from sweat. I was unbelievably tired, undeniably depressed, and I just wanted charming.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Srinagar is a medieval city dying in a modern war. It is empty streets, locked shops, angry soldiers and boys with stones. It is several thousand military bunkers, four golf courses, and three book-shops. It is wily politicians repeating their lies about war and peace to television cameras and small crowds gathered by the promise of an elusive job or a daily fee of a few hundred rupees. It is stopping at sidewalks and traffic lights when the convoys of rulers and their patrons in armored cars, secured by machine guns, rumble on broken roads. It is staring back or looking away, resigned. Srinagar is never winning and never being defeated.
Basharat Peer (Curfewed Night)
I should get points for not saying every dumb thing that pops in my head.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
Now, get back to bed before your wingleader realizes you’re out after curfew.” “What?” I gawk after him. “You’re my wingleader!
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
wash your dress in running water. dry it on the southern side of a rock. let them have four guesses and make them all wrong. take a fistful of snow in the summer heat. cook haluski in hot sweet butter. drink cold milk to clean your insides. be careful when you wake: breathing lets them know how asleep you are. don't hang your coat from a hook in the door. ignore curfew. remember weather by the voice of the wheel. do not become the fool they need you to become. change your name. lose your shoes. practice doubt. dress in oiled cloth around sickness. adore darkness. turn sideways in the wind. the changing of stories is a cheerful affair. give the impression of not having known.
Colum McCann
Don’t plan all of your weekends together so he has to ask permission to go fishing. Let him catch a couple of fish. Otherwise, he’ll start to break dates. Why? Because he’s acting like a rebellious teenager who’s been given a curfew by mama. He’ll do it deliberately so you don’t get used to dictating how his time is spent.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
"Crazy," he muttered softly, "how much I need you." Crazy, how something like that can feel like a kick in the chest, can hurt that much, can suck all the air right out of your body for a moment. And at the same time, settle over you, around you, so soft and warm and sweet, that you think nothing can ever be as good as this one moment. Crazy. That I can love you. This much.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
How could I explain why I'd acted that way? How could I explain how scary it was, to find out that I needed her so much? Was I supposed to tell her how she'd changed everything? Like how U hadn't even realized how bad I felt until she'd made it better, just by looking at me. Like how I thought she was awesome, bad-ass ninja, and what I hated was the fact that I knew I couldn't protect her, when that's all I wanted to do. How could I explain, without sounding like a complete asshole, that I was so afraid of losing her I pushed her away? I couldn't.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
We are born in this cemetery, but must not despair. -Piet Soron, 1847
Jesse Ball (The Curfew)
How two people can be so completely in sync and so completely clueless about each other at the same time is absolutely beyond my ability to comprehend.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
Eastwood was distorted for me, a picturesque place meant to lull its residents into believing that behind our gates and beyond our curfew, nothing bad could ever happen with any sort of permanence. It was a place so fatally flawed that it refused to acknowledge that any such imperfection was possible.
Robyn Schneider (The Beginning of Everything)
Parental looks rely a lot on brow positioning. Whereas the Dad Look involves the lowering of the brow as a whole, the Mom Look takes advantage of the power of the single, raised brow. Of Doom.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
What had I believed at ten? Anything I wanted. Any tale to make the day more fun, the night more alarming. In giant pigs rooting beneath the streets. In the corpse-eaters who pulled black carts by night, hunting children out past curfew.
Raymond St. Elmo (The Harlequin Tartan (Quest of the Five Clans #3))
Look at outside. We don't have drug dealers on the corners anymore. I can't remember the last time someone was shot on this block. My church-goers can come and go in peace." "When there isn't a curfew. Pastor, this isn't peace. This is order
Tochi Onyebuchi (Riot Baby)
You would not have gone. I understand that. You would not have gone up to his room. You would not have asked him for help. You would not have been wandering lost at midnight at age eleven. You would have been safe and dry and asleep, at home with your mother and father who cared about you and had rules, curfews, expectations. Everything for you would have been different. But if you were me, you would have done what I did. You would have gone, hopeful and stupid, to get the money for the taxi.
Rachel Kushner (The Mars Room)
This boy - his name was Eric - said he thought it disgusting the way all the girls at my college stood around on the porches under the porch lights and in the bushes in plain view, necking madly before the one o'clock curfew, so everybody passing by could see them. A million years of evolution, Eric said bitterly, and what are we? Animals.
Sylvia Plath (The Bell Jar)
T.J. seemed older than seventeen. Reserved almost. Maybe facing serious health problems eliminated some of the immature behavior that presented itself when you had nothing more to worry about than getting your driver's license, cutting class, or breaking curfew.
Tracey Garvis Graves
Matins You want to know how I spend my time? I walk the front lawn, pretending to be weeding. You ought to know I'm never weeding, on my knees, pulling clumps of clover from the flower beds: in fact I'm looking for courage, for some evidence my life will change, though it takes forever, checking each clump for the symbolic leaf, and soon the summer is ending, already the leaves turning, always the sick trees going first, the dying turning brilliant yellow, while a few dark birds perform their curfew of music. You want to see my hands? As empty now as at the first note. Or was the point always to continue without a sign?
Louise Glück (The Wild Iris)
If tonight wasn’t going to be the night—one week after my eighteenth birthday, with a limo to ourselves and no curfew—when was?
I.W. Gregorio (None of the Above)
You know, you guys have been dancing around each other for so long you could cut the sexual tension with a knife. It's a wonder you didn't rip each other's clothes off the minute you got over yourselves and got together." "For crissakes, Heather.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
Piper had trouble falling asleep. Coach Hedge spent the first hour after curfew doing his nightly duty, walking up and down the passageway yelling, “Lights out! Settle down! Try to sneak out, and I’ll smack you back to Long Island!” He banged his baseball bat against a cabin door whenever he heard a noise, shouting at everyone to go to sleep, which made it impossible for anyone to go to sleep. Piper figured this was the most fun the satyr had had since he’d pretended to be a gym teacher at the Wilderness School.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Just think of a safe location." "Are there tennis balls in the soup?" "Come on, be serious." "A pear camping highway fire mask," he said, more intensely. My heart rate, which had finally started slowing, sped up again.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
Like a good southern boy should, I'll start with my mom. She's a true baller, living proof that the value of denial depends on one's level of commitment to it. She beat two types of cancer on nothing more than aspirin and denial. She's a woman that says I'm going to before she can, I would before she could, and I'll be there before she's invited. Fiercely loyal to convenience and controversy, she's always had an adversarial relationship with context and consideration because they ask permission. She might not be the smartest person in the room but she ain't crying. She's 88 now, and seldom do I go to bed after her or wake up before her. Her curfew when she was growing up was when she danced holes big enough in the feet of her pantyhose that came up around her ankles. Nobody forgives himself quicker than she does and therefore, she carries zero stress. I once asked her if she ever went to bed with any regrets. She quickly told me, ‘Oh every night son, I just forget him by the time I wake up.’ She always told us, ‘Don't you walk into a place like you want to buy it, walk in like you own it.’ Obviously, her favorite word in the English language is ‘Yes.
Matthew McConaughey (Greenlights)
We found Trent and pulled him off the leggy girl. “Trent, it’s time to get home before your parents realize we snuck out.” I said. “What?” he asked confusedly. “Plus the bouncer found out we were sixteen and he does not look happy.” Logan added. The girl froze, “You’re sixteen? What the hell. You little perv, you’re going to pay for this.” Trent sputtered, “What? No.” Logan looked at her all doe eyed innocence and said “Sorry Ma’am, we have to get home now because it’s past our curfew.” Trent stood open mouthed in shock but his eyes were shooting murderous rays. So many death glares, so little time.
Amanda Kelly
There will be no magic, whatsoever. Magic is either a poverty-stricken necessity or a wealthy fantasy. We are in neither of those straits, and what cannot be explained will be left unknown.
Jesse Ball (The Curfew)
Positively, the delinquent behavior seems to speak clearly enough. It asks for what we can’t give, but it is in this direction we must go. It asks for manly opportunities to work, make a little money, and have self-esteem; to have some space to bang around in, that is not always somebody’s property; to have better schools to open for them horizons of interest; to have more and better sex without fear or shame; to share somehow in the symbolic goods (like the cars) that are made so much of; to have a community and a country to be loyal to; to claim attention and have a voice. These are not outlandish demands. Certainly they cannot be satisfied directly in our present system; they are baffling. That is why the problem is baffling, and the final recourse is to a curfew, to ordinances against carrying knives, to threatening the parents, to reformatories with newfangled names, and to 1,100 more police on the street.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
…In this way that he sought to control the very passage of his life, deftly and without forethought, yet precisely and with enormous care. Part of it was to allow what was enormous, what was profound, without limiting it.
Jesse Ball (The Curfew)
Irresponsibility. Maria’s never been irresponsible. When she was little, she was responsible for protecting everybody else from her own shit around her gender—responsible for making sure her parents didn’t have to have a weird kid. Of course, then they had a weird, sad kid anyway, right? Whatever. That’s when responsibility at the expense of self became a habit: she did not care about school, but she knew her parents would be sad if she didn’t go to college, since certain things are expected from you when you do well on standardized tests, so she scraped by and paid attention. Then, with drugs, it’s like, she took them all, but always in such moderation that it wasn’t really dangerous. Even when she was throwing up or incoherent, it was in a controlled situation. She never went to jail, never had the police bring her home, never got caught breaking curfew or went to the hospital or anything. And then she came to New York, paid her rent, had a job, kept her head down, had relationships with people where making the relationship run smoothly was more important than being present in it. Which did not work. It’s clear that being responsible has not been a positive force in her life. It has been fucking everything up.
Imogen Binnie (Nevada)
In a long life, said many an old man, this is but one more thing. Yet there were others who were young and knew nothing about the helplessness of life's condition. Did they glow with light? They did, but of course, it could not be seen. And all the while, the grinding of bones like machinery, and the light step of tightrope walkers out beyond the windows.
Jesse Ball (The Curfew)
We tire differently if we love or love not.
Jesse Ball (The Curfew)
Moreover to light a fire is the instinctive and resistant act of man when, at the winter ingress, the curfew is sounded throughout Nature. It indicates a spontaneous, Promethean rebelliousness against that fiat that this recurrent season shall bring foul times, cold darkness, misery and death. Black chaos comes, and the fettered gods of the earth say, Let there be light.
Thomas Hardy (The Return of the Native)
Bleeding from the ear. Oh Jesus, God. That was on the list for not applying pressure. But what did that mean? I couldn't remember. Couldn't think. "Is he okay?" "You dropped a two-hundred pound log on his head!" I screamed at Nathan. The air shuddered around us; the building itself seeming to tremble. "I didn't mean-" "Shut up, man," Marco said, swatting at Nathan's arm. "Joss, you need to calm the fuck down." "Calm down? Calm down?!" Energy pulsed around us, hot, thick, pricking at my eyes. Above, lights flickered, dimmed. A bulb shattered somewhere, and glass came tinkling down.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
The action of a thing is the same as the naming of it - is, in fact, the real name. The trees creak and they are saying, 'trees creak through the long night.' The long night - what is it? Trees creaking. There wasn't anything that tied life's moments together, except life. And when it was gone?
Jesse Ball (The Curfew)
"Joss" "What?" "What?" Dylan asked back. "You just said my name." "No I didn't" "Sorry that was me." I sat up, banging my head on the roof. "Who is that?" "Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?" "Not good, I think." "Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-" "Who are you?" "It's still me, Marshall. It's Dylan. I'm right here." "My name's Joel." "Joel?" "Joss, what are you talking about?" He took my face in his hands. "Who's Joel?" "The voice in my head, I guess." "Jesus.
Susan Bischoff (Heroes 'Til Curfew (Talent Chronicles, #2))
By banning books, the Israeli occupation deprives Palestinians of seeing beyond Gaza to the outside world and learning about that world. So, not only have Palestinians been expelled from their homes and ancestral land, not only have they been thrown into prisons, not only have their trees been cut and burned, not only have they been subject to daily killing and humiliation, not only have they been denied the right to return to their homes, but they are also denied access to knowledge and literature, besieged even inside their homes during curfews and random air raids. They are not allowed to travel freely, even through books. If one doesn’t get killed by Israel, then life must be made unbearable.
Jehad Abusalim (Light in Gaza: Writings Born of Fire)
Why are people okay with not walking? Does Father not miss his daily walks to the shrine and his shop? What about Mother and her long walk to her parents' home? Does Bobeh not get bored now that she can't kill time watching people walk on the streets? What happened to my sister who lived her life outside; going to college with her friends, walking long distances to make umpteen visits to her tailor? I miss playing hopscotch on the streets. I miss walking in the courtyards and the run to buy kyencza. Why can't I play hide-and-seek in with Mogli's daughter in our courtyard again? Who walks in the by-lanes, on the bridges, outside the school? Who can walk to the bakeries? These are not built for walking.
Farah Bashir (Rumours of Spring: A Girlhood in Kashmir)
A toast," Smooth Kitty cried, feeling almost giddy, "to self-government. Saint Etheldreda's School for Young Ladies will be run by young ladies from this point forward. Hear, hear!" Great applause. "To independence!" added Pocked Louise. "No fussy old widows telling us when not to speak, and how to set the spoons when an Earl's niece comes to supper. And telling us to leave scientific experiment to the men." Teacup toasts in support of Louise. "To freedom!" chimed in Disgraceful Mary Jane. "No curfews and evil eyes and lectures on morals and propriety." Loud, if nervous, cheering. "To womankind," proclaimed Stout Alice. "Each of us girls free to be what she wishes to be, without glum and crotchety Placketts trying to make us into what we're not." Tremendous excitement. "To sisterhood," said Dear Roberta, "and standing by each other, no matter what.
Julie Berry (The Scandalous Sisterhood of Prickwillow Place)
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The AIDS pandemic forced humans to cover their genitals with condoms. The COVID-19 pandemic is forcing them to put on masks. It is as if many people weren’t already going through life putting on a million masks and changing them based on convenience and self-interest. It is as if countless humans on this planet weren’t already forced to keep their mouths shut and endure the misfortunes imposed on them by the ‘fortunate’ few. I wonder which body part we will be forced to cover next. I wonder if, in the first place, all of this is happening because our eyes were covered all along. Are we heading to a time when staying safe becomes akin to a death sentence with stay of execution?
Louis Yako
The military authorities were concerned that soldiers going home on leave would demoralize the home population with horror stories of the Ostfront. ‘You are under military law,’ ran the forceful reminder, ‘and you are still subject to punishment. Don’t speak about weapons, tactics or losses. Don’t speak about bad rations or injustice. The intelligence service of the enemy is ready to exploit it.’ One soldier, or more likely a group, produced their own version of instructions, entitled ‘Notes for Those Going on Leave.’ Their attempt to be funny reveals a great deal about the brutalizing affects of the Ostfront. ‘You must remember that you are entering a National Socialist country whose living conditions are very different to those to which you have been accustomed. You must be tactful with the inhabitants, adapting to their customs and refrain from the habits which you have come to love so much. Food: Do not rip up the parquet or other kinds of floor, because potatoes are kept in a different place. Curfew: If you forget your key, try to open the door with the round-shaped object. Only in cases of extreme urgency use a grenade. Defense Against Partisans: It is not necessary to ask civilians the password and open fire upon receiving an unsatisfactory answer. Defense Against Animals: Dogs with mines attached to them are a special feature of the Soviet Union. German dogs in the worst cases bite, but they do not explode. Shooting every dog you see, although recommended in the Soviet Union, might create a bad impression. Relations with the Civil Population: In Germany just because someone is wearing women’s clothes does not necessarily mean that she is a partisan. But in spite of this, they are dangerous for anyone on leave from the front. General: When on leave back to the Fatherland take care not to talk about the paradise existence in the Soviet Union in case everybody wants to come here and spoil our idyllic comfort.
Antony Beevor (Stalingrad: The Fateful Siege, 1942–1943)
This is the definition of peace. The definition is interrupted by Toraf's ringtone. Why did Rachel get Toraf a phone? Does she hate me? Fumbling behind him in the sand, Galen puts a hand on it right before it stops ringing. He waits five seconds and...Yep, he's calling again. "Hello?" he whispers. "Galen, it's Toraf." Galen snorts. "You think?" "Rayna's ready to leave. Where are you?" Galen sighs. “We’re on the beach. Emma’s still sleeping. We’ll walk back in a few minutes.” Emma braved her mom’s wrath by skipping curfew again last night to be with him. Grom’s mating ceremony is tomorrow, and Galen and Rayna’s attendance is required. He’ll have to leave her in Toraf’s care until he gets back. “Sorry, Highness. I told you, Rayna’s ready to go. You have about two minutes of privacy. She’s heading your way. “The phone disconnects. Galen leans down and sweeps his lips over her sweet neck. “Emma,” he whispers. She sighs. “I heard him,” she groans drowsily. “You should tell Toraf that he doesn’t have to yell into the phone. And if he keeps doing it, I’m going to accidentally break it.” Galen grins. “He’ll get the hang of it soon. He’s not a complete idiot.” At this, Emma opens one eye. He shrugs. “Well, three quarters maybe. But not a complete one.” “Are you sure you don’t want me to come with you?” she says, sitting up and stretching. “You know I do. But I think this mating ceremony will be interesting enough without introducing my Half-Breed girlfriend, don’t you think?” Emma laughs and pulls her hair to one side, draping it over her shoulder. “This is our first time away from each other. You know, as a couple. We’ve only been really dating for two weeks now. What will I do without you?” He pulls her to him, leaning her back against his chest. “Well, I’m hoping that this time when I come back, it won’t be to the sight of you kissing Toraf.” The snickers beside them let them know their two minutes of privacy are up. “Yeah. Or someone’s gonna die,” Rayna says cordially. Galen helps Emma up and swats the leftover sand out of her sundress. He takes her hands into his. “Could I please just ask one thing without you getting all mad about it?” She scowls. “Let me guess. You don’t want me to get in the water while you’re gone.” “But I’m not ordering you to stay out of it. I’m asking, no begging, very politely, and with all my heart for you not to get in. It’s your choice. But it would make me the happiest man-fish on the coast if you wouldn’t.” They sense the stalker almost daily now. That and the fact that Dr. Milligan blew his theory about Emma’s dad being a Half-Breed out of the water makes Galen more nervous than he can say. It means they still don’t have any answers about who could know about Emma. Or why they keep hanging around. Emma rewards him with a breathtaking smile. “I won’t. Because you asked.” Toraf was right. I just had to ask. He shakes his head. “Now I can sleep tonight.” “That makes one of us. Don’t stay gone too long. Or Mark will sit by me at lunch.” He grimaces. “I’ll hurry.” He leans down to kiss her. Behind them, he hears Rayna’s initial splash. “She’s leaving without you,” Emma whispers on his lips. “She could have left hours ago and I’d still catch her. Good-bye, angelfish. Be good.” He places a forceful kiss on her forehead, then gets a running start and dives in. And he misses her already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
if consumer demand should increase for the goods or services of any private business, the private firm is delighted; it woos and welcomes the new business and expands its operations eagerly to fill the new orders. Government, in contrast, generally meets this situation by sourly urging or even ordering consumers to “buy” less, and allows shortages to develop, along with deterioration in the quality of its service. Thus, the increased consumer use of government streets in the cities is met by aggravated traffic congestion and by continuing denunciations and threats against people who drive their own cars. The New York City administration, for example, is continually threatening to outlaw the use of private cars in Manhattan, where congestion has been most troublesome. It is only government, of course, that would ever think of bludgeoning consumers in this way; it is only government that has the audacity to “solve” traffic congestion by forcing private cars (or trucks or taxis or whatever) off the road. According to this principle, of course, the “ideal” solution to traffic congestion is simply to outlaw all vehicles! But this sort of attitude toward the consumer is not confined to traffic on the streets. New York City, for example, has suffered periodically from a water “shortage.” Here is a situation where, for many years, the city government has had a compulsory monopoly of the supply of water to its citizens. Failing to supply enough water, and failing to price that water in such a way as to clear the market, to equate supply and demand (which private enterprise does automatically), New York’s response to water shortages has always been to blame not itself, but the consumer, whose sin has been to use “too much” water. The city administration could only react by outlawing the sprinkling of lawns, restricting use of water, and demanding that people drink less water. In this way, government transfers its own failings to the scapegoat user, who is threatened and bludgeoned instead of being served well and efficiently. There has been similar response by government to the ever-accelerating crime problem in New York City. Instead of providing efficient police protection, the city’s reaction has been to force the innocent citizen to stay out of crime-prone areas. Thus, after Central Park in Manhattan became a notorious center for muggings and other crime in the night hours, New York City’s “solution” to the problem was to impose a curfew, banning use of the park in those hours. In short, if an innocent citizen wants to stay in Central Park at night, it is he who is arrested for disobeying the curfew; it is, of course, easier to arrest him than to rid the park of crime. In short, while the long-held motto of private enterprise is that “the customer is always right,” the implicit maxim of government operation is that the customer is always to be blamed.
Murray N. Rothbard (For a New Liberty: The Libertarian Manifesto (LvMI))